A Sort of Newsletter the NEWSLETTER of the GRAHAM GREENE BIRTHPLACE TRUST
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{FREE} the Confidential Agent: an Entertainment
THE CONFIDENTIAL AGENT: AN ENTERTAINMENT PDF, EPUB, EBOOK Graham Greene | 272 pages | 22 Jan 2002 | Vintage Publishing | 9780099286196 | English | London, United Kingdom The Confidential Agent: An Entertainment PDF Book Graham Greene. View all 3 comments. I am going to follow this up with The Heart of the Matter. Neil Forbes Holmes Herbert This edition published in by Viking Press in New York. This wistful romance is one of Greene's other masterstrokes of plotting; he is refreshingly unabashed about any pig-headed question of decency and he lets this romance flow in seamlessly and incidentally into the narrative to lend it a real heart of throbbing passion. Shipping to: Worldwide. Buy this book Better World Books. Seller information worldofbooksusa Not in Library. Clear your history. The confidential agent: an entertainment , The Viking Press. In a small continental country civil war is raging. It has a fast-moving plot, reversals of fortune, and plenty of action. It is not exactly foiling a diabolical conspiracy perpetuated by a grand, preening super-villain or sneaking behind enemy lines. Looking for a movie the entire family can enjoy? The Power And The Glory was a deliberate exercise in exploring religion and morality, and Greene did not expect it to sell very well. Edit Did You Know? Well, it is. So, despite a promising start and interesting plot, the story itself loses grip on a number of occasions because there is little chemistry, or tension, between the characters - not between D. So he writes this book in the mornings, then writes the "serious" novel in the afternoons; whilst helping dig trenches on London's commons with the war looming. -
Graham Greene Exhibition Catalogue
The Cherry Record Collection of Josephine Reid’s Papers and Books Relating to Our thanks to the following donors who made the acquisition possible: Paul Almond (1949) GRAHAM GREENE Professor John Stephenson (1953) Professor John-Christopher Spender (1957) Roger Jefferies (1957) Paul Lewis (1958) Peter Buckman (1959) Matthew Nimetz (1960) Doug Rosenthal (1961) Alan James (1962) Stephen Crew (1964) Jim Rogers (1964) Emeritus Professor Paul Crittenden (1965) Alan Heeks (1966) Geoff Wright (1967) Neil Record (1972) Julie Record Richard Jones (1977) Mark Storey (1981) Danny Truell (1982) Alison Roberts (1984) Claire Foster-Gilbert (1984) Virginia Preston (1985) Richard Locke (1985) Jonathan Lewin (1992) Adam Dixon (1994) Sarah Longair (1998) Jo Valentine (2001) Jeff Kulkarni (2001) Sean McDaniel (2002) Alice McDaniel (2003) Blackwell Charitable Trust Friends of the National Libraries ISBN 978-1-78280-500-7 An exhibition held at BALLIOL COLLEGE HISTORIC COLLECTIONS CENTRE 9 781782 805007 > ST CROSS CHURCH, ST CROSS ROAD, OXFORD 25 & 26 April 2015 EXHIBITION AND CATALOGUE BY Naomi Tiley Librarian, Balliol College Anna Sander Archivist, Balliol College FOREWORD BY Sir Anthony Kenny Master of Balliol College 1978–1989 Seamus Perry COVER ILLUSTRATIONS: Fellow Librarian, Balliol College Studio portrait of Josephine Reid taken in the late 1940s or early Neil Record 1950s. Photographer unknown. Balliol 1972 Handwriting © Josephine Reid’s Estate Details from postcards from Graham Greene to Josephine Reid © Verdant SA. The organisers are indebted to -
Andrew Martin Is an Author, Journalist and Broadcaster. His Previous Books with Profile Are Underground, Overground and Belles and Whistles
ANDREW MARTIN is an author, journalist and broadcaster. His previous books with Profile are Underground, Overground and Belles and Whistles. He has written for the Guardian, Evening Standard, Independent on Sunday, Daily Telegraph and New Statesman, amongst many others. His ‘Jim Stringer’ series of novels based around railways is published by Faber. His latest novel, Soot, is set in late eighteenth-century York. Praise for Night Trains ‘You do not have to be a trainspotter to enjoy this book. It is social history, a kind of epitaph to a way of travel that seems to be lost, at least in Europe.’ Spectator ‘A delightful book … charmingly combines Martin’s own travels, as he recreates journeys on famous trains such as the Orient Express, with a serious, occasionally geeky, history of those elegant wagons lits of the past … Even if you’re not into the detail of rail gauges, this book is the perfect companion as you wait for the 8.10 from Hove.’ Observer ‘Excellent … Mr Martin paints a vivid picture of this world on rails … he proves a witty companion who wears his knowledge lightly’ Country Life ‘Andrew Martin has cornered the train market. He is the Bard of the Buffer, the Balladeer of the Blue Train, the Laureate of Lost Property … I picked up Night Trains knowing that I would be entertained, but also in the hope that his many years of experience would teach me how to sleep on a sleeper … Andrew Martin is the best sort of travel writer: inquisitive, knowledgeable, lively, congenial. He is also very funny, while never letting the humour drive reality, rather than vice versa. -
Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN -
Introduction
Notes INTRODUCTION 1. Graham Greene (ed.), The Old School (London: Jonathan Cape, 1934) 7-8. (Hereafter OS.) 2. Ibid., 105, 17. 3. Graham Greene, A Sort of Life (London: Bodley Head, 1971) 72. (Hereafter SL.) 4. OS, 256. 5. George Orwell, The Road to Wigan Pier (London: Gollancz, 1937) 171. 6. OS, 8. 7. Barbara Greene, Too Late to Turn Back (London: Settle and Bendall, 1981) ix. 8. Graham Greene, Collected Essays (London: Bodley Head, 1969) 14. (Hereafter CE.) 9. Graham Greene, The Lawless Roads (London: Longmans, Green, 1939) 10. (Hereafter LR.) 10. Marie-Franc;oise Allain, The Other Man (London: Bodley Head, 1983) 25. (Hereafter OM). 11. SL, 46. 12. Ibid., 19, 18. 13. Michael Tracey, A Variety of Lives (London: Bodley Head, 1983) 4-7. 14. Peter Quennell, The Marble Foot (London: Collins, 1976) 15. 15. Claud Cockburn, Claud Cockburn Sums Up (London: Quartet, 1981) 19-21. 16. Ibid. 17. LR, 12. 18. Graham Greene, Ways of Escape (Toronto: Lester and Orpen Dennys, 1980) 62. (Hereafter WE.) 19. Graham Greene, Journey Without Maps (London: Heinemann, 1962) 11. (Hereafter JWM). 20. Christopher Isherwood, Foreword, in Edward Upward, The Railway Accident and Other Stories (Harmondsworth: Penguin, 1972) 34. 21. Virginia Woolf, 'The Leaning Tower', in The Moment and Other Essays (NY: Harcourt Brace Jovanovich, 1974) 128-54. 22. JWM, 4-10. 23. Cockburn, 21. 24. Ibid. 25. WE, 32. 26. Graham Greene, 'Analysis of a Journey', Spectator (September 27, 1935) 460. 27. Samuel Hynes, The Auden Generation (New York: Viking, 1977) 228. 28. ]WM, 87, 92. 29. Ibid., 272, 288, 278. -
Graham Greene and the Idea of Childhood
GRAHAM GREENE AND THE IDEA OF CHILDHOOD APPROVED: Major Professor /?. /V?. Minor Professor g.>. Director of the Department of English D ean of the Graduate School GRAHAM GREENE AND THE IDEA OF CHILDHOOD THESIS Presented, to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Martha Frances Bell, B. A. Denton, Texas June, 1966 TABLE OF CONTENTS Chapter Page I. INTRODUCTION 1 II. FROM ROMANCE TO REALISM 12 III. FROM INNOCENCE TO EXPERIENCE 32 IV. FROM BOREDOM TO TERROR 47 V, FROM MELODRAMA TO TRAGEDY 54 VI. FROM SENTIMENT TO SUICIDE 73 VII. FROM SYMPATHY TO SAINTHOOD 97 VIII. CONCLUSION: FROM ORIGINAL SIN TO SALVATION 115 BIBLIOGRAPHY 121 ill CHAPTER I INTRODUCTION A .narked preoccupation with childhood is evident throughout the works of Graham Greene; it receives most obvious expression its his con- cern with the idea that the course of a man's life is determined during his early years, but many of his other obsessive themes, such as betray- al, pursuit, and failure, may be seen to have their roots in general types of experience 'which Green® evidently believes to be common to all children, Disappointments, in the form of "something hoped for not happening, something promised not fulfilled, something exciting turning • dull," * ar>d the forced recognition of the enormous gap between the ideal and the actual mark the transition from childhood to maturity for Greene, who has attempted to indicate in his fiction that great harm may be done by aclults who refuse to acknowledge that gap. -
John Irving, Female Sexuality, and the Victorian Feminine Ideal
Eastern Illinois University The Keep Masters Theses Student Theses & Publications 2002 John Irving, Female Sexuality, and the Victorian Feminine Ideal Tara Coburn Eastern Illinois University This research is a product of the graduate program in English at Eastern Illinois University. Find out more about the program. Recommended Citation Coburn, Tara, "John Irving, Female Sexuality, and the Victorian Feminine Ideal" (2002). Masters Theses. 1411. https://thekeep.eiu.edu/theses/1411 This is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Masters Theses by an authorized administrator of The Keep. For more information, please contact [email protected]. THESIS/FIELD EXPERIENCE PAPER REPRODUCTION CERTIFICATE TO: Graduate Degree Candidates (who have written formal theses) SUBJECT: Permission to Reproduce Theses The University Library is receiving a number of request from other institutions asking permission to reproduce dissertations for inclusion in their library holdings. Although no copyright laws are involved, we feel that professional courtesy demands that permission be obtained from the author before we allow these to be copied. PLEASE SIGN ONE OF THE FOLLOWING STATEMENTS: Booth Library of Eastern Illinois University has my permission to lend my thesis to a reputable college or university for the purpose of copying it for inclusion in that institution's library or research holdings. Date I respectfully request Booth Library of Eastern Illinois University NOT allow -
Actor and Berkshire Parent Sydney Greenstreet's Letters from the Road
Fall 2011/ Winter 2012 BERKSHIRE BULLETIN Actor and Berkshire Parent Sydney Greenstreet’s Letters From the Road OPENING SHOT Big Buss for Brett MARLEE WALLINGFORD ’76 and BESS MALTZ ANDREWS ’81 welcomed BRETT PUTNAM ’81 to his thirtieth reunion last May. Brett is the son of the ever legendary Em Putnam, a former longtime administrator here. Berkshire Bulletin Fall 2011/Winter 2012 BERKSHIRE BULLETIN 2 Reaction 5 Under the Dome 24 College Essays 26 Alumni Events 28 Reunion Weekend 37 Alumni Authors 38 Our Man in Mexico During Reunion Weekend last spring, LUKE HARAN, president of “The Great Class of 1961,” presented Head of School Mike Maher with a plaque 44 As ever — Sydney formally naming the Great Room in Berkshire Hall, representing a fiftieth-reunion gift of $370,462. A great class, indeed: its members also established two scholar- 55 From Students to Heads ship funds: the Class of 1961 John F. Godman Fund in 1985 and the Class of 1961 Edward H. Hunt Scholarship Fund in 2006. 57 Class Notes 74 In Memoriam Cover: Sydney Greenstreet’s correspondence to Seaver Buck came from whichever city he happened to be appearing in at the time. 80 Of Rogers and Heart Rooted in an inspiring natural setting, Berkshire School instills the highest standards of character and citizenship and a commitment to academic, artistic, and athletic excellence. Our community fosters diversity, a dedication to environmental stewardship, and an enduring love for learning. STEPHEN P. NORMAN ’60, President, Board of Trustees DESIGN: Julie Hammill, Hammill Design Michael J. Maher, Head of School PRINTING: Quality Printing Company, Pittsfield, Mass. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Radio Wars and Revolution in the Caribbean, 1959
1 Alejandra Bronfman Radio Wars and Revolution in the Caribbean, 1959 Abstract For most places in the Caribbean, the term Cold War fails to describe the contentious, noisy, violent politics of the 1950s and ‘60s. In the rapidly changing political contexts of 1957–62, Haiti’s Francois Duvalier and Cuban Fidel Castro rose to power, while in the Dominican Republic Rafael Trujillo’s regime weakened and ended with his assassination in 1961. Actors across the ideological spectrum engaged in transnational ‘Radio Wars’ in their efforts to both undermine and prop up particular regimes. This article will explore those radio wars, understanding them not just as an enactment of the complex politics of the day, but also as the expression of a par- ticular kind of utopian imagining of radio’s potential for political mobilisation. It considers the politics of clandestine broadcasting across ideological, racial and national boundaries in the 1950s and ‘60s Caribbean. Expanding on and engaging a burgeoning literature on radio in Latin America and the Caribbean, attention to ‘Radio Wars’ adds fresh perspectives to histories of the Cold War, decolonisation, and the soundscapes of dictatorship and empire. More pre- cisely, it moves beyond a Soviet-US binary and considers the role of broadcasting and propa- ganda in the making of an inter-Caribbean war of frequencies. KEYWORDS: Broadcasting, Cold War, Cuba, Haiti, Caribbean In a recent article, Kate Lacey observes: ‘Despite notable exceptions, the volume and scope of the national broadcasting histories are freighted heavily towards the Global North.’1 Indeed, broad- casting in the Caribbean has not enjoyed the same depth and breadth of study as North American or European broadcasting. -
The Mystery of Evil in Five Works by Graham Greene
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1984 The Mystery of Evil in Five Works by Graham Greene Stephen D. Arata College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Arata, Stephen D., "The Mystery of Evil in Five Works by Graham Greene" (1984). Dissertations, Theses, and Masters Projects. Paper 1539625259. https://dx.doi.org/doi:10.21220/s2-6j1s-0j28 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Mystery of Evil // in Five Works by Graham Greene A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Stephen D. Arata 1984 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree Master of Arts /;. WiaCe- Author Approved, September 1984 ABSTRACT Graham Greene's works in the 1930s reveal his obsession with the nature and source of evil in the world. The world for Greene is a sad and frightening place, where betrayal, injustice, and cruelty are the norm. His books of the 1930s, culminating in Brighton Rock (1938), are all, on some level, attempts to explain why this is so. -
1 the Pearl of the Antilles: Haiti in Colonial Times (1492–1791) 2 the Slaves Who Defeated Napoléon: the Haitian Revolution (
Notes 1 The Pearl of the Antilles: Haiti in Colonial Times (1492–1791) 1. Christopher Columbus, The Four Voyages (New York: Penguin Books, 1969; translated by K. M. Cohen), 116. 2. Quoted in Robert D., Nancy G., and Michael Heinl, Written in Blood: The Story of the Haitian People, 1492–1995 (New York: U. Press of America, 1996), 4. 3. Quoted in Eric Williams, From Columbus to Castro: The History of the Caribbean (1970; reprint, New York: Vintage Books, 1984), 34. 4. Quoted in Heinl et al., Written in Blood, 18. 5. Aristide and Christophe Wargny, Jean-Bertrand Aristide: An Autobiography (New York: Orbis Books, 1993), 143. From 1500 to 1650, Spanish imports of gold and silver from the entire New World (including Mexico and Peru) were 80 tons and 16,000 tons, respectively. See Henry Kamen, Empire: How Spain Became a World Power, 1492–1763 (2002; reprint, New York: HarperCollins, 2004), 287. 2 The Slaves Who Defeated Napoléon: The Haitian Revolution (1791–1804) 1. Quoted in Laurent Dubois, Avengers of the New World: The Story of the Haitian Revolution (Cambridge, MA: Harvard University Press, 2004), 100. 2. Antoine Métral, Histoire de l’expédition des Français à Saint-Domingue sous le consulat de Napoléon Bonaparte (1802–1803), suivie des mémoires et notes d’Isaac l’Ouverture (1825; reprint, Paris: Karthala, 1985), 325. 3. Quoted in Wenda Parkinson, “This Gilded African”: Toussaint l’Ouverture (New York: Quartet Books, 1978), 155. 4. “Louverture to Brig. Gen. Domage” (20 Pluviôse Year X [February 9, 1802]), CC9B/19, Archives Nationales, Paris. 218 ● Notes 3 Missed Opportunities: Haiti after Independence (1804–1915) 1.