Dubya's Ukulele Farewell Party
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By Dave Rowlands Wings of Wrath (Song of Steel) (Volume 2) [Rowlands, Dave] on Amazon.Com
Read Ebook {PDF EPUB} Wings of Wrath (Song of Steel) (Volume 2) by Dave Rowlands Wings of Wrath (Song of Steel) (Volume 2) [Rowlands, Dave] on Amazon.com. *FREE* shipping on qualifying offers. Wings of Wrath (Song of Steel) (Volume 2) Buy Wings of Wrath (Song of Steel) (Volume 2) by Rowlands, Dave online on Amazon.ae at best prices. Fast and free shipping free returns cash on delivery available on eligible purchase. Buy Wings of Wrath: Volume 2 (Song of Steel) by Rowlands, Dave from Amazon's Fiction Books Store. Everyday low prices on a huge range of new releases and classic fiction. Wings of Wrath (ISBN 0756405351) is a fantasy novel by American writer Celia S. Friedman. It is the second book in the Magister Trilogy. It was published in 2009 by DAW books. Its plot follows almost immediately after the plots of the previous book, Feast of Souls. While the point of view is always in third-person, the focus shifts between many different characters, including minor ones, to hear their … Wings of Wrath: Volume 2 (Song of Steel): Amazon.es: Rowlands, Dave: Libros en idiomas extranjeros Selecciona Tus Preferencias de Cookies Utilizamos cookies y herramientas similares para mejorar tu experiencia de compra, prestar nuestros servicios, entender cómo los utilizas para poder mejorarlos, y para mostrarte anuncios. Find helpful customer reviews and review ratings for Wings of Wrath: Volume 2 (Song of Steel) at Amazon.com. Read honest and unbiased product reviews from our users. Jan 01, 2009 · Wings of Wrath is the second novel in C. -
Sam Shepard One Acts: War in Heaven (Angel’S Monologue), the Curse of the Raven’S Black Feather, Hail from Nowhere, Just Space Rhythm
Sam Shepard One Acts: War in Heaven (Angel’s Monologue), The Curse of the Raven’s Black Feather, Hail from Nowhere, Just Space Rhythm Resource Guide for Teachers Created by: Lauren Bloom Hanover, Director of Education 1 Table of Contents About Profile Theatre 3 How to Use This Resource Guide 4 The Artists 5 Lesson 1: Who is Sam Shepard? Classroom Activities: 1) Biography and Context 6 2) Shepard in His Own Words 6 3) Shepard Adjectives 7 Lesson 2: Influences on Shepard Classroom Activities 1) Exploring Similar Themes in O’Neill and Shepard 16 2) Exploring Similar Styles in Beckett and Shepard 17 3) Exploring the Influence of Music on Shepard 18 Lesson 3: Inspired by Shepard Classroom Activities 1) Reading Samples of Shepard 28 2) Creative Writing Inspired by Shepard 29 3) Directing One’s Own Work 29 Lesson 4: What Are You Seeing Classroom Activities 1) Pieces Being Performed 33 2) Statues 34 3) Staging a Monologue 36 Lesson 5: Reflection Classroom Activities 1) Written Reflection 44 2) Putting It All Together 45 2 About Profile Theatre Profile Theatre was founded in 1997 with the mission of celebrating the playwright’s contribution to live theater. To that end, Profile programs a full season of the work of a single playwright. This provides our community with the opportunity to deeply engage with the work of our featured playwright through performances, readings, lectures and talkbacks, a unique experience in Portland. Our Mission realized... Profile invites our audiences to enter a writer’s world for a full season of plays and events. -
The Brothers Nazaroff 1
THE HAPPY PRINCE NAZAROVYE! A GREETING FROM THE BROTHERS NAZARISHE GREETINGS TO ALL. Thank you for acquiring this most joyous of musical tributes to our beloved lost uncle, the “Prince.” Three score years ago, the venerable Moses Asch released Nathan “Prince” Nazaroff’s 10” record, Jewish Freilach Songs (FW 6809). It has since proved to be a guiding light in the search for a missing link between our post-modern Babylo- nian exile and the lost Atlantis of Yiddish “Middle-Europe.” The “Prince” came to our American shores in 1914, as the old world crumbled. One hundred years later, we, the amalgamated and wind-strewn spiritual nephews of the great Nazaroff, have gathered to honor our lost Tumler Extraordinaire, a true troubadour of the vanished Yiddish street. Leaving our homes in New York, Berlin, Budapest, Moscow, and France, we began recording these songs in an astrological library in Michigan and finished up in an attic in Berlin. We were armed with a smattering of languages, several instruments, a bird whistle from Istanbul, and the indispensable liner notes to the original Folkways album (available for download from Smithsonian Folkways’ website—we encourage any listener to this recording to obtain a copy). We have tried to stay true to Nazaroff’s neshome (soul), khokhme (wit), style, and sense of music. The “Prince” was truly a big-time performer. By keeping his music alive, we hope to bring him into an even bigger time: the future. So let’s now celebrate the discordant, obscure, jubilant, ecstatic legacy of our Happy “Prince.” NAZAROVYE! THE HAPPY PRINCE THE BROTHERS NAZAROFF 1 THE HAPPY PRINCE 1. -
Thega.; EPORTISSUE 1930, Noven1iter 6, 1992 the First Single from the New Album: the RADICAL LIGHT /A\ SHEPARD
theGA.; EPORTISSUE 1930, NOVEN1ItER 6, 1992 the first single from the new album: THE RADICAL LIGHT /A\ SHEPARD "wakeupthe house" Produced by Vonda Shepard & Matthew Wilder Management: Patrick Rains & Associates 4::.!a.. the GAVIN REPORT (\JAME tir alira CC1 * Indicates Tie TOP 40 URBAN RAP MOST ADDED MOST ADDED MOST ADDED WHITNEY HOUSTON BELL BIV DeVOE PARIS I Will Always Love You (Arista) Gangsta (MCA) The Days Of Old (Scarface/Sex) RESTLESS HEART HI -FIVE DAS EFX When She Cries (RCA) Quality Time (Jive) Straight Out The Sewer (Atco/EastWest America) BOYZ II MEN WHITNEY HOUSTON ICE CUBE In The Still Of The Night (Motown) I Will Always Love You (Arista) Wicked (Priority) RECORD TO WATCH RECORD TO WATCH BRAND NUBIAN RETAIL [15j- WRECKX-N-EFFECT SILK Punks Jump Up To Get Beat Down Rump Shaker (MCA) Happy Days (Keia/Elektra) (Elektra) RADIO EPMD FREDDIE JACKSON R.E.M. Can I Touch You Head Banger Drive (Warner Bros.) Ca. itol (Def Jam/Chaos) COUNTRY JAZZ MOST ADDED MOST ADDED MOST ADDED WHITNEY HOUSTON GARTH BROOKS JACKIE McLEAN I Will Always Love You (Arista) Somewhere Other Than The Night (Liberty) Rhythm Of The Earth (Antilles/PolyGram) CELINE DION DIAMOND RIO MIKE STERN Love Can Move Mountains (Epic) In A Week Or Two (Arista) Standards (And Other Songs) (Atlantic) GENESIS CONFEDERATE RAILROAD GARY BURTON AND FRIENDS Never A Time (Atlantic) Queen Of Memphis (Atlantic) Six Pack (GRP) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH SONIA DADA MIKE REID JACKIE McLEAN You Ain't Thinking (About Me) (Chameleon/Elektra) Call Home (Columbia) RhythlOf -
Includes Our Main Attractions
Ambler Theater Previews63A MARCH – MAY 2008 Amy Adams and Frances McDormand in MISS PETTIGREW LIVES FOR A DAY Adams and Frances McDormand in MISS PETTIGREW LIVES FOR Amy INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. ADMISSION Give us Feedback Your film experience is the most important thing to us, so we welcome your feedback. Please let us know what we can do General ............................................................$8.50 better. Call (215) 345-7855, or email us at Members .........................................................$4.50* [email protected] Seniors (62+) Children under 18 and When will films play? Students w/valid I.D. .....................................$6.50 Matinee (before 5:30 pm) ...............................$6.50 Main Attractions Wed Early Matinee (before 2:30 pm) ...............$5.00 Film Booking. Our main films play week-to-week from Friday Affiliated Theaters Members** .........................$5.50 through Thursday. Every Monday we determine what new films will start on Friday, what current films will end on Thursday, **Affiliated Theaters Members and what current films will continue through Friday for another The Ambler Theater, the County Theater, and the Bryn Mawr Film In- week. All films are subject to this week-to-week decision-mak- ing process. We try to play all of our Main Attraction films as stitute have reciprocal admission benefits. Your Ambler membership soon as possible. (For more info on the business of booking will allow you $5.50 admission at the other theaters. (You must films and why some films play longer or sooner than others, present your membership card to obtain this discount.) visit our website.) Be a Member When Will a Film’s Run Start? Become a member of the nonprofit Ambler Theater and show your After we decide on Monday (Tuesday at the latest) what new support for good films and a cultural landmark. -
THE MIDNIGHT ,I! INTERVIEW When Play with •T1 .Again, • -5 Am.I by Diane Maskell
THE MIDNIGHT _,I! INTERVIEW When Play with •t1 .again, • -5 am.I By Diane Maskell 00: So where did your idea for a personal lubricant for men begin? you ' re Robb Carr: Probably in the bedroom, but it wound up in the kitchen! 00: Just like Mrs. Fields ... RC: The only difference is my product tastes better. ready to 00: How is it that a concert pianist can design a personal lubricant? Do you have a background in chemistry? RC: No, but I have a bachelor's degree in masturbation. As they say, necessity is the mother of invention. A few years ago, I was in the throes of an ending relationship. Not only was I not ''h ow,I '' emotionally ready to be with someone else, but I wasn't wild about the risk factors either. For me, it was appropriate to make the most of solo sex. I wasn't impressed with the lubricants on the market, so I made my own. Over a period of time, I managed to come up with one in particu talk to us ... lar that I really got off on ... so to speak. For advertising information contact: Diane Maskell 804-625-0700 voice 804-625-6024 fax Robb Carr, a concert pianist, resides in California. Call 1-800-828-6367 to place your order for MEN"S CREAM! 00: Was it your intention to market this lubricant? RC: At first, no. But after receiving positive feedback and encouragement from friends who tested my culinary exploits, the suggestion to market the lube hit me as being a wonderfully bizarre and amusing idea. -
Homecoming 1993 Kristy Scott ^ Foghorn Staff Writer
FOGHORSan Francisco N UNIVERSITY OF SAN FRANCISCO VOLUME 89, NUMBER 15 THURSDAY, FEBRUARY 25,1993 Resident advisor selection process underway Homecoming 1993 Kristy Scott ^ Foghorn Staff Writer The first round of interviews for Resident Advisors is currently underway. Resident advisor selection began this month with applications due on Feb. 15. Applicants were notified if they had been invited to the first phase of the interviews which began on the 16 of the month. Those interviews will continue to be conducted through Feb. 28. They consist of both a one-on-one individual interview with two current R.A.sand then agroup interview with other applicants, R. A.s, and an Office of Residence Life (ORL) central staff member present. The central staff and the present R.A.s will then place the candidates into two groups: recommend and do not recommend. Those being recommended for next year's positions will be sent letters asking them to return for the final interviewing process on March 8. The interviews will be held from March 10 through 16, and will consist of an interview with a hall director. Applicants being accepted for the 1993-1994 residential advi sor program will be notified on March 19. Last year, ORL's central staff input was the main determination point for selection of the candidates. However, this year both R.A. 's and central staff members felt that the previous interview ing process did not allow applicants a fair chance of performing in both group and individual meetings. "We're trying to provide another layer of interviews to benefit both the applicant, who will now have two chances at dealing with situations presented to them and also to give both the staff and Homecoming Saturday events include: former R.A.'s more criteria to base their selection on," Lisa 2:00 p.m. -
CLINE-DISSERTATION.Pdf (2.391Mb)
Copyright by John F. Cline 2012 The Dissertation Committee for John F. Cline Certifies that this is the approved version of the following dissertation: Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking Committee: Mark C. Smith, Supervisor Steven Hoelscher Randolph Lewis Karl Hagstrom Miller Shirley Thompson Permanent Underground: Radical Sounds and Social Formations in 20th Century American Musicking by John F. Cline, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2012 Dedication This dissertation is dedicated to my mother and father, Gary and Linda Cline. Without their generous hearts, tolerant ears, and (occasionally) open pocketbooks, I would have never made it this far, in any endeavor. A second, related dedication goes out to my siblings, Nicholas and Elizabeth. We all get the help we need when we need it most, don’t we? Acknowledgements First and foremost, I would like to thank my dissertation supervisor, Mark Smith. Even though we don’t necessarily work on the same kinds of topics, I’ve always appreciated his patient advice. I’m sure he’d be loath to use the word “wisdom,” but his open mind combined with ample, sometimes non-academic experience provided reassurances when they were needed most. Following closely on Mark’s heels is Karl Miller. Although not technically my supervisor, his generosity with his time and his always valuable (if sometimes painful) feedback during the dissertation writing process was absolutely essential to the development of the project, especially while Mark was abroad on a Fulbright. -
ART MUSCLE Front of the Audience
A BI-MONTHLY PUBLICATION OF THE • ARTS Volume 2, Issue 6 July 15/Sept 15, 1988 IBlffff Editor-in-Chief Debra Brehmer Associate Editor Calendar Editor Business Manager Therese Gantz Associate Editor-Music Bobby DuPah From the Editor Associate Editor Nathan Guequierre Dance-the dance form that has no deep cultur Photo Editor I recently had the odd experience of attending a master class at the Ko-Thi Dance Company's al roots; while both ballet and African dance Francis Ford studio on 22nd and Wisconsin, and then the have an acknowledged commitment to pre next night, attending the PM Ballet's Dance serving a cultural history, modern dance claims Art Direction Factory presentation of four world premieres. to have broken with those ties, moving within No two performances could have been further and responding to the present. Modern Dance, Barb Paulini apart in feel and technique. The Ko-Thi class, still in an early stage of its own evolution, may led by a woman from an African dance com be the most confusing of all dance forms and its Ad Manager pany in Chicago, was two hours of heart-racing precepts are perhaps the least well-verbalized Sam Woodburn movement, set to the deafening beat of seven or written about beyond the immediate theo drummers in a small, second floor, sweltering retical level. In the following pages, four chor (over 100°) studio. The African dance move eographers talk about the creative process of Design Assistance ments are so connected to the drumming that it dance. Modern dance in Milwaukee seems to be Don Sefton, Carl Knelson all flows into one mental/physical sensation, emerging from a slump and it may be one of the blending skillful technique with personal ex most exciting art forms to start watching. -
The Complete Ask Scott
ASK SCOTT Downloaded from the Loud Family / Music: What Happened? website and re-ordered into July-Dec 1997 (Year 1: the start of Ask Scott) July 21, 1997 Scott, what's your favorite pizza? Jeffrey Norman Scott: My favorite pizza place ever was Symposium Greek pizza in Davis, CA, though I'm relatively happy at any Round Table. As for my favorite topping, just yesterday I was rereading "Ash Wednesday" by T.S. Eliot (who can guess the topping?): Lady, three white leopards sat under a juniper-tree In the cool of the day, having fed to satiety On my legs my heart my liver and that which had been contained In the hollow round of my skull. And God said Shall these bones live? shall these Bones live? And that which had been contained In the bones (which were already dry) said chirping: Because of the goodness of this Lady And because of her loveliness, and because She honours the Virgin in meditation, We shine with brightness. And I who am here dissembled Proffer my deeds to oblivion, and my love To the posterity of the desert and the fruit of the gourd. It is this which recovers My guts the strings of my eyes and the indigestible portions Which the leopards reject. A: pepperoni. honest pizza, --Scott August 14, 1997 Scott, what's your astrological sign? Erin Amar Scott: Erin, wow! How are you? Aries. Do you think you are much like the publicized characteristics of that sun sign? Some people, it's important to know their signs; not me. -
Trinity Tripod, 1991-11-19
VOL.XC NO. 9 PUBLISHED BY THE STUDENTS OF TRINITY COLLEGE SINCE 1904 NOVEMBER 19,1991 Class Off95 Elects "Independents For Greeks" Lahey, Banfield, Mobilizing For The Battle And Moore The text of the petition addresses • BY PETER M. FRIEDMAN the groups' two major arguements of the Associate Editor Greek system. First, that the Greek sys- 50% Turn Out At Polls tem is an integral and positive part of the The latest twist in the battle to keep Trinity community which adds greatly the Greek system alive at Trinity has to the Trinity experience, and secondly • BYJIMBARR spawned a new student group. In light of they hold that students ought have the News Writer the Trustees' upcoming decision on the right to choose to belong to different The freshman class of '95 elected fate of single-sex and Greek organiza- organizations, including single-sex ones. its new class officers last Friday, The tions at the College, several students have The group also believes that if the winners are President, Josh Lahey, Vice- taken it upon themselves to rally behind Trustees uphold the right of the Greek President Duncan Banfield, and Secre- fraternities and sororities. Trinity Inde- system then the College should drop tary Matt Moore. pendents for the Greek System, a nascent restrictions against currently banned This election was especially re- organization headed up by Rachel Gold single-sex organizations. Ms. Gold said markable because of the high voter turn- '93, has pledged as its goal to join the fray "If more fraternities and sororities are Newly-elected Freshman SUZANNE STEVENS on behalf of fraternities and sororities. -
Bad Alchemysten Ein Begriff Sein, Spätestens Seit STEAMBOAT SWITZERLAND Seine Komposition 'Get out of My Room' Performte
BAD 70 ALCHEMY Ich bin Aufklärer, das heißt: Kritiker, Ironiker, Ungläubiger, vielleicht. Denn vielleicht glaube ich noch nicht einmal daran, daß ich an nichts glaube. Sie sind Romantiker, und das heißt, daß Sie zum Kapitalismus beitragen. Denn die Sehnsucht und das Heimweh treiben die Welt, aber das Treiben, eben, ist Kapitalismus. Der Stillstand ist die Utopie. Deshalb will ich, daß die Uhren nicht schlagen, deshalb bin ich für den Winter. Sie glauben, als Romantiker, der Welt zu entsagen, sie zu fliehen. Unsinn! Sie treiben sie an … pursuit of happiness (…) Ein romantischer Grundsatz. Und der Wappenspruch des Imperiums des Ich. Uwe Tellkamp: Der Turm 2 Yam bam bom bam Yom shilibili yom Shilibilibilbom! Bom! Bom! Bom! So klingt es, wenn Joann Sfars Klezmorim loslegen. Bumpadatschak!" und "Gsch-Gsch-Gsch-Pabah! lautmalt der Berliner Mawil, wenn bei ihm Die Band (2004) zu daddeln beginnt. Musik soll sichtbar, Bilder wollen hörbar werden. Comics werden zu Musik, Musik wird zum Comic. Das ist nichts Neues, schon Krazy Cat war musikalisch. Aber mit dem Intellectual Chic der Graphic Novel rückten auch Musiker und Musik wieder verstärkt ins Bild. Als Personenkult wie bei Bob Marley la légende des Wailers (Roland Monpierre, 2006), Kurt Cobain - Godspeed (2003) und Death Rap Tupac Shakur: A Life (2005), beide von Barnaby Legg & Jim McCarthy, bei Zappaesk (Andreas Rausch, 2005), Carlos Gardel (Muñoz & Sampayo, 2008) und Cash: I see a darkness (Reinhard Kleist, 2006) oder Jim Morrison: Poet des Chaos (Frédéric Bertocchini & Jef, 2011). Der Lizard King und der Man in Black werden in schwarzer Tinte mythisch, ikonisch, poetisch. Aber hörbar? Baby's in Black – The Story of Astrid Kirchherr & Stuart Sutcliffe (Arne Bellstorf, 2010) führt auf die Reeperbahn zu den Anfängen der Beatles, Hank Williams – Lost Highway (Søren Glosimodt Mosdal, 2011) schweift in den letzten Stunden des Countrysängers, der auf dem Rücksitz eines Wagens stirbt, noch einmal überwirklich durch seine Lebens- und Gefühlswelt.