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Sam Shepard One Acts: War in Heaven (Angel’S Monologue), the Curse of the Raven’S Black Feather, Hail from Nowhere, Just Space Rhythm
Sam Shepard One Acts: War in Heaven (Angel’s Monologue), The Curse of the Raven’s Black Feather, Hail from Nowhere, Just Space Rhythm Resource Guide for Teachers Created by: Lauren Bloom Hanover, Director of Education 1 Table of Contents About Profile Theatre 3 How to Use This Resource Guide 4 The Artists 5 Lesson 1: Who is Sam Shepard? Classroom Activities: 1) Biography and Context 6 2) Shepard in His Own Words 6 3) Shepard Adjectives 7 Lesson 2: Influences on Shepard Classroom Activities 1) Exploring Similar Themes in O’Neill and Shepard 16 2) Exploring Similar Styles in Beckett and Shepard 17 3) Exploring the Influence of Music on Shepard 18 Lesson 3: Inspired by Shepard Classroom Activities 1) Reading Samples of Shepard 28 2) Creative Writing Inspired by Shepard 29 3) Directing One’s Own Work 29 Lesson 4: What Are You Seeing Classroom Activities 1) Pieces Being Performed 33 2) Statues 34 3) Staging a Monologue 36 Lesson 5: Reflection Classroom Activities 1) Written Reflection 44 2) Putting It All Together 45 2 About Profile Theatre Profile Theatre was founded in 1997 with the mission of celebrating the playwright’s contribution to live theater. To that end, Profile programs a full season of the work of a single playwright. This provides our community with the opportunity to deeply engage with the work of our featured playwright through performances, readings, lectures and talkbacks, a unique experience in Portland. Our Mission realized... Profile invites our audiences to enter a writer’s world for a full season of plays and events. -
The Brothers Nazaroff 1
THE HAPPY PRINCE NAZAROVYE! A GREETING FROM THE BROTHERS NAZARISHE GREETINGS TO ALL. Thank you for acquiring this most joyous of musical tributes to our beloved lost uncle, the “Prince.” Three score years ago, the venerable Moses Asch released Nathan “Prince” Nazaroff’s 10” record, Jewish Freilach Songs (FW 6809). It has since proved to be a guiding light in the search for a missing link between our post-modern Babylo- nian exile and the lost Atlantis of Yiddish “Middle-Europe.” The “Prince” came to our American shores in 1914, as the old world crumbled. One hundred years later, we, the amalgamated and wind-strewn spiritual nephews of the great Nazaroff, have gathered to honor our lost Tumler Extraordinaire, a true troubadour of the vanished Yiddish street. Leaving our homes in New York, Berlin, Budapest, Moscow, and France, we began recording these songs in an astrological library in Michigan and finished up in an attic in Berlin. We were armed with a smattering of languages, several instruments, a bird whistle from Istanbul, and the indispensable liner notes to the original Folkways album (available for download from Smithsonian Folkways’ website—we encourage any listener to this recording to obtain a copy). We have tried to stay true to Nazaroff’s neshome (soul), khokhme (wit), style, and sense of music. The “Prince” was truly a big-time performer. By keeping his music alive, we hope to bring him into an even bigger time: the future. So let’s now celebrate the discordant, obscure, jubilant, ecstatic legacy of our Happy “Prince.” NAZAROVYE! THE HAPPY PRINCE THE BROTHERS NAZAROFF 1 THE HAPPY PRINCE 1. -
Includes Our Main Attractions
Ambler Theater Previews63A MARCH – MAY 2008 Amy Adams and Frances McDormand in MISS PETTIGREW LIVES FOR A DAY Adams and Frances McDormand in MISS PETTIGREW LIVES FOR Amy INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. ADMISSION Give us Feedback Your film experience is the most important thing to us, so we welcome your feedback. Please let us know what we can do General ............................................................$8.50 better. Call (215) 345-7855, or email us at Members .........................................................$4.50* [email protected] Seniors (62+) Children under 18 and When will films play? Students w/valid I.D. .....................................$6.50 Matinee (before 5:30 pm) ...............................$6.50 Main Attractions Wed Early Matinee (before 2:30 pm) ...............$5.00 Film Booking. Our main films play week-to-week from Friday Affiliated Theaters Members** .........................$5.50 through Thursday. Every Monday we determine what new films will start on Friday, what current films will end on Thursday, **Affiliated Theaters Members and what current films will continue through Friday for another The Ambler Theater, the County Theater, and the Bryn Mawr Film In- week. All films are subject to this week-to-week decision-mak- ing process. We try to play all of our Main Attraction films as stitute have reciprocal admission benefits. Your Ambler membership soon as possible. (For more info on the business of booking will allow you $5.50 admission at the other theaters. (You must films and why some films play longer or sooner than others, present your membership card to obtain this discount.) visit our website.) Be a Member When Will a Film’s Run Start? Become a member of the nonprofit Ambler Theater and show your After we decide on Monday (Tuesday at the latest) what new support for good films and a cultural landmark. -
The History of Rock Music - the Beginnings
The History of Rock Music - The beginnings The History of Rock Music: 1955-1966 Genres and musicians of the beginnings History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) The Counterculture 1965- 66 (These are excerpts from my book "A History of Rock and Dance Music") The Greenwich Movement TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The British bands changed the way rock'n'roll was played. At the same time, USA folk-singers were changing the way rock'n'roll was "consumed". The fusion of music and politics that occurred in the early 1960s had lasting effects on the very nature and purpose of rock music. Rock music became a primary vehicle for expressing dissent within the Establishment, and therefore one of the most relevant aspects of the "counterculture". Even when the political element was not predominant, rock music came to adopt a stance that was "countercultural" in nature. Rock'n'roll had been discriminated against. Protest folk-singers had been discriminated against. There was a tradition that made rock music an "underground" phenomenon by nature. The youth of the USA was still searching for an identity, the process that had begun with rock'n'roll. Underground music provided several ways to achieve that goal. Fans of underground music repudiated the passive kind of listening that was typical of pop music (humming the melodies that are played often on the radio, hailing the star that is publicized by the media) and adopted a more independent and critical judgment of music. -
Bad Alchemysten Ein Begriff Sein, Spätestens Seit STEAMBOAT SWITZERLAND Seine Komposition 'Get out of My Room' Performte
BAD 70 ALCHEMY Ich bin Aufklärer, das heißt: Kritiker, Ironiker, Ungläubiger, vielleicht. Denn vielleicht glaube ich noch nicht einmal daran, daß ich an nichts glaube. Sie sind Romantiker, und das heißt, daß Sie zum Kapitalismus beitragen. Denn die Sehnsucht und das Heimweh treiben die Welt, aber das Treiben, eben, ist Kapitalismus. Der Stillstand ist die Utopie. Deshalb will ich, daß die Uhren nicht schlagen, deshalb bin ich für den Winter. Sie glauben, als Romantiker, der Welt zu entsagen, sie zu fliehen. Unsinn! Sie treiben sie an … pursuit of happiness (…) Ein romantischer Grundsatz. Und der Wappenspruch des Imperiums des Ich. Uwe Tellkamp: Der Turm 2 Yam bam bom bam Yom shilibili yom Shilibilibilbom! Bom! Bom! Bom! So klingt es, wenn Joann Sfars Klezmorim loslegen. Bumpadatschak!" und "Gsch-Gsch-Gsch-Pabah! lautmalt der Berliner Mawil, wenn bei ihm Die Band (2004) zu daddeln beginnt. Musik soll sichtbar, Bilder wollen hörbar werden. Comics werden zu Musik, Musik wird zum Comic. Das ist nichts Neues, schon Krazy Cat war musikalisch. Aber mit dem Intellectual Chic der Graphic Novel rückten auch Musiker und Musik wieder verstärkt ins Bild. Als Personenkult wie bei Bob Marley la légende des Wailers (Roland Monpierre, 2006), Kurt Cobain - Godspeed (2003) und Death Rap Tupac Shakur: A Life (2005), beide von Barnaby Legg & Jim McCarthy, bei Zappaesk (Andreas Rausch, 2005), Carlos Gardel (Muñoz & Sampayo, 2008) und Cash: I see a darkness (Reinhard Kleist, 2006) oder Jim Morrison: Poet des Chaos (Frédéric Bertocchini & Jef, 2011). Der Lizard King und der Man in Black werden in schwarzer Tinte mythisch, ikonisch, poetisch. Aber hörbar? Baby's in Black – The Story of Astrid Kirchherr & Stuart Sutcliffe (Arne Bellstorf, 2010) führt auf die Reeperbahn zu den Anfängen der Beatles, Hank Williams – Lost Highway (Søren Glosimodt Mosdal, 2011) schweift in den letzten Stunden des Countrysängers, der auf dem Rücksitz eines Wagens stirbt, noch einmal überwirklich durch seine Lebens- und Gefühlswelt. -
Becky Buller Band
July 2018 Becky Buller Band Headlines The Minnesota Bluegrass & Old-Time Music Festival Inside: From the President 3 | Festival Preview 8 | The Underground Stage 17 Cowboys in Bluegrass Music 22 | Bluegrass Saturday Morning 37 MBOTMA Calendar of Events 29 | Coming Up 30 | Tab: Flop Eared Mule 35 July 2018 Thank you, MBOTMA members Vol. 44 Membership as of July 1, 2018: 866 No. 6 Newsstand: $3 Patrons: Subscription: $35 Tony & Ann Anthonisen Roger & Maggie Jorgenson Lenny & Colleen Baltus Janine Kemmer www.minnesotabluegrass.org Gary & Karen Bartig Jim Lally MBOTMA Hot Line Scott Benson Russel Lane (to subscribe and for other information) Christopher Boone Loren Laugtug 651-456-8919 Barry & Annie Brooks James Lee [email protected] Doug Chasar Douglas Lohman P.O. Box 16408, Mpls, MN 55416 Paul Christianson Richard Luckeroth Twitter: @mnbluegrass Facebook: minnesotabluegrass Gary & Janet Cobus Bob Lundeen Laura Cooper Rudy Marti MBOTMA Board of Directors Bob & Marilyn Dodd Rodger McBride President: Laura Cooper - [email protected] Doug Duncan Bill & Ella Merrill Vice President: Nic Hentges Craig Evans Douglas & Georgene Nesheim William Fancher Treasurer: Robbi Podrug David & Betty Pfeiffer Jennifer Faulkner Brian Ronning Secretary: Shane Zack Mark & Kathleen Fisher Tom & Cathy Schaefer Board Members: Darrell & Marilyn Fuhr Thomas & Barbara Schommer Term expires 2018: Dale Gruber - [email protected] Tom & Jill Furrer Thomas & Maragaret Schuveiller Brett Day, Philip Nusbaum Jon & Sharon Garon Penelope Scialla Term -
CD Art for Sing Out! V.46#1
Instructions for printing your CD Booklet & Tray Card (photo quality inkjet paper recommended): 1. Set your printer properties to the highest possible resolution, with *NO* size, margin or “fit to page” adjustment! 2. Print page 1. Flip the page, re-insert into your printer’s feed tray, print page 2 on the reverse. 3. Cut *just* inside the dotted line and fold in half, and place in the top of your jewel box. 4. Print page 3, score the page along the fold marks. 5. Cut *just* inside the dotted line, finish the folds and place in the bottom of the jewel box. SONGS FROM SING OUT! 16 Maggie Thompson by Maria Dunn, arr. Maria Dunn, Shannon Johnson, Gary Koliger (© 1998 Maria Dunn) 4:28 from Maria Dunn’s album For A Song (Maria Dunn #02) available from P.O. Box 75063, v.46#1 Edmonton, AB T6E 6K1, Canada; Web: <www.mariadunn.com>. 17 Tzazae by Cheb Mami (© 2001 Cheb Mami / Virgin France SA) 5:26 Featuring songs by: from Cheb Mami’s album Dellali (Mondo Melodia #025) available from 14724 Ventura Blvd, Penthouse Suite, Sherman Oaks, CA 91403; Web: <www.mondomelodia.com>. The Blind Boys of Ala. 18 Foreign Letters by Chava Albertstein (© Chava Albertstein / ACUM) 3:00 Bruce Molsky from Chava Albertstein’s album Foreign Letters (Rounder #3195) available from 1 Camp St., Cambridge, MA 02140; Ph: 800-768-6337; Web: <www.rounder.com>. Sam Hinton CD DATA FILES: Steve Forbert The following tunes, which accompany the Teach-Ins in this issue, are included on this disc as MP3 files. -
Slayer.Joel.Mciver.By.Pds.Pdf
GLI URAGANI 1 Titolo originale dell'opera: The Bloody Reign of Slayer Copyright © 2007 Omnibus Press (A Division of Music Sales Limited) – UK Copyright © 2008 A.SE.FI. Editoriale Srl – Via dell'Aprica, 8 – Milano www.tsunamiedizioni.com – www.myspace.com/tsunamiedizioni Prima edizione Tsunami Edizioni, settembre 2008 Tsunami Edizioni è un marchio registrato di A.SE.FI. Editoriale Srl Traduzione: Mauro Berchi Revisione: Massimo Baroni Tutte le note sono del traduttore tranne dove diversamente specificato. Progetto copertina: Fresh Lemon Foto copertina: Rolf Klatt/Wireimage.com – Foto IV copertina: Mick Hutson/Redferns Rielaborazione grafica a cura di Marco Fantin – TUNE Graphics, Milano PRIMA RISTAMPA – finito di stampare nel marzo 2010 dalla Gesp – Città di Castello (PG) ISBN: 978-88-96131-01-5 Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato senza l'autorizzazione scritta dell'Editore. Sebbene sia stato fatto ogni sforzo per rintracciare i titolari dei diritti delle foto pubblicate, ciò non è stato sempre possibile. L'editore rimane a disposizione per essere contattato dagli aventi diritto. Joel McIver SLAYER Traduzione di Mauro Berchi Questo libro è dedicato a tutti coloro che si presero gioco degli SLAYER agli inizi della loro carriera. Ride bene chi ride ultimo. PREFAZIONE dei Municipal Waste Gli Slayer mi rubarono l'anima fin da piccolo, lo e mio fratello maggiore ascoltammo Show No Mercy finché il lettore distrusse la cassetta: eravamo gli unici ragazzi nella nostra scuola a portare delle magliette degli Slayer. Gli altri studenti cominciarono ad accusarci di essere degli adoratori di Satana, ma non avevano neppure il coraggio di guardarci in faccia. -
The History of Rock Music: the 2000S
The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Trippers (These are excerpts from my book "A History of Rock and Dance Music") Droning psychedelia TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Rock music owed a lot to psychedelia. The search for a psychedelic sound had been the first and foremost motivation to cultivate progressive structures and creative arrangements. Without that motivation, rock music might have been stuck in Chuck Berry's riffs forever. Psychedelia was in a sense the "big bang" of rock music, from which the expansion began. However, after four decades it was difficult to see what that original impulse still had to offer that had not been heard already a thousand times. The sound of droning guitars was not particularly exciting anymore, shoegazing ecstasy was becoming the equivalent of the new-age music of the 1980s, and psychedelic folksingers were beginning to sound senile. Boston's Paradise Camp 23, the brainchild of multi-instrumentalist Erik Amlee, indulged in the 47-minute shapeless space-noise jam that takes up most of Bar-BQ Dungeon (2001) and then unleashed the 46-minute drone-based jam of Solitaire (2002), bathed in cosmic electronic noise. Seattle's duo Growing turned psychedelic trance into an austere and pure science with its subliminal ambient dronescapes for guitars and electronics: Epochal Reminiscence, off The Soul Of The Rainbow And The Harmony Of Light (2004), that diluted a folkish melody into a cycle of ear-piercing tones; the pulsating galactic tsunami Wide Open, off His Return (2005); the dense hyper-dilated slowly-shifting Blue Angels, off Color Wheel (2006). -
White Boots Marchin' in a Yellow Land
# THE NATIONAL TOPICAL SONG MAGAZmE MARCH 1966 PRICE - G50~ I N THIS ISSUE PHIL OCHS' White Boots Marchin' In A Yellow Land ALSO:NEW SONGS BY LEN CHANDLER BOBBY EVANS PETE SEEGER MALVINA REYNOLDS FRED WARDENBURG ERIC ANDERSEN WIN STRACKE HELEN DUNLOP Excerpts From A Letter From Eric Andersen ART Ie LES: "THIS IS THE FOLK SHown By Judith Adda.ms STORM OVER MANHATTAN By Gordon Friesen ****i!-******-ll- FOLKLORE BROADSIDE HOOTENANNY Jesus Was March 20 at The VILLAGE GATE,N.Y.C. See Page 15 for further details A Teenager Too -- 2 Excerpts From a letter From ERIC ANDERSEN (Ed. Note: Eric Andersen, now 23, reached New York by the deluding measures of hope or non-hope, love or non City two years ago via the vlest Coast - he was love, belief or non-belief, trust or non-trust. They are born in a suburb of Buffalo,N.Y. Many of the songs words that the newspll.pers have dropped from their vocabu he has written have been recorded by other artists, laries years ago. Such words just don't stop the bombs, and his own 2nd album -- II I bout changes & things", the boredom, the frustration, the silliness of it all. For Vanguard vas 9206 -- was recently released. He will there is only life and there is death. We must make a de give his first major solo concert April 9 at Town cision. Which will it be? And if life on this planet could Hall in N.Y.C.) get over its self-pity traditions and turn to self-sympathy and self-understanding ••• if we could care ••• it could be Dear Gordon & Sis: we may not die. -
PR98 Low.Pdf
2/28 EDITO Les journées du 17 au 19 juin 2010 risquent de rester graver dans les mémoires, car jamais en Suisse, un festival métal de cette importance a été programmé avec une affiche aussi fournie. En effet, le Sonisphere festival prendra ses marques au Degenaupark à Jonschwil - Wil. Ce ne sont pas moins de dix huit groupes qui se produiront sur les deux scènes du festival du vendredi 10h30 jusqu’au samedi matin à 06h00 !!! De la folie, avec une affiche dantesque, avec par rapport à l’affiche présente dans le magazine, le rajout de Smoke Blow, 3 Inches Of Blood et Alice In Chains !!! De plus, afin d’accueillir au mieux les festivaliers, un immense camping ouvrira du jeudi 17 juin à 17h00 jusqu’au samedi 19 juin à 17h00 avec cerise sur le gâteau, 36 Crazy Fits, Unearth, The Sorrow et Overkill en "Warm Up Evening" jeudi soir pour les campeurs. Vous l’aurez compris, un évènement sans précédent, à tel point, qu’une grande partie des 45000 billets mis en vente ont déjà trouvé preneurs. Je ne saurais donc que conseiller aux retardataires, de se dépêcher d’acquérir le précieux billet, au même titre que celui du Metalfest organisé par le Z7, qui dans un cadre beaucoup plus petit, risque aussi d’être rapidement sold out. Notre portefeuille risque donc d’être fortement sollicité, d’autant que les festivals d’été (Graspop, Hellfest, …) ont dévoilé également des affiches alléchantes qui devraient faire un carton plein. (Yves) BACKYARD BABIES – THEM XX (2010 – durée : 40’26’’ - 12 morceaux) Pour leur première compilation, les Backyard Babies n’ont pas cherché à privilégier l’un de leurs albums par rapport à un autre. -
Spring Flower Sale Benefits Exploratory Week Scholarship Fund
Vol. 8, #5 TO INFORM AND AMUSE -- TO PROVOKE THINKING AND ACTIVISM March 3, 2011 Windermere Vashon: Spring Flower Sale New Owners by Steve Amos Benefits Exploratory Week Scholarship Fund Dick Bianchi, left and new owners, Beth and John de Groen As of approximately 5:00 PM Bianchi said, “A long time ago I set a McMurray Middle School has Normally, the Scholarship Fund Tuesday, March 1st, Islanders Beth and target of retiring when I turned 67 and I teamed up with deGoede Bulb Farms begins with a surplus each year, but John de Groen are the new owners of am now 67, so I’m following my plan.” of Mossyrock, WA to offer beautiful due to the poor economy and increased Windermere Vashon, taking over the He also mentioned some minor recent and exceptional quality spring flower need, it was all but exhausted last year. helm of the company from Dick and health issues and the fact that he had a bowls and potted tulips for sale. All Organizers are scrambling to ensure that Linda Bianchi. The Bianchi’s had been strong desire to spend more time with proceeds go directly to the eighth grade funds are available to meet this year’s owners of Windermere Vashon since family members, such as his son’s family Exploratory Week Scholarship Fund demand, which is expected to be at least 1997 when they bought the company in Phoenix, Arizona. As it happened, which ensures that every student has as high. from Paul Helsby who, interestingly, Linda was already in Phoenix at the the chance to participate in this unique For more information, photos and had bought the company in the 50’s and time the deal concluded and Dick had to program and no child is denied their an order form, visit the McMurray remains with the company as a managing postpone his own travel plans to finalize choice due to financial need.