CD Art for Sing Out! V.46#1

Total Page:16

File Type:pdf, Size:1020Kb

CD Art for Sing Out! V.46#1 Instructions for printing your CD Booklet & Tray Card (photo quality inkjet paper recommended): 1. Set your printer properties to the highest possible resolution, with *NO* size, margin or “fit to page” adjustment! 2. Print page 1. Flip the page, re-insert into your printer’s feed tray, print page 2 on the reverse. 3. Cut *just* inside the dotted line and fold in half, and place in the top of your jewel box. 4. Print page 3, score the page along the fold marks. 5. Cut *just* inside the dotted line, finish the folds and place in the bottom of the jewel box. SONGS FROM SING OUT! 16 Maggie Thompson by Maria Dunn, arr. Maria Dunn, Shannon Johnson, Gary Koliger (© 1998 Maria Dunn) 4:28 from Maria Dunn’s album For A Song (Maria Dunn #02) available from P.O. Box 75063, v.46#1 Edmonton, AB T6E 6K1, Canada; Web: <www.mariadunn.com>. 17 Tzazae by Cheb Mami (© 2001 Cheb Mami / Virgin France SA) 5:26 Featuring songs by: from Cheb Mami’s album Dellali (Mondo Melodia #025) available from 14724 Ventura Blvd, Penthouse Suite, Sherman Oaks, CA 91403; Web: <www.mondomelodia.com>. The Blind Boys of Ala. 18 Foreign Letters by Chava Albertstein (© Chava Albertstein / ACUM) 3:00 Bruce Molsky from Chava Albertstein’s album Foreign Letters (Rounder #3195) available from 1 Camp St., Cambridge, MA 02140; Ph: 800-768-6337; Web: <www.rounder.com>. Sam Hinton CD DATA FILES: Steve Forbert The following tunes, which accompany the Teach-Ins in this issue, are included on this disc as MP3 files. To access these files, you will need a computer, Acrobat Reader and Garnet Rogers an audio program. (PC & MAC utilities are also included on the disc.) Chava Albertstein Borrowed Love (Banjo Teach-In) Tony Trischka Bill Jones Little Boy Where’d You Get Your Britches (Fiddle Teach-In) Stacy Phillips Penny Lang The Girl I Left Behind (Guitar Teach-In) Ken Perlman June Tabor For more information or a catalog of books and recordings write: Dick Gaughan Sing Out! • P.O. Box 5460 • Bethlehem, PA 18015-0460 Cheb Mami ... & more! TOLL FREE ORDERS: 1-888-SING-OUT • INTERNET: www.singout.org Exclusively For Sing Out! Basic & Sustaining Members ® 2002 Sing Out Publications • Sing Out! Recordings SO-461 * * 01 Good Planets (Are Hard To Find) by Steve Forbert (© Welk Music / ASCAP) 3:05 09 The Tale Of Tam Lin Lyric: Traditional / Music by Bill Jones / arr. Jones, Angel, from Steve Forbert’s album Live At The Bottom Line (Koch #8227) available from 740 Alakotila, Tweed (© Jones, Angel, Alakotila, Tweed / PRS/TEOSTOT) 5:26 Broadway, New York, NY 10003; Web: <www.kochint.com>. from Bill Jones’ album Panchpuran (Compass #74318) available from 117 30th Ave. South, Nashville, TN 37212; Ph: 800-757-2277; Web: <www.compassrecords.com>. 02 The Last Time Trad. arr. The Blind Boys of Alabama / John Celew / Chris Goldsmith (© Righteous Tone Music / Mystic Mill Music / Sam Wilson Publising / BMI (admin. by Bug Music)) 2:55 10 Shifting Sands Of Time by Mark Simos and Lisa Aschmann from The Blind Boys of Alabama’s album Sprit Of The Century (RealWorld #72438- (© 1993 Mark Simos and Lisa Aschmann / Devachan Music / BMI) 4:52 5091827) available from c/o Narada Productions, 4650 N. Port Washington, Milwaukee, WI from The Wayfaring Strangers’ album Shifting Sands Of Time (Rounder #0484) available 53212-1063; Ph: 414-961-8350; Web: <www.realworldusa.com>. from 1 Camp St., Cambridge, MA 02140; Ph: 800-768-6337; Web: <www.rounder.com>. 03 Papa Don’t by Penny Lang (© Penny Lang / SOCAN) 2:10 11 Slurf Song by Michael Hurley (Snocko Music / BMI) 3:15 from Penny Lang’s album Gather Honey (Borealis #137) available from 225 Sterling Road, from Holy Modal Rounders’ album I Make A Wish For A Potato (Rounder #11661) available Unit 19, Toronto, ON M6R 2B2, Canada; Ph: 877-530-4288; Web: from 1 Camp St., Cambridge, MA 02140, Ph: 800-768-6337; Web: <www.rounder.com>. <www.borealisrecords.com>. 12 Whoever Shall Have Some Good Peanuts Trad. arr. Sam Hinton 04 Rove Riley Rove Trad arr. Bruce Molsky (P.D.) 3:02 (© 1961 Stormking Music) 2:12 from Bruce Molsky’s album Poor Man’s Troubles (Rounder #0470) available from 1 Camp from Sam Hinton’s album Whoever Shall Have Some Good Peanuts (Smithsonian/Folkways St., Cambridge, MA 02140; Ph: 800-768-6337; Web: <www.rounder.com>. #7530) available from 750 9th Street NW Suite 4100, Washington, DC 20560-0953; 05 The Blackest Crow Trad arr. Bruce Molsky (P.D.) 4:20 Ph: 800-410-9815; Web: <www.si.edu/folkways>. from Bruce Molsky’s album Lost Boy (Rounder #0361) available from 1 Camp St., 13 Streets of Laredo Trad. arr. Sam Hinton (P.D.) 2:01 Cambridge, MA 02140; Ph: 800-768-6337; Web: <www.rounder.com>. from Sam Hinton’s album The Library Of Congress Recordings, 3/25/47 (Bear Family 06 Contrabando Y Traicion by Angel Gonzalez (© 1973 by Peer International Corp) 3:24 #16383) available from P.O. Box 1154, Hambergen D-27727, Germany; Ph: +49-479-493- from Los Tigres del Norte’s album Contrabando Y Traicion (Fonovisa #2563) available from 00011; Web: <www.bear-family.de>. 7710 Haskell Ave, Van Nuys, CA 91406; Ph: 818-782-6100; Web: <www.fonovisa.com>. 14 Paper Boy by David Francey (© David Francey) 2:17 07 Belle Rose Trad. arr. Tabor, Warren, Emerson, Bolton (© Topic Records / Happy Valley) 2:47 from David Francey’s album Far End Of Summer (Laker #1002) available from Box 539, from June Tabor’s album Rosa Mundi (Green Linnet #3139) available from 43 Beaver Brook Ayer’s Cliff, PQ J0B 1C0, Canada; Ph: 819-838-4366; Web: <www.davidfrancey.com>. Road, Danbury, CT 06810; Ph: 800-468-6644; Web: <www.greenlinnet.com>. 15 The Painted Pony by Garnet Rogers (© Garnet Rogers / SOCAN) 9:37 08 Outlaws & Dreamers by Dick Gaughan (© Grian Music) 4:17 from Garnet Rogers’ album Firefly (Snow Goose #1129) available from 1051 Woodburn Rd., from Dick Gaughan’s album Outlaws & Dreamers (Appleseed #1058) available from P.O. RR #1, Hannon, ON L0R 1P0, Canada; Ph: 905-692-4020; Web: <www.garnetrogers.com>. Box 2593, West Chester, PA 19380; Ph: 610-701-5755; Web: <www.appleseedrec.com>. Score to fold. Score to fold. 46/1 46/1 46/1 46/1 THE SONGS 01 Good Planets (Are Hard To Find) (Steve Forbert) 3:05 S S S S S 02 The Last Time (The Blind Boys of Alabama) 2:55 ONGS ONGS ONGS ONGS ONGS 03 Papa Don’t (Penny Lang) 2:10 04 Rove Riley Rove (Bruce Molsky) 3:02 2002 05 The Blackest Crow (Bruce Molsky) 4:20 06 Contrabando Y Traicion (Los Tigres del Norte) 3:24 FROM FROM FROM FROM FROM PRING 07 www.singout.org Belle Rose (June Tabor) 2:47 : S 08 Outlaws & Dreamers (Dick Gaughan) 4:17 ! ! ! ! ! 09 The Tale Of Tam Lin (Bill Jones) 5:26 S S S 10 S S UT UT NTERNET UT UT UT Shifting Sands Of Time (Wayfaring Strangers) 4:52 I ING ING ING ING ING 11 • Slurf Song (The Holy Modal Rounders) 3:15 O O O O O 12 Whoever Shall Have Some Good Peanuts (Sam Hinton) 2:12 Bethlehem, PA 18015-0460 Bethlehem, PA O O O O O 13 • Streets of Laredo (Sam Hinton) 2:01 ING ING ING ING ING 14 Paper Boy (David Francey) 2:17 UT UT UT UT UT S S S S S 15 The Painted Pony (Garnet Rogers) 9:37 ! ! ! 16 ! ! Maggie Thompson (Maria Dunn) 4:28 17 S Tzazae (Cheb Mami) 5:26 1-888-SING-OUT : P.O. Box 5460 P.O. 18 PRING Foreign Letters (Chava Albertstein) 3:00 FROM FROM FROM FROM FROM CD DATA FILES: The following tunes, which accompany the Teach-Ins in this issue, are included RDERS on this disc as MP3 files. To access these files, you will need a computer, Acrobat Reader and an 2002 audio program. (PC & MAC utilities are also included on the disc.) O Borrowed Love (Banjo Teach-In) Tony Trischka REE Sing Out! • ONGS ONGS ONGS ONGS ONGS Little Boy Where’d You Get Your Britches (Fiddle Teach-In) Stacy Phillips F S S S S S The Girl I Left Behind (Guitar Teach-In) Ken Perlman For a more information or a catalog of books and recordings write: information or a catalog of books and recordings For a more OLL ® 2002 Sing Out Publications • Out! Recordings SO-461 T Score to fold. Score to fold..
Recommended publications
  • By Dave Rowlands Wings of Wrath (Song of Steel) (Volume 2) [Rowlands, Dave] on Amazon.Com
    Read Ebook {PDF EPUB} Wings of Wrath (Song of Steel) (Volume 2) by Dave Rowlands Wings of Wrath (Song of Steel) (Volume 2) [Rowlands, Dave] on Amazon.com. *FREE* shipping on qualifying offers. Wings of Wrath (Song of Steel) (Volume 2) Buy Wings of Wrath (Song of Steel) (Volume 2) by Rowlands, Dave online on Amazon.ae at best prices. Fast and free shipping free returns cash on delivery available on eligible purchase. Buy Wings of Wrath: Volume 2 (Song of Steel) by Rowlands, Dave from Amazon's Fiction Books Store. Everyday low prices on a huge range of new releases and classic fiction. Wings of Wrath (ISBN 0756405351) is a fantasy novel by American writer Celia S. Friedman. It is the second book in the Magister Trilogy. It was published in 2009 by DAW books. Its plot follows almost immediately after the plots of the previous book, Feast of Souls. While the point of view is always in third-person, the focus shifts between many different characters, including minor ones, to hear their … Wings of Wrath: Volume 2 (Song of Steel): Amazon.es: Rowlands, Dave: Libros en idiomas extranjeros Selecciona Tus Preferencias de Cookies Utilizamos cookies y herramientas similares para mejorar tu experiencia de compra, prestar nuestros servicios, entender cómo los utilizas para poder mejorarlos, y para mostrarte anuncios. Find helpful customer reviews and review ratings for Wings of Wrath: Volume 2 (Song of Steel) at Amazon.com. Read honest and unbiased product reviews from our users. Jan 01, 2009 · Wings of Wrath is the second novel in C.
    [Show full text]
  • Sam Shepard One Acts: War in Heaven (Angel’S Monologue), the Curse of the Raven’S Black Feather, Hail from Nowhere, Just Space Rhythm
    Sam Shepard One Acts: War in Heaven (Angel’s Monologue), The Curse of the Raven’s Black Feather, Hail from Nowhere, Just Space Rhythm Resource Guide for Teachers Created by: Lauren Bloom Hanover, Director of Education 1 Table of Contents About Profile Theatre 3 How to Use This Resource Guide 4 The Artists 5 Lesson 1: Who is Sam Shepard? Classroom Activities: 1) Biography and Context 6 2) Shepard in His Own Words 6 3) Shepard Adjectives 7 Lesson 2: Influences on Shepard Classroom Activities 1) Exploring Similar Themes in O’Neill and Shepard 16 2) Exploring Similar Styles in Beckett and Shepard 17 3) Exploring the Influence of Music on Shepard 18 Lesson 3: Inspired by Shepard Classroom Activities 1) Reading Samples of Shepard 28 2) Creative Writing Inspired by Shepard 29 3) Directing One’s Own Work 29 Lesson 4: What Are You Seeing Classroom Activities 1) Pieces Being Performed 33 2) Statues 34 3) Staging a Monologue 36 Lesson 5: Reflection Classroom Activities 1) Written Reflection 44 2) Putting It All Together 45 2 About Profile Theatre Profile Theatre was founded in 1997 with the mission of celebrating the playwright’s contribution to live theater. To that end, Profile programs a full season of the work of a single playwright. This provides our community with the opportunity to deeply engage with the work of our featured playwright through performances, readings, lectures and talkbacks, a unique experience in Portland. Our Mission realized... Profile invites our audiences to enter a writer’s world for a full season of plays and events.
    [Show full text]
  • The Brothers Nazaroff 1
    THE HAPPY PRINCE NAZAROVYE! A GREETING FROM THE BROTHERS NAZARISHE GREETINGS TO ALL. Thank you for acquiring this most joyous of musical tributes to our beloved lost uncle, the “Prince.” Three score years ago, the venerable Moses Asch released Nathan “Prince” Nazaroff’s 10” record, Jewish Freilach Songs (FW 6809). It has since proved to be a guiding light in the search for a missing link between our post-modern Babylo- nian exile and the lost Atlantis of Yiddish “Middle-Europe.” The “Prince” came to our American shores in 1914, as the old world crumbled. One hundred years later, we, the amalgamated and wind-strewn spiritual nephews of the great Nazaroff, have gathered to honor our lost Tumler Extraordinaire, a true troubadour of the vanished Yiddish street. Leaving our homes in New York, Berlin, Budapest, Moscow, and France, we began recording these songs in an astrological library in Michigan and finished up in an attic in Berlin. We were armed with a smattering of languages, several instruments, a bird whistle from Istanbul, and the indispensable liner notes to the original Folkways album (available for download from Smithsonian Folkways’ website—we encourage any listener to this recording to obtain a copy). We have tried to stay true to Nazaroff’s neshome (soul), khokhme (wit), style, and sense of music. The “Prince” was truly a big-time performer. By keeping his music alive, we hope to bring him into an even bigger time: the future. So let’s now celebrate the discordant, obscure, jubilant, ecstatic legacy of our Happy “Prince.” NAZAROVYE! THE HAPPY PRINCE THE BROTHERS NAZAROFF 1 THE HAPPY PRINCE 1.
    [Show full text]
  • Includes Our Main Attractions
    Ambler Theater Previews63A MARCH – MAY 2008 Amy Adams and Frances McDormand in MISS PETTIGREW LIVES FOR A DAY Adams and Frances McDormand in MISS PETTIGREW LIVES FOR Amy INCLUDES OUR MAIN ATTRACTIONS AND SPECIAL PROGRAMS A MBLERT HEATER.ORG 215 345 7855 Welcome to the nonprofit Ambler Theater The Ambler Theater is a nonprofit, tax-exempt 501(c)(3) organization. ADMISSION Give us Feedback Your film experience is the most important thing to us, so we welcome your feedback. Please let us know what we can do General ............................................................$8.50 better. Call (215) 345-7855, or email us at Members .........................................................$4.50* [email protected] Seniors (62+) Children under 18 and When will films play? Students w/valid I.D. .....................................$6.50 Matinee (before 5:30 pm) ...............................$6.50 Main Attractions Wed Early Matinee (before 2:30 pm) ...............$5.00 Film Booking. Our main films play week-to-week from Friday Affiliated Theaters Members** .........................$5.50 through Thursday. Every Monday we determine what new films will start on Friday, what current films will end on Thursday, **Affiliated Theaters Members and what current films will continue through Friday for another The Ambler Theater, the County Theater, and the Bryn Mawr Film In- week. All films are subject to this week-to-week decision-mak- ing process. We try to play all of our Main Attraction films as stitute have reciprocal admission benefits. Your Ambler membership soon as possible. (For more info on the business of booking will allow you $5.50 admission at the other theaters. (You must films and why some films play longer or sooner than others, present your membership card to obtain this discount.) visit our website.) Be a Member When Will a Film’s Run Start? Become a member of the nonprofit Ambler Theater and show your After we decide on Monday (Tuesday at the latest) what new support for good films and a cultural landmark.
    [Show full text]
  • The History of Rock Music - the Beginnings
    The History of Rock Music - The beginnings The History of Rock Music: 1955-1966 Genres and musicians of the beginnings History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page Inquire about purchasing the book (Copyright © 2009 Piero Scaruffi) The Counterculture 1965- 66 (These are excerpts from my book "A History of Rock and Dance Music") The Greenwich Movement TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The British bands changed the way rock'n'roll was played. At the same time, USA folk-singers were changing the way rock'n'roll was "consumed". The fusion of music and politics that occurred in the early 1960s had lasting effects on the very nature and purpose of rock music. Rock music became a primary vehicle for expressing dissent within the Establishment, and therefore one of the most relevant aspects of the "counterculture". Even when the political element was not predominant, rock music came to adopt a stance that was "countercultural" in nature. Rock'n'roll had been discriminated against. Protest folk-singers had been discriminated against. There was a tradition that made rock music an "underground" phenomenon by nature. The youth of the USA was still searching for an identity, the process that had begun with rock'n'roll. Underground music provided several ways to achieve that goal. Fans of underground music repudiated the passive kind of listening that was typical of pop music (humming the melodies that are played often on the radio, hailing the star that is publicized by the media) and adopted a more independent and critical judgment of music.
    [Show full text]
  • Bad Alchemysten Ein Begriff Sein, Spätestens Seit STEAMBOAT SWITZERLAND Seine Komposition 'Get out of My Room' Performte
    BAD 70 ALCHEMY Ich bin Aufklärer, das heißt: Kritiker, Ironiker, Ungläubiger, vielleicht. Denn vielleicht glaube ich noch nicht einmal daran, daß ich an nichts glaube. Sie sind Romantiker, und das heißt, daß Sie zum Kapitalismus beitragen. Denn die Sehnsucht und das Heimweh treiben die Welt, aber das Treiben, eben, ist Kapitalismus. Der Stillstand ist die Utopie. Deshalb will ich, daß die Uhren nicht schlagen, deshalb bin ich für den Winter. Sie glauben, als Romantiker, der Welt zu entsagen, sie zu fliehen. Unsinn! Sie treiben sie an … pursuit of happiness (…) Ein romantischer Grundsatz. Und der Wappenspruch des Imperiums des Ich. Uwe Tellkamp: Der Turm 2 Yam bam bom bam Yom shilibili yom Shilibilibilbom! Bom! Bom! Bom! So klingt es, wenn Joann Sfars Klezmorim loslegen. Bumpadatschak!" und "Gsch-Gsch-Gsch-Pabah! lautmalt der Berliner Mawil, wenn bei ihm Die Band (2004) zu daddeln beginnt. Musik soll sichtbar, Bilder wollen hörbar werden. Comics werden zu Musik, Musik wird zum Comic. Das ist nichts Neues, schon Krazy Cat war musikalisch. Aber mit dem Intellectual Chic der Graphic Novel rückten auch Musiker und Musik wieder verstärkt ins Bild. Als Personenkult wie bei Bob Marley la légende des Wailers (Roland Monpierre, 2006), Kurt Cobain - Godspeed (2003) und Death Rap Tupac Shakur: A Life (2005), beide von Barnaby Legg & Jim McCarthy, bei Zappaesk (Andreas Rausch, 2005), Carlos Gardel (Muñoz & Sampayo, 2008) und Cash: I see a darkness (Reinhard Kleist, 2006) oder Jim Morrison: Poet des Chaos (Frédéric Bertocchini & Jef, 2011). Der Lizard King und der Man in Black werden in schwarzer Tinte mythisch, ikonisch, poetisch. Aber hörbar? Baby's in Black – The Story of Astrid Kirchherr & Stuart Sutcliffe (Arne Bellstorf, 2010) führt auf die Reeperbahn zu den Anfängen der Beatles, Hank Williams – Lost Highway (Søren Glosimodt Mosdal, 2011) schweift in den letzten Stunden des Countrysängers, der auf dem Rücksitz eines Wagens stirbt, noch einmal überwirklich durch seine Lebens- und Gefühlswelt.
    [Show full text]
  • Becky Buller Band
    July 2018 Becky Buller Band Headlines The Minnesota Bluegrass & Old-Time Music Festival Inside: From the President 3 | Festival Preview 8 | The Underground Stage 17 Cowboys in Bluegrass Music 22 | Bluegrass Saturday Morning 37 MBOTMA Calendar of Events 29 | Coming Up 30 | Tab: Flop Eared Mule 35 July 2018 Thank you, MBOTMA members Vol. 44 Membership as of July 1, 2018: 866 No. 6 Newsstand: $3 Patrons: Subscription: $35 Tony & Ann Anthonisen Roger & Maggie Jorgenson Lenny & Colleen Baltus Janine Kemmer www.minnesotabluegrass.org Gary & Karen Bartig Jim Lally MBOTMA Hot Line Scott Benson Russel Lane (to subscribe and for other information) Christopher Boone Loren Laugtug 651-456-8919 Barry & Annie Brooks James Lee [email protected] Doug Chasar Douglas Lohman P.O. Box 16408, Mpls, MN 55416 Paul Christianson Richard Luckeroth Twitter: @mnbluegrass Facebook: minnesotabluegrass Gary & Janet Cobus Bob Lundeen Laura Cooper Rudy Marti MBOTMA Board of Directors Bob & Marilyn Dodd Rodger McBride President: Laura Cooper - [email protected] Doug Duncan Bill & Ella Merrill Vice President: Nic Hentges Craig Evans Douglas & Georgene Nesheim William Fancher Treasurer: Robbi Podrug David & Betty Pfeiffer Jennifer Faulkner Brian Ronning Secretary: Shane Zack Mark & Kathleen Fisher Tom & Cathy Schaefer Board Members: Darrell & Marilyn Fuhr Thomas & Barbara Schommer Term expires 2018: Dale Gruber - [email protected] Tom & Jill Furrer Thomas & Maragaret Schuveiller Brett Day, Philip Nusbaum Jon & Sharon Garon Penelope Scialla Term
    [Show full text]
  • The History of Rock Music: the 2000S
    The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Trippers (These are excerpts from my book "A History of Rock and Dance Music") Droning psychedelia TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Rock music owed a lot to psychedelia. The search for a psychedelic sound had been the first and foremost motivation to cultivate progressive structures and creative arrangements. Without that motivation, rock music might have been stuck in Chuck Berry's riffs forever. Psychedelia was in a sense the "big bang" of rock music, from which the expansion began. However, after four decades it was difficult to see what that original impulse still had to offer that had not been heard already a thousand times. The sound of droning guitars was not particularly exciting anymore, shoegazing ecstasy was becoming the equivalent of the new-age music of the 1980s, and psychedelic folksingers were beginning to sound senile. Boston's Paradise Camp 23, the brainchild of multi-instrumentalist Erik Amlee, indulged in the 47-minute shapeless space-noise jam that takes up most of Bar-BQ Dungeon (2001) and then unleashed the 46-minute drone-based jam of Solitaire (2002), bathed in cosmic electronic noise. Seattle's duo Growing turned psychedelic trance into an austere and pure science with its subliminal ambient dronescapes for guitars and electronics: Epochal Reminiscence, off The Soul Of The Rainbow And The Harmony Of Light (2004), that diluted a folkish melody into a cycle of ear-piercing tones; the pulsating galactic tsunami Wide Open, off His Return (2005); the dense hyper-dilated slowly-shifting Blue Angels, off Color Wheel (2006).
    [Show full text]
  • White Boots Marchin' in a Yellow Land
    # THE NATIONAL TOPICAL SONG MAGAZmE MARCH 1966 PRICE - G50~ I N THIS ISSUE PHIL OCHS' White Boots Marchin' In A Yellow Land ALSO:NEW SONGS BY LEN CHANDLER BOBBY EVANS PETE SEEGER MALVINA REYNOLDS FRED WARDENBURG ERIC ANDERSEN WIN STRACKE HELEN DUNLOP Excerpts From A Letter From Eric Andersen ART Ie LES: "THIS IS THE FOLK SHown By Judith Adda.ms STORM OVER MANHATTAN By Gordon Friesen ****i!-******-ll- FOLKLORE BROADSIDE HOOTENANNY Jesus Was March 20 at The VILLAGE GATE,N.Y.C. See Page 15 for further details A Teenager Too -- 2 Excerpts From a letter From ERIC ANDERSEN (Ed. Note: Eric Andersen, now 23, reached New York by the deluding measures of hope or non-hope, love or non­ City two years ago via the vlest Coast - he was love, belief or non-belief, trust or non-trust. They are born in a suburb of Buffalo,N.Y. Many of the songs words that the newspll.pers have dropped from their vocabu­ he has written have been recorded by other artists, laries years ago. Such words just don't stop the bombs, and his own 2nd album -- II I bout changes & things", the boredom, the frustration, the silliness of it all. For Vanguard vas 9206 -- was recently released. He will there is only life and there is death. We must make a de­ give his first major solo concert April 9 at Town cision. Which will it be? And if life on this planet could Hall in N.Y.C.) get over its self-pity traditions and turn to self-sympathy and self-understanding ••• if we could care ••• it could be Dear Gordon & Sis: we may not die.
    [Show full text]
  • Spring Flower Sale Benefits Exploratory Week Scholarship Fund
    Vol. 8, #5 TO INFORM AND AMUSE -- TO PROVOKE THINKING AND ACTIVISM March 3, 2011 Windermere Vashon: Spring Flower Sale New Owners by Steve Amos Benefits Exploratory Week Scholarship Fund Dick Bianchi, left and new owners, Beth and John de Groen As of approximately 5:00 PM Bianchi said, “A long time ago I set a McMurray Middle School has Normally, the Scholarship Fund Tuesday, March 1st, Islanders Beth and target of retiring when I turned 67 and I teamed up with deGoede Bulb Farms begins with a surplus each year, but John de Groen are the new owners of am now 67, so I’m following my plan.” of Mossyrock, WA to offer beautiful due to the poor economy and increased Windermere Vashon, taking over the He also mentioned some minor recent and exceptional quality spring flower need, it was all but exhausted last year. helm of the company from Dick and health issues and the fact that he had a bowls and potted tulips for sale. All Organizers are scrambling to ensure that Linda Bianchi. The Bianchi’s had been strong desire to spend more time with proceeds go directly to the eighth grade funds are available to meet this year’s owners of Windermere Vashon since family members, such as his son’s family Exploratory Week Scholarship Fund demand, which is expected to be at least 1997 when they bought the company in Phoenix, Arizona. As it happened, which ensures that every student has as high. from Paul Helsby who, interestingly, Linda was already in Phoenix at the the chance to participate in this unique For more information, photos and had bought the company in the 50’s and time the deal concluded and Dick had to program and no child is denied their an order form, visit the McMurray remains with the company as a managing postpone his own travel plans to finalize choice due to financial need.
    [Show full text]
  • Artists Credits/Bios for Nowthen the Core Band Is: Rich Krueger (Guitar
    Artists credits/bios for NOWThen The Core band is: Rich Krueger (guitar piano banjo harmonica lead vocalist songwriter producer arranger neonatologist) Bill Kavanagh (bass guitar) has played and/or recorded with The Amazing Jimmi Mayes, The Cubes,and many other bands around the Chicago area Vence Edmonds (drums & percussion) has played and recorded with Peter Stampfel, The Holy Modal Rounders, and The Dysfunctionells Scott Daniel (fiddle) has played and recorded with The Jazz Robots and many Chicago performers Gary Lucas is an American guitarist who was a member of Captain Beefheart's band. He formed the band Gods and Monsters in 1989. He has collaborated with Leonard Bernstein, Jeff Buckley, John Cale, Nick Cave, David Johansen, and Lou Reed. Gary Lucas IS THE Einstein of the Guitar”. Dubbed "The Thinking Man's Guitar Hero" by The New Yorker, "The world's most popular avant-rock guitarist" by The Independent (UK), "One of the 100 Greatest Living Guitarists" (Classic Rock), "Legendary Leftfield guitarist" by The Guardian (UK), "Guitarist of 1000 Ideas" by The New York Times, "a true axe God" by Melody Maker, and "One of the five best guitarists in the world" by the national Czech newspaper Lidove Noviny; the British world music magazine fRoots recently described Gary Lucas as "without question, the most innovative and challenging guitarist playing today." Rolling Stone's David Fricke wrote: "Gary Lucas is one of the best and most original guitarists in America...a modern guitar miracle." Best-selling author/producer Dan Levitin ("This Is Your Brain On Music") recently cited Gary as "the greatest living electric guitarist".
    [Show full text]
  • Rockefeller Receies Award; 1000 Proitest
    l Second Class Postage Paid teaN I l"= ha;e ljnRD:R a CQTnNV RRCXWK - V FRIDAY OCTOBER 15 1971 at S«tony Brook. Now York VVILUmC 1* aVwwmwMjfma I *»,,,^ *. Ad* ._________________._* .. "-^ '%, MWM- aM, -v- -- at StonYBrook.New York Rockefeller Receies Award; 1000 Proitest More than a thousand demonstrators, including at least 100 Stony Brook students, gathered Thursday evening in front of the New York Hilton Hotel, where Governor Nelson Rockefeller had arrived to receive the Humanitarian of the Year Award. While the Cerebral Palsey Foundation presented the award to the governor, the crowd outside protested his actions in the recent Attica State Prison riot inwhich 43 inmates and guards were shot down by police forces. After two hours of chanting and parading behind police barricades, a column of demonstrators broke through the lines and marched southward along 6th Avenue. Several bank windows were broken, red paint was spattered on the sidewalks, and at least three people were taken into custody. As well-dressed patrons of the hotel looked on, members of the -crowd marched in a circle between the police lines and chanted, 'Rokefceller Murderer,--Tear Down the Jails!" Amidst the red, green and orange banners, proclaiming Rockefeller atrocities, small bands of people circulated leaflets and leftist newspapers, while other groups stood around and stared at the monolith structure of the New York Hilton. The mood of controlled hostility was punctuated several times by firecracker APPREHENDED: Police am*est demonstrator in front of RCA building last night durinl rafy agains Governor Rockefelcr. explosions. Photo by Bob Wseinfeid About ?00 helmeted policemen lined both sides of the street, and across the street to a waiting patrol those who loitered on nearby car.
    [Show full text]