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Schedule Quickprint TKRN-FM
Schedule QuickPrint TKRN-FM 12/21/2020 7PM through 12/21/2020 11P s: AirTime s: Runtime Schedule: Description 07:00:00p 00:00 Monday, December 21, 2020 7PM 07:00:00p 03:45 TOTAL ECLIPSE OF THE HEART / NICKI FRENCH 07:03:45p 03:32 CALLING ALL ANGELS / TRAIN 07:07:17p 04:05 TAKE A PICTURE / FILTER 07:11:28p 03:43 WEST END GIRLS / PET SHOP BOYS 07:15:11p 03:34 HAND IN MY POCKET (CLEAN VERSION) / ALANIS MORISSETTE 07:18:51p 03:33 HIPS DON'T LIE / SHAKIRA FEATURING WYCLEF JEAN 07:22:24p 03:31 MIDNIGHT BLUE / LOU GRAMM 07:26:01p 03:49 HEY JEALOUSY / GIN BLOSSOMS 07:29:55p 03:30 STOP-SET 07:36:42p 03:09 GET THE PARTY STARTED / PINK 07:39:51p 03:14 WHAT A GIRL WANTS / CHRISTINA AGUILERA 07:43:05p 04:18 POUR SOME SUGAR ON ME / DEF LEPPARD 07:47:29p 02:57 THEN THE MORNING COMES / SMASH MOUTH 07:50:26p 03:30 STOP-SET 08:00:00p 00:00 Monday, December 21, 2020 8PM 08:00:00p 03:27 HEARTBREAKER / PAT BENATAR 08:03:27p 04:49 I WANT TO KNOW WHAT LOVE IS / FOREIGNER 08:08:16p 03:56 MISSING YOU / JOHN WAITE 08:12:12p 04:04 SILENT RUNNING / MIKE + THE MECHANICS 08:16:16p 02:59 YOU MAKE MY DREAMS / HALL & OATES 08:19:15p 03:51 SHOCK THE MONKEY / PETER GABRIEL 08:23:06p 04:17 DO YOU REALLY WANT TO HURT ME / CULTURE CLUB 08:27:27p 03:30 STOP-SET 08:34:11p 04:00 YOU MAY BE RIGHT / BILLY JOEL 08:38:11p 03:33 YOU GIVE LOVE A BAD NAME / BON JOVI 08:41:44p 02:46 DON'T TALK TO STRANGERS / RICK SPRINGFIELD 08:44:30p 03:58 SHOUT / TEARS FOR FEARS 08:48:28p 04:15 RIDE LIKE THE WIND (ALBUM) / CHRISTOPHER CROSS 08:52:43p 03:30 STOP-SET 09:00:00p 00:00 Monday, December -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
Audio Books: the Literary Origins G H S .A of Grooves, Labels and Sleeves W W W
Audio Books: The Literary Origins This chapter addresses the relationship betweenof literature,Grooves, popular Labels music and and Sleeves classical music by examining the packaging of the printed word and recorded sound, with a particular focus on the novel and the vinyl record. When it comes to packaging, music is indebted to literature. The vinyl record has three main components – the groove, the label and the sleeve – and each has links with the © Copyrighted Material written word. The groove is sound in script form, a text written with the ‘pencil of nature’. play back these tracings. He christened it the ‘phonograph’, a term arrived at Chapter 12 by combining the Greek words for ‘sound’ and ‘writing’. the head of Victor Records, developed the paper record label at the beginning of the twentieth century. Colin Symes has argued that the label ‘fulfils many of the same functions as a [book’s] title page’. 1 person generally credited with inventing the In record1877 Thomas cover is Edison Alex Steinweiss. constructed the first machine to successfully Richard Osborne packaging for the LP record was modelled on the dust jackets for hardback novels. these grooves, labels and sleeves. I will explore the ways in which this packaging encouraged peopleIn this to chapter think of I theexamine correspondences the bookish between reification sound of recordingmusic, looking and in turn at the printed word. However, although the record kept on spinning back to literary models, this influence also highlighted differences between the two forms. Literary formatting also helped to encourage differences within music, most notably the ‘great schism’ that widened between its classical and popular forms. -
Music Globally Protected Marks List (GPML) Music Brands & Music Artists
Music Globally Protected Marks List (GPML) Music Brands & Music Artists © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document cannot be distributed, modified or reproduced in whole or in part without the prior expressed permission of DotMusic. 1 Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. Brands are eligible if they are globally-recognized and have been mentioned in established music trade publications. Please provide DotMusic with evidence that such criteria is met at [email protected] if you would like your artist name of brand name to be included in the DotMusic GPML. GLOBALLY PROTECTED MARKS LIST (GPML) - MUSIC ARTISTS DOTMUSIC (.MUSIC) ? and the Mysterians 10 Years 10,000 Maniacs © 2012 - DotMusic Limited (.MUSIC™). All Rights Reserved. DotMusic reserves the right to modify this Document .This Document 10cc can not be distributed, modified or reproduced in whole or in part 12 Stones without the prior expressed permission of DotMusic. Visit 13th Floor Elevators www.music.us 1910 Fruitgum Co. 2 Unlimited Disclaimer: This GPML Document is subject to change. Only artists exceeding 1 million units in sales of global digital and physical units are eligible for inclusion in the GPML. 3 Doors Down Brands are eligible if they are globally-recognized and have been mentioned in 30 Seconds to Mars established music trade publications. Please -
KUCI 88.9 FM [Spring 1991]
· ..... ~ , ·I ••• · . ....... ~,,\, . ) - . \ -' (X) ~ I, (X) ,N • -0/--- co • • • • • - ~ . 1'" ~ I . .,I/:..~ . a:: . .", • •· ·, ·• I ·t'· . .• ·· . ·· . .. •••• i ,,".' . .. /' • Day of Decency has come and' gone. It has been months since a couple of heads got together on the 3rd floor of gateway commons and decided what part they would play in a battle for what they thought was right. And nearly a month (perhaps two as you read this) since the dreams and the plan came together. OUtcome? Well. for one, I'm not really sure. I'dreallylike tothink that maybesome part of Meye opening" or MreactionaryseDiment" ocurred on account ofsomeone standingup and screaming MMy rights as a citizen are in danger." Jlut how can something like that be measured? To tell you the truth, I don't know, either. I wish I had played my part out. AJJ the decision to ban Minde~ency", "profanity", and "obcenity" from public radio stations 24 hours a day is being appealed. we must watch, not wait, and act. How? You can call 866-6868 and find out. Anyone of the folks on staff has' access to the information. any day of the week, at any time. Provided, of course, there is someone here (ahem!). We can give you names and addre~ses. fax and phone numb,..rs of organizations and individuals who need the assistance of people like yourself, or in some cases, would, and do, defy ~our opposition. AJJ someone who values creativity and its limitless bounds, and wonders at the different kinds of reactions it provi-ies. from rage to confusion to recognition, it Is important for me to posess the ability to think freely. -
Thega.; EPORTISSUE 1930, Noven1iter 6, 1992 the First Single from the New Album: the RADICAL LIGHT /A\ SHEPARD
theGA.; EPORTISSUE 1930, NOVEN1ItER 6, 1992 the first single from the new album: THE RADICAL LIGHT /A\ SHEPARD "wakeupthe house" Produced by Vonda Shepard & Matthew Wilder Management: Patrick Rains & Associates 4::.!a.. the GAVIN REPORT (\JAME tir alira CC1 * Indicates Tie TOP 40 URBAN RAP MOST ADDED MOST ADDED MOST ADDED WHITNEY HOUSTON BELL BIV DeVOE PARIS I Will Always Love You (Arista) Gangsta (MCA) The Days Of Old (Scarface/Sex) RESTLESS HEART HI -FIVE DAS EFX When She Cries (RCA) Quality Time (Jive) Straight Out The Sewer (Atco/EastWest America) BOYZ II MEN WHITNEY HOUSTON ICE CUBE In The Still Of The Night (Motown) I Will Always Love You (Arista) Wicked (Priority) RECORD TO WATCH RECORD TO WATCH BRAND NUBIAN RETAIL [15j- WRECKX-N-EFFECT SILK Punks Jump Up To Get Beat Down Rump Shaker (MCA) Happy Days (Keia/Elektra) (Elektra) RADIO EPMD FREDDIE JACKSON R.E.M. Can I Touch You Head Banger Drive (Warner Bros.) Ca. itol (Def Jam/Chaos) COUNTRY JAZZ MOST ADDED MOST ADDED MOST ADDED WHITNEY HOUSTON GARTH BROOKS JACKIE McLEAN I Will Always Love You (Arista) Somewhere Other Than The Night (Liberty) Rhythm Of The Earth (Antilles/PolyGram) CELINE DION DIAMOND RIO MIKE STERN Love Can Move Mountains (Epic) In A Week Or Two (Arista) Standards (And Other Songs) (Atlantic) GENESIS CONFEDERATE RAILROAD GARY BURTON AND FRIENDS Never A Time (Atlantic) Queen Of Memphis (Atlantic) Six Pack (GRP) RECORD TO WATCH RECORD TO WATCH RECORD TO WATCH SONIA DADA MIKE REID JACKIE McLEAN You Ain't Thinking (About Me) (Chameleon/Elektra) Call Home (Columbia) RhythlOf -
239 Postanak I Razvoj Novog Vala Na Području Bivše
POSAAK AZVOJ NOVO ALA NA PODRUČJU BIVŠE JUGOSLAVIJE Filozofski fakultet u Splitu, Odsjek za povijest E-mail: [email protected] Mihaljević Jurković Novi val vrsta je glazbe koja se pojavila u Velikoj Britaniji i u SAD-u 70-ih godina prošlog stoljeća. Iako prisutan već od druge polovice 70-ih, novi će val potaknuti veličanstveni uzlet bendova poklonika tog žanra, kao što su Azra, Prljavo kazalište, Film, Haustor na hrvatskoj, odnosno Električni orgazam, Šarlo akrobata i Idoli na srpskoj sceni. Ti su ljudi kreirali novu i drugačiju povijest, novu i drugačiju supkulturu koja je nesumnjivo utjecala na mlade generacije onog vremena. Prodor novog žanra u komunističke je zemlje, zbog njihove izoliranosti od zapadnih modernih utjecaja bio otežan, u nekim gotovo i nemoguć. Koji je to bitni element ili koji su to bitni elementi koji su otvorili vrata Jugoslavije Zapadu unatoč njezinoj orijentaciji? U kakvim se političkim prilikama razvijao i koliko je područja obuhvatio, odnosno je li se odnosio samo i isključivo na glazbu? Naposljetku, ne možemo se ne zapitati, upoznati sa situacijom na istoku i centru Europe, zašto je jedan tvrdokorni komunistički režim tolerirao buntovnost, samoizražavanje i slobodu rocka. Ovaj članak problematizira navedenu tematiku. Ključne riječi: novi val, 80-e, Jugoslavija, Polet, Azra, Pankrti, Prljavo kazalište, Branimir Štulić Johnny, Darko Rundek, Haustor, Bijelo dugme, Laibach Povijest noo aa Novi val u francuskoj kinematografiji s kraja 0- sineastima, nije se od samih početaka odnosio na glazbu. Naime, taj je pojam bio poznat novi val ih godina prošlog stoljeća po mladim dru odnosno mladim inovativnim predstavnicima umjetnosti. Osim što je zaslužan za gačije shvaćanje francuske kinematografije u smislu ideja o efikasnijoj i jeftinijoj glazbi.647 proizvodnji i metodama, dao je poticaj promjenama u drugim umjetnostima, naročito u Tijekom kasnih 70-ih i ranih 0- novog vala punka i rocka. -
Weekly
May WEEKLY SUN MON Tur INFO THU FRISAT no, 1 6 7 23 45 v4<..\k, 9 10 1112 13 14 15 $3.00 As?,9030. 8810 85 16 17 18 19 20 21 22 $2.80 plus .20 GST A 2_4 2330 243125 26 27 28 29 Volume 57 No. 14 -512 13 AA22. 2303 Week Ending April 17, 1993 .k2't '1,2. 282 25 No. 1 ALBUM ARE YOU GONNA GO MY WAY Lenny Kravitz TELL ME WHAT YOU DREAM Restless Heart WHO IS IT Michael Jackson SOMEBODY LOVE ME Michael W. Smith LOOKING THROUGH ERIC CLAPTON PATIENT EYES Unplugged PM Dawn Reprise - CDW-45024-P I FEEL YOU Depeche Mode LIVING ON THE EDGE Aerosmith YOU BRING ON THE SUN Londonbeat RUNNING ON FAITH CAN'T DO A THING Eric Clapton (To Stop Me) Chris Isaak to LOOK ME IN THE EYES oc Vivienne Williams IF YOU BELIEVE IN ME thebeANts April Wine coVapti FLIRTING WITH A HEARTACHE Ckade Dan Hill LOITA LOVE TO GIVE 0etex s Daniel Lanois oll.v-oceve,o-c1e, DON'T WALK AWAY Jade NOTHIN' MY LOVE CAN'T FIX DEPECHE MODE 461100'. Joey Lawrence ; Songs Of Faith And Devotion c.,25seNps CANDY EVERYBODY WANTS 10,000 FLYING THE CULT Blue Rodeo Pure Cult BIG TIME DWIGHT YOAKAM I PUT A SPELL ON YOU LEONARD COHEN This Time Bryan Ferry The Future ALBUM PICK DANIEL LANOIS HARBOR LIGHTS ALADDIN . For The Beauty Of Wynona Bruce Hornsby Soundtrack HOTHOUSE FLOWERS COUNTRY Songs From The Rain ADDS HIT PICK JUST AS I AM Ricky Van Shelton No. -
Preuzmite Časopis U PDF Formatu
No2 2013 STUDIJE UMETNOSTI I KULTURE • STUDIES IN ART AND CULTURE ČASOPIS MUZEJA AFRIČKE UMETNOSTI • JOURNAL OF THE MUSEUM OF AFRICAN ART AFRICANOF MUSEUM ART THE ČASOPISMUZEJA UMETNOSTIAFRIČKE OF JOURNAL • PREV NEXT ISSN: 2334-9832 (elektronski časopis) UDK: 069(06) AFRIKA – STUDIJE UMETNOSTI I KULTURE Časopis Muzeja afričke umetnosti Broj 2, 2013 GLAVNI I ODGOVORNI UREDNIK dr Miroslava Lukić Krstanović, Etnografski institut SANU, Beograd ZAMENIK GL. I ODG. UREDNIKA Aleksandra Prodanović Bojović, Muzej afričke umetnosti UREDNIK VIZUELNOG MATERIJALA Narcisa Knežević Šijan, Muzej afričke umetnosti SEKRETAR Živojin Tomić UREĐIVAČKI ODBOR prof. dr Aleksandar Bošković, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju; Institut društvenih nauka, Beograd (Srbija) prof. dr Vesna Cakeljić, Fakultet organizacionih nauka, Univerzitet u Beogradu (Srbija) prof. dr Romuald-Blaise Fonkoua, Univerzitet Pariz – Sorbona IV, direktor Međunarodnog centra za frankofone studije – CIEF (Francuska) prof. dr Ljiljana Gavrilović, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju; Etnografski institut SANU, Beograd (Srbija) prof. dr Senka Kovač, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju (Srbija) dr Ana Sarah Lunaček Brumen, Filozofski fakultet, Univerzitet u Ljubljani, Odeljenje za etnologiju i kulturnu antropologiju (Slovenija) prof. dr Miloš Milenković, Filozofski Fakultet, Univerzitet u Beogradu, Odeljenje za etnologiju i antropologiju (Srbija) dr Isak Niehaus, Brunel Univerzitet, Aksbridž, Odeljenje za antropologiju (Velika Britanija) prof. dr Mwenda Ntarangwi, Kalvin koledž, Direktor programa za studije Afrike i afričke dijaspore, Mičigen (SAD) prof. dr Peter Skalník, Univerzitet Hradec Kralove (Republika Češka); Univerzitet u Vroclavu (Poljska) dr Marko Scholze, Gete Univerzitet u Frankfurtu, Institut za etnologiju (Nemačka) PREDSEDNIK IZDAVAČKOG SAVETA prof.dr Jelena Đorđević, Fakultet političkih nauka, Univerzitet u Beogradu (Srbija) IZDAVAČKI SAVET prof. -
Total Tracks Number: 1108 Total Tracks Length: 76:17:23 Total Tracks Size: 6.7 GB
Total tracks number: 1108 Total tracks length: 76:17:23 Total tracks size: 6.7 GB # Artist Title Length 01 00:00 02 2 Skinnee J's Riot Nrrrd 03:57 03 311 All Mixed Up 03:00 04 311 Amber 03:28 05 311 Beautiful Disaster 04:01 06 311 Come Original 03:42 07 311 Do You Right 04:17 08 311 Don't Stay Home 02:43 09 311 Down 02:52 10 311 Flowing 03:13 11 311 Transistor 03:02 12 311 You Wouldnt Believe 03:40 13 A New Found Glory Hit Or Miss 03:24 14 A Perfect Circle 3 Libras 03:35 15 A Perfect Circle Judith 04:03 16 A Perfect Circle The Hollow 02:55 17 AC/DC Back In Black 04:15 18 AC/DC What Do You Do for Money Honey 03:35 19 Acdc Back In Black 04:14 20 Acdc Highway To Hell 03:27 21 Acdc You Shook Me All Night Long 03:31 22 Adema Giving In 04:34 23 Adema The Way You Like It 03:39 24 Aerosmith Cryin' 05:08 25 Aerosmith Sweet Emotion 05:08 26 Aerosmith Walk This Way 03:39 27 Afi Days Of The Phoenix 03:27 28 Afroman Because I Got High 05:10 29 Alanis Morissette Ironic 03:49 30 Alanis Morissette You Learn 03:55 31 Alanis Morissette You Oughta Know 04:09 32 Alaniss Morrisete Hand In My Pocket 03:41 33 Alice Cooper School's Out 03:30 34 Alice In Chains Again 04:04 35 Alice In Chains Angry Chair 04:47 36 Alice In Chains Don't Follow 04:21 37 Alice In Chains Down In A Hole 05:37 38 Alice In Chains Got Me Wrong 04:11 39 Alice In Chains Grind 04:44 40 Alice In Chains Heaven Beside You 05:27 41 Alice In Chains I Stay Away 04:14 42 Alice In Chains Man In The Box 04:46 43 Alice In Chains No Excuses 04:15 44 Alice In Chains Nutshell 04:19 45 Alice In Chains Over Now 07:03 46 Alice In Chains Rooster 06:15 47 Alice In Chains Sea Of Sorrow 05:49 48 Alice In Chains Them Bones 02:29 49 Alice in Chains Would? 03:28 50 Alice In Chains Would 03:26 51 Alien Ant Farm Movies 03:15 52 Alien Ant Farm Smooth Criminal 03:41 53 American Hifi Flavor Of The Week 03:12 54 Andrew W.K. -
ET19KV Ingebouwd POP 1910
Title TITLE NO ARTIST 100 YEARS 8001 FIVE FOR FIGHTING 1000 MILES AWAY 10807 JEWEL 19-2000 8002 GORILLAZ 20 YEARS OF SNOW 8701 REGINA SPEKTOR 25 MINUTES 8004 MICHAEL LEARNS TO ROCK 4 AM FOREVER 8702 LOSTPROPHETS 4 SEASONS OF LONELINESS 8005 BOYZ II MEN 4 TO THE FLOOR 10808 STARSAILOR 05:15:00 8006 THE WHO 52ND STREET 8703 BILLY JOEL 93 MILLION MILES 10050 30 SECONDS TO MARS 99 RED BALLOONS 8007 NENA A CERTAIN SMILE 8008 JOHNNY MATHIS A FOOL IN LOVE 8704 IKE & TINA TURNER A FOOL SUCH AS I 10052 ELVIS PRESLEY A LIFE ON THE OCEAN WAVE 9009 P.D. A LITTLE MORE CIDER TOO 9010 P.D. A LONG DECEMBER 8009 COUNTING CROWS A LONG WALK 10053 JILL SCOTT A LOVER'S CONCERTO 8010 SARAH VAUGHAN A MAIDENS WISH 9011 P.D. A MILLION LOVE SONGS 8011 TAKE THAT A NATURAL WOMAN 8705 ARETHA FRANKLIN A PLACE FOR MY HEAD 10055 LINKIN PARK A PLACE IN THE SUN 8012 STEVIE WONDER A SONG FOR THE LOVERS 10809 RICHARD ASHCROFT A SONG FOR YOU 10057 THE CARPENTERS A THOUSAND LEAGUES AWAY 9013 P.D. A THOUSAND MILES 10058 VANESSA CARLTON A WANDERING MINSTREL 9014 P.D. A WHITER SHADE OF PALE 8013 PROCOL HALUM A WOMAN'S WORTH 8014 ALICIA KEYS A WONDERFUL DREAM 8706 THE MAJORS AARON'S PARTY (COME GET IT) 10059 AARON CARTER ABC 8016 THE JACKSON 5 ABOUT A GIRL 8017 NIRVANA ACCIDIE 10060 CAPTAIN ACHY BREAKY HEART 10061 BILLY RAY CYRUS ADRIENNE 10062 THE CALLING www.magic-sing.be Title ET19KV POP 1910 Songs ingebouwd Title TITLE NO ARTIST AFTER ALL 10063 AL JARREAU AFTER THE LOVE HAS GONE 8019 EARTH, WIND & FIRE AFTERNOONS & COFFEESPOONS 10064 CRASH TEST DUMMIES AGAIN 8020 LENNY KRAVITZ AGAIN AND AGAIN 10810 THE BIRD AND THE BEE AGE AIN'T NOTHING BUT A NUMBER 10066 AALIYAH AIN'T MISBEHAVIN' 8707 HANK WILLIAMS, JR. -
A Spatial Reading of Pynchon's California Trilogy
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Archivio della ricerca- Università di Roma La Sapienza “The Map is Not the Territory”: A Spatial Reading of Pynchon’s California Trilogy Department of European, American and Intercultural Studies Ph.D. Program in English-language Literatures Candidate: Ali Dehdarirad Supervisor: Prof. Giorgio Mariani Anno Accademico 2019-2020 Contents Acknowledgements iii Abbreviations iv Introduction 1 Chapter One The Crying of Lot 49 9 1. Introduction: 1.1. From the Fifties to the Sixties: A Critical Moment of Change 1.2. In the Midst of a Long Decade: The American Sixties after Kennedy 14 1.3. The Counterculture as Socio-cultural Reaction to the Politics of the Sixties 18 1.4. The Sixties in Pynchon’s Works 22 2. Inside The Crying of Lot 49: Toward a Geocritical Understanding 28 SECTION 1 30 2.1. The Spatial Dimension in Pynchon’s Early Life and Career 2.2. From Pynchon’s San Narciso to California’s Orange County 34 2.2.1. Creating San Narciso: Understanding the “postmetropolitan transition” 35 2.2.2. A Historical Analogy between San Narciso and Orange County 39 2.2.3. Reading Pynchon’s San Narciso through Geocritical Lenses: Understanding The Crying of Lot 49’s Narrative Structure through Fictional and Political Spaces 41 SECTION 2 45 2.3. An Analysis of Thirdspace in Pynchon’s Fiction 2.3.1. An Attempt at Reading Pynchon’s San Narciso through Thirdspace: The Search for an Alternative Reality in The Crying of Lot 49 47 Chapter Two Vineland 54 1.