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Videos / DVD Antigonae Aufführung im Staatshtheater Darmstadt / Spielzeit 2006/07 Inszenierung: John Dew Dirigent: Stefan Blunier Herrenchor des Staatstheaters Darmstadt – Staatsorchester Darmstadt Interpreten: Katrin Gerstenberger (Antigonae), Anja Vincken (Ismene), Oleksandr Prytolyuk (Chorführer), Andreas Daum (Kreon), Markus Durst, Jeffrey Treganza (Wächter), Sven Ehrke (Hämon), Mark Adler (Tiresias), Thomas Mehnert (Ein Bote), Susanne Serfling (Eurydice) B.O.A. Videofilmkunst – Regie: Peider A. Defilla Wergo MV 8555 (DVD) Astutuli Aufführung im Florian-Stadl, Kloster Andechs / Juni 2007 – Orff in Andechs Inszenierung: Hellmut Matiasek Dirigent: Mark Mast Ensemble der Welttheaterchöre Andechs – Junge Münchner Philharmonie Interpreten: Michael Schanze, Winfried Hübner, Christoph Gehr, Michael SchlengerB.O.A. Videofilmkunst – Regie: Peider A. Defilla Wergo MV 8525 (DVD) Die Bernauerin Aufführung im Florian-Stadl, Kloster Andechs / Juli 2007 – Orff in Andechs Inszenierung: Hellmut Matiasek Dirigent: Mark Mast Welttheaterchöre Andechs – Junge Münchner Philharmonie Interpreten: Christoph Gehr, Winfried Hübner, Reinhold Lampe, Fred Maire, Heinz Schmidtpeter, Julia Urban B.O.A. Videofilmkunst – Regie: Peider A. Defilla Wergo MV 8535 (DVD) Carmina Burana Inszenierung: Jean-Pierre Ponnelle Dirigent: Kurt Eichhorn Chor des Bayerischen Rundfunks – Münchner Rundfunkorchester Interpreten: Lucia Popp, John van Kesteren, Hermann Prey BMG 74321852859 (DVD) Carmina Burana Choreographie: Tomasz Kajdanski Dirigent: Mark Mast Großer Welttheaterchor Andechs, Kinderchor des Max-Josef-Stift München -Junge Münchner Philharmonie Interpreten: Benito Marcelino (Solotänzer), Susanne Bernhard (Sopran), Markus Durst (Tenor), George Stevens (Bariton) B.O.A. Videofilmkunst – Regie: Peider A. Defilla Wergo (DVD) Carmina Burana Dirigent: Simon Rattle Rundfunkchor Berlin – Berliner Philharmoniker Interpreten: Sally Matthews, Lawrence Brownlee, Christian Gerhaher EuroArts (DVD) – EuroArts (Blue Ray) Gisei Aufführung im Staatstheater Darmstadt / Spielzeit 2010/11 Inszenierung: John Dew Dirigent: Constantin Trinks Chor des Staatstheaters Darmstadt – Staatsorchester Darmstadt Interpreten: Aki Hashimoto (Kwan Shusai / Kotaro), Oleksandr Prytolyuk (Genzo), Susanne Serfling (Tonami), Andreas Daum (Matsuo / Erste Gestalt), Anja Vincken (Chiyo / Zweite Gestalt), Sven Ehrke (Gemba) B.O.A. Videofilmkunst – Regie: Peider A. Defilla Wergo MV 8565 (DVD) Oedipus der Tyrann Aufführung im Staatstheater Darmstadt / Spielzeit 2006/07 Inszenierung: John Dew Dirigent: Stefan Blunier Herrenchor des Staatstheaters Darmstadt – Staatsorchester Darmstadt Interpreten: Norbert Schmittberg (Oedipus), Dimitry Ivashchenko (Ein Priester), Andreas Daum (Kreon), Oleksandr Prytolyuk (Chorführer), Markus Durst (Chorführer), Mark Adler (Tiresias), Yamina Maamar (Iokasta), Stefan Umhey (Ein Bote aus Korinth), Hans-Joachim Porcher (Ein Hirte des Lajos) B.O.A. Videofilmkunst – Regie: Peider A. Defilla Wergo MV 8545 (DVD) .

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Richard Strauss's Ariadne Auf Naxos
Richard Strauss’s Ariadne auf Naxos - A survey of the major recordings by Ralph Moore Ariadne auf Naxos is less frequently encountered on stage than Der Rosenkavalier or Salome, but it is something of favourite among those who fancy themselves connoisseurs, insofar as its plot revolves around a conceit typical of Hofmannsthal’s libretti, whereby two worlds clash: the merits of populist entertainment, personified by characters from the burlesque Commedia dell’arte tradition enacting Viennese operetta, are uneasily juxtaposed with the claims of high art to elevate and refine the observer as embodied in the opera seria to be performed by another company of singers, its plot derived from classical myth. The tale of Ariadne’s desertion by Theseus is performed in the second half of the evening and is in effect an opera within an opera. The fun starts when the major-domo conveys the instructions from “the richest man in Vienna” that in order to save time and avoid delaying the fireworks, both entertainments must be performed simultaneously. Both genres are parodied and a further contrast is made between Zerbinetta’s pragmatic attitude towards love and life and Ariadne’s morbid, death-oriented idealism – “Todgeweihtes Herz!”, Tristan und Isolde-style. Strauss’ scoring is interesting and innovative; the orchestra numbers only forty or so players: strings and brass are reduced to chamber-music scale and the orchestration heavily weighted towards woodwind and percussion, with the result that it is far less grand and Romantic in scale than is usual in Strauss and a peculiarly spare ad spiky mood frequently prevails.
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1973 Bach Festival Program
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Paul Meissen
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Concerts with the London Philharmonic Orchestra for Seasons 1946-47 to 2006-07 Last Updated April 2007
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Decca Discography
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SACRED MUSIC Volume 96, Number 2, Summer 1969
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01 02 2018 CRQ EDITIONS COMPLETE CATALOGUE V23a No
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Marijke Van Der Lugt
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WA Mozart Requiem in D Minor K 626 Mp3, Flac
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