DOCSLIB.ORG

The Pamphlet Files 1

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Pamphlet Files 1 The Pamphlet Files 1 The Pamphlet Files The Pamphlet Files were established as an original NYPL resource, part of the Library’s traditional and strong interest in the preservation of ephemera. Some of the material in these files dates back to the late nineteenth century. The Pamphlet Files are often the only record that a gallery or organization existed. They are not catalogued, and there are no references to them in our online catalogue. These files include exhibition brochures, fliers, small group exhibition catalogues, gallery announcements, newsletters and other ephemera relating to galleries, museums, colleges and universities, professional associations, foundations, non- profit organizations, and other arts organizations. While this collection consists of material predominantly from New York City and state, it also contains many files from throughout the United States, Europe, Central and South America. In addition, there are files for one-time arts events and movements, such as “New York State Exposition” and “Art for Peace.” The list of entries is arranged in alphabetical order; for galleries that have a given name and a surname, i.e. “Martha Jackson Gallery,” the entry will be alphabetized according to the first name. Updated and edited by Lauren Stark, 2010. Updated and edited by Doris Straus, 2013. The Pamphlet Files 2 A • AAMES GALLERY • AARGAUER KUNSTHAUS • AARON ASHLEY INC. see: David Ashley Inc. • AARON BERMAN GALLERY • AARON FABER GALLERY • AARON FURMAN • AARON PAYNE FINE ART • ABBOTT HALL, Marblehead, Massachusetts • ABC NO RIO • ABINGDON SQUARE PAINTERS • ABRAMS GALLERY • ABRONS ART CENTER see: Henry Street Settlement • ABSOLUT • [AC]2 • ACA GALLERY, 26 W. 8th St. & 52 W. 8th St. (1930-mid 40s) • ACA GALLERY, 63 E. 57th St. (mid 1940s-60s) • ACA GALLERY, 25 E. 73rd St. (1970s) • ACA GALLERY, 21 E. 67th St. (1970s-80s) • ACA GALLERY, 41 E. 57th St. (late 1980s-90s) • ACA GALLERY, 529 W. 20th St. (2000s) • ACADEMIA DE SAN CARLOS • ACADEMIE DE FRANCE A ROME • ACADEMIE MONTMARTRE OF PARIS IN NEW YORK • ACADEMY OF ALLIED ARTS • ACADEMY OF DESIGN see: Brooklyn Art Association • ACE GALLERY • ACHIM MOELLER FINE ARTS LTD. • ACQUAVELLA GALLERY • ACTINO GALLERIES The Pamphlet Files 3 • ACTION GROUP FOR BETTER ARCHITECTURE (AGBANY) • ACTS OF ART • A/D • A & D BUILDING • A-D GALLERY • ADAM WILLIAMS FINE ART • ADAMS DAVIDSON GALLERIES, Washington, DC • ADAMSON-DUVANNE GALLERIES • ADDISON GALLERY OF AMERICAN ART, PHILLIPS ACADEMY, Andover, Massachusetts • ADELSON GALLERY • ADEVA, Austria • ADIRONDACK COMMUNITY COLLEGE, Queensbury, New York • ADOLPH AND ESTHER GOTTLIEB FOUNDATION, INC. • ADRIA ART GALLERY • ADVISORY BOARD ON NATIONAL PARKS, HISTORIC SITES, BUILDINGS, AND MONUMENTS, Washington, DC • ADVISORY COUNCIL ON THE ARTS • A. F. FILMS see: Film Images, Inc. • AFA GALLERY see also: The American Federation of Arts • AFFORDABLE ART FAIR • AFI GALLERY • THE AFRICAN-AMERICAN INSTITUTE • AFRO ARTS GALLERY • AFROYIM EXPERIMENTAL ART SCHOOL • AGBU GALLERY • AGNEW’S, London • AGORA GALLERY • A. G. SPALDING AND BROTHERS • AHDA ARTZT GALLERY The Pamphlet Files 4 • A.I. FRIEDMAN, INC. • AIPAD see: Association of International Photography Art Dealers • AIR ART (exhibition) • A.I.R. GALLERY • A.L.A. GALLERY • ALAN BILHAUD GALLERY (or Alain) • ALAN CRISTEA GALLERY, London • THE ALAN GALLERY • ALAN KLOTZ GALLERY • A LA VIELLE RUSSIE • ALBANY INSTITUTE OF HISTORY & ART • ALBANY MALL & NEW YORK STATE MUSEUM • ALBERT LANDRY GALLERIES • THE ALBERT PELS SCHOOL OF ART • ALBERT TOTAH GALLERY • ALBERT WOOD AND FIVE SONS, Port Washington, New York • ALBIN O. KUHN LIBRARY & GALLERY, University of Maryland, Baltimore County • ALBRIGHT-KNOX ART GALLERY, Buffalo, New York • ALDRICH MUSEUM OF CONTEMPORARY ART, Ridgefield, Connecticut • ALEX ROSENBERG GALLERY • ALEXANDER AND BONIN • ALEXANDER CARLSON GALLERY • ALEXANDER F. MILLIKEN, INC. • ALEXANDRE GALLERY • ALEXANDRE IOLAS GALLERY • THE ALEXIS GRITCHENKO FOUNDATION, INC. • ALFRED BELL & CO., London • ALFRED KREN GALLERY • ALFRED UNIVERSITY The Pamphlet Files 5 • ALFREDO VALENTE GALLERY • THE ALICE AUSTEN HOUSE MUSEUM • ALICIA TORRES FINE ART GALLERY • ALL-LANGUAGE SERVICES • ALLAN FRUMKIN GALLERY • ALLAN STONE GALLERIES • ALLEN FUNT GALLERY • ALLEN MEMORIAL ART MUSEUM, Oberlin College • THE ALLEYCAT GALLERY OF CHELSEA • ALLIANCE FOR THE ARTS • ALLIANCE FOR DOWNTOWN NEW YORK INC. • ALLIANCE FRANCAISE • ALLIED ARTISTS OF AMERICA, INC. • ALMA REED GALLERIES • ALONSO GARCES GALERIA, Bogota, Columbia • ALONZO GALLERY • ALPHA GALLERY, Boston, Massachusetts • ALPHA OMEGA GALLERY • ALTAMIRA GALERIA DE ARTS, Buenos Aires, Argentina • ALTERNATE SPACE GALLERY at WESTBROADWAY see also: Westbroadway • ALTERNATIVE CENTER FOR INTERNATIONAL ARTS INC. (see below also) • ALTERNATIVE MUSEUM (see above also) • ALTERNATIVE SPACE • ALTERNATIVE SPACE, Astoria • ALTON/McCRARY, LTD. • ALVA STUDIOS, INC. • A. M. ADLER FINE ARTS, INC • A. M. RICHARD FINE ART • A & M ARTWORKS • AM SACHS The Pamphlet Files 6 • AMADOR GALLERY • AMATEUR ARTISTS ASSOCIATION OF AMERICA • AMAURY TAITTINGER GALLERY • AMBACH & RICE, Seattle, Washington • AMEL GALLERY, INC. • AMELIE A. WALLACE GALLERY, State University of New York, College at Old Westbury • AMERICA HOUSE • AMERICAN ABSTRACT ARTISTS • AMERICAN ACADEMY OF FINE ARTS • AMERICAN ACADEMY AND INSTITUTE OF ARTS & LETTERS see also: National Institute of Arts & Letters • AMERICAN ACADEMY IN ROME • AMERICAN ANTIQUARIAN SOCIETY • AMERICAN ART ASSOCIATION see also: Anderson Galleries, Inc. • AMERICAN ART BUREAU, Chicago, Illinois • AMERICAN ART CLEARINGHOUSE • AMERICAN ART GALLERIES • AMERICAN ART LEAGUE • AMERICAN ART RESEARCH COUNCIL • AMERICAN ARTISTS CONGRESS • AMERICAN ARTISTS GROUP • AMERICAN ARTISTS PROFESSIONAL LEAGUE, INC. • AMERICAN ARTISTS SCHOOL GALLERY • AMERICAN ARTS ALLIANCE • AMERICAN ASSEMBLY, Harriman, New York • AMERICAN ASSOCIATES OF THE ROYAL ACADEMY TRUST • THE AMERICAN ASSOCIATION OF ARCHITECTURAL BIBLIOGRAPHERS, University of Virginia, Charlottesville, Virginia The Pamphlet Files 7 • AMERICAN ASSOCIATION OF CONSERVATORS AND RESTORERS, INC., Ridgewood, New Jersey • AMERICAN ASSOCIATION OF MUSEUMS (AAM), Washington, DC • AMERICAN BANK & TRUST CO. • AMERICAN BIBLE SOCIETY GALLERY • AMERICAN BRITISH ART CENTER • AMERICAN BRITISH ART GALLERY • AMERICAN COMMITTEE FOR THE PRESERVATION OF ABU SIMBEL • AMERICAN COUNCIL FOR THE ARTS • AMERICAN CRAFT MUSEUM • AMERICAN CRAFTS COUNCIL • AMERICAN CRAFTSMEN’S EDUCATIONAL COUNCIL • THE AMERICAN FEDERATION OF ARTS • AMERICAN FINE ARTS COMPANY • AMERICAN FINE ARTS GALLERIES see also: Art Students League and American Fine Arts Society • AMERICAN FINE ARTS SOCIETY • AMERICAN FOLK ART GALLERY • AMERICAN FOLK ART MUSEUM • AMERICAN-FOREIGN TRANSLATION SERVICES • AMERICAN FOUNDATION FOR THE BLIND • AMERICAN FRIENDS OF THE TEL AVIV MUSEUM OF ART • AMERICAN GALLERY • AMERICAN GREETINGS GALLERY • AN AMERICAN GROUP, INC. • AMERICAN INSTITUTE OF ARCHITECTS • AMERICAN INSTITUTE FOR CONSERVATION OF HISTORIC & ARTISTIC WORKS (AIC) • AMERICAN INSTITUTE OF DECORATORS • AMERICAN INSTITUTE OF GRAPHIC ARTS (AIGA) The Pamphlet Files 8 • AMERICAN INSTITUTE OF INTERIOR DESIGNERS • AMERICAN INSTITUTE OF PHYSICS, Melville, New York • AMERICAN JEWISH ARTS CLUB • AMERICAN LATVIAN ARTISTS ASSOCIATION • AMERICAN LEAGUE OF YOUNG SCULPTORS • THE AMERICAN LIBRARY COLOR SLIDE CO., INC. • THE AMERICAN LIFE FOUNDATION • AMERICAN MEDALLIC SCULPTURE ASSOCIATION • AMERICAN MUSEUM OF IMMIGRATION • AMERICAN MUSEUM OF NATURAL HISTORY • AMERICAN NATIONAL EXHIBITION, MOSCOW, 1959 • AMERICAN NUMISMATIC SOCIETY • AMERICAN PEOPLES SCHOOL GROUP • AMERICAN PHOTOGRAPHY ARCHIVES GROUP • AMERICAN PHYSICIANS’ ART ASSOCIATION • AMERICAN PLACE • THE AMERICAN-SCANDINAVIAN FOUNDATION (NEW YORK CHAPTER) • AMERICAN SCENE GALLERY, Sarasota, FL • AMERICAN SECTION-INTERNATIONAL ASSOCIATION OF ART CRITICS (AICA) • THE AMERICAN SOCIETY OF APPRAISERS • AMERICAN SOCIETY OF BOTANICAL ARTISTS • AMERICAN SOCIETY OF CONTEMPORARY ARTISTS (ASCA) • THE AMERICAN SOCIETY OF FINE ARTS, INC. • AMERICAN SOCIETY OF INDUSTRIAL DESIGNERS (ASID) • AMERICAN SOCIETY OF MINIATURE PAINTERS • AMERICAN STANDARD GALLERY • AMERICAN VETERANS SOCIETY OF ARTISTS • AMERICAN WATERCOLOR SOCIETY (AWS) • AMERICA’S MOUTH AND FOOT PAINTING ARTISTS, Atlanta, Georgia The Pamphlet Files 9 • AMERICAS SOCIETY • AMERINGER HOWARD • AMERINGER YOHE GALLERY • AMON CARTER MUSEUM, Fort Worth, Texas • AMOS ENO GALLERY • ANDERSON GALLERIES see also: American Art Association • ANDERSON GALLERIES see: American Place • ANDERSON GALLERY, Buffalo, New York • ANDERSON GALLERY, VIRGINIA COMMONWEALTH UNIVERSITY, Richmond, Virginia • ANDRÉ EMMERICH GALLERY • ANDRE SELIGMANN, INC. • ANDRÉ TRESSLEY, APPRAISER • ANDRE ZARRE GALLERY • ANDREA MEISLIN GALLERY • ANDREA ROSEN GALLERY • ANDREW CRISPO ART GALLERY • ANDREW DICKSON WHITE MUSEUM OF ART, CORNELL UNIVERSITY • ANDREW EDLIN GALLERY • ANDREW KREPS GALLERY • ANDREW SMITH GALLERY, INC., Santa Fe, New Mexico • ANGELESKI GALLERY • ANGLES GALLERY, Santa Monica, California • ANITA SHAPOLSKY GALLERY • ANNA E. MELTZER ART SOCIETY • ANNE PLUMB GALLERY • ANNEMARIE VERNA GALERIE • ANNEX GALLERIES • ANNIKA SUNDVIK GALLERY • ANNINA NOSEI GALLERY The Pamphlet Files 10 • ANONYMOUS ARTS RECOVERY SOCIETY • ANRI WOODCARVINGS INC., Boston, Massachusetts • ANTHOLOGY FILM ARCHIVES • ANTHONY GRANT, INC. • ANTIQUARIAT MICHAEL KUHN, Berlin • ANTIQUARIUM, LTD. • ANTIQUE & DECORATIVE ARTS LEAGUE • ANTIQUE GALLERY, Chester, Vermont • ANTIQUES CENTER OF AMERICA, INC. • ANTON SCHROLL AND CO., Vienna, Austria • ANTONIOSAURA.ORG
Load more

Recommended publications
  • BILLY SULLIVAN *1946 in New York, USA Lives and Works in New York City
    BILLY SULLIVAN *1946 in New York, USA Lives and works in New York City Education Depuis 1788 1968 School of Visual Arts, New York, NY, USA 1964 High School of Art and Design, New York, NY, USA Freymond-Guth Fine Arts Riehenstrasse 90 B Teaching CH-4058 Basel T +41 (0)61 501 9020 1997 The School of Visual Arts, New York: BFA Photo Thesis offi[email protected] 2012–14 New York University: MFA Program, Studio Art, Steinhardt School of www.freymondguth.com Culture, Education, and Human Development 2003–06, New York University, Interactive Telecommunication Program 2010–14 1999 Harvard University, The Department of Visual and Environmental Studies Solo Shows (selection) 2016 Monteverdi Art Gallery, Sarteano, Tuscany, curated by Sarah McCrory kaufmann repetto, New York 2015 Ille Arts, Amagansett, NY, USA 2014 Time after Time, Freymond-Guth Fine Arts, Zurich, CH Blush, Galerie Sabine Knust, Munich, DE 2012 Bird Drawings, Glenn Horowitz Bookseller, East Hampton, NY, USA Nicole Klagsbrun Gallery, New York, NY, USA 2011 Still, Looking, Kaufmann Repetto, Milan, IT Now & Then, Baldwin Gallery, Aspen, CO, USA 2010 Susanne Hilberry Gallery, Ferndale, MI, USA East End Photographs 1973-2009, Salomon Contemporary, East Hampton, NY, USA 2009 Galerie Sabine Knust, Munich, DE Conversations, Nicole Klagsbrun Gallery, New York, NY, USA 2008 Regen Projects, Los Angeles, CA, USA Rebecca Ibel Gallery, Columbus, OH, USA Texas Gallery, Houston, TX, USA 2007 Guild Hall, East Hampton, NY, USA Galleria Francesca Kaufmann, Milan, IT 2006 New Work, Rebecca Ibel Gallery,
    [Show full text]
  • ROBERT BARRY 1936, New York (USA). Lives And
    FRANCESCA MININI VIA MASSIMIANO 25 20134 MILANO T +39 02 26924671 [email protected] WWW.FRANCESCAMININI.IT ROBERT BARRY 1936, New York (USA). Lives and works in New York. EDUCATION Bachelor of Fine Arts, Master of Arts, Hunter College, The City University of New York SELECTED SOLO EXHIBITIONS 2019 ROBERT BARRY, Francesca Minini, Milan (I) 2018 ROBERT BARRY, How Things Have Changed…, Parra & Romero Gallery, Madrid (ES) ROBERT BARRY, Galleria Alfonso Artiaco, Naples (I) 2017 ROBERT BARRY, Cristina Guerra Contemporary Art, Lisboa (P) 2016 ROBERT BARRY: WORKS FROM 1964 TO 2016, Mary Boone Gallery, New York (USA) ROBERT BARRY: RANDOM, Galerie Untilthen, Saint Ouen (FR) 2015 ROBERT BARRY, Galerie Greta Meert, Brussels (BE) ROBERT BARRY, Thomas Solomon Art Advisory, Bethlehem Baptist Church, Los Angeles (USA) ROBERT BARRY - WORKS 1962 UNTIL PRESENT, Galerie Greta Meert (BE) ROBERT BARRY: ALL THE THINGS I KNOW 1962 TO THE PRESENT, 205 Hudson Street Gallery, New York (USA) 2014 INCOMPLETE…, Gallery Alfonso Artiaco, Naples (I) 2014 ROBERT BARRY: DIPTYCH, WINDOW-WALLPIECE, Montclair Art Museum, New Jersey (USA) 2013 ROBERT BARRY, Le Consortium, Dijon (FR) ONE BILLION COLORED DOTS, Montclair Art Museum, New Jersey (USA) ROBERT BARRY, Galerie Greta Meert, Brussels (BE) 2012 DIFFERENT TIMES, DIFFERENT WORKS, Galleria Massimo Minini, Brescia (I) Galerie Yvon Lambert, Paris (FR) 2011 RECENT MIRRORPIECES, Sperone Westwater, New York (USA) GOLDEN WORDS, Giacomo Guidi MG Art, Rome (I) TROUBLESOME, Galerie Alfonso Artiaco, Naples (I) SILVER, Bugdahn
    [Show full text]
  • PDF SVA Handbook 2020–21
    2020/2021 SVA Handbook SVA • 2020 / 2021 20 /21 SVA Handbook CONTENTS President’s Letter 2 The College 3 Academic Information 9 Student Information 23 Faculty Information 44 General Information 55 Standards, Procedures, Policies and Regulations 69 SVA Essentials 93 2020–2021 Academic Calendar 113 Index 119 SVA.EDU 1 THE SVA HANDBOOK provides faculty, students and administrative staff with information about the College, its administration, services and processes. In addition, the Handbook contains policies mandated by federal and state regulations, which all faculty, students and administrative staff need be aware of. In this regard, I would especially like to call your attention to the sections on attendance (pages 12 and 46), the Family Educational Rights and Privacy Act (FERPA) (page 85), Student Disruptive and Concerning Behavior (page 74), Title IX procedures (page 84) and the SVA policy on alcohol and drugs (page 70). We look forward to the 2020–2021 academic year. Our students, this year from 45 states, one U.S. territory and 49 countries, will once again pursue their studies with the focused guidance of our renowned professional faculty. DAVID RHODES President August 2020 2 SVA HANDBOOK THE COLLEGE Board of Directors 4 Accreditation 4 SVA Mission Statement 4 SVA Core Values 4 History of SVA 5 Academic Freedom 6 First Amendment Rights 6 SVA Student Profile 7 SVA.EDU 3 BOARD OF DIRECTORS The Interior Design program leading to the Brian Palmer Bachelor of Fine Arts in Interior Design is ac- Joseph F. Patterson credited by the Council for Interior Design Anthony P. Rhodes Accreditation (accredit-id.org), 206 Grand- David Rhodes ville Avenue, Suite 350, Grand Rapids, MI Lawrence Rodman 49503-4014.
    [Show full text]
  • Download 2017 Guide
    The Department of Youth and Community Development will be updating this guide regularly. Please check back with us to see the latest additions. Have a safe and fun Summer! For additional information please call Youth Connect at 1.800.246.4646 EMPOWERING INDIVIDUALS • STRENGTHENING FAMILIES • INVESTING IN COMMUNITIES T HE C ITY OF N EW Y ORK O FFICE OF THE M AYOR N EW Y ORK, NY 10007 Summer 2017 Dear Friends: It is a great pleasure to share with you the 2017 edition of the New York City Youth Guide to Summer Fun! From performances and events in our wonderful parks and green spaces to sun-filled trips to our beautiful beaches to the vibrant cultural festivals, concerts, and sporting events that take place across the five boroughs, there is so much for New Yorkers and visitors alike to look forward to as the summer season begins. Thanks to the efforts of the Department of Youth and Community Development and its partners, this guide ensures that young New Yorkers will have no shortage of exciting, educational, and memorable activities to experience with their families and friends this summer. The hundreds of low-cost and free events happening in our city in July and August are sure to pique the interest of any young scientist, athlete, bookworm, foodie, movie buff, or music lover. Every New York deserves the opportunity to participate in the many wonderful things the five boroughs have to offer, and we are determined to give our residents of all ages and backgrounds the chance to experience the energy and excitement that have long defined our city.
    [Show full text]
  • Ernest Briggs' Three Decades of Abstract Expressionist Painting
    Ernest Briggs' Three Decades its help in allowing artists of the period to go to school. They were set of Abstract Expressionist Painting free economically, and were allowed to live comfortably with tuition and supplies paid for. The Fine Arts School would last about 3 years Ernest Briggs, a second generation Abstract Expressionist painter under McAgy. The program took off due to the presence of Clyfford known for his strong, lyrical, expressive brushstrokes, use of color and Still, Ad Reinhardt, along with David Park, Richard Diebenkorn, Elmer sometimes geometric composition, first came to New York in late 1953. Bischoff and others. Most of the students at the school, about 40-50 He had been a student of Clyfford Still at the California School of Fine taking painting, such luminaries as Dugmore, Hultberg, Schueler and Arts. Frank O’Hara first experienced the mystery in the way Ernest Crehan, had had some exposure to art through university or art school. Briggs’ splendid paintings transform, and the inability to see the shape But there had been no exposure to what was going on in New York or in as a shape apart from interpretation. Early in 1954, viewing Briggs’ first Europe in the art world, and Briggs and the others were little prepared one man show at the Stable Gallery in New York, O’Hara said in Art for the onslaught that was to come. in America “From the contrast between the surface bravura and the half-seen abstract shapes, a surprising intimacy arises which is like The California Years seeing a public statue, thinking itself unobserved, move.” With the entry of Still, the art program would “blow apart”.
    [Show full text]
  • Active Corporations: Beginning 1800
    Active Corporations: Beginning 1800 DOS ID Current Entity Name 5306 MAGNOLIA METAL COMPANY 5310 BRISTOL WAGON AND CARRIAGE WORKS 5313 DUNLOP COAL COMPANY LIMITED 5314 THE DE-LON CORP. 5316 THE MILLER COMPANY 5318 KOMPACT PRODUCTS CORPORATION 5339 METROPOLITAN CHAIN STORES, INC. 5341 N. J. HOME BUILDERS CORPORATION 5349 THE CAPITA ENDOWMENT COMPANY 5360 ECLIPSE LEATHER CORP. 6589 SHERWOOD BROS. CO. 6590 BURLINGTON VENETIAN BLIND COMPANY 6593 CAB SALES COMPANY 6600 WALDIA REALTY CORPORATION 6618 GATTI SERVICE INCORPORATED 6628 HANDI APPLIANCE CORPORATION 6642 THE M. B. PARKER CONSTRUCTION COMPANY 6646 ALLIED BANKSHARES COMPANY 6651 SYRACUSE PURCHASING COMPANY, INC. Page 1 of 2794 09/28/2021 Active Corporations: Beginning 1800 Initial DOS Filing Date County Jurisdiction 06/08/1893 NEW YORK WEST VIRGINIA 05/16/1893 NEW YORK UNITED KINGDOM 09/17/1924 ERIE ONTARIO 09/18/1924 SARATOGA DELAWARE 09/19/1924 NEW YORK CONNECTICUT 09/12/1924 NEW YORK DELAWARE 10/27/1924 NEW YORK DELAWARE 10/27/1924 NEW YORK NEW JERSEY 10/24/1924 ALBANY OHIO 11/18/1924 NEW YORK NEW JERSEY 02/15/1895 ALBANY PENNSYLVANIA 02/16/1895 NEW YORK VERMONT 11/03/1927 NEW YORK DELAWARE 11/09/1927 NEW YORK DELAWARE 11/23/1927 NEW YORK NEW JERSEY 12/02/1927 NEW YORK DELAWARE 12/12/1927 NEW YORK OHIO 12/16/1927 NEW YORK NEW JERSEY 12/14/1927 NEW YORK GEORGIA Page 2 of 2794 09/28/2021 Active Corporations: Beginning 1800 Entity Type DOS Process Name FOREIGN BUSINESS CORPORATION EDWARD C. MILLER FOREIGN BUSINESS CORPORATION ALFRED HEYN FOREIGN BUSINESS CORPORATION DUNLOP COAL COMPANY LIMITED FOREIGN BUSINESS CORPORATION THE DE-LON CORP.
    [Show full text]
  • Contemporary American Painting and Sculpture
    AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J.
    [Show full text]
  • Judith Bernstein Education Solo Shows
    JUDITH BERNSTEIN * 1942, Newark, New Jersey, Lives and works in New York EDUCATION 1967 MFA & BFA, Yale University, School of Art and Architecture 1964 MS & BS, Pennsylvania State University SOLO SHOWS 2019 Blue Balls, Karma International, Zurich Diamonda Mouth, Foksal Gallery Foundation, Warsaw 2018 Money Shot, Paul Kasmin, New York 2017 Cabinet of Horrors, The Drawing Center, New York Cock in The Box, The Box, Los Angeles 2016 Kunsthall Stavanger, Stavanger, Norway DICKS OF DEATH, Mary Boone Gallery, New York 2015 Art Basel: Feature, Basel Voyeur, Mary Boone Gallery, curated by Piper Marshall, New York Freddy, Baltimore 2014 Birth of the Universe, Gavin Brown’s Enterprise, New York Judith Bernstein, Karma International, Zurich Rising, Studio Voltaire, London 2013 Keep Your Timber Limber (Works on Paper), ICA, UK The Box, Los Angeles 2012 Judith Bernstein: Hard, New Museum of Contemporary Art, New York 2011 Fuck Vietnam, 1966-2011, The Box, Los Angeles Frame: Judith Bernstein, Frieze, London 2010 Alex Zachary Gallery, New York, NY 2009 Judith Bernstein. The Box, Los Angeles, CA 2008 Judith Bernstein: Signature and Phallic Drawings 1966-2008, Mitchell Algus Gallery, New York 1987 University of Arkansas, Fayetteville, Arkansas 1984 A.I.R. Gallery, New York City, NY 1978 Brooks Jackson Iolas Gallery, New York City, NY. 1977 State University of New York at Stony Brook Gallery 1976 Drawing 1966-1976. University of Colorado Museum, Colorado 1973 A.I.R. Gallery, New York City. NY. October/April GROUP SHOWS 2020 Artists Respond: American Art and the Vietnam War, 1965-75, Minneapolis Institute of Art, Minneapolis (upcoming) 2019 Feminist Avant-Garde of the 1970s.
    [Show full text]
  • Lower East Side Third Thursday Night – March 18, 2021, 4-8 Pm
    LOWER EAST SIDE THIRD THURSDAY NIGHT – MARCH 18, 2021, 4-8 PM Freight + Volume Perrotin 56 HENRY Fridman Gallery Peter Blum Gallery anonymous gallery FROSCH&CO Peter Freeman, Inc. ASHES/ASHES High Noon PROXYCO ATM Gallery NYC James Cohan Rachel Uffner Gallery Arsenal James Fuentes LLC RICHARD TAITTINGER GALLERY Betty Cuningham Gallery Kai Matsumiya Sargent's Daughters bitforms gallery Karma Shin Gallery Bureau Klaus von Nichtssagend SHRINE Callicoon Fine Arts Krause Gallery signs and symbols CANDICE MADEY LICHTUNDFIRE Simone Subal Gallery Cindy Rucker Gallery Lubov SITUATIONS Company Gallery Lyles & King Spencer Brownstone Cristin Tierney Gallery M 2 3 Sperone Westwater David Lewis Magenta Plains steven harvey fine art projects DEREK ELLER GALLERY MARC STRAUS GALLERY The Hole Downs & Ross Martos Gallery Thierry Goldberg Gallery Ed. Varie McKenzie Fine Art THOMAS NICKLES PROJECT Equity Gallery Miguel Abreu Gallery Tibor de Nagy Essex Flowers Gallery Milton Resnick & Pat Passlof TOTAH Essex Street/Maxwell Graham Foundation Ulterior Gallery Eva Presenhuber Mizuma & Kips Van Der Plas Gallery FIERMAN Nathalie Karg Gallery Zürcher Gallery Foley Gallery Olympia 56 HENRY 56 Henry Street 56henry.nyc THANK GOD YOU'RE HERE Nikita Gale Through March 29th anonymous gallery 136 Baxter Street New York, NY 10013 www.anonymousgallery.com G'ordiavonte Fold David-Jeremiah G’ordiavonte (Gee-or-día-von-te) Fold is an exhibition about Black inclusion in contemporary art discourse, wherein the black body is made central, while not only circumscribed by, but ultimately subsumed by whiteness. March 4 - April 4, 2021 ASHES/ASHES 56 Eldridge Street wwww.ashesonashes.com Gerold Miller 02/19/21–03/28/21 ATM Gallery NYC 54E Henry Street www.atmgallery.nyc Soul States Scott Kahn In his first comprehensive exhibition of portrait paintings in NYC, Scott Kahn presents six works of family members and friends spanning from 1975 to 2015.
    [Show full text]
  • The New York Central Railroad Company
    The New York Central Railroad Company Report of the Board of Directors to the Stockholders for the year ended December 31, 1922 New York Central Building 466 Lexington Avenue New York ORGANIZATION OF THE NEW YORK CENTRAL RAILROAD COMPANY DECEMBER 31, 1922 DIRECTORS Elected at the annual meeting of the stockholders, January 25, 1922 CHAUNCEY M. DEPEW, Chairman ROBERT S. LOVETT ALBERT H. HARRIS FREDERICK W. VANDERBILT OGDEN MILLS BERTRAM CUTLER GEORGE F. BAKER ALFRED H. SMITH WARREN S. HAYDEN WILLIAM K. VANDERBILT FRANK J. JEROME WALTER P. BLISS HAROLD S. VANDERBILT EDWARD S. HARKNESS (One vacancy) The annual meeting of the stockholders for the election of directors is held in the city of Albany, New York, on the fourth Wednesday in January FINANCE COMMITTEE WILLIAM K. VANDERBILT GEORGE F. BAKER ALFRED H. SMITH HAROLD S. VANDERBILT ROBERT S. LOVETT OFFICERS President ALFRED H. SMITH New York Assistant to President HOWARD L. INGERSOLL New York Assistant to President GEORGE A. HARWOOD New York Executive Assistant to President MARTIN J. ALGER New York Vice President IRA A. PLACE New York Vice President ALBERT H. HARRIS New York Vice President GEORGE H. INGALLS New York Vice President PATRICK E. CROWLEY New York Vice President HOWARD M. BISCOE Boston Vice President JOHN L. BTJRDETT ^ New York Vice President JOHN G. WALBER New York Assistant Vice President EDWARD T. GLENNON Chicago Assistant Vice President FRANK J. JEROME Cleveland Assistant Vice President CHARLES C. PAULDING New York Assistant Vice President RAYMOND D.STARBUCK New York Assistant Vice President CHARLES J. BRISTER Chicago Secretary EDWARD F.
    [Show full text]
  • SHELTON HOTEL, 525 Lexington Avenue
    Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2557 SHELTON HOTEL, 525 Lexington Avenue (aka 523-527 Lexington Avenue, 137-139 East 48th Street, 136-140 East 49th Street), Manhattan Built: 1922-23; architect, Arthur Loomis Harmon Landmark Site: Borough of Manhattan, Tax Map Block 1303, Lot 53 On July 19, 2016 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Shelton Hotel and the proposed designation of the related Landmark Site (Item No. 4). The hearing had been duly advertised in accordance with the provisions of the law. A representative of the owner spoke in favor of the designation acknowledging the building’s architectural and cultural importance. There were five other speakers in support of the designation including representatives of Borough President Gale Brewer, Community Board 6, the New York Landmarks Conservancy, the Historic Districts Council, and the Municipal Arts Society. A representative of the Real Estate Board of New York spoke in opposition to the designation. A representative of Council Member Daniel Garodnick submitted written testimony in support of the designation. Two other individuals have also submitted emails in support of the designation. Summary Designed by architect Arthur Loomis Harmon and completed in 1923, the Shelton Hotel was one of the first “skyscraper” residential hotels. With its powerful massing it played an important role in the development of the skyscraper in New York City. Located on the east side of Lexington Avenue between 48th and 49th Streets, it is one of the premiere hotels constructed along the noted “hotel alley” stretch of Lexington Avenue, which was built as part of the redevelopment of this section of East Midtown that followed the opening of Grand Central Terminal and the Lexington Avenue subway line.
    [Show full text]
  • Seymour Boardman “Personal Geometries” a Selection 1940’S—2000’S
    SEYMOUR BOARDMAN “PERSONAL GEOMETRIES” A Selection 1940’s—2000’s Untitled, 1949, O/c, 32 1/2” x 49 1/2” Untitled, 2001, O/c, 42 1/2” x 52 1/2” samplePublished 2013 by the Anita Shapolsky Gallery Seymour (Sy) Boardman (1921–2005) After opening my gallery in Soho (99 Spring St) in 1982 and exhibiting mostly decorative art, I searched for quality artists. I saw Sy Boardman’s work at the David Anderson Gallery collection (son of Martha Jackson) on West 57th St. He was not in vogue, as was the case for most Abstract Artists at the time. Minimalism and Pop Art were the flavors of the day in the 80’s. Sy had no gallery affiliation and I felt that he was a painter to consider. He created paintings that are unique, while avoiding fashionable art trends. I think his art education in Europe (through the GI Bill) influenced him to use the grid as an understructure of his paintings for Untitled, 1949, O/c, 18” x 24” many years. I consider Sy the most intellectual of all the artists that I have ever exhibited. His paintings resonate like jazz, ever evolving, the transcendence of improvisation is constant. He never went along with the group of Abstract Expressionists that he exhibited with. He liked jagged, architectural phrases, and beginning a line without knowing where it would end. He went through many stages in developing his oeuvre. Sy was called a geometric colorist and an abstract illusionist who contributed to the psychology of perception with the use of only one hand (the other was disabled in the war).
    [Show full text]