DOCSLIB.ORG

(Now Doubletree Metropolitan Hotel), 569-573 Lexington Avenue (Aka 132-166 East 51St Street), Manhattan

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
(Now Doubletree Metropolitan Hotel), 569-573 Lexington Avenue (Aka 132-166 East 51St Street), Manhattan Landmarks Preservation Commission May 17. 2005, Designation List 363 LP-2176 SUMMIT HOTEL (now Doubletree Metropolitan Hotel), 569-573 Lexington Avenue (aka 132-166 East 51st Street), Manhattan. Built 1959-61; Morris Lapidus, Harle & Liebman, architects. Landmark Site: Borough of Manhattan Tax Map, Block 1305, Lot 50. On March 29, 2005 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Summit Hotel (now Doubletree Metropolitan Hotel) and the related Landmark site (Item No. 2). The hearing had been advertised in accordance with provisions of law. At this time, the owner testified, taking no position on designation. Twelve witnesses spoke in favor of designation, including representatives of the Landmarks Conservancy, Historic Districts Council, Docomomo-US, Friends of the Upper East Side, Modern Architecture Working Group, Landmark West, and the Municipal Art Society. The Commission also received numerous letters and e-mails in support of designation. The hearing was continued on April 21, 2005 (Item No. 4). Three witnesses testified in support of designation, including representatives of the Modern Architecture Working Group and Docomomo-US. At this time, a representative of the owner testified, taking no position. Summary Admired for its unusual shape, color, and stainless steel sign, the Summit Hotel is an important work by Morris Lapidus. Begun in 1959, it was the first hotel built in Manhattan in three decades and the architect’s first hotel in New York City. Lapidus was especially proud of this building and reproduced an image of the Summit on the cover of his autobiography, The Architecture of Joy, published in 1979. Trained at Columbia University, he enjoyed considerable success as a retail designer in the 1930s. After the Second World War, Lapidus began to design hotels, including the celebrated Fontainbleau and Eden Roc in Miami Beach. These accomplishments led to his association with the Tisch family, who commissioned the Americana Hotel in Bal Harbour, Florida, in 1956. After acquiring a controlling interest in Loew’s Theaters, they commissioned the Summit, which adapts many of the devices Lapidus perfected in Florida to a challenging, constricted site at the corner of Lexington Avenue and East 51st Street. Built in reinforced concrete, a material favored for its sculptural potential, the curving north and south elevations are clad in light green glazed brick and dark green mosaic tile manufactured in Italy. The top three stories, built as penthouse suites, are faced in green structural glass. To further distinguish the building from its neighbors, the door handles were inlaid with colorful mosaics and the base along East 51st Street is illuminated by globe-shaped lighting fixtures. On Lexington Avenue, he designed a striking illuminated sign. Consisting of seven disks hung between stainless steel pins, this unique element enhanced the hotel’s street presence, making it visible from a distance. Other distinctive features include a pair of neon signs that direct drivers to the parking garage and a stainless steel ash tray that serves cigarette smokers descending into the subway. The hotel opened in August 1961, generating considerable media attention. Some writers greeted the new hotel with disappointment or amusement, while others viewed it as a disharmonious addition to the streetscape. In subsequent years, however, the hotel attracted an increasing number of admirers and aside from alterations to the Lexington Avenue entrance, this flamboyant modern structure retains much of its original character. DESCRIPTION AND ANALYSIS Morris Lapidus (1902-2000)1 The Summit Hotel was designed by Morris Lapidus, one of the most influential hotel designers of the 20th century. Born in Odessa, Russia, in 1902, he and his family immigrated to the United States in 1903. They lived on the Lower East Side for several years, moving to Williamsburg, and later, to the East New York section of Brooklyn. Lapidus attended Boys High School (a designated New York City Landmark) in the Bedford section, and for a brief time trained as an actor at New York University. During the mid-1920s, he attended architecture school at Columbia University, studying with Frederic C. Hirons and Wallace K. Harrison. Lapidus worked as a draftsman for several firms, including Warren & Wetmore, Bloch & Hesse, Arthur Weiser, and for fifteen years, Evan Frankel (of Ross-Frankel). In the office of Ross-Frankel, during the 1930s, or working independently, he designed or supervised the construction of more the five hundred storefronts, shop interiors, and showrooms. Lapidus formed his own office in 1943 and gradually began to design entire structures, including stores, synagogues, apartment buildings, and an estimated two hundred hotels. Early works by Lapidus in New York City include: L Motors (1948, demolished) in Washington Heights, Shaare Zion synagogue (1954) in Flatbush, and the America Fore Insurance Group Office Building (1960) in downtown Brooklyn. A retail designer at heart, he created extravagant works that challenged the minimalist trends of the 1950s. He often worked in broad strokes, juxtaposing modern and traditional forms, as well as color, texture, and light. Lapidus eschewed right angles, creating structures that had unusual floor plans and distinctive shapes. His best-known commissions are located in southern Florida, namely the crowd-pleasing Fontainbleau (1954) and Eden Roc (1955) hotels, on adjoining parcels in Miami Beach. Lapidus later observed that the plan of the Fontainbleau “resembles nothing from the past. There’s hardly a straight line in it – it just moves, one curve going one way, and another in the opposite direction. There’s no end.”2 Lapidus designed the Summit Hotel in association with Harle & Liebman. Leo Kornblath, who is listed as a partner in filings with the Department of Buildings, is not identified on the building plans and established his own firm during the hotel’s construction.3 During these years, Lapidus operated two offices: in Manhattan, on East 56th Street; and in Miami Beach, on Lincoln Road. Harle & Liebman are identified as interior designers, with offices in New York City and Miami Beach. Lapidus met Abby Harle (born Hornstein) in 1945 and they worked together until the mid-1960s. Harold Liebman joined the New York office in the late 1950s, principally to design apartment houses and remained until the mid-1960s. Lapidus closed his Miami office in 1984, but lived long enough – 98 years – to be recognized as an American original. He was credited as being a “postmodernist long before the term existed” and even Philip Johnson praised his unabashedly flamboyant work, calling him the “father of us all.”4 Hotels in New York City Since the opening of Astor House (1831, demolished), opposite City Hall, structures built to provide temporary accommodations have earned an important place in the Manhattan cityscape. At their highest level, hotels symbolize what the city aspires to be – a place of fashion, fantasy, convenience, and comfort. Among prominent architects to design hotels, three firms stand out: Henry J. Hardenbergh, Schulze & Weaver, and Lapidus. Active in distinct and successive eras, their best designs capture the spirit and taste of their generation. Hardenbergh, author of the hotel entry in the Dictionary of Architecture and Building (1902), edited by Russell Sturgis, was architect of the original Waldorf-Astoria Hotel (1893-96, demolished 1930), the Martinque Hotel (1897-1911, a designated New York City Landmark), and the Plaza Hotel (1907, a designated New York City Landmark) in New York City, as well as the Willard Hotel (1906) in Washington, D. C., and the Copley Plaza (1912) in Boston. Built in variants of the classical style, these buildings defined the modern hotel, establishing standards of appearance and plan. Schulze & Weaver were the leading firm in the 1920s and 1930s, designing the Sherry-Netherland Hotel (with Buchman & Kahn, 1927, part of the Upper East Side Historic District), the Hotel Pierre (1928, part of the Upper East Side Historic District), and 2 the Waldorf-Astoria Hotel (1929-31, a designated New York City Landmark). They also designed the Sevilla Biltmore Hotel (1921) in Havana, Cuba, the Biltmore (1923) in Los Angeles, and the Miami- Biltmore Hotel (1926) in Coral Gables, Florida. No hotels were built in Manhattan during the 1950s. Despite great success in Florida, in his home town Lapidus remained, for the most part, an interior designer. Initial hotel projects involved remodeling earlier structures, such as the lobby of the Hotel Governor Clinton (1957) at Seventh Avenue and 31st Street and various interiors in the Hotel New Yorker (1959-60) on Eighth Avenue, between 34th and 35th Streets. Outside New York City, however, he designed a considerable number of hotels and resorts, such as the Hollywood Hotel (1952) in Long Branch, New Jersey, the Surf Club Hotel (1954) in Atlantic Beach, New Jersey, Kutsher’s Country Club (1955) in Monticello, New York, and the Concord Hotel (1958) in Kiamesha Lake, New York. The Developer5 Lapidus began his association with the Tisch family in 1947. Al Tisch manufactured clothes and ran two children’s camps in the Poconos. At the urging of his older son Laurence Tisch, who graduated from the Wharton School of Finance and Commerce in 1943, these businesses were sold in 1946 and the revenue invested in Laurel-in-the-Pines, an aging 300-room-resort in Lakewood, New Jersey. Laurence’s brother, Robert Preston Tisch, joined the firm in 1948. Though Lapidus described the role he played as “minor,” this initial project established a professional relationship, helping him to eventually secure the opportunity to design the $17 million Americana Hotel in Bal Harbour, Florida.6 Completed in 1956, this commission led to a profile of the architect in the New York Times that described the five-hundred room hotel as “the brightest jewel in the Tisch family’s crown of resort hotels.”7 The first hotel that they operated in New York City was the McAlpin (1913), acquired in 1951.8 Nine years later, Tisch Hotels, Inc.
Load more

Recommended publications
  • Active Corporations: Beginning 1800
    Active Corporations: Beginning 1800 DOS ID Current Entity Name 5306 MAGNOLIA METAL COMPANY 5310 BRISTOL WAGON AND CARRIAGE WORKS 5313 DUNLOP COAL COMPANY LIMITED 5314 THE DE-LON CORP. 5316 THE MILLER COMPANY 5318 KOMPACT PRODUCTS CORPORATION 5339 METROPOLITAN CHAIN STORES, INC. 5341 N. J. HOME BUILDERS CORPORATION 5349 THE CAPITA ENDOWMENT COMPANY 5360 ECLIPSE LEATHER CORP. 6589 SHERWOOD BROS. CO. 6590 BURLINGTON VENETIAN BLIND COMPANY 6593 CAB SALES COMPANY 6600 WALDIA REALTY CORPORATION 6618 GATTI SERVICE INCORPORATED 6628 HANDI APPLIANCE CORPORATION 6642 THE M. B. PARKER CONSTRUCTION COMPANY 6646 ALLIED BANKSHARES COMPANY 6651 SYRACUSE PURCHASING COMPANY, INC. Page 1 of 2794 09/28/2021 Active Corporations: Beginning 1800 Initial DOS Filing Date County Jurisdiction 06/08/1893 NEW YORK WEST VIRGINIA 05/16/1893 NEW YORK UNITED KINGDOM 09/17/1924 ERIE ONTARIO 09/18/1924 SARATOGA DELAWARE 09/19/1924 NEW YORK CONNECTICUT 09/12/1924 NEW YORK DELAWARE 10/27/1924 NEW YORK DELAWARE 10/27/1924 NEW YORK NEW JERSEY 10/24/1924 ALBANY OHIO 11/18/1924 NEW YORK NEW JERSEY 02/15/1895 ALBANY PENNSYLVANIA 02/16/1895 NEW YORK VERMONT 11/03/1927 NEW YORK DELAWARE 11/09/1927 NEW YORK DELAWARE 11/23/1927 NEW YORK NEW JERSEY 12/02/1927 NEW YORK DELAWARE 12/12/1927 NEW YORK OHIO 12/16/1927 NEW YORK NEW JERSEY 12/14/1927 NEW YORK GEORGIA Page 2 of 2794 09/28/2021 Active Corporations: Beginning 1800 Entity Type DOS Process Name FOREIGN BUSINESS CORPORATION EDWARD C. MILLER FOREIGN BUSINESS CORPORATION ALFRED HEYN FOREIGN BUSINESS CORPORATION DUNLOP COAL COMPANY LIMITED FOREIGN BUSINESS CORPORATION THE DE-LON CORP.
    [Show full text]
  • When Victims Rule
    1 24 JEWISH INFLUENCE IN THE MASS MEDIA, Part II In 1985 Laurence Tisch, Chairman of the Board of New York University, former President of the Greater New York United Jewish Appeal, an active supporter of Israel, and a man of many other roles, started buying stock in the CBStelevision network through his company, the Loews Corporation. The Tisch family, worth an estimated 4 billion dollars, has major interests in hotels, an insurance company, Bulova, movie theatres, and Loliards, the nation's fourth largest tobacco company (Kent, Newport, True cigarettes). Brother Andrew Tisch has served as a Vice-President for the UJA-Federation, and as a member of the United Jewish Appeal national youth leadership cabinet, the American Jewish Committee, and the American Israel Political Action Committee, among other Jewish organizations. By September of 1986 Tisch's company owned 25% of the stock of CBS and he became the company's president. And Tisch -- now the most powerful man at CBS -- had strong feelings about television, Jews, and Israel. The CBS news department began to live in fear of being compromised by their boss -- overtly, or, more likely, by intimidation towards self-censorship -- concerning these issues. "There have been rumors in New York for years," says J. J. Goldberg, "that Tisch took over CBS in 1986 at least partly out of a desire to do something about media bias against Israel." [GOLDBERG, p. 297] The powerful President of a major American television network dare not publicize his own active bias in favor of another country, of course. That would look bad, going against the grain of the democratic traditions, free speech, and a presumed "fair" mass media.
    [Show full text]
  • SUMMIT HOTEL (Now Doubletree Metropolitan Hotel), 569-573 Lexington Avenue (Aka 132-166 East 51St Street), Manhattan
    Landmarks Preservation Commission May 17. 2005, Designation List 363 LP-2176 SUMMIT HOTEL (now Doubletree Metropolitan Hotel), 569-573 Lexington Avenue (aka 132-166 East 51st Street), Manhattan. Built 1959-61; Morris Lapidus, Harle & Liebman, architects. Landmark Site: Borough of Manhattan Tax Map, Block 1305, Lot 50. On March 29, 2005 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Summit Hotel (now Doubletree Metropolitan Hotel) and the related Landmark site (Item No. 2). The hearing had been advertised in accordance with provisions of law. At this time, the owner testified, taking no position on designation. Twelve witnesses spoke in favor of designation, including representatives of the Landmarks Conservancy, Historic Districts Council, Docomomo-US, Friends of the Upper East Side, Modern Architecture Working Group, Landmark West, and the Municipal Art Society. The Commission also received numerous letters and e-mails in support of designation. The hearing was continued on April 21, 2005 (Item No. 4). Three witnesses testified in support of designation, including representatives of the Modern Architecture Working Group and Docomomo-US. At this time, a representative of the owner testified, taking no position. Summary Admired for its unusual shape, color, and stainless steel sign, the Summit Hotel is an important work by Morris Lapidus. Begun in 1959, it was the first hotel built in Manhattan in three decades and the architect’s first hotel in New York City. Lapidus was especially proud of this building and reproduced an image of the Summit on the cover of his autobiography, The Architecture of Joy, published in 1979.
    [Show full text]
  • The New York Central Railroad Company
    The New York Central Railroad Company Report of the Board of Directors to the Stockholders for the year ended December 31, 1922 New York Central Building 466 Lexington Avenue New York ORGANIZATION OF THE NEW YORK CENTRAL RAILROAD COMPANY DECEMBER 31, 1922 DIRECTORS Elected at the annual meeting of the stockholders, January 25, 1922 CHAUNCEY M. DEPEW, Chairman ROBERT S. LOVETT ALBERT H. HARRIS FREDERICK W. VANDERBILT OGDEN MILLS BERTRAM CUTLER GEORGE F. BAKER ALFRED H. SMITH WARREN S. HAYDEN WILLIAM K. VANDERBILT FRANK J. JEROME WALTER P. BLISS HAROLD S. VANDERBILT EDWARD S. HARKNESS (One vacancy) The annual meeting of the stockholders for the election of directors is held in the city of Albany, New York, on the fourth Wednesday in January FINANCE COMMITTEE WILLIAM K. VANDERBILT GEORGE F. BAKER ALFRED H. SMITH HAROLD S. VANDERBILT ROBERT S. LOVETT OFFICERS President ALFRED H. SMITH New York Assistant to President HOWARD L. INGERSOLL New York Assistant to President GEORGE A. HARWOOD New York Executive Assistant to President MARTIN J. ALGER New York Vice President IRA A. PLACE New York Vice President ALBERT H. HARRIS New York Vice President GEORGE H. INGALLS New York Vice President PATRICK E. CROWLEY New York Vice President HOWARD M. BISCOE Boston Vice President JOHN L. BTJRDETT ^ New York Vice President JOHN G. WALBER New York Assistant Vice President EDWARD T. GLENNON Chicago Assistant Vice President FRANK J. JEROME Cleveland Assistant Vice President CHARLES C. PAULDING New York Assistant Vice President RAYMOND D.STARBUCK New York Assistant Vice President CHARLES J. BRISTER Chicago Secretary EDWARD F.
    [Show full text]
  • SHELTON HOTEL, 525 Lexington Avenue
    Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2557 SHELTON HOTEL, 525 Lexington Avenue (aka 523-527 Lexington Avenue, 137-139 East 48th Street, 136-140 East 49th Street), Manhattan Built: 1922-23; architect, Arthur Loomis Harmon Landmark Site: Borough of Manhattan, Tax Map Block 1303, Lot 53 On July 19, 2016 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Shelton Hotel and the proposed designation of the related Landmark Site (Item No. 4). The hearing had been duly advertised in accordance with the provisions of the law. A representative of the owner spoke in favor of the designation acknowledging the building’s architectural and cultural importance. There were five other speakers in support of the designation including representatives of Borough President Gale Brewer, Community Board 6, the New York Landmarks Conservancy, the Historic Districts Council, and the Municipal Arts Society. A representative of the Real Estate Board of New York spoke in opposition to the designation. A representative of Council Member Daniel Garodnick submitted written testimony in support of the designation. Two other individuals have also submitted emails in support of the designation. Summary Designed by architect Arthur Loomis Harmon and completed in 1923, the Shelton Hotel was one of the first “skyscraper” residential hotels. With its powerful massing it played an important role in the development of the skyscraper in New York City. Located on the east side of Lexington Avenue between 48th and 49th Streets, it is one of the premiere hotels constructed along the noted “hotel alley” stretch of Lexington Avenue, which was built as part of the redevelopment of this section of East Midtown that followed the opening of Grand Central Terminal and the Lexington Avenue subway line.
    [Show full text]
  • Chaim Gross (1904-1991)
    CHAIM GROSS (1904-1991) BORN: Wolowa, East Austria EDUCATION: 1919, 1920 Academy of Art, Budapest 1921 Kunstgewerbe Schule, Vienna 1921-1926 Educational Alliance Art School, New York 1922-1925 Beaux-Arts Institute of Design, New York 1926 Arts Students League, New York ONE-PERSON EXHIBITIONS: 1932 Exhibition of Sculpture by Chaim Gross, Gallery 144, New York 1935 Sculpture, Boyer Galleries, Philadelphia, PA 1935 Store Studio Galleries, Boston, MA 1937 Chaim Gross, Boyer Galleries, Boyer Galleries NYC, New York 1939 Sculpture Chaim Gross, Cooperative Gallery, Newark, New Jersey 1942 Associated American Artists Galleries, New York 1943 Associated American Artists Galleries, New York 1945 Chaim Gross, Muriel Latov Interiors, Springfield, MA 1946 Associated American Artists Galleries, New York 1946 Massillon Museum, Massillon, OH 1947 Associated American Artists Galleries, New York 1948 Associated American Artists Galleries, New York 1949 Associated American Artists Galleries, New York 1950 Massillon Museum, Massillon, OH 1952 Chaim Gross Sculpture & Drawings, State Teachers College, New Paltz, NY Chaim Gross Watercolors & Sculpture, Philadelphia Art Alliance, Philadelphia, PA Associated American Artists Galleries, New York 1953 Chaim Gross Exhibition The Jewish Museum, New York, NY Sculptures & Drawings, Muriel Latow Gallery, Springfield, MA 1955 Sculptures, Watercolors & Drawings, The Shore Studio Galleries, Boston, MA 1957 Chaim Gross Exhibition, Duveen-Graham Gallery, New York 1961 Chaim Gross, Marble Arch Gallery, Miami, FL 1962 Chaim
    [Show full text]
  • HOW MANY HOURS DO N. Y. CITY EMPLOYEES WORK ? See Page 3 Page Two CIVIL SERVICE LEADER Tuesday, November
    U. s. CALLS >R INSPECTORS e a .d e r See Page 9 ^ TVfn 8 ★ ★ ★ New York, November 3, 1942 Price ,| ^ - 1 - --------- %------------- .-N ^ ANTED AT ONCE! 7 / NAVY M i See Page 16 ANY WILL GO OUT AS NEW GOVERNOR COMES IN See Page 6 Who Can Get Draft Deferment in Post Office See Page 9 \ Sweeping Wartime Rules Hit U. S. Workers See Page 18 Federal Salaries Won’t Be Frozen see Page 2 HOW MANY HOURS DO N. Y. CITY EMPLOYEES WORK ? See Page 3 Page Two CIVIL SERVICE LEADER Tuesday, November f t E 0 E R A L C I V I L S E R V I C E N E W S By CHARLES SULLIVAN Mead Confider\t Defense Skills Of SaBary Raise Government Has Built Up Vast Of Postal Subs For U.S. Workers Are Surveyed WASHINGTON. - The Senate An Index to the state of Civil Scrvice Committee, uncled Federal Training Program morale of post office workers i, the leadership of Senator Jim provided by the current Survey WASHINGTON. — Training is cessful students will be given jc.bs lers and by the Weather Bureau Mead, has reported favorably the to be meteorologists. Defense Skills among New Yorij the order of the day in Uncle paying from $3,200 to $5,600. Administration’s uniform over­ Deaf and hard-of-learning per­ Just about every Federal agency City Postal Subs. So far, over 95 time pay plan and Mead has in- Sam’s placcs of business. sons are being trained to become in Washington of any size is now percent of the flubs have answjre^ foi-med The LEADER that he’s The Civil Service Commission card punch operators in Washing­ training typists and stenos in “Yes” to the question, ‘'Wouldyo^ ton by the Office of Education in' some manner, and orientation certain the Senate will approve has had to more than double its accept a job in a war industry cooperation with the Civil Service courses are also being given new staff of traininjc specialists, siTice the bill in short order.
    [Show full text]
  • Landmarks Preservation Commission November 18, 2008, Designation List 407 LP-2247 GUARDIAN LIFE INSURANCE COMPANY of AMERICA
    Landmarks Preservation Commission November 18, 2008, Designation List 407 LP-2247 GUARDIAN LIFE INSURANCE COMPANY OF AMERICA ANNEX, 105 EAST 17TH STREET, (aka 105–117 East 17th Street and 108–116 East 18th Street), Manhattan. Built 1959–63; Skidmore, Owings & Merrill, architects; Roger Radford, designer. Landmark Site: Borough of Manhattan Tax Map Block 873, Lot 10. On April 10, 2007, the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the former Guardian Life Insurance Company of America Annex and the proposed designation of the related Landmark Site (Item No. 13). The hearing had been duly advertised in accordance with provisions of law. Eleven people spoke in favor of designation, including representatives of State Senator Tom Duane, Community Board No. 5, DoCoMoMO, Gramercy Park Neighbors, Historic District Council, Modern Architecture Working Group, Municipal Art Society, and Union Square Community Coalition. A representative of the owner expressed no opposition to designation. The Commission has also received numerous letters in support of designation. Summary The Guardian Life Insurance Company Annex is a rare example of a low-rise office building in Manhattan shaped by the aesthetics of 20th Century European Modernism, frequently called the International Style. Four stories tall, it was designed in the New York City office of the architects Skidmore, Owings & Merrill and features a crisp curtain wall of anodized aluminum spandrel panels and tinted glass. Work on the project began in 1959 and construction was completed in 1963. Though Guardian Life contemplated moving during the 1950s, objections from community groups in Westchester County and staff persuaded the company to remain in Manhattan and erect an annex of substantial dimensions directly east of the company’s 1911 neo- classical-style headquarters.
    [Show full text]
  • SHELTON HOTEL, 525 Lexington Avenue
    Landmarks Preservation Commission November 22, 2016, Designation List 490 LP-2557 SHELTON HOTEL, 525 Lexington Avenue (aka 523-527 Lexington Avenue, 137-139 East 48th Street, 136-140 East 49th Street), Manhattan Built: 1922-23; architect, Arthur Loomis Harmon Landmark Site: Borough of Manhattan, Tax Map Block 1303, Lot 53 On July 19, 2016 the Landmarks Preservation Commission held a public hearing on the proposed designation as a Landmark of the Shelton Hotel and the proposed designation of the related Landmark Site (Item No. 4). The hearing had been duly advertised in accordance with the provisions of the law. A representative of the owner spoke in favor of the designation acknowledging the building’s architectural and cultural importance. There were five other speakers in support of the designation including representatives of Borough President Gale Brewer, Community Board 6, the New York Landmarks Conservancy, the Historic Districts Council, and the Municipal Arts Society. A representative of the Real Estate Board of New York spoke in opposition to the designation. A representative of Council Member Daniel Garodnick submitted written testimony in support of the designation. Two other individuals have also submitted emails in support of the designation. Summary Designed by architect Arthur Loomis Harmon and completed in 1923, the Shelton Hotel was one of the first “skyscraper” residential hotels. With its powerful massing it played an important role in the development of the skyscraper in New York City. Located on the east side of Lexington Avenue between 48th and 49th Streets, it is one of the premiere hotels constructed along the noted “hotel alley” stretch of Lexington Avenue, which was built as part of the redevelopment of this section of East Midtown that followed the opening of Grand Central Terminal and the Lexington Avenue subway line.
    [Show full text]
  • UNITED STATES SECURITIES and EXCHANGE COMMISSION Washington, D.C
    UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 SCHEDULE 13D/A Under the Securities Exchange Act of 1934 (Amendment No. 16)* -- CBS Inc. ----------------------------------------------------------------------- (Name of Issuer) Common Stock ----------------------------------------------------------------------- (Title of Class of Securities) 124845 10 8 ----------------------------------------------------------------------- (CUSIP Number) Barry Hirsch, Senior Vice President and Secretary Loews Corporation 667 Madison Avenue, New York, New York 10021 (212) 545-2920 ----------------------------------------------------------------------- (Name, Address and Telephone Number of Person Authorized to Receive Notices and Communications) July 25, 1994 ----------------------------------------------------------------------- (Date of Event which Required Filing of this Statement) If the filing person has previously filed a statement on Schedule 13G to report the acquisition which is the subject of this Schedule 13D, and is filing this schedule because of Rule 13d-1(b)(3) or (4), check the following box __ . Check the following box if a fee is being paid with the statement __ . (A fee is not required only if the reporting person: (1) has a previous statement on file reporting beneficial ownership of more than five percent of the class of securities described in Item 1; and (2) has filed no amendment subsequent thereto reporting beneficial ownership of five percent or less of such class.) (See Rule 13d-7) Note: Six copies of this statement, including all exhibits, should be filed with the Commission. See Rule 13d-1(a) for other parties to whom copies are to be sent. *The remainder of this cover page shall be filled out for a reporting person's initial filing on this form with respect to the subject class of securities, and for any subsequent amendment containing information which would alter disclosures provided in a prior cover page.
    [Show full text]
  • Brief Biographies of American Architects Who Died Between 1897 and 1947
    Brief Biographies of American Architects Who Died Between 1897 and 1947 Transcribed from the American Art Annual by Earle G. Shettleworth, Jr., Director, Maine Historic Preservation Commission. Between 1897 and 1947 the American Art Annual and its successor volume Who's Who in American Art included brief obituaries of prominent American artists, sculptors, and architects. During this fifty-year period, the lives of more than twelve-hundred architects were summarized in anywhere from a few lines to several paragraphs. Recognizing the reference value of this information, I have carefully made verbatim transcriptions of these biographical notices, substituting full wording for abbreviations to provide for easier reading. After each entry, I have cited the volume in which the notice appeared and its date. The word "photo" after an architect's name indicates that a picture and copy negative of that individual is on file at the Maine Historic Preservation Commission. While the Art Annual and Who's Who contain few photographs of the architects, the Commission has gathered these from many sources and is pleased to make them available to researchers. The full text of these biographies are ordered alphabetically by surname: A B C D E F G H I J K L M N O P Q R S T U V W Y Z For further information, please contact: Earle G. Shettleworth, Jr., Director Maine Historic Preservation Commission 55 Capitol Street, 65 State House Station Augusta, Maine 04333-0065 Telephone: 207/287-2132 FAX: 207/287-2335 E-Mail: [email protected] AMERICAN ARCHITECTS' BIOGRAPHIES: ABELL, W.
    [Show full text]
  • The New Babylon: Those Who Reign Supreme
    T Michael Collins Piper’s works have been published all over HE N the world in a variety of languages. Now, in THE NEW BABYLON, EW Piper addresses in no uncertain terms the singular most dan- B ABYLON THE NEW BABYLON gerous threat faced by our entire planet . :T HOSE HO EIGN UPREME HOSE T W R S W A Panoramic Overview of the Historical, Religious HO And Economic Origins of The New World Order R EIGN S UPREME B Y M ICHAEL C OLLINS P IPER $25 Manufactured in America American Free Press Inside the Rothschild Empire: The Modern Day Pharisees Washington, D.C. AFP 1-888-699-NEWS toll free AmericanFreePress.net BY MICHAEL COLLINS PIPER THE NEW BABYLON THOSE WHO REIGN SUPREME The Rothschild Empire: The Modern-Day Pharisees and the Historical, Religious and Economic Origins of The New World Order he Nomadic Parasites will shift out of London and Tinto Manhattan.And this will be presented under a camouflage of national slogans. It will be represented as an American victory. It will not be an American victory. Until you know who has lent what to whom, you know nothing whatever of politics, you know nothing whatever of history, you know nothing of international wrangles. —Ezra Pound The New Babylon © 2009 by Michael Collins Piper ISBN 978-0-9846350-2-3 First U.S. Printing: June 2009 Second U.S. Printing: December 2009 Third U.S. Printing: May 2010 Fourth U.S. Printing: October 2010 Fifth U.S. Printing: January 2011 Published by: American Free Press, 645 Pennsylvania Avenue, SE Suite 100, Washington, D.C.
    [Show full text]