Computer Animation

Total Page:16

File Type:pdf, Size:1020Kb

Computer Animation COMPUTER ANIMATION CRITIQUES WITH INDUSTRY GIANTS To further inform the work of our fourth year students, we bring in renowned, successful visiting artists to participate in milestone critiques. Coming from the top studios in the industry, these artists offer a relevant, real-world perspective to bring student thinking out of the classroom into the professional arena. This process provides our students with invaluable feedback from the best of the best in the field, which they can immediately apply to their current work in progress. ANDREW BEDDINI, BLUE SKY STUDIOS GUILLERMO CAREAGA, DREAMWORKS ANIMATION ERIC DROBILE, REEL FX DAVID GIBSON, BLIZZARD ENTERTAINMENT STEVE HICKNER, DREAMWORKS ANIMATION HAMILTON LEWIS, DREAMWORKS ANIMATION, THE THIRD FLOOR BRYCE MCGOVERN, SONY PICTURES IMAGEWORKS SCOTT MCWHINNIE, BLUE SKY STUDIOS ARMAND SERRANO, WALT DISNEY ANIMATION STUDIOS LIRON TOPAZ, DREAMWORKS ANIMATION AWARDS AND ACCOLADES RANKED #1 ANIMATION PROGRAM IN THE U.S. BY ANIMATION CAREER REVIEW RANKED BEST ANIMATION SCHOOL BY ANIMATION MAGAZINE Ringling College Computer Animation students do it all. In our world- RANKED #1 ANIMATION PROGRAM BY COLLEGE MAGAZINE renowned animation program, you will learn to create characters and 2020 STUDENT ACADEMY AWARD - THIS IS THE 16TH FOR tell their stories, as well as design, paint, model, texture, animate, light, RINGLING COLLEGE COMPUTER ANIMATION SINCE 1998 2019 SWEPT ALL 3 COLLEGE TELEVISION AWARDS [EMMY composite, and edit original films. As a Computer Animation student, you AWARDS] FOR ANIMATION will combine essential technical skills with conceptually original ideas that SIGGRAPH: 2015 BEST COMPUTER ANIMATED SHORT, affect an audience emotionally, visually, and intellectually. PROFESSIONAL AND STUDENT CATEGORIES This mix of talents is why we have been called the number one computer SIGGRAPH ELECTRONIC THEATER: 31 WINNERS RINGLING COLLEGE ALUMNI HAVE WORKED ON EVERY animation program in North America and why animation studios from OSCAR-WINNING BEST ANIMATED FEATURE SINCE 2003. all over the world look to us for the best and the brightest. Our graduates SIGGRAPH ASIA: BEST OF SHOW 2009 go on to win in film festivals and Student Academy Awards and become RINGLING COLLEGE ALUMNI WORKED ON THE FOLLOWING tomorrow’s top animated filmmakers. RECENT BLOCKBUSTER ANIMATED FEATURE FILMS: INTO THE SPIDER-VERSE: FERDINAND: 17 ALUMNI 13 ALUMNI [INCLUDING THE BOSS BABY: 9 ALUMNI HEAD OF CHARACTER CARS 3: 16 ALUMNI ANIMATION] MOANA: 21 ALUMNI RALPH BREAKS THE INTERNET: 20 ALUMNI ZOOTOPIA: 20 ALUMNI HOTEL TRANSYLVANIA 3: TOY STORY 4: 9 ALUMNI 12 ALUMNI FROZEN 2: 24 ALUMNI INCREDIBLES 2: 20 SPIES IN DISGUISE: 27 ALUMNI ALUMNI COCO: 18 ALUMNI Artwork on cover by: Beth David, Esteban Bravo FACILITIES & STUDIO SPACE FACULTY The Ringling College Computer Animation Department boasts eight Our faculty is comprised of seasoned animation industry veterans who state-of-the-art computer labs in addition to three open labs. We are passionate about shaping the next generation of creative leaders also have a render farm with thousands of cores and are capable of through our hands-on studio model of teaching. rendering a complete feature film right here on campus. JAMES MCCAMPBELL VINCENT GORMAN BILLY MERRITT BFA Communication BA Drawing BFA Computer Animation Design Ball State University Ringling College of Art and EMPLOYERS University of Tennessee Design BLIZZARD JIBJAB MEDIA REEL FX PAUL HARGRAVE ENTERTAINMENT LAIKA ENTERTAINMENT SONY PICTURES JEREMY CANTOR BFA Computer Animation KAREN SULLIVAN BLUE SKY STUDIOS LUCASFILM IMAGEWORKS BFA Illustration/Computer Ringling College of Art and MFA Computer Animation Science Design University of CARTOON NETWORK METHOD STUDIOS THE MILL Marywood University Massachusetts DREAMWORKS MOVING PICTURE THE THIRD FLOOR ANIMATION COMPANY WALT DISNEY DEBORAH HEALY GEORGE CWIRKO- MFA Filmmaking/ HEATHER THOMSON ELECTRONIC ARTS NICKELODEON ANIMATION STUDIOS GODYCKI Animation BFA Computer Animation GENERAL MOTORS PIXAR ANIMATION WETA DIGITAL BFA Fine Art Montclair State University Ringling College of Art and GREENHAUS GFX STUDIOS Academy of Art University Design HASBRO PSYOP STEVE HICKNER PAUL DOWNS BFA Film ANDY WELIHOZKIY BFA Computer Animation New York University BFA Computer Animation INTERNSHIPS Ringling College of Art and Ringling College of Art and Design Design BLUE SKY STUDIOS LAIKA ENTERTAINMENT REEL FX MATT KILLIAN DREAMWORKS MAGIC LEAP SONY PICTURES BFA Computer Animation JUSTIN FARRIS RON ZEITLER ANIMATION NICKELODEON IMAGEWORKS Ringling College of Art and BFA Computer Animation BFA Computer Animation ELECTRONIC ARTS WALT DISNEY Design PIXAR ANIMATION Ringling College of Art and ANIMATION STUDIOS Ringling College of Art and GENERAL MOTORS STUDIOS Design SEAN MCLAUGHLIN Design HASBRO PSYOP BFA Computer Animation ED GAVIN Ringling College of Art and MFA Computer Arts Design Florida Atlantic University James McCampbell Department Head [email protected] www.ringling.edu/ComputerAnimation 2700 N Tamiami Trail, Sarasota, FL 34234 | 941.351.5100 | www.ringling.edu | #ringlingcollege Fall 2020.
Recommended publications
  • Deliver Us to Cinema: the Prince of Egypt and Cinematic Depictions of Religious Texts
    Deliver Us to Cinema: The Prince of Egypt and Cinematic Depictions of Religious Texts Kadii Lott Introduction There is a pervasive Hollywood culture of appropriating and commodifying biblical concepts and imagery into films that do not explicitly address the Abrahamic belief systems that consider the Old and New Testaments as sacred texts. Many such films received mixed reviews. Christian and Jewish groups have heavily criticised particular adaptations of scriptural stories, including Life of Brian,1 The Last Temptation of Christ,2 The Passion of Christ,3 and Noah,4 for their blasphemous or ill-intentioned treatment of biblical figures. Despite the protectiveness of religious people Kadii Lott received First Class Honours in Studies in Religion at the University of Sydney in 2020. 1 The 1979 religious satire reimagined the fictional life of a man named Brian who gets mistaken for Jesus. The film was considered blasphemous by some Christians who protested against the release and the film was banned in many countries upon its release, including in Ireland and Norway. See Ben Dowell, ‘BBC to dramatise unholy row over Monty Python’s Life of Brian’, The Guardian (21 June 2011), https://www.theguardian.com/media/ 2011/jun/21/bbc-monty-python-life-of-brian. Accessed 13 July 2020. 2 Scorsese’s depicted Jesus Christ dealing with worldly temptations like everyone else. This caused outrage amongst some Christian groups, even leading to an incident in Paris where a theatre showing the film was set on fire. See Steven Greenhouse, ‘Police Suspect Arson In Fire at Paris Theater’, The New York Times (25 October 1988), p.
    [Show full text]
  • (TMIIIP) Paid Projects Through August 31, 2020 Report Created 9/29/2020
    Texas Moving Image Industry Incentive Program (TMIIIP) Paid Projects through August 31, 2020 Report Created 9/29/2020 Company Project Classification Grant Amount In-State Spending Date Paid Texas Jobs Electronic Arts Inc. SWTOR 24 Video Game $ 212,241.78 $ 2,122,417.76 8/19/2020 26 Tasmanian Devil LLC Tasmanian Devil Feature Film $ 19,507.74 $ 260,103.23 8/18/2020 61 Tool of North America LLC Dick's Sporting Goods - DecembeCommercial $ 25,660.00 $ 342,133.35 8/11/2020 53 Powerhouse Animation Studios, In Seis Manos (S01) Television $ 155,480.72 $ 1,554,807.21 8/10/2020 45 FlipNMove Productions Inc. Texas Flip N Move Season 7 Reality Television $ 603,570.00 $ 4,828,560.00 8/6/2020 519 FlipNMove Productions Inc. Texas Flip N Move Season 8 (13 E Reality Television $ 305,447.00 $ 2,443,576.00 8/6/2020 293 Nametag Films Dallas County Community CollegeCommercial $ 14,800.28 $ 296,005.60 8/4/2020 92 The Lost Husband, LLC The Lost Husband Feature Film $ 252,067.71 $ 2,016,541.67 8/3/2020 325 Armature Studio LLC Scramble Video Game $ 33,603.20 $ 672,063.91 8/3/2020 19 Daisy Cutter, LLC Hobby Lobby Christmas 2019 Commercial $ 10,229.82 $ 136,397.63 7/31/2020 31 TVM Productions, Inc. Queen Of The South - Season 2 Television $ 4,059,348.19 $ 18,041,547.51 5/1/2020 1353 Boss Fight Entertainment, Inc Zombie Boss Video Game $ 268,650.81 $ 2,149,206.51 4/30/2020 17 FlipNMove Productions Inc.
    [Show full text]
  • Movie Inventory - Dvd 6/23/2021 Movie Title Rating
    MOVIE INVENTORY - DVD 6/23/2021 MOVIE TITLE RATING 12 STRONG R THE 15:17 PARIS PG-13 1917 R 21 BRIDGES R 47 METERS DOWN PG-13 47 METERS DOWN UNCAGED PG-13 55 STEPS PG-13 6 DAYS R 7 DAYS IN ENTEBBE PG-13 7 YARDS UNRATED ABOMINABLE PG ABOVE SUSPICION R ACTS OF VIOLENCE R AD ASTRA PG-13 ADDAMS FAMILY PG ADRIFT PG-13 AFTER PG-13 AFTERMATH R AIR STRIKE R ALADDIN PG ALEX & ME G ALICE THROUGH THE LOOKING GLASS PG ALITA: BATTLE ANGEL PG-13 ALL MY LIFE PG-13 ALL THE MONEY IN THE WORLD R ALMOST CHRISTMAS PG13 ALPHA PG-13 AMERICAN ANIMALS R AMERICAN ASSASSIN R AMERICAN MADE R AMITYVILLE: THE AWAKENING PG-13 ANGEL HAS FALLEN R THE ANGRY BIRDS MOVIE PG-13 THE ANGRY BIRDS MOVIE 2 PG ANNA R ANNABELLE: COMES HOME R ANNABELLE: CREATION R PAGE 1 of 19 MOVIE INVENTORY - DVD 6/23/2021 MOVIE TITLE RATING ANNIHILATION R ANT-MAN PG-13 ANT-MAN: THE WASP PG-13 ANTEBELLUM R AQUAMAN PG-13 ARCTIC PG-13 ARSENAL R THE ART OF RACING IN THE RAIN PG ASSASIN'S CREED PG-13 ASSASSINATION NATION R ASSAULT ON VA-33 R ATOMIC BLONDE R AVA UNRATED AVENGERS: AGE OF ULTRON PG-13 AVENGERS: ENDGAME PG-13 AVENGERS: INFINITY WAR PG-13 BAD BOYS FOR LIFE R BAD MOMS R A BAD MOMS CHRISTMAS R BAD SANTA 2 R BAD TIMES AT THE EL ROYALE R BAMBIE G BARB & STAR GO TO VISTA DEMAR PG-13 BARBIE & MARIPOSA THE FAIRY PRINCESS UNRATED BARBIE & THE DIAMOND CASTLE UNRATED BARBIE & THE 3 MUSKETEERS UNRATED BARBIE IN A MERMAID TALE 2 UNRATED BARBIE IN PRINCESS POWER UNRATED THE BEACH BUM R BEATRIZ AT DINNER R A BEAUTIFUL DAY IN THE NEIGHBORHOOD PG BEAUTY & THE BEAST PG BEFORE I FALL PG-13 THE BEGUILED
    [Show full text]
  • Animation: Types
    Animation: Animation is a dynamic medium in which images or objects are manipulated to appear as moving images. In traditional animation, images are drawn or painted by hand on transparent celluloid sheets to be photographed and exhibited on film. Today most animations are made with computer generated (CGI). Commonly the effect of animation is achieved by a rapid succession of sequential images that minimally differ from each other. Apart from short films, feature films, animated gifs and other media dedicated to the display moving images, animation is also heavily used for video games, motion graphics and special effects. The history of animation started long before the development of cinematography. Humans have probably attempted to depict motion as far back as the Paleolithic period. Shadow play and the magic lantern offered popular shows with moving images as the result of manipulation by hand and/or some minor mechanics Computer animation has become popular since toy story (1995), the first feature-length animated film completely made using this technique. Types: Traditional animation (also called cel animation or hand-drawn animation) was the process used for most animated films of the 20th century. The individual frames of a traditionally animated film are photographs of drawings, first drawn on paper. To create the illusion of movement, each drawing differs slightly from the one before it. The animators' drawings are traced or photocopied onto transparent acetate sheets called cels which are filled in with paints in assigned colors or tones on the side opposite the line drawings. The completed character cels are photographed one-by-one against a painted background by rostrum camera onto motion picture film.
    [Show full text]
  • Available Papers and Transcripts from the Society for Animation Studies (SAS) Annual Conferences
    SAS Conference papers Pagina 1 NIAf - Available papers and transcripts from the Society for Animation Studies (SAS) annual conferences 1st SAS conference 1989, University of California, Los Angeles, USA Author (Origin) Title Forum Pages Copies Summary Notes Allan, Robin (InterTheatre, European Influences on Disney: The Formative Disney 20 N.A. See: Allan, 1991. Published as part of A Reader in Animation United Kingdom) Years Before Snow White Studies (1997), edited by Jayne Pilling, titled: "European Influences on Early Disney Feature Films". Kaufman, J.B. (Wichita) Norm Ferguson and the Latin American Films of Disney 8 N.A. In the years 1941-43, Walt Disney and his animation team made three Published as part of A Reader in Animation Walt Disney trips through South America, to get inspiration for their next films. Studies (1997), edited by Jayne Pilling. Norm Ferguson, the unit producer for the films, made hundreds of photo's and several people made home video's, thanks to which Kaufman can reconstruct the journey and its complications. The feature films that were made as a result of the trip are Saludos Amigos (1942) and The Three Caballero's (1944). Moritz, William (California Walter Ruttmann, Viking Eggeling: Restoring the Aspects of 7 N.A. Hans Richter always claimed he was the first to make absolute Published as part of A Reader in Animation Institute of the Arts) Esthetics of Early Experimental Animation independent and animations, but he neglected Walther Ruttmann's Opus no. 1 (1921). Studies (1997), edited by Jayne Pilling, titled institutional filmmaking Viking Eggeling had made some attempts as well, that culminated in "Restoring the Aesthetics of Early Abstract the crude Diagonal Symphony in 1923 .
    [Show full text]
  • Suggestions for Top 100 Family Films
    SUGGESTIONS FOR TOP 100 FAMILY FILMS Title Cert Released Director 101 Dalmatians U 1961 Wolfgang Reitherman; Hamilton Luske; Clyde Geronimi Bee Movie U 2008 Steve Hickner, Simon J. Smith A Bug’s Life U 1998 John Lasseter A Christmas Carol PG 2009 Robert Zemeckis Aladdin U 1993 Ron Clements, John Musker Alice in Wonderland PG 2010 Tim Burton Annie U 1981 John Huston The Aristocats U 1970 Wolfgang Reitherman Babe U 1995 Chris Noonan Baby’s Day Out PG 1994 Patrick Read Johnson Back to the Future PG 1985 Robert Zemeckis Bambi U 1942 James Algar, Samuel Armstrong Beauty and the Beast U 1991 Gary Trousdale, Kirk Wise Bedknobs and Broomsticks U 1971 Robert Stevenson Beethoven U 1992 Brian Levant Black Beauty U 1994 Caroline Thompson Bolt PG 2008 Byron Howard, Chris Williams The Borrowers U 1997 Peter Hewitt Cars PG 2006 John Lasseter, Joe Ranft Charlie and The Chocolate Factory PG 2005 Tim Burton Charlotte’s Web U 2006 Gary Winick Chicken Little U 2005 Mark Dindal Chicken Run U 2000 Peter Lord, Nick Park Chitty Chitty Bang Bang U 1968 Ken Hughes Chronicles of Narnia: The Lion, PG 2005 Adam Adamson the Witch and the Wardrobe Cinderella U 1950 Clyde Geronimi, Wilfred Jackson Despicable Me U 2010 Pierre Coffin, Chris Renaud Doctor Dolittle PG 1998 Betty Thomas Dumbo U 1941 Wilfred Jackson, Ben Sharpsteen, Norman Ferguson Edward Scissorhands PG 1990 Tim Burton Escape to Witch Mountain U 1974 John Hough ET: The Extra-Terrestrial U 1982 Steven Spielberg Activity Link: Handling Data/Collecting Data 1 ©2011 Film Education SUGGESTIONS FOR TOP 100 FAMILY FILMS CONT..
    [Show full text]
  • School of Animation & Visual Effects Program Brochure
    School of Animation & Visual Effects academyart.edu SCHOOL OF ANIMATION & VISUAL EFFECTS Contents Program Overview ................................................. 5 What We Teach ....................................................... 7 The School of Animation & VFX Difference ........... 9 Faculty .................................................................... 11 Degree Options ...................................................... 13 Our Facilities .......................................................... 15 Student & Alumni Testimonials ............................ 17 Partnerships .......................................................... 19 Career Paths .......................................................... 21 Additional Learning Experiences ..........................23 Awards and Accolades ..........................................25 Online Education ...................................................27 Academy Life .........................................................29 San Francisco ........................................................ 31 Athletics .................................................................33 Apply Today ...........................................................35 < Student work by Jenny Wan 3 SCHOOL OF ANIMATION & VISUAL EFFECTS Program Overview The School of Animation and Visual Effects (VFX) is one of the most dynamic programs in the country. Join us, and get hands-on experience with the full animation and VFX production pipeline. OUR MISSION WHAT SETS US APART In the School of Animation
    [Show full text]
  • El Cine De Animación Estadounidense
    El cine de animación estadounidense Jaume Duran Director de la colección: Lluís Pastor Diseño de la colección: Editorial UOC Diseño del libro y de la cubierta: Natàlia Serrano Primera edición en lengua castellana: marzo 2016 Primera edición en formato digital: marzo 2016 © Jaume Duran, del texto © Editorial UOC (Oberta UOC Publishing, SL) de esta edición, 2016 Rambla del Poblenou, 156, 08018 Barcelona http://www.editorialuoc.com Realización editorial: Oberta UOC Publishing, SL ISBN: 978-84-9116-131-8 Ninguna parte de esta publicación, incluido el diseño general y la cubierta, puede ser copiada, reproducida, almacenada o transmitida de ninguna forma, ni por ningún medio, sea éste eléctrico, químico, mecánico, óptico, grabación, fotocopia, o cualquier otro, sin la previa autorización escrita de los titulares del copyright. Autor Jaume Duran Profesor de Análisis y Crítica de Films y de Narrativa Audiovi- sual en la Universitat de Barcelona y profesor de Historia del cine de Animación en la Escuela Superior de Cine y Audiovi- suales de Cataluña. QUÉ QUIERO SABER Lectora, lector, este libro le interesará si usted quiere saber: • Cómo fueron los orígenes del cine de animación en los Estados Unidos. • Cuáles fueron los principales pioneros. • Cómo se desarrollaron los dibujos animados. • Cuáles han sido los principales estudios, autores y obras de este tipo de cine. • Qué otras propuestas de animación se han llevado a cabo en los Estados Unidos. • Qué relación ha habido entre el cine de animación y la tira cómica o los cuentos populares. Índice
    [Show full text]
  • The Uses of Animation 1
    The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator.
    [Show full text]
  • Spies in Disguise to Discuss the True Meaning of the Holi- Jumanji: the Next Level Day Season: Love for All and Peace for (PG-13) HHHS HHHH All
    MOVIE REVIEWS Hosted by the THIS WEEK’S CONTRIBUTORS Asheville Movie Guys EDWIN ARNAUDIN BRUCE STEELE [email protected] [email protected] Douglas Lucas HHHHH = MAX RATING Davidson McKee STARTING FRIDAY preaches that love, protection and trust JUST ANNOUNCED are innate while hatred is taught. While the central trope of opposites- The Grudge (R) forced-to-work-together is a bit tire- The latest English-language some, the rest of the film feels fresh on remake of the 2003 Japanese the narrative, character development horror film, about two detectives who investigate a haunted house and humor fronts. Still, some nagging that passes on a supernatural questions go unanswered (e.g., how can curse to those who enter it. an agent on the run use his personal spy gear without getting tracked by his CURRENTLY IN THEATERS former bosses?), but these are minor quibbles compared to the amount of fun you’ll have watching Walter’s vari- 63 Up (NR) HHHHH ous pacifist tools in action. A Beautiful Day in the When it comes to picking a film to Neighborhood (PG-13) HHHH watch over the holidays, know that Black Christmas (PG-13) HS you’re in good hands with agents Sterling and Beckett. Even if the out- Bombshell (R) HHHH come is obvious (it is a kid’s film, after Cats (PG) H all), there are still a great deal of sur- prises within that will induce laugh- Ford v Ferrari (PG-13) HHHHS ter and tug at the heartstrings. Most importantly, it creates an opportunity Frozen II (PG) HHS Spies in Disguise to discuss the true meaning of the holi- Jumanji: The Next Level day season: love for all and peace for (PG-13) HHHS HHHH all.
    [Show full text]
  • Stop-Motion Animation an Introduction What Is Animation?
    Stop-motion Animation An Introduction What is Animation? In its simplest form, animation is essentially making something that doesn’t move (inanimate) look like it is moving (animate). This can be done through repeated drawings or paintings (traditional 2D), using puppets or clay (stop-motion) and using computer programmes and software (CG and 3D). All of these methods have one aim in mind: to create ‘the illusion of life’. Key Resource: The Evolution of Animation The following video shows how animation has evolved from it’s very first days using contraptions like the ‘Zoetrope’. Whilst you watch these clips, think about the different types of animation used. How many of these films do you recognise? The Evolution of Animation 1833-2017 https://www.youtube.com/watch?v=z6TOQzCDO7Y Many older animations are available to watch on Youtube, such as ‘Gertie the Dinosaur’ and ‘Felix the Cat’, and it’s important to appreciate these as being the roots of modern animation. Younger Animators might also get a kick out of watching some classic ‘Looney Tunes’ cartoons. What is movement? A movement is when something goes from point A to point B in a certain amount of time. The amount of time it takes dictates how fast that movement is. In other words, if something goes from point A to B in a short amount of time then it is a fast movement, and if it takes a long time then it is a slow movement. Experiment: Try out some actions like waving, spinning in a circle and walking all at different speeds.
    [Show full text]
  • Movie Inventory - Dvd 7/8/2020 Movie Title Rating
    MOVIE INVENTORY - DVD 7/8/2020 MOVIE TITLE RATING 12 STRONG R THE 15:17 PARIS PG-13 1917 R 21 BRIDGES R 47 METERS DOWN PG-13 47 METERS DOWN UNCAGED PG-13 6 DAYS R 7 DAYS IN ENTEBBE PG-13 ABOMINABLE PG ACTS OF VIOLENCE R AD ASTRA PG-13 ADDAMS FAMILY PG ADRIFT PG-13 AFTER PG-13 AFTERMATH R AIR STRIKE R ALADDIN PG ALEX & ME G ALICE THROUGH THE LOOKING GLASS PG ALITA: BATTLE ANGEL PG-13 ALL THE MONEY IN THE WORLD R ALMOST CHRISTMAS PG13 ALPHA PG-13 AMERICAN ANIMALS R AMERICAN ASSASSIN R AMERICAN MADE R AMITYVILLE: THE AWAKENING PG-13 ANGEL HAS FALLEN R THE ANGRY BIRDS MOVIE PG-13 THE ANGRY BIRDS MOVIE 2 PG ANNA R ANNABELLE: COMES HOME R ANNABELLE: CREATION R ANNIHILATION R ANT-MAN PG-13 ANT-MAN: THE WASP PG-13 AQUAMAN PG-13 PAGE 1 of 17 MOVIE INVENTORY - DVD 7/8/2020 MOVIE TITLE RATING ARCTIC PG-13 ARSENAL R THE ART OF RACING IN THE RAIN PG ASSASIN'S CREED PG-13 ASSASSINATION NATION R ATOMIC BLONDE R AVENGERS: AGE OF ULTRON PG-13 AVENGERS: ENDGAME PG-13 AVENGERS: INFINITY WAR PG-13 BAD BOYS FOR LIFE R BAD MOMS R A BAD MOMS CHRISTMAS R BAD SANTA 2 R BAD TIMES AT THE EL ROYALE R BAMBIE G BARBIE & MARIPOSA THE FAIRY PRINCESS UNRATED BARBIE & THE DIAMOND CASTLE UNRATED BARBIE & THE 3 MUSKETEERS UNRATED BARBIE IN A MERMAID TALE 2 UNRATED BARBIE IN PRINCESS POWER UNRATED THE BEACH BUM R BEATRIZ AT DINNER R A BEAUTIFUL DAY IN THE NEIGHBORHOOD PG BEAUTY & THE BEAST PG BEFORE I FALL PG-13 THE BEGUILED R BEIRUT DVD BLU RAY R BEN IS BACK R THE BEST OF ENEMIES PG-13 BLACK AND BLUE R BLACK CHRISTMAS PG-13 BLACK PANTHER PG-13 BLACKkKLANSON R BLADE RUNNER
    [Show full text]