Celop Fall 2004 Semester Book Xiv
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Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
The Chancellor Search Quietly Continues
INDEPENDENT SINCE 1956 INSIDE NEWS The The Aldermanic race and UWM UWM PAGE 3 EDITORIAL Dean blows the Iowa caucus January 28, 2004 The weekly campus newspaper of UWM Volume 48 | Issue 16 PAGE 25 UWM Dance Team wins NEWS Hip Hop Championships The SA Spotlight: Know what's PAGE 8 going on at UWM! PAGE 2 Men's Basketball hits SPORTS eight conference wins What you missed in UWM PAGE 18 athletics PAGES 18-19 Greenstreet to Veto override sent to Assembly Governor Doyle re-examines Conceal and Carry Bill continue progress very surprised that the veto was overridden," said Carpen ter. "I hold no ill will but I in plenary address think it was a terrible deci sion. By Nathan Hal! "It is one of the worst pieces Staff Writer of legislation I have seen writ ten in the last 20 years. It has The spring semester plenary a lot of flaws," said Carpenter. speech, titled "Building Bridges, Some Bill supporters are Laying Foundations—A Progress confident that the Assembly Report," was held on Thursday, will uphold the veto override; Jan. 22 in Bolton Hall. Interim others say it will be close. Chancellor Bob Greenstreet and "I think it will be a close call Provost/ Vice Chancellor for Aca in the assembly," said Rolf Lind- demic Affairs John Wanat gave gren the author of a brief report on the state of the recalldoyle.com. "I think it will university to an audience of come down to one vote." approximately 150 people, Carpenter agreed with Lind- including administrators, facul Greenstreet gren. -
Dean Tavoularis
DEAN TAVOULARIS Né aux États-Unis Il vit et travaille à Paris. Directeur artistique de films et artiste- peintre, il compte plus de 50 ans de carrière aux côtés de metteurs en scène de légende … Arthur Penn, Michelangelo Antonioni, Wim Wenders, Francis Ford on les nomme à Hollywood –, ils ont Coppola, Roman Polanski. posé les jalons d’un corps essentiel du cinéma : donner une matière aux visions L’artiste, né en 1932 à Lowell dans le d’un cinéaste. Parmi leurs successeurs, Massachusetts, de parents grecs originaires Dean Tavoularis s’est imposé comme du Péloponnèse, arrive à l’âge de 4 ans à le plus précieux, précis et inventif. Son Long Beach en Californie. regard sidérant n’est pas étranger à la Son père travaille dans la compagnie de réussite de Coppola : nous lui devons café familiale. Son environnement familial les salons opaques du Parrain, les néons encourage les goûts du jeune Dean pour le luminescents de Coup de cœur, la folie dessin et les beaux-arts et à 17 ans il intègre sauvage du labyrinthe où les personnages une des premières Film School des Etats- d’Apocalypse Now s’égarent – ainsi que les Unis et rejoint les studios Disney, qui font costumes des bunnies Playboy. Sa vision ne véritablement office d’école de cinéma. En se limite pas à son domaine, elle englobe parallèle il suit des cours d’architecture, de le projet dans sa totalité. » écrit Léonard dessin et d’art. Son apprentissage au sein Bloom dans un article de Numéro consacré des studios Disney lui permet de mettre à Dean Tavoularis (avril 2019). -
Bowlography of Rock and Pop Concerts
BOWLOGRAPHY OF ROCK AND POP CONCERTS 1979 DESMOND DECKER with Geno Washington, Sat 8th September 1980 POLICE with Squeeze, UB40, Skatfish, Sector 27, Sat 26th July 1981 THIN LIZZY with Judie Tzuke, The Ian Hunter Band, Q Tips, Trimmer and Jenkins,Sat 8th August 1982 QUEEN, with Heart, Teardrop Explodes, Joan Jett and the Blackhearts, Sat 5th June GENESIS, with Talk Talk, The Blues Band, John Martyn, Sat 2nd October 1983 DAVID BOWIE, with The Beat and Icehouse Fri 1st, Sat 2nd, Sun 3rd July 1984 STATUS QUO with Marillion, Nazareth, Gary Glitter, Jason and the Scorchers, Sat 21st July 1985 U2 with REM, The Ramones, Billy Bragg, Spear Of Destiny, The Men They Couldn’t Hang, Faith Brothers, Sat 22nd June 1986 SIMPLE MINDS with The Bangles, The Cult, Lloyd Cole and The Commotions, Big Audio Dynamite, The Waterboys, In Tua Nua, Dr and The Medics, Sat 21st June MARILLION with special guests, Gary Moore, Jethro Tull, Magnum, Mamas Boys, Sat 28th June 1988 Amnesty International event with Stranglers, Aswad, The Damned, Howard Jones, Joe Strummer, Aztec Camera, B.A.D, Sat 18th, Sun 19th June MICHAEL JACKSON, with Kim Wilde, Sat 10th September 1989 BON JOVI with Europe, Vixen and Skid Row, Sat 19th August 1990 DAVID BOWIE, with Gene Loves Jezebel, The Men They Couldn’t Hang, Two Way Street, Sat 4th, Sun 5th August ERASURE, with Adamski, Sat 1st September 1991 ZZ TOP with Bryan Adams, Liitle Angels, The Firm, Thunder Sat 6th July SIMPLE MINDS, with Stranglers, OMD Sat 21st August 1993 BRUCE SPRINGSTEEN, Sat 23rd May GUNS 'n’ ROSES, The Cult, Soul -
Toadies Bring Dia De Los Toadies Festival Home
TOADIES BRING DIA DE LOS TOADIES FESTIVAL HOME A DOZEN BANDS TO PLAY ACROSS TWO STAGES AT PANTHER ISLAND PAVILION IN SEPTEMBER AT SIXTH ANNUAL DIA DE LOS TOADIES FESTIVAL. FORT WORTH – After five years of hosting their annual end-of-summer throw down at various locations throughout the state, the Toadies are taking the sixth Dia De Los Toadies to their hometown of Fort Worth. This year’s festival, set to feature a dozen bands performing across two stages, will take place on Saturday, September 14, at Panther Island Pavilion, just minutes from downtown Fort Worth. Per tradition, the band will also host an intimate “fireside/almost acoustic” showcase on Friday, September 13, the evening before their day-long bash. Since Dia De Los Toadies 2008 debut, in conjunction with the band’s return-to-the-spotlight No Deliverance LP, the festival has evolved into one of the most hotly anticipated events on Texas’ yearly music calendar -- a carefully curated and reliably rocking affair that’s seen memorable performances from such celebrated acts as Ben Kweller, Black Angels, Black Joe Lewis and the Honeybears, Bowling for Soup, Centro-matic, Heartless Bastards, Helmet, Mariachi El Bronx, Riverboat Gamblers, The Secret Machines and The Sword, plus dozens of up-and-coming, underground acts from the Toadies home turf of Texas. “It's been great moving the Dia festival around Texas, but at a certain point, we realized that we need to share it with our hometown, Fort Worth, where the band is still based. We played Billy Bob's last year and it reminded us what a hometown crowd is like, so moving the festival made perfect sense,” says Toadies guitarist, Clark Vogeler. -
The Representation of Women in Romantic Comedies Jordan A
Ursinus College Digital Commons @ Ursinus College Media and Communication Studies Honors Papers Student Research 4-24-2017 Female Moments / Male Structures: The Representation of Women in Romantic Comedies Jordan A. Scharaga Ursinus College, [email protected] Adviser: Jennifer Fleeger Follow this and additional works at: https://digitalcommons.ursinus.edu/media_com_hon Part of the Communication Commons, Film and Media Studies Commons, and the Gender and Sexuality Commons Click here to let us know how access to this document benefits oy u. Recommended Citation Scharaga, Jordan A., "Female Moments / Male Structures: The Representation of Women in Romantic Comedies" (2017). Media and Communication Studies Honors Papers. 6. https://digitalcommons.ursinus.edu/media_com_hon/6 This Paper is brought to you for free and open access by the Student Research at Digital Commons @ Ursinus College. It has been accepted for inclusion in Media and Communication Studies Honors Papers by an authorized administrator of Digital Commons @ Ursinus College. For more information, please contact [email protected]. Female Moments/Male Structures: The Representation of Women in Romantic Comedies Jordan Scharaga April 24, 2017 Submitted to the Faculty of Ursinus College in fulfillment of the requirements for Distinguished Honors in the Media and Communication Studies Department. Abstract: Boy meets girl, boy loses girl, boy gets girl again. With this formula it seems that romantic comedies are actually meant for men instead of women. If this is the case, then why do women watch these films? The repetition of female stars like Katharine Hepburn, Doris Day and Meg Ryan in romantic comedies allows audiences to find elements of truth in their characters as they grapple with the input of others in their life choices, combat the anxiety of being single, and prove they are less sexually naïve than society would like to admit. -
Something's Gotta Give
20042697 27.01.2004 10:24 Uhr Seite 56 Wettbewerb/IFB 2004 SOMETHING’S GOTTA GIVE Außer Konkurrenz WAS DAS HERZ BEGEHRT QUELQUE CHOSE D’INATTENDU Regie:Nancy Meyers USA 2003 Darsteller Harry Sanborn Jack Nicholson Länge 128 Min. Erica Barry Diane Keaton Format 35 mm, 1:1.85 Julian Mercer Keanu Reeves Farbe Zoe Frances McDormand Marin Amanda Peet Stabliste Leo Jon Favreau Buch Nancy Meyers Dave Paul Michael Glaser Kamera Michael Ballhaus Dr.Martinez Rachel Ticotin Kameraführung Andrew Rowlands Annie Marjie Gum Kameraassistenz Thomas Lappin Kristen Kadee Strickland Schnitt Joe Hutshing Langbeiniges Girl Jennifer Siebel Schnittassistenz Stephen A.Rotter Chauffeur John H.Tobin Ton Kenneth Karman Krankenschwester Audrey Wasilewski Mischung Arthur Rochester Typ Russ Russo Tod Maitland Bühnenmanager Patrick Fischler Musik Hans Zimmer Hostess María Esquivel Production Design Jon Hutman Auktionsbesucherin Deborah Daulton- Ausstattung John Warnke Morton Steve Graham Requisite Mychael Bates Jack Nicholson, Diane Keaton Kostüm Suzanne McCabe Maske Kelcey Fry Cyndilee Rice WAS DAS HERZ BEGEHRT Regieassistenz K.C.Colwell Harry Sanborn,63,ist der ewige Junggeselle,der grundsätzlich nur mit Frau- Produktionsltg. Helen Pollak en unter 30 ausgeht. Mit seiner neuesten Flamme, der jungen Auktionärin Aufnahmeleitung John Panzarella Marin Barry, will der steinreiche New Yorker Geschäftsmann ein romanti- Produzenten Bruce A.Block sches Wochenende im Strandhaus ihrer Mutter in den Hamptons auf Long Nancy Meyers Associate Producer Suzanne McNeill Island verbringen – doch als sich beim Vorspiel in Harrys Brust plötzlich Farwell Schmerzen einstellen, ist sein Plan torpediert. Co-Produktion Waverly Films, Marins Mutter Erica Barry, eine erfolgreiche, geschiedene Theaterautorin, ist Los Angeles alles andere als begeistert, als sie Harry bei sich zu Hause gesund pflegen soll, während Marin zurück nach New York fährt. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
Dateline:Downtown Volume 61 Issue 3 October 23, 2018
University of Houston-Downtown’s Newspaper Student Run Since Volume One Dateline:downtown Volume 61 Issue 3 October 23, 2018 In this issue Local band with a common News ...........................................................................pg 3 bond on the rise.....pg 6 College Life ...............................................................pg 4 Arts and Entertainment .........................................pg 7 Columns .....................................................................pg 11 2 Staff From the editor’s desk Editor Quintin Coleman by Quintin Coleman for Less, a column that gives a look at restaurants around the UHD area that of- Assistant Editor fer student friendly deals and are budget Hello Gators and welcome back to Date- Michael Case friendly to students as well, along with line: Downtown. It’s been a little while our first faculty column writer Adam since you’ve seen the paper on the stands Ellwanger, the director of the Master’s Business Manager around campus but we are back and of Rhetoric and Composition graduate better than ever. Before I go into what program here at UHD. He’s not afraid to Irene Nunez is coming up in this issue, I want to say go into a hot button issue so his thoughts thanks to the staff who have worked with are definitely worth the read. me during the first two issues of the pa- Social Media Manager There’s plenty more that this per during my tenure and the supporters issue offers but I can’t give everything who picked up the paper. Whether it was Sonia Sanchez away in the first full page. You’re just because of the content of the paper or the going to have to see what else is in stellar art design from Brenda Valenzue- store in this issue. -
Dateline Downtown Volume 61 Issue 4
University of Houston-Downtown’s Newspaper Student Run Since Volume One Dateline:downtown Volume 61 Issue 4 November 21, 2018 In this issue WWE in hot water due to News ...........................................................................pg 3 Saudi partnership.....pg 6 College Life ...............................................................pg 5 Arts and Entertainment ......................................... pg 7 Opinions .....................................................................pg 11 2 Staff From the editor’s desk Editor Quintin Coleman a musical. This may be a high-minded and idealistic take but perhaps it’s worth Assistant Editor keeping in mind that hard work may very Michael Case well take you further than you imagined. It’s impossible to quantify someone’s lifelong career (especially Business Manager given that the man in question died at 95) into a space of about 550 words. Irene Nunez It’s also impossible for me to go into a heartfelt tribute as I wasn’t a diehard fan Social Media Manager of Marvel growing up. What I can say, however, is that he did so much for so Sonia Sanchez many people in so many contexts. He was someone who did something rare for his time: he wrote material that appealed Faculty Advisor to children but could appeal to adults at the same time (if adults took a critical Joe Sample, PhD Photo courtesy of LBC9 News knew and loved. He even created his own look at those comics anyway.) His world company after leaving Marvel yet still re- became so large that it essentially formed tained his status as an ambassador for the Staff Writers the childhood of children for past genera- On November 12, the world lost a leg- company. -
Arthur Et Manon How Important Is Sport in Boston and at School
Article : Arthur et Manon How important is sport in Boston and at school ? In American schools, the students finish every day at 2:30 pm because they have trainings. Needham high school proposes a lot of sports, such as dancing, rugby, soccer, football, basketball, baseball… When we went to the high school we could notice the importance of sport by the way they dress. They wear sport outfit every day whereas in France, we wear street outfit. After school not everyone practices sport, they also have artistic and computer science clubs. During their sport class, they also have social and moral activities. They can watch movies, play several games. Above any other sport, football is the most popular in high school. There is a game every Friday night, and some of the team outfit are on sell, like t-shirt, sweaters...They can organize sport events in high school and college. Students can have a grant thanks to sport to enter a great college. In Needham people mostly practice sports to be fit and to avoid overweight. Every school has its own team in every sport and for example at Needham high school sport infrastructures are huge. There is a football field, a baseball one and a gym for several sports. Sport is very important in the American culture and it attracts a lot of media coverage for example in restaurants. We ate at “buffalo wild wings”, there were a lot of televisions with different sports on each one for them. In Boston, there are famous teams, like “The Patriots” (American football), “The Red Sox” (Baseball), “The Celtics” (NBA, Basketball), “The Boston Bruins” (Ice Hockey). -
Composing Digital Community Spaces: Design and Literacy Practices In/Of the Archive
1 COMPOSING DIGITAL COMMUNITY SPACES: DESIGN AND LITERACY PRACTICES IN/OF THE ARCHIVE A dissertation presented by Kristi Tillene Nadira Girdharry to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of English Northeastern University Boston, Massachusetts August, 2016 2 COMPOSING DIGITAL COMMUNITY SPACES: DESIGN AND LITERACY PRACTICES IN/OF THE ARCHIVE by Kristi Tillene Nadira Girdharry ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University August, 2016 3 ABSTRACT This dissertation offers a case study of Our Marathon: The Boston Bombing Digital Archive & WBUR Oral History Project by exploring the relationships between the creation of the archive, the use of the archive, and the narratives the archive tells on its surface and in its stories. More specifically, it looks at how Our Marathon adheres to/departs from traditional archives through its state as a digital archive, its attempt to both historicize and memorialize an event, and its focus as a community project. This dissertation takes advantage of offering a real-time examination of the digital archive’s role in capturing the artifacts and reflective practices of people affected by the tragic events of the Boston Marathon bombings through a mixed-methods approach; it draws upon primary research, the archive itself, and the researcher’s own participation in designing and building the space. To add to ongoing conversations on digital archives in Rhetoric and Composition scholarship, because of the complicated nature of the term “community” and because of a gap in understanding how these types of digital community sites function in the world, this dissertation aims to open up a conversation on building spaces for public writing and how the sponsors of these spaces impact participation and representation.