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Dr. Shi Chuan: Curriculum Vitae

Dr. SHI CHUAN

Professor, Theatre Academy Deputy Chair, Shanghai Film Association Board member, Film Association Senior Consultant, Shanghai Cultural Development Foundation Executive Academic Director, Shanghai Film Museum

Add: Room 409, the Library Building, 630 Hua Shan Road, Shanghai 200040, China Cell:86 139 166 98 646 / Email: [email protected] Sina Microblog: http://weibo.com/1778316153/profile?topnav=1&wvr=5&user=1 Sina Blog: http://blog.sina.com.cn/u/1778316153 Douban Blog: http://www.douban.com/people/frontsea/notes Time Blog: http://i.mtime.com/106548/

EDUCATION:  Ph.D. Department of Film Studies, Chinese Arts Academy, China 1998-2001  M.A. Department of Chinese Literature, Southwest University, China 1993-1996  B.A. Department of Chinese Literature, Southwest University, China 1986-1990

EMPLOYMENT:  Jul.1990-Aug.1993, Secretary, General Office of Bei Bei District Government, Chong Qing  May.1995-Jun.1996, Assistant Editor in Chief, Editor in Chief office, Si Chuan TV Station  Jul.1996-Feb.2014, Associate professor, professor and Dean Assistant at Film-TV School,  Mar.2014-Present, Professor, Shanghai Theatre Academy/Director of Institute of Cinematic Arts

ACADEMIC VISITING:  Jan.-Jun.1998, Senior Visiting Scholar, Baruch College, City University of New York, USA  Apr.2002, Senior Visiting Scholar, Connecticut College, USA  Mar.2005, Visiting lecturer, Penang College, Malaysia  Mar.-Jun.2006, Senior Visiting Scholar, Department of Media Studies at Auckland University, NZ  May 2006, Visiting lecturer, Otago University, Canterbury University, NZ  Jul.2006, Keynote Speaker, Academic Forum at Kwangju International Film Festival, Korea  May 2008, Keynote Speaker, Department of Cultural Studies, Polytechnic Univ. 1 / 5

Dr. Shi Chuan: Curriculum Vitae

 Feb.-Apr.2012, Senior Visiting Scholar, Cinema & Theater Museum at Waseda University, Japan  Dec.2013,Senior Visiting Scholar, National Arts University of Tai Wan

PROFESSIONAL SERVICE:  Jan.-Jun.1996, Co-writer and Unit Director, TV Documentary Si Chuan Native in Tibet (10 episodes)  2004-2014, Programmer, Shanghai International Film Festival  2006-2014, Jury Member, University Student Film Festival  Jun.-Oct.2005, Executive Producer, Documentary Film Cinematic Memory  Apr.-Jun.2007, Producer and Director, TV Documentary Master (18 episodes)  2007, Executive Producer, Feature Film Cherries.  2008, Producer, Feature Film Park Shanghai.  2009, Executive Producer, Feature Film Return Tickets  2012, Executive Producer, Feature Film sweetheart Chocolate  Mar.2013-Present, Executive Academic Director, Shanghai Film Museum  2013-2014,Jury Member, Media Awards of Chinese Film

HONERS AND AWARDS:  1998, the Second Class Award by Chinese TV Broadcasting Association for the 10 Episodes TV Documentary Si Chuan Native in Tibet, Co-writer and Unit Director  2000, Education Excellence Award by City Government of Shanghai for Translation Directing Film and Television (Fu Dan Univ. Press, Shanghai), Translator and Editor  2006, Special Contribution Award by Hawaii International Film Festival for the Documentary Film Movie Memory, Executive Producer  2008, Nominated by Competition Section of Moscow International Film Festival for the Feature Film Park Shanghai, Producer  2010, The Best director, Asian New Talent Award by Shanghai International Film Festival for the Feature Film Return Tickets, Executive Producer  2011, the Best Original screenplay and the Best Supporting Actress by Golden Horse Award for the Feature Film Return Tickets, Executive Producer  2012, the Organizing Committee Award by China Film Media Award for the Feature Film Return Tickets, Executive Producer  2013, the Organizing Committee Award by Kwangju International Film Festival (Korea) for the Feature Film sweetheart Chocolate , Executive Producer

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Dr. Shi Chuan: Curriculum Vitae

REFEREED PUBLICATIONS: JOURNAL ARTICLES:  Dancing with the Market and the Industry: Interview Mrs. Fu Wen-xia,The Executive director of Shanghai International Film Festival, Vol. 5, 2016, Contemporary Cinema  A Study on Xie Jin’s Diary in 1950s, Vol. 2, 2016, Contemporary Cinema  An Interview and Biography of Yang Shu-peng’s Movies, Vol. 1, 2016, Contemporary Cinema  Vernacular Storytelling and the Tradition of Lyricism: A dialogue on Shanghai Film in 1930s Vol.3, 2016, Cinematic Studies  A Negotiation of Chinese language Cinemas: Re-Writing of Cinema History, Subjectivities and Minority Film in China, Vol. 10, 2015, Contemporary Cinema  An Interview and Biography of Zhong Xing-huo’s Movies, Vol. 7, 2015, Contemporary Cinema  From Urban Other to a Heres of Shanghai Classical Film: Studies on Zhong Xing-huo’s Filmic Performance, Vol. 7, 2015, Contemporary Cinema  Trans-national Adaption and East Asian Expression: An reading on MISS GRANY Vol.2, 2015, Film Art  Rewriting the Chinese Film History in Overseas ,Vol. 8, 2014, Contemporary Cinema  The Review of Wu Zhaodi’s Movie and his Filmography, Vol. 1, 2014, Contemporary Cinema  A Blind Spot in Film History: The Postwar Takeover of the China Film United, Vol.1, 2014, Film Art  On the Market of Lost in Thailand, Vol. 2, 2013, Contemporary Cinema  An Interview and Biography of Shuqin’s Movies, Vol. 5, 2013, Contemporary Cinema  Rethinking Family Ethical Films: the Mirror of Families, Re-Construction of Emotion

 The Study of Film Production, Distribution and Projection of the China Film United Vol.7, 2012, Contemporary Cinema  A Discussion on Son of the Stars, Vol.6, 2012, Contemporary Cinema  A Discussion on Lee’s adventure, Vol.12, 2011, Contemporary Cinema  Xu Sangchu’s Concept and Practice of Film management and his Biography Vol.12, 2011, Contemporary Cinema  A discussion on The Piano in a Factory, Vol.7, 2011, Contemporary Cinema  Cross-border, Identity and the expression of everyday life culture, Vol.4, 2011, Film Art  Excuse and Rebirth: the founding of the Nation owned Shanghai Film Studio, Vol.5, 2010, Film Art  The Carnival of Grass-roots: An Analysis of Disorderliness in Contemporary Film Criticism Vol.6, 2010, Literature and Art Studies  On Luo Jizhi’s Career of Film, Vol.8, 2009, Contemporary Cinema  A Discussion on Examination 1977, Vol.4, 2009, Contemporary Cinema

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Dr. Shi Chuan: Curriculum Vitae

 Post-Annalistic Historical Narrative: Multivariant Genre and In-deep Interpretation, Vol.4, 2009, Contemporary Cinema  The Strategy of Presenting National-ness in Korean Cinema through The Host

Vol.3, 2007, Film New Works

 An Interpretation of Northerners Characters in Hong Kong Films, Vol.6, 2007, Art Studies

 Yu Ling: A Name Remains in Memory, Vol.8, 2007, Film New Works

 The Longest Night at Shanghai: An Adult Fable in a Globalized Metropolitan Vol. 4, 2007, Film Art  On the Branding and Characteristics of Shanghai International Film Festival Vol.9, 2007, Arts Criticism  Singing in Electric Shadows: A Survey of Chinese ——Musicals. In Roger Garcia ed. Asia Sings: A Survey of Asian Musical Films, Udine, Italy: Centro Expressioni Cinematografiche, 2006  Introspection and Reconstruction: Review of the Centennial Celebration of Chinese Cinema and the 2005 Annual Conference of ACSS, Vol. 17, No.1, Spring/Summer 2006, Asian Cinema  Constructing the Myth of Liberation: Comparison of the Ideology of Red Detachment of Women and Glory Vol.5, 2006, Contemporary Cinema  Re-read : Historical Opportunity and Realistic Dilemma of a Poetic Cinema, Vol.2, 2006, Contemporary Cinema  Adaptation of the Chinese Classical: inheriting and Re-contracture the Classical Literature, Vol.256, April, 2006, Hong Kong Literature  A Brief Survey to the Chinese Pirated DVD Industry, Vol.3, 2006, Arts Studies  The Poetic Realism: dan’s Performance Art, Vol. 4, 2005, Film New Works  Zhang Junxiang’s Personality and the Left Wing Film Validity, Vol. 4, 2005, Contemporary Cinema  From a Folklore to a Revolutionary Classic, Vol. 3, 2005, Contemporary Cinema  Ding Yinnan’s Historical Film, Vol. 2, 2004, Arts Studies  Film Author and Context Conflicts in ’s Film, Vol. 4, 2004, Contemporary Cinema  Studies on Audience and Production Management System in the Period of 1949 to 1966, Vol. 3, 2003, Film Art  Zheng Zhengqiu’s Films as Mass Culture Products, Vol. 2, 2003, Contemporary Cinema  Naming of Now Generation and Generation Codes, Vol.4, 2001, Journal of Shanghai University  Studies on Chinese Film History since 1949 to 1966, Vol. 6, 2001, Film Art  The Export Thoughts of Xia Yan, Vol. 5, 2000, Journal of

BOOKS:

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Dr. Shi Chuan: Curriculum Vitae

 Chinese New Literature Series, 1976-2000, Vol. 5 Film Scripts, (jointly editor in Chief), 2009 Shanghai Literature and Art Publishing House.  Production and Directing the Short Film and Video, 2006, China Cinema Press, Beijing  Script Collection of the Xie Jin’s Feature Film (jointly editor in Chief), 2006 Shanghai University Press  Biography for Mr. Xu Sangchu, 2006, China Cinema Press Beijing  Contemporary Chinese Film Theory (Editor in Chief) 2005, Culture and Arts Press Beijing  A New perspective for the studies of Chinese Film History (Editor in Chief) 2002, Xuelin Press Shanghai  Chinese New Generation Film in the multiple contexts (Editor in Chief) 2001, Xuelin Press Shanghai  Directing Film and Television (Translation) 1997, Press, Shanghai

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