American Falls. Courtesy of Phil Solomon

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American Falls. Courtesy of Phil Solomon museum of the American Falls. Courtesy of Phil Solomon 1 2 An Evening with Don Francisco: 3 Celebrating 50 Years of Sabado Gigante Fist and Sword: Here Comes the Boom 3 INDUSTRY/CINEMA: 4 An Installation by Caroline Martel Film After Film 4 Phil Solomon: American Falls 5 Kenji Misumi 6 New York City Greek Film Festival 7 See It Big! 8 PHIL SOLOMON: AMERICAN FALLS Filmmakers in a Post-Film Landscape: 10 A Conversation 5 David Lynch: Meditation, Creativity, 10 Peace The Loneliest Planet 11 A Tribute to Jerry Nelson 11 Raya Martin 12 Korean Cinema Showcase: Punch 13 We Tripped El Hadji Diouf 13 Pretty Loaded 14 DVD Dead Drop 14 Behind the Screen 15 FILM AFTER FILM keNJi MISUmi Focus on the Collection 16 4 6 Drop-In Moving Image Studio 17 Host Your Event 17 Become a Member 18 Moving Image Salutes Hugh Jackman 19 Our Supporters 19 Daily Schedule 20 Museum Information 21 New York CitY Greek Film Festival 7 SEE IT BiG! 8 RAYa MARTIN 12 2 Photo courtesy of Univision Communications Photo by Tracy Bennett An Evening with Don Francisco: Here Comes Celebrating 50 Years of Sabado Gigante the Boom TuesdaY, OctoBer 2, 7:00 P.m. moNdaY, OctoBer 8, 2:00 P.m. Presented by Univision Preview screening: Fist and sword family matinee The variety show Sábado Gigante (Giant Celebrate National Hispanic Heritage Month Dir. Frank Coraci. 2012, 80 mins. DCP. Rated PG. Courtesy Saturday) is the longest-running variety show with an unforgettable evening with Don of Sony Pictures. With Kevin James, Salma Hayek, Henry in television history, entertaining audiences Francisco—a.k.a. Mario Kreutzberger, in Winkler. This holiday screening of Here Comes the Boom around the world since it went on the air in this rare New York personal appearance, an is part of Fist and Sword, the Museum’s ongoing series 1962 with its distinct mix of live entertainment, intimate and informal discussion with a guest devoted to martial arts and action movies. Real mixed- contests, and human interest stories. Don moderator Laura Martinez, and a selection martial-arts (MMA) fighters are featured in this family Francisco, its legendary star, has been there of clips from the show’s 50-year history. comedy starring Kevin James as a former collegiate wrestler- from the beginning, hosting more than 2,600 Followed by a reception. turned-biology-teacher who steps into the ring to help his episodes. He was inducted into the Television cash-strapped school’s music program. James is a real-life tiCkets: $25 public / Free for Museum Academy Hall of Fame this March. The show supporter of the sport who trains with MMA fighter Bas Rutten. members. Order online or call 718 777 6800 can still be seen on Univision from to reserve tickets. 8:00–11:00 p.m. every Saturday night. 3 6 The Decay of Fiction iN tHe amphitHeater GallerY INDUSTRY/CINEMA AN INSTALLATION BY CAROLINE MARTEL tHROUGH oCTOBER 28, 2012 In tHe CHanging exHiBitioNs GallerY aNd Bartos ScreeNing room Film After Film Through OctoBer 28, 2012 Photo by Thanassi Karageorgiou The moving-image works in Film After Film in the abandoned Ambassador Hotel, an Apart from the familiar world of feature films, there exists a lesser-known show how film has been changed by digital old-time movie-star hangout, is presented in world of industrial films, instructional and informational sponsored short technology, and how it lives beyond the walls the Bartos Screening Room on a continuous films that were shown in schools, at corporate events, in the workplace, and of the movie theater, by inhabiting our mobile loop. Immemory, a multilayered multimedia at commercial theaters before features. Documentary filmmaker Caroline devices, computers, and gallery walls. CD-ROM by the late French filmmaker/ Martel’s installation Industry/CINEMA takes an illuminating journey through philosopher Chris Marker is presented on a film history by juxtaposing industrial images with those from popular or On view in the Changing Exhibitions Gallery desktop computer. And Joe Swanberg’s LOL canonical films made between 1903 and 1991. With headphones and channel is Phil Solomon’s immersive three-projector (2006, 81 mins.), a Mumblecore film about switches, visitors can toggle back and forth between the soundtracks. Images American Falls film installation (2000–2012), romance in the social network era, with love and sounds comment on each other, often in surprising ways, allowing for a a monumental triptych that takes a journey stories playing out on laptops, cell phones, singular interactive experience. Scenes from films by Thomas Edison, Charles through American history of the 20th century and online chat rooms, is shown on an iPad. Chaplin, François Truffaut, and Stanley Kubrick are shown alongside such using a combination of avant-garde film and archival gems as How Business Girls Keep Well, Along These Lines, and The digital video techniques (on view through Presented in conjunction with the recent film Speech Chain, an AT&T film with a computer singing “Daisy Bell,” which was The November 25. See page 5). Pat O’Neill’s series guest curated by J. Hoberman, Film sung by the computer HAL 9000 in 2001: A Space Odyssey. Decay of Fiction (2002, 73 mins.), a film set After Film (September 15–30, 2012). 4 In tHe CHanging exHiBitioNs GallerY aN eveNiNG witH PHil solomoN Wednesday, October 3 5:30–7:00 p.m. American Falls on view in the Changing Exhibitions Gallery PHil solomon: 7:00–8.30 p.m. Film and digital work in the Main Theater, introduced by Phil Solomon Phil Solomon frequently works in a miniaturist scale with such american falls formats as 16mm film and video. This is a special opportunity to see American Falls and to also see Solomon introduce a selection of his tHROUGH NovemBer 25, 2012 films and digital videos in the Main Theater. Included in the theater program is a trilogy composed entirely of footage from the video game Grand Theft Auto. Phil Solomon, who has been making films since 1979, is known for his “image alchemy,” manipulating existing and original footage to What’s Out Tonight Is Lost create evocative, dreamlike works that reveal (1983, 8 mins., 16mm, silent) One of Solomon’s earliest films, this elegiac work has been recently restored by Mark Toscano for the subterranean depths in the imagery. Solomon’s Academy of Motion Picture Arts and Sciences. immersive three-screen HD installation American Falls (2000–2012, 55 mins.), which Psalm I: “The Lateness of the Hour” was originally commissioned by the Corcoran (1999, 10 mins., 16mm) “A little Nachtmusik… breathing in the cool night airs, breathing out a children’s song; then whispering a prayer for Gallery of Art in Washington D.C., transforms a night of easeful sleep. My blue attempt at a sequel to Rose Hobart.” the Museum’s 4,000-sq. ft. Changing —Phil Solomon. Recently restored by Mark Toscano, Academy of Exhibitions Gallery into a panoramic and Motion Picture Arts and Sciences. artistic journey through the catacylsms of Innocence and Despair American history, and an elegy to the film (2002, 4 mins., digital projection) “One week after 9/11, filmmakers Jay medium that welcomes a new era of mixed Rosenblatt and Caveh Zahedi put out a call to over 150 experimental medias. Combining chemically degraded and documentary filmmakers for contributions to a collective film film images with computer editing precision, project (Underground Zero) addressing those tragic events. My Solomon’s piece recasts the Niagara Falls as contribution was my first digital video (with material culled from 16mm footage, both archival and my own) and to make something of a public both a metaphoric landscape and audiovisual work, something I had never done before. I was meditating on ideas of backdrop to American history. Archival footage before and after, of how the summering people in my little film could of moments in the nation’s history—the fall never have imagined looking up at the New York City sky at a world of presidents, the Great Depression, Amelia such as existed on that day.”—Phil Solomon Earhart’s flight, the civil rights struggle among In Memoriam them—opens with crackling images of Annie (2005–2009, digital projection) A trilogy of works in memory of Edson Taylor, the first person to survive going filmmaker Mark Lepore (1952–2005). While Solomon counts Caspar over Niagara Falls in a barrel. These are David Friedrich, Edward Hopper, and Georges Seurat among the interlaced with clips from American cinema, inspirations, the footage is all taken from the video game Grand Theft Auto: Rehearsals for Retirement (2007, 10 mins.), Last Days in a Lonely including scenes with Buster Keaton, Charlie Place (2007, 22 mins.), Still Raining, Still Dreaming (2009, 12 mins.). Chaplin, Busby Berkeley dance numbers, and Daniel Day-Lewis in There Will be Blood, all tiCkets: $15 public / $9 Museum members / Free for Silver accompanied by an intricate soundtrack of Screen members and above. Order online or call 718 777 6800 to reserve tickets. historical addresss, popular music, and sound effects, designed and mixed in 5.1 surround by Wrick Wolff. Image courtesy of Phil Solomon 5 10 The Tale of Zatoichi Zatoichi must fight off assassins Yotsuya Ghost Story oCTOBER 5–14, 2012 (Zatôichi monogatari) intent on murdering him while the (Yotsuya kaidan) FRIDAY, OCTOBER 5, 7:00 P.M. father refuses to claim the child. SUNDAY, OCTOBER 14, 5:00 P.M. Deftly balancing its comedic Presented in collaboration with 1962, 96 mins. 35mm. With 1959, 84 mins. 35mm. With Kazuo effects with extravagant sword the Japan Foundation Shintaro Katsu, Masayo Hasegawa, Yasuko Nakata.
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