The Davidsonian

Total Page:16

File Type:pdf, Size:1020Kb

The Davidsonian THE DAVIDSONIAN Volume LXXII,Number7 The Weekly Newspaper of DavidsonCollege Friday,10December 1982 Spencerresigns HH I Hi ' EBB HBH Surprise Announcement b F j^H at FacultyMeeting By JEFFREY MANN'84 Stair would not speculate on what type of person the Trustees would be College President Samuel R. loking for, or whether he or she might Spencer, 63, announced Tuesday that come from within the College. "We heisretiring aspresident effective 1 Ju- want totalk to the studentsandstaff first 1983. willbecome [at the 7 meeting] before wede- ly Spencer president January ' * '* ■' UCk; * >v / "■ Jhw *"' aS / t !Jbb1H of the Virginia Foundation for Inde- cide what we'relooking for," he said. ■k* fO% H^B "x^fc^ . iaaH^J^H pendent Colleges (VFIC), a fund-rais- The Trustee By-laws state, "The inggroup for 14privatecolleges inVir- Trustees shall elect a President of the ginia. College .. who is a loyal and active ~ Spencer announced his decision in churchman, giving evidenceby his life ' '** ■i "■'■■ » t^ j| letters to the Boardof Trustees,student ofthe strengthsofhisChristianfaith and leaders,andanannouncement at theend commitment. Such faith and commit- I ' of the regular monthly faculty meeting. ment willbeappropriately expressed by bVbV UbI B"^bV "- TbbbIbh IbW^MbW § ' iMB IW3 "Everyone was very "surprised," said his affiliation with the Presbyterian Prof. Everett Jacobus. Church in theUnited Statesandhis ac- "[This opportunity will] allow me tive participation in the life of the Col- ' *' lege ■- * ■■■■ the opportunity tocontinue to work and Church." ■HiB^k>- 1 J BL.'Bflfc^ -'-^aaBBI earn past Davidson's 'normal retire- Inhis letter to the Trustees,Spencer ment age,'" Spencer said. The Trustee said, "Ihave been seriously concerned By-laws sets thenormal retirement age abouttheeffect onTheCollegeofanex- at 65, with possible extension to 70. tended lame-duck period as Iapproach Vice President for Academic Af- sixty-five. For that reasonIhave delib- fairs andDean of the Faculty T.CPrice erately tried to keep uncertain the date Zimmermann said ofDr. Spencer, "He ofmy departure,hoping to leavebefore introduced changes of far-reaching expected to doso."Heordinarily would f BBP^^^^^^^Bl magnitude and built an immeasurably haveretiredafter the next school year. strongeracademicprogram.Ithinkpeo- TheLynchburg-based VFICis "one SamuelReidSpencer Jr. ple willlook back and seehim asoneof of 40 state foundations set up to raise the greatest presidents inthe history of money for its member colleges," the College." Spencer said. The thirty-year-oldgroup $2 $250,000 Spencer would not speculate as to raises approximately million a year D.C.gets hissuccessor, sayingitisaTrusteedeci- for its member institutions,mostly from sion. He does not anticipate any . corporations, but also foundations and Topromote technologicalliteracy* changes intheotherofficers of theCol- individuals. Spencer has agreed to at lege. "I would certainly hope that the least a four-year term and expects the By DUNCANFRASER '86 Students and and faculty members staff willremain intact," he said. office to move to Richmond. Davidson from Johnson C. Smith University in TheBoardofTrustees willmeet ina does not belong to the corresponding The AlfredP. SloanFoundationhas Charlotte willalsoparticipatein applied specialsessionatDavidsononFriday,7 NorthCarolina foundation. given Davidson College a $250,000 mathematics training and technology January tomeet withstudents,adminis- "Somuch ofmy life has been cen- grant for developing curriculum symposiaFinancedby the grant. tration and staff, and the faculty to in- tered here it willreally be a wrench to changes reflectingcomputer technolog- CollegePresidentSamSpencer said itiate the search process, according to leave," Spencer said. 'Though Icould y's impacton theliberal arts education. the grant is "more important than just Board ChairmanFred Stair. "We think not leave Davidson without keen per- The grant will enable about 55 David- money as itrepresentsa capstoneof Da- he's doing a stellar jobaspresident and son professors to study the effect of are saddenedbyhis leaving," Stairsaid. (Continuedonpage 11) modern technologyon theirdisciplines. (Continued onpage II) Nuclear" Arms Some-ironic Controversy foresight in D.C. GoodorBad""""***""*"*" ByaMeador Just twodaysagoourmost visible nationalsym- bol, Washington Monument was held hostage the alot ofmail concerning dorm life hascome This week's hours. Sixty-five-year-old Norman Mayer, Quite for ten in recently. Ifigure the holidays are responsible for ajump suit and motorcycle helmet, paced wearing this.Whether dormlife isGood orBadisnoopen-and- ofhis van threatening to topple theMonu- graph: in front shut case. Let'stake a peek at somecorrespondence. dialogue on the nuclear ment unless "a national "Dear [sic], Ihate dorm life. Your was started.Like somethingofa Queerhead weaponsquestidn" friend,Tammy." BladeRunner and Zamyatin's We, cross between Or this:"Dear Ann,I'vebeenponderingthingslike this sad, insane happening was laced withdeep ir- life ina coeducational dormitory ever since I'vebeen ony.Threatening toblow uptheWashingtonMonu- livinginone.Firstofall,itmustbenice tobeaguyand menttostop blowinguptheworldisanactunique to nothave to walkup56stairs togo to thebathroom.Se- our time. cond, whyis ft that the guys' halls always smellgross bizarre act is horrible Although this terrorist Also, was one guy'sroom issue,it isworthlook- andoursdon't? onceI inthis publicity forthenuclear arms huge fungusgrowing fromunder- both friends and foes of nuclear wherehehadthis out ing at closely by neath[three amazingprepositions— his mattress. arms.Thinkabout itfor aminute.Thisman wanted ed.\ Maybethat's why they always smell gross. Itseems to destroy anational monument to helpthe nation. to me that they would put the gross floors on top so that Although it'sratherclearcut thatviolent actsof ter- - they wouldn't-offend those of us who use non-gross rorism are a threat to peaceful means of political toiletries. At least then we wouldn't have to walk ittakesaslap inthe face to real- change,sometimes through those gross smells every day. Plus, if they how offtrack we are. Although we disagree ize far were on the top, then they could jump out if things any acts or threatsof violence,thisman's idea with started smelling too bad. Idon'tknow;aretheseGood isperhapsthemostimportant onefacing man. A re- Thingsor not?Ijust think gross smellsare Bad, that's book, The Fate the Earth, by Jonathan cent of all. Guys have more gross smellsthangirls. ." The Schell, theimportance of thenuclearde- . describes authorgoesoninthisvein for a while, thenstops. inthefollowing way:"themere riskofextinc- bate Notice this one: "Hey. Cannon. Good Thing. No significance that iscategorically different tionhasa shades.Co-eds. Yeah.Binoculars. Why not." from, immeasurably greater than, that of any and Andaprobablecompanion letterreads,"Hey.Sen- risk Up tonow,everyrisk has beencon- other ... telle. BadThing. We wantshades.Mono-eds.No.Be- within the frame of life; extinction would tained cause."Nothinglike agoodcontroversy,Isay. shatter frame. Itrepresents not the defeat of that Perhapstheseare abit extreme.Inamore moderate purpose but an abyss in whichallhumanpur- some tone, letter runs, "Dear Good andBadLetters, I be drowned for all time. Wehave no one poses would think dorm life is Goodand Bad becauselots of good right place thepossibilityofthis limitless,eternal to things happen indorms likemixersand secret Santas, samefootingasrisks that weruninthe defeaton the think there are badthingslike whentheytake of affairsinour particular tran- but alsoI ordinaryconduct our shower curtains. Iguess all in all there are good and history. Toemploy a ma- sient moment ofhuman aboutboth, mostly goodpretty analogy, we can say that although the bad things much." thematical Message boards with raccoons andrainbows and may befractional,thestakeis, riskofextinction hu-^ ZiggyandducksandSmurfsandStrawberryShortcake manly speakingk infinite,and a fractionofinfinity andPinkPanthersandflowers andhappy facesandcal- 1 2 3 4 5 6 7 8 is stillinfinity." ligraphy andoh,dormlife.Onpeoples' doors,for gosh we thenuclear peril withhelpless- Week often lookat sakes. ness. Even ifoneperson couldconvince his nation to take the threat of extinction seriously, there are stil other nations out ofour control. Thesituation sounds even worse when youthink about thelong- THEDAVIDSONIAN term possibility of nuclear extinction; political agreementshardly ever last,and scienceisimpossi- The Weekly NewspaperofDavidson College ble toerase. Thenuclearissue isnot only important one facing humankind,it isperhaps the most diffi- "*" '— ' ways elimi- TinD«»<d»unl»i biinhlhtn.il Trtitrnfi -*■-*-■ cult to solve, Thereare no clear-cut of ~ - ..- ■ m . i- m- fTllfatolHI nating thethreat ofnuclear extinction.Threatening ... w 9%m MC a wm.rtmHfmmtmm.mnu»m*u».amomiQ-— toblow upthe WashingtonMonument may bring «—< Mn— » Wo flOrtpiMfrW UhIpw.»«*■■"» lotofbad press to thenuclear issue but it is still the Htm awt tW pm v*ar.MwartMnara*w amtabto on most worthyofallissues toattempt apermanent so- lution. weekWill Bersonhas writtenanOpinions Editor:StewartCauley This Lindsay for the 'sonian,andfuture ExecutiveEditor:Brian Butler Staff: Biddle PauletteKurani article ontheMXmissile NewsEditor:DavidResnik ChristiBaggett AnneLambert articlesareplanned. We welcomecommentaries on FeaturesEditor:TomPafford BillBarnett JohnLyday thenuclearissue fromanyviewpoint,beitpolitical, SportsEditor:SteveSoud NeilCooksey
Recommended publications
  • David Mamet in Conversation
    David Mamet in Conversation David Mamet in Conversation Leslie Kane, Editor Ann Arbor Copyright © by the University of Michigan 2001 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America ∞ Printed on acid-free paper 2004 2003 2002 2001 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data David Mamet in conversation / Leslie Kane, editor. p. cm. — (Theater—theory/text/performance) Includes bibliographical references and index. ISBN 0-472-09764-4 (cloth : alk. paper) — ISBN 0-472-06764-8 (pbk. : alk. paper) 1. Mamet, David—Interviews. 2. Dramatists, American—20th century—Interviews. 3. Playwriting. I. Kane, Leslie, 1945– II. Series. PS3563.A4345 Z657 2001 812'.54—dc21 [B] 2001027531 Contents Chronology ix Introduction 1 David Mamet: Remember That Name 9 Ross Wetzsteon Solace of a Playwright’s Ideals 16 Mark Zweigler Buffalo on Broadway 22 Henry Hewes, David Mamet, John Simon, and Joe Beruh A Man of Few Words Moves On to Sentences 27 Ernest Leogrande I Just Kept Writing 31 Steven Dzielak The Postman’s Words 39 Dan Yakir Something Out of Nothing 46 Matthew C. Roudané A Matter of Perception 54 Hank Nuwer Celebrating the Capacity for Self-Knowledge 60 Henry I. Schvey Comics
    [Show full text]
  • Adaptive Collaboration, Collaborative Adaptation: Filming the Mamet Canon
    Adaptation Vol. 3, No. 2, pp. 82–98 doi: 10.1093/adaptation/apq004 Advance Access publication 8 April 2010 Adaptive Collaboration, Collaborative Adaptation: Filming the Mamet Canon CHRISTOPHE COLLARD* Downloaded from Abstract Every migration across referential and expressive frameworks entails formal, struc- tural, and cognitive consequences too complex for a ‘traditionalist’ comparative posture. More- over, the intertextuality and intermediality of the ‘transmedial screenplay’ make it incompatible with ‘static’ concepts such as ‘fidelity’ and ‘originality’ precisely on behalf of the film medium’s adaptation.oxfordjournals.org poly-systemic nature. Bringing together the analogous concerns of collaborative creation, adap- tation, and authorship, this essay therefore discusses David Mamet’s screen adaptations of per- sonal and other work from a process-based perspective as a means of attaining a more constructive understanding of so-called ‘interaesthetic passages’. Keywords David Mamet, collaborative creation, adaptation, authorship, semiology. at Funda??o Coordena??o de Aperfei?oamento Pessoal N?vel Superior on June 3, 2011 All train compartments smell vaguely of shit. It gets so you don’t mind it. That’s the worst thing that I can confess. (Mamet, Glengarry Glen Ross) INTRODUCTION Every single film producer, Hollywood veteran Art Linson has claimed, knows that at the inception of the movie-making process stands ‘an idea’ derived from ‘A book. A play. A song. A news event. A magazine article. A historic event or character. A personal experience.
    [Show full text]
  • La Diabla NÚMERO 9TEMPORADA 2012
    REVISTA PEDAGÓGICA DEL TEATRO ESPAÑOL La Diabla NÚMERO 9TEMPORADA 2012 ANTECEDENTES ENTREVISTAS CURIOSIDADES RECURSOS Presentación El Teatro Español pone en marcha La Diabla, revista pedagógica, desde su interés por acercar el teatro a todo tipo de comunidades: educativas, lúdicas, culturales... de una forma amena, abierta y entretenida. Cada número de La Diabla está dedicado a una obra de producción propia del Teatro Español, donde se hará un análisis de la misma y se explicarán los pasos realizados para su puesta en escena, a la vez que se ofrecen recursos pedagógicos, con el fin de: 1.- Ofrecer actividades y herramientas a profesores y alumnos, que podrán adaptar a sus necesidades, para conseguir los objetivos didácticos específicos dentro del currículum de la enseñanza, de una forma práctica, integradora y significativa. 2.- Aportar información de cómo analizar una obra de teatro y el proceso de creación de una puesta en escena para formar espectadores teatrales críticos. 3.- Proporcionar a los jóvenes la semilla que produzca nuevos espectadores teatrales capaces de reconocer la valía del teatro desde varios aspectos: lúdico, educativo, cultural... 4.- Ofertar una serie de recursos teatrales aplicables en talleres, aulas, grupos de teatro… de fácil ejecución, así como ricos en contenidos. 5.- Ofrecer información a todo tipo de colectivos que estén interesados en el mundo teatral y deseen saber más sobre la obra y los detalles de la producción. Qué es La Diabla 1. Hilera de luces similar a las candilejas, colgada de una vara, generalmente escondida detrás de una bambalina. 2. Revista pedagógica del TEATROESPAÑOL. Edición: Josema Díez-Pérez Diseño y maquetación: Juan Pablo Rada / Paso de Zebra Fotos del escena y retratos: Javier Naval Dep.
    [Show full text]
  • Lonesome Squirrel
    LONESOME SQUIRREL by STEVEN FISHMAN © 1991 Steven Fishman. Non-profit reproduction is encouraged. CONTENTS Chapter Title Page 01 Raw Meat Off The Street 4 02 Life is Just A Present Time Problem 25 03 Theta Doesn't Grow On Trees 36 04 If You Blink, You Flunk 85 05 In Guardians We Trust 95 06 A Case Of First Suppression 105 07 The Environment Is A Nice Place To Visit, 116 But I Wouldn't Want To Live Here 08 Does Anybody Have A Bridge They Can Sell Me? 127 09 Romancing LaVenda 138 10 A Valence In Every Port 171 11 Families Are Nothing But Trouble 183 12 Blank Scripts For Acting Classes 202 13 Breaking Up Is Hard To Do, But We Can Help 214 14 For Less Than Two Million Dollars, 241 You Could Set Half The World Free 15 Death Of A Sailorsman In A Billion Year Time Warp 289 16 History Can Always Be Re-Written 308 17 Crusading For Source Perforce Of Course 325 18 We Always Deliver What We Promise 341 19 When You Yield To Temptation You Always Get Burned 391 20 Charity Doesn't Begin At Home 426 21 If Mary Sue Could Do It, You Can Do It 442 22 It's Easier To Bury One's Mistakes 473 23 Paying The Price For A Fate Worse Than Death 487 24 Earning The Protection Of The Church 522 25 A Race To Get To Sea As The Captain Of A Sinking Ship 542 26 Messiah In The Spin Bin 573 27 Epilogue: Getting Really Clear 602 Footnotes Quoted References of L.
    [Show full text]
  • GULDEN-DISSERTATION-2021.Pdf (2.359Mb)
    A Stage Full of Trees and Sky: Analyzing Representations of Nature on the New York Stage, 1905 – 2012 by Leslie S. Gulden, M.F.A. A Dissertation In Fine Arts Major in Theatre, Minor in English Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY Approved Dr. Dorothy Chansky Chair of Committee Dr. Sarah Johnson Andrea Bilkey Dr. Jorgelina Orfila Dr. Michael Borshuk Mark Sheridan Dean of the Graduate School May, 2021 Copyright 2021, Leslie S. Gulden Texas Tech University, Leslie S. Gulden, May 2021 ACKNOWLEDGMENTS I owe a debt of gratitude to my Dissertation Committee Chair and mentor, Dr. Dorothy Chansky, whose encouragement, guidance, and support has been invaluable. I would also like to thank all my Dissertation Committee Members: Dr. Sarah Johnson, Andrea Bilkey, Dr. Jorgelina Orfila, and Dr. Michael Borshuk. This dissertation would not have been possible without the cheerleading and assistance of my colleague at York College of PA, Kim Fahle Peck, who served as an early draft reader and advisor. I wish to acknowledge the love and support of my partner, Wesley Hannon, who encouraged me at every step in the process. I would like to dedicate this dissertation in loving memory of my mother, Evelyn Novinger Gulden, whose last Christmas gift to me of a massive dictionary has been a constant reminder that she helped me start this journey and was my angel at every step along the way. Texas Tech University, Leslie S. Gulden, May 2021 TABLE OF CONTENTS ACKNOWLEDGMENTS………………………………………………………………ii ABSTRACT …………………………………………………………..………………...iv LIST OF FIGURES……………………………………………………………………..v I.
    [Show full text]
  • David Mamet's Theory on the Power and Potential of Dramatic Language Rodney Whatley
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2011 Mametspeak: David Mamet's Theory on the Power and Potential of Dramatic Language Rodney Whatley Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF VISUAL ARTS, THEATRE AND DANCE MAMETSPEAK: DAVID MAMET’S THEORY ON THE POWER AND POTENTIAL OF DRAMATIC LANGUAGE By RODNEY WHATLEY A Dissertation submitted to the School of Theatre in partial fulfillment requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester 2011 Rodney Whatley defended this dissertation on October 19, 2011. The members of the supervisory committee were: Mary Karen Dahl Professor Directing Dissertation Karen Laughlin University Representative Kris Salata Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii TABLE OF CONTENTS ABSTRACT...................................................................................................................................v 1. CHAPTER ONE: INTRODUCTION...................................................................................1 1.1 Rationale........................................................................................................................3 1.2 Description of Project....................................................................................................4
    [Show full text]
  • Poetry South 2015 Cover
    Poetry South 2015 ISSN 1947-4075 Poetry South Issue 7 2015 Yazoo River Press Yazoo River press MVSU 5032 YRP 14000 Hwy 82 West Itta Bena, MS 38941 Poetry South Editor John Zheng Art Editor Ben H Managing Editor John Quinn Contributing & Angela Ball, University of Southern Mississippi Advisory Editors Kendall Dunkelberg, Mississippi University for Women Carolyn Elkins, Tar River Poetry Ted Haddin, University of Alabama at Birmingham Poetry South is a national journal of poetry published annually by the Yazoo River Press. The views eXpressed herein, eXcept for editorials, are those of the writers, not the editors or the Yazoo River Press. Poetry South considers submis- sions year round. Submissions received after the deadline of July 15 will be con- sidered for the following year. Submissions and queries must be accompanied by a self-addressed, stamped envelope in order to guarantee a return or reply. No previously published material will be accepted. Poetry South is not responsible for unsolicited submissions and their loss. Subscription rates are $10 for one year, $18 for two years; the foreign rate is $15 for one year, $30 for two years. All rights returned to authors after publication. We request Poetry South be credited with initial publication. Submissions, que- ries, and subscriptions should be addressed to The Editor, Poetry South, MVSU 5032, 14000 Highway 82 West, Itta Bena, MS 38941, USA. ISSN 1947-4075 Copyright©2015 by Poetry South IndeXed by EBSCOHost/Literary Reference Center Front cover photograph: Stained Glass Window of Chapel of Memories by BZ Huang Back cover photograph: Light through the Stained Glass Door of Chapel of Memories by BZ Huang CONTENTS Dick Lourie Jazz and Blues 5 Life on the Train 13 Pete Seeger’s Axe 17 Jianqing Zheng Delta Connection: An Interview with Dick “The Poet” Lourie 20 Kendall Dunkelberg Ocean Springs 34 Undulant Fever 35 Asylum Roads 36 Renee Emerson For the Beauty of the Earth 38 Theodore Haddin Seeking Music 39 Grandpa Wears Neckties 40 Patricia L.
    [Show full text]
  • Four Quarters Volume 208 Number 1 Four Quarters (Second Series): Spring Article 1 1994 Vol
    Four Quarters Volume 208 Number 1 Four Quarters (Second Series): Spring Article 1 1994 Vol. 8, No. 1 4-1994 Four Quarters (Second Series): Spring 1994 Vol. 8, No. 1 Follow this and additional works at: http://digitalcommons.lasalle.edu/fourquarters Recommended Citation (1994) "Four Quarters (Second Series): Spring 1994 Vol. 8, No. 1," Four Quarters: Vol. 208 : No. 1 , Article 1. Available at: http://digitalcommons.lasalle.edu/fourquarters/vol208/iss1/1 This Complete Issue is brought to you for free and open access by the University Publications at La Salle University Digital Commons. It has been accepted for inclusion in Four Quarters by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. Quarter^ VOL. 8, NO. 1 Second Series SPRING, 1994 Four Dollars Digitized by the Internet Archive in 2010 with funding from Lyrasis Members and Sloan Foundation http://www.archive.org/details/fourquarters811994unse 1 c Di€ioioi rbor'» Quartet^ VOLUME 8, NUMBER 1, SECOND SERIES SPRING, 1994 Table of Contents QUARTER NOTES John P. Rossi, A Night in Philadelphia 3 John Keenan, The Seastone Mystery 8 Carl Kern, Get a Dog (Lines composed for a lady who lives alone and gardens) 9 POEMS John Wheatcroft, "The Relique" 10 T". Alan Broughton, "Parable" 1 T. Alan Broughton, "Dolorosa" 12 Martin Galvin, "Prevision, "Mating Owls," "Freshman Year," 20 Peter Desy, "Anxiety" 34 Peter Desy, "Even Then" 36 David Curtis, "Had 'Starry' Vere a Star?" 37 David Curtis, "Marianne Moore Because" 38 Kathryn Hall, "Before Bed" 47 Errol Miller, "A Treasury of Modern Thought" 48 Carol Carpenter, "Epistemology" 50 Clifford Fetters, "Power and Weakness" 57 Barbara Daniels, 'The Fortune Teller" 58 FICTION Amanda Finley, My Cat, His Dog 23 Madelene Carr, The Center of the Earth 39 Gerard Furey, Wilderness Woman 51 Delsa Winer, Ms.
    [Show full text]
  • DPS Catalogue of New Plays 2020–2021
    PRESORTED STANDARD U.S. POSTAGE PAID GRAND RAPIDS, MI DRAMATISTS PLAY SERVICE PERMIT #1 www.dramatists.com 440 Park Avenue South, New York, NY 10016 Catalogue of New Plays 2020–2021 DRAMATISTS PLAY SERVICE www.dramatists.com Catalogue of New Plays 2020–2021 © 2020 Dramatists Play Service, Inc. CATALOGUE 20-21.indd 1 9/9/2020 6:49:56 PM Dramatists Play Service, Inc. Contents Our Pulitzer Prize-Winning Plays ........................ 3 Our Tony Award-Winning Plays ........................ 4 Introduction ........................................ 5 DPS Book Club ..................................... 6 2020–2021 New Plays ............................... 7 Our Playwrights .................................... 21 Musicals ......................................... 42 DPS Classics ...................................... 43 Play Collections .................................... 44 2 n Order Acting Editions and apply for rights online: www.dramatists.com CATALOGUE 20-21.indd 2 9/9/2020 6:49:57 PM Catalogue of New Plays PULITZER PRIZE-WINNING PLAYS 2019 FAIRVIEW by Jackie Sibblies Drury 1980 TALLEY’S FOLLY by Lanford Wilson 2018 COST OF LIVING by Martyna Majok 1979 BURIED CHILD by Sam Shepard 2017 SWEAT by Lynn Nottage 1975 SEASCAPE by Edward Albee 2015 BETWEEN RIVERSIDE AND CRAZY by Stephen Adly Guirgis 1973 THAT CHAMPIONSHIP SEASON by Jason Miller 2013 DISGRACED by Ayad Akhtar 1971 THE EFFECT OF GAMMA RAYS ON MAN-IN-THE- MOON MARIGOLDS by Paul Zindel 2012 WATER BY THE SPOONFUL by Quiara Alegría Hudes 1957 LONG DAY’S JOURNEY INTO NIGHT by Eugene O’Neill
    [Show full text]
  • CATALOGUE 19-20.Indd
    Catalogue of New Plays 2019–2020 © 2019 Dramatists Play Service, Inc. CCATALOGUEATALOGUE 119-20.indd9-20.indd 1 77/25/2019/25/2019 11:44:46:44:46 PPMM Dramatists Play Service, Inc. A Letter from the President Dear Subscriber: Giving new playwrights a home has been Dramatists Play Service’s goal since we were founded by the Dramatists Guild and dedicated play agents back in 1936. This year’s catalogue provides ample proof. New additions to our stellar roster of writers include Ngozi Anyanwu (GOOD GRIEF, a moving, lyrical look at a young woman coping with the death of her childhood best friend); Frank Basloe (PLEASE CONTINUE, the disturbing story of “obedience experiments” at Yale in the 1960s); William Jackson Harper (TRAVISVILLE, a powerful drama about gentrification in a Texas town during the 1960s Civil Rights movement); Greg Keller (DUTCH MASTERS, a tense two-hander about a chance encounter in a New York subway car); Mike Lew (TEENAGE DICK, a contemporary take on RICHARD III in which Richard is reimagined as a high school boy with cerebral palsy); Donja R. Love (SUGAR IN OUR WOUNDS, a magical-realism tale of black gay love set during the Civil War); Ming Peiffer (USUAL GIRLS, a painful and wry study of one young woman’s journey to adulthood); Christina Quintana (SCISSORING, about a woman’s struggle to be true to herself—but also keep her job); Kate Scelsa (EVERYONE’S FINE WITH VIRGINIA WOOLF, a biting, hilarious parody of Albee’s famous play); and Lloyd Suh (THE CHINESE LADY, based on the true story of the first Chinese woman to set foot in America—where she was put on display for paying customers).
    [Show full text]
  • Study Guide for the CRYPTOGRAM by David Mamet
    Study Guide for THE CRYPTOGRAM by David Mamet Study Guide Written by Dominic Francis Edited by Hannah Clifford This programme has been made possible by the generous support of Universal Consolidated Group and The Noël Coward Foundation 1 Contents Section 1 Cast and Creative Team Section 2 An introduction to the work of David Mamet Section 3 Background to THE CRYPTOGRAM The play in context Mamet on acting Directing Mamet Section 4 THE CRYPTOGRAM in performance Practical and written exercises based on the opening of Act One Questions on the production and further practical work An interview with Josie Rourke, director of THE CRYPTOGRAM Section 5 Ideas for further study Reading and research Bibliography Endnotes 2 section 1 Cast and Creative Team Cast Kim Cattrall Donny, a Chicago housewife who, at the start of the play, feels guilty about looking forward to a weekend alone while her husband and son go away. She is waiting for her husband, Robert, to return home before going fishing. Douglas Henshall Del, an old friend of Donny’s, he tries to ease her anxiety while she waits but secretly knows the reason for Robert’s lateness. Joe Ashman Adam J. Brown Oliver Coopersmith John, Donny’s ten-year-old son, excited by the prospect of going away but equally troubled by his father’s absence. Many of his questions remain unanswered throughout the play. Creative Team Josie Rourke, Director Trained as Resident Assistant Director at the Donmar Warehouse where she assisted Michael Grandage, Nicholas Hytner, Phyllida Lloyd and Sam Mendes. She was subsequently assistant director to Peter Gill at the NT and for English Touring Theatre on tour and at the Royal Court Theatre.
    [Show full text]
  • "The Only Way to Teach These People Is to Kill Them": Pedagogy As Communicative Action in the Major Plays of David Mamet
    UNLV Retrospective Theses & Dissertations 1-1-2001 "The only way to teach these people is to kill them": Pedagogy as communicative action in the major plays of David Mamet Jeffrey Otto Strasburg University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Strasburg, Jeffrey Otto, ""The only way to teach these people is to kill them": Pedagogy as communicative action in the major plays of David Mamet" (2001). UNLV Retrospective Theses & Dissertations. 2479. http://dx.doi.org/10.25669/dn6x-tkv6 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]