In the Footsteps of the Landscape Masters
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Rome and Beyond for the Cognoscenti May 6 – 16, 2019
ROMTravel – World Cultures Tour Let our experts be your guides Rome and Beyond for the Cognoscenti May 6 – 16, 2019 Whether you have been to Rome before or Quartiere Coppedè. Afternoon visit to the Hotels this will be your first visit, our trip to the ancient churches of Santa Costanza and Rome Fortyseven Hotel 7 nights Eternal City contains sights specially chosen Sant’Agnese and its catacombs. Orvieto Hotel La Badia 3 nights to delight you by our Resource Person Ken Day 6 Rome Bartlett. By the end of this tour, you will Visit the Palazzo Doria Pamphilj (optional). Resource Person indeed be one of the “cognoscenti”, those “in Tour of the Palazzo Colonna. Included lunch. Dr. Kenneth Bartlett is Professor of History & the know” about Rome! Walking tour of the Qurinale, including the Renaissance Studies at Victoria College, U of Our journey will take us through time churches of Sant’Andrea, San Carlino, Santa T. He is author of A Short History of the from the Etruscans, through the ancient Maria Vittoria and Santa Maria degli Angeli. Italian Renaissance, The English in Italy: A Romans, the artists and architects of the Day 7 Rome Study in Culture and Politics and The th Morning walking tour of the Roman Forum. Renaissance, the 20 century and up to today, Civilization of the Italian Renaissance as well Afternoon visit to the Capitoline Museum. and will feature sumptuous palaces, idyllic as five video series, including the most Day 8 Rome – Tivoli – Orvieto gardens, magnificent paintings and sculpture, recent, The Guide to Essential Italy, with the Depart Rome and drive to Tivoli. -
Pagan-City-And-Christian-Capital-Rome-In-The-Fourth-Century-2000.Pdf
OXFORDCLASSICALMONOGRAPHS Published under the supervision of a Committee of the Faculty of Literae Humaniores in the University of Oxford The aim of the Oxford Classical Monographs series (which replaces the Oxford Classical and Philosophical Monographs) is to publish books based on the best theses on Greek and Latin literature, ancient history, and ancient philosophy examined by the Faculty Board of Literae Humaniores. Pagan City and Christian Capital Rome in the Fourth Century JOHNR.CURRAN CLARENDON PRESS ´ OXFORD 2000 3 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University's aim of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris SaÄo Paulo Singapore Taipei Tokyo Toronto Warsaw with associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and certain other countries Published in the United States by Oxford University Press Inc., New York # John Curran 2000 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2000 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organizations. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same conditions on any acquirer British Library Cataloguing in Publication Data Data applied for Library of Congress Cataloging in Publication Data Curran, John R. -
9781107013995 Index.Pdf
Cambridge University Press 978-1-107-01399-5 — Rome Rabun Taylor , Katherine Rinne , Spiro Kostof Index More Information INDEX abitato , 209 , 253 , 255 , 264 , 273 , 281 , 286 , 288 , cura(tor) aquarum (et Miniciae) , water 290 , 319 commission later merged with administration, ancient. See also Agrippa ; grain distribution authority, 40 , archives ; banishment and 47 , 97 , 113 , 115 , 116 – 17 , 124 . sequestration ; libraries ; maps ; See also Frontinus, Sextus Julius ; regions ( regiones ) ; taxes, tarif s, water supply ; aqueducts; etc. customs, and fees ; warehouses ; cura(tor) operum maximorum (commission of wharves monumental works), 162 Augustan reorganization of, 40 – 41 , cura(tor) riparum et alvei Tiberis (commission 47 – 48 of the Tiber), 51 censuses and public surveys, 19 , 24 , 82 , cura(tor) viarum (roads commission), 48 114 – 17 , 122 , 125 magistrates of the vici ( vicomagistri ), 48 , 91 codes, laws, and restrictions, 27 , 29 , 47 , Praetorian Prefect and Guard, 60 , 96 , 99 , 63 – 65 , 114 , 162 101 , 115 , 116 , 135 , 139 , 154 . See also against permanent theaters, 57 – 58 Castra Praetoria of burial, 37 , 117 – 20 , 128 , 154 , 187 urban prefect and prefecture, 76 , 116 , 124 , districts and boundaries, 41 , 45 , 49 , 135 , 139 , 163 , 166 , 171 67 – 69 , 116 , 128 . See also vigiles (i re brigade), 66 , 85 , 96 , 116 , pomerium ; regions ( regiones ) ; vici ; 122 , 124 Aurelian Wall ; Leonine Wall ; police and policing, 5 , 100 , 114 – 16 , 122 , wharves 144 , 171 grain, l our, or bread procurement and Severan reorganization of, 96 – 98 distribution, 27 , 89 , 96 – 100 , staf and minor oi cials, 48 , 91 , 116 , 126 , 175 , 215 102 , 115 , 117 , 124 , 166 , 171 , 177 , zones and zoning, 6 , 38 , 84 , 85 , 126 , 127 182 , 184 – 85 administration, medieval frumentationes , 46 , 97 charitable institutions, 158 , 169 , 179 – 87 , 191 , headquarters of administrative oi ces, 81 , 85 , 201 , 299 114 – 17 , 214 Church. -
POCKET GUIDE to GENOA Quick Guide to Discover the City
POCKET GUIDE TO GENOA quick guide to discover the city en 2-3 hours A FLEETING VISIT TO GENOA Four 100% Genoese settings, if you only have a couple of hours to spare Via Garibaldi, the power and Via del Campo, the singer- wealth of the “Siglo des los songwriters and the unique Genoveses” (the Century of the atmosphere of the alleyways Genoese) in the centro storico This is one of the finest “Via del Campo” is the title of one Renaissance streets in the of the moving ballads written and world. Its palazzi. known as the sung by Fabrizio De Andrè. “Rolli”, were splendid patrician Access to the street is from the Translation: homes which the owners were ancient Porta dei Vacca gate, then English Language Consultancy required to make available for have a look at the shop windows Justin Michael Rosenberg royalty and dignitaries visiting in Via San Luca until you reach Photographs: the Republic of Genoa. Piazza Banchi and Caricamento. Sagep Photographic Archives “Castelletto”, a window over “Passeggiata al Porto Antico”, Edited by the Municipality of Genoa, the old town waterfront promenade Tourism Development and Promotion dept. From the renowned “spianata di As you stroll along the old docks This edition was published Castelletto”, which is accessible and wharfs, the lighthouse and in December 2011 by Grafiche G7 by lift from Piazza Portello, you big cruise ships loom into view. for Sagep Editori S.r.l. - Genoa have spectacular views of the A ride on the “Bigo” panoramic centro storico extending all the lift gives you a new perspective © 2012 Sagep Editori, Genoa way to the sea. -
INTRODUCTION 1. in Explanation of His Point, Sperry Writes: 'It Is Not Just
Notes INTRODUCTION 1. In explanation of his point, Sperry writes: 'It is not just that the poetry is taken up in isolation from the life of the poet, from the deeper logic of his career both in itself and in relation to the history of his times, although that fact is continuously disconcerting. It is further that in reducing the verse to a structure of ideas, criticism has gone far toward depriving it of all emotional reality'(14). 2. See, in particular, Federico Olivero's essays on Shelley and Ve nice (1909: 217-25), Shelley and Dante, Petrarch and the Italian countryside (1913: 123-76), Epipsychidion (1918: 379-92), Shelley and Turner (1935); Corrado Zacchetti's Shelley e Dante (1922); and Maria De Courten's Percy Bysshe Shelley e l'Italia (1923). A more recent, and important, work is Aurelio Zanco's monograph, Shelley e l'Italia (1945). Other studies of note are by Tirinelli (1893); Fontanarosa (1897); Bernheimer (1920); Bini (1927); and Viviani della Robbia (1936). 3. In researching this field of study, Italian critics have found Shelley to be their best spokesman. 4. A work such as Anna Benneson McMahan's With Shelley in Italy (1907) comes to mind. Hers is a more inclusive anthology than John Lehmann's Shelley in Italy (1947) but needs to be brought up to date. 5. There has been a growing recognition of the importance of the Italian element in Shelley's poetry. Significant studies in English since those of Scudder (1895: 96-114), Toynbee (1909: 214-30), Bradley (1914: 441-56) and Stawell (1914: 104-31) are those of P. -
Istock - Getty Images LATIUM
82 Rome, Colosseum, © belenox - iStock - Getty Images LATIUM Latium is an area worth getting to know, beaches, the lovely cli's, all along the a land rich in blends of art, culture and coastline, from Tarquinia beach to the nature, the crossroads of Mediterranean white sand of Sabaudia with its famous civilization and of Etruscan, Sabine, Sam- dunes, to the clear waters of San Felice al nite, Campanian and Latin peoples. The Circeo and Sperlonga, an authentic region probably got its name from the Tyrrhenian fishing village, down to Gae- Latins, whose most recent history min- ta, with its split mountain overhanging gles with that of Rome and the Pontifical the sea. There are very charming under- State, the Terra del Lavoro and the King- water itineraries along the lovely seabeds dom of the Two Sicilies. A compound of the Pontine islands, to underwater memory that only a few dozen years ago caves, fields of posidonia, lobsters and recovered its role as a unique tourist at- even submerged shipwrecks. traction, together with that of the capital The counterpoint to the sea are the city. Nowadays the region stands out beautiful mountains, rich in avifauna and with its many charms, from spas to spec- biodiversity, which mark out the region’s tacular lakes, from gentle hilly scenery to ridge and follow its outline from the bor- charming beaches, from archaeology ders of Tuscany to Campania, from the and art to the great wealth of traditions. Rieti salt road to the Abruzzo National Latium is a wonderland, the essence of Park. Then there are the Monti della Laga natural beauty, historic remains and a and della Duchessa, the magical Simbru- variety of food and wine related to the ini mountains, the heart of Latium, the soil and the simplicity and wholesome- Ausoni mountains and the Aurunci, ness of the crops. -
Dancing with Decorum
http://www.diva-portal.org This is the published version of a paper published in Opuscula: Annual of the Swedish Institutes at Athens and Rome. Citation for the original published paper (version of record): Habetzeder, J. (2012) Dancing with decorum: The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture Opuscula: Annual of the Swedish Institutes at Athens and Rome, 5: 7-47 https://doi.org/10.30549/opathrom-05-02 Access to the published version may require subscription. N.B. When citing this work, cite the original published paper. Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-274655 JULIA HABETZEDER • DaNCING WITH DECORUM • 7 JULIA HABETZEDER Dancing with decorum The eclectic usage of kalathiskos dancers and pyrrhic dancers in Roman visual culture Abstract* Kalathiskos dancers constituted an established motif This article examines two groups of motifs in Roman visual culture: fe- within Roman visual culture1 at least from the age of Augus- males modelled on kalathiskos dancers, and males modelled on pyrrhic tus, on into the 2nd century AD. During the same time-span, dancers. Eclecticism is emphasized as a strategy which was used to intro- the iconography of such dancers was also used for depictions duce novelties that were appropriate within a Roman cultural context. The figures representing kalathiskos dancers and pyrrhic dancers were of the goddess Victoria (Table 4). The armed males modelled both changed in an eclectic manner and this resulted in motifs repre- on pyrrhic dancers, on the other hand, are only depicted senting the goddess Victoria, and the curetes respectively. -
Two Must-Visit Tourist-Free Neighborhoods in Rome - Vogue
8/1/2018 Two Must-Visit Tourist-Free Neighborhoods in Rome - Vogue LIVING > TRAVEL Two Must-Visit Tourist-Free Neighborhoods in Rome AUGUST 10, 2017 3:00 PM by MONA GABLE Photo: Alamy f i There is so much to see in the Eternal City—the history so vast, the traffic so crazy, the food so enticing—that it’s tempting to do what’s easy and stay in a well-trod neighborhood steps from the Forum or the Trevi Fountain. and legions of tourists. But then you’d be missing the flavor of Rome, with all its messiness, beauty, and surprise. For a more authentic experience, plunk down in one of Rome’s less-frequented neighborhoods and savor the local culture, and then venture out from there. https://www.vogue.com/article/rome-tourist-free-neighborhood-guide-monti-testaccio 1/5 8/1/2018 Two Must-Visit Tourist-Free Neighborhoods in Rome - Vogue A street in Monti rione in Rome f i Photo: Alamy MontiTucked in the hills above the Forum, Monti is one of Rome’s oldest and most colorful neighborhoods. And most importantly, still largely free of tourists. Centuries ago, this working-class enclave—one of Rome’s 22 neighborhoods, or rioni, was notorious for its brothels and shady characters. Today its pretty cobblestone streets are packed with young people in jeans, old men in suits, vendors selling flowers, and families who’ve lived in Monti for generations. Monti is so lovely, with its jasmine-draped, gold and apricot apartment buildings, that Woody Allen apparently filmed on a corner of Via Baccina. -
Fr. Michael Sartori Catholic Italy Pilgrimage October 18- 27, 2021 - 10 Days $3,999 from Boston for Information and Reservations, Contact Rev
$50 Early Booking Discount if Reserved by September 10, 2020 Fr. Michael Sartori Catholic Italy Pilgrimage October 18- 27, 2021 - 10 Days $3,999 from Boston For Information and Reservations, Contact Rev. Michael Sartori, St. Patrick Parish 40 School St., Newport NH 03773 – Telephone: 603-863-1422 x6 - Email: [email protected] Monday, October 18 - St. Luke - Day 1 - DEPART USA Saturday, October 23 - DAY 6 - ASSISI - This morning we - Today we depart Boston’s Logan airport to connect with begin with a short walk to the Basilica of St. Francesco for our overnight flight to Rome aboard a wide-bodied jet. We Mass. After our visit of the Basilica and the tomb of St. Francis, enjoy in-flight movies, dinner and breakfast while aloft. we begin our walking tour of the village with a visit to the Tuesday, October 19 - DAY 2 - ROME - We arrive in Church of St. Clare “the little plant of Blessed Francis” as she Rome and are greeted by our Tour Manager as we transfer loved to call herself, where we view the San Damiano crucifix to our coach bus. Depending on arrival time, we will stop on that spoke to St. Francis. Kneeling before it, Francis composed our way to our hotel for lunch on our own, or head directly the following prayer, which is considered to be among the oldest to our hotel with time to relax before our “welcome” dinner of his writings: “All Highest, Glorious God, cast your light into and a possible opportunity for Mass. Along the way, we are the darkness of my heart. -
Marble Provenance Unknown Pr
Catalogue of the Portraits 1. Diocletian (?) H. 0,36 m. Date: c. 284-305 (although early is likely) Marble Provenance unknown Private Collection (Michael Miller Collection, New York) Frowning; medium length beard; leaf headband around head (corona civilis ); furrowed brow; grey/ brown unfinished marble base (not attached); iron mounting rod inserted in bottom. Info: Minneapolis Institute of Art description card; Minneapolis, Minnesota, USA. Source Image: http://www.flickr.com/photos/11257308%40N06/3035166868/ 2. Diocletian H. 0,355 m. Date: Stylistically dated between 280-285 (so 284-285?)(Calza 1972: 91 ) Grainy white marble Prov. Nicomedia (Western Turkey) Currently at Archeological Museum, Istanbul, Turkey. Wearing a corona civilis (Calza 1972: 91). Slight frown, distant view towards his left. Realistically depicted crown and hair. Image source: http://www.flickr.com/photos/roger_ulrich/4630182217/ 3. Maximianus H. 2,26m Date: 284-305, most likely 297/8 (Bastet 1979: 51). Marble Prov. Utica (Tunis), near Carthage. Currently at Rijksmuseum voor Oudheden, Leiden. Over life-size statue of which the body is older, probably from the late second century A.D. (Bastet 1979: 51). The head is quite dynamic, probably to fit in with the body. The face is quite heavily damaged but the typical frown, distant look and chipped hair and beard are observable. Although the hair is chipped is it rather full as in some of the portraits with more realistically represented hair. Image source: http://www.livius.org/man-md/maximianus/maximianus.html 4. Maxentius or Constantius (Delbrueck 1933: 125) H. 0,25 m (face; slightly over lifesize) Marble, probably Carrarian. -
Maxentius 3D Project1
Maxentius 3D Project 1 LUCIA MARSICANO, SAVERIO GIULIO MALATESTA, FRANCESCO LELLA, EMANUELA D’IGNAZIO, ELEONORA MASSACCI AND SIMONE ONOFRI Sapienza University, Rome, Italy The aim of the project is to propose a full 3D model of the Circus of Maxentius in Rome encompassing all the aspects of the environment, as well as the architectural system. The circus is part of a complex built by Maxentius at the beginning of the IV century AD. The Maxentian complex is situated on the Via Appia between the second and the third mile; today this area is part of the Parco Regionale dell’Appia Antica, where the need to preserve the ecosystem makes it impossible to remove the vegetation. For this reason a large part of the circus is covered by the vegetation, making the survey of the entire structure impossible for researchers. The starting point was a study of the archaeological data, and then the team carried out a targeted field survey to integrate the published data with new information useful for creating a metrically correct reconstruction of the monument. To model both the landscape and the architectural structures, Blender, an open source software, was utilized, and to model the statues ZBrush, a proprietary software package, was used. Each element was modeled using scientific evidence or, lacking that, by employing analogies. The result is a metrically and scientifically correct 3D model of the Circus of Maxentius useful for studying the monument from a new point of view. By integrating archaeological data and using 3D graphics, it was possible to verify the hypothesis of reconstruction of the monument. -
The Discovery and Exploration of the Jewish Catacomb of the Vigna Randanini in Rome Records, Research, and Excavations Through 1895
The Discovery and Exploration of the Jewish Catacomb of the Vigna Randanini in Rome Records, Research, and Excavations through 1895 Jessica Dello Russo “Il cimitero di Vigna Randanini e’ il punto di partenza per tutto lo studio della civilta’ ebraica.” Felice Barnabei (1896) At the meeting of the Papal Commission for Sacred Archae- single most valuable source for epitaphs and small finds from ology (CDAS) on July 21,1859, Giovanni Battista de Rossi the site.6 But the catacomb itself contained nothing that was of strong opinion that a newly discovered catacomb in required clerical oversight instead of that routinely performed Rome not be placed under the Commission’s care.1 Equally by de Rossi’s antiquarian colleagues at the Papal Court. surprising was the reason. The “Founder of Christian Archae- On de Rossi’s recommendation, the CDAS did not assume ology” was, in fact, quite sure that the catacomb had control over the “Jewish” site.7 Its declaration, “la cata- belonged to Rome’s ancient Jews. His conclusions were comba non e’ di nostra pertinenza,” became CDAS policy drawn from the very earliest stages of the excavation, within for the next fifty years, even as three other Jewish cata- sight of the catacombs he himself was researching on the combs came to light in various parts of Rome’s suburbium.8 Appian Way southeast of Rome. They would nonetheless In each case, the discovery was accidental and the excava- determine much of the final outcome of the dig. tion privately conducted: the sites themselves were all even- The CDAS had been established just a few years before in tually abandoned or destroyed.