1. IDENTIFICATION: (Artist,title, date, size, country of 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 182. BUDDHAS OF BAMIYAN Cut rock with plaster and polychrome paint Bamiyan, Afghanistan Gandharan, c.400-800 CE- destroyed 2001 2 images- before and after destruction
4. CONTENT: (subject & genre: iconography, 5. ORIGINAL CONTEXT/ SITE/ INTENDED symbolism, the story) FUNCTION OF THE WORK: (Overlap to #6)
6. INTENDED PURPOSE & MOTIVATION (why was it 7. INNOVATION/ CHANGE(S): 8. THEME(S): made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING:
CONVENTION/ TRADITION(S): COMPARE TO ANOTHER WORK:
1. IDENTIFICATION: (Artist,title, date, size, country of 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 184. JOWO RINPOCHE, ENSHRINED IN JOKHANG Gilt metals with semiprecious stones, pearls, and TEMPLE paint; various offerings Lhasa, Tibet Yarlung Dynasty Believed to have been brought to Tibet in 641 CE
4. CONTENT: (subject & genre: iconography, 5. ORIGINAL CONTEXT/ SITE/ INTENDED symbolism, the story) FUNCTION OF THE WORK: (Overlap to #6)
6. INTENDED PURPOSE & MOTIVATION (why was it 7. INNOVATION/ CHANGE(S): 8. THEME(S): made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING:
CONVENTION/ TRADITION(S): COMPARE TO ANOTHER WORK:
1. IDENTIFICATION: (Artist, title, date, size, country 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making of origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 192. GREAT STUPA AT SANCHI Stone Masonry, sandstone on dome Madhya Pradesh, India Maurya, late Sunga Dynasty c.300 BCE-100 CE 4 images: Exterior, Interior detail, detail of North Gate, Plan and elevation
4. CONTENT: (subject & genre: iconography, 5. ORIGINAL CONTEXT/ SITE/ INTENDED symbolism, the story) FUNCTION OF THE WORK: (Overlap to #6)
6. INTENDED PURPOSE & MOTIVATION (why was it 7. INNOVATION/ CHANGE(S): 8. THEME(S): made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING:
CONVENTION/ TRADITION(S): COMPARE TO ANOTHER WORK:
1. IDENTIFICATION: (Artist, title, date, size, country 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making of origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 195. LONGMEN CAVES Limestone Luoyang, China Tang Dynasty 493-1127 CE 3 images: Exterior, Details of Buddha and Bodhisattvas
4. CONTENT: (subject & genre: iconography, 5. ORIGINAL CONTEXT/ SITE/ INTENDED symbolism, the story) FUNCTION OF THE WORK: (Overlap to #6)
6. INTENDED PURPOSE & MOTIVATION (why was it 7. INNOVATION/ CHANGE(S): 8. THEME(S): made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING:
CONVENTION/ TRADITION(S): COMPARE TO ANOTHER WORK:
1. IDENTIFICATION: (Artist, title, date, size, country 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making of origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 197. TODAI-JI, Nara, Japan Bronze and wood (sculpture); wood with ceramic Various artists including sculptors Unkei and Keikei tile roofing (architecture) as well as the Kei School 743 CE; rebuilt c.1700 5 images: exterior view, Great Buddha, Nio guardian statues (2), Gate
4. CONTENT: (subject & genre: iconography, 5. ORIGINAL CONTEXT/ SITE/ INTENDED symbolism, the story) FUNCTION OF THE WORK: (Overlap to #6)
6. INTENDED PURPOSE & MOTIVATION (why was it 7. INNOVATION/ CHANGE(S): 8. THEME(S): made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING:
CONVENTION/ TRADITION(S): COMPARE TO ANOTHER WORK:
1. IDENTIFICATION: (Artist, title, date, size, country 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making of origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 198. BOROBUDUR TEMPLE Volcanic-stone masonry Central Java, Indonesia Sailendra Dynasty C. 750-842 CE 3 images- aerial view, detail of relief carvings, Buddha
4. CONTENT: (subject & genre: iconography, 5. ORIGINAL CONTEXT/ SITE/ INTENDED symbolism, the story) FUNCTION OF THE WORK: (Overlap to #6)
6. INTENDED PURPOSE & MOTIVATION (why was it 7. INNOVATION/ CHANGE(S): 8. THEME(S): made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING:
CONVENTION/ TRADITION(S): COMPARE TO ANOTHER WORK:
1. IDENTIFICATION: (Artist,title, date, size, country of 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 207. Ryoan-ji Rock Garden Kyoto, Japan Muromachi Period, Japan c.1480 CE (Current design most likely dates to the 18th century) 3 Images- plan; wet garden; dry garden
4. CONTENT: (subject & genre: iconography, 5. ORIGINAL CONTEXT/ SITE/ INTENDED symbolism, the story) FUNCTION OF THE WORK: (Overlap to #6)
6. INTENDED PURPOSE & MOTIVATION (why was it 7. INNOVATION/ CHANGE(S): 8. THEME(S): made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING:
CONVENTION/ TRADITION(S): COMPARE TO ANOTHER WORK: