182. BUDDHAS of BAMIYAN Bamiyan, Afghanistan Gand
1. IDENTIFICATION: (Artist,title, date, size, country of 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 182. BUDDHAS OF BAMIYAN Cut rock with plaster and polychrome paint Bamiyan, Afghanistan Gandharan, c.400-800 CE- destroyed 2001 2 images- before and after destruction 4. CONTENT: (subject & genre: iconography, 5. ORIGINAL CONTEXT/ SITE/ INTENDED symbolism, the story) FUNCTION OF THE WORK: (Overlap to #6) 6. INTENDED PURPOSE & MOTIVATION (why was it 7. INNOVATION/ CHANGE(S): 8. THEME(S): made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING: CONVENTION/ TRADITION(S): COMPARE TO ANOTHER WORK: 1. IDENTIFICATION: (Artist,title, date, size, country of 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 184. JOWO RINPOCHE, ENSHRINED IN JOKHANG Gilt metals with semiprecious stones, pearls, and TEMPLE paint; various offerings Lhasa, Tibet Yarlung Dynasty Believed to have been brought to Tibet in 641 CE 4. CONTENT: (subject & genre: iconography, 5. ORIGINAL CONTEXT/ SITE/ INTENDED symbolism, the story) FUNCTION OF THE WORK: (Overlap to #6) 6. INTENDED PURPOSE & MOTIVATION (why was it 7. INNOVATION/ CHANGE(S): 8. THEME(S): made?); PATRON/AUDIENCE (who was it made for?); ARTIST’S DECISION MAKING: CONVENTION/ TRADITION(S): COMPARE TO ANOTHER WORK: 1. IDENTIFICATION: (Artist, title, date, size, country 2. FORM: (use of design elements/ principles: 3. MATERIALS AND TECHNIQUE: (art making of origin, period/style) color, shape, value, texture, line, space; balance, processes) contrast, emphasis, movement, etc.) 192.
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