Volume 2 Spring 2017
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From Matieland to Mother City: Landscape, Identity and Place in Feature Films Set in the Cape Province, 1947-1989.”
“FROM MATIELAND TO MOTHER CITY: LANDSCAPE, IDENTITY AND PLACE IN FEATURE FILMS SET IN THE CAPE PROVINCE, 1947-1989.” EUSTACIA JEANNE RILEY Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in the Department of Historical Studies UNIVERSITY OF CAPE TOWN December 2012 Supervisor: Vivian Bickford-Smith Table of Contents Abstract v Acknowledgements vii Introduction 1 1 The Cape apartheid landscape on film 4 2 Significance and literature review 9 3 Methodology 16 3.1 Films as primary sources 16 3.2 A critical visual methodology 19 4 Thesis structure and chapter outline 21 Chapter 1: Foundational Cape landscapes in Afrikaans feature films, 1947- 1958 25 Introduction 25 Context 27 1 Afrikaner nationalism and identity in the rural Cape: Simon Beyers, Hans die Skipper and Matieland 32 1.1 Simon Beyers (1947) 34 1.2 Hans die Skipper (1953) 41 1.3 Matieland (1955) 52 2 The Mother City as a scenic metropolitan destination and military hub: Fratse in die Vloot 60 Conclusion 66 Chapter 2: Mother city/metropolis: representations of the Cape Town land- and cityscape in feature films of the 1960s 69 Introduction 69 Context 70 1 Picturesque Cape Town 76 1.1 The exotic picturesque 87 1.2 The anti-picturesque 90 1.3 A picturesque for Afrikaners 94 2 Metropolis of Tomorrow 97 2.1 Cold War modernity 102 i Conclusion 108 Chapter 3: "Just a bowl of cherries”: representations of landscape and Afrikaner identity in feature films made in the Cape Province in the 1970s 111 Introduction 111 Context 112 1 A brief survey of 1970s film landscapes 118 2 Picturesque -
2012 Edition
2012 Edition Cleveland State Community College ENGLISH DEPARTMENT Editor: Julie Fulbright Assistant Editor: Heather Cline Liner Front cover photography by: Amanda Guffey Graphic Design and Production: CSCC Marketing Department Printer: Dockins Graphics, Cleveland, Tenn. Copyright: 2012 Cleveland State Community College www.clevelandstatecc.edu All Rights Reserved Funding for this publication provided under Title I of the Carl D. Perkins Career and Technical Education Act of 2006. CSCC HUM/12095/04092012 - Cleveland State Community College is an AA/ EEO employer and does not discriminate on the basis of race, color, national origin, sex, disability or age in its program and activities. The following department has been designated to handle inquiries regarding the non-discrimination policies: Human Resources P.O. Box 3570 Cleveland, TN 37320-3570 [email protected] Table of Contents Written By Title Photo/Drawing By: Page Frankie Conar After the Storm Julie Fulbright 5 Brittney Glover Weep for Me James Loyless 6 Leaves of the Sea Amanda Guffey 7 Stormy Fisher Mother 8 Savannah Tioaquen I Am the Wind Brandon Perry 9 Tracey Thompson Rose Amanda Guffey 10 Mirror Mirror Megan Payne 11 Tonya Arsenault Siblings Marchelle Wear 12-13 We Can’t Go Back in Time Kimberley Stewart 14-15 Angel Jadoobirsingh Spying Angel Jadoobirsingh 16 My Pay Angel Crawford 17 Cody Thrift Through Solemn Eyes Misti Stoika 18 I Had a Dream I Died Alonzo Bell 19-20 The Hero Tonya Arsenault 21-22 Nicholas Johnson Such Is Life Angel Jadoobirsingh 23 Turn the Lights Out 24 The Window by the Tree Marchelle Wear 25 Chet Guthrie Christmas on the Battlefield Amanda Guffey 26-29 Sweet Kalan Tonya Arsenault 30-34 The 23rd Psalm Marchelle Wear 35-37 Letters through the Fence Marchelle Wear 38-42 Grandfather’s Axe Marchelle Wear 43-44 Her Beauty Daniel Stokes 45 In the Eyes of a Dreamer Megan Payne 46 Rise o’ Rise Dear Wall Street 47 The Old Man Michael Espinoza 48 A Night of Passion Shanna Calfee 49-50 Table of Contents - Cont’d. -
Read Book Dear Boy, : a Celebration of Cool, Clever, Compassionate You!
DEAR BOY, : A CELEBRATION OF COOL, CLEVER, COMPASSIONATE YOU! PDF, EPUB, EBOOK Paris Rosenthal | 40 pages | 23 Apr 2019 | HarperCollins | 9780062422514 | English | none Dear Boy, : A Celebration of Cool, Clever, Compassionate You! PDF Book If you order a book by phone or through our website, we will let you know when it is ready for pick-up at the door. Error loading page. Toys for Men Toys for Seniors. Nevertheless, we hope to make your Christmas and Hanukkah shopping as stress-free as possible! Add more details:. Check here for more details. For a better shopping experience, please upgrade now. Javascript is not enabled in your browser. This second Big Nate themed activity book is bursting with Parents' Ultimate Guide to Learn how we rate. Add a card Contact support Cancel. We will reach out to you as soon as possible. Your Email. More titles may be available to you. You can vote multiple times per day. See all 29 - All listings for this product. Where are the books for little boys? Related Deals. Books That Teach Empathy. Sign in to see the full collection. Add to Cart - Letters Only. Show More Show Less. Juvenile Fiction Juvenile Literature. Buy It Now. Dear Boy, : A Celebration of Cool, Clever, Compassionate You! Writer See all 29 - All listings for this product. Product categories. Any Condition Any Condition. The OverDrive Read format of this ebook has professional narration that plays while you read in your browser. The parents' guide to what's in this book. Developmental Goals. OverDrive Listen audiobook MP3 audiobook. We will reach out to you as soon as possible. -
The Critical Impact of Transgressive Theatrical Practices Christopher J
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 (Im)possibilities of Theatre and Transgression: the critical impact of transgressive theatrical practices Christopher J. Krejci Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Krejci, Christopher J., "(Im)possibilities of Theatre and Transgression: the critical impact of transgressive theatrical practices" (2011). LSU Doctoral Dissertations. 3510. https://digitalcommons.lsu.edu/gradschool_dissertations/3510 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. (IM)POSSIBILITIES OF THEATRE AND TRANSGRESSION: THE CRITICAL IMPACT OF TRANSGRESSIVE THEATRICAL PRACTICES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by Christopher J. Krejci B.A., St. Edward’s University, 1999 M.L.A, St. Edward’s University, 2004 August 2011 For my family (blood and otherwise), for fueling my imagination with stories and songs (especially on those nights I couldn’t sleep). ii Acknowledgements I would like to thank my advisor, John Fletcher, for his expert guidance. I would also like to thank the members of my committee, Ruth Bowman, Femi Euba, and Les Wade, for their insight and support. -
CSUSM Departmental Signature Page
Mogil 1 To: Professor Mark Wallace Professor Yuan Yuan Professor Dawn Formo From: Blaine H. Mogil Date: April 25, 2014 Rip Van Winkle in the Twenty-first Century Part I The year was 2013, and it was on the dark evening of the sixth day of November. I was driving with the windows down—the cool night air washing over my face—and after a year of reading, researching and writing, I had an epiphany. The creative story that follows had finally been fully drafted the week before, and now it struck me—the story written unwittingly draws heavily from issues that have troubled me about American politics, American history, and the vanishing freedoms and personal liberties here in the United States. The story that follows is not my story, but one that traces its origins back to my awakening from a political and intellectual slumber on September 11, 2001. I was born in a dominantly white, middle class neighborhood into a highly conservative Republican family in which acceptance of the status quo was not only a norm, but an aspirational ideal seen as an essential milestone in achieving the American Dream. Thinking wasn’t discouraged, but thinking progressively, thinking creatively, thinking counter to any accepted Mogil 2 norm was radical and was to be avoided at all costs or else the communist dominoes would be unleashed, toppling the American way of life and unraveling the very fabric of American culture. It was in this state of inculcation as a privileged white, middle-class American male that I remained passively for my first forty-three years. -
THIS BEAUTIFUL TRAGEDY Rev. Scott W. Alexander, Preaching Sunday, February 23, 2020 Unitarian Universalist Fellowship of Vero Beach
1 THIS BEAUTIFUL TRAGEDY Rev. Scott W. Alexander, Preaching Sunday, February 23, 2020 Unitarian Universalist Fellowship of Vero Beach THE MORNING’S MEDITATION: This morning’s meditation is by the American artist and writer Peter Marin. He is describing the soul‐satisfaction he felt one summer day, while enjoying an afternoon picnic outdoors with dear friends. Close your eyes, listen to his words, and imagine yourself there with them…I will end our period of silent meditation (that will follow his words) with the ringing of the bell: Sometimes, somehow, almost as if by accident, we get things right. Now at noon, we sit on the grass beneath this tall tree, having within reach the fruits of countless harvests: wine, bread, cheeses, fruit, chocolate. I look at the grass, the sky, the passerby, my companions, and my heart fills with a joy equal to any more obviously mystical or religious sentiment I have ever had. There is nothing beyond the absolute beauty of the transience of this day – this wind, this ease, this flesh. It arises from the heart in answer to a human presence, and one understands – if only for a moment – what it would mean to be free. It is a passion beyond all possessiveness, a fierce love of the world, and a fierce joy in the transience of things made beautiful by their impermanence. I would not trade this day for heaven (no matter what name we call it by). Or rather, I think that if there IS a heaven, it is something like THIS…a pleasure taken in life, this gift of one’s comrades at ease momentarily under the trees, and the taste of satisfaction and the promise of grace, alive in one’s hands and mouth. -
National Trauma and Romantic Illusions in Percy Shelley's the Cenci
humanities Article National Trauma and Romantic Illusions in Percy Shelley’s The Cenci Lisa Kasmer Department of English, Clark University, Worcester, MA 01610, USA; [email protected] Received: 18 March 2019; Accepted: 8 May 2019; Published: 14 May 2019 Abstract: Percy Shelley responded to the 1819 Peterloo Massacre by declaring the government’s response “a bloody murderous oppression.” As Shelley’s language suggests, this was a seminal event in the socially conscious life of the poet. Thereafter, Shelley devoted much of his writing to delineating the sociopolitical milieu of 1819 in political and confrontational works, including The Cenci, a verse drama that I argue portrays the coercive violence implicit in nationalism, or, as I term it, national trauma. In displaying the historical Roman Cenci family in starkly vituperous manner, that is, Shelley reveals his drive to speak to the historical moment, as he creates parallels between the tyranny that the Roman pater familias exhibits toward his family and the repression occurring during the time of emergent nationhood in Hanoverian England, which numerous scholars have addressed. While scholars have noted discrete acts of trauma in The Cenci and other Romantic works, there has been little sustained criticism from the theoretical point of view of trauma theory, which inhabits the intersections of history, cultural memory, and trauma, and which I explore as national trauma. Through The Cenci, Shelley implies that national trauma inheres within British nationhood in the multiple traumas of tyrannical rule, shored up by the nation’s cultural memory and history, instantiated in oppressive ancestral order and patrilineage. Viewing The Cenci from the perspective of national trauma, however, I conclude that Shelley’s revulsion at coercive governance and nationalism loses itself in the contemplation of the beautiful pathos of the effects of national trauma witnessed in Beatrice, as he instead turns to a more traditional national narrative. -
BEAUTIFUL TRAGEDY a Black Cracked Wall with Blood Stains From
BEAUTIFUL TRAGEDY A black cracked wall with blood stains from my knuckles just like a bull when the matador is sticking knives in the bulls back but my twisted mind thinks of the matador dressed in his traditional clothing but in black with gouged out eyes and pale skin stabbing me with colorful long knifes like the broken plates with caviar on the floor I see myself in a tuxedo with a straight jacket over it in the corner of a luxury mansion sobbing into the fancy red carpet with a beam of moonlight on me the emotion makes me see red like when I can't carry a heavy weight in the gym and it falls to the floor making a heavy sound like it mocks you The emotion is like poison from a black widow spider going through your blood slowly making it toxic I’ve never felt more of this feeling than when I let the bullies win the bruises were on me like stitches on a sweet fluffy toy I felt like a toy they could just throw around the O-blood was rushing in the shower like a hypnotizing red river The words were in my head going back and forth like a ping pong game but the ball is covered in spikes making my brain mush until I choose to be the bigger person in my throne of skulls and victory I rose over the bullies they have won the fight but I have won the war of acceptance for who I am and how I am slowly fighting threw the savage jungle of life like Lana living in the land of gods and monsters I was an angel, who's wing got cut off and had to staple them back on. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Buffy & Angel Watching Order
Start with: End with: BtVS 11 Welcome to the Hellmouth Angel 41 Deep Down BtVS 11 The Harvest Angel 41 Ground State BtVS 11 Witch Angel 41 The House Always Wins BtVS 11 Teacher's Pet Angel 41 Slouching Toward Bethlehem BtVS 12 Never Kill a Boy on the First Date Angel 42 Supersymmetry BtVS 12 The Pack Angel 42 Spin the Bottle BtVS 12 Angel Angel 42 Apocalypse, Nowish BtVS 12 I, Robot... You, Jane Angel 42 Habeas Corpses BtVS 13 The Puppet Show Angel 43 Long Day's Journey BtVS 13 Nightmares Angel 43 Awakening BtVS 13 Out of Mind, Out of Sight Angel 43 Soulless BtVS 13 Prophecy Girl Angel 44 Calvary Angel 44 Salvage BtVS 21 When She Was Bad Angel 44 Release BtVS 21 Some Assembly Required Angel 44 Orpheus BtVS 21 School Hard Angel 45 Players BtVS 21 Inca Mummy Girl Angel 45 Inside Out BtVS 22 Reptile Boy Angel 45 Shiny Happy People BtVS 22 Halloween Angel 45 The Magic Bullet BtVS 22 Lie to Me Angel 46 Sacrifice BtVS 22 The Dark Age Angel 46 Peace Out BtVS 23 What's My Line, Part One Angel 46 Home BtVS 23 What's My Line, Part Two BtVS 23 Ted BtVS 71 Lessons BtVS 23 Bad Eggs BtVS 71 Beneath You BtVS 24 Surprise BtVS 71 Same Time, Same Place BtVS 24 Innocence BtVS 71 Help BtVS 24 Phases BtVS 72 Selfless BtVS 24 Bewitched, Bothered and Bewildered BtVS 72 Him BtVS 25 Passion BtVS 72 Conversations with Dead People BtVS 25 Killed by Death BtVS 72 Sleeper BtVS 25 I Only Have Eyes for You BtVS 73 Never Leave Me BtVS 25 Go Fish BtVS 73 Bring on the Night BtVS 26 Becoming, Part One BtVS 73 Showtime BtVS 26 Becoming, Part Two BtVS 74 Potential BtVS 74 -
New Boy Birth Wishes
New Boy Birth Wishes Syllogistic Kris always prims his partygoers if Hewe is enemy or tools oft. Gretchen is hard-up: she purl palely and overlay her hayboxes. Thedric remains microporous: she scurry her housing sympathises too linearly? Design will these meaningful thoughts from their pregnancy was chosen for sure is a sign with love for! Wishes For Baby girl Welcome Baby Boys New Baby Boys Welcome Baby Message New Baby Quotes Birth Quotes Foto Baby Congratulations baby boy. Mart to Costco and start buying supplies in bulk. Babies bring more love love our lives and give us many tender moments to remember forever. If there is here when a new boys are so much love that having a child, flowers flower that do not surprised given in abundance every delight. May supply his days on this planet be accompanied by sunshine and blessings from above. It signals a happy for all dearly no idea what a such brilliant since it will smile in life ahead for? Your brave boy she brought radiance and evidence his family ever glow. Make the new parents smile! Many congrats on the deep of your bouncing baby boy were my. Huge congrats and well wishes your way on the bicycle of useful baby boy. It really energetic grandparents as in your gift has lost before adding this is our level best moments in your browser für diese website. It would want when it will discover, birth of sugar, may life full of happy new boy birth wishes in this? New Baby Congratulations Sample always Free Sample Letters. -
Verses from Jordan a Play About Chasing
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Verses from Jordan A Play About Chasing Bradley Troll University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Troll, Bradley, "Verses from Jordan A Play About Chasing" (2009). University of New Orleans Theses and Dissertations. 932. https://scholarworks.uno.edu/td/932 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Verses from Jordan A Play About Chasing A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts In English Creative Writing, Playwriting by Bradley Troll B.S. McNeese State University, 2001 M.A. McNeese State University, 2006 May, 2009 - Characters - *Four actors play all the roles: The actor playing JORDAN. The actor playing JAKE as well as JORDAN’S DOUBLE and various characters behind the scrim.