December, 2009
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
From Matieland to Mother City: Landscape, Identity and Place in Feature Films Set in the Cape Province, 1947-1989.”
“FROM MATIELAND TO MOTHER CITY: LANDSCAPE, IDENTITY AND PLACE IN FEATURE FILMS SET IN THE CAPE PROVINCE, 1947-1989.” EUSTACIA JEANNE RILEY Thesis Presented for the Degree of DOCTOR OF PHILOSOPHY in the Department of Historical Studies UNIVERSITY OF CAPE TOWN December 2012 Supervisor: Vivian Bickford-Smith Table of Contents Abstract v Acknowledgements vii Introduction 1 1 The Cape apartheid landscape on film 4 2 Significance and literature review 9 3 Methodology 16 3.1 Films as primary sources 16 3.2 A critical visual methodology 19 4 Thesis structure and chapter outline 21 Chapter 1: Foundational Cape landscapes in Afrikaans feature films, 1947- 1958 25 Introduction 25 Context 27 1 Afrikaner nationalism and identity in the rural Cape: Simon Beyers, Hans die Skipper and Matieland 32 1.1 Simon Beyers (1947) 34 1.2 Hans die Skipper (1953) 41 1.3 Matieland (1955) 52 2 The Mother City as a scenic metropolitan destination and military hub: Fratse in die Vloot 60 Conclusion 66 Chapter 2: Mother city/metropolis: representations of the Cape Town land- and cityscape in feature films of the 1960s 69 Introduction 69 Context 70 1 Picturesque Cape Town 76 1.1 The exotic picturesque 87 1.2 The anti-picturesque 90 1.3 A picturesque for Afrikaners 94 2 Metropolis of Tomorrow 97 2.1 Cold War modernity 102 i Conclusion 108 Chapter 3: "Just a bowl of cherries”: representations of landscape and Afrikaner identity in feature films made in the Cape Province in the 1970s 111 Introduction 111 Context 112 1 A brief survey of 1970s film landscapes 118 2 Picturesque -
The Critical Impact of Transgressive Theatrical Practices Christopher J
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2011 (Im)possibilities of Theatre and Transgression: the critical impact of transgressive theatrical practices Christopher J. Krejci Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Krejci, Christopher J., "(Im)possibilities of Theatre and Transgression: the critical impact of transgressive theatrical practices" (2011). LSU Doctoral Dissertations. 3510. https://digitalcommons.lsu.edu/gradschool_dissertations/3510 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. (IM)POSSIBILITIES OF THEATRE AND TRANSGRESSION: THE CRITICAL IMPACT OF TRANSGRESSIVE THEATRICAL PRACTICES A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Theatre by Christopher J. Krejci B.A., St. Edward’s University, 1999 M.L.A, St. Edward’s University, 2004 August 2011 For my family (blood and otherwise), for fueling my imagination with stories and songs (especially on those nights I couldn’t sleep). ii Acknowledgements I would like to thank my advisor, John Fletcher, for his expert guidance. I would also like to thank the members of my committee, Ruth Bowman, Femi Euba, and Les Wade, for their insight and support. -
Bio.Inthismomentritu
Throughout history, art rejoices and revels in the wisdom of women. Within a deck of tarot cards, the High Priestess serves as the guardian of the unconscious. In Greek mythology, the old oracles celebrate the Mother Goddess. William Shakespeare posited portentous prescience in the form of MacBeth’s “Three Witches.” On their sixth full-length album Ritual, In This Moment—Maria Brink [vocals, piano], Chris Howorth [lead guitar], Travis Johnson [bass], Randy Weitzel [rhythm guitar], and Kent Diimel [drums]—unearth a furious and focused feminine fire from a cauldron of jagged heavy metal, hypnotic alternative, and smoky voodoo blues. It’s an evolution. It’s a statement. It’s In This Moment 2017… “It’s like we’re going into the next realm,” asserts Maria. “I had a conviction of feeling empowered in my life and with myself. I always write from a personal place, and I needed to share that sense of strength. I’ve never been afraid to hold back. Sometimes, I can be very suggestive. However, I wanted to show our fans that this is the most powerful side of myself and it’s without overt sexuality. It’s that deeper serious fire inside of my heart.” “What Maria is saying comes from deep inside,” Chris affirms. “This time, we had a bunch of ideas started before we hit the studio. There was a really clear direction. It’s different.” The group spent two years supporting their biggest album yet 2014’s Black Widow. Upon release, it seized their highest position to date on the Billboard Top 200, bowing at #8. -
CSUSM Departmental Signature Page
Mogil 1 To: Professor Mark Wallace Professor Yuan Yuan Professor Dawn Formo From: Blaine H. Mogil Date: April 25, 2014 Rip Van Winkle in the Twenty-first Century Part I The year was 2013, and it was on the dark evening of the sixth day of November. I was driving with the windows down—the cool night air washing over my face—and after a year of reading, researching and writing, I had an epiphany. The creative story that follows had finally been fully drafted the week before, and now it struck me—the story written unwittingly draws heavily from issues that have troubled me about American politics, American history, and the vanishing freedoms and personal liberties here in the United States. The story that follows is not my story, but one that traces its origins back to my awakening from a political and intellectual slumber on September 11, 2001. I was born in a dominantly white, middle class neighborhood into a highly conservative Republican family in which acceptance of the status quo was not only a norm, but an aspirational ideal seen as an essential milestone in achieving the American Dream. Thinking wasn’t discouraged, but thinking progressively, thinking creatively, thinking counter to any accepted Mogil 2 norm was radical and was to be avoided at all costs or else the communist dominoes would be unleashed, toppling the American way of life and unraveling the very fabric of American culture. It was in this state of inculcation as a privileged white, middle-class American male that I remained passively for my first forty-three years. -
THIS BEAUTIFUL TRAGEDY Rev. Scott W. Alexander, Preaching Sunday, February 23, 2020 Unitarian Universalist Fellowship of Vero Beach
1 THIS BEAUTIFUL TRAGEDY Rev. Scott W. Alexander, Preaching Sunday, February 23, 2020 Unitarian Universalist Fellowship of Vero Beach THE MORNING’S MEDITATION: This morning’s meditation is by the American artist and writer Peter Marin. He is describing the soul‐satisfaction he felt one summer day, while enjoying an afternoon picnic outdoors with dear friends. Close your eyes, listen to his words, and imagine yourself there with them…I will end our period of silent meditation (that will follow his words) with the ringing of the bell: Sometimes, somehow, almost as if by accident, we get things right. Now at noon, we sit on the grass beneath this tall tree, having within reach the fruits of countless harvests: wine, bread, cheeses, fruit, chocolate. I look at the grass, the sky, the passerby, my companions, and my heart fills with a joy equal to any more obviously mystical or religious sentiment I have ever had. There is nothing beyond the absolute beauty of the transience of this day – this wind, this ease, this flesh. It arises from the heart in answer to a human presence, and one understands – if only for a moment – what it would mean to be free. It is a passion beyond all possessiveness, a fierce love of the world, and a fierce joy in the transience of things made beautiful by their impermanence. I would not trade this day for heaven (no matter what name we call it by). Or rather, I think that if there IS a heaven, it is something like THIS…a pleasure taken in life, this gift of one’s comrades at ease momentarily under the trees, and the taste of satisfaction and the promise of grace, alive in one’s hands and mouth. -
National Trauma and Romantic Illusions in Percy Shelley's the Cenci
humanities Article National Trauma and Romantic Illusions in Percy Shelley’s The Cenci Lisa Kasmer Department of English, Clark University, Worcester, MA 01610, USA; [email protected] Received: 18 March 2019; Accepted: 8 May 2019; Published: 14 May 2019 Abstract: Percy Shelley responded to the 1819 Peterloo Massacre by declaring the government’s response “a bloody murderous oppression.” As Shelley’s language suggests, this was a seminal event in the socially conscious life of the poet. Thereafter, Shelley devoted much of his writing to delineating the sociopolitical milieu of 1819 in political and confrontational works, including The Cenci, a verse drama that I argue portrays the coercive violence implicit in nationalism, or, as I term it, national trauma. In displaying the historical Roman Cenci family in starkly vituperous manner, that is, Shelley reveals his drive to speak to the historical moment, as he creates parallels between the tyranny that the Roman pater familias exhibits toward his family and the repression occurring during the time of emergent nationhood in Hanoverian England, which numerous scholars have addressed. While scholars have noted discrete acts of trauma in The Cenci and other Romantic works, there has been little sustained criticism from the theoretical point of view of trauma theory, which inhabits the intersections of history, cultural memory, and trauma, and which I explore as national trauma. Through The Cenci, Shelley implies that national trauma inheres within British nationhood in the multiple traumas of tyrannical rule, shored up by the nation’s cultural memory and history, instantiated in oppressive ancestral order and patrilineage. Viewing The Cenci from the perspective of national trauma, however, I conclude that Shelley’s revulsion at coercive governance and nationalism loses itself in the contemplation of the beautiful pathos of the effects of national trauma witnessed in Beatrice, as he instead turns to a more traditional national narrative. -
BEAUTIFUL TRAGEDY a Black Cracked Wall with Blood Stains From
BEAUTIFUL TRAGEDY A black cracked wall with blood stains from my knuckles just like a bull when the matador is sticking knives in the bulls back but my twisted mind thinks of the matador dressed in his traditional clothing but in black with gouged out eyes and pale skin stabbing me with colorful long knifes like the broken plates with caviar on the floor I see myself in a tuxedo with a straight jacket over it in the corner of a luxury mansion sobbing into the fancy red carpet with a beam of moonlight on me the emotion makes me see red like when I can't carry a heavy weight in the gym and it falls to the floor making a heavy sound like it mocks you The emotion is like poison from a black widow spider going through your blood slowly making it toxic I’ve never felt more of this feeling than when I let the bullies win the bruises were on me like stitches on a sweet fluffy toy I felt like a toy they could just throw around the O-blood was rushing in the shower like a hypnotizing red river The words were in my head going back and forth like a ping pong game but the ball is covered in spikes making my brain mush until I choose to be the bigger person in my throne of skulls and victory I rose over the bullies they have won the fight but I have won the war of acceptance for who I am and how I am slowly fighting threw the savage jungle of life like Lana living in the land of gods and monsters I was an angel, who's wing got cut off and had to staple them back on. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
Kevin Fahlman—Tarmon Gai'don Comes at Last—Second Fermen
FEBRUARY 2013 FEBRUARY Vol. 5 — issue 2 issue Inside: In Memorium: Kevin Fahlman—Tarmon Gai’don Comes At Last—Second Fermen- tation Pt. II—Castle Dungeon—Murtaugh Apparently Not Too Old For This Shiz—Tails Out: Bill Fool—2012 Beer Anthology—Todd On Film—Still Drinking—CD Reviews—Concert Calendar Murtaugh Apparently Not Too Old For This Shit Last month, in celebration of Martin Luther King Jr. Day, 979Represent is a local magazine Texas A&M invited actor/activist Danny Glover to campus to speak about the Dr. King’s legacy. He did that, but in the for the discerning dirtbag. process apparently gave some rather interesting views about the Second Amendment and how it applies to the legacy of slavery in this country. Editorial bored So what did Danny Glover say? This. “The Second Amend- Kelly Minnis—Kevin Still ment comes from the right to protect themselves from slave revolts, and from uprisings by Native Americans. A revolt Art Splendidness from people who were stolen from their land or revolt from people whose land was stolen from, that's what the genesis Katie Killer—Wonko The Sane of the Second Amendment is." Themselves would mean slaveholders, and that the 2nd Amendment was drawn up so the Man could keep the slave in check. Now, I don’t Folks That Do Other Shit For Us necessarily agree with that, but it’s an interesting idea, and Mike L. Downey—Tristen Farina—Todd Hansen—David one that would make for an interesting discussion over Lynch—Patrick Schoenemann beers with friends one night. -
70000TONS of METAL Survival Guide
www.insomniac.games/game/spider-man-ps4 PAGE 6 MASS MEDIA INK MASS MEDIA MAG PAGE 7 Volume 3 • Issue #8 PUBLISHER/EDITOR ROD BLACK WRITERS ROD BLACK MARK HENNION HEATHER MOSS AMANDA PEUKERT PHOTOGRAPHERS ROD BLACK MARK HENNION TRANSCRIBER/COPY EDITOR ROD BLACK LAYOUT & COVER DESIGN ROD BLACK, FOTO DOOR FRONT COVER FOTO DOOR, PHOTO SABINA KELLEY, MODEL SHOWOFF MAKE-UP, MUA A’QUA SWIMWEAR, BIKINI BACK COVER KEVIN MILLET, PHOTO RICK GENEST, MODEL WEB/SOCIAL MEDIA http://www.facebook.com/MassMediaMagazine http://instagram.com/MassMediaMagazine http://twitter.com/MMMmagazineTW https://www.youtube.com/channel/UCsKzCGD4EX6wqd_FTFWfPcg MASS MEDIA GROUP, LLC PO Box 22968 Portland, OR 97269 Mass Media Magazine is printed on 10% recycled (post consumer waste) paper us- ing soy-based inks. Our printer meets or exceeds all Federal Resource Conservation Act (RCRA) standards and is a certified member of the Forest Stewardship Council. Mass Media Magazine aka MMM Magazine (ISSN 2474-2368) Pub- lished Quarterly by Mass Media Group, LLC. PO Box 22968 Portland, OR 97269. Advertising rates furnished upon request. SEND ALL ADVERTISING INFORMATION AND MATERIALS TO PO Box 22968 Portland, OR 97269. DIRECT ALL SUBSCRIPTION INQUIRIES TO OUR OFFICIAL SITE AT www.MassMediaMagazine.com or via EMAIL at info@wearemmm. com. All Advertising is subject to approval before acceptance. Mass Media Group, LLC. reserves the right to refuse any ad for any reason whatsoever. Only actual pub- lication of an advertisement constitutes acceptance thereof, but does not constitute agreement for continued publication in any form. Oregon law applies to and controls all materials contained herein. -
Verses from Jordan a Play About Chasing
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-15-2009 Verses from Jordan A Play About Chasing Bradley Troll University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Troll, Bradley, "Verses from Jordan A Play About Chasing" (2009). University of New Orleans Theses and Dissertations. 932. https://scholarworks.uno.edu/td/932 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Verses from Jordan A Play About Chasing A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts In English Creative Writing, Playwriting by Bradley Troll B.S. McNeese State University, 2001 M.A. McNeese State University, 2006 May, 2009 - Characters - *Four actors play all the roles: The actor playing JORDAN. The actor playing JAKE as well as JORDAN’S DOUBLE and various characters behind the scrim. -
The Exotic Musical Stylings of DJ Lain Weekend of 12.14-15.2019 Playlist
Japan is Dumb: The Exotic Musical Stylings of DJ Lain Weekend of 12.14-15.2019 Playlist [Re-Broadcast of Weekend of 11.29-30.2008 Show] SpiritPlants Radio: http://www.spiritplantsradio.com 1. in this moment - rabbit hole, all for you 2. cradle of filth - nymphetamine 3. in this moment - lost at sea, mechanical love, her kiss, into the light, the dream 4. dir en grey - red soil, glass skin, dozing green 5. girugamesh - dead world, angry juice 6. coal chamber - my frustration 7. in this moment - beautiful tragedy, this moment 8. nonpoint - wake up world, bullet with a name on it, buscadome 9. killswitch engage - the end of heartache, when darkness falls 10. kidney thieves - creature, swansong, feathers, serene dream, placebo 11. placebo - infra red, english summer rain 12. sunna – preoccupation Japan is Dumb: The Exotic Musical Stylings of DJ Lain Weekend of 01.31-02.01.2009 Playlist SpiritPlants Radio: http://www.spiritplantsradio.com 1. Flaw - Medicate • Endangered Species • All The Worst • You’ve Changed • Final Cry • Only The Strong • Whole, Payback • One More Time 2. Five Bolt Main - Bid Farewell • Pathetic • Descending • What You Are • Main Slip • Made Like This 3. Discreate - Drift In Evil • System Soul • Ssixx • Given Into Sin • Lessons Of The Burned 4. Godspeed You Black Emperor - The Dead Flag Blues • East Hastings • Providence 5. Marilyn Manson - Heart Shaped Glasses (When The Heart Guides The Hand) (Inhuman Remix By Jade E Puget), • Slutgarden 6. Puscifer - Indigo Children (meletonin Rx overdose remix by celariom) 7. Maynard James Keenan - Rev 22 20 (Dry Martini Mix) 8.