Reprintedfrom the First Fo Lio

T he C o mple t e W o rk s o f W illiam Shake spe are

Reprintedfrom the First Fo lio

’ 8ditea ey Ch a r l o t t e Po r t e r and H A . 4 . Clark e W ith a n

Introductionhyj o hn Chu rt o n

o M C lli A . ns . D Li 4 . t t .

IV VOL .

0 4: You L ike It

he T Ta ming of the Shre w

’ ll : W ell V i , tha t 8 nd: W e ll

Lo nd o n

T . Fishe r U nw in

A de lphi T e rrace

EXPLA NA TOR Y

Text

F rst Fo l o 1 6 2 . i i , 3

’ Line Numherzrzg

A t t o o f a e G lo b e Ed t o n e v e r oetica l l ne o fw c p p g , i i , yp i hi h i s n mb e re d at s de o f a e F rst Fo l o e v e r t o u ; i p g , i i , y yp L ne u t b e t w e n g raphica l li ne o fw hi ch is numbe re d. i s p e b rac k e t s in t e xt are not n mb e re d b e ca se t he are no t u , u y in F st Fo l o i r i .

Braeéets

d cat e st a d re ct o ns e t c in G lo b e o r art s o f t e xt In e . i g i i , , , p in G lo b e b ut no t in F rst Fo l o t e se art s b e n v e n i i , h p i g g i he re as t he y appe ar in t he e arl i e st o r t h e e arli e st c o m le t e art o p Qu .

Italic Words l In mar ns t s blzmt re fe r t o and e x a n o b sc re gi , hu , , pl i u w o rds .

Fcot -notes

t e in t al cs F rst Fo l o w o rd e me nde d in b o l - a C i i i i i s d f ce , e me ndat o ns ado t e d in G l o b in small ca t al i p e ; pi s, e arli e st e d t o ns o r ﬁ rst e d t o r nt n t at e me n at o n i i i pri i g h d i .

Ahbre v‘ iations

l s F rst a S I . e a rt o z e co nd art o and so o n Q qu i Qu , Q . Qu , ; 1 - e al s F rst T rd Fo rt and F ft art o s , 3 5Q . qu i , hi , u h , i h Qu , all sub s ant all ls all e arl ua t o s t a re e n e a r . i y g i g Q Q . qu y Q F z . e als Se co nd Fo l o F T h rd Fo l o and so o n qu i , 3 . i i , ; - z F. e uals Se co nd T rd and Fo rt Fo l o s all su b 4 q , hi , u h i , st ant iall a re n y g e i g .

1. ls l ll uals l ne s e u a ne e . q i , . q i

AS YO U LIK E IT

n in Fr Fo o 1 6 2 First pri ted i st li , 3

As ‘You A

IN T RO DU CT I ON

A R G UM ENT o r T H E PLA Y

’ S LIKE I an n r a n n c o YOU T is e te t i i g medy , n ro n a n an an an fe and i t duci g bu d t rom ce , sylv li , - e ar ur o u n o e the light h ted , p e j yo s ess which g s with the f air o r ree of the f est . A duke o fFrance is disp o ssessed of his te rrito ry by his o un r ro r and o r t o a r u e in the Fo r y ge b the , f ced t ke ef g est o f r n His au r Ro a n at r r a n at A de . d ghte s li d ﬁ st em i s c o ur w her o n a au er o f r r t ith c usi Celi , d ght the usu pe ; but Ro salind is so generally belo ved th at he r uncle an r a B ore she a the o r she b ishes he ls o . ef le ves c u t is

r a a ra a o n r r r an o . g e tly tt cted by y u g w estle , O l d an A Celia acco mp ies Rosalind into e xile ( ct II) . Ro a n o n a a r for ro c o n and o s li d d s m le tti e p te ti , they g t o th F r f r e n nd as r e r and r e o o a o . est A d , live b th siste In Act III Rosalind l e arns th at O rl ando als o has o t o o r e r has to e a c me the f est , whith he ﬂed sc pe his

r r. r an o w ho in o Ro a n b othe O l d , is l ve with s li d , o n a o n t o r o f for in c ﬁdes his p ssi the t ees the est , the a o f ran o r un he e o e sh pe d m ve ses , til m ets the supp s d o Ro a n to o e o ro y uth ( s li d) , wh m he t lls his l ve by p xy . In IV r an o and ro e r are re o n Act O l d his b th c ciled . ’ The bro th e r go e s t o info rm Ro sali nd o f O rl ando s e n co un r a e a in a and fa in o e te with b st his beh lf, lls l v with a Ac V o r o o e t t w d. Celi ( ) , wh m he es lves speedily

A s You C AS YO U LIK E IT

T is n a a o r and n a o h weddi g t kes pl ce sh tly , i cludes , ls , the nuptials o f O rl and o and Ro salind — w ho m akes herselfknown t o he r delighted l o ver — and t w o humbler

o . u he r a r r n and c uples The d ke , f the , is p ese t ; the jo y o fthe event is heighte ned by tidi ngs th at the usurp ing duke has abdicated in fav o ur o f the brother he has n wro ged .

SO U RCES

In 1 590 Thomas Lo dge published a tale called ‘ Ro sa ’ ’ o Le ac ie w as ro a n . Eu n ly de phues G lde g , which p b bly ’ r o f ‘ Y u L Lo in rn the di ect s urce o As o ike It . dge tu ’ o n a ar o f o r in ‘ a o f G amel n f u d p t his st y the T le y , which fo r a l o ng time w as e rro ne o usly ascribed t o ’ a r ‘ a o f G ame l n o f Ch uce . The T le y tells the ill r a n o f G ame l n r ro r o an w ho t e tme t y by his elde b the J h , r fu to the n r an G ame l n n o e ses divide i he it ce . y wi s s me r n o u and o an has a n a n w estli g b ts , J h him ch i ed , cl imi g ’ ma a a r l r a e d. o d an e he is Ad m , his f the s serv t , le s s and e fle e to o r G ame l n him , th y the w ods , whe e y o e f o f a far ‘ a e o f bec mes chi outl ws . Thus , the T l G ame lyn be ars a striki ng resembl ance to the Orlando ’ sectio n o f ‘ As Yo u Like It ; but no where d o es the o lder sto ry bring in a ro mance o r a fig ure resembling ’ Ro a n s li d s . Lo e r a t o a o o n a se c dg , howeve , dded the b ve utli e e nd w as r o f an e n o fFran , which the sto y xiled ki g ce ; his daughter Ro saly nd and he r l o ve fo r a wrestler ; he r ’ de parture fro m the usurper s co urt disguise d as a page ; he r re fii ge in the Fo rest o f Ardennes ; and her unio n r r and an no r n with the w estle . All these m y mi i ci n o o f ara r and na o f the de ts , m st the ch cte s , the me r o S a e ar w as n e to fo est, sh w how closely h kesp e i d bted o e fo r But ara r in t w o L dg his plot . the ch cte s the

A s You D INT RODUCTIO N stories have nothing in co mmon except t heir principal e r c and n n ra are d eds . Thei spee h disti guishi g t its e ff r n ara r of a ue s o u wid ly di e e t . The ch cte s J q , T ch ’ t ne and re are S a e are o w n . s o , Aud y h kesp s ’ n o f ‘ Fo re o f r e n is r a The sce e the st A d de ived , s ’ se e a o o Lo r nn and we b ve , fr m dge s A de es , is likewise a in Fran o S a e ar a ra n pl ced ce , th ugh h kesp e must h ve d w u o n or n n ar in W ar p mem ies of the Arde e his home ,

w ickshire . T o Lo dge Sh akespeare may be again indebted fo r a ’ on as o In L e ‘ r t o suggesti t title . odg s Add ess the ’ n e n R a r o ra ‘ I ou Ge tlem e de s , he empl ys the ph se f y ’ s like it o . ’ In Act I o f ‘ As You Like It o ccu rs a reference to outl aw life : ‘ they live lik e the old Ro bin Ho o d o f ’ En an o a S a ar w as no t gl d , which sh ws th t h kespe e ’ wh o lly dependent upo n the ‘ Tale o f G amelyn fo r o r n In R n Ho o a a r his f est setti g . deed , obi d b ll ds we e o n o ar i n an nn n has n l g p pul n E gl d . Te yso si ce put o o a an a them to g d dv t ge .

DU RA T I O N o r T HE A CTI O N

’ Daniel s Time Analysis ﬁxes the d uratio n of stage ac

o n as ten a no t n n n r a n n . ti d ys , cou ti g i te v ls betwee sce es a ! o o e n n n Da 2 I D . y ccupies the p i g sce e y , Act , n and and II n and ne sce es ii iii , Act , sce e i ( sce iii) . II e n n III n l Da a d . A l y 3 , Act , sc e ii ( Act , sce e i) n e a o f a fe a a o fo r the o urne to r e n i t rv l w d ys ll ws j y A d . II n Da II n Da . y 4, Act , sce e iv y 5, Act , sce es v , ’ and a n e r a Da 6 III vi , vii . A few d ys i t v l . y , Act , n n r a Da c III e ne e An . A t sc e ii . i te v l y 7 , , sc iii . Da 8 III n and IV V y , Act , sce es iv v , Act , Act , n Da V n and Da 1 0 sce e i . y 9 , Act , sce es ii iii . y ,

A s Y o u E AS YOU LIKE IT

V n I no t a a fe . w Act , sce e iv t will be ted h t of the n are o f r ro no o a r r sce es out thei strict ch l gic l o de .

DA T E O F CO M PO SITI O N

’ ‘ You L I ro a on t o ar 1 As ike t p b bly bel gs the ye 599 . M e r o no t e n on in I 8 c o u es d es m ti it 59 , whi h w ld ’ e e o n a non - n e n M ar o s m t i dic te its existe c the . l we s ‘ H ro and an er w as e in I 8 and c o n e Le d publish d 59 , t aine d t he o o n ne : W ho e e r o e a o f ll wi g li v l v d , th t l ved no t at ﬁrst sight P Sh ake speare qu o tes this line (Ac t III c e n and a n a a to M ar o as , s e v) , lludes u mist k bly l we ’ ‘ S r a e e ar f r D a . S o o e a e d hephe d h k sp e might , c u s , h ve e n n ar r in an r fo r o n se the li e e lie m usc ipt m , but this is ly a o p ssibility . ’ ’ ro n r in ‘ S a o n r Re r a n A ugh e t y the t ti e s giste , ssig ed t o 1 6 0 0 o a a ca o n o f t he August 4, , sh ws th t publi ti a had n c o n e a e w as fo r a ar ‘ t o pl y bee t mpl t d , but th t ye ’ st aie d. a o r a in de t e rmin be This d te, h weve , ids us ’ ing wit h co nside rable exactness the year o f the play 3 r r n a n I ﬁ st p od uctio to h ve bee 599 .

EA R LY ED IT I O NS

’ ‘ Yo u L I w as no t u e in 1 6 0 0 a As ike t p blish d , bec use n n o But in 1 6 2 r o f the i ju ction abo ve n ted . 3 pe mis si o n w as given t o pl ace it in the First Fo lio as ‘ no t ’ o r r e n re t o o r me n o a f me ly te d the , which sh ws th t the Fr F a r r H r o c e i st o lio w s its ﬁ st p inting . e e it c upi s e n - r a e in the o n o f o e fro tw ty th ee p g s divisi c m dies , m a 1 8 a 2 0 nc u I n o p ge 5 to p ge 7 , i l sive . t is divided i t ac and n o O f Dra a P r o nae ts sce es , but mits the list m tis e s , c as r whi h w ﬁ st supplied by Ro we . T he o riginal text is mo re th an usually cl e ar and free ro rro r a o o t o the r n r o r t o f m e s , lth ugh s me due p i te ,

a r n or a e n no . h sty w iti g , to both , h v bee ted

A s You F A S YO U LIK E IT [DRAMATIS PERSONE

D KE liv in in banishment . U , g FR D RI CK his hrot her and nrnr er o his dominiont E E , , p f . MI A ENS , lord; at t endin an t he hnnirhed dnhe g . JAQUES , LE B n court ier at t endin n on Frederich EAU , g p .

H RL sorert ler t o Frederick. C A ES , LI R O VE ,

5071! Sir Rowland de Bo r. JAQUES, of y RL DO O AN , DAM A , t err/nnt t t o liv er . D I O ENN S , low n O C H O a c . T U ST NE , SIR LI R M R X a nice r O VE A TE T , R C O IN , h h dr t ep er . SI L I V US , I LLI M a connt r ettow zn t one w it h W A , yf , H n A perso n representing yme .

RO LI D dnn ht er t o t he hnnirhed dnhe . SA N , g

LI dau ht er t o Frederich. CE A , g

PH B n t he herdeu . E E , p h DR Y a count r w enc . AU E , y

L r a and a n an &c o ds , p ges, tte d ts , .

’ ’ SCENE : Oliv er s home; Dnhe Fre derich r cour t; and t he Forert of Arden ] A S YO U LIK E IT

Scaena Prime . A ctns primas .

' ’ ha r r ho [ Or c rd of Olzr/e nre . ]

Ent er lando and Adam Or .

rlando O .

' be r dam w as n a n be S I remem A , it upo this f shio ue athe d but o or a o u an q me by will , p e th s d l Crow ne s and as ou a ar bro e , th s ist , ch ged my l th r, o n his blessing to breed mee well : and there begins sadne sse : ro r a nef ke e e s at o o my My b the y o he p sch le , and r o r a e o n o f r : for ar ep t spe k s g lde ly his p oﬁt my p t, ke e e s ru a at o o r t o a or he p me stic lly h me , ( spe k m e pro pe rly) staie s me heere at h o me unkept : fo r call o u a n fo r a n an o f r a y th t keepi g ge tlem my bi th , th t dif fers no t from the stalling o f an Oxe ? his ho rses are bred r fo r a are a r r f e n bette , besides th t they f i e with thei e di g , are a r manna e and t o a e nd R r they t ught thei g , th t ide s ’ de erely hir d : but I (his bro th e r) gaine no thing under ro fo r n a o n him but g wth , the which his A im ls his dunghils are as mu ch bo und to him as I : besides this no

- ashion be ueathed: fa s h o n : b e u e at h e d—C M RI 4 5. f q i q A B DGE I 1 - 2 AS IKE I . i . 7 5 ] YOU L T

n a so n u n a thi g th t he ple tif lly gives me , the somethi g th t na r a c oun nan se e mes t o a ro tu e g ve mee , his te ce t ke f m he e me e fe e de H n arre the me : lets with his i des , b s mee a e o f a ro er and as as in n pl c b th , much him lies , mi es my e a o n Adan: a g n tility with my educ ti . This is it th t r e and the r o f Fa r I thinke g i ves me , spi it my the , which n m tinie a n e t o u a n r u . is withi mee , b gi s g i st this se vit de I no o n r e n re o I n no e will l ge du it, th ugh yet k ow wis 2 remedy ho w t o avoid it . 7

Ent er liv er O . M Adam. n r o a r o ur ro r Yo de c mes my ste , y b the .

- r lan. G o e a ar Adam and u a ar ho w O p t , tho sh lt he e a u he will sh ke me p. 3 1 No w Sir a a o re O /i . u ? , wh t m ke y hee r o n I am no t a an n O l : to a . . N thi g t ught m ke y thi g O i a mar o u e n ? l . Wh t y th sir rl M arr sir I am e n u ar a c O . o t o m y , h lpi g y th t whi h G o d a a o o r n o r ro r o f o r t m de , p e u w thy b the y u s wi h dl ne sse i e .

liv er M arr sir e e r o and na O . y be b tt empl yed , be ught e a whil . 3 9 rlan S a I ke e e o r o and e at huske s O . h ll p y u h gs , with ? a ro di all o r o n a I e n a I o u them wh t p g p ti h ve sp t , th t sh ld co me t o suc h penury ? li Kno o u e r o u are sir? O . w y wh e y

O r l . sir r e : e e r in o u ar . O , ve y w ll h e y r Orch d Kno o ir O li . w y u be fo re wh o m s ? r I I f r n : I O l . r n am o o , bette the him be e k wes mee no o u are e ro e r and in e n co n k w y my eld st b th , the g tle ditio n o f blo ud yo u sho uld so kno w me : the co urt e sie o f na o n allo w e s o u e e r in a o u are t he r t ti s y my b tt , th t y ﬁ s o rn the a ra o n a no t a a blo ud b e, but s me t diti t kes w y my , were there twenty bro thers betwixt us: I h ave as much S YO U IKE IT I - 8 A L [ . i . 53 9 o f a r in as ou a I n u my f the mee , y , lbeit co fesse yo r com r ming befo e me is ne erer t o his reverence . 53 a Bo Wh t y. in O rl . o e o er ro o u are to o n C m , c me eld b ther , y yo g 1 i loco - born man th s . 0 Wilt th o u lay h ands o n me vill aine ? I am no a n : 1 I am o n e st o nne o fSir O r l . vill i e the y g s Row land de Bo r w as a e r and he r c a y , he my f th , is th i e vil laine that sai e s suc h a fath e r be go t vill aines : wert tho u no t ro r I o no t a an o my b the , w uld t ke this h d fr m thy ro a o r had uld o ut on fo r a n th t , till this the p thy t gue s yi g so o a raild o n e e 6 2 , th u h st thy s lf . Adam S e e M a r b e e a e n fo r o r Fa r . w t ste s p ti t , y u the s b e at a r r ran e o . ememb c , cc d

li Le t me o e I sa . O . g y rl I no t I e a : o u a ar : O . will till pl se y sh ll he e mee my ’ father charg d yo u in his will t o give me go o d e ducati ’ o n : ou a train d e a z an o ur n and y h ve me lik pe t, bsc i g hiding fro m me all gentle man - like qualities : the spirit o f fa h r ro w e s o n in and I no o n e r my t e g str g mee , will l g endure it : there fo re allo w me suc h exe rcises as may be o a n an o r e the o or al o c me ge tlem , giv mee p e l ttery my a r leﬁ a n a I o e bu f the me by test me t , with th t will g y my f r un o t es . O i And a o do ? e n t a e n ? l . wh t wilt th u beg wh h t is sp t e sir o u in I no t on o e W ll , get y . will l g be tr ubl d with ou : ou a a e ar o f r I ra o u y y sh ll h v some p t you will , p y y a le ve me . O rl I no ﬁIrthe r o ff n ou n o . will e d y , the bec mes mee for o o 80 my g d . G e t o u o u o O li . o . y with him , y lde d gge Adam I o ld o r ar : o ru I a . s d gge my ew d m st t e , h ve lo st my teeth in y o ur service : G o d be with my o lde ma

r o u no t a a w ord r d. o E O l . A u . x . ste , he w ld h ve sp ke s ch I 0 - 1 1 3 As Y U L IT . i . 9 ] O IKE

O li . I n so n ou t o ro o n I s it eve , begi y g w up me ? will h sicke o r rancke ne sse and no u an p y y u , yet give tho s d r n ne t er o a D c o w e s y h : h ll ennir.

Ent er nnii De .

Den a our o r ? . C lls y w ship O li W as no t harley the D a . C ukes Wr stler heere to speake with me ? 9 1 D n So e a o u r at r e . o and im pl se y , he is hee e the d o e , p o rtunes acce sse t o yo u . ’ Oli a in : t w i11b e a o o w a : and t o . C ll him g d y mor n ro w the wrastli g is .

Ent er har y C le .

ha o o o o ur o C . G d m rrow to y w rship . ’ O li M o unsier har/er: a ne w n . Good C wh t s the ewes at the ne w Court ? 99 ’ har/ r r no n at t he o ur Sir b t e . u C The e s ewes C t , the o n : a o ld D an his on lde ewes th t is , the uke is b ished by y ro ne w D and r o r oure o n ger b ther the uke , th ee f l vi g Lo rds h ave put themse lve s into vo luntary exile with an and r nu nr ne w D him , whose l ds eve es e ich the uke , r o o a t o an e r therefo e he gives them g d le ve w d . O li Can o u Rot a/ind Du au r . y tell if the kes d ghte bee b anished with her Father? ha 0 no for D e a r her o n so C . ; the uk s d ughte C se her e n r o r ra r o r loves , b i g eve fr m thei C dles b ed t gethe , a he e ou a o o her e o r a to th t w ld h ve f ll wed exil , h ve died a n she at o ur and no e o st y behi d her ; is the C t , l sse bel ved her n n o w ne au and n r La of U cle , the his d ghter, eve two a e doe I I dies l o ved s th y . 3

1 bee : s h e— - F 1 0 . 3 4 .

I 1 - 11 6 Y E . 8 AS O U LIK IT . i 5 . ] v er leave the e till he hath tane thy life by s o me indirect an o r o er : for I a re e and a o me es th ssu th e , ( lm st with are I a e no t o ne so o n and so te s spe k it) there is y u g , vil lano us da n I a r t . o r o f this y livi g spe ke but b he ly him , o I anatho miz e t o t e as I but sh uld him h e , hee is , must and w e e e and o lo o ke a and blush , p , th u must p le o n e r I w d . 54 h am ar a I C a . I he tily gl d c ame hither t o you : if hee o t o orro Ile his a e nt : if e er he e c me m w , give him p ym v oe a o n a aine I n r ra e fo r r z e o re : and g l e g , le eve w stl p i m

so G o kee e o r o E it . 1 8 d p y u w rship . x 5 Far e o o har r No w w ill I e [ O h ew ll g d C /e . stirr this G ame ster: I ho pe Ish all se e an e nd o f him ; fo r my so ule (ye t I I kno w no t why h ates no thing mo re then ’ ’ he : e t e n e n e r scho o l d and e t e arne y he s ge tl , ev , y l d , ﬁ ll o f no o f all o r e n ant n o e ble devise , s ts ch i gly bel v d , and n so u in ear O f or and i deed m ch the h t the w ld , a o w ne e o le w ho n him that especi lly of my p p , best k ow , 1 I am a o r r : a l no t be so o n lt gethe misp ised but it sh l l g , ra r a c ar all : no n re maine s a this w stle sh ll le e thi g , but th t

I n bo r no w I o e a o . ki dle the y thithe , which le g b ut 1 a i underr t ed Ex t .

Se ce na Secnnda .

’ h nhe r a la [Lawn before t e D p ce . ]

Ent r Rosalind and ellia . e , C

et I ra Rot a/ind Co z . C . p y thee , sweet my , be merry Rot D er ellia I o o r r e n I am . e e C ; sh w m e mi th th mi and u o u re rr e r: unle sse o u stresse of, wo ld y yet we me i y o r t a an fa e r o u no t co uld teach me to f ge b ished th , y must

- et w ere: e t w e re z Ro wx. 5 . y y I 8 AS YOU LIK E IT 6 - 42 learne mee ho w t o remember any extraordinary ple a sure . ’ He erein I o o y no t t he Cel . see th u l st mee with full w aight th at I lo ve thee ; if my Uncle thy b anished father had an n the Du e Fa r so o b ished thy U cle k my the , th u a e n me e I o a e a o h dst be e still with , c uld h v t ught my l ve t o a e fa r for n so ou ou the r t k thy the mi e ; w ldst th , if t uth ’ o f o to me r so r o tem er d as n thy l ve we e ighte usly p , mi e e e is t o th . I fo r e t he on n f a Ros. o o Well , will g t c diti my est te , in r I t o rejo yce yo u s . 7 l Y u no Fa r a no e I no r Ge . o k w my the h th child , but , no n e t o a and truel n he e o a e is lik h ve ; y whe di s , th u sh lt be his heit e ; fo r what he e h ath take n away fro m thy fa r r or I r n r a aine in aff o n : the pe f ce , will e de thee g ecti by n o no r I and n I bre ake a o a mi e h will , whe th t th , let mee rn o n e r: r fo r Rose ar Rose tu e m st the e e my sweet , my de e , be e rr m y . Ros Fro n o r I C O Z and o r . m he cef th will , devise sp ts me se e a thinke o u o f a lin in Lo e ? let , wh t y f l g v e M arr r do c to a or ithall C l . I e t he e w : y p , m ke sp t but o e no man in o o arn nor no fi t he r in o r ne l v g d e est , sp t y r n a e o fa re a in ho the , the with s f ty pu blush , thou m ist no r o o ff a aine 0 c me g . 3 a a o ur o r t e n Ros . Wh t sh ll be sp t h ? l Le t si and h Ce . us t mo cke t e go o d ho usw ife For t nne fi o m he r w he e le a he r ma e nc e fo r , th t gifts y h th bee o e e a best w d qu lly . Ros I o o do e so : for her n are . w uld wee c uld be efits a and t he o n fu] n o an mightily mispl ced , b u ti l bli de w m o o a in her f t o o n d th m st mist ke gi ts w me . ’ Cel ru fo r o a a e a r she ar . Tis t e , th se th t she m k s f i e , sc ce a o n a a ho ne st she a m kes h est , those th t she m kes , m kes r illfav ure dl ve y o y. 40

l v 2 . 9 - 7 7] AS YO U LIK E IT

Ros Na n w o o r Fo r n o f . y o th u g est f om tu es ﬁce t o Na r : Fo r ne re i ne s in o f r no t in tu es tu g gifts the wo ld , the ne a n o f a ur li me ts N t e .

Enter lowne Touchst one C [ ] .

No Cel . n a r a a e a fa r re a r ; whe N tu e h th m d i e c tu e , may she no t by Fo rtune fall into the ﬁre ? th o ugh nature a n t o fo at Fo r n a no t Fo r n h th give us wit l ut tu e , h th tu e sent in this fo o le t o cut o ff t he argument?

Ros. In e re o r un t o o ar fo r na ur e n de d the is f t e h d t e , wh o rt n a na r nat urall r o ff na r f u e m kes tu es , the cutte of tu es e 1 witt . 5 l P ra n r r Ce . no t Fo un o r n r e dve tu e this is t es w k eithe , a ur w ho e rc o ur naturall t o o but N t es , p eiveth wits dull t o r a o n o f o a n Naturall fo r e s such g ddesses , h th se t this o ur W on fo r alw aie s the dulne sse O f the fo o le is hetst e . , W o ne o f Ho w no w e r the hetst the wits . Witte, wh the w ande r yo u? lose M istre sse o u o a a to o r farbe r C . , y must c me w y y u . ’ el r o u a e e e n r? C . We e y m d the m ss ge 59 Clo No n o n r but I w as fo r o u . by mi e h o , bid to come y r e arne o u a o a fo o le ? Ros. Whe e l d y th t th H n Clo . a r a ne Kn a o o o ur Of ce t i ight , th t sw re by his e r o o Pan - a e and o r Ho no r the th y we e g d c k s , sw e by his M ar w as na : No w I an t o Pan a e ust d ught le st d it , the c k s r na and M ar w as o and w as we e ught , the ust d g od , yet no t Kn fo rs o rne the ight w . Ho o e o u a in a a o f o r Cel . w pr v y th t the gre t he pe y u k no wledge ? is do m 6 Ros I arr no w un z z e r w e e . , m y , mu l you 9 Clo S an o u o o rt no w : ro o r chinnes . t d y b th f h st ke y u , and s ar r r a m na w e e by you bea ds th t I a a k ve .

— d h a h M . . o de sses hath: o dd e s s e s and t N 54 g , g ALO E 8 arher h r- 2 - F 5 . f : fat e 4 .

IO AS YOU LIKE IT 7 8 - 1 1 0

Cel B o ur ar had o u art . . y be ds (if we them) th lo B knav e rie I had e n I r : but C . y my (if it) th we e if o u sw eare a a no t o u are no t or o rn : no y by th t th t is , y f sw o r w as n ar n his Ho nor fo r he ne m e this k ight swe i g by , v e r had an o r ifhe had he had sw orne a a o r ie ; , it w y , bef e r he saw o Panca e o r t a M ar eve th se k s , h t ust d . ’ ’ Cel Pre the e w ho t a o u me ans t ? . , is t h t th O n a o l Frederick our Fa r lo e d a . C . th t y the loves 79 s M Fa e r o no u t o onor no Ro . y th s l ve is e gh h him e ugh ; ’ e a e no o r o f u fo r a a o n1 o ne sp k m e him , yo l be whipt t x ti o f daie s 1 ensure these . c or ittie a fo o le s ma no t a Clo. The m e p th t y spe k wise l a W ise me n do o o y, wh t f lishly . B o o saie s F n Cel . t u : or the y my tr th th u tr e , si ce little a fo o le s a w as n fo o lerie a wit th t h ve sile ced , the little th t wise men h ave makes a great shew ; Heere comes M o n u B n sie r the e .

E r l nt e e Beau.

ﬁrll o f n os u . 0 R . With his mo th ewes 9

Cel . ut o n as P o n h r Which he will p us , ige s feed t ei un yo g . ’ n a w e be n e - ram Ros. c d The sh l ew s . h r l M a Ce l . t e : w e sha be or r a All bette the m e ket ble . ’ Boon- our M onsieur le Be n a n ? j , wh t s the ewes Ben Fa r r n e Le . i e P i c sse , o u a o o o o r y h ve l st much g d sp t . el S o r : o f a o o r? C . p t wh t c l u a o o ur M a a Le Ben. Wh t c l d me? How shall I aun swe r yo u ? 1 0 0 Ros and o r un . As wit f t e will .

— him enou h h im — 80 Ros T . : e no u h NMER : e l . : H . . c HEOBALD g g ! A . — - — e e u F. T EEVENS 88 the Ben: L e B e a u L B 2 S . . ( 4 ) — le en: L e B e au throu hout ST EEv s. 95. B g

I ! - I. 11 1 1 1 1 AS YO U E IT . 47] LI K

Clo O r as n r . the desti ies dec ees . Ce l a a w as a o n a . Well s id , th t l id with trowell . Clo Na if I ke e e no t an . y, p my r ke . Ros o o o e o ld . Th u l s st thy smell . Le Beu Yo u a az La : I a o . m e me dies would h ve t ld f o u o o o ra n ou a o o f. y g d w stli g, which y h ve l st the sight Ros us ann r o f the ra n 1 0 8 . Yet tell the m e W stli g . Le Ben I e o u nn n : and e a . wil t ll y the begi i g if it pl se o r Ladishi s o u ma t he e nd fo r t he is e t y u p , y y see , best y t o do c and r re ou are e are c o mmin t o , hee e whe y , th y g r or pe f me it . l nn n a a and r Ce . . Well , the begi i g th t is de d bu ied l man an re e o n Le Beu . re o an O d d . The c mes , his th s s

Cel I u a c nn n an o ld a . . co ld m t h this begi i g with t le Le Beu r ro r n men o f n ro . Th ee p pe yo g , excelle t g wth and r e n e p es c . os o n r ne cke s Be kno w ne n o R . With bils thei : it u t all men e r n 1 1 by th se p ese ts . Le Beu e o f three w rastle d harles . The ldest the , with C Du a r harles in a e n r the kes Wr stle , which C mom t th ew and r r e o f r a r him , b oke th e his ibbes , th t the e is little ’ o o f in : SO se rv d the o n and so h pe life him he sec d , the r : o n r lie the o or o ld man r Fa r thi d y de they , p e thei the , a n u ittiﬁi l o e o r a all behol m ki g s ch p d l ve them , th t the r de s take his part with weeping . os a R . Al s . Clo But a r M o n e r a La . wh t is the spo t si u , th t the dies h ave l o st?

a a o f. 1 0 Le Ben. Why this th t I spe ke 3

u me n ma r r da . I Clo. Th s y grow wise eve y y t is the ﬁrst time th at ever I heard breaking o f ribbes w as spo rt La for dies .

- decrees: d e c re e P . 10 2 . PO E

1 2 S IKE I I 11 1 8- 1 A YOU L T [ . . 4 79

l O r I I r . Ce . , p omise thee Ros But is r an e n to se e r n . the e y lse lo gs this b oke M usic ke in his sides ? Is there yet ano ther do ate s upo n rib - breaking? Sh all we se e this wrastling Co sin? Y if o u a re fo r e r Le Be u . o u e must y st y hee , h e is the a a o n for ra n and the v are r a to pl ce pp i ted the w stli g , e dy e rfo r 1 0 p me it . 4 r r are c o mmin Le c s n el o n u . u ow a C . Y de s e they g st y

and se e it .

h En r Duhe Lords rlando harl Flouris . t e es , , O , C ,

and At t endant s .

he o o n n ou no t n a Du . C me , si ce the y th will be i tre ted His o ne erill o n fo rw ardne sse w p his . Ros I o n r man? . s y de the B u E n M a a Le e . . ve he , d m Cel a to o o n : succe ssefull . Al s , he is y g yet he looks y D Ho w now au r and o u n u . 1 0 d ghte , C si 5 Are you crept hither to se e the wrastling? I so a o us a Ros u . . my Liege , ple se y give le ve D Yo u a e i in I can o u . u wil t ke littl del ght it, tell y th e re is such o ddes in t he man : In pitie O f the challen r o u I o a n dissw ade but no t ge s y th , w uld f i e him , he will

n r a . S a t o La o u can bee e t e ted pe ke him dies , see if y o o m ve him . l r Ce . a M o nsie uer Le B u C ll him hethe good e . Duhe Do so I no : t . . le be by 1 59 M o n ur C Le Beu . a n r n a sie the h lle ger , the P i cesse c ls for o u y . r I a n al r O l . l and dutie tte d them with espect . ’ Ros o n man a ou challen d harles the . Y u g , h ve y g C Wrastler?

- — I 0 1 rose P . 5 . p PO E rin s ls r nc s s e s c a —T 1 60 . P ce se ca : e p i ll HEOBALD .

1 3 I 11 8 -2 1 A . 1 0 8 S L KE . ] YOU I IT

N a r n n O rl . o : ra a n r f i e Pri cesse he is the ge e ll ch lle ge , I o but in as do t o n c me others , try with him the stre gth o of my y uth . 1 6 7 o n n an o r r are to h l Cel . o o d f Y g Ge tlem , y u spi its or ’ y o ur ye are s: yo u h ave seene cru e ll pro o fe o f this m ans n t if ou saw o r e f o ur e ies o r n stre g h , y y u s l e with y , k ew o ur e e o ur n ar of our adv e n y s lf with y judgme t , the fe e y ur o u o n e o u to a o r e uall n r r e t e w ld c u s l y m e q e te p is . We pray yo u fo r y o ur o w ne s ake t o embrace yo ur o w n safe

and o r t at e . tie , give ve his t mpt D n ir r n n r f Ros. O o S o r u a o a o t o r y g , y u ep t ti sh ll the e e r e : a o ur Du a be misp is d we wil m ke it suite to the ke, th t ra in no t o o ar 1 the w stl g might g f rw d . 7 7 r I o u n no o r r O l . u t a beseech y , p ish mee with y u h de o u r n I o n uiltie to n th ghts , whe ei c fesse me much g de ie so a r La n e n But o r f i e and excellent dies a i thi g . let y u a r and n o t me e to triall f i e cies , ge tle wishes g wi h my ; ’ ’ r n I fo il d re o ne sham d a w as whe ei if bee , the is but th t ’ n ra o u : if o ne e a a n to ever g ci s kil d , but d d th t is willi g so : Ishall do fr n no ron fo r I a no n to be my ie ds w g , h ve e a n me : the o r no n r fo r in I a no n : l me t w ld i ju ie , it h ve thi g n in or I ﬁl a a ma e e r o ely the w ld up pl ce , which y bee b tt I a e a e m tie n . supplied , whe h v m de it p Ros The n a I a I ou re . little stre gth th t h ve , w ld it we w ith yo u .

Cel And n to e o ut e r . 1 0 . mi e eke h s 9 ’ os Far ou e : ra a e n I de ce iv d in o u R . e y w ll p ie he v be y .

e o r ar r ou . C l . Y u he ts desi es be with y har o r o n a an a is so C . C me , whe e is this y g g ll t, th t desiro us t o lie with his mo th e r earth? i ir a in a r o O rl . Read e S , but his will h th it mo e m dest n worki g .

Duh Yo u a r o ne a . . sh ll t ie but f ll ha I a an o ur ra ou a no t n a C . No, w rr t y G ce y sh ll e tre t x4

I 11 2 - 2 2 AS . . 49 7 ] YOU LIKE IT

And all o r w as Fa r n the w ld of my the s mi de , Had I or kno w ne o n man o nne bef e this y g his s , I o a e n are un o n r a sh uld h ve giv him te s t e t e ties , ’ Ere t a v e ntur d he should hus h ve . l n C o n Ce . Ge tle se , Le t o e thanke and e n o a us g him , c ur ge him My Fathers rough and e nvi o us dispo siti on ’ S at ar : Sir o u a e de serv d ticks me he t , y h ve w ll , If yo u do e ke e pe yo ur pro mises in lo ve ; But as ou a all ro justly y h ve exceeded p mise, r Yo u M istris Sh all be happie .

Ros. e n an G tlem , [Giv ing him a chainfrom her neck ] Weare this fo r me : o ne o ut o f suites with fortune

a o re a her an a an . Th t c uld give mo , but th t h d l cks me es Sh all we goe C oz e?

Cel I : are o u e a r n an . . f y w ll f i e Ge tlem O r Can I no t sa I thanke o u ? M r ar l . y, y y bette p ts Are all thro w ne o n and a r an d w e , th t which he e st ds up

IS a u n ne a r liv ele sse o . 2 but q i ti , mee e bl cke 49 He a a : r e r un Ros. c ls us b ck my p ide f ll with my fo t es , Ile aske him wh at he w o uld : Did yo u call Sir? Sir o u a ra e and o v erthro w ne , y h ve w stl d well ,

M ore then y o ur enemies . l ou o e z ? Ce . Will y g Co e ou E it Ros Ha o u : ar . . . ve with y f e y well x O r l a a o n an w ai htsu o n o o n ? . Wh t p ssi h gs these g p my t g ’ I ann a her she ur d o n n . c ot spe ke to , yet g c fere ce

Ent er Le Beu.

O po o re Orlando ! tho u art o v e rthro w ne

O r ar o r o n a r a r . 2 6 0 Ch les , s methi g we ke m ste s thee o o Sir I in r n counsaile o u Le Beu. G d , do f ie dship y

1 6 “ O LIKE I 11 2 - 0 1 AS Y U T [L . 7 3 3

’ Te leave this place ; Albeit yo u h ave de serv d H o n a on a au and o igh c mme d ti , true ppl se , l ve ; u no w Du n o n Yet s ch is the kes co diti , Th at he misc o nsters all th at yo u h ave do ne D o ro a indee de The uke is hum us , wh t he is

M or o u to o n n I t o a o f. e suites y c ceive , the spe ke I thanke o u Sir and ra o u O rl . y ; p y y tell me this , o f t w o w as a o f Du Which the d ughter the ke, That here w as at the Wrastling? 2 7 0

Le Ben. r a r u ann r Neithe his d ughte , ifwe j dge by m e s , But inde ede a e r au r yet the t ll is his d ghte , ’ o t r au r t o banish d Du The he is d ghte the ke , ’ And here detain d by her usurping Uncle T o ke e e a r an W o o p his d ughte comp ie , h se l ves Are de erer then the naturall bo nd o fSisters But I can ou a o f a Du tell y , th t l te this ke ’ Ha an a ur a n n th t e disple s e g i st his ge tle Neece , roun u o n no o r ar u n G ded p the g me t , But a o ra he r for her r u th t the pe ple p ise ve t es , And ittie her for her o Fa r a e p , go d the s s k ; ’ And o n my life his malice gainst the Lady so dainl bre ake o : Sir a l Will y f rth , f re you wel , He r af r in a r r n e te bette wo ld the this , a r o f I sh ll desi e more love and kno wledge you .

O rl . I r n n o u ar o u est much bou de to y : f e y well . E it L a [ x e Be u. ] u I ro smo ake n o Th s must f m the i to the sm ther, Fro ran D n a an Br r m ty t uke , u to tyr t othe . But a n osa he ve ly R /inc.

2 6 2 Te T o - 2 - F . : 4 . 2 2 t aller : e s s e r— G 7 . l LOBE . — m 2 8 . Rosaline: R o s a nd and so throu out Ro . 9 l i , gh

1 7 - I. 1 iii . 3 3] AS YO U LIKE IT

Scene Tertius .

A room in t he a ta [ p ce . ]

Ent er elia and Rosa/inc C .

Cel . o n Rosa/inc : u id a Why C se , why C p h ve mercie , No t a w o rd ? N Ros . o t o ne to r at a do th ow g.

Cel . o r are t o o r o u to be No , thy w ds p eci s cast away u o n r t ro o o f at o p cu s , h w s me them me ; c me l ame mee r a o n with e s s .

Ros . n r r t w o C o sens a u n The the e we e l id p, whe the ’ o ne o lam d r a o n and r ma sh uld be with e s s , the othe d ho an 1 1 wit ut y. Ce l But all fo r o ur Fa r? . is this y the No o f for a Ros. F r , some it is my childes the : Oh ho w hi o f r o r n da or ll brie s is this w ki g y w ld . Cel e are r o n thro w ne u o n e . Th y but bu s , C se , p th e in o a fo o lerie a no t in o n a h lid y , if we w lke the tr dde p ths o ur r - o a a e ve y petty c tes will c tch th m .

Ros. I o a o f? a t ur are c uld sh ke them my co te , hese b s In e ar my h t . Cel He m e a a 2 0 . th m w y . I I o cr he and a Ros o u m . . w ld try if c uld y , h ve him affe o n Cel . o o ra . C me , c me , w stle with thy cti s 0 a ar o f a e r ra e r n Ros. they t ke the p t bett w stl the f my sel e . Cel O a oo o n o u : o u t r in . , g d wish up y y will ie time in dis i ht o fa a : but urn n e o ut o fs p g f ll t i g these j sts ervice , let us talke in goo d earnest : Is it po ssible o n such a so a n ou o u a n so r n a n o ld Sir d i e , y sh ld f ll i to st o g liki g with Roulands yo nge st so nn e? 2 9 ’ Ros Du a r lo v d Fa r de e re lie . . The ke my F the his the Cel r n u a ou u o . Doth it therefo e e s e th t y sho ld l ve his

1 8 1 iii- - AS YO U LIKE IT [ . 3 3 59

So nn deerelie ? B n o f a I u a e y this ki de ch se, sho ld h te for fa r a a r de erel I a him , my the h ted his f the y; yet h te no t rlando O . Ros No a a e no t fo r a . f ith , h t him my s ke . l o I no t? o no t e r ? Ce . Why sh uld d th he d se ve well

Ent er Duhe w i h or s t L d .

Ros Le t o fo r a and do o u . me l ve him th t , y love him a d ke r D e B u I o e . Lo o o ec se , he e c mes the uk . i ﬁl ll o f an e r Cel . e e s 0 With his g . 4 Mistri a a Duh. s ou our a , disp tch y with y s fest h ste , And o u ro o ur o u get y f m C rt .

Ros . M e n U cle . Duh Yo u o n . C se , Within these t e n daie s if th at th o u beest fo und So ne ere o ur u our as tw e ntie p blike C t miles , o e fo r Th u di st it . s I do e o u ra Ro . beseech y r G ce Le t me the kno wledge o f my fault beare with me I I o n n f with my selfe h ld i tellige ce , O r a a ua n an m n o w ne r h ve cq i t ce with i e desi es , If a I do e no t dreame or be no t frantic ke th t , , AS I do e ru I am no t n r n ( t st ) the dee e U cle, r so as in a o un orn Neve much th ught b e, Did I ff n i h e sse o e d y our h g n . Duh do e all a r . Thus Tr ito s , I t r r a o n n in o f hei pu g ti did co sist w rds , They are as inno cent as grace it selfe ; Le t f a I u not it su ﬁce thee th t tr st thee . Ros o u ann a a ra o r . Yet y r mistrust c ot m ke me T it ; Tell me whereon the likelihoo ds depends ? 6 1

- — o — 2 - F 8 . ro 6 1 lihelih ods: k e h o d . 3 9 p se POPE . . o l i li 4 l 9 I 0 - AS YO U iii. 6 1 I E I . 9 ] L K T

’ F r a Duh. o u art a r r e n Th thy the s d ughte , the e s ough .

Ros. So w as I en o hi hne s o o Dukdome wh y ur g t k his , SO w as I when yo ur highnesse banisht him ; r a o n no t n r Lo r T e s is i he ited my d , O r if r h o m o ur ﬁ' ie nds we did de ive it , ’ a a t o Fa r w as no a or Wh t s th t me , my the Tr it , n o o Le e a e me no t so The g d my ig , mist k much , T o thinke o v ertie re a ro my p is t che us . D r e ai ne ar a Cel So v r . . ee e g he e me spe ke Duh I elia a for ur a . C , we st id her yo s ke , ’ E ha n o n lse d she with he r Father ra g d al g . Cel I no t n n r a t o a her a . did the i t e t h ve st y , I w as o r a ur and o r o w ne r or t y u ple s e . y u em se , I w as t o o o n a t o a her y g th t time v lue , But no w I no her: a ra or k w if she be T it , so am I : a e o r Why we still h ve sl pt t gethe , ’ Ro at an n an le arn d a e ate t r se i st t , , pl id , toge he , And w here so e re n unos S an we we t , like y w s , n ra l 80 Still we w e nt co upled a d insepe b e . Duh She to o fo r and smo o t hne s . is subtile thee, her ; He r r n e and e r a n ve ic sile c , p p tie ce , S a to o and ittie he r pe ke the pe ple , they p ou art a fo o le she ro o f na Th , bs thee thy me , nd o u o o r or u u A th wilt sh w m e bright , seem m e vert o s When she is go ne : then o pen no t thy lips Fr and rr a e do o mb e i me , i evoc bl is my , ’ I a a u o n he r banish d. Which h ve p st p , she is r noun a n n n o n me L Cel . P o ce th t se te ce the my eige , I ann o ut o fher an 0 c o t live comp ie . 9 Duh Yo u are a fo o le : o u r ur f . y Neice p ovide yo sel e , I o u out - a the u n n no r f y st y time , po mi e ho , die And in the gre atnesse o f my word yo u . ’ t Duhe 89 s. Exi , 2 er : h e r- 2 - F 8 . p 4 . IKE I 2 - 1 2 2 AS YO U L T [L iii . 9

Cel o Rosa/inc o u ? . O my po re , whether wilt th goe Wilt thou ch ange Fathers ? I will give thee mine : ’ n r r n a I ch arge thee be o t th o u mo e g ie v d the I m .

Ros I a r au . . h ve mo e c se Cel ou a no t o n . Th h st C se , ’ Pre the e be che ere ﬁsll; kno w st thou not the Duke 1 0 0 ’ Hath banish d me his daughter?

R a a no t . os. Th t he h th l No a no t ? Rosaline a n Ce . , h th l cks the the love e a a ou and I am o ne Which t cheth thee th t th , Sh all we be sundre d? sh all w e part sw e e t e girle ? No Fa e r se e ke an r: he ire , let my th othe Therefo re devise with me how we may flie e r and a ar us Wheth to goe , wh t to be e with , And do e no t se e ke t o a o r an o n ou t ke y u ch ge up y , T o h ar o r riefe s o r s e and e a e out e e y u g y u elf , l v me Fo r a n no w at o ur sorro w e s a by this he ve , p le ; Sa a o u an I o e a o n y wh t th c st , le g l g with thee . Ros r a ? . Why , whethe sh ll we goe C l T o se e ke n in F rr O f Arden e . my U cle the o est . Ros a a an t o . Al s , wh t d ger will it be us , ( M aide s as we are ) t o tr avel] fo rth so farre? Be autie ro o thee es o n r n o p v keth v s o e the g ld . l I ut in r an Ce . o o d an a le p my selfe p e me e ttire , And a n e O f r fa with ki d umbe smirch my ce , l do e o u so a a a on The ike y , sh ll we p sse l g , And ne r r a a an ve sti ss il ts .

Ros. r no t r We e it bette , B a a I am o re n o n a ec use th t m the c mmo t ll , a I all o n e a man Th t did suite me p i ts lik , a an curte lax o n A g ll t up my thigh , o r - ar in an and in ar A b e spe e my h d , my he t L e r a n an ar r y the e wh t hidde wom s fe e the e will , W e ele a a a n and a a a ] o h ve sw shi g m rsh l utside ,

2 1 - I. . 1 2 11 1 AS iii 3 . i . 7] YOU LIKE IT

manic o r ann o a a As the m ish c w rds h ve , a do e o ac r m an Th t utf e it with thei se bl ces . 1 3 0 l a a a n Ce . Wh t sh ll I c ll thee whe t ho u art a man?

Ros. I a no w o rse a name n e v es o w ne a le h ve the y P ge , And r o r lo o ke o u a Ganinced the ef e y c ll me . ’ But wh at will you by c all d? el So n a a a r n C . methi g th t h th refe e ce to my state No o n e r elia Aliena l g C , but . But o n a if ssai a Ros. a d to e C se , wh t we ste l The clo wnish Po o le o ut o f your Fathers Co urt W o uld he no t be a co mfo rt to o ur trav aile ? Cel He e le o e a o n o re the r me . g l g wide wo ld with , ’ Leave me alo ne t o w o e him ; Let s away 1 41 And o ur and o ur e a o get jewels w lth t gether, D t he and a w a evise ﬁttest time , s fest y T o hide us fro m pursuite that will be m ade Aft e r my flight : no w go e in we content

T i i an E eunt . o l be rt e and no t t o n . , b ishme t x

ae im . A ctus Secune us. Sc na Pr e

r rd n [ The fo est of A e . ]

Ent er Duhe Senior: Arn ens and t w o or t hree Lords y , For st ers lihe re .

C o e - a and ro r In e Duh. Sen. Now my m tes , b the s exil Hath no t o ld cust o me m ade this life m ore sw e e te Th e n t h at o f p ainted p o mpe? Are no t these Woods M ore free fro m pe rill the n the envi o us Court ? H re fe e le no t enaltie o fAdarn ee we the p , e a o n ffe r n as Icie han e The s s s di e ce , the p g n C r Ch n n r n e A d hu lish idi g of the wi te s wi d ,

— - - z - F 1 b : b e 2 F. 1 . in w e : w e ia . 34. y 4 45 4 — 8 not : b u t T . . HEOBALD

2 2

II - 6 AS YO U LIKE IT . i . 3 9 9]

’ C o urs d o ne another downe his inno cent no se In it te o us C a : and hairie fo o le p h se thus the , M ar e o f me lancho lic a ues uch m k d the y g , ’ S o o o n t h e xtre me st e r e o f ro o t d v g the swift b ke , ar Augme nting it with te es . But a a a uar? Sen . Du . wh t s id j g Did he no t moraliz e this spectacle ? n a o u an imilie d 0 o s . 1 Lor . s . yes , i t th s d Fr fo r e e n n o the ne e dle sse re a i st , his w pi g i t st me ; ’ o o r De r o o u mak st a e t a n P e e e qu th he , th t s me t or n do e n th sum o f o r As w ldli gs , givi g y m e T o a had t o o u : n n r a o n th t which m st the bei g the e l e , Left and ab ando ned o f his velvet frie nd ; ’ o t he h e r o ar Tis right qu h , t us mis ie d th p t The Fluxe o f c o mpanie : anon a c are lesse Heard F o f a r a o n ull the p stu e , jumps l g by him And ne e r staie s t o r : I o h a ues v g eet him qu t y g , Sw e e e o n o u fat and re az ie z n p y g Citi e s, ’ Tis just the fashio n ; wherefo re do e yo u lo o ke Upon th at p o o re and bro ken bankrupt there? Thus m o st inv e ctive ly he pierce th through o f o n Citie o r The body C u trie , , C u t , Ye a and o f o ur ar n a , this life, swe i g th t we Are r r an and a o r mee e usurpe s , tyr ts , wh ts w se T o ri the Annimals and t o f ght , kill them up ’ In r si n an a thei as g d d native dwe lling pl ce . D Sen And o u a in c o n e a o n ? . . did y le ve him this t mpl ti 2 r L r n nd n n Lo d. o a o . We did my d , weepi g c mme ti g o n o n D re 1 Up the s bbi g ee . 7 Du Sen S o the a . . h w me pl ce , I e t o e in e n lov cop him these sull ﬁts , ’ Fo r n he ﬁIll o f a the s m tter.

1 r r n ou E eunt . . Lo I t o ra . le b i g y him st it . x

mu t m h — 2 - r1 nd — W F. e fr s . s : u c : e nd . 54 4 55 . f i RO E 6 i oun rie o f h e - - t : t c o u nt r F. 4. f C y 2 4

2 4 — l l . I l ll . 2

Scene Secunde .

[A room i n t he palace ]

i h r Ent er Duhe, w t Lo ds.

C an o a no man saw ? Duh. it be p ssible th t them I anno o a n o f C o r t c t be , s me vill i es my u t n in Are o f co nsent and suffe ra ce this . 1 Lo I anno ar o f an a se e he r . . c t he e y th t did , T he Ladie s he r attendants o fher ch amber Sa he r a and in o rn n a w bed , the m i g e rly , ’ f r is ri They fo und the bed untre asur d o thei M t s. 9 1 M Lo rd the ro n o n at o so o ft 2 Lor . . y , y ish Cl w , wh m , Y o ur Grace w as w o nt t o laugh is als o missing Hisperia the Princesse C e ntle w o man Co nfe sse s th at she secretly o re - heard Yo ur dau ghter and her Co sen mu c h commend The p arts and graces o f the Wrastler a did a e o e s no w ie harles Th t but l t ly f il the y C , And she belee v e s where ever they are go ne a re in r o an Th t youth is su ly thei c mp ie . Duh S n t o ro er a a an r . e d his b th , fetch th t g ll t hithe , I he a n r n his Bro e r t o 2 0 f be bse t , b i g th me , Ile m ake him ﬁnde him : do this so dainly; And le t no t ar and n o n a se ch i quisiti qu ile, T o r n ain a e o o runaw aie s. nt b i g g these f lish Exu .

Scene ert T ia .

’ Be ore liv er s ho e [ f O us . ]

Ent er rlando and da O A m.

’ rl o re ? O . Wh s the d a o n M a r h A . O n a Wh t my y g ste , my ge tle m ster ,

— - 1 2 . Centlew oman: G e nt e w o m a n 2 F l 4 . un - - F 2 Ex t : Ex e u nt 2 . 3 . 4

2 5 II - AS Y I E IT . iii . 3 3 3] OU L K

a r 0 o u o r Oh my sweet m ste , y mem ie o ld Sir Row land a a e ou r ? Of ; why , wh t m k y he e Why are you ve rtuo us ? Why do pe o ple l o ve you? And re fo r are o u n ro n and a an ? whe e y ge tle , st g , v li t Why w o uld you be so fo nd to o ve rc o me 1 T he b o nnie priser o f the humoro us Duke? r r o o o e e r o Yo u p aise is c me t o swiftly h m b fo e y u . Kno o u no t M a r t o e n e o fmen w y ste , se me ki d , e r ra e r as n 1 riz e - ht er Th i g c s se ve them but e emies , p ﬁg No m o re do e y o urs : y o ur vertues ge ntle M aster Are sanctiﬁed and h o ly traito rs t o yo u : a a o r n a Oh wh t w ld is this , whe wh t is comely Enveno ms him th at be are s it? ’ l a a r O r . ? [ Why , wh t s the m tte Ad unha ie u . pp yo th , C o me no t within these do ore s: within this roofe 2 0 The e ne mie o f all y our graces live s o r ro r no no ro r o nn Y u b the , , b the , yet the s e no t the so n I no t a son (Yet , will c ll him ) I w as a o t o a Fa r Of him b ut c ll his the , Ha e ar r ra and n an th h d you p ises , this ight he me es, T o rn o n e r o u to bu e the l dgi g wh e y use lye , And yo u within it : ifhe faile O f th at He will h ave o ther m e anes t o cut yo u O ff; I o ve rheard him : and his practises no ac o is a butcherie This is pl e , this h use but ;

o rr e are do e no t e n e r . Abh e it , f it , t it ’ Ad O rl r dam o a e . [ . ] Why whethe A w uld st thou h v me go ?

No a r r so ou no t re . Ad. m tte whethe , y come he ’ me be fo o O rl . a o o u a e o Wh t , w uld st th h v g g my d , O r with a base and bo ist rous Swo rd enforce A the e vish living o n the c o mmo n ro de?

seeme — - 1 2 . : s o me 2 4F.

2 6 AS YO U LIKE IT IL - [ iii . 34 6 7

I do o r n no t a to This must , k ow wh t do

I no t do do ho w I can . Yet this will , I rather will subject me to the m alice

O f a o o and on e ro r. 0 diverted bl d , bl di b the 4 But do no t so : I a n r Crow nes Ad. h ve ﬁve hu d ed , thriftie r I a n r o r a r The hi e s ved u de y u F the , c I o re t o fo r r Whi h did st be my ste Nu se , n r o u in o ld a Whe se vice sh ld my limbs lie l me, And nre ar a e in o rn r t hro w ne u g ded g c e s , a a and he a o t he Ra n fee de T ke th t, th t d th ve s , Ye a ro n a fo r S arr p vide tly c ters the p ow , Be o or to a e : r o c mf t my g he e is the g ld , I o u be o r r an All this give y , let me y u se v t , o I loo ke I am ro n and lustie Th ugh old , yet st g ; Fo r in my y o uth I never did apply Ho t and r ou or in n , ebelli s liqu s my blo d , Nor no t unbashﬁi ll re a w o e did with fo he d , an o f w e akne sse and de bilitie The me es , r fo r a e as a lustie n r The e e my g is wi te , ro but kinde l le t me o e ou P stie , y; g with y , Ile do e the service of a yo nger man In all o ur busine sse and n y ecessities .

O rl . man ho w in a eares Oh good old , well thee pp o n an r e o f an o r 6 0 The c st t se vic the tique w ld , n r sw e ate fo r dutie no t fo r me Whe se vice , e de T o art no t fo r a n o f h u the f shio these times , W re no n sw e ate fo r ro o n he e will , but p m tio , And a n a do c ho ake r r u h vi g th t thei se vice p, E n a n no t so ve with the h vi g , it is with thee ’ But o r man ou un a ro n r po e old , th pr st tte t ee, a anno so u as a blo sso me e elde Th t c t m ch y , In e o f all a n and husbandrie li u thy p i es , But o w aie s w e ele o e a o n o c me thy , g l g t gether, And ere a outhfull a n we h ve thy y w ges spe t,

2 7 — 1 E II . 6 8 8 AS IK I iii . iv . ] YOU L T

W ee le u n setle d lo n n light po some w co te t . M a r n an o o Ad. o d I ste goe , will f ll w thee a a e r and lo altie To the l st g sp with t uth y , Fro se av entie e e re s no w a o fo ure sco re m y , till lm st H r I no w e r no or e e lived , but live h e m e se av e nt e e ne e e re s an r o r n se eke At y , m y thei f tu es But at fo ure sco re t o o a a , it is l te weeke , Yet fo rtune canno t reco mpence me better

n and no t M a r dchte r. E eunt The to die well , my ste s x .

Scene Q uarte .

he orest rden [ T f of A . ]

Ent er Rosa/inc or Ganirned elia or Aliena and f , C f , low ne a a T ouchst one C , li s .

Ros u it er ho w are r ? . O y p , merry my spi its Clo I ar no t for r r no t . c e my spi its , if my legges we e

w e arie .

I ﬁnde in a t o a an Ros. could my he rt disgr ce my m s a ar ] and cr a o an : I o o r pp el , to y like w m but must c mf t e a r ] as and o to the w ke vessel , doublet h se ought Show it fe c ora ious - o a r or ura e o o sel g to petty c te ; the ef e co g , g d 1 I

hi r Cel . I a ou a I ann no pr y y be re with me , c ot goe r the . l F r ar I a r h a ou n C o. o h d a my p t, r the e re with y , the beare yo u : ye t I should beare no cro sse if I did heare

ou for I thinke ou a no mo n in o ur u . y , y h ve ey y p rse

Fo rr f r n. Ros. o A de Well , this is the est Clo I no w am I in Arden o r fo ole I n I . , , the m e , whe w as at o Iw as in a r a but ra u h me bette pl ce , T vellers m st n n 2 0 be co te t .

- — seav entie we . merr : w e ar T E . se v e nt e e o . 74. : n R 4 y y H OBALD

2 8 IKE I I i 1 - 0 AS YOU L T [ L v . 9 5

Ent er Corin and Silv ius.

I so Touchst one Lo o ou Ros . : , be good k y , who comes man and a in o n a re a o n n . he , y g old s lem e t lke w a t a e he r sc rn u or a o o e o . C . Th t is the y m k y still ’ o in a o kne w st ho w I do o Sil . r he r Oh C , th t th u l ve . ’ Cor I a e : for I a lo v d ere no w . p rtly gu sse h ve . i NO orin n o ld ou an n t s S l . o u C , bei g , th c st g es e , Though in thy y o uth th o u w ast as t rue a lover ’ As ever sigh d upo n a midnight pill o w : But o r r n if thy l ve we e eve like to mi e, As sure I thinke did never man l o ve so Ho w an a o n o r u u m y cti s m st idic lo s, Hast th o u bee ne draw ne to by thy fantasie? or In o a o u an a I a fo r o n C . t th s d th t h ve g tte . i ou n n r o so h r il S l . a t Oh th didst the eve l ve y, I o re membre st no t fo f th u the slightest lly , a e a run n o Th t ever lov did m ke thee i t , l ’ Thou hast no t o v d. O r o u a no t sat as I do e no w if th h st , ar n a r in th M istris ra We i g thy he re y p ise , ’ no t lo d Th o u hast v . O r if o a no t ro fro o an th u h st b ke m c mp ie , ru as a n now a Ab ptly my p ssio m kes me, ’ o a n l d Th u h st o t ov .

Phebe Phebe Phebe . E it O , , x .

Ros . a o o r S a a n u Al s p e hephe rd se rchi g of they wo ld , I a ar a n ur oun m n o w n h ve by h d dve t e f d i e e . 47

Clo. And I n : I r n I w as in o I mi e emember whe l ve , r o r u o n a on and a a fo r b oke my sw d p st e , bid him t ke th t co mmin a n to ane Smile and I r r g ight 7 , emembe the kis n O f her a r and o u ha her re t ie si g b tle , the C wes d gs t t p t

’ — — . nev er : ne e r W . 6 . the w ould h w 3 5 RO E 4 y : t y o u nd ROWE . — - 1 . bat/er : b a e t 2 F 5 t l 4 . II 0 - 8 AS YO U LIKE . I . iv 5 7 ] T

’ cho pt h ands had milk d; and I remember the wo o ing o f a a o n a o f he r ro o I o o e t w pe sc d i ste d , f m wh m t k o Co and n her e a aine a n ds , givi g th m g , s id with weepi g are ar fo r a : w e e a are r e Lo te s , we e these my s ke th t t u r runne n o tran e a r as all is or a ] in ve s , i t s g c pe s ; but m t l r so all na r in o r a ] in o na e o . tu , is tu e l ve , m t l f lly ’ k st n o R os. o s ea r e art are O f Th u p wise th th u w . ’ o I a ner e ar f n h Cl . Na o ] y, sh ll e b w e mi e ow e wit , til I bre ake n a a n 6 my shi s g i st it . 0

Res. ov e ov e t S r a n 7 , y , his hephe ds p ssio , Is c o n fa o n mu h up my shi . nd n but row e s o n a e Clo. A mi e , it g s methi g st l with mee . ’ C l I ra o u o ne o f o u e o n o n man e . p y y , y qu sti y d , If for o e an fo o de he g ld will giv us y , a I faint alm o st t o de th .

l Ho a ou o ne . C o. ll ; y Cl w ’ f le o n n Ros. e a o o n t a . P ce , he s thy ki sm Cor W ho a ? . c ls Sir Clo o r e e r . . Y u b tt s E a e o r . C r . lse they very wretched a I sa o o e n t o o r r n Ros . . Pe ce y; g d ev y u f ie d Sir nd o ou all nd to o u e nt a t . Cor . A y g le , y I r he e S e ar a o o r o Ros. e t p heph d , if th t l ve g ld Can in e r a n e r a n n this d se t pl ce buy e t t i me t , Br n us e re ma re our and i g wh we y st selves , feed ’ He r a o n a ra a o r e s y g m id with t v lle much pp essed , fa n fo r c c o r And i ts su u . Fa re Sir I ittie he r Cor . i , p , An W fo r her a r n fo r n o wne d ish s ke mo e the mi e , M y fo rtunes were more able t o re le e v e her But I am e a t o ano man Sheph rd ther ,

— - F . our : o u 2 . 7 3 y y , 4

3 - 3 6] AS YO U LIKE IT

And t urn i e h s merrie Not e ,

unt o t he sw ee t Bir ds t hrot e:

ome hit her come hit her come hit her C , , Heere shall he see no cnemic, But Wint er and rough W eat her

’ a M o r o r r . I e e or 7 g e , m e , p the m e . m a u A y. It will m ke yo me lancho lly M onsieur j agues a I t hanke M o r I r . : e e the e o re j g it , p m , I c an sucke me lancholl o ut O f a on y s g, ’ a W e az e ] sucke s e e s: M o r I re e or As gg e , p th e m e .

Am . M o ra I no I anno a y y v ice is gged , k w c t ple se

you . a I no t r ou t o a 7 o. do desi e y ple se me, I do desire you to sing : ’ ’ o r ano r anz o : Ca] ou e m anz o 2 0 C me , mo e , the st y st s ? m a o u M n r A . o e ues y Wh t y wil sieu j g . ‘ a Na I are no t for r na e o w e j o. y, c thei m s , they mee no n o u n ? thi g . Wil y si g M o r a our r n t o a Am t . y. e y equest, the ple se my selfe a e n e r I thanke an man Ile thanke y g. W ll the , if ve y yo u : but th at they c al co mplement is like th e nc ounter o ftw o do - And n a man thanke s hartil g Apes . whe me y, thinke s I a n a n and he re n r me h ve give him pe ie , de s me t he be e rl thankes o n and ou a no t gg y . C me si g ; y th t wil o o r o n u 0 h ld y u t g es . 3 Am ] I e nd on S r r 1 the y. We , le the s g . i s , cove while , the Duke wil drinke under this tre e ; he h ath bin all this 1 da t o lo o ke ou la the t able y y . y a And I a bin all da t o a o f n. h ve this y v id him 2 2 He is t o o dispute able for my co mpanie : disput atious

— - — ] t No . 6 . t nrne: t u rn 2 F new . a 4 . 9 . POPE - — - - 1 1 ro 1 8 2 0 . ro se . 3 5 . p se POPE . p POPE - - rose — P 2 6 com lement c m m n P . . : o e t . . p pl i PO E 34 7 p PO E 3 2 AS Y E IT I - 6 O U LIK [ L v . 3 7 5

I . thinke o f as an a as but I m y m tters he , give H a n thanke s and a no o o f a . e ve , m ke b st them ar c Come , w ble , ome .

Al o t h r h . e Song t g e eere .

W ho dot h ambit ion shunne , ’ and lov es t o liv e i t h Sunne

Seehin t he ood he eat es g f , ’ and pleas d w it h w hat he g ets ome hit her come hit her come hit her C , , , H r hal h ee e s l e see . E5 c.

4 I ou a r to no 7 4. le give y ve se this te, a I a e r a in o f In n n Th t m d yeste d y despight my ve tio . l n Am And I e . y. si g it Am a y. [7 q. ] Thus it goes .

it do come t o asse t hat an man [f p , y t urne Asse : 50 Lea v in his w ea lt h and ease g , A st ubborne w ill t o lease p , d Ducda me , ducdame , ucdame

Heere shall he se e rosse ooles as be , g f , d i h w il ome t o me An f e l c .

’ Am a a D a ? y. Wh t s th t ucd me a a G re e ke n o a o n t o a o o n o a cir 7 o. Tis i v c ti , c ll f ls i t I o Sle e e ifI c an if I an I . : no ra a a n all cle le g p c t , le ile g i st r the ﬁrst bo ne o f Egypt . m And Ile o se e ke Du A . y g the ke , ’ His an re ar d b ket is p p .

a z a c m - - - — see st n o eted F 6 . rose 45. . pl 3 4 . 4 7 p POPE . h e d l] - - F h l - 2 r m . . 2 r me d l 50 . y 3 4 54. y . POPE . d — - — A n : A h C P . 6 0 1 ro se 55 . A ELL . p POPE . 3 3 I—vu 2 AS II . vi . . ] YOU LIKE IT

Scene Sexte .

The orest [ f . ] ’

Ent er r lando 69 Adam. O ,

Adam D r M aster I c an o no r . ee e , g furthe 0 I fo r o o H r lie I o n die f d . ee e d w e , And a r o ut ra Farw e] n a r me su e my g ve . ki de m ste . ho w n w da ? No r a r h r i O rl . Why o A m g e te e a t jn thee ‘ e a o o r a che ere f a Liv little , c mf t little , thy sel e little . I un o F rr e eld an n a a e f this c uth o est y y thi g s v g , I t e r be o fo r o r r n fo r foo de t o wil ei h f od it , b i g it thee n i is er a n o r co ce te ne e r . 1 0 Thy de th , the thy p we s Fo r a o r a e a a my s ke be c mfo t ble , hold d th while ar e nd: I re r n At the mes wil hee be with thee p ese tly , And I r n no t o n a if b i g thee s methi g to c te , I wil give thee leave to die : but if tho u diest Be re I o art a o r o f a r o o u . f c me , th m cke my l bo ’ ] a o u lo o k st che ere l We s id , th y, And Ile be with th e e quickly : yet th o u liest I l a e a r o I ar n b e k . the i e C me , wil be e thee T o o r and ou a no t s me Shelte , th sh lt die Fo r a e o f a nn r l ck di e , I e a n in D r f there liv ny thi g this ese t . am E eunt Che e rely go o d Ad . x

me Scene Septi .

h or st [ T e f e . ]

’

A t able set out . Ent er Duhe Sen . E9 Lord Amiens [ ] , [ , - law and lords] lihe O ut es.

’ I t ra sfo rm d n o a a D Sen. n o n u . thi k he be i t be st, man or I can no r hu a . F whe e de him , like

— - — - 2 2 . rose P 6 . rose . 3 5. p POPE p PO E 34 ' KE IT I S . YO U I s A L [ L v .

d M L r but n now n n 1 Lor . . y o d , he is eve go e he ce , r w as e rr ar n o f a S n Hee e he m y , he i g o g . D n I o a of arre s ro M u a ] u Se . . f he c mp ct j , g w sic l , We shall h ave sh o rtly discord in the Spheares : k I ou a G 0 se e e . him , tell him w ld spe ke with him

n r a E t e 7 oues.

He a a o r o w ne a r a Lord. . 1 . s ves my l b by his pp o ch ho w no w M o nsi r h a f u . Sen. e u w at e t D Why , li is his a o ur o r n u o r o an Th t y po e frie ds m st woe y u c mp ie, lo o ke rr a o u . Wh t , y me ily ’ a P o a fo o le : I a fo ole j g. A o le , met i th Forrest , A m o tley Fo ole ( a miserable wo rld :) I fo o de I a fo ole As do live by , met , ’ W ho a o n and bask d in Sun l id him d w e , him the , ’ And rail d on La For un in o r dy t e g od te mes , In o o se t r and a o fo o le g d te mes , yet m tley . o o rro fo ole I no Sir o Go d m w (quoth , qu th he , a no t fo ole a n a n n C ll me , till he ve h th se t me fortu e , And n r a a ] h' o m o a the he d ew di l his p ke, And o n on a - r l oki g it , with l cke lust e eye , Sa r t e n a clo cke yes , ve y wisely , it is Thus we may see (qu o th b e ) ho w t he world w agge s ’ an oure a o n w as n n Tis but h g e , si ce it i e , ’ And a r o ne o r o r n fte h u e m e , twill be eleve , And so ro o r to o ur r and r f m h u e h e , we ipe, ipe , And n ro o r t o r ro t and ro t 0 the f m h u e hou e , we , , 3 An r an a a n I d the eby h gs t le . Whe did heare o Fo o u ora ] o n The m tley le , th s m l the time , M L n an t o ro Chanticle ere y u gs beg c w like , That Po o les sho uld be so deepe co ntemplative And I au an n r o n did l gh , s s i te missi

’ - 2 a clot he: o c o ck C P . 5. l A ELL 3 S - v11. 6 AS II . 3 3 3] YOU LIKE I T

An o r a ] n fo ole h u e by his di l . Oh oble , ’ o r fo o le : M o n a A w thy otley s the ely we re . f o l en. a o e ? Du . S Wh t is this a w o rthie Fo o : O ne a a bin 7 g. O le th t h th a Courtier And a e La on and a s y s , if dies be but y g , f ire , 40 a t o no : and in braiue They h ve the gift k w it his , Which is as drie as the remainder biske t ’ After a v oy age : He h ath strange pl aces cram d r a o n n With obse v ti , the which he ve ts

In an or . 0 a I r a foole m gled f mes th t we e , I a ou f r a o o a am mbiti s o m tley c t . Du Sen ou a a o ne . . Th sh lt h ve . e I o ne u y n. t is my ly s ite , Pro vided th at yo u weed your better judgements all o n o n a ro w e s an in Of pi i th t g r ke them , u a r That I am wise . I m st h ve libe ty W iithall as ar a ar r as n , l ge Ch te the wi de , T o o o n I a for fo o le s a bl w whom ple se , so h ve And a are aule d they th t most g with my folly , They mo st must l augh : And why sir must they so ? a n as w a t o ar u : The why is pl i e , y P ish Ch rch He e a a Fo o le o r , th t d th ve y wisely hit , Do r fo o a u a th ve y lishly , ltho gh he sm rt Se e nse le sse o f bob I no t s . eme the f , ’ The Wise - m ans fo lly is anathomiz d E n s uandrin an o f foole ve by the q g gl ces the . I nvest me in my m o tley : Give me leave T o a n and I ou and h u spe ke my mi de , will thr gh t ro gh ’ an ou o o f th infe cte d r Cle se the f le b die wo ld , I e a n r n f th y will p tie tly eceive my medici e . Fie o n I can a Du Sen . u u . . thee tell wh t tho wo ldst do . a a for a o un r I o . u do o ? f g Wh t , C te , wo ld , but g d

1 braiue : b ra n— 2 - F v o e He: v o a e h e - o w z . . . a : R 4 i 4 43 y g y g , . i i h ll W - 2 - 2 W t a : t h a1 F. 5 . i 4 36 O IKE I IL VII 6 - 2 AS Y U L T [ . 4 9

M o mische e o s o u sin in C n fin D Sen. v u u . st f le , hidi g r o a e n a L r n Fo th u thy selfe h st b e ibe ti e , n a ] as ru n e 0 As se su l the b tish sti g it self , 7 ’ 1 1 And all th imb o sse d or and a swollen s es , he ded evils , a o n o ffi' ee o o a a Th t th u with lice se f t h st c ught , ’ o r nt o n ra ] r Wo uld st th ou disg ge i the ge e l w o ld . a w ho r e o ut o n r e f g. Why c i s p id , Th at can therein taxe any private party D no t fo as e as the Se a o th it l w hug ly , ari v erie an do e Til] th at the w e e me es bbe . a o an in Citie do I na Wh t w m the me , When that I say the City wo man beares The cost o f Princes o n unw o rthy sh o ulders? W ho can o e in and sa a I e an her c m , y th t m e , n u a o ne as e her n r? Whe s ch sh e , such is eighbo O r a o f a fii nc tio n wh t is he b sest , 2 a a ra r no t o n o Th t s yes his b ve ie is my c st, n n a I an e re n Thi ki g th t me e him , but th i suites His o to o f c f lly the mettle my spee h , r n n a n see n The e the , how the , wh t the , let me wherei ’ M on a w ro n d : do r y t gue h th g him if it him ight , ’ n a w ro n d himse lfe : be The he h th g if he free , 3 3 why then my taxing like a wild - goo se flies censure ’ Unclaim d o fan man B t w ho y . u come here? 9 1

Ent er rlando w it h his sw ord draw O [ n] .

O rl . orbeare and e at e no o r F , m e . a I a a e n n . o 7 o Why h ve c t e yet . ’ O rl No r a no t ] . n ser d. sh lt , til ecessity be v e a n y a. Of wh t ki de sh o uld this C o cke co me o f? ’ D Ar u . t u bol en man Sen. tho thus d d by thy distre s? O r a ru ann r else de despiser of good m e s ,

6 8 n s i — 2 - F — - . : n . 6 t he h F ﬁ 4 7 . : t e 2 4 . 1 come : c o m e s—2 - F 9 4 . 37 n - 1 2 AS KE II v . . 93 3] YOU LI IT

’ Th at in civility th ou seem st so e mptie ? Y ’ O r l . o u t ouch d e n at r the o n n my v i e ﬁ st , th r y poi t O f ar re e a an f o me b e dist ss , h th t e r m the shew o C : am I in- an r Of smo th ivility yet l d b ed , And no o no urture : But fo rb e are I sa k w s me , y, He a o e an o f fr t dies th t t uch s y this ui e , I n ffa r ar an re a d a e . Till , my i es swe d ’

4 . And o u no t answ e r d r a n 7 9 y will be with e so , I d e must y . Du a o u o u a ? Sen. . Wh t w ld y h ve o r n n a ] o r o r n o ur o r Y u ge tle esse sh l f ce , m e the y f ce M o t o n n ve us ge tle esse . O rl I a o fo r o o and me a . lm st die f d , let h ve it .

Du. Sen. Sit o n and fe w e lco m t o o ur a d w e ed , t ble O rl S a e o u so n ? ar o n I a o u . pe k y ge tly P d me pr y y , I o a all n had bin a a r th ught th t thi gs s v ge hee e, And there fo re put I on the co untenance ’ rn o an e n But a u are Of ste e c mm d m t . wh t ere yo a in e e r na Th t this d s t i ccessible , n r a o fmelancho ll ou U de the sh de y b ghes , Lo and n e r n ho ure s o f ose , egl ct the c eepi g time ’ If ever yo u h ave lo ok d o n better d ayes ’ Ifever beene where bels h ave kno ll d t o Church If e ver sate at any go o d mans feast ’ I e r ro o ur e e - w i d a are f ve f m y y lids p te , ’ And no a t o it tie and ittie d k w wh t tis p , be p Le t nt n ro n nfo rc e e n ge le esse my st g e m t be , In n e r the c o e I a d S . whi h h p , blush , hid my wo d D r a a e n r a u. Sen . T ue is it , th t we h v sce e bette d yes , And a o bin kno w ld t o urc h ve with h ly bell Ch h , ’ And sat at o o n f a and w i d o ur e ie s g d me s e sts , p ro a a r a e n e ndre d: Of d ps , th t s c ed pity h th g

— - - 0 d A 6 rose Cu n t . 1 6 . A n : n 1 0 . CAPELL . 7 p - — — - r e 1 2 1 bcene : b e e n 2 F. 1 0 8 10 . p os P orn. . 4

II n 1 - A v . 1 8 S K . 55 1] YOU LI E IT

r and heard o f or a ] With eyes seve e , f m l cut , F o f saw e s and o rn n an ull wise , m de e i st ces , And so a ar T he a e he pl yes his p t . sixt g shifts ’ In o the le ane and sli er d Pantalo o ne t pp , a o n no and o uc o n With spect cles se , p h Side , ’ His o uthﬁi ll o e e sav d a o r t o o y h s w ll , w ld wide , Fo r shrunke an e and e an o his sh k , his bigg m ly v ice , rn n a aine o ar C tre bble Tu i g g t w d hildish pipes , A d t e in n La e n o f all n o . S whis l s his s u d st c e , a n t ran e e v e ntﬁi ll historic Th t e ds his st g , Is o n childishne sse and r o o n sec d , mee e blivi ,

San an an a an r in . s teeth , s s eyes , s s t ste, s s eve y th g

Ent er Orlando w it h Adam.

e c o : se t o n o ur n a bur Du Sen. W l me d w e y ve er ble e n and fe e de th , let him . rl I thanke o u o fo r O . y m st him . So ha o u ne e Ad. d y ed ,

I scarce c an spe ake t o thanke you fo r my selfe . Du S o fa t o o : I no t r u o u en. . Welc me , ll wil t o ble y , As yet t o questi o n you about y o ur fo rtunes :

us M usicke and o o z n n . Give some , g d Co e , si g

S n o g .

Amiens Blow blow t hou w int er w inde [ ] , , , h ar nhinde as mans in rat it ude T ou t not so u , g Th t oot h is not so heene because t hou art not scene y , ,

alt hough t hy brea t h be r ude .

Hei h ho sin hei h ho unt o t he reene holl 1 0 g , g g , g y, 9 M ost rendsbi is a nin most Lov in meere ol f p, f y g ; g , f ly

— new 1. at A d . 1 7 8 . n POPE - — 8 I] at A s nd B cau s e E . ne w . a e 1 7 8. POP 4° KE 1 — I LI I I v u 8 2 II. AS . YOU T [ L i . 7

The hei h ho t he holl g , y, i o This Life s most j lly.

Freiz e reiz e t hou bit t er shie t hat dost not bi ht so ni h , f , g g as beneﬁ t t s forg ot: Thou h t hou t he w at ers w ar e t h st in is not so shar e g p , y g p , a r i m mbr d no s f e nd re e e t . ’

Hei h ho sin c. g , g , 69

D h S n I a o u r o Sir Rowlands so n u e e . fth t y we e the g od , ’ AS o u a w his e r d faithﬁill o u r 2 0 0 y h ve p y y we e , And as ne e e o his e fﬁ ie s w itne sse mi y d th g , ’ M o r limn d and n in o r fa st t uly , livi g y u ce, Be ru c o r : I am the Du t ly wel me hithe . ke ’ a lov d o r Fa r the r o f o u o un Th t y u the , esidue y r f rt e , G O o n o ld man t C a e a d . o o my v , tell mee G d , o art r e c o e as a r is: Th u ight w l m , thy m ste s Suppo rt him by the arme : give me y o ur h and And all o r fo r n n r an let me y u tu es u de st d .

im u Scene Pr e . A ct s Tertius .

h la [A room in t e pa ce . ]

’

Ent er Duhe Lords liv er . , , 69 O

Du No t se e n Sir sir a ann . ? him Si ce , , th t c ot be But e r I no t r ar a r e w e the bette p t m de me ci , I sh o uld no t se e ke an absent argument O f r e n e h o u r e n : lo o ke to my ev g , t p es t but it , Fn o ut t h ro r w here so e re i de y b the he is , Se e ke an : r n a o r n him with C dle b i g him de d , livi g n n o r urn o no o Withi this twelvemo th , t e th u m re

— — 1 2 The : h e n e w at h a t P . 1 . n I 9 T , ROWE . 94 T PO E — - - 6 w 1 r : m a e r 2 F. 1 ne at T h PE 2 0 6 . maste s s t 9 y PO . 4

41 III — . . 8 11 1 6 AS LIK I i . ] YOU E T

T o se e ke a n in o ur rr o r livi g Te it ie . Lan and all n a o o c al] ne Thy ds thi gs th t th u d st thi , o r e z r do z n o o ur an W th s i u e , we sei e i t h ds , o an e ro r ou Till th u c st quit th e by thy b the s m th , O f hat t hinke a a n w we g i st thee . 1 a o r Hi hne sse ne 0 . Oh th t y u g k w my heart in this ’ I ne e r lo v d ro r in fe v my b the my li . he M re a n o Du . o ut o f o r o vill i e th u . Well push him d es And let my o ffi cers O f such a nature 1 8 1 1 M ake an e xte nt upon his h ouse and Lands : seiz ure D 2 d o n an u n o n . E e unt this expedie tly , t r e him g i g x 2 e xpedit iously

Scene Secunde .

The orest [ f . ]

E er rlando w i h a a er nt O [ t p p ] .

Han O rl . re in w itne sse o f o g the my verse , my l ve , And th o u thrice cro wned Queene o f night survey a e e fro a are a o With thy ch ste y , m thy p le sphe b ve Huntre sse na a f fe o a Thy me , th t my ull li d th sw y . Rosalind e e r a be Bo o ke s O , th s T ees sh ll my , And in e r ar e o Ile Charract e r th i b k s my th ughts , a e v crie e e in F rr lo o ke s Th t y , which this o est , S a se e r w it e st e e r h ll thy ve tue n v y whe re . Run run rlando ar o n e r re e , O , c ve ev y T , a r a and ne re The f i e , the ch ste , u xp ssive shee .

’ Ent er ori o n o h o C n 89 Cl w e [T uc st ne] .

’ o Andho w ou e M Touchst one? C . like y this shepherds lif low T rue l S e e a in re o fit e fe a . r C y h ph d , spect s l , it is o o fe in r t a is a she he ards fe g d li ; but espect h t it p li , it is na In r a o ar I r e ught . espect th t it is s lit y , like it ve ic w ll

42 AS Y I I II 11 1 - 2 O U E T I. 6 L K [ . 5

in r a r a a r e No w but espect th t it is p iv te , it is ve y vild lif . in re s e c t it in a e e : in p is the ﬁelds , it ple s th mee w ll but

c no t in the C o r o u . a ar respe t it is u t , it is tedi s As it is sp e life (lo o ke yo u ) it ﬁts my humo r we ll : but as th e re is no

o re le ntie in o u a a n t sto macke . m p it , it g es m ch g i s my ’ Has t any Phil o sophie in thee sh e phe ard? 2 3 No o r a I no the or o ne n Cor . m e , but th t k w m e sicke s , t he o r at case he : and a he e a an one w se is th t th t w ts m y , ﬁ a an and o n n o r o o n . me es , c te t , is with ut th ee g d e ds Th t the ro ertie o f ra ne to and ﬁre rn : a p p i is wet , to bu e Th t po o d pasture make s fat She epe : and th at a great c ause o f the n a o f S nn : a a a ar ight , is l cke the u e Th t hee th t h th le ne d no a re nor Art ma co m laine o f o wit by N tu , , y p go d r e n o r o e o f a e r n r 1 b e di g , c m s v y dull ki d ed . 3 o Su a o ne a na ra ] r Cl . ch is tu l Philosophe ’ a r in o ur S ar ? W s t eve C t , hephe d No ru . Cor . t ly ’ Clo. n o art damn d The th u . Na Cor . I o . y, h pe ’ Clo. r o art damn d an ro a E T uly th u , like ill sted gge , ll o n n a o e side . F r no n Cor . o t at o r ? o r r a o n bei g C u t y u e s . 3 9 ’

Clo . o n e r a at o r n r Why , if th u ev w s t C u t , thou eve ’ ’ saw st o o ann r : o u ne r saw st o o d mane rs g d m e s if th ve g , t e n t h anne r u and w icke dnes is sin h y m s m st be wicked , , and si nne is damnatio n : Th ou art in a parl o us state sh e p ar he d . N Cor . o t a T ouchst one o e a are o o ma whit , th s th t g d n r at o r are as r o in Co untre as e s the C u t , idicul us the y, the beh avio ur o f the Co u ntrie is m o st mo cke able at the o r Yo u o me o u a e o r . n t at the o C u t t ld , y s lut C u t , but yo u kisse y our h ands ; th at co urt e sie would be uncle anlie r r r sh e ar if Co u tie s we e eph ds. 50

— - - — 2 ood: o o d 2 F. 2 rose P 8. p g 4 3 3 p PO E . III 11 - 8 Y . 8 AS O U I E I . 53 ] L K T

o In an i : o n an Cl . st ce, br eﬂy c me , i st ce .

Cor . are an n o ur E and r Why we still h dli g wes , thei F 1 o u no are re asi els y k w g e . Clo do no t o r o ur r an . Why y u C tie s h ds sw e at e ? and no t r a o fa M o n as o o as e a is the g e se utt , wh les me the sw t o f a man? S a a : n an I sa h llow , sh llow A better i st ce y

Come . Cor B o ur an are ar . esides , h ds h d .

Clo. o r fe e le n r S a a Y u lips wil them the soo e . h llow en : a re o n r n an 6 0 g mo s u de i st ce , come . ’

Cor . And are o f n tarr d o r ur er they te ve , with the s g y o f our She e pe : and wo uld yo u h ave us kisse Tarre? The ’ o r i an a r d C u t e rs h ds re pe ﬁi m with Civet . Clo M o a o man : ou w orme s a in re . st sh ll w Th me te spect o f a goo d p e ece o fflesh indeed : le arne o fthe wise and r n : a a e r r n arr pe pe d Civet is of b s bi th the T e , the r n fa C a M n n an S ve ic unclea ly fluxe o t . e d the i st ce hep a he rd . Y r f r r o u a o u o I . Cor . a h ve too C tly wit , me , le est ’ o u damn e a o Clo. Wilt th rest d? God help thee sh ll w man : a n o n in o art raw . 1 God m ke i cisi thee , th u 7 or Sir I am a ru La o ur r Ie arne a I a z C . , t e b e , th t c te get that I a no man a n no an a we re ; owe h te , e vie m s h ppi nesse : gl ad o fother mens goo d content with my h arm e and r a o f r E raz the g e test my p ide , is to see my wes g e , k my Lambes suc e . Clo a an nn in ou t o r n . Th t is other simple si e y , b i g the E and Ramme s o r and o ffe r o r wes the t gethe , to to get y u n o a o n o f a t o a t o a Be l livi g , by the c pul ti C ttle , be b wd a r and to ra a - La e o f a w o n we the , bet y shee mb t elvem th t o a r o - a o o Ra o ut o f all c o ked p ted lde Cuck ldly mme , ’ ’ a o na a I ou no t damn d fo r re s ble m tch . fth bee st this , the

' ood content : o o d c o nt e nt — 2 - F 74. g g , 4 . 44 LIK I III 11 88 - 1 1 8 AS . YO U E T [ .

himselfe a no I anno divell will h ve shepherds , c t see else 8 ho w thou sh o uldst scape . 4 ’r n M an med m ne w Mistris Cor . r G i Hee e comes yo g , y se s B o r r the .

Ent er Rosalind w it h a a er readin . [ p p , g]

Ros. From t he east t o w est erne Inde,

no ew el is lihe Rosalinde j , Hir w or t h bein mount ed on t he w inde 0 g , 9 t hr ou h all t he w orld b a a g e res Ros linde . All t he ict ures airest Linda p f , are but blache t o Rosalinde

et no ace bee he t in mind L f p , but t he aire Rosa in f of l de .

I ou so e ar Clo. e s nn r le rime y , eight y together ; di e s , and r and n o r r suppe s , sleepi g h u s excepted : it is the ight B - n an M a utter wome s r ke to rket . Ros O ut o o . P le . For a a t ste .

a Har t doe lache a Hinde [f , Le t him seche out Rosalinde

t he Cat w ill t er hinde If af , so be sure w ill Rosalinde

W int red arments must be lind g e, so must slender Rosalinde

The t hat rea must shea e and binde y p f , t h n a h e t o c r t w it Rosalinde .

Swee test nut hat h owr , s est rinde, h a suc nut is Rosalinde .

He t hat sweet est rose will nde ﬁ , must nd Lov s r h e e ic e Rosalinde . ﬁ p ,

’ — — 2 . Linde: ne d n d M R . . ace: fa I 9 l i (li ) POPE 94 f i r CA B DGE . — - 1 0 . W intred W t e r F 5 : i n 3 4 .

45 III 11 1 1 - 1 2 AS O I KE I . . 9 5 ] Y U L T

e r c a e a o o fV r do e ou in This is the v i f ls g ll p e ses, why y fe e t yo ur selfe with them? o u l fo o le I fo n e o n a a e . Ros. Pe c y du l , u d th m tree fr T rue l re e e e lds bad u e . Clo. y the t y it o Ile raffe t o u and e n I a raff R s. g it wi h y , th Sh ll g e it ’ with a M edl e r: then it will be the e arliest fruit i th c o un ’ ’ t r fo r ou ] be ro e n e re o u a e r and a y: y tt y bee h lf ipe , th t s f M r I 0 the right vertue o the edle . 2 Yo u a a : r o r no lo. C h ve s id but whethe wisely , let the e Forrest judg .

r ia w i h a w Ent e Cel t rit ing .

os. a e r o r r a n an a . R Pe ce , h e c mes my Siste e di g , st d side W h hi Desert be e Cel . h s ould t s y , for it is unpeopled? Noe: T on es Ile han on e v erie t ree g g , ha a l i a h t t sh l c v ill s yings s oe . Some how br i e t he L e man , ef if of r uns his errin il rima e g p g g , hat t he st re t chin o a s an T g f p , l h o a buch es in is summe f ge . Some o v iolat ed v ow es f , t w i t t he sou/es riend and riend: x off , f u u on t he airest bow es B t p f , or a t e v er ie sent ence end;

W ill I Rosalinda w rit e ,

achin a ll t hat reade t o hnaw te g , T he uint essence o e v erie s rit e q f p ,

hea v en w ould in lit t le show . ’ There ore he a v en Na t ure char d f g , ’ t hat one bodie should be ﬁ ll d ’ W it h all races w ide enlar d G g , ’ nat ure present ly dist ill d

- - E 1 2 this e sert : t h s a de se rt E . 2 new 1 at He re C . . D 1 4. . AP LL 5 i ROW 46

III 1 - . 1 1 86 2 2 AS IKE I . 3] YO U L T

P alme tree ; I w as never so berim d sinc e Pyt hagoras time t a I w as an Ir Rat I can ar r r h t ish , which h dly emembe . Cel T ro o u a o n ? . y , who h th d e this a man? Ros . Is it Cel n a c a n a o u o n o a o n . A d h i e th t y ce w re b ut his eck Ch ange yo u c o l o ur? 1 80 ’ s re t he e w ho Ro . I p ? l o r Lo r r f Ce . L a a a r or n to O d , d , it is h d m tte frie ds ’ me e te ; but M ount aine s may bee re mo ov d with Earth : a e and so nc o n r qu k s , e u te . Na w h Ros. o ? y, but is it l I o Ce . s it p ssible? ’ Ros Na I re the e no w o nar e . y, p , with m st petitio y v me nce w ho he . , tell me it is l w o nde rﬁi ll n u ] and o o n r ] Ce . O , wo derf l , m st w de ful w o nderﬁi l] and a aine o n r u and a r a o ut , yet g w de f l , fte th t l o n 1 1 of a l ho pi g . 9

Ros. o o n o o n ou G od my c mplectio , d st th u thi k th gh ’ I am ca ariso n d a man I a e a o u and o in p like , h v d blet h se o n? O ne n o f e a o r a Sou -se a my dispositi i ch d l y m e , is th ’ o fdisco v e rie I re the e w ho uicke l and . p tell me , is it q y, a a a : I o c o a r a o spe ke p ce would th u uldst st mme , th t th u ’ ’ o r c o nce al d man o ut o f o as might st p w e this thy m uth , ’ Wine come s o ut o f a narro w - mo uth d bo ttle : either t o o ’ at n n all I re t he e a o r o r no at . much o ce , e p t ke the C ke o ut o f a I ma r n n 2 0 0 o t . thy m u h , th t y d i ke thy tydi gs l S o a a an in r o u m m o . Ce . y y put y u belly Ros I o f o a n ? a ann r o fman? . s he G ds m ki g Wh t m e Is his head wo rth a hat ? O r his chin wo rth a beard ? Na a b a ar Cel . ut y, he h th little be d . Ros G o d n r man . Why will se d mo e , if the will bee t hankﬁi l : a ro o f ar u let me st y the g wth his be d , if tho a me no t no n del y the k wledge of his chi .

- 1 . Tro: ro w z T nE 7 7 T onALD. 48 S LIKE I IIL 11 2 2 - 2 6 A YO U T [ . 4 5

l I o n r lando a r W rastler Ce . s t is y g O , th t t ipt up the

he e le s and o r ar o in an n an . , y u he t , b th i st t Na the a a a Ros . n : y, but divell t ke mocki g spe ke s dde

ro and r a . 2 1 1 b w , t ue m id ’

l I a C o z . Ce . f ith ( ) tis he os rlando? R . O l rlando Ce . O . a he da a a Ido u 8c Ros . t Al s y, wh t sh ll with my do blet ’ h o se ? Wh at did he when th ou saw st him ? Wh at sayde ’ he? Ho w lo o k d he? Wherein went he? Wh at m akes he e heere? Did he aske fo r me ? Where re maine s he? Ho w parted he with the e? And when shalt th ou see him a n n in ne or 2 2 gai e? A swer me o w d . 0 l Yo u orro ar an ua ou r Ce . must b w me G g t s m th ﬁ st : ’ tis a o r to o r a fo r an ou o f z W d g e t y m th this Ages si e , to sa I and no t o ar ar r n t o an r y , these p ticul s , is mo e the swe isme in a C ate ch .

Ros But o no a I am in Forr and . d th he k w th t this est , in an a arre ll? L as ﬁ e shl as da m s pp ooks he y, he did the y he Wrastled? l I as e asie t o un o 1 as t o o Ce . t is co t At mies res lve the pro po sitio ns o f a Lo ver: but take a taste o f my ﬁnding and o o o r an I fo un him , rellish it with g d bse v ce . d him ’ 1 un r a r e a dro d Aco rne at oms 2 1 de t e like p . 3 ’ ma ] a o r Ros. I n t y we be c l d J ves t ee , whe it droppes or r e f th f uit . l a n M Ce . u a a Give me die ce , good d m .

Ros ro e . . P c ed ’ Cel r la he e stre tch d a n a un . The e y lo g like Wo ded n k ight .

Ros. o it tie see u a Th ugh it be p to s ch sight , it well o oun bec mes the gr d .

2 orth ruite o h s h fru t — 2 - 33 . f f : f rt u c i 4F. 49 III 1 - . 1 2 2 AS L . 57 2 9 ] YOU IKE IT

Cel . Cr o a t o o n e I re the e : cur e tt e s y h ll , the t gu , p it v ’ un a o na H w as f rnish d e a H n . e u r 2 1 se s bly lik u te . 4

Ros. o no he o e t o Hart O mi us , c m s kill my . l n Ce . I o o n o a r e n o w uld si g my s g with ut bu th , th u ’ r n me o ut o f ne b i g st tu .

Ros. Do o u no t no I am a an n I thinke y k w wom , whe , I u a e sa o n : . m st spe ke sw et , y

’ E er rlan o a nt O d 69 7 gues. Y l ou r n o ut . o o e no Ce . S t r b i g me ft , c m s he hee e ? ’ link n n s a d o . Ros. e Tis he , by , te him a I thanke o u fo r o ur o an but o o fa t j g y y c mp y , g d i h I ha as fe a n e e a o n 2 d lie h ve bee e my s lf l e . 5 1 r And so had I : e t fo r a n a O l . but y f shio s ke I hank o u t o fo r o r so cie tie t e o . y , y u ’ a G o d ou as as . can j g buy y , let s meet little we . O rl I do e r w e ma r ran r . d si e y be bette st ge s . a I ra o u arr no r r r n f g. p y y m e mo e t ees with W iti g L - o n in r ar ove s gs thei b kes . rl I ra o u arr no mo e o f r re a O . p y y m e my ve ses with n e - a r di g th m ill f vou edly . a li o r na ? Y e . Ros nde u O rl e s y n is y loves me . , Just . ” I o no t e he r na e 2 6 1 T ? d lik m . r w as no u o f a n o n she O rl . The e tho ght ple si g y u whe ’ hriste n d w as C . 7 am Wh at stature is she o f? rl as as e ar O . Just high my h t . a You are ful o f r an r :hav e o u no t bin ac 7 o. p ety swe s y uainte d o e o n out o f n q with g ldsmiths wiv s , c d them ri gs N o I an e r r a n cl ath O rl . o t s : ou o but sw y ight p i ted , a n 2 6 fro m whence yo u h ve studied yo ur questio s . 9

- — 2 0 t he : t h W . 2 2 Har t : h e a rt . 4 . y RO E 4 . ROWE ’ bur hen: b u rd e n— T EE S 2 t S V . u e w i . EN 2 b : b 43 54. y 2 6 0 e a Or - - F . n w t l. 3 4 . so II 11 2 - 2 AS YOU LIKE IT [ L . 9 3 3 7

’ a Yo u a a n I thinke a a o f j g. h ve imble wit ; tw s m de ’ ala a he e l s o u o n and At t nt s e . Will y sitte d w e with me , t w o a a a n o ur Mistris o r and all wee , will r ile g i st the w ld , our r mise ie . I e no r a r in o r O rl . wil chid b e the the w ld but my selfe a a n o I no mo fl a g i st wh m k w f ults . in o a . o r au o u a e t o 7 e The w st f lt y h v , is be l ve . ’ l a fau I n n fo r o s r O r . lt o t a r v e Tis will ch ge , y u be t am w arie f tue : I e o yo u . a B r I w as n fo r a Fo n I ff g. y my t oth , seeki g ole , whe n 2 80 fo u d you . ’ O rl He ro n in ro o lo o ke in and . is d w d the b ke , but , o u a se e y sh ll him . a e r I a n o w ne ur 7 o. Th e sh l see mi e ﬁg e . rl I a o r a fo o le o r a r O . t Which t ke be eithe , Ciphe . a I arr no n r o u ar o o f n. le t ie lo ge with y , f ewell g d sig n o r Lo i ve . l am a of r e ar r e o o n O r . I gl d yo u d p tu e : Adi u go d M r M elancho ll E i a u s . t e sieu y [ x 7 g . ] o side t o elia a to a R s . [A C ] I wil spe ke him like saw cie Lack and un der a a a na y. th t h bit pl y the k ve

do o u ar Fo rr r. 2 0 with him , y he este 9 V r c a o o u O rl . ] ? e i we , wh t w uld y ’ Ros I ra a i s a l k . ou t c o c e ? p y y , wh t ’ ’ O r l Yo u o a a 0 da no . sh uld ske me wh t time y: there s clo c ke in Fo rr the est . F r Ros. n ere no ru Lo r in o r The th is t e ve the est , else n e v erie n and ro an n e v erie o r o Sighi g mi ute . g i g h u e w ld f laz ie o o o as w e ] as a clo c ke . detect the f t time , O rl And no t o o f ? Had not . why the swift f ote time that bin as pro pe r? 2 99

Ros. B no e an sir a in r a y m es ; Time tr vels dive s p ces ,

- ’ — 2 . mo : T . 2 2 a cloche: o o k P . 75 ﬁ most HEOBALD 9 . c l c CA ELL SI III 11 2 - 6 S . A IK I . 3 7 3 3] YOU L E T with divers perso ns : Ile tel you w ho Time ambles with all w ho o vvithal w ho a o a , Time tr ts , Time g ll ps with l , ho an w ithall and w he st ds stil . I re the e w ho o rl . a O p , d th he trot with l? M arr ro ar Ros. a o n a n y he t ts h d with y g m id , betwee o n ra o fhe r ar a and da so le mniz d: the c t ct m ri ge , the y it is n be but a nn a a if the i terim se ight , Times p ce is so h rd , a se e mes n o f n e are th t it the le gth seve y . O rl W ho a a ? 0 . mbles Time with l 3 9

Ros. a r a ac La n and a man With P iest th t l ks ti e , rich th at h ath no t the G o wt : fo r the o ne sleepe s easily be a anno u and o be c use he c t st dy , the ther lives merrily , cause he fe e les no paine : the o ne l acking the burthen o f le ane and wasteful Learning ; the other knowing no bur n f h a i o n a the o e v e tedi us pe urie . These Time mbles a with l . l W ho o a o a ? O r . d th he g ll p with l os a thee fe t o allo w es : fo r o u R . With the g th gh hee o as o as o o c an a thinkes himselfe n g s ftly f t f ll , he too soo r 2 0 the e . 3 O rl W ho staie s a ? . it stil with l Ros Law ie rs in a a n : fo r sle e e . With the v c tio they p be t w e e ne r and and n r no t Te me Terme , the they pe ceive o ho w time m ves . rl r ] ou re ttie o u ? O . Whe e dwe y p y th o She he ardesse r: r in R s. With this p my siste hee e the F rr h' n n a a r o f o . ski ts the est , like i ge upo pettico t r l o u na o f a ? O . Are y tive this pl ce o C o nic a ou se e r R s. As the th t y dwell whe e shee is n 1 1 born 0 ki dled . 3 3

r . o u a n n n r n ou o O l Y r cce t is somethi g ﬁ e , the y c uld 2 2 a n remot e purch ase in so remo ved dwelli g . Ros I a bin o o fman : but n an o . h ve t ld so y i deed , lde ou Unckle o f n au to e a w ho w as religi s mi e t ght me sp ke ,

52 I E IT III 11 6 - AS YO U L K [ . . 3 3 3 99

in o u an n an man o ne a n o u t o o his y th i l d , th t k ew C rtship r fe l in o I a ar r a ma well : fo r the e he l ve . h ve he d him e d n L o a a n and I thanke G o d I am no t a W o y ect rs g i st it, , ’ man t o be t ouc h d with so m any giddie o ffe nces as hee ’ ax d r o a h ath generally t thei wh le sex with l . r n f r O rl . C an o u r a o n a ] y emembe y the p i cip l evils , th at he laid t o the ch arge o fwo men ? e r e r no n r nc a r l Ros. a l Th e w e e p i ip l , they we e like o ne ano r as a f n e are e v erie o ne fa n the , h l e pe c , ult seemi g

fe - a a a o n ro o e t o . m st us , til his ll w f ult c m m tch it ] th r f I re e e o n o o e . O r . p ec u t s me th m No I n a a a c Ros. : o t o n o wil c st w y my physi k , but th se man a n F rr a are . r a o e a a th t sicke The e is h u ts the st , th t buses o ur yo ng pl ants with carving Rosalinde o n their ar an Q a o n Hau o rne and E o n b kes ; h gs des up th s , legies ra all o r o o n na o f Rosalinde b mbles ; (f s th) defyi g the me . I I o a Fan - o n r I o f c uld meet th t cie m ge , w uld give him o o o oun fo r se e me s t o a uo an s me g d c sel , he h ve the Q tidi o f n Lo ve upo him . 3 53 ’ O rl I am a so Lo - shak d I a ou . he th t is ve , pr y y tel r r e me y o u emedi . Ros e r non o f Unckle s ar o n o u . Th e is e my m kes up y he taught me ho w t o know a man in lo ve : in which cage o f r I am re ou art no t r o n r u . ushes , s y p is e l a r ar ? O r . Wh t we e his m kes 3 59 Ros A le ane e e i ou a no t : a cie . ch ck , wh ch y h ve blew and n n o u a e no t : an un o na su ke , which y h v questi ble spi c o u a e no t : a e ar n e c c o u rit , whi h y h v b d egl ted , whi h y a no t : I ar o n o u fo r a fo r o ur ha h ve ( but p d y th t , simply y n in e ar a o n e r ro r rev e nne w n o ur vi g b d , is y g b the s ) the y ’ o ou be un arter d ur o nn un an o u h se sh ld g , yo b et b ded , y r ’ ’ unbutto n d o r o o unti de and e v erie n sleeve , y u sh , thi g

Le ors e c t u re s- - F 0 de in — - . ct : . . : f n 2 F 3 37 l 3 4 3 5 fy g d e i y i g 4 . r — - F 8 a t : are z . 3 5 . 4

S3 III 11 0 0 - AS . . 4 43 9] YOU LIKE IT

a o u o u on ra n a care le sse o a o n : o b t y , dem st ti g des l ti but y u are no such man ; yo u are rather po int d e vice in y o ur ac c oustre me nts as o n o ur f n n LO , l vi g y sel e , the seemi g the r f an r v e o y o the . 3 7 0 ] Fa r o o u a O r . I I bele e e i e y uth , w uld co ld m ke thee v I Lo ve . M e bele e e ? Yo u ma asso o ne a he r Ros. v it y m ke th at o u Lo be le e v e I arran she a r t o do y ve it , which w t is pte , ’ n o n e e she do s : a o ne o f o n in the to c f ss th t is the p i ts , the n the t o r o n n But which wome stil give lie thei c scie ces . » in o o are o u a an r o n g od s oth , y he th t h gs the ve ses the r re n Rosalind so a r ? T ees , whe i is dmi ed r] I sw e are t o e e ou O . W an o f th y th , by the hite h d Rosali d I am a he a nfo r una n . , th t , th t u t te he 3 79

Ros. But are o u so u in o as o rr a ? y m ch l ve , y u imes spe k O rl e no r re a o n c an re e ho w . Neith r rime s exp ss much . Ros: is me erel a madne sse and I t e l o u Love y , y , de r as a ar o u e and a as a e n do se ves wel d ke h s , whip , m dm ’ and r a o n are no t so unish d and re the e s why they p cu d , is a Lunacie so o r nar e a the r are in th t the is di i , th t whippe s t o o : e t I ro f e r n o un e love y p ess cu i g it by c s l . O r Did o u e r re an so ? 8 l . y ev cu y 3 7 Y n n r H i Ros. e s o ne and i an e c w as to ma , this m e . n Lo e M istris: and I se t e v e rie da gi e me his v , his him y t o w o e o u I n a o on me . At which time w ld , bei g but m ish o u r e ffe na an a o n n and y th , g eeve , be mi te , ch ge ble , l gi g , n ro fan a a a a o n o n an liki g , p ud , t stic l , pish , sh ll w , i c st t, ful o f e are s f o f e fo r e v e rie a o n o e n and t , ull smil s ; p ssi s m thi g , fo r no a o n r an n as o e and o e n are p ssi t uly y thi g , b y s w m fo r o art a e o f o o r : o no w e the m st p , c ttl this c l u w uld lik no w o a : n e nte rtaine n fo r e ar him , l th him the him , the sw : no w w e e e fo r n at a I ra him p him , the spit him ; th t d ve Su o r o mad u o r o f o t o a n u o r my t fr m his h m l ve , livi g h m o f a h w as forsw eare the ful a o f m d es , which to stre m the

54.

III - . 1 A . iii 7 53] S YOU LIKE IT

A do no t n ud. I k ow wh at Po etical is : is it h o nest in dee d and w o rd : is it a true t hing ? Clo No t r lie for r o e r h . u : the t uest p t ie is t e m o st fai n n and Lo r are n t o Po e r e : and a e i g , ve s give t i wh t th y sw e are in Po e r ma be a as Lo e r e do e ne t ie , y s id v s , th y f ig . Aud Do ou n a o ha m . y wish the th t the G ds d ade me Po etical]? 2 2 ’ l do r fo r ou sw e ar st t o C ose . I t uly : th me tho u art ho n : No w if o r a P I a o o est th u we t oet , might h ve s me h pe o n th u didst feig e . Aud o o u no t a n ? . W uld y h ve me ho est ’ l N r unle sse o e r ar fa r C o. o vo u d : fo r t uly , th u w t h d 1 ho ne stie o u t o beautie to a Ho n a saw ce t o c pled , is h ve ie 1 ’ S ar l ms zt ug . e t y 4 A a e r a ] fo o le 0 7 9. m t i l . 3 Aud I am no t a r and r for I ra . Well , f i e , the e e p y the o a e n G ds m k me h o est . lo r and to a a a ho ne stie u o n a fo C . u u T ly , c st w y pp le le ane e r t o o o e a n o an unc . slut , w e put g d m te i t dish d I a n o I thanke G o dde s I u . m o t a A slut , th ugh the f 2 2 borne/ am o ule . y f n s Clo. a or o Well , pr ised be the Gods , thy f ul ess ; slut as ma be e tishne sse ma o he ere after. But y c me be it , it y , I arr e : and t o a e nd I a e bin t Sir wil m ie th e th t , h v wi h liv er M ar - t e t t he V ar o f ne xt v illa e w ho a O x , ic the g , h th ’ ro mis d t o e o in a o f Fo rr and to p m et me this pl ce the est, 2 c ouple us . 4 I a n se e n 7” would f i e this meeti g .

Aud. ] t he o e us o . We , G ds giv j y o e n man ma if r o fa ar ar Cl . Am . A y he we e fe ful he t , stagger in this atte mpt : fo r heere w e e h ave no Temple

- o o no a but b o rn e a . But a but the w d , ssembly e b sts wh t m are o o e are ne ce s ou o ra e . o e th gh ? C u g As h s di us , th y I man no no e nd o f o o ar . a an a s ie t is s id , m y k wes his g ds ;

56 as YO U LI E IT IIL - 88 K [ iii . 54

: M an a man has o o Ho m and no no e nd right y g d es , k ws ’ a he do w rie o f e no n o f . t them Well , th t is his wif , tis e o f o w ne e n orn e n so o o re men a o n his g tti g ; h es , ev p l e No no no e D r a e as as Ras , , the bl st ee e h th th m huge the ’ a : I the n man r o r e ? No as a w all d c ll s si gle the ef e bl ssed , o n o re o r er n a a so is o r T w e is m w thi the vill ge , the f e e a o f a arr man o r o no ra e n t he ar h d m ied , m e h u bl the b e bro w o f a Batcheller: and by ho w much defence is be t t er n no so u a m r o u the skill , by m ch is ho e mo e preci s n o an the t w t .

r i l a - 6 0 Ent e S r O iv er M r t ex t .

Heere co me s Sir Oliv er : Sir Oliv er M ar - t e x t you are ] o u a e r n r r or we met . Will y disp tch us h e e u de this t ee , shal w e go with yo u to y o ur Ch appe ll? I r no n r t o o an 0 1. s the e e hee e give the w m ? l I n a e her n uift f an an o t o o m . C o. wil t k g y h n n 0 1. ru s e u o r a a o t T ly m st be give , the m rri ge is lawful] . d he r o . r r e I o ce e : . y u P oceed , p le give r ’ l o o n o M a e a ho w do o C o. G d eve go d wh t y c l t : y u Sir o u are v erie : o ddild o u fo r o r a , y well met g y y u l st o an I am r c a t o ou n a in an c mp ie , ve i gl d see y , eve toy h d ’

re Sir: Na ra cov e r d. 2 hee y, p y be 7 M a . o u be arr o ? j g Wil y m ied , tley l ir r C o. a bo w s r As the Oxe h th his , the ho se his cu b , and Fa o n her so man a his and as the lc bels , h th desires , o n so w edlo cke o niblin Pige s bill , w uld be g. o An o u n a ma f j g. d wil y (bei g n o y o ur breeding) be a n r a u a r? o u to c rc m rried u de b sh like begge Get y hu h , and a a o o r a can ou a a a h ve g d P iest th t tel y wh t m rri ge is , f o n o u r as o n this ellow wil but j y e y togethe , they j y e

2 . bornes ev en so oore men alone: H o r s ? E 3 0 Po o r 5 , p n v e n . m n a o ne ? —T e l HEOBALD .

S7 III 111 88— iv 1 1 AS Y I E I . . . ] O U L K T

a n n o ne o f ou ro a shrunke ann ] W i scot , the y wil p ve p el ,

and r ne r ar ar . 8 2 like g ee timbe , w pe , w pe lo I am no t in the n but I r e r t o be e C . mi de , we e b tte a o f n o fano r for no t e t o mar m rried him the the , he is lik rie me ] : and no t n ] ar e it a o o we bei g we m ri d , wil be g d fo r me heere after t o a f excuse , le ve my wi e . a G o e f g. thou with mee , e n e And l t me cou s l thee .

Clo. o sw e e te Audre [ ] C me y, u ar o r u in baudre : 0 We m st be m ried , we m st live y 9 ' Farew e l o o M liv er : No t liv er 0 ra g d O O sweet O , b ve liv er a no t n : But n e a a O le ve me behi d thee wi d w y , bee ome I sa I no t to n g y, wil weddi g with thee . ’ ’ no a r r a an a O I. Tis m tte ; Ne e f t stical knave of them all a u f a n unt sh l ﬂo t me out o my c lli g . Exe

e cano uar S Q ta.

[ Tbe foresn]

’ Ent er osalind l a R ES Ce i .

Ros e r a to me I w e e e . . N ve t lke , wil p Cel Do I re the e e t a he ra t o r . t ons d p , but y h ve g ce c i e , a ar do no t o e a man th t te es bec m . Ros But a I no t c a t o w e e e ? . h ve use p Cel o o au as o ne u . As g d c se wo ld desire , r o w e e e The ef re p . His r a r Ros. ve y h i e I o f n c o o ur s the dissembli g l . l So e n ro ne r n udasse s Ce . m thi g b w the J u s s o n re n M arrie his kisses are J da se w e child . ’ Ros I a a r o fa o o o o r. . f ith his h i e is g d c l u

- — - — bee 11 rre u ar verse S . 8 8 . ro rt 1 . s N N se o 0 . : 6 . 7 p P . 9 3 i g l JOH O - ro — rn 7 1 7 . p se Po .

58 AS LIK I II 1 2 - YOU E T [ L iv . 49

An n o r Cel . excelle t c lou Yo ur Che sse nut w as ever the o nely col o ur f i i Ros. And i n as iii ] o sanct t e his k ssi g is , r As the touch o fh o ly b ead . e He e a o a a r o f a o fDiana : a C l . h th b ught p i e c st lips Nun o f n er r no t o r re li iou slie wi t s siste hood kisses m e g , in 2 0 the very yce o fch astity is them . Rosa But sw e are u . why did hee hee wo ld come this o rn n and o no t? m i g, c mes

l Na r a n r no u in . Ce . y ce t i ly the e is tr th him Ros Do e o u t hinke so ? . y hi k t r n a o r Cel . I t n e no a u or Yes , he is picke p se , h se e a r but fo r r in o I do e thinke as st le , his ve ity l ve , him o n a as a r o o r a o r - a n nut c c ve cove ed g blet , W me e te . ru in 2 8 Ros. Not t e love ? Cel n in but I thin e no t in . Yes , whe he is , k he is . Y r w Ros o u a ar sw eare o n as. . h ve he d him d w ight he Cel W as no t : be o a L e r no . , is is sides , the th of ov is ro n r n o r o f a a r are o st ge the the w d T pste , they b th the c onﬁrme r a r n n a n r in the fo r of f lse ecko i gs , he tte ds he e r o n Du our a est the ke y f ther .

Ros. I D a and had ue met the uke yesterd y , much q stion with him : he askt me o fwh at parentage I w as; I ’

o o fas o as he so lau h d and me e o e . t ld him go d , he g let g But a a Fa r n re a man wh t t lke wee of the s , whe the is such 1 as O rlando? poor 3 9 l ’ Ce . a a ra man r a r e O th t s b ve , hee w ites br ve ve s s , a ra e o r sw e are s ra o a and bre ake s spe kes b v w ds , b ve thes , ra e ra e r a ar ar o fhis lo them b vely , quit t v s thw t the he t l v e r as a uisn r a r or o n o ne , p y Tilte , th t spu s his h se but ’ bre ake s aff a no o o but a ra side , his st e like ble g se ; ll s b ve a u h un and u : r ? th t yo t mo ts , folly g ides who comes hee e

- - - - 1 tbc: t h e 2 F. 1 Lov er : o f a o v e r 2 F. 7 . 4 3 . of l 4 59 0 — v AS I E I III . . iv . 5 9] YOU L K T

Ent er Corin.

or in M istre sse and M a r o u a o ft n u r C . ste , y h ve e q i ed ’ r the S e ar a c o m lain d o f o Afte heph d th t p l ve , W ho o u saw n o n the T ur h y sitti g by me p , Praising the proud disdainfull Shephe rde sse a a i e ss Th t w s his M str e . l e : and a o f ? Ce . W ll wh t him Cor I ou se e a a an t rue l a . f y will p ge t y pl id Be t w e e ne the a e c o o n o f rue Lo p l mplexi t ve , And t he re d o o f sc o rne and ro w d disdaine gl we p , G o e n e a and I a o n u ou he c little , sh ll c d ct y ar e If yo u will m k it . le t s e e Ros. 0 o u c me , r mov , The sight o f Lo vers fe e d e th tho se in l o ve Br n t o and o u a sa i g us this sight , y sh ll y I ro a a r in r a le p ve busie cto thei pl y .

Seena Q uinta .

b r a ly [Anot e p rt of t e for est . ]

Ent er Silv ius and Plo o e e .

b o d e no sc rne y Sil . S P e e o t o do no t Pl e oe weet me , Sa a ou o e me no t sa no t so y th t y l v , but y In bit t erne sse ; the c o mmo n e x e cuti o ner ’ ’ Whose heart th accust o m d sight o f death m akes h ard Fa no t axe o n e ne c lls the up the humbl d k , But ﬁrst be gs pardo n : will yo u ste rner be Then he th at die s and lives by bl o o dy dro ps ?

Ent er Rosalind e lia and orin oebind , C , C [ ]

Ploe I o no t e c o ne r . w uld be thy ex uti , I fo r I u no t n r e e ﬂye thee , wo ld i ju e th

60 AS LIKE I IIL 1 0 - 8 YOU T [ v . 3

ou te llst r in n Th me the e is murder mi e eye , ’ re r and r r a Tis p tty su e , ve y p ob ble , a a are ﬁ' ailst and o f n s Th t eyes th t the , s test thi g , W ho o ar a o n atom e s shut their c w d g tes y ,

S o a ran r r r . h uld be c lled ty ts , butche s , mu the ers No w I do e fro w ne o n e e all ar th with my he t , And n can o n no w e if mi e eyes w u d , let th m kill thee No w o n to n no w a o n 2 0 c u terfeit swou d , why f ll d w e , O r ou an no t o h for a fo r ha if th c st , sh me , s me , L e no t t o sa ne e are r r : y , y mi yes murthe e s No w o n n a a in shew the w u d mi e eye h th m de thee , S ra a in and r re maine s c tch thee but with p , the e So me scarre o fit : Le ane up o n a rush T he Cicatrice and capable impressure Thy palme so me moment ke epe s : but now mine eyes I a e ar at r no t Which h v d ted thee , hu t thee , No r I am sure there is no force in eyes a can do e r Th t hu t .

Sil . r Plyeoe O dee e , If ever ( as that ever m ay be ne e re ) Yo u in o ﬁ' esh c e o r o f an meet s me che k the p we f cie , Then shall yo u kno w the wo unds invisible a L n rr Th t o ves kee e a o ws make . Ploe But a . till th t time o no t o ne ere : and n a C me th u me whe th t time comes , Aﬁiict mo cke s itt no t me with thy , p y me , a I a no t itt As till th t time sh ll p y thee . Ros And I ra o u ? w ho o ur o r . why p y y might be y m the a o u n e and all at n 1 Th t y i sult , xult , o ce 4 Over the wretc hed ? wh at th o ugh yo u hav no beauty fa I no o r in ou As by my ith , see m e y

- 1 . rett sure: re t t s u re T . 4 p y p y , HEOBALD Le n n - - 2 . a e u o : e a n b u t u o 2 F 5 p l p n 4 . — - . w ounds: w o n d s 2 F 34 u 4 .

6 1 - III. 2 AS v . 39 7 ] YOU LIK E IT

Then witho ut Candle may goe darke to bed Must yo u be therefo re pro w d and pit tile sse ? Why wh at me ane s this? why do yo u lo o ke o n me? I se e no m o re in you th e n in the o rdinary ’ a re a e - w o rke ? o ds e Of N tu s s l my littl life , I thinke she meane s t o tangl e my e ie s t o o No fa ro u M ist re sse o no t a r ith p d , h pe fte it, ’ no t o r n e bro w e s o r a a r Tis y u i ki , y u bl cke silke h i e , ou - a no r o ur o f creame Y r bugle eye b lls , y checke Th at can entame my spirits t o y o ur w o rship : Yo u o o S e ar r o r do o u fo o f lish h phe d , whe ef e y ll w her L o So u ullin n and ra ne ike f ggy th , p g with wi de i , Yo u are a th o us and tim e s a pro pe rer man ’ n she a o an foo le s as o u The w m . Tis such y Th at m akes the w o rld full o fill - fav o urd children ’ T is no t her a ou a Ha r he r gl sse , but y th t tte s , And o u t o fyo u she se es he r se lfe m ore pro pe r Then any o fher lineaments c an sho w her But M istris no o u e fe o n o n o r n , k w y r s l , d w e y u k ees And thanke a e n a n fo r a o o an he v , f sti g , g d m s love ; Fo r I o u r n in o r c ar must tell y f ie dly y u e , S n ou can o u are no t for all ar e ell whe y , y m k ts C r man e r o a e o f r y the m cy , l ve him , t k his fe ,

o u o o n o to a o ff . F le is m st f ule , bei g f ule be sc er fare o uw e l So a e he r t o S ar l . t k thee hephe d , y b o I ra o u a e r r P e . S weet y uth , p y y chide y e togethe , I had ra e r r o n man w o o e 0 u . th he e y chide , the this 7 ’ Ros H falne in o o r fo ulne sse ] . ees l ve with y u , shee l Fa in o an Ifit so as a ll l ve with my ger . be , f st answ e res r n n lo o kes auc As she thee with f ow i g , ile s e Her with bitter words : why lo o ke yo u so upo n me? b F r n I ar o u P e o o . . ill will be e y o I ra o u no t a in o mee R s. p y y do f ll l ve with ,

- — 1 . rwe Po px 7 4 p . 62

III 1 0 - 1 AS LI E I . v . 3 3 3] YOU K T

Th at the m aine h arvest re ape s: lo o se no w and then scat t re d and a Ile o n 1 0 A smile , th t live up . 1 Pb Kno w s o the t a o to r e . t th u you h th t sp ke mee ye e whil e ? o t r e I a e o ft Sil . ve y w ll , but h v met him , And he h ath bo ught the Co ttage and t he bo unds l a l o n w as M a r o That the o d C r ot ce ste f. Pb hinke no t I e I as f r e . T k o lov him , though him , ’ a i bo t alke s Tis but peev sh y, yet he well , But wh at care I fo r w o rds ? yet words do well When he th at speakes them ple ases those that he are I a r o no t re t tie 1 1 t is p etty y uth , very p , 9 ’ But ur ro and r o s e hee s p ud , yet his p ide bec mes him ; ’ He e ll m ake a pro per man : t he best thing in him Is his co mpl e xio n : and faster then his to ngue Did a o ff n e b a : m ke e c , his eye did e le it up ’ He no t r a fo r e e re s a is ve y t ll , yet his y hee s t ll ’ His so and leg is but so , yet tis well r w as a r re dne sse in The e p etty his lip , r r and o r lustie re d A little ipe , m e ’ Then th at mixt in his c he e ke : t w as just the difference maske 1 2 B o n an red and n Da . etwixt the c st t , mi gled 9 r o n Silv ius had a The e be s me wome , they m rkt him In ar as I o u a o n m r p cells did , w ld h ve g e ee e T o fall in love with him : but for my part o him no t no r a no t : and l ve , h te him yet hav e r au o a n t o o mo e c se t h te him the l ve him , Fo r wh at had he t o do e to chide at me? He a n e r a and a r a s id mi e eyes w e bl ck , my h i e bl cke , ’ And no w I am re me mbre d sc o rn d at : , me ’ I ar ] I answ e r d no t a aine m vel why g , ’ But th at s all o ne: omittance is no quittance

— — - Hav e : h av e 2 F. 1 erew bi/e e re w h e F. 1 . I 1 1 . y : il 4 34 4

64 AS IKE I II — IV 2 0 L . 1 . YOU L T [ v 34 . i

I r a r an n L r le w ite to him ve y t ti g ette , And u a ar l ou Silv ius? tho sh lt be e it , wi t th

Sil . Pbeoe all ar . , with my he t P I r ra be . le w ite it st it ’ a in a and in ar The m tter s my he d , my he t , I r and a n r will be bitte with him , p ssi g sho t ;

E eunt . Goe with me Silv ius. x

eena rzma. A otus Quartus . S P

[l e foresA ]

nt er Rosalind and elia and a ues. E , C , 7 o

a I re the e r outh ]e t r a ua n 7 o. p , p etty y , me bette cq i ted with thee . sa are a melancho ll o Ros They y you y fell w .

a I am so : I do e o r n au n . y g. l ve it bette the l ghi g - f r are a b o Ros. o a are in r o Th se th t ext emity eithe , b na and ra t r mo mi ble fellowes , bet y hemselves to eve y rn n u or n r n ar de e ce s re, w se the d u k ds . ’ a o o t o sad and sa no n 1 0 7 o. Why , tis g d be y thi g . ’

R n o o t o a o . os. Why the tis g d be p ste a I a e ne r the Scho lle rs an o 7 o. h v ithe mel ch ly , which u a o n : no r M u an an a a ] is em l ti the siti s , which is f t stic l ; no r the o r r ro : nor So u r C u tie s , which is p ud the ldie s , a o : no r the Law ie rs c t which is mbiti us , whi h is poli ick no r La is n : no r Lo r the dies , which ice the ve s , which all : but a anc o o f n o w ne co m is these it is mel h ly mi e , n o f an ra ro an o pou ded m y simples , ext cted f m m y bjects , and n sundrie o n e a o n o f trav e lls in i deed the c t mpl ti my , o n ru na on a in a o u o which by fte mi ti , wr ps me m st h m o u sadne sse 2 1 r s .

m b r - - b : m — 2 - e ett e m e b e b e t t e r 2 F. 2 0 . F 3 . 4 y y 4 6 s IV 2 1 - 0 AS YO U LIKE IT . i . 5 ]

ra r : fa ou ha r a re a Ros. A T velle by my ith y ve g e t so n t o sad : I ar o u a o o r o w ne Lan be fe e y h ve s ld y u ds , to se e o r n n t o a n and t o a the me s ; the h ve see e much , h ve no n t o a r e and o o r an thi g , is h ve ich yes p e h ds . ’ Y s I a ain d r n a e . 7 o. , h ve g my expe ie ce

Ent er rlando O .

o And ur n a o sad ha R s. yo experie ce m kes y u : I d ra er a a fo o le a r n n o th h ve to m ke me me rie , the experie ce t me sad a o ra f r a nd t a s o t o o . 0 m ke , t v il it

O r l . o o da and ha ine sse e e r R ali os nd. G d y, pp , d e a Na e n G o d o u and o u talke in an j g. y th buy y , y bl ke r e 1 a ve s . dispar g e Ros a M o unsie ur T rav ello r: lo oke o u . F rewell y and ar an u a 1 all n lispe , we e str ge s ites ; dis ble the be eﬁts o f y o ur o w ne C o u ntrie : be o ut o f l o ve with y o ur nativ itie and a o c G o d fo r a n o u a , lm st hide m ki g y th t countenance you are ; o r I will scarce thinke yo u h ave a in a G unde llo ho w no w r lando r sw m . Why O , whe e h ave yo u bin all this while ? yo u a l o ver? and yo u e r ano r tric ke ne r o in s ve me such the , ve c me my sight o r 2 m e . 4 O rl M fa r Rosalind I o e t n an our . y i e , c m wi hi h e ofmy ro p mise . os Bre ake an o nre ro in a R . h s p mise love ? hee th t a n n o a o an ar and b re ake will divide mi ute i t th us d p ts , but a part o f the th ousand part o fa minute in t he affairs o f o ma a a u id at c a l ve , it y be s id of him th t C p h h l pt ’ o th o r I arran e ar o him sh ulde , but le w t him h t h le .

O rl ar o n r Rosalind. . P d me dee e

’ - - - nd nd: a o pz . bu e n o rz 0 . a n P 2 : b W i C . a : a . 3 . y APELL P 4 — w b — bou nd h e . ole: h o e t w F. 47 sa : t h o u s a n dt R o . 49 l 4 6 6 AS YO U LIKE IT IV 1 1 - 86 [ . . 5

N and o u o ar o n i Ros. a s o n y, y be t die , c me more my ’ I had as o o f a Snail e . sight , liefe be wo d r l a Snaile ? O . Of Ros I o f a Snaile : fo r o u o o . , th gh he c mes sl wly , hee carries his h o use o n his h e ad ; a be tte r jo ync ture I thinke n o u a a o an : r n de stinie the y m ke w m besides , he b i gs his

with him . ’ rl a a ? O . Wh t s th t o o m : u as o u are a n to R s. Why h es which s ch y f i e be be holding t o your wives fo r: but he co mes armed in o r n and re n the an r o f 6 1 his f tu e , p ve ts sl de his wife . r V r u no orn - a r : and Rosalind is O l . e t e is h e m ke my r o ve tu us . And I am o r Rosalind Ros. y u . I a a o u so : but a a o a Cel . t ple ses him to c ll y he h th R s a r r n o u lind of bette lee e the y . Ros o e w o o e me w o o e me e : fo r no w I am In a . C m , , o - da o r and e no to o n n : a h ly y hum , like ugh c se t Wh t ou o u sa no w and r o r e r ic w ld y y to me , we e y u v ic , ver Rosalind? 7 0

l I u kisse o re I o . O r . wo ld bef sp ke Ros Na o u r e e r e a r and n o u . y, y we e b tt sp ke ﬁ st , whe y ’ r ra el d for a o f a t r o u a o c we e g v , l cke m t e , y might t ke a o n t o kisse : r c o ra o r n are o ut c si ve i go d O t s whe they , w t and fo r l r lac kl n arn us they ill spi , ove s , g ( God w e ) ki a r anl sse . m tte , the cle iest shift is to Ho w t h e kisse b e de ni de ? O rl . if

Ros. n she ut o u t o e ntre atie and t r in The p s y , he e beg s w ma r ne tte .

O r l . u o ut n o Who co ld be , bei g bef re his beloved Mistris? 8 1

Ros M a a o o u if I r o r Mistri s . rrie th t sh uld y we e y u , ho ne stie ran r n o r I sh o uld t hinke my ke the my wit .

— - 1 and: a n Po n 6 . and: a rr ort . 5 . . 9 P 6 7 V - 1 2 2 AS KE IT I . 8 I i . 7 ] YOU L

rl a o f O . u ? Wh t , my s ite

Ros. No t o f o ur a arrel] and out o f u out y pp , yet yo r sui te Am no t I y our Rosalind? O rl I a o o sa o u are au I o . t ke s me j y to y y , bec se w uld a n o fher be t lki g . Ros in her o n I sa I no t a ou . Well , pers , y will h ve y . r l n in n o w ne e r n I O . o 1 The mi e p s , die . 9 Ros No fa rn : o o r or . ith , die by Atto ey the p e w ld is a an eeres old and in all r lmost six thous d y , this time the e w as no t anie man died in his o w ne pe rso n ( v idelieet ) in ’ a lo ve cause : Troilous had his braine s dash d o ut with a r an y e t he a o t o or G eci club , did wh t hee c uld die bef e , f a and o ne o f atterne s o o . Le nder o he is the p l ve , he w uld ’ ’ h ave liv d manie a faire ye ere th o ugh Hero had t urn d Nun had no t bin fo r a ho t M o r- n for ; if it ids me ight , ( go od youth ) he we nt but fo rth to w ash him in the He ] ’ le s o nt and n a n the ra w as dro un d p , bei g t ke with c mpe , , and o o C hrono cle rs o f a a e fo n w as the f lish th t g , u d it m n a Hero o f o . But e are all e Cest s th se lies , h ve died ro to and w orme s a a n but no t f m time time , h ve e te them , f r o 1 0 o l ve . 5

O rl . I u no t a Rosalindof n wo ld h ve my right this mi d, for I he r fro w ne protest might kill me . Ros B an no t a Hie : but o . y this h d , it will kill c me , no w I will be yo ur Rosalind in a mo re co mming- o u dis o t o and a a o u I an n : r . p si i ske me wh t y will , will g t it O r l n o Rosalind 1 1 1 . The l ve me . s fa I fridaies an sa r and all Ro . d te daies . Yes ith will , , rl And w o u a ? O . ilt th h ve me os I and t w e ntie u R . . , s ch r a saie st ou? O l . Wh t th Are o u no t oo Ros. y g d ?

O rl . I hope so . 68 E IV 4 IK I . 1 2 6 AS YOU L T [ . i 3 5

o alind e n can o ne re t o o u o f a R s . Why th , desi m ch n : e r ou a r and go o d thi g Come sist , y sh ll be the P iest , m arrie us : give me y o ur hand Orlando : Wh at doe you say sister? 1 2 1

Pra arr . O rl . y thee m ie us

I anno sa o r . Cel . c t y the w ds

Y n o u r land . os . o u o R must begi , will y O G o e t o o: o u rlando a Ro Cel . wil y O , h ve to wife this salind?

r I . O l . will I n? Ros . , but whe he an O rl . now as a as s c a us. Why , f st m rrie n u u sa I a Rosalind fo r Ros. o The y m st y, t ke thee fe 1 1 wi . 3 fo r f I a Rosalind . O rl . t ke thee wi e I o u for o r o Ros. a u n might ske y y C mmissio , ’ But I do e take thee Orlando fo r my h usband : there s a irle o e o r r and c e rtainel a o an g g es b f e the P iest , y W m s r n tho ught runs befo re he actio s . ’ So do all o are w in d O rl . . th ughts, they g N ho o n u a af Ros. o w w o u tell me l g y wo ld h ve her , te r yo u h ave po sse st her? F an a a 0 O rl o r r d d . 1 . eve , y 4 da w i hout r no no r ando e n Ros. Sa a t : O l m y y, the eve , , are r ] n w o e D r n : Ap il whe they , ecembe whe they wed M aide s are M a n are maide s but an ywhe they , the sky ch ges when they are wives : I will bee more jealo us o f t n a Ba ar o - o n r he n r hee , the rb y c cke pidge ove his , mo e a o ro e n a Parrat a a n ra n o ne w - an cl m us th g i st i e , m re f g le d n an a e o r in r n a mo n the p , m e giddy my desi es , the : I w e e e fo r no n Diana in Fo n key will p thi g, like the u ’ ain I do a n o u are dis o s d t o rr : t e , wil th t whe y p be me y

1 rose - o rt 3 3 . p P .

6 9 IV 6 - 1 a y o . i . 1 5 94] s u LIKE IT

’ I a a H n and a n u art n lin d will l ugh like ye , th t whe tho i c t s e o l e pe . 1 5 1 But osa ind do e so O rl . will my R l ? os B e do as I R . e . y my lif , she will doe O r she l . O but is wise . Ros O r o no t a t d h . else shee c uld h ve the wit o o e t l s er w a w arde r: a the do o re s u o n a w the wis , the y m ke p o an and o ut at the a n : u a and m s wit , it will c seme t sh t th t , ’ ’ at - o e : o a tw ill f]ie twill out the key h l st p th t , with the smoake o ut at n the chim ey . man a ha e O rl . d a u a A th t wif with s ch wit , he might ’ sa r ? 1 6 y, wit whethe wil t 1 Ros Na ou e s a f r . o o u y, y might ke p th t checke it , till y me t o r o n t o r ne o r y u wives wit g i g you ighb u s bed .

O rl . And a o a e t o u a ? wh t wit c uld wit h v , exc se th t M a Rosa . rr sa she a t o se eke o u r : o u y to y, c me y the e y a n r a he r o he r an unle sse o u a sh ll eve t ke with ut swer , y t ke her without her tongue : 6 th at w o man that canno t a he r a her u an o a o n le t he r n r n r m ke f ult h sb ds cc si , eve u se her he r fo r r a fo o le childe selfe , she will b eed it like . r F r h ur salind e a e O . o I e l o e s Ro e . these two , wil l v the Ros a e r o I anno ac e w o ho ur t es. . Al s , d e e l ve , c t l ke the Du at nn r w o o c O rl . I a n t a must tte d the ke di e , by cl k I a ain 1 will be with thee g e . 7 3 Ros I o e o r w aie o r w ai s I n a . s e e : , g y u , g you k ew wh t o u o u ro fri e n as and I y w ld p ve , my ds told mee much , th o ught no lesse : th at fl attering tongue o fyours w o nne ’ ’ : o ne a a a and so a : tw o 0 me tis but c st w y , come de th clo cke o r o r is y u h w e .

d. 1 O rl . I Rosalin , sweet 7 9 G d Ros. B r and in o o arn and so o y my t oth , g d e est , n and all r a a are no t an me d mee , by p etty o thes th t d ge

’ l - T nz o A n 1 2 a c oc c o ck n L . 7 . k : o l

Seena See unda.

Tbe or t [ f es . ]

Ent er a ues and Lor ds Forrest ers j o , .

a c a the D 7 o. Whi h is he th t killed e are? Lord Sir w as I . , it . ’ 4 L r n ‘ 7 7 ° et s p e se t him to the Duke like a Ro mane C o n ue ro ur and o to se De ar q , it w uld doe well t the es rn o n a fo r a ran o r a o u ho s up his he d , b ch of vict y ; h ve y no so ng Fo rre ster fo r this purp o se ? Lor d Eon . Sir [ ] Yes . ’ a . S n : tis no a r in n f g i g it m tte how it bee tu e , so it a no se no u 1 1 m ke y e gh .

M usicke So n , g .

For W bat sba b ba ba b b [ . ] ll e v e t t ild t e Deare? His Leat b r e skin, and bornes t o w eare:

Tben sin binz bonze t be rest sball beare t bis burt b n g , e ; Take t bou no st or ne t o w eare t be borne, It w as a r s a ( e t ere t bou w st borne, Tb a t bers at ber w ore it yf f , And t b al ber bore it yf , Tbe borne t be borne t be lust borne , , y , Is not a t bin t o lau b t o st orne g g .

St anza Tertia .

b [ T e forest . ]

a i a d lia Ent er Ros l nd n Ce .

H sa n a t o a o ? Ros . o w o u no w o t w y y , is it p st cl ck

And heere much Orlando. Cel I a an o u u o u ra n . w rr t y , with p re l ve , tro bled b i ,

1 tbe rest sball bea re bi burtben: r nted as st a e d re ct o n 5. t s p i g i i ’ - - — T . a cloc : c o c k T . . rose o r n. HEOBALD 3 . k O l HEOBALD 3 7 p P Ent r ilv i s e S u .

’ a ane bow and arro w e s and n o He h th t his , is go e f rth l l o ke w ho o h r To s e e pe : o c mes ee e . il M rran ou fa o u S . y e d is to y , ire y th , M n Pbebe o u y ge tle , did bid me give y this I kno no t o n e n as I w the c t ts , but guesse B rn ro and a a o n y the ste e b w , w spish cti s he use as she w as r n o f Which did , w iti g it, I e are an an r n re ar o n t b s g y te u ; p d me , I am a a uil le ss n r but s g t e messe ge .

Ros. a nc he r e o u ar at r P tie e self w ld st tle this lette , And a the a r r e ar ar all : pl y sw gge e , b e this , be e S a I am no t a r a I a ann r hee s ies f i e , th t l cke m e s , She a me ro and a o u no t o c lls p ud , th t she c ld l ve me ’ ’ r man as rare as P n : o d s We e he ix my will , He r o no t Har a I do e n l ve is the e th t hu t , r e she so t o ? S e ar Why w it s me well h phe d , well , a L r o f o ur o w ne This is ette y device . Sil No I ro I no no t on n . , p test, k w the c te ts , Pb be r e did w ite it . Ros o o o u are a fo o le . C me , c me , y , ’ nd u u n o r o f A t r d i t the ext emity lo ve . I saw he r an she has a le athe rne an h d , h d , A freesto ne co l o u red hand : I verily did t hinke a her o ld o r o n a he r an : 0 Th t gl ves we e , but tw s h ds 3 ’ She has a u e an a no a r: h swiv s h d , but th t s m tte I sa n r n n e e r y she eve did i ve t this l tt , h a an n n on and an T is is m s i ve ti , his h d . il S r is e r S . u e it h s . Ros t is a bo stero us and a rue ] . Why , y c l stile , fo r a e n r : she fi A stile ch ll ge s why , de es me , Like Turke to Christian : wo mens gentle braine

did bid — - 1 0 . b i 2 F : d 4 .

iv . 6 IV iii - 6 8 a s YO U LI E IT . . 3 4 ] K

o u no t ro u an ru n n on C ld d p forth s ch gi t de i ve ti , S E o o r a r in r ff uch thi p w ds , bl cke thei e ect Then in th e ir c o untenance : will yo u heare the letter? i So e a o u fo r I n e r ar S l . pl se y , ev he d it yet ar t o o u bebes crueltie Yet he d m ch of P . She Pbeb s ar ho ran Ros . e : w r me m ke the ty t w ites . b ’ R a . Art t ou od t o Sbe berd t urn d? e d g , p ’ b b a ba b r T a t a rnaidens e r t t bu u d. Can a w o man raile thus? il a ou t ra n S . C ll y his ili g? a W b b b a R . ad l a a Ros. t od e id rt e d y, y g p , ’ W ar st t bou w it b a w onzans bear t ? Did you ever heare such railing? W biles t be e e man did w ooe rne y of , ba t t ould do no v en eant e t o m T g e . M an n me a a e i g be st . If t be st orne of your brigbt eine Hav e ow er t o raise sueb lov e in mine p ,

Alas/be in me w bat st ran e t ? ! , , g (ﬁ W ould t bey w orbe in rnilde aspe ct ? W biles ou ( bid me I did lov e y , , How t ben rnigbt your praiers rnov e? He t ba t brin s t bis lov e t o t b e g e , Lit t le know es t bis Lov e in ine

And b birn seale u t b minde y p y , W bet ber t bat t by yout b and kinde W ill t be fait bfull W 7“ t ake O me and all t bat I can make f , , O r else b birn m lov e denie y y , b d b And t en Ile st u ie ow t o die .

Sil Cal] o u C n ? . y this hidi g

a o o re S ar . 6 Cel . Al s p hephe d 9 s Do e i t No he e r no itt : Ro . t ? you p y him , d se ves p y wilt th o u lo ve such a wo m an? wh at t o m ak e thee an in

74 AS YO U IKE IT IV 6 8- 8 L [ . iii . 9

ru n and a a straine s u n ? no t to e n st me t , pl y f lse po thee be ’ r o e our w a to he r fo r I se e L e a u . o d d Well , g y y ; ( v h th m ade th e e a tame snake) and say this t o her ; Th at if she o I ar her t o o : if she no t I l ve me , ch ge l ve thee will , will n r a her unle sse o u n re a fo r he r: o u b e e a eve h ve , th i t t if y ru r n and no t a o r fo r e r o e o r t e love he ce , w d ; h e c m s m e an E it il . S . comp y x .

Ent er Oliv er .

liv . o orro a r o n : ra o u o u O Go d m w , f i e es p y y , (ify kno w ) 80 e r in Purle w s o f i Fo rr an Wh e the th s est , st ds ’ - o a fenc d a - re A sheep c t , bout with Olive t es . f la o n in n o r el . o o C West this p ce , d w the eighb b ttom ran o f O z ie rs ur ur n r a The ke , by the m m i g st e me L o n o ur r an r n o u t o ac e eft y ight h d , b i gs y the pl But at r o o ke e e f this how e , the h use d th p it sel e , ’ n n There s no e withi . I a an ma ro a n O li . o f th t eye y p ﬁt by t gue , n ou I no o u r o n The sh ld k w y by desc ipti , S c ar n and c e e re s : t he bo a r 0 u h g me ts , su h y y is f i e , 9 fe mall a o r and be sto w e s himse lfe Of f v u , Like a ripe sister : the wom an lo w And bro wner then he r bro ther: are no t yo u The o wne r o fthe h o use I did enquire fo r? ’ Cel . I no o a n ask d to sa are t is b st , bei g , y we . lando o o n t o u o O li. r o O d th c mme d him y b th , And t o a o he e a his Rosalind th t y uth c lls , He se nds this blo u dy napkin ; are yo u he ? I am : a un e r an ? Ros. wh t must we d st d by this f a if 0 O li. So e o o u no o f 1 0 m my sh me , y will k w me a man I am and ho w and and r Wh t , , why , whe e ’ an r r w as stain d This h dke che . I a u o . Cel. pr y y tell it IV - A . 1 0 S Y I E IT iii . 99 3 ] O U L K

O li. e n a n rlando ar ro o u Wh l st the yo g O p ted f m y , He left a pro mise t o re turne againe n an o r and a n rou Fo rr Withi h u e , p ci g th gh the est, n the o o o f e and r fan Chewi g f d sw et bitte cie , Loe a be fe l] : r a wh t he th ew his eye side , And m arke wh at o bjec t did present it selfe ’ n an o ld a o e o r mo ss d a e U der O ke , wh s b ws we e with g And to a e anti uitie 1 1 1 high p, b ld with dri q ra man o re - ro w ne a r A wretched gged , g with h i e Lay sleeping o n his back ; about his necke ’ re n and uilde d na had w re ath d e f A g e e g s ke it s l e , ’ W ho he r e a n in r a a ro ach d with h d , imble th e ts pp T he o pening of his m o uth : but so dainly ’ S n rlando unlink d e eei g O , it it self , And n n e a a with i de ted glid s , did slip w y In o a u un e r e a t b sh , d which bush s sh de o nn u e r all draw ne A Ly esse , with dd s drie , La co w chin a o n ro n a e a y g he d g u d , with c tlik w tch ’ When th at the sleeping man sh o uld stirre ; for tis T he ro yal] disp o sitio n o f th at beast T o r o n no n a o as a p ey thi g , th t d th seeme de d sce ne r lando a ro a the man This , O did pp ch , And fo n w as ro e r ro r u d it his b th , his elder b the . I a ar a o f a a e Cel . o O h ve he d him spe ke th t s me br th r, And he did render him the mo st unnatural] ’ a liv d a o n s me n Th t m g t . d O li . And e so o e w ll he might , F r I no he w as nna ra ] o well k w u tu l . Ros But t o rlando: a r . O did he le ve him the e ’ Fo o d t o the suc k d and h ungry Lyo nnesse ? ’

O li. urn a and ur os d so Twice did he t e his b cke , p p But kindne sse n r v r n n , oble e e the reve ge , And a ur r n n u a o n N t e st o ger the his j st occ si ,

n ld a e a ak - o rt 0 a o O : n o . 1 1 . k P 7 6 AS YO U I E IT I 1 1 - 1 K V. L [ iii . 3 59

M ade him give batt ell to the Ly o nnesse W ho u o r in r n q ickly fell bef e him , which hu tli g r ra u r I a a F om mise ble sl mbe w ked . C Are o u ro r? el . y his b the ’ ’ Ros a o u re scu d? . W s t y he ’ Cel a o u a so o ft n r to . W s t y th t did co t ive kill him ? ’ ’ li a I : but no t I : I do e no t a O . Tw s tis sh me T o o u a I w as n o n e r o n tell y wh t , si ce my c v si So l a n n I m s e e e t a . w y t stes , bei g the thi g Ros But fo r l na n? . the b oody pki O li B and : . y by n fro m t o a tw o Whe the ﬁrst l st betwixt us , ’ Teares our reco untments had m o st kinde ly bath d ho I a n a D r a e As w c me i to th t ese t pl c . I r t o n D b iefe , he led me the ge tle uke , W ho a re a a and n r a n n g ve me f sh r y , e te t i me t , o n n o ro r o C mmitti g me u t my b the s l ve , W ho n an n o a led me i st tly u t his C ve , r r himse lfe and r on a The e st ipt , hee e up his rme o nne had o rn o a a The Ly sse t e s me ﬂesh w y , all had and no w a n Which this while bled ; he f i ted , A d r in a n n o n a i d n c ide f i ti g up Ros l n e . ’ Br e I re co v er d oun u un ief , him , b d p his wo d , And afe r o a a n r n at a 1 6 0 t s me sm ll sp ce , bei g st o g he rt , He n r ran r as I am se t me hithe , st ge T o o r a o u u tell this st y , th t y might exc se His ro n ro and to na n b ke p mise , give this pki D in bloud n o the S ar o u ied this , u t hephe d y th , a in or a a ind Th t he sp t doth c ll his Ros l . Ro alin woons [ s d s . ] ho no an d a rn d Cel . w w G ime G ni e . Why , sweet M n n n lo ud O li . a o n o o o o b y will sw o whe they d l k .

— - — - 1 . sw eeetl : s w e e t 2 F 1 1 I bri e: In b r e f 2 F 45 y ly 4 . 5 . ef i 4 6 t bi : h is— 2 - F 1 4. s 4 .

77 1 6 0 — V 2 E IV . AS IK I . iii . i . ] YOU L T

o in o n Ganimed. Cel . There is m re it ; C se

O li Lo o ke r o r . . , he ec ve s I I e r at o e Ros o . . w uld w e h m ’ W e e ll e a o u t r Cel . l d y thi he r o u a a I p ay y u will yo t ke him by the rme . O /i Be o f o c he ere o : ou a man? . go d y uth y Yo u a e a an ar l ck m s he t . o I do e so I c o n e e 1t R s. , f ss rra a o o t hinke w as c o unterfei Ah , si , b dy w uld this well t e d I ra o u o ur ro r ho w I c o unt erfei , p y y tell y b the well - ho ted : heigh .

O li. w as no t o un r e e t o o r a This c te f it , th re is g e t te stimo n in o ur o o n a w as a a o n o f e ar y y c mplexi , th t it p ssi n 1 8 1 est . R o n r e I a r o u os . . C u te f it , ssu e y n a a o r nd oun r o O li . o a a t Well the , t ke g d he t , c te feit a man be . Ros So I do e : but faith I o a e n a w o . y , sh uld h ve b e e man r by ight . l o e l k a e r n a r r r Ce . o u o o e a d : a o u a C m , y p l p le p y y d w o e ar : o o sir o e us h m w ds g d , g with . li a I fo r I are answ ere a O . Th t will : must be b cke Ho w u c r 1 0 o e o r Rosalind. y x use my b the , 9 o a n ra o u R s. I sh ll devise somethi g : but I p y y com mend my co unterfeiting to him : will you go e ?

e a ima. A e tus Q uintus . S en Pr

b or t [ T e f es . ]

r Ent er Clowne [ Touebst one] and Aw d ie .

ﬁnde a Awdrie a n low . a C We sh ll time , p tie ce w r tle A d ie .

rose - o rn 1 7 3 5 p P . 7 8

V - AS YO U LI T . 6 K I i . 3 5 7] E

m l a o T he H a n Ph kno wes hi se fe to be F o le . e the ilo so r n had a e re t o e ate a ra o o n phe , whe he d si G pe , w uld pe n he ut n o o e an n e r his lips whe p it i t his m uth , m i g th e ra e e a nd a r t o e ate a to o n . by , th t G pes w m de , lippes pe Yo u do love this maid? 40 W do sit i l . I l .

lo o r an : Art o L a n C . Give me y u h d th u e r ed? W ll o sir i N . .

Clo n learne o f T o a to a Fo r . The this me , h ve , is h ve . ’ a f ur in Rhe t o ricke a r n n o w r d o ut it is ig e , th t d i k bei g p o f a n o a a n the o ne o e cup i t gl sse , by ﬁlli g , d th mpty the F r l e r o o n a o r. o a l o ur d n i se is : the y Writ s c se t, th t p hee

no w o u are no t i se fo r I am . y p , he W l sir i l . Which he ? l He sir a arr e o an : r o r C o. , th t must m i this w m The ef e ou ne a an o n : in ar a y Clow , b d which is the vulg , le ve the soc ie tie : in o o r o an e o f fe which the b ish , is c mp i , this a : in o o n I o an : c m le which the c mm , s w m whi h toge t e r a an o n o e o f F a o r o n h , is , b d the s ci ty this em le , Cl w e ou erishe st : o r t o n e r an n d e st o r th p thy better u d st di g , y ; I a a a an a in (to wit) kill thee , m ke thee w y , tr sl te thy life t o a libe rtie n o o n a e I a in o de th , thy i t b d g : will de le p y so n o r in a na o o r in e : I an with thee , b sti d , ste le will b dy in ac o n I o re - run o e : I with thee f ti , will thee with p lic e a un r and w a e s r r will kill the h d ed ﬁfty y , therefo e t em an ar 1 ble d dep t . 6 d Do o Au . o W l a g d i li m. W ill . G o d r o u rr sir est y me y .

n r r E t e Co in.

or O ur a r and Mistre s e s a C . M ste s ee kes yo u : come w a a a y, w y .

- - - - 1 . sit : s ir 2 F olice : o c 2 F. 4 4 . 59 . p p li y 4

80 LIKE I V 6 8—11 2 AS YOU T [ . i . . 4

r dr A I a Clo . Au udr n T ip y, trip y, tte d , I a n E e unt tte d . x

w ar m S See unda .

b [ T e forest . ]

’ r lando i Ent er O £9 Ol v er .

’ rl I o e a o n so a ua n an e ou O . s t p ssibl , th t little cq i t c y o e her? at n o u o o her? sh uld lik th , but seei g , y sh uld l ve A d o n w o o ? and o o n she ou raun ? And n l vi g w i g , sh ld g t will yo u pe rsever t o e nj o y he r? 1 e a iddinesse o f in u o n 0 . N ither c ll the g it q esti ; the o ertie o fher the a ac a n an o a n w o p v , sm ll qu i t ce , my s d i e in nor o a n o n n in : but sa I o g, s d i e c se t g y with mee , l ve Aliena : sa he r t a she o o n n y with , h t l ves mee ; c se t with o a ma n o a o er : a t o o r b th , th t we y e j y e ch th it sh ll be y u o : fo r a r o u and all rev e nne w a go d my f the s h se , the , th t w as o ld Sir Rowlands I a u o n ou and r will est te p y , hee e a r live and die Shephe d . 1 4

En r Rosali t e nd.

Yo o n e n rl u a . O . h ve my c s t Let yo ur Weddi ng be t o m o rro w : thither will I ’ In te D and a c n n o o r : vi the uke , ll s o te ted f ll we s G o ou and r ar Aliena for lo o ke o u y , p ep e ; y , H r o Rosalinde ee e c mes my . G o d a u o t r Ros. o r s ve y b he .

1 And ou a r r. 0 . y f i e siste

Ros. r rlando to see Oh my dee e O , how it greeves me are ar in a ar thee we thy he t sc fe . rl I a O . t is my rme .

— W 6 - 2 rose— nor sodaine : n o r h e r s u dd e n . 1 0 . PE . 9 . RO E p PO — - 2 F. 2 2 . O rl . 4

8 1 V 11 2 - . 6 0 A . 5 ] S YOU LIKE IT

Ros I ou a had n n . th ght thy he rt bee e wou ded with claw e s o f a L o n the i .

O r l . o n it o f a La W u ded is , but with the eyes dy . Ros Did o r ro r o u ho w l c ount r . y u b the tell y e fe yt e d 1 ’ t o o n n she w d o ur an r r s u d , whe he me y h dke che ? 3 0 nd r r o n r e n a 1 O rl . I a a , g e te w de s th th t . sw oon Ros I no r o u are na ti . : s r O , k w whe e y y, t ue : there w as n r an h n so o a n f eve y t i g s d i e , but the ﬁght o two Ramme s and esars T hraso nicall bra e I a saw , C gg of c me , , and o r o . Fo r o r ro r and e r no ve c me y u b the , my sist , so o ’ ’ ne r o o : no o o n r lo o k d but e met , but they l k d s e , th y ’ ’ ’ ’ lo v d no o o n r lov d si h d: no o on r i ; s e , but they g s e s gh d ’ but they ask d o ne ano th er the reas on : no soo ner knew r a o n but e o r : and in t the e s , th y s ught the emedie hese r a a a a o f a r t o arr a deg ees , h ve they m de p ire st i es m i ge , t climbe n o n in n o r e inco nti which hey will i c t e t , lse bee nent befo re m arriage ; th e y are in the veric wrath o f

o e and o e r. Clubbe s anno ar l v , they will t geth c t p t th e m . 44 O rl a arr t o o : and I . They sh ll be m ied m rrow will t t he Du e o Nu tiall . But 0 ho w r a n bid k the p , bitte thi g to loo ke n o ha ine s ro ano r an e ie s : it is , i t pp th ugh the m s by so much the m o re shall I t o m orro w be at the height o f ar he av ine sse ho w I a thinke bro he t . by much sh l my f r r ha ie in a n a o . 0 the pp , h vi g wh t he wishes 5 n o o I ann o u n Ros. t Why the m rrow , c ot serve y r tur e for Rosalind?

r l I c an no o n r n n . O . live l ge by thi ki g o I e arie o u n no o n r tal R s. will w y the l ge with idle n Kno o f n fo r no w I a e t o o ur ki g . w me the ( spe k s me p pose) th at I kno w yo u are a Gentlem an of go o d co nc e it I a no t a ou ar a ood o inion spe ke this , th t y should be e g p

— - F ov ercome: o v e rc a m e 2 . 3 5. 4

82 AS LIKE I V 11 6 0 - YO U T [ . . 93 o fmy knowledge : insomuch (I say) I kno w yo u are : ne i ther do I labo r for a greate r e st e e me th e n may in so me a ur ra a be le e fe ro ou t o do o r little me s e d w f m y , y u selfe

o o and no t t o ra . Be le e v e n ou a g d , g ce me the , if y ple se , that I can do strange things : I h ave sinc e I w as thre e e are o c onv erst a M a itian o ro fo in y lde with g , m st p und

Art and no t a na . I ou do Rosali d his , yet d m ble fy love n e so ne e re ar as o r t r r e o ut : n o r the h t , y u ges u e c i s it whe y u ro r arr liena a o u arr he r I no in A . b the m ies , sh ll y m ie k w t o a ra o fFo r un r n and no t wh t st ights t e she is d ive , it is t o a e are no t n o n n n t o o u impossible me , if it pp i c ve ie t y , t o se t her o r o t o r o u an as bef e y ur eyes mo r w , h m e she is , and o u an an r 0 with t y d ge . 7 ’ O r S a st o u in o r an n ? l . pe k th s be me i gs Ros B f I do I n r de erl ou . y my li e , which te de y, th gh I say I am a M agitian : Therefo re put yo u in your best a ra o ur f n : fo r ou arr to y, bid y rie ds if y will be m ied mor ro w o u a : and to Rosalind wi . , y sh ll if you ll

’ Ent er Silv ius Eﬂ Pbebe .

Lo o ke r o a Lo r o f ne and a r o f r . , he e c mes ve mi , love he s Pbe o u ou a o ne un entle ne sse . Y th , y h ve d me much g , o u To shew the letter th at I writ to y . Ros I c are no t I a : u . if h ve it is my st die T o seeme de spightﬁi ll and ungentle t o yo u : fa a yo u are there fo llo wed by a ithful shephe rd ,

Lo o ke u o n o : o r o u . p him , l ve him he w ships y ’ Pb ar u a e . Good shephe d , tell this yo th wh t tis to love l I to all a o f and a Si . t is be m de sighes te res ,

And so am I fo r Pbebe .

b And I fo r Ganimed. P e .

nd I for Rosalind. O rl . A

8 ar — - F 5 e: are 2 4 . 83 V 11 - 1 1 . . 94 3 ] AS YOU LIKE IT

Ros And I fo r no an wom .

Sil . I t o all a e o f a and e t is be m d f ith servic , n so am I fo r Pb be A d e .

b And I fo r G a im d P e . n e .

nd I fo r Rosali l A nd. O r .

n I for no o an Ros. A d w m . il I to all a e o f a a S . n t is be m d f t sie , a o f a o n and all a o f All m de p ssi , m de wishes , a ora o n dutie and o r an e All d ti , , bse v c , humblene sse all a n e and a n All , p tie c , imp tie ce , uritie all r a ] all r an : All p , t i l , obse v ce An am I f r d so o Pbebe .

Pb nd s am I fo r Ganimed e . A o .

rl An so am I fo r Rosalind O . d .

Ros nd s a I fo r no an A o m . . wom Pbe I a e o u t o o o . so u f this be , why bl m y me l ve y ?

Sil . I so a e o u t o o ou? f this be , why bl m y me l ve y O r I a o to o o u l . ﬂ so u ? f y be , why bl me y me l ve y Ros a t o o a ou . Why do you spe ke , Why bl me y mee t o o o u 1 0 8 l ve y .

O r l . T o her a no t e r no r o no t ar . , th t is h e e , d th he e ’ Ros. ra o u no o re o f t he o n P y y m this , tis like h wli g o f r o a a n M n il I ish W lves g i st the o o e : [ To S . ] I will o u ifI can Pb I o u o o u ifI helpe y : [ To e . ] w ld l ve y u : o rro e a b co ld To m w me t me ltogether : [ To P e . I a ] o u r I ar W 0 man and le wil m rrie y , if eve m rie , ar t o o rr I lll satisﬁe o u : T o O rl . w be m ried m ow ] y , if ’ r I satisﬁ d man an o u a a t o mor eve , y sh ll bee m rried ro w . To Sil I o n n o u a a o u [ . ] wil c te t y , if wh t ple ses y n n o u and a arr t o o rro : co te ts y , you sh l be m ied m w

To O rl . o u o Rosalind To Sil . as [ ] As y l ve meet , [ ] o u Pbebe and as I o no o an I y love meet , l ve w m , le meet : so fare you we] : I have left you com mands .

1 1 ill — - 4. w : w il l 2 4F. 84 AS LIKE T V I 2 — 0 I 1 1 . YOU [ . . 3 iii 3

il no if I S . I t a le f ile , live . Pbe No r I . .

N r r l o I . nt . O . Exeu

Scwna Tertia.

[ Tbe forest . ]

E T u bs o a d nt er Clowne [ o e t ne] n Audrey.

l T rr u ] da dre t o ro C o. o o Au mo w is the joyf l y y, mor w be arr will we m ied . I do r all a : and I o Awd. desi e it with my he rt h pe it is no n r t o r t o be a w o man o r ? disho est desi e , desi e ofthe w ld ’ H f he an h eere come t w o o t b is d Dukes Pages .

er w o Pa s Ent t g e .

1 a ] n n an . . P . We met ho est Ge tlem 9 lo B ro o sit sit and a n C . : y my t th well met c me , , , so g . ’ Z a ar fo r o u P e th . . . We y , sit i middle ’ a a in n 1 P . S a t o t o n t o u an h l we cl p r u dly , wi h t h ki g , o r n o r a n are ar are o n spitti g , s yi g we ho se , which the ely ro t o a b ad o p logues v ice . ’ 2 f i h an . Pa . I a a t d in a n f ith , y , both tu e like two e on a o gipsi s h rse .

n So g .

It was a Lov er, and bis lasse ,

W it b a be and a bo and a bo nonina y, , y , ’ T bat o re t be reene t orne eild did asse g f p , In t be s rin t ime t be onel re t t ran p g , y p y g W b r en Bi ds do sin be din a din din . g , y g g, g Sw eet Lov ers lov e t be s rin p g , 85 V 1 4 V. AS Y . O U I E IT . iii 3 4] L K

And t bere ore t ake t be resent t ime f p , W it b a be £5 a bo and a bo nonina y, , y , For lov e is frow ned w t t b t b im e pr e . ’ s n im In ri t e s . p g , 89

Bet w eene t be arres o t be Rie f , W it b a be and a bo a be nonina y, , Eff y Tbese re t t ie ount r olk l i p C yf s w ou d l e . In s rin t im c e & . p g ,

Tbis arroll t be be an t bat boure C y g , W it b a boy and a a boy nonina: How t ba t a l e w as but a Flower if , In s rin t ime See p g , .

Clo. r o n e n n o u t r w as n T uly y g G tleme , th gh he e o r a a r in dit tie no as r un una g e t m tte the , yet the te w ve y t ble ’ 1 . Pa . o u are de ce iv d Sir w e no t y , kept time , we lost our time . 3 9 C o B r l . ymy t oth ye s: I count it but time l o st t o heare u a fo olish o n . G o d bu ou and n o r s ch s g y y , God me d y u

ce Audrie . E eunt . voi s . Come x

eena uarta S Q .

Tb o [ e f r est . ]

Ent er Duke Senior Am ens a ues rlan , y , y g , O do iv er a l eli . , O , C

Du. Sen. Do be lee v e rlando a bo st thou O , th t the y Can do all this that he hath pro mised ?

O rl . I o do be le e v e and so mtime s do no t s metimes , ,

a a o and no f ar . As those th t fe re they h pe , k w they e e

2 - if — ’ — . aft er bu b e W i C . sh ted I. N S N . : 4 7 3S JOH O 41 . y APELL 86

V - 0 AS . iv . 3 4 7 ] YOU LIKE IT

r a Ent e Clowne nd Audrey.

O u in r o f Fo 0 bsc red the ci cle this rrest . 4 a r u ano r oo a and e 7 o. The e is s re the ﬂ d tow rd , th se o u are c o mmin o Arke He r o a a r c ples g t the . e c mes p y e ’ o f an b a in all n are call d veric str ge e sts , which to gues , o ole s F . lo C . Sa u a o n and r e n u all l t ti g e ti g to yo .

a . o o Lo r o : j g G d my d , bid him welc me This is the M o - n n an a I a so o n in tley mi ded Ge tlem , th t h ve fte met o : a bin a o r e r he sw e are s 8 the F rrest he h th C u ti . 4

Clo . I an man o a t o f y d ubt th t , let him put mee my r a o n I a ro a a re I a ﬂat tre d a La pu g ti , h ve t d me su , h ve dy , I a bin o litic ke r e n o o ne h ve p with my f i d , sm th with mi c n I a un o n a or I a had r emic , h ve d e three T il s , h ve fou e

uarr and e a o o ne . q els , lik to h ve f ught a And ho w w as a an ? j g. th t t e up ’ Fa ua w as u n Clo . and o un ith we met , f d the q rrel po n a the seve th c use . a H n r . o w au ? 7 o seve th c se Good my Lo d , like this o fell w .

Du Se . I e r . lik him ve y well . 59 ’ Clo G o d ild o u sir I re o u :I resse . y , desi y ofthe like p in r sir a o n r o f o n r o a e hee e , m gst the est the C u t y c pul tiv s sw e are and to fo rsw e are a c o r n as a a n to , , c di g m ri ge bi ds ’ and o breake s a o o r ir n sir an il- fav o r d n bl od : p e v gi , thi g sir n o w ne a o o r o ur o f n sir a e , but mi e , p e hum mi e , to t k th at th at no man else will : rich ho ne stie dw e ls like a mi se r sir in a o o r o as o r ar in o r fo e o , p e h use , y u Pe le y u ul y r ste . d e n e nt o Du. Se . B fa r an y my ith , he is ve y swift , s t i us ir and u Clo . or n t o fo ole s o s Acc di g the b lt , s ch dulcet a 0 dise ses . 7 Bu ou ﬁnde a t fo r n a . j g. the seve th c use How did y the quarrel] o n the seventh cause? 88 YO L KE IT - 0 I V. 1 1 8 AS U [ iv . 7

o n a n : ar o u Cl . Upo lye , seve times removed (be e y r 1 bo die more seeming Audry) as thus sir : I did dislike the cut o f a a n r r e ar :he n o r I cert i e Cou tie s b d se t me w d , if a ar w as no t e w as in t he n s id his be d cut w ll , hee mi de it ’ call d o r o r o I I n w as: this is the ret t c u te us . f se t him r a aine w as no t o e n o r wo d g , it well cut , he w ld s d me w d ’ m l all m he cut it t o please hi se fe : this is c d the quip o dest . I a aine w as no t a e u nt f g , it well cut , he dis bl d my j dgme a r C r Ifa aine w as no t this is c lled , the eply hu lish . g it well ’ cut an e r I a e no t r e : c all d , he would sw sp k t u this is the e r o fe a an I a no e he o r o . a aine w s t p v li t f g , it w ll cut , w ld ’ sa I : call d o n r- a r : y, lie this is the c u te checke qu r elsome and so ro r u an a ] and r . 8 lye ci c mst ti l , the lye di ect 5 a And ho w o ft o u sa a as no t 7 o. did y y his be rd w well 1 cut ? see mly lo I ur o no f r e r n r an a : C . d st g u th the the lye ci cumst ti l nor he durst no t give me the lye dire c t : and so wee me a ’

ur or and ar e . 0 s d sw ds , p t d a Can no na e in o r e r no w re o f f g. you mi t d , the deg es the lye .

Clo. sir arr in r n o : as ou O , we qu el p i t, by the b oke y h ave bo o ke s for go o d manners : I will nam e yo u the de

. r R or o ur o : o n grees The ﬁ st , the et t c te us the sec d , the - o : r the re ur : o r Quip m dest the thi d , ply Ch lish the f u th , Re ro ofe a an : ﬁft Co unte rche cke ar the p v li t the , the qu relso me : L e r an : se a the sixt , the y with ci cumst ce the n L e r : all o u ma av o d but ve th , the y di ect these y y y , the L e : and ou ma av o ide a t o o an I . I y direct y y th t , with f 2 n n n u o no t a u a ua r k ew whe seve J stices c uld t ke p Q r ell , but n ar r o ne o f whe the p ties we e met themselves , them u but an I as o u a so n I a so : tho ght of f; if y s ide , the s ide and sho o ke an and o r r r o r I they h ds , sw e b othe s . Y u f, is n a - a u 2 make u the o ely pe ce m ker : m ch vertue in if. p

— - 8 . so ro: so t o t h 2 5 e 4F.

89 0 - 1 AS YO U E V . 1 LI K IT . iv 9 3 7]

’ a n t a rare fe llo w Lo r He j g. Is o this l my d? s as goo d f l at an n and a o o e . y thi g , yet He fo a a n - Du . Se . o and nu uses his lly like st lki g h rse , n a o n o f a o w it der the prese t ti th t he sh ots his .

Ent er H men Rosalind and e lia y , , C . St ill M k usic e .

H n b i b . T en s t ere mirt b in beav en yme , W ben ear t bly t bings made eav en at t one t o e t ber g . ood Duke re ceiv e t b dau bt er G y g , H men rom Hea v en brou bt ber y f g , ” 2 a brou bt ber b t ber e g e . Tbut t bou mi bt st o ne bis band wit b bis g j y , W b b ar w it b n bis boso ose e t i me is.

Ros o Duk o u I f f r I am . T e o [ ] To y give my sel e , r 1 2 0 you s . T O r T o o u I e for I m r o l . a u . [ ] y give my self , yo s If h r in i h u a Du . Se . t e e ut s t o are be tr h g , y my d ughter .

r be ru in u r sa nd. O rl . I o a e Ro li f the e t th sight , y my Pb ru h n o a e . I a t e w e f sight sh pe be , y th my l ve dieu Ros I a no Fa r o u no t . le h ve the , if y be he I a no an if o u no t : le h ve Husb d , y be he ’ N r n n o u no t o r w e d o a . e e w m , if y be shee e a ho a I arr o nf n H . : y P ce b e c usio , ’ Tis I m ust m ake co nclusio n O f these m o st strange eve nts : ’ H r a a an e e s eight th t must t ke h ds , T o o ne in H mens hands j y y , I u o u n n f tr th h lds tr e co te ts . Yo u and o u no ro a ] a y , c sse sh l p rt ;

- - — bis nd 2 2 rh med 11 o rt . 1 1 8. ba F 1 . : h e r b a nd 3 4 . 4 y P

V - . 1 6 6 1 6 AS iv . 9 ] YO U LIKE IT

r n an o ld R o man Whe e, meeti g with eligi us , r o u on w as o n e r Afte s me q esti with him , c v ted Bo ﬁ' o m n e r r z and f o the or th his e t p i e , r m w ld : ’ His cro w ne a n t o banish d Bro beque thi g his ther, ’ And all th e ir Lands re sto r d t o him againe ’ a re e xil d. u Th t we with him This to be tr e , I do n a fe e g ge my li . man Du Se . e o o n . W lc me y g ’ Th o u o ffe r st faire ly t o thy bro th e rs wedding T o o ne an t - and t o o r his l ds wi h held , the the an e at ar a o n Dukedo m e . A l d it self l ge , p te t r in o rre le t us o e n Fi st , this F st , do th se ds a r e e n and ] Th t hee e wete w ll b gu , we begot And a e r r o f ha ie n r ft , eve y this pp umbe ’ ’ a a e ndur d shre VVd daies and n us Th t h ve , ights with , S a share o o o fo ur r rne o r un 1 0 h l the g d etu d f t e, 8 o r n to a r o f e r a Acc di g the me su e th i st tes . M an o r ne w a m di nitie e e time , f get this -f l e g , And fall into o ur Rusticke Re v elrie

a M usicke and ou B and Br - r all Pl y , y rides ide g oomes , ’ ’ a r he a d in o o e a re a With me su e p j y, t th M su s f ll . a Sir r a n : I ar . ou ou r j g , by y p tie ce if he d y ightly , Du a ut o n a R o The ke h th p eligi us life , And throw ne n o n o r i t eglect the pomp us Cou t . He a 2 Bro. . . h th a T o I o ut o f o n r 0 . : 1 7 o him will these c ve tites , 9 ’ e u a r t o ar and le arn d Th re is m ch m tte be he d , To Duke o u t o our or Ho n r I a [ ] y y f mer o , beque th o r at n e and o r r e r y u p ie c , y u ve tue , w ll dese ves it .

To O r l . o u t o a o a ur u a o r ] y l ve , th t yo tr e f ith d th me it ou u an and an r a a e To 0 1. d y to yo r l d , love , g e t lli s

- To Sil. ou a o n and l r be d y to l g , we l dese ved

1 6 bim: t h e m - r - - F . . 1 w ete : w e e 2 . 9 ROWE 7 7 . 4 sba rc s h ar - 2 - 1 80 . : e 4F.

92 S YO IKE I V 1 — E 2 A . . U L T [ iv . 97 p 4

To Touch And ou to w an n for in a [ ] y r gli g, thy lov g voy ge ’ I but for tw o on v ictuall d: So ur a u s m eths to yo ple s res , I am f r o r n for an n me az ures o . the , the d ci g S a a ues a 2 0 0 Du. Se . . t y , y g , st y a T o no a e I : a ou u a e 7 g. see p stim , wh t y wo ld h v , ’

I a t o no at o r abando n d a . it E . le st y k w , y u c ve x ’

Du. Se . ro ro e : e n P ceed , p ce d w e l begi these rights , ’ do u e l e nd in ru th . As we tr st, y t e delights

E i o [ p l g ue . ]

I not a o n t o La E i Ros. t is the f shi see the die the p o e but no or n an n l gu : it is m e u h dsome , the to see the Lor ro o u I r a o n n d the P l g e . f it be t ue , th t go d wi e eeds no u ru a a o o a nee de s no E o u b sh , tis t e , th t g d pl y pil g e . Yet to go o d wine th e y do use go o d bushes : and goo d pl ayes prove the better by the helpe o f go od Epilo gues : a a a am I in n a am ne r a o o E i Wh t c se the , th t ithe g d p o ue no r anno n n a in be halfe o f a l g , c t i si u te with you the ’ o o a ? I am no t ﬁi rnish d e a Be r h r o r g d pl y lik gge , t e ef e t o be e no t o e M w a to o n r gg will bec m mee . y y is c ju e and I n I ar o u ou o n . y , le begi with the W me ch ge y (O o n fo r o ou are t o me n t o e as w me ) the l ve y be , lik much o f P a as e a ou : And I ar e ou men this l y , pl se y ch g y ( O ) fo r t he lo ve yo u beare t o wo men ( as I p e rce ive by yo ur sim rin no ne o f o u a e e a be tw e e ne o u p g, y h t s th m) th t y , and o n a ma a If I re a W o the w me , the pl y y ple se . we man I would kisse as m any o f you as had be ards that ’ e a me o n a lik d and r a a pl s d , c mplexio s th t me , b e ths th t ’ I deﬁ de no t : And I am r as an as a o o su e , m y h ve g d ar o r o o a o r r a fo r n be ds , g d f ces , sweet b e ths , will my ki d ’ ff r n E it . I a curt sie ar . o e , whe m ke , bid me f ewell x

FI IS N .

9 3

IN T RO DU CT I ON

A R G UM EN T O F T H E PLA Y

’ HE TAMIN G O F T HE SHREW sho ws ho w an o bsti nate temper w as ove rco me by o ne o r o na and re re n a r e o f still m e bsti te , p se ts st uggl wills , di e l no o n o f f to gether with a me a v a ti wi ely duty . The to ne is softe ned by a pre senting o f the leading n a a In In facts in the form of a pl ay withi pl y . the d uctio n a drunken ti nker is de luded into the belief th at . a r no an and a ro r n he is ich blem , the pl y p pe is show r befo e him . In I a a an e n an has t w o au r Act P du g tlem d ghte s , B an a and Ka ar na o r r n and o a e i c th i the f me ge tle l v bl , a r r and o r n K a har na the l tte sh ewish f biddi g . As t i is r r fa r n a a ed the elde , thei the i sists th t she sh ll be wedd ﬁrst an event which seems so doub tﬁi l as t o c ause ’ an B an a an a r r n Pe r o ar xiety to i c s m y dmi e s , u til t uchi r fro Ve ro na t o fo r he r an ne o f Bi ives m sue h d . O ’ an a o r L n o an re o r t o a r to c s l ve s , uce ti , me time s ts use a n a t o her and in II o a n a o n g i ccess , Act bt i s p sitio as he r o r tut . ’ Petruchio meets Kath arina s curtness with a dicta r ann r in e r n ar o o n c n and a to y m e th i si gul w i g s e e , n da ro o rr a e at weddi g y is set . The g m a ives l t the r o n III and in n a a r Im ce em y (Act ) , u suit ble tti e . mediately afterw ard he hurries his bride h o me without a in f r n a w it g o the weddi g fe st .

Shre w C T HE TAM IN G O F T HE SHREW

In Act IV he c o ntinues his peculiar and h arsh o K a a na un she n a n no meth ds with th ri , til e ds by h vi g o fhe r o w n will . Luce ntio wins Bianca by his stratagem and ( Ac t V he r ar a are a e ) weds r secretly . Afte w d the f cts m d no n and Lu e n o a an u to r a and k w , c ti gives b q et el tives r e n Ka ar na and r o are a o n f i ds . th i Pet uchi m g the and t o ne ra ur r e Ka ar na o n a guests , , the ge l s p is , th i , a r o r e t o be o r ra a an B an a w ge , sh ws he s lf m e t ct ble th i c o r an r r in ar othe b ide the p ty .

SO U RCES

The present pl ay w as fo unded directly up o n an o lder v e rsio n published ano nym ously in 1 594 with t he title o f Ple asaunt o n H o r a a n A C ceited ist ie , c lled The T mi g o f a S r as w as S n r ac R h ew , it u d y Times ted by the ight ’ Ho no ra Ear o f ro o S r an u ble the le Pemb ke his e v ts . The pl o ts o f the t w o are so ne arly identical as to sho w th at the Sh akespearian versio n w as merely a thor o r o n o f o r a o a e r e re ugh evisi the the , lth ugh the l t t xt ve als m any impo rtant ch anges : it adds the l o v e - pl o t of Bianc a and Lucentio ; curtails the p art o f Sly the n r in o ld a r u at e nd ti ke , which the pl y is es med the ; tempers the dispo sitio n of Pe t ruchio fro m his co arse co u nterpart Ferardo ; ch anges the dicti o n ; rec asts ara r and in r a ne w ruc r the ch cte s ; , sho t, builds st tu e o n t he ra - o r o f o ld No a w as a f me w k the . ttempt m de t o ra o f l r - o r I n a w as d a . hide t ces the o f me w k ste d , it u r o o f ro r o r and o a o n sed with the f eed m p p iet ship , cc si a a o t o u o f ne n n n lly ll wed peep o t the w buildi g , le di g a r cu io us co mple x air t o the wh o le . f t he M arlo w an a The older pl ay is o type , displ y ing s o me p o e tic beauty encumbere d by fo rm alism and

Shre w D

T HE TAMIN G O F T HE SHREW

The auxiliary sto ry o f Bi anca and he r l o vers has a ’ ’ o nt e r ar in Ario st o s ‘ S o t an En c u p t Gli upp si i , glish ’ r o n o f w as a e at ra Inn 1 6 6 ve si which ct d G y s , 5 . T he name Petruchio may also be derived from this o r s u ce .

DU RA T I O N O F T HE A CT I O N

The o ld pl ay is easily confined in actio n to two days ; the ne w o ne r r t w o e o u n but equi es w eks , th gh o ly five o r six a are r r n o n a a d ys ep ese ted the st ge . D y 1 o c cu ie s the r ac t and the o n a e p fi st , possibly sec d ; the l tt r ma o r da o a o a f o w n . e ru y, h weve , be ll wed y its P t c o o e t o V n but r rn o n Sa r a fo r hi g s e ice , etu s the tu d y be e e n a III e ne Da . D . his w ddi g y 3 , Act , sc i y 4 (the n da III n IV ne weddi g y) , Act , sce e ii , Act , sce i . Da Ac t IV ne Da 6 r a n r o f a y 5, , sce ii . y , em i de pl y . O ne o r t w o o r n r a ma e a the i te v ls y sily be suggested . r o o nfo r in In c o n En The pe i d c ms , the du ti , to the g ’ an o f S a e ar da and in a r t o l d h k spe e s y, the pl y p oper o n rar I a c tempo y t ly .

DA T E O F CO M PO SITI O N

’ In the list o f plays ment io ne d in M e re s s ‘ Palladis ’ a a 1 8 an n no n e ‘ Lo e La o r T mi ( 59 ) is u k w titl , v s b u s ’ o nne a t o ‘ a n o f W , which might llude The T mi g ’ S re ro a I n e o . the h w , th ugh this seems imp b ble d ed , neithe r external no r i nt ernal evidenc e is s atisfact o ry in n a f t he a u o a e ffe r fixi g the d te o pl y . A th rities h v di ed e M a o n r a n a t o e ar wid ly . l e fi st ssig ed the pl y the y 1 6 and a r ar ac e at 1 6 0 6 e 59 , fte w d pl d it , whil o t r as a e n o o e o n rs o n he s , we h ve se , l k d the 1 594 ve i ’ as ar S a e ar and a o r f p tly h kesp e s , m de m e ully his by r revisio n fo ur o r five y e ars l ate . The co mposite nature o f the text renders inte rnal

Shre w F INTRODUCTION

n ra e and n e vidence unsatisfact o ry . The ge e l styl li e t r t r n a t he e r o a o o r at r an 1 8 s uc u e i dic te p i d b ut l e th 59 , while the d o ggerel and w o rd - pl ay lo o k back to ward the f ar r r n d ate o the e lie p o ducti o . So me auth o rities h ave pl aced the time as far fo r ar as 1 6 0 1 - 0 a n e r e n o n n rna w d 3 , b si g th i judgm t i te l t ra T he e ne ra o n o n o r a be its . g l pi i , h weve , is th t it

n t o 1 - lo gs 59 8 99 .

EA R LY ED IT I O NS

The ﬁrst kno wn printing o f ‘ T he Taming o f the S re w as in the Fr Fo o o f 1 6 2 r o c h w i st li 3 , whe e it cu ie s n - tw o a a 2 0 8 - 2 2 a o n t he p twe ty p ges , p ges 9 , m g o Fo r ac are r n a no c medies . u ts the e i dic ted , but n o r Dra a e r o nae e e n r su sce es m tis P s , th se b i g ﬁ st p e Ro pli d by we . Fo o w as r r n in a uar o o f 1 6 1 The li text ep i ted Q t 3 , which bo re the fo ll o wing title ‘ A Wittie and Ple asaunt C o me die called the T am i o f S re AS w as e His M a e ng the h w . it Act d by j sties r r n he e r Servants at The Bl ack e F ie s a d t Gl o b . W it P t e n S a e are . Lo n o n . r n by Will . h kesp d i ted by

. S. fo r o n Sme thw ic ke and are t o b e o at W J h , s ld his Sh o p at Saint Dunsto ne s Churchy ard under the D a ] i l , Sme t hw icke w as o ne o f the publishers o f the First F o ‘ o . re r o r a o o f o ld a T am li The is ec d , ls , the pl y ’ in o f a S re n an f rr o in 1 6 0 I g h w bei g tr s e ed t him 7 . t has n n r r n S a ar o si ce bee ep i ted by the h kespe e S ciety . ’ The text o f ‘ The Shrew as given in the First Fo e n ra o o I has an r n lio is g e lly g d . t m y impe fect li es in o e r c ar r or o it , h wev , whi h e lie edit s empl yed much fr ffor u n an ua o ff uitless e t po . The l g ge itself ers few o ur bsc ities .

Shrew G

[DRAMATIS PERSON/E

r A Lo d .

HRI O PH R SLY a t inker . Persons in C ST E , t bc Ho e Pa e P a r H n n Induct io st ss , g , l ye s , u tsme , n. and Se an rv ts . B P b I a ric ent lema o Padua . A T STA , g n f VINCENT IO an old ent le ma o Pisa , g n f . L C I O son t o Vinc nt io in lov w it b Bian a U E NT , e , e c . R CHI O a ent le man o I/ erona a suit or t o K at barina PET U , g f , . R M I O G E , suit ors t o Bianca . HO R IO TENS , T RA N IO , serv ant s t o Lucent io. B D L IO N E L O , R M I O G U , ser v ants t o Pe t rucbio.

Cu RT Is,

an A Ped t .

K H R AT A INA , t be sbrew , dau bt ers t o Ba t ist a g p . B C IAN A , o Wid w .

a r a a r and S an a n n on Ba T ilo , H berd she , erv ts tte di g p a an e t c o tist d P ru hi .

’ a b u SC E: Pa du and Pet rucbio s countr o se . EN , y ] T H E T A M ING O F T HE SH REW

u r mu . e ce n A ct s p i s S a Prima .

a a b I D IO . S n B or n l o s o a b a C . e e u e n b [ N U T N ce e i ef e t . ]

B er and Host es brist o b ro Ent er e C e S . gg , p ly B l egger [Sy] .

1 infaith 1 LE pheez e you . bea t I a r o f o ou u Host . A p i e st ckes y rog e . ’ Sl are a a a li r n Be . S es a e o g [ y] Y b gg ge , the Lo o ke in C ro n a in Ro gues . the h icles, we c me with ar d on ueror : r o r Pau cas allabris Ricb C q the ef e p , let 2 2 S a be ui the w orld slide : ess . q et 9 Host You no t a for a ou a ur ? . will p y the gl sses y h ve b st N n t a deniere : o S ro imie o to Be . o o . e n e g , g by 7 , g thy

o and ar . c ld bed , w me thee H a Host . I no I u k w my remedie , m st go fetch the e d 3 ro 3 ons abl bo ugh . c t e

Be . r o r fo ur o r ﬁft Bo ro Ile answ e re g Thi d , th , ugh , La I an n bo Le o e w . no t u : t him by le b dge i ch y him c m , ! 4 a and kindly w elcome Falles sleepe . ,

i r o ut— T EEV u r na Pr me : S ENS. 1 A et s imus. Scae . p - 2 Enter e er S : Ent e r H o st e s s a nd Sl o ws . . B gg ly y R — 1 1 eronimie : S. out . . S. f Q - - - — 1 1 Head borou b : t h rd b o ro u h T . 3 4. g i g HEOBALD

iv 8 2 . In - . 1 6 i . 44] T HE TAMING

W inde bornes. Ent er a Lord rombunt in w it bbis t rain f g , e .

H n an ar n Lo. u I w e] o un tsm ch ge thee , te der my h ds, 1 Bra M eriman the ore urr imbo st 2 2 0 ch , po C e is , ’ And u low der - mouth d ra co ple C with the decpc b ch , ’ Saw st th o u no t bo y ho w Silv er m ade it go o d 1 the o rn r in o a bit cb At hedge c e , the c uldest f ult, I o no t o o o for tw entie o n w uld l se the d gge p u d . Hunts Belman as o o as Lo . Why is g d he my rd , He u o n at me ere st o cried p it the l sse, ’ And t o da ick d o ut n twice y p the dullest se t, r I a fo r r o T ust me , t ke him the bette d gge . Lor d r a F o Eccbo r as fl . a t o ee te Thou le , if we e , I wo uld e st e e me him worth a d o z en such : But su and lo o ke un all p them well , to them , o I n n a aine To morr w i tend to h u t g . r 2 a b m b Hunt I Lo . oamin t t c out s. will my d f g ’ rd a r O ne a or drunke See o Lo . ? ? Wh t s hee e de d , d th he bre ath ? ’ ’ He r a o r r he no t w arm d 2 Hun. . . b e th s my L d We e r a but o t o so un with Ale , this we e bed c ld sleep so dly . a ho w l a n Lord. n ou . Oh mo str s be st , ike swi e he lyes a ho w ou and o a n a : Grim de th , f le l thsome is thi e im ge S r I ac o n run n man r . 0 i s , will p tise this d ke 4 ’ a thinke o u r c o nv e d Wh t y , if he we e y to bed , ’ W rap d in swe et clo athe s: Ri ngs put upon his ﬁngers o o an e A m st delici us b qu t by his bed , And ra a n an m r n a b ve tte d ts ee e him whe he w kes , Would no t the be gger then fo rget himselfe ? 1 Be le e Lo r I n o ann o o Hun. v e o . . me d , thi k he c t ch se ’ 2 H I o u e an un o n w ak d . . t w ld se m str ge t him whe he ’ m r r hl an E n a a fla rin dre o o e s . Lor d. s tt a e w t ve g , f cie

— - - — loose s 2 F . v e rse . 2 : l o e . 4. 4 34 5 Q ’ — - - - — w br b F. 6 2 ﬁ c t ll . 2 o x. 6 ea t s t h e s . v e a cen R 3 . : b re a 3 4 3 7

In - 1 0 1 T HE MI G . i . 7 7 ] TA N

n a Ent er Serv i g m n. How no w ? w ho is it ? ’ H no r Ser . An t a our o a s ple se y , Pl yer ff r Th at o er service t o y o ur L o dship .

Ent er Pla ers y .

Lord Bid o ne ere : . them c me No w e o o u are e f ll wes , y w lcome . la hanke o r H r P ers. t u no y We y o . ord Do o u in n t o a n L . y te d st y with me to ight? 90 2 la r i . o a o ur Lo dsh e P yer . S ple se y pp to accept our dutie .

Lord. t all ar e o I r Wi h my he t . This f ll w emember, S n o n a a Far r e o nn i ce ce he pl ide me s ldest s e , ’ Twas where yo u w o o d the Gentlewo man so well I h ave fo rgo t y our name : but sure th at p art W f m’ as a and na ra er o r d. ptly ﬁtted , tu lly p ’ Sincklo a Pla er I thinke a Sot o a u [ y ] . tw s th t yo r ono r ane h me s . ’ Lord v e rie u ou e n . Tis tr e , th didst it exc lle t e o u are o t o in ha ie W ll y c me me pp time , ra e r fo r I a o or in an The th h ve s me sp t h d , e r in o r unn n 1 can a 1 skill Wh e y u c i g ssist me much . There is a Lo rd will h e are you pl ay t o night ; But I am doubtﬁi ll o f o r o e e y u m d sti s , a o r- n o fhis o a o u Le st ( ve eyi g dde beh vi r , For yet his h o no r neve r heard a pl ay) Yo u bre ake n o e rr a o n i to s m me ie p ssi , And so o ffe n : fo r I o u r d him tell y si s ,

I o u o le ro w e s a n . f y sh uld smi , he g imp tie t Feare n e c n o n a n o ur Plai . ot Lo r w a my d , c t i selves , r n r 1 I 1 We e he the veriest anticke i the wo ld .

- - - — - / l n¢ 1 2 . v erse . 2 F 1 l . l lIa o . 87 8 . 9 Q 4 I - E n . 1 0 2 1 O F T H SHREW [ . i 3 3

Lord rra a to Butte rie . Go si , t ke them the , And r n e v e rie o ne give them f ie dly welcome , n o affo o r Let them want o thing that my h use ds . E it one w it b t be Pla ers x y . S rra o o u t o Bartho lme w a i g y my P ge , And see him drest in all suite s like a Ladle a o n o n u t o run a a Th t d e , c d ct him the d k rds ch mber, And a M a a o an : c ll him d m , do him beis ce Tell him ﬁ' o m me ( as he will w in my love) He ar himse lfe onoura a o n be e with h ble cti , ’ Such as he hath observ d in noble Ladies n o Lor a o U t their ds , by them cc mplished , Suc h dutie t o the drunkard let him do : o o on u and o curte sie With s ft l we t g e , l wly , ’ And sa : a o ur H nor o an y Wh t is t y o will c mm d , r n o ur La and u u Whe ei y die , yo r h mble wife , M a her dutie and a kno n her o w e . y shew , m ke l ve And n n ra n n i the with ki de emb ceme ts , tempti g k sses , And with declining head into his bo some 1 3 0 Bid ar as n o r- o him shed te es , bei g ve j yed ’ T o her no Lo r rest o r d t o a t see ble d he l h , W ho for this seven ye are s h ath esteemed him No better then a p o ore and l o athso me begger And if the bo y h ave no t a w o mans guift T o raine a o r o f o an ar sh we c mm ded te es, An n on do fo r u a O i wil well s ch shift , Which in a N apkin (being c lo se co nv e1 d) Sh all in despight enfo rce a w aterie cie z ’ Se e di s atch d all a ou an this p with the h st th c st, n n I or n ru o n A o le give thee m e i st cti s . a in man Exit serv g . I n ] u u a k ow the boy will we s rpe the gr ce, Vo a and a o n o f a n o an ice , g te , cti Ge tlew m I n a a n a u an lo g to he re him c ll the dru k rd h sb d , In 1 - 11 2 1 T . i . 34 . ] HE TAMING

And ho w men a fro au my will st y themselves m l ghter , n do o a t o a an Whe they h m ge this simple pe s t , Ile in to c o unsel] them : h aply my pre sence M a e a a e the o r- e rr e s le e ne y w ll b t ve m i p , o rw o u ro n o e x r am Which the ise w ld g w i t t e e s. 1 50 E [ x eunt . ]

’ S n 11. A bedcbamber in t be Lord s bouse [ ce e . ]

Ent er alo t t be drunkard Sl wit b at t endants some f [ y] , w it b a arel Bason and Ew er ot ber a urt e pp , , pp ' nances, Cﬂ Lord.

Fo r o a a o o f smal] Be . t g G ds s ke p Ale . 1 r e a e our Lo r d n a cu o f a . Se . Wilt pl s y d ri k p s cke? H n r 2 . Ser a ur o a C o n . Wilt ple se yo o t ste of these serves? 6 a n ur ono r ar da Ser . a to 3 . Wh t r ime t wil yo h we e y. I am brist o b ro Sl a no t Hon Be . C e ou g p y, c ll mee r ’ nor Lordship : I ne re drank sacke in my life : and o u an o n r o n r o f if y give Ime y C se ves , give me c se ves Be e fe : n r ask a ra n I ar fo r I e e me wh t ime t le we e , h ave no m ore doub le ts then backes : no more stock n n : no r no o sho o e s n e na i gs the legges m re the fe t, y o o r fe e te n sho o e s o r u sho oe s as s metime m e the l , s ch o lo oke o o v e r a r my t es thr ugh the le the . H a n a r In n Lord. u e ve ce se this idle humo yo r Ho or . a a mi htie man o f u discent Oh th t g s ch , o o n and so e ste eme Of such p ssessi s , high o be nf so a 1 Sh uld i used with foule spirit . 9 Be W hat w o uld o u a mad? n I Cbri g . y m ke me Am ot st o ber Slie o ld S nn o fBu n a b rth a p , ies so e rto he th , by y r u a o n a a a an u a o n a Pedle , by ed c ti C rdm ker, by tr sm t ti

— - - - - F r d r h 6 v erse . Lo o d s . 2 F. . . 4. . l ip Q 4 5 Q 3 4 ' - - F Sies: S s Slies . 2 . 2 1 . ly ( ) Q 4 8

In 11 2 - 82 T HE MI . . 5 ] TA N G

o n a n a unn n Ad is p i ted by r i g brooke , And Cithere a all in e sedg s hid , to o and an o n her r a Which seeme m ve w t with b e th , n as he a n a n Eve t w vi g sedges pl y with wi de . ’ Lord e e 0 as she w as a a . W e l sh w thee 7 , M id, ’ And ho w w as u and sur riz d she beg iled p , a n e as w as on As livelle p i t d , the deede d e . a O Da bn ro min rou a M n. r e n 3 p g th gh thor ie wood , S a n her s a o ne a sw eare she cr tchi g leg , th t sh l bleeds , And at a a sad o o w ee e th t sight sh l Ap ll p , So w o rkmanlie the o and ar are draw ne bl od te es . Lor d art a r and no n but a L . Thou Lo d , thi g ord o u a a La a or Be autifii ll Th h st die f rre m e , n an o an in a n n a e The y w m this w i i g g . 1 M a An ar a she a n. d h h til the te es t t h th shed for t ee, L n ou fi ouds o re - run her o a ike e vi s l vely f ce , She w as a re re a ur in or the f i st c t e the w ld , nd infe rio ur o non A yet shee is t e . Be I a Lo r and a I u a a . ? 0 g Am d , h ve s ch L die 7 ’ O r do I dre ame ? O r h ave I dream d till now ? I no t sle e e : I I ar I a do p see , he e , spe ke I smel a ur and I fe ele o f n s sweet s vo s , s t thi g o n I am a Lo r inde ede Up my life d , And no t a n r nor r r S c Ti ke , Ch istophe li . r n o ur a t r to o ur Well , b i g L die hi he sight , ’ And o n a n n a o t th a ce g i e p 0 sm llest Ale . 2 a r mi h ine ss M n. a u t e a u . Wilt ple se yo g to w sh yo r h ands ’ ho w o t o se e o ur re st o r d Oh we j y y wit , Oh th at o nce mo re yo u knew but wh at yo u are fift e ene e ere s o u a bin in a dre ame These y y h ve , ’ ’ O r n ou w ak d so w ak d as ou . whe y , if y slept

bristo ber : Ch ris t o h e ro - 2 - F 7 5. C p p 4 .

KO O T H SHRE In 11 8 - 1 1 2 F E W [ . . 3

fift e ne eere s fa 1 a o na Be . e g These y , by my y, g odly p, n e r a ll a ai b But did I ev spe ke of a th t time . f t L r b r e o r 1 M an. o ut . Oh yes my d , ve ic idl w ds , Fo r o o u la r in o o dlie c a e r th ugh y y hee e this g h mb , o u o u sa r a n o ut o f o or Yet w ld y y, ye we e be te d e , And ra o n Ho ste sse o f o ile up the the h use , 2 And sa ou o r n her at L e 0 y y w uld p ese t the eet , 9 ’ B a she ro o n - and no ca ua : ec use b ught st e Jugs , s l d q rts o a o u fo r e Ha S metimes you would c ll t Cic ly cket .

! f o Be . I o an a o u g , the w m s m ide the h se . man sir ou no no e nor no u a 3 . Why y k w hous , s ch m id ’ Nor no u men as ou a re ckon d s ch y h ve up , St e ben Slie and 0 17 ” Na s o f r c As p , old 7 p G ee e , 2 And Pet er Tur b and Henr Pim ernell law - court p , y p , And t w entie o r u na and me n as m e s ch mes these , n r r no r no man r saw Which eve we e , eve . No L r an for o a n Be . w g o d be th ked my g od me ds .

ll n . 1 0 1 A . Ame

nt r t be Pa as a Lad wit b A t t endants E e [ ge ] y .

I thanke a no t o o Be . u g thee , tho sh lt l se by it . Lad Pa e Ho w far no Lor ? y. [ g ] es my ble d M a r far fo r Be . r I r che ere n u g ie e well , hee e is e o gh . Where is my wife? a H r no Lo r a L . her ee e ble d , wh t is thy will with ? Be Are ou f and no t c al u n g . y my wi e , will me h sba d ? M me n o a Lo r I am our o - y sh uld c ll me d , y g od man . M an and o r La . Lo r and an y husb d my L d , my d h usb d I am our fe in all o n y wi bedie ce . 1 1 1 e I no a u I a h B . er g k w it well , wh t m st c ll ? rd M a a Lo . d m . l M M a a Be . A ce a a o r one g d m , 7 d m?

’ — A loe: ce C . 1 1 4. Al APELL

l l In 11 1 1 - 1 T HE M I . . 3 43] TA NG

M a a and n n Lo r cal La Lord. d m , othi g else , so ds dies ’ M a a f sa a I a r Be . d eam d g d me wi e, they y th t h ve , e a o o ﬁfe e ne e are r o r And sl pt b ve s me t y o m e . ’ d e m r n Lad . I an se e s o y , the time thi ty u t me , ’ B n all t ab ando n d fi o o r ei g his time m y u bed . ’

Be . r an a and a n g Tis much , se v ts le ve me her lo e M a a undre sse o u and o o w t o n . 1 2 1 d m y , c me bed La r e no e Lo r n r a ou . Th ic bl d , let me i t e t of y T o pard on me yet fo r a night or t w o not so un ] Sun Or if , til the be set . ’ For o u Ph sitians a e x re ssel char d y r y h ve p y g , In r ] t o n rre our o r r a a pe il i cu y f me m l dy , Th at I should yet absent me fro m your bed 1 I h o pe this reason stands fo r my excuse . 2 8

Be . I an so a I ma ar a o n : g , it st ds th t y h dly t rry so l g But I would be lo th t o fall into my dre ame s againe : I wil therefore tarrie in despight o fthe ﬂesh & the blo o d

Ent er a essen M ger .

Ho nor a r ar n r n es. u u a n M Yo r s Pl ye s he i g yo me dme t , Are o t o a a e a an o c me pl y pl s t C medic, Fo r so r o r o e r mce te you doct s h ld it v y , ’ S n too u sadnesse a co n e al d o ur eei g m ch h th g y blood , And me lancholl the ur o f re nz y is N se f ic , r o r o o o u ar a a The ef e they th ught it go d y he e pl y , And ra e o r n to a d rr e n 1 f m y u mi de mirth n me im t , 39 harm and n n f arr a o an e s t . Which b es th us d , le g he s li e M a I a no t a o o n Be . g rrie will let them pl y , it is C m a a a o o r a u n r s ? tie , Christm s g mb ld , t mbli g t ick

Lad No o L r is r a n stuffe . y. my g od o d , it mo e ple si g a h sh ld stuffe Be . o u o . g Wh t,

— - — - r m ete m . 2 F n 2 F. 1 . e : e e t . 2 M esse e : M e s s e n e r . 1 3 . g g Q 4 3 5 Q 4 - 1 1 . la it is: a it . Is C . 4 p y, pl y APELL

1 2

I 1 2 - T HE MI . . 3 49] TA NG

1 1 a o a un in c c ool A sh ll w pl sh , to pl ge him the de p , p And sacie tie se eke s t o u n r with q e ch his thi st . M Pa a e n a T ra . e r don t o r n : , g tle m ste mi e I am in all affe e as o r fe ct d y u sel , G a a o u o n n e o r r o e l d th t y thus c ti u y u es lv , o sucke f w e t e o o T the sweets o s e Phil s phie . O nely (goo d m aster) while we do admire r u and ra ] n This ve t e , this mo l discipli e, ’ no Sto ickes nor no o I ra Let s be , st ckes p y , 2 2 O r so devo te t o Arist ot les che cke s e t bics ’ As Ov id; be an o ut - cast quite abjur d Ba Lo d icke ac uaintaince a o u a lke g with q th t y h ve, And ra Rhe t o ricke in our o on a p ctise y c mm t lke , 3 M usic ke and P e use u n 3 animat e o sie , to q icke you , T he M athe matickes and M e ta h sic ke s , the p y Fall t o them as yo u ﬁnde y our stomacke se rves you No ro ro w e s r no a r an p ﬁt g , whe e is ple su e t e In r sir a o u o aff b iefe , studie wh t y m st ect .

Luc. ra r Tranio e u a G me cies , w ll dost tho dvise , I Bionde llo o u e r o e a o re f th w t c m sh , o u at o n ut us in re adine sse We c ld ce p , And take a Lodging ﬁt t o entertaine s e in a Such friends ( a tim ) Padu sh all beget . But a a a o an ? st y while , wh t c mp ie is this M a er o t o c u o n ra . o s t T st s me shew wel me Tow e .

’ Ent er Ba t ist a w it b bis t w o dau bt ers K a t erina Bi p g , CS a H nca , Gremio a Pant elowne, or t ent io sist er t o Bi

anca . Lucen. Tranio st and b . 1 , y 5

Ba . n n o t un no fa p Ge tleme , imp r e me rther, For ho w I ﬁrmly am re so lv d you kno w

— 2 6 M e Par donato M I . . : i e rdo nat o C C p APELL , AMBR DGE v id b - - r huite r— z F - ~ F O e F 0 siste s u t o r s . . : O v d b e : 34 ; i 3 4 . 5 . i ( ) 3 4 1 4 O F T HE SHREW [L L 50 - 79

a no t t o o n e st au Th t is , bestow my y g d ghter , Befo re I h ave a husband for the elder If e e r o f ou o K at berina ith y both l ve , B au I no ou and o ec se k w y well , l ve you well ,

Leave shall yo u h ave t o co urt her at y o u r pleasure . ’ d ar her ra r S ro u for Gr Asi . e . [ e] To c t the he s to gh me e ,

r r Hort ensio o u an ? The e , the e , will y y Wife

K at e . I ra o u sir ur p y y , is it yo will 1 T o m ake a stale o f me am o ngst these m ates? H M a a an o u a ? or . tes m id , how me e y th t No a fo r ou m tes y , nle o u r f r r o u U sse y we e o gentle milde m ld . ’ a I a ir n r n to a K t e . s ou a f ith , y sh ll eve eede fe re , I- wis it is no t halfe w ay t o her heart : But r o no t her ar ou be if it we e , d ubt , c e sh ld , ’ T o o our n a r -le d sto ole c mbe y oddle with th ee gg , d a n o r n a f le An a a d o u o o . p i t y u f ce , use y like Fr al i r Hor l d v els o Lo . . om such , g od rd delive us And G . o o or re t o o L . me , g d d H r Tra . a e r o a o a usht m st , he es s me good p stime t w rd ; a nc mad r n r ll r ar o w o de ﬁi a . Th t we h is st ke , f ow rd B Lucen. ut in o r nc do I the the s sile e see , M a a r and bri ids milde beh viou so e tie . a e ranio Pe c T . ' T ra . e a M and az our W ll s id , mum , g e y ﬁll .

Ba . e n en a I ma o o ne a p G tlem , th t y s m ke good a I a a Bianca ou in Wh t h ve s id , get y , And no t a o o Bianca let it disple se thee g d , Fo r I o e n r e irle will l ve the e e the less my g . 2 K at e . r a ut ﬁn er in A p etty pe te , it is best p g the eye , and n 2 et she k ew why . p

6 - 1 l - o p - — P E. 8 2 11 . . . . e nd n b e st w h C P . 3 4 3 4 i g , y A ELL 8 nd - a : a Po n . 4. n 1 5 I 8o - 1 1 1 T HE MI . i . ] TA N G

in n Bian. S r n n ou o n iste co te t y , my disc te t . Sir t o o ur a r I r , y ple su e humbly subsc ibe : M bo o ke s and n ru n a an y i st me ts sh ll be my comp ie, O n t o lo o ke and ra e them , p ctise by my s lfe . Har e a a Luc. Tranio r M iner v a a k , thou m ist he e spe k . ' H S n r or . o Ba t ist a ou so an 0 ig i p , will y be str ge , 9 So rrie am I th at our goo d will e ffects ’ Bianca s re e fe g . G o u her u re . Why will y mew p S n r Ba tist a fo r n o f e ( ig io p ) this ﬁe d h ll , And a he r ar the e nnance o fher on m ke be e p t gue . a e n n n n e I am re so l B p. G tleme co te t y : v d: G o in a E Bianc . it B an [ x i ca . ] And fo r I kno w she taketh most delight In M usic ke I n r e nt and o e r , st um s , P t y , Scho o lemaste rs I ke e e n o will p withi my h use , H Fit n t u he r o . I o u or t ensio to i s r ct y uth f y , O r n o r re mio ou no an u sig i G y k w y s ch , Pre ferre 1 r: fo r t o unn n me n them hithe c i g , I er n and ra ] 1 recommend will be v y ki de libe l , T o n o w ne c r n in o o n n mi e hild e , g d bri gi g up , And so ar : K at berina ou ma a f ewell y y st y ,

Fo r I a or t o c o n Bianca E it . h ve m e mmu e wi th . x at and I r I ma t o o ma I no t K e . ? Why , t ust y go , y a a I a o n houre s as ou Wh t sh ll be pp i ted , th gh Be I n no t a t o a 1 1 0 ( like) k ew wh t t ke , And a t o e a ? Ha E it wh t l ve . x Gre You ma o t o div e ls dam : o ur uifts are . y g the y g ’ so go o d h e ere s no ne will h o lde yo u : Th e ir lo ve is no t so r a Hor t ensio w e ma o o ur na o er g e t , but y bl w ils t geth , an fa faire l O n d o ut ur a ou o o . st it y . c kes d gh b th sides Fa : for I a Bianca if rewell yet the love be re my sweet ,

- - r s e F. 6 esov ld: re o v d resolv d . 2 9 . l ( ) Q 4 1 0 8- rose— O 1 1 . p P PE .

I 1 - 1 8 2 T H . i . 1 5 ] E TAMING

1 a 2 r a Ex eunt ambo. M net T anio nd Lucent io 1 50 I ra ir o 1 ra . s T p y tel me , is it p ssible bot b a o e o o f a a n a u o Th t l v sh uld sod i e t ke s ch h ld . Tranio I o n to r Luc. u u Oh , till f d it be t e , I n r o o o r 2 eve th ught it p ssible likely . remains But se e ide l I o o o o n o n , while y st d l ki g , I o n ff L e in idle ne sse f u d the e ect of ov , And no w in plainne sse do c onfe sse t o thee Th at art to me as secret and as deere As Anna to t he Q ue e ns o f Carth age w as Tranio I urne I ne I r Tranio b , pi , pe ish , IfI atchieve no t this yong m o de st gyrle : C o unsaile Tranio fo r I no o u an me , k w th c st fo I n o Tranio r o t . Assist me , k w h u wilt M to T ra . a r no o u now ste , it is time chide y , Affe ctio n is no t rated fro m the he art ’ I o a t o u ch d o u na re maines so f l ve h ve y , ught but , edim e a am uam ueas minimo 3 m b b R e t c pt o o . ac t anks Luc ra r 3 Lad: G o o r ar o n n G me cies f w d , this c te ts , r o o r fo r oun o n The est wil c mf t , thy c sels s u d . ’ M as r o lo k d s 4 Tra . u o o o n o n a te , y l gly the m ide , ’ ’ r a o u mark d no t a the f all Pe h ps y wh t s pith o . 1 7 1

Luc. I saw be autie in a Oh yes , sweet her f ce , S as a er o f A enor had uch the d ught g , a a r a ov e t o u to he r an Th t m de g e t y h mble him h d , n t n the r an ro n Whe wi h his k ees he kist C et st d . ’ ra Saw o u no o r M ark d o u no ho w ir sister T . y m e? y t h B an t o c o and ra e u a st orme eg s ld , is up s ch , a o rt a e ar r in in Th t m l e s might h a dly dure the d . Luc rani I sa he r o rra ] o . T o w to , c l lips m ve, And he r r a she rf e the a r with b e th did pe um y e, Sa r and w as all I saw in her c ed sweet . ’ Na n o r ro an Tra . t y, the tis time sti re him f m his tr ce

- - ’ — - 6 m ounsels c o ns e s 2 F. . ca am: ca t u 2 F 1 6 . c : u 1 7 pt p 4 . 9 l 4 - T HE I. 1 2 1 OF SHREW [ i . 83 2

I a a a sir: ou M a pr y w ke if y love the ide, B n c e her u e d thoughts and wits to at he ve . Th s it stands ’ Her r r so r and elde siste is cu st shrew d , a Fa r an o fhe r Th t til the the rid his h ds , M a r o r Lo i a a at ste , y u ve must l ve m ide home , ’ And r o r has o me u d he r the ef e he cl sely up , ’ B a no anno d r ec use she will t be y with sute s .

Luc. Tranio a a ru l] Fa r Ah , wh t c e the s he ’ But art o no t advis d o o o e ar th u , he t ke s m c e T o her unn n Scho ole mast ers t o n get c i g i struct her . ’ ra I arr am I sir and no w T . o m y , tis pl tted .

L a Tranio. uc. I h ve it Tra a r fo r an . M ste , my h d , Bo o ur n n o n and um e in o n th i ve ti s meet j p e . L n uc. Tell me thi e ﬁrst . Y - T ra . o u o o a will be sch le m ster, And undertake the teaching o f the m aid ’ a o r Th t s y u device . 2 0 0 I M a o n Luc. t is : y it be d e ? N fo r ho a T ra . o t o : w a u a p ssible sh ll be re yo r p rt, ’ And in Padua r Vincent io s o nn be hee e s e, K s and o o o fi' iends eep house , ply his b ke , welc me his , V Co untrime n and an u ? isit his , b q et them 1 Luc. Bast a c n n : fo r I a , o te t thee h ve it full . a no t bin e n in an o u We h ve yet s e e y h se , ’ Nor c an distin uish d o ur fa 1 enou b we be g by ces , g Fo r man o r master : then it fo llo w e s thus ; ou a a r Tranio in Th sh lt be m ste , my sted 2 Ke e e o and or and r an as I u p h use , p t , se v ts , sho ld , I o o r o Florent ine 2 om will s me the be , s me , p p So li a o r an r man f Nea o t n o Pisa . me p , me e ’ ’ hat ch d and a so : T ranio at o n Tis , sh ll be ce n a : a Co nlord hat and clo ake U c se thee t ke my ,

’ 2 lord c o l o u r co ulord— 2 F — - F 1 on : d . 5. C ( 3 4 .

iv . 9 1 9 I 2 - . 1 2 H i . 3 42 ] T E TAMING

n Biondello o a o n Whe c mes , he w ites thee , But I a r t o ke e e o n u will ch rme him ﬁ st p his t g e . r So had ou n T a . y eede In bre e fe Sir s ur a ur , ith it yo ple s e is , And I am t o o n tyed be bedie t , ’ Fo r so y o ur father charg d me at o ur partingf Be se rvice able t o my so nne ( qu o th he) o I thinke a in ano r n Alth ugh tw s the se ce, I am n n t o be e Lucent io co te t , B a ec use so well I lo ve Lucent io.

Luc. Tranio so au Lucent io o be , bec se l ves , ’ And a a t at chie v e a a let me be sl ve , th t m ide , ’ a n a thral d o un e Whose sod i e sight h th my w d d eye .

d l Ent er Bion e lo.

H o e S rra e r a ou bin 2 0 r u . ? ee e comes the r g i , wh e h ve y 3 a I n ? Na ho w no w r Bion. Where h ve bee e y , whe e ’ are o u? M a r ha s o Tr ania o n o r y iste , my fell w st l e y u ’ clo athe s o r o u o n o r o ? ra a , y st l e his , b th P y wh t s the newes? ’ Luc S rra e no e t o e . i com hither, tis tim j st, And therefo re frame yo ur m anners t o the time o r o Tr anio r t o a e fe Y u fell w hee e s v my li , ’ a arre l] and c ount nance o n Puts my pp , my , And I fo r my e scape h ave put o n his: Fo r in a arre ] n I a e a o r qu l si ce c m sh e , ’ I a man and e a I w as e r e kil d , f re d sc i d

' a te o u o n I ar o u as co W i y him , ch ge y , be mes Whil e I m ake w ay fro m hence t o save my life Yo u understand me? ’ ir n Bion. I s a . , e re whit Luc And no t a o ranio in o u u . j t of T y r mo th , ’ a chan n n io Tr nio is g d i to Luce t .

2 0

I 11 3 - 1 THE I . . 3 ] TAM NG

V Pet r . a n I sa n r oun ill i e y, k ocke me hee e s dly .

Gru . K no ou r sir? sir a am I sir cke y hee e Why , wh t , a I o no c ou r sir I 1 th t sh uld k ke y hee e . Villaine I sa no a e Pet r . t a y, k cke me this g t , And ra e or I n o r na a p me w ll , le k ocke y u k ves p te . r Gru M M ro w ne uarr o . y is g q els me I o no ou fir sh uld k cke y st, And n I no a e r ho e o r the k w ft w com s by the w st . no Pe t r . Will it t be ? ’ ’ F rr n n a a a d o no t n I . ith si h , y u l k ocke , le ri g it , I r ho w o u c an l F n n So a a d . le t ie y , , si g it He rings bim by t be eares 2 0 H mistris a e r mad Gru . . elpe helpe , my m st is

P r No w no e n I ou rra a n . e t . k cke wh bid y : si h vill i e

° Hor s o Ent er t en i .

’ M n Hor . no w a a r? o r How , wh t s the m tte y lde f ie d rumio and o r n Pe t rucbio? Ho w do ou all G , my g od f ie d y at Verona?

Hor sio o u t o a ra Pet r . S n or t en ? ig i , come y p rt the f y ont ut t i le core bene t roba t t o ma I sa C . , y y H r Alla nost ra casa bene v enut o mul o bonorat a si ni o . t g or mio Pet rucbio 0 . 3

R r umio o o un ar ]. ise G rise , we will c mp d this qu rel ’ Na ti n r sir a he e in La n . Gru . s o a y m tte , wh t l ges ti e I no t a law ﬁi ll au fo r t o a e his e r f this be c se me le v s vice , lo o ke o u sir: He no ra o n y bid me k cke him , p him s u d

- - d —T 8 a n : a n . T HEO BAL1> 1 . 1 l . . 1 4 1 5 . HEOBALD ri m a s t e rs — T 2 1 mist s: . . HEOBALD u i l re be ne raba to t u t t o il c u o re b e n t ro 2 8 . Cont tt e co t t : Co n ,

— - - T HEO A 1. D at to 2 F B . v a t o (t rov 4 .

- - — 2 be ne: b e n 2 F. multo : m o t o T . bonorata: h o n 9 . 4 l HEOBALD

- - - o F si nior : S no r T . rat o 3 4 . g i g HEOBALD — 2 le es: d e re e Cu n t . 3 . g g

2 2 O F T HE SHREW 3 1 - 6 2 l sir w as a an t o use a r so y . Well , it fit for serv t his m ste , n r a fo r I t w o and r a bei g pe h ps ( ought see) thi ty , peepe o ut ? o o u to G o d I had kno ckt at r Wh m w ld well fi st , ha no t o r then d Grumio co me by the w st . n Ho Pe t r . se ce le sse a n : o o r t ensio A vill i e g d , I bad ra a ] no n o r a the sc l k cke upo y u g te , n o no fo r ar A d c uld t get him my he t to do it . Gr Kno at a ? a n : a o u no t u. cke the g te O he ve s sp ke y r a n ? Srra Kno r : ra these wo ds pl i e i , cke me hee e ppe me r : no and n n ? And hee e k cke me well , k ocke me sou dly co me yo u no w with kno cking at the gate? S a n or a no t I a u Pet r . o . irr be go e , t lke dvise y ’ P ru b o a n I am G m o s d Hor . e t c i ru i p tie ce , ple ge h a he avie an t wixr and o u Why t is ch ce him y , Yo ur ancient trustie pleasant servan t Grumio: And tell me no w (sweet fi' ie nd) wh at happie gale 50 B s ou to Padua fr o ld Verona? low s y heere , om P n as a r on me n thro h et r . Su ch wi d sc tte s y g g the world , T o se e ke o r un ar r n at o their f t es f the the h me , r a r n ro w es in a Whe e sm ll expe ie ce g but few . S n or Hor t ensio u an ig i , th s it st ds with me, Ant onio a r de ce ast my f the is , And I a e n az h ve thrust my s lfe i to this m e, Ha t o and as I ma ppily wive thrive , best y Cro w ne s in ur I a and at my p se h ve , goods home, n so am o ro a t o o r 6 0 A d c me ab d see the w ld . r r bio a I n o o un Ho . Pe t uc , sh ll the c me r dly to thee , ’ ’ And wish thee t o a shrew d ill - fav o ur d wife ? ’ T ho u dst thanke me but a little fo r my co unsell And I ro a yet le p mise thee she sh ll be rich ,

e e — 2 w z - 8 ﬁ e - — w 6 e : i R o . . 2 v acce nt ll 2 o z 3 . p p p p 3 7 . R . ’ ’ - i r - - 8 . tbis: t h s s C I . tw x : t w x 2 t . F 4 i AMBR DGE i Q 4 . row es but ro w s B u t — PE : . . 54. g g CA LL il H a — Ha M . 58 . pp y: ply ALONE

2-3 I 1 - . 1 6 HE . 3 9 2 ] T TAMING

’ And c : but ar u fr n veri rich th t too m ch my ie d , And I no t t o her le wish thee . ’ Pet r S n or Hor t ensio w fr n as . ig i , t ixt such ie ds wee , Fe w o r f : and r ore u no w ds su fice the ef , if tho k w ’ O ne rich e no ugh t o be Pe t rucbio s wife (As wealth is burthen o f my w o ing dance) Be she as o e as w as Florent ins Lo e f ul v , ’ o ld as Sibell and as ur and ro As , c st sh w d Socra t es Z ent i e o r a o r : As pp , w se She o no t or no t r o at a m ves me , em ves le st ff o n in r she as u A ecti s edge me . We e is ro gh are n Adr a a As the swelli g i ticke se s . I co me t o wive it wealthily in Padua If a e n a in Padua . 8 we lthily , th h ppily 7 Gr u Na loo ke o u sir ou fla a . y y , hee tels y tly wh t his n : o no and arr mi de is why give him G ld e ugh , m ie him ’ to a e o r an a e 1 o r an o ld r n r a Pupp t Aglet b bi , t ot with e e o in her a o u a as manic a as to th he d , th gh she h ve dise ses nd fti o r no n o a o t w o a fi e e . s h s s Why thi g c mes misse , o n e o i hall 1 la e t a sba ed like r m i c mes w t . c g p figu e Hor Pe t rucbio n are e u arr in . , si ce we st pt th s f e , ’ I c o n n a I bro ach d in e will ti ue th t j st , I c an Pe t rucbio helpe thee to a wife a no and o n and beautio us With we lth e ugh , y g , Bro u as o a n o an ught p best bec mes Ge tlew m . He r o n fa and a au no u ely ult , th t is f lts e gh , Is a into lle rable r , th t she is cu st , ’ And ro and ro ar so e o n all a u sh w d , f w d , b y d me s re, a r a arr o r r n is Th t we e my st te f e w se the it , n o I wo uld no t wed he r fo r a mi e of G ld .

70 burt ben: b u rd e n- ST EEVENS ' — ’ — - F i /l sbrow d: s h re w d shre w d 2 . be : b T . 7 2 . S Si y l HEOBALD ( ) 4 Z enti e : Xa nt l u e Xantl e — T 7 3 . pp pp ( pp ) HEOBALD ’ ’ - - ' — - i s 2 sbro w d: s h re w d shrew d 2 F. 7 5 s a : a s Q 2 4F 9 . ( ) 4

2 4

1 2 6 - 1 56] T HE TAM IN G

1 r o r r a Ba t ist a an 1 measur Therefo e this de h th p t e , e a no n a a accesse un o Bianca Th t e sh l h ve t , K at berine r a a an Til the Cu st , h ve got husb d . 2 Gru . K at berine the r 0 cu st , 1 3 2 fo r a a o f all o r sbrew b A title m ide , titles the w st . is H r o w a r P b o . nd e t ruc io a N sh l my f ie do me gr ce , ’ And o ffe r dis uis d in o r r me g s be obes , T o o ld Bapt ist a as a sch o o le -m aster 3 n in M usicke ns u Bianca Well see e , to i tr ct , Th at so I may by this device at least Ha a and ur t o a v to ve le ve leis e m ke lo e her, And un u o ur her her f s spected c t by sel e .

Ent r re mio and Lucent io dis us d 1 e G g e . 39

’ H r no kna erie Se e to Gru . v . u ee e s , beg ile the olde o ho w o un o la r a r f lkes , the y g f lkes y thei he ds togethe . a r a r lo o ke a ou : W ho o r ? ha M ste , m ste , bout y g es the e . H r P a rumio r a ] o f Lo o . . e ce G , it is the iv l my ve r b an a Pet uc io st d by while . m ro r r n an an ro ru io. d a u G A p pe st ipli g , mo s . ’ re mio. 0 r I a e rus d no G ve y well , h ve p the te He arke o u sir I a r faire l un y , le h ve them ve ic y bo d , bo o kes o f o a at an an All L ve , see th t y h d , And see you reade no o ther Lectures t o her an me r and Yo u underst d . Ove beside S n o r Ba t ist as libe ralitie ig i p , I n a Lar e e a o u a le me d it with g ss . T ke y r p per too , ’ And let me h ave them v erie we] perﬁl m d; Fo r she is sweeter then pe rﬁi me it selfe a a h r T o whom they go t o : wh t wil yo u re de to e . a e re I r a e o he r I lea ou Luc. t de Wh t e d , le p for y , ’ for a o n an o u so a ur As my p tr , st d y ss d ,

— — - dis used s u s e d dis ul d . 2 F 1 . : d s 39 g i g i ( g Q ) 4 .

2 6 T E SHR 11 1 - 1 8 O F H EW [L . 57 9

rm l as u in a As ﬁ e y yo r selfe were still pl ce, Ye a and perh aps with m ore succe sse full w o rds o u r a o e r sir Then you ; unle sse y we e sch ll .

Gr e arn n a a n . e . Oh this l i g , wh t thi g it is W dc c ke 1 a an Gru . o o o . Oh this , wh t Asse it is 1 r a rra. ool Pet u. Pe ce Si f mio mum : G o d a o u n o r remio r ru . Ho . G s ve y sig i G H o Gre . And ou are ] S n or or t ensi . y we met, ig i ro r I am o n ? Ba t ist a Minola T w you whithe g i g To p , I pro mist to enquire c are ﬁl lly o a scho o le master fo r a r Bianca Ab ut the f i e , And by goo d fortune I h ave lighted we ll O n this y ong man : Fo r learning and beh aviour Fit for urn r a in r her t e , well e d Poet ie nd r bo o ke s o o n I arran A othe , g od es , w t ye ’ Hor : and I a a n an . Tis well h ve met G e tlem a ro mist to o ne t o ano r H th p me helpe the , ﬁne M usitian t o n r o ur M istris A i st uct , So shal I no whit be behinde in dutie f a r Bianca so e o o . To f i e , b l ved me B o o f and a Gre . a o el ved me, th t my deeds sh l pr ve . Gru And a a a ro . th t his b gs sh l p ve . ’ Hor re mio no w no t o n o ur 1 80 . G , tis time ve t love , n t o and o u a a r Liste me , if y spe ke me f i e , I ou n n ff r n oo fo r le tel y ewes i di e e t g d either . Heere is a G e ntleman who m by c h ance I met o n a r e n fro t o n Up g e me t m us his liki g , ] un a t o w o o r K at ber ine Wil dert ke cu st , Ye a and arr he r he r do w rie a , to m ie , if ple se . So a so o n Gre . : s id , d e , is well Hort ensio a o u o all her au , h ve y t ld him f lts ? P t r I no an irke so me ra e . k w she is b wling scold I a all M a r I a no a f th t be ste s , he re h rme .

- 1 . one me o w z 74 : K .

2 7 l 11 1 0 - 2 1 8 T HE MI . . 9 ] TA NG

fr n a Gre . a ? Countre man No , s yst me so , ie d Wh t y ? n V rona o ld But oni nn Pet r . B rn i e os o e , so e : M a r e a or un fo r y f the d d , my f t e lives me, d I do o o o a and o n t o se e An . h pe , g d d yes l g , f Gre . sir a a r an Oh , such life with such wi e , we e str ge ’ But o u a a st o macke t o o a o na if y h ve , t G ds me , Yo u a a me a n o u in all sh l h ve ssisti g y . But will yo u w o o this Wilde - cat ? P t r I ? e . Will live w o her I or I an h r Gru . o ? : e Wil he le h g . P r a I r but a n n e t . Why c me hithe , to th t i te t ? T hinke ou a nn can aun n ar y , little di e d t mi e c es? Have I no t in my time heard Lio ns rore ? Ha I no t ar se a uft n ve he d the , p up with wi des , Ra an an r B ar a a ? ge like g y o e , ch fed with swe t Have I no t heard great Ordnance in the ﬁeld? And heavens Artillerie thunder in the skies? Have I no t in a pitched batte ll h e ard Lo u a u n n u clan ue ? d l r ms , eighi g steeds , tr mpets g And do yo u tell me o f a w o mans tongue ? a no t a so r a a o a Th t gives h lfe g e t bl w to he re, a Che sse - nut in a Far r ﬁr As wil me s e . u e ar u T sh , tush , f e boyes with b gs .

Gru Fo r he ar no n . . fe es e r m Hor t ensio he arke G e . : ’ n an a arriv d This Ge tlem is h ppily , M n r for o h and u s y mi de p esumes his w e good , yo r . Hor I r mi o o n r u r . o st p we w uld be C t ib to s , And e ar ar e o f o o n w hats e r 2 1 b e his ch g w i g o e . 9 r i n m o. A d so r a n e o wi . G we wil , p vided th t he her

Gru . I o u I r as ur a inne w ld we e s e of good d r .

’ 1 2 u onios A - w s 9 . B t : nt o ni o s R o . ’ ' ’ 1 6 t oo o — RI O 9 . t a : t t i C A M B D E. — 2 1 . ours O t S T 7 y : U HEOBALD .

2 8

- 6 T H 1 11. 2 2 E MI . 45 7 ] TA NG

Then well o ne more may faire Bianca h ave ; And so a : Lucent io a a o ne she sh ll sh l m ke , in o e e o Paris a t o a on . Th ugh c me, h p sp ed l e

- Gre . a en an o ut a us all Wh t , this G tlem will t lke . ’ ir a I no r a Luc. S a give him he d , k w hee l p ove J de . Hort ensio to a e nd are all Pe t r . r ? , wh t these wo ds Hor Sir so o as a o u . , let me be b ld ske y , Did yo u yet ever see Bapt ist as daughter? a NO sir but e ar I do a a T r . , h e th t he h th two o ne as a o fo r a o n on The , f m us sc ldi g t gue , o r for au ou o e As is the the , be te s m d stie . ’

Pe t r . Sir first s fo r her , sir , the me , let go by . Ye a a a a o ur t o r a H Gre . ercules , le ve th t l b g e t , be r n Alcid s And let it mo e the e twelve . P r Sir un r an ou o f n o o e t . de st d y this me (i s th) o n e st au er o ou ar n for The y g d ght wh m y he ke , He r a h r ke e e s ro all accesse o f u f t e p f m s tors , And no t ro her an man will p mise to y , r e r fi Until] the elde sist rst be wed . T he o n er n fi e e and no t b fo r y g the is , e e . a o I so sir a o u re m Tr ni . a an f it be , th t y the M all and a o n r ust steed us , me m gst the est And o u bre ake and do h se e ke if y the ice , t is , h r: se t o n er r Atc ieve the elde the y g f ee , Fo r o ur acce sse o ha a be t o a , wh se p sh ll h ve her , no t so race le sse be t o n ra Wil g , be i g te . Hor Sir o u sa ] and ] o u n . y y we , we y do co ceive , And n e ou do ro e t o a u o r 80 si c y p f sse be s t , 2 Yo u as ratifie n an must we do , g this Ge tlem , T all e n ra in o wh o m we rest g e lly behold g . Sir I a no t be slacke in n w here o r Trania. , sh l , sig e , 1 a ma o n ri 1 t is afterno one w bile aw a Ple se ye we y c t ve h , y

— — k : . steed: s e a Ca ra t . . see e fe at E 2 74. t d 2 75 ROW 30 H R l 11 — 11 O T E E . 2 2 2 F SH W [ . 7 7 . i .

And uaffe c aro w se s our Mist re sse a q to he lth , And do as a r ar do in law dve s ies , S r ca and r n as f n t ive mightily , but te d i ke rie ds . ’

Gru. Bion n o o n :fe o e o n . Oh excelle t m ti ll w s let s be g . Hor o o n o o n e and 2 8 . The m ti s g d i d ed , be it so , 9 Pe rucbio I o r Been v enut o E eunt t a . x . , sh l be y u

’ II S n Pa dua A room in Ba t ist a s [Act . ce e i . . p

bouse . ]

Ent er K at beri na and Bianea .

Bian. o o r ro n no t no r ro n u G d siste w g me , w g yo r self, T o a a bo ndmaide and a a o fmee m ke sl ve , a I disdaine : b ut fo r o e r o o Th t these th g ds , U nbinde an I m o ff my h ds, le pull the my selfe , Ye a all ra n t o e ttico ate my ime t , my p , O r a o u o an I do wh t y will c mm d me , wil , I n dutie t o r So well k o w my my elde s . a O f all o r r I ar K t e . thy sut s hee e ch ge tel ’ o lo v st : o n Wh o m th u best see th u dissemble o t . Bel e v e e r o f all the me n a Bianca . e me sist , live , I n r e a e a ] a e eve yet beh ld th t sp ci l f c , I o an o re n an o r Which c uld f cie , m the y the . ’ at M n o n o l e st : I no t Hor t ensio? K e . i i th u y s t

Bian. I o u aff r I sw e are f y ect him sister, hee e I le ade fo r o u but ou a a le p y my selfe , y sh l h ve him . K at e n o u an r o . Oh the belike y f cie iches m re , a e r mio to ke e e u a r You wil h v G e p yo f i e . n I fo r o u do n me so Bia . s it him y e vie ? Na n o u and no w I ] r y the y jest , we pe ceive Yo u h ave but jested with me all this while I r Ka un an e thee . p sister te , tie my h ds

K a I a n all w as . St rikes ber . fth t be jest , the the rest so

— - d — ee F . oo s d s E B n: b e n 2 . : aw T 4 4 g g H OBALD. — - . cbar e tel h ar e t h e e t e 2 F. 9 g : c g , ll 4

3 1 II 2 - T HE MI . i . 3 45] TA NG

t a a En er B pt ist .

Ba ho w no w Da e n e ro w e s in p. Why m , whe c g this 1 so lence ? w ort bless person Bianca an a o o r rle w e e e s st d side , p e gy she p G e e no t her o . ply thy Needl , meddl with Fo r a e o H n 1 o f a div e llish r sh m th u ildi g spi it, o o r n her a ne re r n ? Why d st th u w o g , th t did w o g thee When did she cro sse th e e with a bitter w o rd ? 3 1 ’ nd Ile b e re en d Her e n e fo a v . K a . t e sil c l uts me , g Flies aft er Bianca a a in ? Bianca e in E it B p. Wh t my sight get th e . x an [Bi ca] . K at a ou no t ffer : Na no w I se e e . Wh t will y su me y She is o r r a re she a a u an y u t e su , must h ve h sb d, I u an ar - fo o o n he r e n da m st d ce b e t w ddi g y,

And sor o r o e to her le ade e in . y u l v , Ap s hell a no t t o I o sit and w e e e T lke me , will g p , f n E it 0 I an ﬁn o a o n o r . Till c de cc si eve ge [ x . ] 4 ’ Ba W as r n an reev d as I? p. eve Ge tlem thus g But w ho o e r c mes h e e .

Ent er remio Lucent io in t be babit o a meane man G , , f , Pe t rucbio w it b [Hor t ensio as a musician; and] Tr a nio w it b bis bo Biondello bearin a Lut e and , y [ ] g

Bookes. I

G r o o o rro ne our Ba t ist a . e . G d m w ighb p a o o o rr n o r r mio: a B p. G d m o w eighb u G e God s ve o u n e en y Ge tl m . A nd o u o o r a ou no t a dau h Pe t . y g d si : p ray h ve y g ’ r c a K a t a f r an r 0 t e erin a e d u o u . , l d , i ve t s 5 ’ Ba I a a a r ir a rina s a K t e . p. h ve d ughte , c l d Y Gre . o u are t o o un o t o o r e r . bl t , g it d ly

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II - 1 0 2 T HE MI . i . 7 5 ] TA NG

I o no t sir ut ou c r Gr e . B . d ubt it y will u se Yo ur wo o ing ne ighb o rs : this is a guift Ve r ra fu ] I am ure o f t o e r y g te l , s it , xp esse T he e kindne sse fe a a e e n lik my sel , th t h v b e e M o re kinde ly be h o lding to yo u th e n any Fre e n o o n Sc o e r Present in Ln ely giv u t this y g h ll , [ g cent io] th at h ath B n o n n at Rbe mes as c nn n ee e l g studyi g , u i g In G re e ke La ne and o e r Lan ua , ti , th g ges , As the o ther in M usicke and M athe matic ke s His na ra ac e e r me is Ca mbio : p y c pt his s vice . a o an t hanke s o r r mio B p. A th us d signi G e : e c o o a mbio o r i B t n e sir o . T T an o u W l me g d C [ ] ge tl , M e thinke s o u a e e a an e r y w lk lik str g , M a I be so o t o no t he a e o f o r co mmin ? y b ld , k w c us y u g m ir Tra . Par o n e s b o ldne sse n o w ne d , the is mi e , a e n a ran r in Cit tie e e r Th t b i g st ge this h e , DO a e e fe as o r t o o r a r m k my s l ut y u d ughte , n o Bianca fa r and e r o u : U t , i e v tu s No r o r ﬁrme r o unkno w ne is y u es lve to me , In re f r e n o f the p e m t the eldest sister. r all a I re This libe ty is th t quest , a u o n no o f Par n a Th t p k wledge my e t ge , ’ I ma a e o o n re a w o o y h ve w lc me m gst the st th t , And re acce sse and a o r as f e f v u the rest . And to w ard the educati o n o fy o ur daughters I r o a e n r m n hee e best w simpl i st u e t , And this small pack e t o f G re eke and Latine bo o kes If o u a c e e n r o r r a 1 0 y c pt them , th thei w th is g e t : 1

8 - I w ooin 1 — A PII 3 4. g : C LL. in n i bor — 8 . w oo e b s: w o o n Ne l h b o u r T 4 g g i g . g HEOBALD . 8 - 2 nei bbor e — . s tc : ro se . 4 9 g , . p POPE 88 u nto t bis: u nt o o u t h s — I . y i CAMBR DGE . h e m s - - - 8 . Rbemes: R i C . 6 rose o rt . 9 APELL 9 3 . p P s u or s u t o r a t or— — - F . t : a su 2 . 99 a i ( Q . 4 34 H I 1 0 - 1 2 8 O F T HE S REW [ L i . 3

a o o ur na o f n I ra B . Lucent i . p is y me , whe ce p y

ra Pisa sir onn t o Vincent io . T . Of , s e

Ba . mi htie man o f Pisa r o r p A g by ep t , I kno w him well : yo u are ve ric wel c o me sir a o u the L and o u se t o fbo o ke s T ke y ute , y the , r n Yo u sh all go see your Pupils p ese tly . Ho a n ll , withi .

Ent er a Serv ant .

S rra le ade n e n i h , these Ge tl me T o a r and o my d ughte s , tell them b th are r o r These thei Tut s , bid them use them well , E it Ser v ant w it b Lucent io and Hor t ensio [ x , , Bio d lo ollo n el f wing . ] a e a l in r ar We will go w lk ittle the O ch d , And n t o nn r: o u are a n o the di e y p ssi g welc me , And so I ra o u all to thinke o r p y y y u selves .

Pe t . S n r Ba t ist a busine sse a a ig io p , my sketh h ste , And e v e rie da I anno o to w o o y c t c me , Yo u n a r and in k ew my f the well , him me , L o he ire to all Lan and o o eft s lie his ds g ds , I a e r ra e r e n de cre ast Which h ve bett ed th th , n I o r a r o The tell me , if get y u d ughte s l ve , a do w rie a I a e her t o fe Wh t Sh ll h v with wi .

Ba . r a o ne a e o f Lan p Afte my de th , the h lf my ds , And in o o n w n i o an C ro w n p ssessi t e t e th us d e s. Pe t And for a do w rie I a ur her o f th t , le ss e 1 1 Her w iddo w - o o a ur e oint ure h d , be it th t she s viv me j 2 In all Lan and Le a a r s ecial deeds my ds ses wh tsoeve , p 2 Le t ia e t r o r draw ne be tw e e ne us spec lti s be he ef e , a nan ma o n r an Th t cove ts y be kept eithe h d .

1 i b r or — 1 . P sa e t : P s a b re o rt o we . 3 y p , i ; y p R — 1 2 8 . solie : s o e o w e l l y R .

v 1 0 i . 3 5 II I 1 2 - 1 6 T HE M I . . 9 5 ] TA NG

’ ] n Ba . I n a obtain d p , whe the speci l thi g is well , f r a all in all Th at is he r l o ve : o th t is . 1 40 a no n fo r I f Pe t . : o u a r Why th t is thi g tell y the , I am as pere mpto rie as she pro ud minded : And r t w o ra n re me e te o r whe e gi g fi s t gethe , e do o n n a fe e de s e r fii rie Th y c sume the thi g th t th i . o e fire ro w e s r a n Th ugh littl g g e t with little wi de , yet extreme gusts will blo w o ut fire and all : So I t o her and so she e e lds t o me , y , Fo r I am ro and w o o no t e a a ugh , lik b be . Ba a i o u w o o and a be p. Well m ist b , h ppy thy speed ’ But arm fo r unha ie r 1 0 be thou (1 s o me pp w o ds . 5 t I r o f as M o untaine s ar f r Pe . t o o e e o n the p , wi des , a a no t o o r ua Th t sh kes , th ugh they bl w pe pet lly .

Ent er Hor t ensio w it b bis bead br oke .

H n fr e n Ba . o w o w o o o o s so p my i d , why d st th u l k pale? H F r f ar I ro e o u if I lo ke a or . o o e . e e p mis y , p l

Ba . a a r ro e a o o M usiti p Wh t , will my d ughte p v g d an?

’ E r I thinke o o ne r ro a o u e r . she l s p ve s ldi , I ro n ma o he r ne r L e 1 6 0 y h ld with , but ve ut s . a e n o an no t re a he r to the B p. Why th th u c st b k Lut e ? H r no fo r she a ro e h L o . e u e to Why , h th b k t t me I he r she misto o ke he r fr did but tell ets , ’ And b o w d he r an t o a he r n e r n h d te ch ﬁ g i g , W h e n (with a mo s t imp atie nt div e llish spiri t ) Fre ts call yo u these ? (quo th she ) Ile fume with them And a o r she ro o n the e a with th t w d st ke me h d , A nd ro he n r e n a a w a th ugh t i st um t my p te m de y, And r I o o a az e fo r a the e st d m d while ,

- - F 1 2 sha es: s h ak e 2 . 5 . k 4

3 6

II i 1 6 - 2 1 2 T H M . . 8 ] E TA ING

’ Yo u infaith fo r ou are call a Pet . d ne K at e lye , y pl i , And o n K at e and o K at e t he c ur : b y , s metimes st But K a t e r es K at e in r n o e , the p etti t Ch iste d m , K a t e o f Kat e - a r- daintie K at e h ll , my supe , Fo r a n e are all K at es and r r K at e d i ti s , the efo e a o f K a t e o f o n o a o n T ke this me , my c s l ti , ’ He ar n mildne sse rais d in r o n i g thy p eve y T w e , r o o f and be autie o un Thy ve tues sp ke , thy s ded , Ye t no t so de e e l as to b o n p y thee el gs , ’ M e am mo to w o o e f r y self o v d the o my wife . ’ ’ K a M o in o a mo v d o t e . u v d , go d time , let him th t y hether Remo ve yo u hence : I knew yo u at the ﬁrst Yo u re a o a we m v ble . ’

Pe t . a a o a e ? Why , wh t s m v bl ’ a o n d sto o le K t . A j y .

P o a : e sit o n . e t . Th u h st hit it com me a a t e and so are K ate . re o a ou . Asses m de b re , y r d s ar Pet . o n are a a an o e o u . W me m de to be e , y N a e as o n K a t e . o u o u u a 2 2 1 s ch J d y , if me y me e .

Pe t . a o o K at e I no t r n Al s g d , will bu the thee , Fo r no n to but o n and k wi g thee be y g light . T o o fo r a K at e . a n as o u a light such sw i e y to c tch , And as he avie as a t o yet my w igh Sh uld be . P ho ld be S o u uz z . e t . : , sh ld b e

K a t e . t ane and a uz z ar Well , like b d . ’ - Pe t . o w in d ur a a buz ard a e ? Oh sl w g T tle , sh l t ke th e a t I fo r a r as a a z ar K . . Tu tle , he t kes bu d W ’ Pet . o o e o u as e faith o u are t o o C me , c m y p , y y n ﬁ 2 a g e . 3 1

K a I I a b ar n . t e . f be w spish , best ew e my sti g

P M r n to lucke o ut . et . y emedy is the p it

- b r - 2 0 bon : b o nn F 2 2 2 . u tben: b u rd e n . 3 y y 4 . Q 38 T HE SHRE I 2 1 - 2 2 OF W [ L i . 3 4

a I fo ole fn r K t e . u , if the co ld i de it whe e it lies . Pe t W ho no no t a W as e o are . k wes where p d es we n In a his sti g? his t ile . at In o n ? K e . his t gue

P t o o n . e . Wh se t gue r a o f a nd so f r K at e . o a a . Y u s if you t lke t les , ewell in P a t o n our a . 2 0 et . Wh t wi h my t gue y t ile 4 Na o a aine o o K at e I am a n an y, c me g , g d , Ge tlem ,

K at e a I r . sbe st rikes bi m . Th t le t ie P I sw e are I ff ou o u r e t . a aine . le cu e y , if y st ike g ma o o o r ar K at e . So o u y y l se y u mes , I o u o u are no n an f y strike me , y Ge tlem , And no n an n no ar if Ge tlem , why the mes . H ra K at e ? ut in b k s Pe t . o o e A e ld Oh p me thy .

K at e . a o r r a C o xco mbe ? 2 8 Wh t is y u C est, 4

Pe t . o s o K at e H n e . A c mbless C cke , so will be my N ne K a t e . o o r like a ra n C cke of mi , you c ow too c ve P Na a o et . K t e : u u no t lo o ke so y come , come y m st

so w re .

K at e . I a o n n I a ra t is my f shi whe see C b . ’ Pe t . r no ra and r lo o ke no t Why hee e s c b , the efore

so w re .

K at e . r The e is , there is . P n et . The shew it me . a H I a I K t e ad a u . . gl sse , wo ld

Pet a o u an fa . . Wh t , y me e my ce ’ m d o f uc a o n o n K a t e . a e 2 6 0 Well y s h y g . No o r am n Pe t . w S. I by Ge ge too yo g for yo u . ’ K at e o u are w ither d . Yet y . ’

P ar . et . Tis with c es K at e I ar no t . c e . P Na ar o a n n e t . u t e I u a ot o . y he e y K . sooth y sc pe so

- - - - 2 6 . v erse o we . 2 0 2 . 2 e ndin a a n t r o p . e . 35 R 4 ll g g i , y P 39 II 1 - 2 E . T H M . 2 43 74] TA ING

K at e . I afe I ar Le t ch you if t rie . me go . P No no t a I ﬁnd o u a n n e t . e , whit , y p ssi g ge tle ’ a o o u r ro and c o and n Tw s t ld me y we e ugh , y, sulle , And no w I ﬁnde repo rt a ve ry liar : 2 6 9 Fo r o art a an a o a n u o u th u ple s t, g mes me , p ssi g co rte s , But o in : as rin - flo e r sl w speech yet sweet sp g time w s . o an no t fro w ne o an no t lo o ke a o n Th u c st , th u c st sc ce , Nor as an r e n e ll bite the lip , g y w ch s wi , No r h ast th o u pleasure to be cro sse in talke ’ But u mildnesse e ntertain st o r tho with thy wo e s , n n r n and affa With ge tle co fe e ce , soft , ble . Why d o es the w o rld repo rt th at K at e do th limpe? ’ Oh sland ro us w orld : K at e like the h az le twig I a and n r and as o ne in hue s str ight , sle de , br w az nu and r r n rn As h le ts , sweete he the ke els a no a Oh let me see thee w lke : thou do st t h lt . ’

K at e G o fo o le an d o kee st o an . . , wh m thou p c mm d Did r ian so o a ro Pe t . eve D bec me G ve As K at e this ch ambe r wit h her p rincely gate o u Dian and he r K at e O be th , let be ,

And n K at e be a and Dian s o rtﬁi ll. the let ch ste , p ‘ a r o u all o o dl e e ch K t e . Whe e did y study this g ysp ? P I o ro o r et r . e t e m re . t is x p , f m my m the wit K a t e t o r w itlesse her nn . A wit y m the , else so e Pe t I no t ? . Am wise

K at . ke e e o u ar Yes , p y w me . M arr so I an K at berine in Pe t . y me e sweet thy bed And r o r n all a a the ef e setti g this ch t side , Thus in pl aine termes : y o ur father h ath co nsented a o u a f o r r r o n Th t y sh ll be my wi e ; y u dow y g eed ,

And o u nil] o u I arr o u . will y , y , will m y y K at e I am a h an fo r our urne Now , usb d y t ,

— 2 2 a sco nce : a s k a n c e C . 7 . APELL r — - F 2 0 be n: t h a n t hen 2 . 8 . ( ) Q 4

I ] 1 0 - 1 T H M I . . 3 3 3 3 ] E TA NG

a ur n ? na n o dni h Tr . Is this yo speedi g y the g g t o ur ar p t . l Pet Be a n n n I o he r fo r e . p tie t ge tleme , cho se my s lfe , ’ ’ If and I le as d a a to o u? she be p , wh t s th t y ’ ’ ’ bar ain d t w aine n a o n Tis g twixt us bei g l e , a t r in That she sh ll s ill be cu st company . ’ I tell yo u tis i ncredible to be le e v e Ho w u o e : o h n K at e m ch she l v s me the ki dest , S un a o n and kisse o n kisse hee h g b ut my ecke , ’ S 1 so a ro n a o n o a hee vi d f st , p testi g o th th , a in a t w inke w o n her o Th t she me to l ve . ’ 1 o u are n a r cballen ed Oh y ovices , tis wo ld to see g Ho w a n me n and o e n are a o n t me whe w m l e , 2 A me aco c ke wretch can m ake the curste st shrew an K at e I un o Venice Give me thy h d , will t ’ To buy apparel] gainst the wedding day; r i a at r and t he P ov de the fe st f he , bid guests , I r Kat be r ine a ﬁne will be su e my sh ll be . Ba I kno w no t a to sa o ur p. wh t y, but give me y an h ds , ’ G o n o u o Pe t r ucbio a a d se d y j y, , tis m tch .

Gr Tra . n sa n e . Ame y we , we will be wit esses . Pe t Fa and and n n a u . ther , wife , ge tleme die , I Venice n a a a will to , so d y comes p ce , W e a n and n and ﬁne arra will h ve ri gs , thi gs , y ,

And kisse K at e ar a o n a . 0 me , we will be m ried s d y 3 5 E it Pe t rucbio and K a t b rin x e e . Gre W as a a u so sodainl ? . ever m tch cl pt p y a Fa n e n no w I a a ar n a B . a p ith Ge tlem pl y m ch ts p rt , n a n a e ra ar And ve ture m dly o d spe te M t . ra a a o o la e n o u T . Tw s c mm dity y fr tti g by y ,

n ou a n o r r o n a . Twill bri g y g i e , pe ish the se s

' — - 0 a sonda : o S u nda F. 3 5 . y y 3 4 E HR I 2 - 6 1 O F T H S EW [ L i . 3 3 3

a a n I se e ke l s i the a B . p The g i e , qu et me m tch . r No o but a o t a a G e . d ubt he h th g quiet c tch But no w Ba t ist a t o o r o n e r a r p , y u y g d ughte , No w da n a e o o fo r is the y we lo g h v l ked , I r ne o r and w as e r r am u u . yo ighb , sut ﬁ st ra And I am o ne a o e Bianca r T . th t l v mo e n o r c an w itne sse o r o r o c an u The w ds , y u th ughts g esse . n n o u an no o so a a I Gre . t s Yo gli g th c st l ve de re .

- h' a ra a o o z . Tr . G y be rd thy l ve d th ee e Gre But n . thi e doth frie , ’ S r an a e a a nour e . kippe st d b ck , tis g th t isheth B o h i La a flo rishe th a ut ut n . T r . y dies eyes th t a C n n o u n n I o un B . p o te t y ge tleme , wil comp d this strife ’ ds w in r z e and o f o 0 Tis must the p i , he b th 3 7 a can a r a r r a o e r Th t ssu e my d ughte g e test d w , S a a Biancas o e h ll h ve my l v . Sa n o r remio a c an ou a r her? y sig i G , wh t y ssu e r Fr as o u no th G e . n e i st , y k w , my house withi City I ﬁi rnishe d a and o s richly with pl te g ld , Baso ns and ewers t o lave he r d ai nty h ands 1 M y h angings all o f t irian tapestry count erpanes In Ivory c o fe rs I h ave stuft my cro w nes In r arra o n r o n 1 Cyp es chests my s c u te p i ts , o a are ] n and ano C stly pp l , te ts , C pies , Fne L nn n T urk o n ho st ar i i e , y cushi s with pe le , Va n o fVe n o in n w o rke lle s ice g ld , eedle r and ra and all n at n Pewte b sse , thi gs th belo gs T o ho use o r h o us e - keeping : then at my farme I a a n r - n the a h ve hu d ed milch ki e to p le , Sixe - r fat e n an n in a sco e Ox st di g my st lls , And all n an ra o r o n thi gs swe ble to this p ti .

— w z V - me : 2 R o . le n i a . 2 al s a a c e 3 57 . 3 8 : V l n POPE . b l n s o — w l —2 - 8 e o : b e n o e . 8 . a e : 1 F 3 3 g l g R 3 5 p pa1 4 .

43 II 6 - . 2 T HE M . i 3 39 3] TA ING

M am ro o in e e res I u n y selfe st ke y m st co fesse , And if I t o o rro r die m w this is he s , ’ I I o n n f whil st live she will be ely mi e .

T r a . a o n a in : sir to Th t ly c me well , list me , I am a e r e re and o n o nne my f th s h y ely s , If I ma a o r a r t o f y h ve y u d ughte my wi e , Ile leave he r h o use s th re e o r fo ure as go o d n r Pisa a as an o ne Withi ich w lls , y S n o r re mio has in Padua Old ig i G , B o an Ducke ts eere esides , two th us d by the y ] an all a h r r e o nter. Of f uitful l d , which sh ll be j y a a I incht o u S n or remio? Wh t , h ve p y ig i G T w o an Duc ke t s r Gre . o ee e o f an th us d by the y l d , My Land amo unts no t t o so much in all 40 1 a a a an Ar o sie Th t she sh ll h ve , besides g 1 Th at no w is lying in M arcellus ro ade : large g alleys a a e I cho akt o u an Ar o sie ? Wh t , h v y with g ’ mio kno w e a r a no Tra . re n e G , tis my f the h th l sse r r a r o e tw o a a 1 Then th ee g e t A g sies , b sides G lli sses And a e I a r he r twelve tite G lli s , these will ssu e , And as a e o ffre st n twice much wh t e r th u o ext . Gr Na I a ffr all I a no o r e . o e d y, h ve , h ve m e , And c an a no o r e n all I a she h ve m e th h ve, If o u a a and n y like me , she sh ll h ve me mi e . ra n a n ro all r T . Why the the m id is mi e f m the wo ld

- B o ﬁrme ro e remio o ut . y y ur p mis , G is vied Ba I u o n o r o ff r p. m st c fesse y u e is the best , And le t ur a e r a he r a ran yo f th m ke the ssu ce , S o ur o h o u ar o n- hee is y w e , else y must p d me ’ If o u fo r r her o r? y should die be e him , whe e s d we ’

ra a he o I o n . T . a a : Th t s but c vill is lde , y u g Gr And ma no t o n me n as as o ld? e . y y g die well

" — 40 3 M arcellus: M a rs e rl l e s ( M arse llis—2 - 4F ST EEVEN8 1

111 - 8 T HE I . i . 7 3 ] TAM NG

And n in M usicke a n an o r whe we h ve spe t h u e , o r r a a ur f r a Y u Lectu e sh ll h ve leis e o s much .

Luc. re o ro u a n r re a so arr P p ste s Asse th t eve d f e , ’ T o kno w the cause why music ke w as o rdain d : W as it no t t o refresh the mind e o fman r e o r u ua ] a ne ? Afte his studi s , his s l p i n e a t o r a P o o The giv me le ve e d hil s phy , And I a e r in o ur ar o n while p us , se ve y h m y . Hor S rra ar t . I no t e ra n i , will be e th se b ves of thi e . Biane n n o u do e o n . Why ge tleme , y me double wr g , T o strive fo r th at which resteth in my choice : I am no n 1 o r in o o breechi g sch lle the sch les , I no t be to o r no r o n le tied h w es , p i ted times , But arns n as I a le my Lesso s ple se my selfe , And t o cut o ff all : r o ne strife hee e sit we d w , a o u o ur n ru n a o u T ke y y i st me t , l y the whiles , p y ’ His ur n e re ou a un Lect e will be do e y h ve t d . ’ H o a r or t . Y u ll le ve his Lectu e when I am in tune?

Luc . a n r n o r n r n Th t will be eve , tu e y u i st ume t . Bian e r a 1 ia b . Wh e lest we l st? l ble t o be w ipped uc H r M a a Hi bo i b r a L . : c I t S mois ie est si e i ee e d m , g t el/us bic st et erat Pr iami re ia elsa se is 0 , g C n . 3 Bian o n r . C ste them . H ba as Luc. ic I t I o o u fo r Simois Iam Lu , t ld y be e , , c ent io bic est o nn un Vince ntio o f a Si eria t el , , s e to Pis , g lus u t o r o bic st et erat and a , disg ised thus get you l ve , , th t Lu n o a o a n riami man T ra ce ti th t c mes wooi g , p , is my nio re ia a n o r celsa senis a be , g , be ri g my p t , th t we might u e o ld Pant al w g il the o ne . ’ Hor M a n t a I n in tu . . n u d m , my str me t s e

d ' — 2 1 . oint e : o nt e d H NM p p i A ER . - - i — F b e h ic . le 2 . : 8 st : e f 2 F. 2 t . . l Q 4 9 4

- - 2 0 I] d n M a d am s 2 Ro wz . . . en e u s e n s 9 3 3 i g , t ll , i

- - - i ria 1 1 conster : c o ns t ru e F. 2 2 s e : Si e ia 2 F. . 9, 3 3 , 4 . g g 4 3 , 4 4

46 O F T HE SHRE II - 6 8 W [ L i . 3 9

’ Bian L ar o h r ar e . et s he e , ﬁe , the t eble j r s . h ma n Luc. S in t e o e n a d un a aine 0 pit h l , t e g . 4 Bian No w se e I c an n r ba . o Hic i t si let mee if c ste it . mois I n o u no t bic est si er ia t e l/us I r o u no t , k ow y , g , t ust y , bic st at erat riami a e e ar us no t re ia re p , t ke h ed he he e , g p n l a nis de s aire no t o t e s se . sume , C , p Ho M n in r t . a a o w t n d m , tis u e .

Luc. a All but the b se . ’ Ho T h rt . e a e the a na a ar b s is right , tis b se k ve th t j s . L Hor Ho r an f r r uc. Aside w d o a o ur P [ t . ] ﬁe y w d e an d t is , No w fo r na o c o r o my life the k ve d th u t my l ve, 1 1 Pedascule Ile a o u r : edant 0 , w tch y bette yet p 5 ian In a b l e r B m e e e v e t . . I I [ ] time y , y mist ust a M r n f r r Bi n. Ea d Luc. o t o u .( ci es [ ] ist ust it , s e W as A a a so ro randfa e r j x c ld f m his g th . H ort . I be le ev e a r I r must my m ste , else p om I o u se y , I o ar n u o n a o sh uld be gui g still p th t d ubt, But r now it io t o o u let it est, L y Go od m aste r take it no t unkindly pray a I a e ne a an o u o Th t h ve b e thus ple s t with y b th . H r Yo u ma a and e o t . o a e a y g w lk , giv me le v while , M L o n a no musicke in r e a 6 0 y ess s m ke th e p rts .

Luc. Are o u so o r a ] sir I a y f m l , well must w ite ’ Aside And a c w ithall fo r I de ce iv d [ ] w t h , but be , O ur ﬁne M usitian ro a r g weth mo ous . Hor M a a . o r o u o u n u en d m , bef e y t ch the i str m t , T o le arne o r r o f n e r n the de my ﬁ g i g, I n ru n o f Art must begi with dime ts , T o a ou amo th in a r r o r te ch y g b iefe s t , M o r a an t and ff c ua ] e ple s t , pi hy , e e t l ,

— - - . stater t : F aster m r o a s t e t e rat 2 . m : as t e s z wx 43 4 57 . R . — 6 . amotb am 7 g : g u t ROWE . 47 II 1 - 2 T HE I I . 6 . 9 9 ] TAM NG

n a n au an o f ra The h th bee e t ght by y my t de , n r is in r n fairel draw ne A d the e it w iti g y . a I am a amouth n a Bi n. . Why , p st my g lo g goe mo o f H r Hor r a a ut h o t ent io . . Yet e d the g Bian Reads Gamout b I am r un al . [ ] , the g o d of l accord : ’ Are t o a Hort ensio a o n , ple d s p ssi Bee me Bianca a e fo r r , t k him thy Lo d C aut a all aff o n f , th t loves with ecti D solre o ne ffe no a e I , Cli , two tes h v , Ela i it o r I m o t . , Sh w p y die a o u amouth? I no t C ll y this g tut like it , a n a e I am no t so n e 1 80 Old f shio s ple se me b st , ic ar ru e e fo r o ld n n o n 1 ol b To ch ge t rul s i ve ti s . fo is

r a s n er S r v ant Ent e M es e g [ e ] .

M i e r a r ra e s ou a ke . Ser stre ss o Nic v . [ ] , y u f the p y y le ve o r o o y u b ks , I And t o r our r a r helpe d esse y siste s ch mbe up , Y n n da o u k o w t o m orro w is the weddi g y. ia F a t r o I u o n B n a . . rewell sweet m s e s b th , m st be g e ia a a d r ant [Ex eunt B nc n Se v . ] Fa M is r s n I a no u t o a Luc t e se a . . ith the h ve c se st y

[Exit . ] Hor But I a au t o r n o e an . h ve c se p y i t this p d t , M e thinkes he lo o ke s as th ough he were in lo ve Yet if thy th o ughts Bianca be so humble T o c ast thy w andring eyes o n eve ry stale S z a L if o n I ﬁnde e e ran n ei e thee th t ist , ce th gi g , n E it Hor t sio c an . en will be quit with thee by h gi g x .

— — 1 2 . a moutb : am u t o w s . . A re : A re . 7 , 7 , 7 3 , 79 g g R 74 Q - - Beeme : B m 6 aut : C fa ut . . i Po n . C 7 5 . 7 f Q ' — - — solr e F e : c e f C . . : D s o l re I 7 7 D Q . 3 4 . l ﬂ l AMBR DGE l mi — 8 . u : E I m i 7 E n Q .

- III. 11 2 6 H M . 57] T E TA ING

K at e . o K at berine had n e r n ou W uld ev see him th gh . Exit w eeping [follow e d by Bianca and ot bers] Ba G o e irle I anno a no w t o w ee e p. g , c t bl me thee p , Fo r u an n ur o e e a e r ain 1 s ch i j ie w uld v x v y s t , 3 M r a re o f a e n r uch mo e sh w imp ti t humo u .

Ent i d er B on e llo.

M a r a ne an n Bion. r d as ou ste , m ste , wes . such ewes y n e r e ar o f ev h d , a ne w and e t o o ho ma B p. Is it o ld ? w y that be ? ’ Bion. no t ne t o ar o f P t rucbio Why , is it wes he d e s c o mming? I a Is he c e ? B p. o m n sir Bion. Why o . a a n? B p. Wh t the H min B e is c o m . ion. g Ba n re ? p. Whe will he be hee m d re Bio . e n an W e r I a an ou n . Wh he st ds h e , sees y the Tr a But sa a t o n o n ? . y, wh t thi e lde ewes Bion Pe t rucbio c o mmin in a ne w hat and . Why is g, ’ an o ld n a a re o f o lde re r turn d a jerki , p i b eches th ice ; a r o f o o e a a e n an - a o ne p i e b t s th t h ve be e c dle c ses , buck ’ an er lac d : an o e r o r an o ut o f t he led , oth ld usty sw d t e o n r o r a ro e n and cha e le sse : T w e A m y , with b k hilt , p with ’ t w o bro ke n po ints : his h o rse hip d with an o lde mo a and stirro s o f no ndr : o sse st thy s ddle , p ki ed besides p an r and t o o e in the n ou with the gl de s , like m s chi e , tr the La a e nfe fa o n ﬁi ll bled with mp ss , i cted with the shi s, o f W inde alls S a n raie d g , sped with p vi s , with the Yel ’ o a re o f F ar e s o l d l wes , p st cu the ives , st k p y with the S a r be naw ne Bo a in a t gge s , g with the ts , W id the b cke , ’ and o e r- o n ne ere le d or and a sh uld sh tte , g bef e , with

n s nd e w s e w s a d - P ew e a : n o ld n n C . 34. , , , A ELL — 2 - F W aid: s w a e d- H NM R be d: h e a r . . 6 . 37 . Q 4 5 y A E .

50 HRE 11 - 1 HE III . OF T S W [ . 57 9

a f - chekt B a a all of she e es a r h l e itte , he dst p le the , which ’ n re strain d kee e f o s u n a t n bei g to p him r m t mbli g , h h bee f n u and no w re a r n ot : o ne sixe o te b rst , p i ed with k s girth ’ e e c d and a o an ru r o f ur times p , w m s C ppe vel e , which a tw o e r fo r he r na faire l se t o n in u h th l tte s me , y d w st ds , ’ n er and e re e e c d ackthre d 6 a d he e th p with p . 3 1 W ho o e ? st ockin Bap. c m s with him g L f r all r a Bion. a o o ar O h sir , his ckey , the w ld C p i ’ 1 o n o r : a linn e n o on o ne and s d like the h se with st ck leg , a e r o - o o n o r artre d a re d and k sey b ot h se the the , g with an o ld hat u o r o f fo an e rickt blew list ; , the h m rty f ci s p ’ in t fo r a a r: a on r a r o n r in a ar ] fe the m ste , ve y m ste pp el , h an fo o - bo o r en e an L k no t a a ac . like C risti t y, g tl m s y ’ Tra o o d u or r to h a o n . Tis s me h m p icks him t is f shi , ’ n o s bu n a a l d Yet o fte times he g e t mea e pp re . 7 2 ’ a I m a ho w soe re o B . a . p gl d he s come, he c mes

Bion. sir o no t . Why , he c mes a D ou no t sa o ? B p. idst th y hee c mes Bion a Pe t rucbio a ? . Who , th t c me a I a t r cbio a B . Pe u p , th t c me . Bion No sir I sa his r o him o n . , y ho se c mes with his a b cke . ’ a a all o ne B p. Why th t s . S m I o a nn Na . a ou a and Bion. yby 7 y, h ld y pe y , horse

a man r n o ne and no t an . 8 1 is mo e the , yet m y

r P t bio and r m Ent e e ruc G u io.

’ lan o a Pe t . o r a ? t o ? C me , whe e be these g l ts wh s h me ir a u are o s . B p. Yo welc me

P And I o n t . e t r . yet c me o well

Ba And o u a no t . p. yet y h lt

b - t - d—2 8 . al ebe h lf h e k e 1N ER 5 fe i : a c e S G . - — 80 1 endin am e nn m a n o ne m an C IER . . 5 g J y , p y , , , y OLL

iv 1 1 1 . 5 III 11 1 - 1 2 T HE M I . . 9 3] TA NG

’ a No t so a are ll d as I o u e r Tr . well pp wish y w e . Pet r r e r I o ru in : . We e it b tte sh uld sh thus But where is K at e? where is my lo vely Bride? Ho w o a ? e n methinke s o u fro w ne 0 d es my f ther g tles y , 9 And r fo r az o o an whe e e g e this go dly c mp y , saw o o n ro on n As if they s me w d us m ume t, So o o r n a ] ro di ie ? me C mmet , u usu l p g Ba sir o u no our n da p. Why , y k w this is y weddi g y Fr r sad e a n o u no t i st we e we , f ri g you w ld come , No w sadde r th at you co me so unprovided Fie o ff a a t o our a , d this h bit , sh me y est te, An - r t o r n a ] eye so e o u so lem e festiv l . a And a o a o n o f or Tr . tell us wh t cc si imp t ’ Ha all so o n de t ain d o u ro o u th l g y f m y r wife , And sent you hither so unlike yo ur selfe ?

Pe t r . ou r to and a to a Tedi s it we e tell , h rsh he re , Suffi I am o to kee e or ceth c me p my w d , o in o ar nfo r e t o di re sse Th ugh s me p t i c d g , at o r le sure I so Which m e y will excuse, o a l a all As y u sh ll we l be s tisﬁed with . But r K at e ? I a t oo o n f o her whe e is st y l g r m , ’ o n n ar e w r at u The m r i g we es , tis tim we e e Ch rch . Se e no o r Br e in nr r n e Tra . t e u y u id th se eve e t rob s , G oe t o a r o n o o f n 1 1 0 my ch mbe , put cl thes mi e . N le Pet . o t I be e v e I , me , thus le visit her . Ba But I r u no t arr her o . p. thus t ust y will m y Pet o o o o n : re or ha o n . G d s th eve thus the f e d e with o r w ds , ’ T o arr no t n o clo athes me she s m ied , u t my o I re a r a she ar in C uld p i e wh t will we e me , I c an an e e o or a o u n As ch ge th s p e cc treme ts , ’ r for K at e and r for . Twe e well , bette my selfe But a a fo o le am I to a o u wh t ch t with y ,

8 new 1 at A s—Cm u 7 . . .

III 11 1 - 1 8 T HE M I . . 53 5] TA N G

r a And is Br e 82 Br r o o n o ? T . the id ideg o m c mi g h me ’ Gr bride ro o me sa o u ? tis a ro o e n e . A g y y g m i deed , rumllin ro o e and a the irle a ﬁnde 1 1 A g g g m , th t g sh ll . 5 ’

T ra . C urste r n she o . the , why tis imp ssible ’ a ] a e ] a r e n G re . e e . Why he s d vil , d vil , ve y ﬁ d ’ ] ] he e a Tra . e a e a t Why sh s d vil , devil , d vils d mme . ’ r a La e a Do a fo ole t o G e . Tut , she s mb , ve , him Ile tell you sir Lucentio; when the Priest S o a if K at berine o h uld ske sh uld be his wife , I o s w o o ne s o he and o r so o , by g gg qu th , sw e l ud , ’ a all amaz d the r e le t a o o Th t P i st f ll the b ke , ’ And as sto o d a aine t o a 1 6 0 he p g t ke it up , ’ mad- brain d bride ro o me o o e a cuffe This g t k him such , a o n fe Pr and o o e and o o and r e t Th t d w e ll iest b k , b ke P i s , he an NO W a e o . t ke th m up qu th , if y list Tra a a n n ro a aine ? . Wh t s id the we ch whe he se g ’

Gre . r e and sho o ke : for st am d and T embl d why , he p o r as if t he V c ar an t o o z e n him : aft r ma sw e , i me t c but e n e r on o ne a fo r n a e a o y c em ies d , hee c lls wi e , h lth qu th he as had n abo o rd caro w sin t o M a af , if he bee e g his tes te r a sto rme uaft o ff M usc ade ll and r o , q the , th ew the s ps all in S o n a : a n no t r ea on a the ext s f ce h vi g o he r s , but th t ’ ar r thinne and un r and se em d t o a his be d g ew h ge ly , ske o as he e w as r n n : i o n o o e the him s ps d i ki g Th s d e , hee t k Br e a o n and her c a cla id b ut the ecke , kist lips with su h mo ro us smac ke a at the ar n all the rc , th t p ti g Chu h did e c cho :and I e e n c a nc e for er a and s i g this , me the v y sh me , afe r me e I no t he ro u c o mmin a mad mar t k w t is g, such r a e n r w as o r : a ar I are min y g eve bef e h rke , h ke , he the stre ls a M usicke la es . pl y . p y

r mlli n r m — - 1 1 . u : u b i n 2 F 5 g g g l g 4 . - - - in re a s o n 8 ﬁ v e 1 6 8 ﬁ v e acce nt 1 t hree accent . e nd 5 7 . 7 l g , ac t f ur-acce nt e nd n a —ST EEVENS ce n 1 o l . i g pl y

54 O F T HE SHRE II 11 1 86 - 2 1 1 W [ L .

Ent er Pe t r ucbio Ka t e Bianca Hor t ensio Ba tist a , , , , p . r a T ain [ G umio nd r . ]

P r e n e n r n I an f r et . o u o o r a n G tlem f ie ds , th k y y u p i s , I no o u thinke t o n to da 1 8 1 k w y di e with me y, ’ And a re ar d re a t o re o f e n cheere h ve p p g t s w ddi g , But so is a e o c a n it , my h st d th ll me he ce , And r fore e r I e ane t o a e a the e h e e m t k my le ve . ’ a I o o u a a t o n B p. s t p ssible y will w y ight? Pe t I a a t o da fo r n o . must w y y be e ight c me, M a no o n er : o u n busine sse ke it w d if y k ew my , Yo u w o uld intreat me rather go e then stay : And o n o an I thanke o u all h est c mp y , y , Th at h ave be h e ld me giv e away my se lfe T o o a e n e and e r ou this m st p ti t , swe t , v tu s wife, D n fa r r n a a t o me i e with my the , d i ke he lth , I e and far t o o u all For u n . m st he c , ewell y

a Le t n r a ou a a r nn r. Tr . us i t e t y st y till fte di e

I ma no t . Pet . t y be

Gra Le t me n a ou . . i tre t y

t I anno be . Pe . t c t

K at Le t n r a ou . . me i t e t y t I am on n Pe . c te t . a Are ou c o n n to a ? 2 0 0 K t . y te t st y P t I am o n e n o u a n r a a e . c t t y sh ll e t e t me st y ,

But no t a n re a ho w ou c an . yet st y , e t t me y K a No w if o o a t . y u l ve me st y . P t r umio o r e . . G , my h se G ru I sir e be a a a a n . , th y re dy , the O tes h ve e te the e h o rs s .

K at e . Na n y the , Doe a o an I l no t t o da wh t th u c st , wi l goe y, No no r o o not I a , to m rr w , till ple se my selfe,

6 - 2 - 1 . Gr : G re F. 9 a . 4

55 III 11 2 1 2 - 2 1 T HE M I . . 4 ] TA NG

or o n sir ur w a 2 1 0 The d e is pe , there lies yo y, 1 You may be j o gging whiles y o ur bo otes are greene : Fo r I no t be o n ] I e a me , le g e til pl se my selfe, ’ ’ 1 o ro a o r ro resb Tis like y u ll p ve j lly su ly g ome , f a a o n ou at r so ro un Th t t ke it y the ﬁ st dly . Pe t K at e o n n re thee be no t an r . O c te t thee , p g y . K at I an a a u to do e ? . will be gry , wh t h st tho Fa r he a a ur the , be quiet , sh ll st y my leis e . G I arr sir no w n t o w ork re e . . m y , it begi s

K at . e n n o r ar t o al] nn r G tleme , f w d the brid di e , I se e a wo m an may be made a fo ole If she had no t a r spirit to esist .

Pe t . a oe o r ar K at e at an They sh ll g f w d thy comm d , the Br o t a a n on her Obey ide y u h t tte d . G o e to a r ] and do mineere the fe st , evel , C aro w se f a re t o her a n- a ull me su m ide he d , Be a and rr o r o e an our m dde me y , g h g y selves But for o nn K at e my b y , she must with me Na lo oke no t nor a no r ar nor r y, big , st mpe, st e , f et , I a e r o f a n o w ne will be m st wh t is mi e , S o o a she o 2 0 hee is my g ds , my ch ttels , is my h use , 3 M ho ushold- stuffe l arn y , my ﬁe d , my b e , M o r e o xe a an n y h s , my , my sse , my y thi g, And r she an he r w ho r a hee e st ds , touch eve d re, Ile bring mine ac tio n o n the pro udest he Th at sto ps my w ay in Padua : Grumio Dra o r e a o n are se the ev es w f th thy w p , we be t with , Rescue thy M istre sse if th o u be a man F ar no t e e n a no t o K at e c e sw t we ch , they sh ll t uch thee ,

I c e r a a n a M n n . P K a . E eu t . le bu kl thee g i st illio . x

[and Gru . ]

Na a o f u o ne . Ba . o e u p y, let them g , co ple q iet s Gre n no t u I u a We t they q ickly , sho ld die with l ugh 2 41

IV 1 1 6 - 1 T HE MI . . 5 ] TA NG

a r a ru b t ea and n c gre te n u my h d my e ke . A fire good r Cu tis . ur I a r and co mmin rumio C . s my m ste his wife g G ? Gr O h I urt is I and r for fire fire a n u. o n o C , the e e , , c st a e r 2 0 w t . ’ I so a a e o r ur . w s C s she hot shre she s r p ted . Gru She w as o o urt is b o r fro : but ou . g d C ef e this st th ’ know st n r a man oman and e a : fo r wi te t mes , w , b st it ’ a t am d o ld ma r and ne w mistris and h th my ste , my , my fe fe o rt is sel ll w Cu . Gr ur a ou n f le I am no u. C . r o o [ ] Aw y y th ee i ch , a be st . I r n m a o o Gru. Am but th ee i ches? Why thy ho e is f t

and so on am I at a . But o u a a fire l g the le st wilt th m ke , o r a I c o m laine o n t o o ur mist ris ho an sh ll p thee , w se h d n no w at an o u a o o n fe e le t o (she bei g h d) th sh lt s e , thy f r e ff o o o o n o in ho t o . 1 c ld c mf rt , b i g sl w thy ice 3 r I rethee rumio ho Cu . w e p good G , tell me , go s the w o rld? Gru o r urt is in f but n . A cold w ld C every o fice thi e , re o r : do and a dutie fo r the f e fire thy duty , h ve thy , my M a e r and mistris are a o r n t o a st lm st f oz e de th . ’

Cur . readie and r o r o rumio There s ﬁre , the ef e g od G n the ewes .

Gru . a bo bo and as u n as Why J cke y, ho y, m ch ewes l o 1 cbea t in 0 wi t th u . g 4 ur o ou are so ﬁl l] o f c o nicatchin 1 C . C me , y g . r or ﬁre for I ha au Gru . Why the ef e , ve c ght extreme ’

o . r o o e r r a o c ld Whe e s the C ke , is supp e dy , the h use ’ ’ m d ru strew d o se rvin me n tri , shes , c bwebs swept , the g in ne w ﬁrstian o n and e o ffi their , the white st cki gs , ev ry cer his wedding garment on? Be the Jac kes faire with

— w ilt tbou: w t h aw G . 40. ill LOBE — - t bc w bite: t h e r w h t e F. 45. i i 3 4 58 H IV 2 - O T HE S R . 0 F EW [ . i 5 9 in fa r u the ar t a and ev erie , the Gils i e witho t, C pe s l ide , thing in o rder? d o r I ra n Cur re adie : an . . All theref e p y thee ewes Fi no o r r a r Gr u. rst k w my h se is ti ed , my m ste mi i falne ut ur Ho ? 1 str s o . C . w 5 Gru O ut o f r a n u and r . thei s ddles i to the d rt, the eby an a a h gs t le . ’ ’ ha o o r mio ur L t u . C . et s g d G

L n n car . Gru . e d thi e e

r H r . Cu . ee e r S r kes b m . t i i . G ru . The e [ ] ’ fe ele a t ale no t ar a a e Cur . . This tis to , to he e t l ’ ’ r And r fo r cal a n a : and t G u . the e e tis d se sible t le his ff w as t o no at o r care and Cu e but k cke y u , beseech list nin no w I n In rirnis a o n a o g : begi , p wee c me d w e f wle M is ri a r r n behinde t s. 6 2 hill , my M ste idi g my r Bo o f o ne r ? Cu . th ho se ’ ru a a to ? G . Wh t s th t thee

Cur a o r . . Why h se ] o t ale but a u no m Gru. : t e Tel th u the h dst tho crost , ou u a ar her or and un th sho ldst h ve he d how h se fel , she der her h o rse : thou shouldst h ave heard in ho w miery a ’ a w as bemoil d ho w her pl ce , how she , hee left with the or n her ho w a au her o r h se upo , he be t me bec se h se stum ho w a r u r lucke o ff bled , she w ded th o gh the du t to p him ’ ’ : ho w o r ho w ra a n r ra be me he sw e , she p i d , th t eve p i d or : I ho w or ann a a ho w her f e how cried , the h ses r e w y , w as u : ho w I o ru r manic bridle b rst l st my c ppe , with n o f o r o r no w a in o thi gs w thy mem ie , which sh ll die bli ’ n and ou re turne un e x erienc d t o ra 6 vio , th p thy g ve . 7

Cur . B re cknin o r r w an y this g he is m e sh e th she . I and a o and r u f all Gru . u o o u a , th t th the p o dest y sh ll

’ 1 ur How : sc arat e l — F 8 Tbi tis: h i - 2 o w C . . . . s s s 5 . p 4 5 T i R 1t . In rirnis m r m s - F 1 : . 6 . p I p i i 4 59 i v T . i . 2 2 ] HE TAMING

ﬁnde n But a a o f whe he comes home . wh t t lke I this ? a o Nat banie l ose b Nicbolas Pbilli W alt er C ll f rth , 7 p , , p, , Su I g ersop and the rest : le t their heads bee slickcly ’ ’ c o mb d r o a brush d and r ar r o f , I thei blew c ts , thei g te s an indiffe r n n e c urtsie e e e t k it , let th m with th ir l ft e and no t r t o o a a r M as legg s , I p esume t uch h i e of my e r or - a il the kisse r an Are e t s h se t ile, t l I y thei h ds . th y all re adie ? I 8 5 T he ur . are C y .

Gru a o . . C ll them f rth ur Do o a ho ou u m e C . y u he re ? y m st e te my maister o n nan mistris to c u te ce my .

Gru. a a a her o ne Why she h th f ce of w . r W ho no n a Cu . k wes o t th t? Gru u seeme s t a a fo r o an un . Tho it , h t c ls c mp y to co

t enance her.

r al to r her. Cu . I c l them forth c edit

Ent er oure or v e serv in men f ﬁ g .

Wh o to rro n n o f Gru. y she c mes bo w othi g them .

Nat o o rumio. . Welc me h me G Ho o io Pb w n w rum . il . G

os . a rumio 7 Wh t G . i k F mio N c . e o r u ll w G . H w no o ld lad Na t o w . .

G o u ho w no ou a ou fel ru. Welc me yo : w y : wh t y : lo ou fo r r n No w ru w y : and thus much g eeti g . my sp ce 1 ’ an o n all re adie and all n ne a ? od s comp i s , is , thi gs te G Nat n re adie ho w neere o ur a r? . All thi gs is , is m ste ’ E r o r Gre . ne at an a : and h d , lighted by this the ef e be 1 not o a n n I a a r. C ckes p ssio , sile ce , he re my m ste

r - - F 0 6 . G e . G ru 2 1 4 .

IV 1 0 - 1 T . i . 5 7 5] HE TAMING

r ou lucke o aw rie Out you ogue , y p my f ote , T a a and n the c n o f o e r ke th t, me d plu ki g the th . St rikes bim [ . ] Be rr e K at e : So a er e e r : a ho a me i me w t h e wh t .

E o i b w a nt er ne w t t er .

’ S an Troilus? S rra o u n Where s my p iel i , get y he ce , And bid my coz en Fer dinand come hither: O n K a a ou kisse and a a n e t e t . th t y must , be cqu i ted wi h Where are my Slippers? Sh all I h ave so me w ater? o K at e and a o e e ar : C me w sh , welc m h tily ou o r on il ain ou a ? Strikes bim y h s v l e , will y let it f ll [ . ] ’ a a n e I ra a a au n n K t . e . P tie c p y you , tw s f lt u willi g ’ P o r o n - a fia - ar na : et . A h s beetle he ded p e d k ve o K at e sit o n I no o u a a sto macke C me d w e , k w y h ve , o u thanke s sw e ete K at e a l I? Will y give , , or else sh l ’ a M o n ? Wh t s this , utt

1 er . I . S .

P W ho ro ? e t . b ught it

Pet er . I . ’ Pe t urn and all a . Tis b t, so is the me te What dogges are these? Where is the rascal] C o o ke? Ho w durst yo u vill ai nes bring it fro m the dresser And serve it thus t o me that lo ve it no t ? re ta to ou nc r and all The , ke it y , tre he s , cups , br ow b meat t ab b s a e T s e . t e c out t e t . , , g ] ’ - Yo u he cdle sse o a and unmanncr d a . 1 6 0 j lt he ds , sl ves a do o u u ? I o u t a Wh t , y gr mble le be with y s r ight . a I ra o u an no t so K te . p y y husb d be disquiet,

he a w as o u r so o n e n . T me te well , if y we e c t ted ’ e t I K at e a rn and a a P . tell thee , tw s bu t dried w y , And I e xpre sse ly am fo rbid to to uch it : o e n n r r an e an r F r it ge de s cholle , pl t th ge ,

62 O F T HE HR IV 6 - 2 S E . 1 0 0 W [ i . 7

’ And r r a o fa bette twe e th t b th of us did st, S n e o f o ur e e o ur are cho lleric kc i c s lv s , selves , Th e n fe e de it with such o ve r- ro sted fle sh ’ Be a n t o mo rro w t shalbe n p tie t , me ded , ’ And fo r n c l a for o an this ight w f st c mp ie . o I n to B a ] a E eunt . C me wil bri g thee thy rid l ch mber . x

Ent er Se v ants sev eral r ly.

a b Pe t er r se e the N t . didst eve like . He her in her o w ne u r Pe t er . kils h mo . r Grumio. Whe e is he?

Ent er r t is a Ser v ant Cu .

In he r a e r a n a r o o f n n Cur . o u ch mb , m ki g se m n c ti e t o he r and ra and sw e are s and a a cie , iles , , r tes , th t shee o o r ou no no t w a t o an to lo o ke (p e s le) k wes which y st d , , nd as o ne ne w n fi' a dr am t o a a e e . A spe ke , sits rise om r m h he r w a a a fo he is c o min it E eunt . 1 8 2 y, w y , g . [ x ]

Ent er Pe t rucbio .

a I o liticke l un rei Pet . ne Thus h ve p y beg my g , ’ 1 And tis my ho pe t o e nd succe sse ﬁi lly: decoy M Fa o n no w ar and a n e m tie y ulc is Sh pe , p ssi g p , ’ 2 And o o no t f or d t ame til she st pe , she must be ull g g , 1 3 o n h r r w i baw Fo r then she neve r lo o ke s up e l u e . ld k 2 3 no r w a I a e t o man Ha ar A the y h v my gg d , T o a he r o e and no he r Ke e r a : 1 0 m ke c m , k w pe s c ll 9 a is to a he r as a e K t Th t , w tch , we w tch th se i es , 4 a a and a and no t o n Th t b ite , be te , will be bedie t She a no a t o da nor no n a ] a 4 ut ter c te me te y, e sh l c te . ﬂ

- d r il e fi - acce nt 11 — o r 1 82 an a es tc. : ve . t . 79 . , 4 P 6 3 V 2 0 1 .- 11 1 1 T HE M I I . . i . ] TA NG

La n no t nor t o n she a not st ight she slept , ight sh ll w a e o n r a As ith the me t , s me u dese ved f ult I ﬁndc a ou t he a n o f le b t m ki g the bed , And r I fl n o r the boulster hee e le i g the pill w , the e , w a the o r e ano r w a : This y C ve l t , the y the sheets 1 I and a ur I n n 1 ret end , mid this h lic i te d , p a all on in re n ar o fher 2 0 0 Th t is d e reve d c e , And in n on a a all n co clusi , she sh l w tch ight , And an t o no d Ile ra and braw lc if she ch ce , ile , And with the cl am o r ke e pe her stil awake a w a t o a kindne sse This is y kil Wife with , And th us Ile curbs he r mad and headstro ng hum o r He a no r ho w a a r th t k wes bette to t me sh ew , ’ a ar Now let him spe ke , tis ch ity to shew .

’

S n 11 Padua . B ore Ba t ist a s bouse . [ ce e . ef p ]

Ent er Tranio and Hor t ensio

’ Tra I ﬁ icnd Lisio a mistris B a a . i nc s t possible , th t Do an e an o r Lucentio th f ci y the but , I o u sir ar a r in an tel y , she be es me f i e h d .

Luc. Hor Sir t o satisﬁc o u in a I a a [ . ] , y wh t h ve s id , S an an ar ann r f a d o n . t d by , m ke the m e his te chi g

Ent er Bianca [and Lucent io]

No M is ris r a Hor . w t o o u in o u r a ? , p ﬁt y wh t y e de Bian a M a r a u r re m . r o e a ? Wh t ste e de y ﬁ st , solve th t Hor re f . I a a I ro e t he Art o 1 0 de , th t p sse to l ve . Bian And ma o u r sir M a e r o f o ur y y p ove st y Art . L o r i f uc. While y u sweet dee e pto vc M stre sse o my ar he t .

Hor . u e r a now I a Q i ke p oceeders m rry , tel me pr y ,

f — - 1 2 . to v e: ro v e 2 F p p Q . 4 .

IV 11 - 6 8 T H . . 44 ] E TA MING

M is a a Tra . ist r Bi nc o u a , blesse y with such gr ce , As l o ngeth t o a Lo ve rs blessed case : Na I a e an o u na n n Lo y, h v t e y ppi g ge tle ve , And a fo rsw o rnc ou ort n io 0 h ve y with H e s . 5 Tranio o u e Bian . but a ou o forsw ornc y jest , h v y b th me e ?

a Mistris w e a Tr . h ve . n are rid o f Lisio Luc. The we . ’ ’ Tra I a hce l a a lustie W iddo w now . f ith h ve , ’ a shalbe o o and in a da . Th t w d , wedded y G d o Bia . o n give him j y. ’ Tra I and a her. . , hee l t me He a a a a Tf nio. Bi nc . s yes so a n n he a n 6 0 a F o o t . Tr . ith he is g e u t t mi g schoole Bia a n oo : a r a a ? n. The t mi g sch le wh t is the e such pl ce Tra I mistris and Pe t rucbio t he a r . , is m ste , a a e tric kes e n and t w entie o n Th t te ch th elev l g ,

T o a a r and ar he r a n n ue . t me sh ew , ch me ch tteri g to g

Ente r Biondello.

M a r a r I a w atcht n Bion. Oh ste , m ste h ve so lo g , a I am - w e arie at a I Th t dogge , but l st spied An an n n c ommin o n cie t A gel g d w e the hill , rn Wil serve the tu e . a a Biondello? Tr . Wh t is he 1 Bio. M a a M ar an an o r a an ster , c t t , ped t , I n no t a o r al] in a arrel] k ow wh t , but f m pp , In a an o n n e r e a Fa r g te d c u tena c su ely lik the . 1 L And at o f Trani ? mercbant uc. wh him o

Tra . If c u ou and ru t a he be red l s , t s my t le , I a a Vincent ia le m ke him gl d to seeme ,

’ 8 lon e e t h — H b . 4 . g t : l o ng ANMER — 1 M ar a nta nt : m e rc at a nt e C . 7 . c APELL - - F countenance: c o u nt e na nc e . 2 . 7 3 . Q 4 6 6 O HE HRE IV 11 - F T S . 6 6 W [ . 9 9

And a a give assurance t o Bapt ist M inol .

As if he were the right Vincent io. d n me a n Par . a o ur o an . T ke me y l ve , the let lo e E eunt Lu nt io a a [ x ce nd Bianc . ]

E a a nt er Ped nt .

Pe d a o u sir. . God s ve y Tra And o u ou are . y sir , y welcome , T rav aile o u arr o n o r are o u at the ar ? y f e , y f thest

Pe d. Sir at the ar for a o r t w o f thest weeke , But n u ar r and as arr as Ro the p f the , f e me , And T ri o lie if G o d e n me f so to p , l d li e . Tra a C ountre man I ra ? . Wh t y p y

P d. O fM ant ua e .

Tra M ant ua Sir ar G o d or . Of , m rie f bid , And a ua carele sse o f o ur come to P d y life . 90 M e sir h Fe d. ? o w I ra ? fo r a a y lif p y th t goes h rd . ’ a fo r an o n in M a Tra . Tis de th y e ntua a a no o u no t the a ? To come to P du , k w y c use ur are a at V n and Du Yo ships st id e ice , the ke ’ Fo r r a arr o r D and p iv te qu el twixt y u uke him , ’ ’ Hath publish d and pro claim d it o penly : ’ merv ailc but a o u are n o Tis , th t y but ewly c me , ’ ou a ar roclaim d a ou y might h ve he d it else p b t . P d a sir or for n e . Al s , it is w se me the so , For I h ave bils fo r m onic by exch ange Fro F r n and r r m lo e ce , must hee e delive them . W T ra . e ] sir t o do o u co urte sie , y , I do and I a o u This wil , this wil dvise y , Fr me a o u r n at a? i st tell , h ve y eve bee e Pis I sir in a a e I n in Ped. o b , Pis h v fte , a r n n for a z n Pis e ow ed gr ve Citi e s . Tra n t no ou one . Amo g hem k w y Vincentia?

r - - me —T P F : l n . . a : out 2 . 79 . 4 HEOBALD

iv 1 2 6 . 7 IV 11 — 2 E . . T H I 9 7 iii . ] TAM NG

Pe d. I n no t I a ar o f k ow him , but h ve he d him M r an o f n o ara al A e ch t i c mp ble we th . Tra He a r sir and o sa . is my f the , s oth to y, ’ In co unt nance o a r ou s mewh t doth esemble y .

Bion. Aside u as an a an r [ ] As m ch pple doth oyste , ll n a o e .

Tra . T o a our in e xtremitie s ve y life this , a r I do ou fo r a This f vo wil y his s ke, And thinke no t o r o f all o ur un it the w st y fort es , a o u are e t o Sir in ent io Th t y lik V t . His na and r e a o u n e r a me c edit sh l y u d t ke , ’ And in o ou a n lo d d my h use y sh l be frie dly g , Lo o ke a ou a u n o u as o u o u th t y t ke po y y sh ld , yo u understand me sir : so sh al yo u stay Til you h ave done your busine sse in the Citie ’ If c o urt sie sir a e o f this be , cc pt it .

Ped. sir I and r ou Oh do , wil epute y ever a ro n o f and libe rtie The p t my life . Tra n o a a r . The g with me , to m ke the m tte good , 1 w a I le t o u n e r an le al sett lement This by the y y u d st d , g ’ M a r r o o fo r ev e rie da y f the is hee e l k d y, T o passe assurance 1 o f a do w re in m arri age ’ me and o ne Ba t ist as au r r Twixt , p d ghte hee e In all r u an Ile n r o u 1 0 these ci c mst ces i st uct y , 3 l a h a u E o c o eunt . Go with me t o t yo u s becomes y . x

cena Prime . A ctus Quartus . S

’ b bo s S e n om in P t ruc io s u e . [ c e iii . A ro e ]

a a a r i Ent or K t berin nd G um o.

N e Gru o no or I ar no t fo r . . , f sooth d e my lif

K a . r ro n a ar . The mo e my w g , the more his spite ppe s

— 1 A rt ur gcartus. ena Prima o ut T v s. . Q Sc : S u 68

IV - 6 0 T H . E . iii 34 ] TAMING

Th at triumph thus upo n my misery G o e t e o ne I sa g the g , y.

b a a Ent er Pet ruc io, nd Hortensio witb me te .

Pet r How ar Ka a n all a . f es my te , wh t sweeti g mo rt? 1 I 0 r M istris a che ere 1 Ho . ? d ect ed , wh t ej a e Fa as c o as c an K t . ith ld be . ﬁi ll n Pe t . Plucke u r t lo o ke c he e r u p thy spi i s , y po me . H r Lo e o u e e ho w n I am ee e v , th s st dilige t , nd r n T o re a e e a . d sse thy me t my self , b i g it thee I am r K a kindne sse mcrite s thankes su e sweet te , this . ’ a no t a or ? Na n o lo v st not : Wh t , w d y the , th u it An all a n o r t o no ro ofe d my p i es is s ted p . He e r a e a a e t k w y this dish .

ra o u le t an . K at e . I p y y it st d T h r r aid hankes Pe t . e o o r e c t p est se vice is p with , r a And so sh all mine befo e you touch the me te . a ha k o sir K t e . I t n e u y . Hor S n r P r u b o are to o a . et c i ig io , ﬁe you bl me M is ri a Il r n o t s K e a ou o a . C me te , be e y c mp ie

Pet r . Aside Ba u all Hort ensio o u o [ ] te it p , if th l vest me e : I M uch go o d do it unto thy gentle heart K at e a a a and no w o n Lo c te p ce ; my h ie ve, re turne n o Fa r o u Will we u t thy the s h se , And re ] as ra as t he e vel it b vely b st , n c o a and a and o n R n With silke ts c ps , g lde i gs , R ff and ff and Fardin ale s and n With u es Cu es , g , thi gs ’ S ar e and Fanne s o an o fbrav r With c f s , , d uble ch ge y, ’ r Bra e B a and all knav r . With Ambe cel ts , e des , this y ’ u n a r staie s a ur What h ast tho di d ? The T ilo thy le s e , r a r To decke thy bo die with his ruffl ing t e su e .

70 IV 6 - 8 F T HE R . 1 O SH EW [ . iii 5

E a nt er T ilor .

o a r us o rna n C me T ilo , let see these me ts .

En Ha a t er ber d sber .

n a n o sir 0 Lay forth the go w e . Wh t ewes with y u ? 7 H ca o r F ] . Hab e [ . ] eere is the p y ur Wo ship did ak be spe e .

Pe t . h w as o u o n a o n r y this m lded p rre ge , ’ V : Fie and l A elvet dish , ﬁe , tis lewd ﬁ thy , ’ a c o o r a a n - Why tis ckle w l ut shell , na a t o a tric ke a a ca A k cke , y, , b bies p a o a a r Aw y with it , c me let me h ve bigge .

K at e . I a no r o le h ve bigge , this d th ﬁt the time , An n o n ar a as e d Ge tlew me we e such c ps th se . Pe t n o u are n o u a a o ne t o o . Whe y ge tle , y sh ll h ve , e n 80 And no t till th .

Hor Aside a no t in a . . [ ] Th t will be h st sir I t r I ma a e e a o Ka t e . t a Why ust y h v l ve spe ke , And a I I am no no a spe ke will . childe , b be , ’ o r r a indur d sa n Y u bette s h ve me y my mi de , And I o u anno ou o o r ar f y c t , best y st p y u c es , M o n an e r o f e ar y t gue will tell the g my h t , O r e ar o n a n bre ake els my h t c ce li g it wil , And ra r n a I fre the the it sh ll , will be e , E n to the e r o as I a in o r ve utt m st ple se w ds .

Pet . o u a true altrie ca Why th s ist , it is p p, ar c o ff n 1 a au a n ic A cust d e , b ble , silke p , ’ I o e in a o u lik st l ve the well th t th it no t .

K at e . Lo o r o me no t I the ca ve me , l ve , like p, And I a o r I a no n it will h ve , will h ve e . 1 crust o cust ard E it Haberda b r f [ x s e . ]

- 0 . is: is as 2 -F 9 Q< 4 . 7 1 IV iii 8 - 1 1 6 H . 6 T E M I . ] TA NG

’ Pet . o w ne I : a or Thy g , why come T il let us sec t . r G o d a a n stuffe r ? Oh me cie , wh t m ski g is hee e ’ a ? a e ? c anno n Wh ts this sl eve tis like demi , ’ a and o ne carv d e an a ar ? Wh t , up d w lik pple T t H er n and ni and c ut and and a e s s ip , p, , slish sl sh , Like t o a C e nsor in a b arbe rs sho ppe : ’ Why wh at a devils name Tailo r cal st th o u this? or Aside se e shecs to a n r ca nor H . [ ] I like h ve eithe p o w ne g . Y m r i Tai . ou e a o derl e and bid m ke it well ,

o r n t o a o n and . Acc di g the f shi , the time M arr an f Pet . d : but i ou remembred ie did y be , I no t o u arr t o the did bid y m e it time . G o ho o r r nn ] o e p me ve eve y ke el h m , Fo r yo u sh all ho p with out my custo me s1r I no n o fit e nc e a o r e o f le e ; h , m ke y u b st it . ’ K a e I n r sa a r fashio n o ne 1 1 t . w d w 0 eve bette g , M o r n or e a n no r o r o n a e quei t , m e pl si g , m e c mme d ble B o u an o a a e o fme elike y me e t m ke pupp t .

Pet . u an to a a o f . Why tr e , he me es m ke puppet thee a he a o r o r i an t o a a T il . S s ies y u W sh p me es m ke u o fhe r p ppet . t o n ro arro an Pe . Oh m st us g ce o l e st o r o Th u y , th u th ed , th u thimble , ar re ar r a f ar uar na Thou y d th e qu te s , h l e y d , q ter , ile , o u F a ou o n r r o u Th le , th Nit , th u wi te c icket th ’ Brav d in mine o w ne house wit h a skelne o f th red : 1 2 0 a ou Ra e uantitie o u r nant Aw y th gg , thou q , th em , 1 O r I a so be - me tc 1 thcc ar measure sh ll with thy y d , ’ ’ As tho u sh alt thinko o n prating whil st tho u liv st ’ I I a o u a marr d her o w ne . tell thee , th t th h st g ’ Tail o ur de ceiv d o w ne a . Y worship is , the g is m de

’ i — - a i — M I G l e k 2 F 1 0 1 . : C : e a . 9 7 . k l i 4 A BR D E 6 - — a e 1 1 1 rose C r n . 7 . p

7 2

IV 1 2 - 1 8 T HE I . iii . 5 5] TAM NG

Gr I am fo r a : a u the l u. thee str ight t ke tho bil , give 1 a - ar and ar no t 1 me thy me t y d , sp e me . 5 Ho G o d- a- r rumio n a a no r . me cie G , the hee sh ll h ve 1 o dde s measurin w and . g Pe t e sir in bre e fe o w ne no t fo r . W ll the g is me . ’ ’ Yo u are r sir for mis ris Gru . t . i th ight , tis my Pe t G o a u n o a r . t ke it p u t thy m ste s use . G l ain n f r Mi e sse ru . V o t o : a u str i l e , thy life T ke p my o wne for a r g thy m ste s use . ’ Pe t sir a our o n in a ? . Why , wh t s y c ceit th t

Gru. sir o n e r n ou n for Oh , the c ceit is deep the y thi k a u M w n a r T ke p my istris go e to his m ste s use . 1 0 Oh fie , fie , fie . 7 Aside Hor t ensio sa u a o Pet . [ ] , y tho wilt see the T il r paide : I G o a e n e n and sa no o r t k it he c , be go e , y m e . a o r I a fo r o w ne Hor . T il , le p y thee thy g to morrow , Take no unkindnesse o f his h astie words :

a I sa n e o a r E i Tail . m t . x t Aw y y, comme d thy m ste m a w e un u a s Pet . o K t e Well , c e my , will to yo r f ther , Even in these h o nest meane h abiliments : O ur ur e a r o ur a n s o o r p s s sh ll be p oud , g rme t p e ’ Fo r tis the minde th at makes the bodi c rich . And as Sunn breake s rou ar ou the e th gh the d kest cl ds , So o n r e ere th 2 in a 1 8 1 h o p the meanest h bit . What is the Jay m o re precio us then the Larke? 2 B hi a ar t b ecause s feathers are m o re be autiful] . ppe e O r the e r e r n Eele is Add b tte the the ,

Because his painted skin co ntents the eye . Oh no go o d K at e : neither art th o u the worse

Fo r s oo r ﬁi rniture and an arra . thi p e , me e y I o u acc ountcdst a la o n me f th it sh me , y it , And r o r frolic ke n for t the ef e , we will he ce thwi h , T o as an r us at a h rs us fe t d spo t thy f t e ho e ,

74 O F HE SHR IV — l E 1 86 . 1 0 T . v W [ . iii

a men and us a Go c ll my , let str ight to him , And r n our r un o Lon - an e nd b i g ho ses t g l e , oun and a o n o o There wil we m t , thither w lke f te , ’ ’ L I thinke no w o e e n a clo cke et s see , tis s me s v , Aud e ma o re nn r w ll we y c me the by di e time . ’ K at e I dare a u o u sir a o t w o . ss re y , tis lm st , ’ And u r ere ou o r twill be s ppe time y c me the e . I al n ere I o t o or : Pe t . t sh l be seve g h se Lo o ke a I a o r do o r thinke to do e wh t spe ke , , , ’ Yo u are o n r a o n 2 0 0 still cr ssi g it, si s let t l e , I no t o e t o da and e re I do e will g y, , I a a a o I sa s t sh ll be wh t cl ck y it i . As so a an o an Hor . [ ide] Why this g ll t will c mm d the unn E eunt s e . I [ x . ]

’ S n a a B ore Ba t ist a s bouse . P d . [ ce e iv u ef p . ]

Ent er T ranio, and t bc Pedant drest like Vint ent io.

Tra S ou a ou a I a . irs , this is the h se , ple se it y th t c ll . Ped I a and I . wh t else , but be deceived , Signior Bapt ist a may remember me N rc tw ntie eares a in noa ce e y goe Ge .

Tra . r r o r at the Pe asus Whe e we we e l dge s , g , and o ur o w ne in an a Tis well , h ld yo y c se u aus e riti as n a a r With s ch t e lo geth to f the .

Ent er Biondello.

Pe d. I a an ou : but here u w rr t y sir comes yo r boy , ’

r scho ol d. 1 , Twe e good he were 1

Tra . F a ou no t : rra Biondello e re y him Si ,

' - T H n — - 1 2 2 a o E d d 2 F. 0 . : o EA1. n. 1 A : A n . 94, 95 Q 4 — - 2 . Sirs: Sir T . 6 . Tra . : shifted t o next T 11 2 0 3 A1. n. HEOBALD l . ’ 8 lon etb: o n e t h - H N . g l g A MER . 7 5 IV 1 1 - 8 T HE M I . iv . 3 ] TA NG

No w doe your dutie throughlie I advise you ’ r i n i Im agine twe e the right V nce t a.

Bion T ut a no t me . . , fe re Tr a But a o o n rran Ba t ist a . h st th u d e thy e d to p . I a o ur a r w as at V Bion. o enice t ld him th t y f the , ’ And a o o o k t fo r da in Padua th t y u l him this y . ’ Tra ar a a 1 e o w o a t o n . Th t t ll f ll , h ld thee th t dri ke , H r o Ba t ist a : se t o r o un nan sir 2 0 e e c mes p y u c te ce . 1 ﬁ ne

Ent er Bapt ist a and Lucent io : Pedant booted

and bare beade d.

ra S n o Ba t ist a ou are ha ilic T . ig i r p y pp met To t bc Pedant Sir n an I ou ] , this is the ge tlem told y of, ra o u an a r t o no w p y y st d good f the me , e Bianca fo r a n Giv me my p trimo y .

Ped. So so n :sir u a a n ad a ft by yo r le ve , h vi g com to P u T o a r in o so n Lucent io g the s me debts , my M ade me acquainted with a w aighty cause Of love be tw ee ne yo u r daughter and himselfe And fo r the o o r r I ar o f o u g d epo t he e y , And fo r o ar t o r a te the l ve he be e h to y u d ugh r, And : t o a no t t o o o n she to him st y him l g , I am co ntent in a goo d fathers c are T o a matcht and a h ve him , if you ple se to like No r n I u n o a n wo se the , po s me greeme t Me shall you ﬁnde re adie and willing With o ne co nsent to h ave her so besto wed 2 Fo r curi ous 2 I cannot be with you punct ilious S n o r a a o f I ar so 0 B tist o . ig i p , wh m he e well 4 a ir ar n me in a I a to sa B . S p , p do wh t h ve y,

’ ’ - 1 . Tb art : T h o u r 9 t CAPELL . 2 1 - 2 da n boo ed a nd b r ded out—K o wz . Pe t t a e bea : . — 2 . So son arat I NM t H . 7 f : se p e . A ER

7 6

V - I . 6 T . iv 9 95] HE TAMING

Ent r e r e P t e .

S n o r Ba tista a I le ade the w a ig i p , sh ll y, e o ne e be o r cheer W lcome , m sse is like to y u e,

o sir w e r in Pisa . C me , will bette it Ba I o o u p. f llow y . Ex eunt Tranio Pedant and Ba tist a [ , , p ]

Ent r Lu nt io a e ce nd Biondello.

an ambio. Bi . C

Luc a a ou Biondello. . Wh t s ist th d Yo u saw M a r n a Bion . my ste wi ke nd laugh upon you?

Luc. Biondello a a ? , wh t of th t Biond Fa no n but has behin . ith thi g : left mee here de to expo und the meaning or mo rral] o fhis signes and to n ke s .

Luc. I ra a z p y thee mor li e them . Biond n u : Ba t ist a a a n . The th s p is s fe t lki g with the n Fa r a u ] nn 0 deceivi g the of deceitf l so e . 9 And a Luc. wh t of him? o His au be ro o u Bi nd. d ghter is to b ught by y to the u r s ppe .

Luc And n . . the io T he r at Sa n Lukes ur at o B . old P iest i t Ch ch is y ur o an a al ho r c mm d t l u es.

Luc. And a o fall wh t this . Bion I cann are u a u a . ot tell , expect they b sied bo t un a su an : a ou a u an her Cum co terfeit s r ce t ke y ss r ce of , ’ rev ile io ad Im remendum solem th u a p g p , to Ch rch t ke the a and o ufﬁ n o n n : 1 0 1 Priest , Cl rke , s me s cie t h est wit esses

n er er ut - r 'v ile io . E t Pet : o T nz o nA LD. 1 0 0 e : r v 74 . p g p i i io - 2 - m rem ndum ol m m — - e I e s em ri e nd m m 2 . l g 4F. p : i p u s o l u 4F

7 8 IV — E HRE . O T H S 6 v . 1 F W [ iv . 9 3

I no t a ou lo o ke I a no o r to sa f this be th t y fot , h ve m e y, But Bianca ar fo r r and a da bid f ewell eve y. ’ H ar o u Biondello Luc. e st th . Biond I ann a r : I n a w e nch maried in an . c ot t r y k ew aft erno one as shee went t o the G arden for Parse ley t o stuffe a Ra and ma o u sir: and so a sir bit , so y y dew , my M aster h ath appo inted me t o go e t o Saint Lukes t o bid the Priest be readie to co me against you co me with your a n E it 1 1 0 ppe dix . x . Luc I ma and so o n n . y will , if she be c te ted ’ She le as d n r or o I o u will be p , the whe ef e sh uld d bt Ha a ha ma I o n o e a o u he r p wh t p y, le r u dly g b t I a ar if ambio o e o he r t sh ll goe h d C g with ut .

b a A u ic ro d. [Scene v . p l ]

Ent er Pet rucbio K at e Hor t ent io and Serv ant s , , [ ]

Pe t r . o o n a o na n o o ar o ur C me G ds me , o ce m re t w d fathers : o r ho w and o o hin M n Go d Lo d bright g dly s es the oo e . M n the S nn M i K at e . T he : no t o o nel ht oo e , u e it is g

now .

P I sa M n a n so r et . y it is the oo e th t shi es b ight . K at e I no Sunn t a n so r . k w it is the e h t shi es b ight . ’ nn d Pet . e r o an a Now by my moth s s e , th t s my selfe , I a o n o r arr or a I 1 0 t sh ll be mo e , st e , wh t list, O r e re I journey to y o ur Fathers h o use : G o e o n and fe o ur o r a a aine , tch h ses b cke g , E n n n r r ro a d o but ro . ve mo e c st crost, thi g c st

Hor t . Sa as a o r a n r o e . y he s ies , we sh ll eve g K a Fo r ar I ra n so farrc t e . a w d p y , si ce we h ve come , And o n unn a o u e a : be it mo e , or s e , or wh t y pl se

— - ’ — m a 1 0 2 . or: fo r 2 F 2 . a : i Ca a 1no s f 4 . . 79 IV 1 - T HE M . v . 4 3 9] TA ING

And if o u a to a a r an y ple se c ll it ush C dle , H n o r I v o w e a so fo r e cef th it sh ll be me . P I sa o o n M . et r . y it is the e I no t he M o o n K at e . . k w it is e P Na u o u : it is unn e t r . S y the y lye the blessed e . G o d in he K at e . n t sun The be blest, it blessed , But unn no t n ou sa no t s e it is , whe y y it is , And the M o o ne ch anges e ven as y our mi nde ’ a o u a e nam d e n a Wh t y will h v it , ev th t it is , And so r a b r n it shall be so fo K t e i e .

Hor t . Pet rucbio oe w aie s the w on , g thy , ﬁeld is .

Pe t r . l o r ar o r a the o o u Wel , f w d , f w rd , thus b wle sh ld run, And no t u nluckily against the Bias But o o an c o mmin he re : s ft , C mp y is g

Ent er Vincent io.

To Vincent io o o o rro e n M istris [ ] G d m w g tle , where away : e s K a t e and true l t o o T ll me sweet , tell me y , Hast th o u beh e ld a fresher Gentlewo man Such warre o fwhite and re d within he r checke s: a t ar an e a n u be autie Wh t s s do sp gle h ve with s ch , As th o se t w o eyes become th at heave nly face? Fa r o e M a o n o re oo da to i e l v ly ide , ce m g d y thee S ee tc K a ra e r f r he r u a w t e emb ce h o bea ties s ke . Hor t a the man mad t o a he o an . A will m ke m ke t w m o f 1 him . 4 K a o n V r a r and r t t e . u n n Y g b ddi g i gi , f i e , f esh , swee , r a a o r h r t h a o a ? Whethe w y , whet e is y b de Happy the Parents o f so faire a childe ;

- — - — - F 1 . A nd: A ll 2 1 beu F 2 2 . in: is 2 . I . C . t : t h e n 2 . 7 OLL ER Q . 4 4 - — — - F 0 . t be: a 2 F w be t be r is: w h e re is 2 . 4 4 . 43 . 4

IV 1 —V 1 T HE MI . v . 7 . i . 4] TA NG

Vinc But i u o r r a u . is th s tr e , is it else you ple s re, Like pleasant trav ailors to bre ake a Jest Upo n the c o mpanie you overtake ? do c a r at r o s . Hor t . I ssu e thee f he it is n and se e Pe t r . o o e a o C me g l g the truth hereof, Fo r o ur r n a a e a o u E eun ﬁrst mer ime t h th m de th e je l s . x t [all but Hor t ensio] Hor P r b o has m r . e t uc i e in a Well , this put he t ; Ha to W iddo w and she fro ar ve my , if w d , n a o u a Hor t ent io to bc un o ar E it The h st th t ught t w d . x .

’ n 1 r b V . S . B o e Lucent io s o s [Act ce e ef u e . ]

Ent er Biondello Lucent io and Bianea remio , , G is out b ore ef .

i fo r Biond. So t and s r a f ly swiftly , the Priest is re dy . I file Biondello ma an t o n e Luc. ; but they y ch ce e de a r r a E it t o . . thee home , the ef e le ve us x Biond Na a I the a o ur a . y f ith , le see Church y b cke , an c mis i a d then co me ba ke to my tr s as soone as I c n.

E eunt Lucent io Bianca and Biondello . [ x , , ] I m a l a o n ll Gre arv i e mbio o t a . . C c mes this while

Ent er Pet r ucbio Kate Vincent io r umio , , , G b da wit At t en nts.

Sir r r is Pe t r . Lucentios u he es the doo e , this ho se , Fa r ar o re o a M ar - a e My the s be es m t w rd the ket pl c , r I and e r I a o sir u . Thithe must , h e le ve y Yo u a no t c o o r n o r o u o Vin. sh ll h se but d i ke bef e y g , I thinko I sh all co mmand yo ur w e lco me here ;

An all o che e re a Knock. d by likelih od some is tow rd .

- - - - 8 sbe : e h e b e 2 1 . Bia nca : B a nc a . 2 F. 4. 4F. l Q 4 ' ’ - — 6 a o o wz . mistris: mas t e r s Cu m . : R . 7 H - O F T HE S RE V 1. 1 8 W [ . 5 4

’ re m n ou r n G . They re busie withi , y we e best k ocke o r l wde . P dant look s ou b w indow e e t ef i e . ’ ‘ d a a kno c kes as o u b a d n Pe . Wh t s he th t he w ld e t ow e the gate? 2 1 in I S n r Lucent io n sir? V . s ig io withi ’ d He s n sir no t t o o n ithall Pe . w . withi , but be sp ke inc a ifa man r n a n r oun o r V . Wh t b i g him hu d ed p d t w o t o a rr e w ithall m ke me i . K n Ped. ee e o r r un t o o u p y u hu d ed po ds y r selfe , hee a ] ne e no ne so o n as I e sh l ed l g liv . P r Na I o o u o r o nn w as e in et . u y, t ld y y s e well b loved Padua : do c ou ar sir t o a o o c ircumstan y he e , le ve friv l us I ra o u n o r Lucent io a Fa e r ces , p y y tell sig i th t his th is o ro Pisa and r at o or t o a c me f m , is he e the d e spe ke with 2 him . 3

Ped. ou his Fa r o ro Padua and Th liest the is c me f m , here o o n o ut at n o l ki g the wi d w . Art ou fa e r Vin. th his th ? Ped I sir so o r a I ma be le e v e her . , his m the s ies , if y . t To V nt io ho w no w n Pe r . [ ince ] Why ge tlem an why this is flat kna I veric to take upon yo u ano th e r m ans na me .

Peda . La an o n the a n I bele e v e a an y h ds vill i e , me es to n in Ci i n r n n cose some bo dic this t e u de my co u te ance .

B o Ent er iondell . 41

Bio I a s in C r o r . ce ne G o d h ve them the hu ch t gethe , ’ send e m go o d shipping : but w ho is here? mine o ld M a ste r Vincent io : no w w e e are undo ne and bro ugh to no n 1 bo b thi g . one w deser v es anging 1 Vin. r ac kh m [Seeing Bionde llo] Co me hithe cr e pe . Bio I o e I ma r o i . n. h p y ch o se S

br u b ro — - o : b u h t . 2 F 44 g g Q 4 .

iv 1 8 . 3 3 - T HE MI V . . i 49 79] TA NG

Vin ou u a a ou o r . Come hither y rog e , wh t h ve y f got me e ?

F o o u no : I u no t o Biond. o u for org t y , sir co ld f rget y , r in all I ne ver saw yo u befo e my life . 5 1

Vinc. a o u no o r o u a n ou n r Wh t, y t i s vill i e , didst th eve M istris a r Vincentio? see thy f the , a o ld w orshi full a r Bion. Wh t my p old m ste ? yes ar se e r lo k t o f n o m ie sir whe e he o e s ou the wi d w . V in. I so inde e de He beat es Biondello. st . H ’ Bion. el e he l e hel e here s a a man mur p , p , p , m d will de r me E it . [ x . ] a H n r a a Ped n. onn o B t ist elpe , s e , helpe sig i p . a [Exit from bov e . ] ’ e r Fre e K a an a e and t he e nd P t . the t e let s st d sid see of b 6 1 t n r e r ir . his co trove sie . [ T y et e ]

dan w it b s r an s Ba a a Ent er Pe t e v t t ist Tr nio. , p ,

Tra . Sir a are o u a o ff a se r , wh t y th t er to be te my vant? i a am I sir: na a are o u : o himmo r V nc. Wh t ywh t y sir a G o ddes: ﬁne a n a n do ubtle t a v cl t ll oh vill i e, silke , ho se a ar clo ake and a o a a n 1 hat : o h I am vet , sc let , c p t i e n o n I am un o n : I a t he o o an u d e , d e while pl ie g d husb d at o nn and r an n all at the uni h me , my so e my se v t spe d 1 v e rsitie bi b - r w d 0 . g c o ne 7 ’ H n a Tra. o w o w a r? , wh t s the m tte Ba a the man lunatick pt . Wh t is c ? Tra Sir o u a o r an n n an . , y seeme s be cie t Ge tlem by y o u r h abit : but your wo rds shew yo u a mad man : why sir a rn o u ifI ar P ar and : Ithank , wh t ce es it y , we e e le gold

o a I am a maintaine . my g od F ther , ble to it

’ — - - - i i do b /ct b e t . 2 F . M st r s M a s t e r s 6 u t : d o u : 2 F 6 . 5 3 4 . l Q 4 ’ 7 5 cer nes: c e rns

V 1 1 1 - 1 T H M . i . 3 7] E TA ING

Ent er Biondello, Lucent io and Biancu .

Vin ran r ma haild and abusd: o h mon . Thus st ge s ybe a n stro us vill i e . ’ ion are s o il d an n B . d e r is n Oh we p , yo d he , de ie him , fo rsw e are o r are all n o n 1 1 him , else we u d e . 1 E i Bi nd l o Tra o a a a a t o e l ni nd Ped nt s ast as m be . x , f y

Luc. ar o n sw ee te fat e r P d h . L sw e e t e n Vin. ives my s o n e? Bian ar o n e re fat er . P d de h . Ba Ho w a o o ff n is Lu t o . cen i ? p h st th u e ded , where ’ Luc: H r Lucent io r o nn t o r Vln e e s , ight s e the ight 1 cent ia, t ricks

a a arr a a a r ne Th t h ve by m i ge m de thy d ughte mi , ’ o n r e o e 1 ble e r d ne cine 1 2 0 While c u te f it supp s s thi . ’ He r ac n 2 n e s all G re . a w i e sse to u c s p ki g with t deceiv . Vin r a a n a n an o . Tr i Whe e is th t d m ed vill i e , ’ 2 Th at fac d and braved me in this m at ter so ? plot t ing

Bo . is no t ambio? p Why , tell me this my C ’ a han d n o ian. mbio c B C is g i to Lucent i .

L c. o e ro ra Biancas o u L v w ught these mi cles . l ve M a e me an a t Tranio d exch ge my st te wi h , ar o un nanc in n While he did be e my c te e the tow e , And happilic I have arrived at the l ast Unto the wish e d haven of my blisse a Tranio e cnfo rst Wh t did , my self him to ; n r s r f r a The pa do n him w e e t e Fathe o my s ke . Vin Ile a n no a o a n . slit the vill i es se th t w uld h ve se t me to aile the J . a But do e o u ar sir a o ma B . u e p y he e , h ve y rri d my d aughter with o u t asking my go o d will ?

— - F Binnen: B anc a . 2 . 1 0 7 . i Q 4 - llain - V ob v i e : se arat e l . ST EE 2 NS. 1 0 8 9 . p ' 1 - 1 8 ] endin o ffe nd e d H e re s L u c e nt o Vinc e nt io 1 5 . 3 l . g , i , — - F 1 2 . Bo : B a . . 2 . CARELL . 4 p p Q 4 86 E HR V 1 8— 11 O F T H S EW [ . i . 3 . 3

F ar no t Ba t ist a o n n o u t o in. V c e p , we will c te t y , goe ’ r d fo r an I in t o e v e n . E it but will be g this vill ie x . nd It o o un a e rie it kn v E . a A . B p. s d the depth ofthis x

L ke no t a Bia a a r no t ro n . Lac. o o nc p le , thy f the will f w E eunt Lucent io a ianca 1 1 x [ nd B ] . 4 re M a do u hbut Ile in a o n t he r G . y c ke is g, m g est , l ar f a t of o o f a l o f E i . Out h pe , but my sh e the e st . [ x ] ’ H an e o o t o se e e nd o f a o . K a t e . usb d l t s f ll w , the this d e Fr ki s K at e and Pe t r . s e . i st me , we will K at e a in o f stre e te ? . Wh t the midst the ’ P a art o u asham d o f ? et r . Wh t th me ’ M sir G o d o r but asham d t o kisse K at e o . . , f bid , ’ ’ P n a aine : o S rra e t r . Why the let s home g C me i let s

‘ aw aie 1 0 . 5 K at e Na I w a kisse no w ra e . y, ill give thee , p ie th e o e a L v st ie . Pe t r Is no t ? sw ee te K at e . this well come my . fo r n e B n e n n r t o a E eunt . etter o ce th eve , ev r l te . x

A ctns u ntus Q i .

’

S n 11 Padna . a ent io s bo [ ce e . use . ]

Ent er Ba t ist a Vincent io Gremio t be Pedant a ent io p , , , , , b a b and Bianca . Pe t r uc io K t arina Tranio [ , , ] , Biondello and W iddow

Tbe Ser v ing men w it /J Tranio é ringing n a a i B nquet .

a . a o u o n o ur arr n no a At l st , th gh l g, j i g tes gree , And n ra n arr c o time it is whe gi g w e is me, T o smile at scapes and perils o v erblo wne :

dou bbut d o u h b u t — 2 - F 1 o — 2 - : . 8 . M : No F g , g ; Q . 4 4 4 .

f — - — 1 . uc v er : ne v e r . 2 F. 1 . A ctus ntus: out u v s 54 Q 4 q ST . om - w c e: o e o e . 7 . d n R 87 V 11 - H M . 1 T E I . 4 3 ] TA N G

a r Bianca fa r o My f i e bid my the welc me , While I with se lfe same kindne sse welco me thine Bro r Pet rncbio r K at erina the , siste , A nd thou Hor t ent io with thy l o ving W iddow F a and o o u e st with the best , welc me to my h se , M y Banke t is t o close o ur st o make s up t r our r a o o che ere : ra ou sit o n Af e g e t g d p ie y d w e , r n e to a as as a Fo o w w sit ch t well c te .

Pet r . o n sit and and eat e and a N thi g but sit , c te . a d a affo r kindne sse onn r b B . Pa u Pe t uc io p ds this , s e .

Pet r . Padna affor no n at in 1 ds thi g but wh is k de . 9 Fo r o o ur a r Her . a I o r r b th s kes would th t w d we e t ue . No fo r o ar Pe t . w Hort ent i o my life fe es his Wid w . W n n e r r if I aff ar id. The ev t ust me be e d . Pet r Yo u are r c sencible and ou . ve i , yet y misse my sence : I an H r a ar o me e o t ent io is fe d of y u . W id He a iddie in o r urn un . th t is g th ks the w ld t s ro d . P r Ro undlie r et . eplied . Mi ris ho an o u K at . st w a ? , me e y th t W 2 id u I o n . . Th s c ceive by him 9 ho H r a Pe t r . o n w o t ent io ? C ceives by me , likes th t W Hor M iddo w a u o n e e he r a . . y s ies , th s she c c iv s t le P r Ve r e n : kisse fo r a oo e t . ic w ll me ded him th t g d W iddo w .

K a He a i i thinke s or n ro un t . dd e th t is g the w ld tur es d , I ra o a o u an a p ie y u tell me wh t y me t by th t . /V o r ho sban n ro a r l id. u u d Y bei g t ubled with sh ew , M e asures my husbands sorro w by his woe And n n n o w yo u know my mea i g .

K at e r c ane e an n . . A ve i me m i g W id R I an o u . . ight , me e y

Ba nker a e — - : b nq u t 3 4F. 88

V 11 6 1 - 8 T HE . MI . 4] TA NG

And as launce aw aie fro the Jest did g m me , ’ ’ te n t o o ne maim d ou t o o o ut r Tis it y ight . Ba No in o o adne sse onn t /y . w s Pe rac io p g d s e , I thinke o a e r re fall th u h st the v iest sh w o .

Pe t r . e I sa no : and r o r sir a uran W ll , y the ef e ss ce , ’ L e a o ne n un o fe et s ch se d t his wi , And o e o o n he wh se wif is m st bedie t , T o o e at r n o n for c m ﬁ st whe he d th se d her, S a w in the a r p r o h ll w ge which we will op se . ’ Hort o n n a a r? . C te t , wh t s the w ge T w n i Lac . e t e cro w ne s.

Pe t r . T w e ntie cro w ne s, I n ur so o f Ha o r Houn le ve t e much my wke d , t n n Bu t w e tie times so much upo my Wife . a n n L c. A hu dred the .

er o n n . H . C te t ’

Pe t r . a o n A m tch , tis d e . Her W ho a n ? . sh ll begi a I Lac. Th t will . Mi ris o t o G oe Biondello o r st . , bid y u c me me Bio I . goe .

Ba So nn I our a Bianca o . p. e , le be y h lfe , c mes

I a no a : I b ar all . Lac. le h ve h lves le e e it my selfe

Ent er Biondello.

Ho w no w a n ? , wh t ewes Sir M is ris n o o r Bio. t u , my se ds y w d

a u and anno o . Th t she is b sie, she c t c me ’ Ho n a Pet r . w ? u a d ann : she s b sie, she c ot come is th t an answ e re ? l o o

Gre I and a n o ne to o . , ki de

Praie G o d sir your wife se nd yo u no t a worse .

- - - — ir 0 2. 1 e nd n c o m e t o o o ws . 6 s 2 1 1 . 1 . : fo r F. . 7 4 99 i g , R 90 O T SHR V 11 - 1 HE E . 8 0 F W [ . 5 7

P r . I e r et hope b tte . Her S rra Biondello o e and intre ate fe . i , g my wi to o to o r E it Bion c me me f thwith . x . .

Pe t . ho intre ate her na n ne e des Oh , , y the shee must o c me . Her I am aifraid sir a o u can . , doe wh t y

nt e o lo 1 0 E r Bi nde l . 9

’ not n r a : No w r f ? Yours will be e t e ted , whe e s my wi e She a o u a o o o e in an Bion. s ies y h ve s me g dly J st h d , he no t o e : she o o e t o her S will c m bids y u c m . o r and o r e no t o Pe t r . W se w s , she will c me ’ i into llerable no t t o be indur d: Oh v lde , , S rra rumio o e t o o r M istris i G , g y u , a I an e r o t o E it rumio S y co mm d h c me me . x [G ]

r I n he r answ ere . He . k ow t a ? Pe . Wh t

or She no t . 1 1 H . will 9 P r or un n and an e nd e t r . o u . The f le f t e mi e , there

Ent r K at r na e e i .

r K at rina Ba o a e . p. Now by my h llid m he e comes a a l sir a o u n fo r K t . ou ? Wh t is y r wi l , th t y se d me r r nd Hort nsios Pe t r . o ur a e ? Whe e is y siste , wife ﬁre K at e . o n rr n ar r They sit c fe i g by the P le . Pe t r G o e f r e n e t o o . etch them hithe , if th y de i c me, Swinge me them soun dly forth unto th e ir h usbands a I sa and r n r ra Aw y y, b i g them hithe st ight . E it K a bar na [ x t i . ] f H r a o n ou a o a o n . Lac. e e is w der, if y t lke w der r And so : I o n r a b ads 1 0 e o . H . it is w de wh t it 3

- — din f e r s ir e A z LL. 1 0 1 0 . 11. en w e h nt re at e d w fe C P 4 5 g i , , , , i 1 - 1 2 ﬁ - t 11 — EVENS v e a c n . ST E . 1 3 4. c e

9 1 V 11 - . 1 0 8 1 T HE . 34] TAMING

M ar Pe t r . r a bo ads and o and ie pe ce it , l ve , quiet life , An a ] r and r su re micie wful ule , ight p ’ And t o r a no t a s e e te and ha i w e . be sho t , wh t , th t s pp No w fa r e fa e o o Bap. i e b ll th e g d Pe t racbio; a r o a w on and I a The w ge th u h st , will dde n o r tw ent ie o an cro w ne s U t thei losses th us d , no r do w rie to ano r au r A the the d ghte , ’ Fo r chan d as had n e r bin she is g she ev . Na in a r Pet r . I l w y, wi l my w ge better yet, And o n o fher o n show m re sig e bedie ce , ne r u an o e n Her w built ve t e d b die ce .

’ Enter K at e , Bianca, and W iadow .

Se e r and n ur fro ar whe e she comes , bri gs yo w d Wives As prisoners to her w o manlie persw asio n Kat erine t a C a o f o ur co ou no t , h t p y s be mes y , nde rfo o t e O ff at a ro u . with th b ble , th w it W r n r a a a o id. Lo t d let me eve h ve c use sigh , r a sillie a Till I be b o ught to such p sse . Bian Fie a a o dutie a o u ? . wh t fo lish c ll y this I o u o ur dutie re as o o to o : Lac. w ld y we f lish T he wisdo me o f o r dutie a re Bianca y u f i , Ha un re cro w ne s n r th c o st me ﬁve h d d si ce suppe time . fo le ou f r a o n u a o r o o n d tie . Bi n. The m e y l yi g my P K a t berine I ar e a - ro n e t . ch ge thee tell th se he d st g o n a dutie o w e r Lo r and hus w me , wh t they doe thei ds an b ds . W id o o our n : a no . C me , c me , y mocki g we will h ve n telli g .

Pet o n I sa and ﬁr n he r. . Come y, st begi with W a no She t . id. sh ll

- — b w 2 . v e : a n K o w z 1 o b/e : b a u b e Ro z . 1 . 46 . l 5 ﬁ ’ - - — our r — - F 1 ﬁ ve accent ll . 2 Ro w z . 1 . : o u e . 54 6 . 2 57 y y 3 4

V 11 6 - 1 M . 1 8 O F . 7 9] TA ING SHREW

1 1 But a o ur o o n n and o ur ar aa/it ies th t s ft c ditio s , h ts , o Sho uld w e ll agree with o ur exte rnal] parts? o o o u fro ar and una e w o rme s C me , c me , y w d bl , M n e a bin as as o ne o f o r y mi d h th bigge y u s , M e ar as re a re a o n ha lie ore y h t g t , my s p m , T o an o r fo r o r and fro w ne fo r fro w ne b die w d w d , ; But no w I se e o ur Launces are but st raw e s 1 99 O ur n as w e ake o ur w e ake ne sse a c o a stre gth , p st mp re , a n t o o w e n e e e a are Th t seemi g be m st , which i d d l st . n a 2 o ur sto macke s 3 fo r no o o e 4 The v le y , it is b t , And place y o ur hands belo w yo ur husbands fo o te In o n o f dutie a t ke which , if he ple se , M an re adie ma do e a y h d is , y it him se . ’ r a n o o n and kisse e t . : P Why the e s we ch C me , mee 2 3 4 K at e low er ride ase . p ’ aie s o Lad fo r ou a ha Lac e o w . . W ll g thy lde th sh lt t

Vi n a o o ar n n r n are o ar . Tis g d he i g , whe child e t w d in n n are ﬁ' o w ard Lac. But a ar ar h sh he g , whe wome , ’ Pet o e K a t w e e e le to 2 1 1 . C m e , bed , W e r are arr e o u t w o are . th ee m i d , but y sped ’ a I o nn a r ou To Lac. [ ] Tw s w e the w ge , though y hit t he te whi ,

And n a nn r G o d o u o o n . bei g wi e , give y g d ight Exit Pet rucbio [and K at harina] ’ No w th w a e s o a t am d a r Hor t en. goe y y , th u h st cu st S ro h w . ’ m d so der b ur a she t a . Lac. a w o n Tis , yyo le ve , wil be nt [Exea . ]

’ ' - — br s h re w o w s . le : w e l F 2 1 . ow : 2 1 1 . w eee l S 3 . 7 R

I IS F N .

94 A LL’ S W EL L T HA T ENDS W ELL

Fr r n in Fr o o 1 6 2 i st p i ted i st F li , 3

’ All s W ell A

ALL’ S W ELL THAT ENDS WELL

Hel e na m akes use o f this situati o n t o w ork o ut the ’ o n o f B r ra r In IV a co nditi s e t m s lette . Act she pl ys ’ t he p art o fthe wid o w s daughter and has an assignatio n r n a o o a ne with him . The i g is ls bt i d . In V B r ra r rn o e o n o n Act e t m , etu ed h m , is the p i t o f ano th e r marriage — fo r He le na is b e lie ved t o be — c o a de ad whe n the king is le d t o suspe t f ul pl y . At un r H e na a ar o n e ne t o this j ctu e el ppe s up the sc , the ne ra She a re Be r ram a o co n ge l delight . ssu s t th t b th his ditio ns are and he n r as his met , willi gly eceives her

wife . SO U RCES

’ The Decameron o f Bo ccac ci o co ntains a simil ar ’ ’ f ‘ e Pa n er ran a e n o sto ry to this o All s W ll . y t t sl t d it i t ’ En in a ace o f a r c a e are in glish , his P l Ple su e , whi h pp d 6 6 - ar e n o f o r er en 1 5 7 . The gum t the st y th e giv ’ sho ws u nmistak ably the so urce o f Sh akespe are s plo t : ’ G ile tta a hisician s do u hter o f Narbo n e a e , p g , h l d the Fre nc he k n e o f a u a fo r r ar w ere o f she y g ﬁst l , ew d h de aun B tra o co unt e o fRo ssi lio ne t o husbande m ded el m , g , . co unte be n marie d a ainst e fo r t The , y g g his will , despi e t o Fo re nc e and o ano r G ile t ta f ﬂed l , l ved the . , his wi e , o founde an t o l e he r husbande in by p llicie me es y with , a o f o r and w as b o e n c o f t w o pl ce his l ve , eg tt with hild so o nne s : w hic he kno w e n t o he r husbande he re c e , , ived he r a aine and afte rw arde s in r a o no r g , he lived g e te h ’ nd fe licitie a .

as se e a o a o o n ar o f This , we b ve , is cl se c u terp t the ’ ’ r o ‘ a re no o n o o e st o y f All s Well . Sh kespe a t ly f ll w d ’ o ne but re r t w o o f Bo c c a c o na e the utli s , p se ved c i s m s , f Narb n He B r ra B ra and G e rarde o o . e t m ( elt m) , ’ c an ro n na and a a a e h ged the he i e s me , dded the ch r ct rs o f o un Paro o n and La . the c tess , lles , the cl w , feu The

’ A ll s W e ll D INT RODUCTI ON characters o f b o th he ro and h e ro ine differ fro m the I G il ta o f the no e e a Hel a an . e t t li v l is w lthy , while a r n a no o f ara r Ber en b ings o cl im except bility ch cte . a e n er o nal a o u in a o n and tr m is giv p s v l r the pl y ly , is ne ra ff r n f o ro o ge lly di e e t r m his p t type . Other characters and situatio ns o f t he pl ay show n a e ar w as marked variatio ns fro m the o vel . Sh k spe e n o fo r the a n r a o f the o r i debted t it le di g th e d st y , but fro o e a a ne w in arac r z a o n m this he ev lv d pl y ch te i ti , So o f n a an o n and n n . dicti , se time t me the u ple s t de tails O f the pl o t he w as unde r dram atic necessity to nd o n But preserve ; others he m o diﬁed a s fte ed . the r initial situatio n re mained unalte ed .

DU R A TI O N O F T H E ACT IO N

The to tal time c o nsume d is ab o ut thre e months ; th at o f a n a as o o : Da 1 I the st ge , eleve d ys , f ll ws y , Act , ’ n In r a B r ram o urne t o c o r Da u . sce e i . te v l , e t s j y t y ’ 2 Ac I n an In r a H na o rn t d . , , sce es ii iii te v l , ele s j u ey r Da II e ne and In r a t o thithe . y 3 , Act , sc s i ii . te v l f Da a o or ffe o f ur . II ne ll w e ct c e y 4, Act , sce s iii , ’ and In a H na re n . r r o Da iv , v te v l , ele s tu h me . y 5, III sce ne s i and Da 6 III n Act , ii . y , Act , sce es iii and . I n r a o f e r a n tw o o . Da iv te v l p h ps m ths y 7 ,

III ne . Da 8 Ac t III e n and Act , sce v y , , sc es vi vii , IV e n 11 and Da IV ne Act , sc es i , , iii . y 9 , Act , sce

. In r a Da 1 0 IV n V iv te v l . y , Act , sce e v , Act , n Da 1 re r f a . 1 a n o sce e i y , m i de pl y .

DA T E O F C O M PO SITI O N

The facts th at there w as no Quarto edition of this a and no r r n t o it a o o f pl y speciﬁc efe e ce , b ut the time

’ Al i s W e E iv 1 l l . 4 A LL’ S WELL THAT ENDS WELL

a aran a a n r a n . O ne n e its ppe ce , m ke its d te u ce t i co j e

ra a o n o r anno b e ar . In tu l llusi , h weve , c t disreg ded ’ 1 598 Francis M eres me ntio ned several o fShakespe are s a na an a o n a use o f pl ys by me , llusi which is m de r n in r n n a o f o e r a f eque tly dete mi i g the d tes th pl ys . ’ o n o r he n io ne Lo La o r o nn Am g the s , me t d ves b u s W e , and n re is no a no w e an a si ce the pl y xt t by th t title , it ’ has e e n o t o re e r t o ‘ b th ught f The Tempest , The ’ ’ a n S re M o a o o n T mi g of the h w , uch Ad e b ut N thi g , ’ ’ o r ‘ All s Well th at Ends We ll An inspectio n o f these fo ur plays se e ms to i ndicate the l ast pl ay as th at ’ Lo La o r o nn fo r it ar f a o of ves b u s W e , cle ly its th t pl t re ne ar an an o f o e r h r ma a o mo ly th y the th s . T e e y ls be an allusion to the title in the cl o sing scene where Helena says : T his is do ne o u b e ne no w o u are o w o n ? Will y mi , y d ubly

The play w as mentio ne d by Meres in co nnection ’ ’ with Lo ves Labo ur s Lo st and w as evidently a co m ‘ o r na r o n o e r o r panio n piece . The igi l ve si w uld th ef e r n 1 2 and 8 ut be l o ng s o m e whe e betwee 59 1 59 . B ’ ‘ n Lo ves Labo ur s W o n e may be l o st . This slight e vidence is re nde red e ven m o re unsatis a o r an a na o n o f e o r f ct y by ex mi ti the text b f e us , which a r exhibits a co mmingling o f early with m tu e style . Rhym e d coupl e t s and limited tho ught a trait o fearly days — o ccur side by side with bl ank ve rse fairly o ve r ar l o aded with t h o ught a ch aracteristic o fm ature ye s . ’ ’ All s Well links it self with the early pl ay ‘ Lo ves ’ ’ La r Lo in it s r a a and in e r bou s st ly ic l qu lities , the ref ’ n a Fr n ar o fﬁ e r as D a n a e ce to e ch my c um i , the s me ’ ’ na n in Lo La r Lo l a o me bei g used ves bou s st , whi e it ls ’ loo ks fo rward t o the later pl ay Hamlet in its phil o

A ll ’ s W ell F

ALL’ S W EL L T HAT ENDS W ELL [DRAMATIS PERSO NzE

I G O F FR K N AN C E . D K O F FLO C U E REN E . B R R M i/ n oant o Roas lo . E T A , C f L F an d A EU , old lor .

R O LL a ollow er o Ber t ram. PA ES , f f S e ar t w d , 0 t er s/ant s t o be Coan ss o oan /la” t te f R , o n A Cl w , a e A P g .

C u N F U N r m o T Ess O RO SILLO , nzet ber t o Bert a .

H L a a ent lew om n rot ect ed e t be Coant ess. E ENA , g p y n O o o f F r e A ld Wid w l o enc . D daa b r b W ow I t e o t e id . ANA , g t VI O L ENTA , b W d neigbooars andfr iends t o t e i ow . RI MA ANA ,

r f r So r &c n and r n n . Lo ds , O ﬁce s , ldie s , . , Fre ch Flo e ti e

S l CENE : Roasillon; Paris; Florence; Marseil es. ]

’ I - . . 1 LL S ELL i 5 54] A W ,

’ He a ab ando n d his Phisiti ns M . o a a um c h th d m , de r o e ra t e he a e r e c o e wh s p c is s h th p s uted time with h p , and ﬁ n no o er a an a e in r e o n ds th dv t g the p ocess , but ely o f o e e the l o o sing h p by tim . 2 0

M e . o n e n e o an had a fa r 0 a This y g G tl w m the , th t had ho w sad a a a e o e w as a a , p ss g tis , wh s skill lmo st s ’ r a as hone stie had stre t ch d so far o a e g e t his , it , w uld h v a na re o r a ] and e a o a a f m de tu imm t l , d th Sh uld h ve pl y o r ac o fw o rke o f r t he n l ke . W uld o Ki gs s ake hee we re li n I thinke it w o uld a o f Kin e a vi g, be the de th the gs dis se . ’ La Ho w call d v ou t he man o u a o fM a f. y spe ke dam ? He as a r M o . w o si in ro fe o n and w as f m us his p ssi , it r a r t o so : erard de Narbon 2 his g e t ight be G . 9 La l He w as e n n e M a a K n r f excell t i d ed d m , the i g ve y late lie o o f a r n and o urn n : he e sp ke him dmi i gly , m i gly ’ w as Skllﬁl ll e no t o a liv d no o ugh h ve stil , if k wledge c uld se t a a n mo rtallitie be up g i st . Ros a o o Lo r K n an . Wh t is it (my g d d) the i g l guishes

F a r La u Lo . f. A ist l my d Res I ar no t o f or . he d it bef e . W La I o e r no t no o r o u . as G en f. w uld it w e t i s this tle w o man the Daughte r of Gerard de Nareen? 3 9 His o Lo r and a to M o. s le childe my d , beque thed my r I a e o o fhe r o o at h r o o o n . s e ve l ki g h v those h pes g d , th c a o n ro her o t o n n c edu ti p mises disp si i s shee i herits , whi h m ake s faire gifts fairer : fo r where an uncle ane mind car r e r o a e re c o n a o n o i s ve tu us qu liti s , the mme d ti s g with it t e are e r e and t ra o r t o o : in her t are p y, th y v tu s it s hey the e r fo r r sim le ne sse r he r hone stie b tte thei p ; she de ives , and a che e v e s he r o o dne sse t g . a o r o n a o n M a a fro he r L few . Y u c mme d ti s d m get m are te s . 49

— - - - l o in 2 F . a re : are 2 F 2 0 . o s : o s n . g l i g 4 45 4 , H E DS ELL I - 8 T AT N W [ . i . 55 7

be st brine a n c an e a o n he r ra M o. Tis the M aide s s p ise in m ran o f a e r n er a o h r . The reme b ce her f th ev ppr ches e ar tirran o fher sorro w e s a all i o o he t , but the y t kes livel h d N H l a fro c . o o e o f e en o to o no m her che ke m r this , g , o r a ra r o o u aff a o ro e n m e le st it be the th ught y ect s r w , th t o h ave He I do e aff a orro n I a ll . t o o ect s w i deed , but h ve it . La M o ra e a n a o n r o f a f. de t l me t ti is the ight the de d , re e fe cn c t o n excessive g the emi the livi g . M e If n cn c to re e fe e xce sse . the livi g be emi the g , the e mo r ll m ak s it so o ne ta . 6 0 Res M addam I e re our c . d si y holi wishes . L Ho w un r an a ? af. de st d we th t M e Be o Bert rame and u . th u blest , s cceed thy fat her In manners as in sh ape : thy blo o d and vertue o n n for E r in and o o dne sse C te d mpi e thee , thy g

- S ar r . Lo all r a fe w h e with thy bi th right ve , t ust , Do e wrong t o no ne : be able fo r thine cnemic Rather in po wer then use : and ke epe thy frie nd

n r o w ne e . Be c e fo r e n 6 U de thy lif s key h ckt sil ce , 9 ’ But n r t ax d fo r . a a n o r W il eve speech Wh t he ve m e , a e ma ﬁIrnish and ra r luc ke o n Th t the y , my p ye s p d w e , Fa o n a F . ar Lor ll thy he d well my d , ’ ’ an unse ason d o u r o o L r Tis C rtie , g d my o d

Advise him . La He anno an f. c t w t the best a a a n o e Th t sh ll tte d his l v . H a en r M e . e : Fa e Be am E i rt r . t e v bless him w ll [ x . ] Re To He na . [ le ] The best wishes th at c an be ’ fo rg d in y o ur tho ghts be servants to you : be co m fortable to r u M istris and a u my mothe , yo r I , m ke m ch of her . 80

. to bawe h 55 av e it . ’ I 88- L . . 1 1 L S ELL i 7] A W ,

La . ar re ttie a ou u o cre f F ewell p L dy , y m st h ld the o f o r fa r Exeant Ber t ram and La en dit y u the . [ f . ]

Hell . 0 r a all I t hinke no t o n a r we e th t , my f the , And these great te are s grace his re membrance more e n o I fo r hi a as Th th se shed m . Wh t w he like? I a fo r M a na o n h ve go tt him . y im gi ti ’ arr no a r in B a C ies f vo u t but ert r ms. I am n o ne e r no n no n u d , th e is livi g , e , ’ If Ber t ram be a a ere all o ne w y . Tw , a I o u o a articule r arr Th t sh ld l ve bright p st e, And n t o so a o thi k wed it, he is b ve me In radie nc e and co lat erall his bright light , M I o or no t in ust be c mf ted , his sphere ; ’ Th ambitio n in my l o ve thus pl agues it selfe The hind th at would be m ated by the Lion ’ M fo r o a re ttie o u a a u ust die l ve . Tw s p , th gh pl g e T o se e him e v erie h o ure to sit and draw His ar e bro w e s a n e ie ur ch d , his h wki g , his c les 1 In o ur hearts table: h e art 0 0 cape able O f n n ri f fa our e v e rie li e a d t c ke o his sw e et v . ’ But no w o n and o a ro fan e he s g e , my id l t us ci M sanc iﬁ Re W ho o e re ? ust t e his liques . c m s hee

Ent er Pa r ol es r l .

Aside O ne a o :I o fo r a [ ] th t g es with him l ve him his s ke , And I no a no o u L ar yet k w him t rio s i , T hinke a r a w a fo o le o e a o ar him g e t y , s li c w d , Ye t ﬁ xt so in these evils sit ﬁt him , a e a ac e e n V r o n Th t th y t ke pl , wh e tues steely b es ’ Lo o ke s ble ake c o n : w ithall ful] o ft e se e i th ld wi d , we 1 1 0 Co ld w ise do me w aighting o n superfluous fo llie .

Par Sa e o u a re u n . . v y f i Q ee e

- — — k o k W . 1 0 6 solie : s o e F. 1 0 . Loo es: L o . l l y 3 4 9 RO E

’ I 1 1 - . . 1 8 LL S ELL i 5 5] A W ,

r r and ou ur in hi hw a e s tie mu the s it selfe , sh ld be b ied g y o ut o f all anc e as a ra O ffe ndre sse a s tiﬁ d limit, despe te a n a r Vir initi br d . e e e e s c e a g i st N tu e g mites , mu h lik e e e o n f r a rin and so Ch s , c sumes it sel e to the ve y p y g, t e e n w ne sto mack Be e Vir ni o e . i dies wi h f di g his sid s , g

ro dle a o f e f - lo e tie is peevish , p ud , y , m de s l e v , which o n e nn in anno n K e e e no t is the m st i hibit d si e the C . p it , ’ ’ ou anno c o o o o w ith t : n y c t h se but l se by t . Out withi t e n e are a e e fe tw o a o o in y it will m k it s l , which is g dly r a e and the r nc a ] fe no t o r c e s , p i ip l it sel much the w se . “ ’ a i Aw y w t h t . 1 54 H Ho w t o ne do sir t o o o e t o her o w ne el . migh , l s it liking ? ’ M arr o a n r Par Le t se e . t e . mee y ill , like him th t e ’ a c o o t o o t n it likes . Tis mm di y wil l se the gl sse wi h lyi g ’ ’ o n r the e o r : O ff w ith t e t is The l ge kept , less w th whil h f Vir ini ie e n . n r t e o re e t e v dible A swe time qu st , g lik an o e o r r e are her ca o ut o f a o n r c ld C u tie , w s p f shi , i hly sute d 1 unsut e able e ro o oo , but , just lik the b ch the t th c r no t no w : o r Da r in o r pick , whi h we e y u te is bette y u

' P e and o r Porre d e e n in o r c e e : and o r y y u g , th y u h ck y u r n t o r o ld r n o ne o f o ur Frenc vi gi i y , y u vi gi ity , is like h ’ ’ w ithe r d e are lo o ke s a r arr a p s , it ill , it c tes d ily , m y tis ’ ’ w ithe r d eare : w as o r e r e r arr e t a p it f m ly b tte , m y y tis ’ w ithe r d pe are : Will yo u any thing with it? el No t r n : H . my vi gi ity yet e r a o r M a e r a a o an o Th e sh ll y u st h ve th us d l ves , M o r and a M istre sse and a fr e n A the , , i d , n C a t aine and an ne A Phe ix , p , e my , u e a G o dde sse and a So v e rai ne A g id , , g , o n or a T rait o re sse and a D ar A C u sell , , e e His a o n ro u u humble mbiti , p d h mility

— - — n ir n F R o w z . a ri : ar n a . 1 47 . p y g p i g (p i g 3 4 ) - - r C . N 1 6 . w e e : w e ar 1 2 tw o : t e n H . 5 . A MER 3 APELL 8 E S LL I 1 - D E . 86 1 THAT N W [ i . 2 4

His arr n o n o r : and u j i g , c c d his discord , d lcet His a e e a r: a o r f ith , his sw t dis ste with w ld Of pretty fo nd ado ptio us christe ndo me s a n n No a Th t bli ki g Cupid gossips . w sh ll he I no w no t a a G o d e n 1 80 k wh t he sh ll , s d him well , T he o r a e arn n a and o ne C u ts l i g pl ce , he is . Par a o ne fa ? . Wh t i ith ’ a it Hel . I t . Th t wish well , tis p y ’ ar a i P . Wh t s p tty? ’ Hel a n had no t a o in t . Th t wishi g well b dy , W c h be fe a r r o rn hi h mig t lt , th t we the poo e b e, o a r arr do us in Wh se b se st es shut up wishes , M ff o f fo o ur r n ight with e ects them llow f ie ds , And a a o ne u thinke n r shew wh t we l m st , which eve Re turnes hank 1 0 us t e s. 9

nt r Pa E e ge .

a M o n P . u Parrolles g sie r , M Lor a fo r ou E it y d c ls y . [ x . ] a r L e Hellen far ifI can r r I P . ittl ewell , emembe thee , thinke o f e e at r will th Cou t . He l M o n r Parolles o u r orn un r a . sieu , y we e b e de ar a arre ch it ble st . Par er M ar I n s . . U d He a k un r M ar l . I hin e s t . especi lly , de Par un r r 2 0 0 . Why de M a s? H u n r a el . w arre s at so o u ou The h h kept y de , th t y ne e de s o rn n r M ars must be b e u de . Pa r n w as r o nan . . Whe he p ed mi t H h k ra r l n w as r o ra I t in e . e . Whe he etr g de the Par thinke ou so ? . Why y

e Yo u o so u a a n o u . H ] . g m ch b ckw rd whe y ﬁght

- — m . 1 2 . 1 l . 2 0 1 atb : h av e Po 9 3 . lz - ’ I. . 2 1 2 LL S E i 5 44] A W LL,

’ Par a fo r a an a . Th t s dv t ge .

Hel . So unn n a a is r i g w y , When feare pro po ses the safe tie 2 0 9 But the comp o sition that your valour and feare m akes 1 in o u a r a o o n and I the y , is ve tue of g d wi g, like 1 e are st ron in i bt w well . g ﬂ g m o f o f n a r Pare/l . I a s u I ann nsw e e ll busi esses , c ot a : I w re turne r o ur r in thee cutely ill pe fect C tie , the n u o n a r to na a z so which my i str cti sh ll se ve tur li e thee , o u ca e able o f a o r r co uncell and un th wilt be p C u tie s , de rstand a a a ru u o n o wh t dvice sh ll th st pp thee , else th u in in unthankfulne s and n no ran e a diest th e , thi e ig c m kes e a a fa : n o a le sure sa th e w y , rewell Whe th u h st y , y thy raiers : n o a no n r r n : p whe th u h st e , emembe thy Frie ds G e t a o o u an and use as u thee g d h sb d , him he ses thee

So ar . E it 2 2 2 f ewell [ x . ]

Hel . O ur r o ft in do emedies our selves lye , Which we ascribe to heaven : the fated skye us r o o n o ac ar Gives f ee sc pe , ely d th b kw d pull O ur r o n n o ur a e u . sl w desig es , whe we selves d ll a o e r ount o so Wh t p w is it , which m s my l ve hye, a a e and anno fe e de ne e e ? Th t m k s me see , c t mi y T he ac in o rtun a ur n mightiest sp e f e , N t e bri gs

T o o n and kisse na n . 2 0 j y e like , likes ; like tive thi gs 3 Impo ssible be strange attempts to th o se a e a n in n and u Th t w igh their p i es se ce , do s ppose a a n ann W ho r o e Wh t h th bee e , c ot be . eve str v T o he r a o ? shew merit, th t did misse her l ve Kin a m r ma me (The gs dise se) y p oject y deceive ,

But n n are ﬁxt and no t a . my i te ts , will le ve me

2 0 8- rose - o n 9 . p F t .

’ I 11 1 - LL S ELL . . 9 49] A W ,

’ b ar F Kin . o o u e st a er a g Y uth , th thy th s f ce , Franke Nature rather curi o us th e n in h ast 3 0 ’ Hath w e ll co mpo s d the e : Thy Fathers mo ral] parts M a o u n e r c o t o Paris ist th i h it t o o : Wel me . r M thanke s and dutie are o r M a Be . y y u jesties in I I ad a o r ra ] so undness n K . o h o e ow w uld th t c p l , e n a r and in fr n As wh thy f the , my selfe , ie dship First t ride o ur so uldie rship: he did lo o ke farre In o t he e r ce o f t he and w as t s vi time , D c o f ra e He a o n is ipled the b v st . l sted l g , But o n o a a e o n us b th did h ggish Age ste l , And wo re us o ut o f act : It muc h re paire s me T o t alke o f y o ur go o d father; in his y o uth He had I c an o r e the wit , which well bse v T o day in o ur y o ng Lords : but they may jest Til] their o w ne sco rne re turne to them unno ted Ere they c an hide their l e vitic in ho no ur: So e a o u r c o n nor bit t erne sse lik C rtie , tempt r in e o r shar ne sse w r We e his prid , p ; if they e e , ’ His e uall had aw ak d and nour q them , his ho Clo c ke t o f n ru nu n it sel e , k ew the t e mi te whe Exception bid him speake : and at this time 50 ’ His o n u o an W ho e re t g e bey d his h d . w below him , ’ He as r a u o f ano r a us d c e t res the pl ce, ’ A d bo w d n n t o t o r lo w an u his emi e t p thei r kes , M a n ro o f humilitie ki g them p ud his , In th e ir po o re praise he humbled : Such a man M ight be a co pie t o these yo nger times ; o o o o n ra now Which f ll wed well , w uld dem st te them But o r a ar g e s b ckw d . His o an Ber . go d remembr ce sir e r in ou n o n o : 6 0 Lies rich your th ghts , the his t mbe

- - d A nd 2 F. 53 . A u . 4

1 2 THAT ENDS W ELL 50 - 76

So in a ro o fe 1 e no t E a pp liv s his pit ph , r a ] e e c 1 a roé at ion AS in y o u ro y l sp h . pp I e re u al aie s sa K in . o w g W uld w with him he wo ld y, 2 ( M e thinke s I h e are him no w ) his pl ausive w o rds ’ He scat te r d no t in ar ra e c es , but g fted th m T o ro r and t o ar : Le t no t g w the e be e me live , 2 This his go od me lancholly o ft began placcsible O n the Catastro ph e and bee le o f pastime When it w as o ut : Le t me no t live (qu o th hee) f r fa e a e o t o the snuffe A te my l m l ck s yle , be O f o n e r r o e a r e n n e y g spi its , wh s pp eh sive se s s All but ne w things disdaine ; wh o se judge m e nts are M e ere fathers o f their garme nts : wh o se co nstancies ’ E r o r r a o n : w ish d xpi e bef e thei f shi s this he . I a r do a r to o : fte him , fte him wish S nce I no r w ax no r o n e c an r n o i h i b i g h me , I quickly were disso lved fro m my hive T o e o La o r r ro o giv s me b u e s me . ’ Sir L. 2 . E. o r o e Y u l v d ,

a a n o u a a e o u r . They th t le st le d it y , sh ll l ck y ﬁ st ’ a a e kn w o n un K in. I ﬁll pl c I o w t : ho l g ist Co t Since the Physitian at yo ur fathers died? ’ He w as fam d much . r L r Be So six o n nc o . . me m eths si e my d

K in. I e re n I o tr f he w livi g , w uld y him yet . Lend me an arme : the re st h ave w orme me o ut With several] applicatio ns : Nature and sicknesse D a at e r e re o o n eb te it th i l isu . Welc me C u t , ’ M o nn no de ere r y s e s . T h E Ber anke o r a . it 0 . y u M jesty x 9

‘ 3 ’ I 1 - . . 1 LL S ELL iii 3 ] A W ,

’ S n . Roasil on. Tbe Coant s ala [ ce e iii l p ce . ]

Ent er Coant esse St eward and lowne , , C .

oan. I no w ar a sa ou o f e n e C will he e , wh t y y this g tl o an w m . t e M addam the ar I a e had to e e n1 r c on S . c e h v v y o u n I be fo n in Ka e n e r o f a te t , wish might u d the l d my p st e nde v ours fo r e n w e o n o ur M o e and a , th w u d d stie , m ke fo e the c le arne sse o f our r n w he no f o ur e ul dese vi gs , s lves e 1 e aal 8 we publish th m . o ’ a o na e e r o u o n Coan. Wh t d e s this k v h e e? Get y g e Sirra : the c o mplaints I h ave h e ard o f yo u I do no t all be ’ le e v e tis slo w ne sse a I do e no t : Fo r I no ou , my th t k w y a e no t fo t o o t a abilitie e no u l ck lly c mmit hem , h ve gh to a e na r o r m k such k ve ies y u s . ’ Clo T is no t n no n to ou M a a I am a o o r . u k w y d m , p e

fello w . ean e sir C . W ll .

Clo. No maddam, ’ no t so a I am o o r ou an e Tis well th t p e , th gh m i ’ o f r are damn d if I ma a r Ladishi s the ich , but y h ve you p 2 o o t o o e t o r Isl e/l the o an and g d will g the wo ld , w m w 2 d e a e t mar 2 1 will o e as w m y. g ried o n o ne e de s a e e r? C n . Wilt th u be b gg lo I do e o r o in a C . beg y u g od will this c se . Coa In a c a e ? . wh t s o In Isl e /s c a e and n o ne z ce no r Cl . s mi e w servi is he i a e and I t hinke I a ne r a e e n o fG o d t g , sh ll ve h v the bl ssi g , 3 till I h ave issue a my bo die : fo r they say barne s are bl e s n 3 clt ildren si gs . Coa r a o n o u arr e ? . Tell me thy e s why th wilt m i M o re o M a a re I am r n Clo. o y p b die d m quires it , d ive

’ - - - Ro w z . 1 oined t o ne xt l . 2 0 . w : I 2 F 2 . a: o 2 7 . j 4 7 x4

’ - I. . 6 8 1 0 2 LL S ELL iii ] A W ,

G e u n I a Can. t o ou o e ano n y go e sir, le t lke with y m r . M a a M a a St ew . ou a he e H l y it ple se y d m , th t bid e len o t o o u o f her I am a c me y , to spe ke . S rra e e n n I Coa . i t ll my g tlewo ma w ould speake with her H I an e llen . , me e W Clo. as a r a the a uo she this f i e f ce c use , q th , the r an a Tro Why G eci s s cked y, 1 2 Fo nd o n o ne o n w as K n Priams o 0 d e , d , f d this i g j y, 7 a she as she o bis With th t sighed st od , And a n n n a o n n n bad o ne b e g ve this se te ce the , m g i e if ’ oo a on n n bad if o ne o o r e t o ne g d , m g i e be g d , the e s y 2 o o in t en 1 eelisbl ond g d . f y f ly

Coa . a o ne o o in nn ? ou c o rru the o n Wh t , g d te e y pt s g

O ne o o an in te n M adam w hich a u Clo. o g d w m , is p ’ rifying ath so ng : w o uld G o d wo uld serve the w o rld so all the e ere ﬁnde no fa the t o an y , weed ult with ti he w m ifI e re the ar on o ne in t e n uo a? and w e e w P s , q th might a a oo o an o rn but o re ev erie az n arre h ve g d w m b e bl i g st , ’ o r at an e a a e o n t he Lo tte rie w e ll a rthqu k , tw uld me d , man ma ra his ar ut re u k ne 8 y d w he t o e a pl c e o . 3 o e b n ir n an as I an Con. s a d do e o Y ul ego e k ve , c mm d you ? a man o u be at an an and Clo . Th t sh ld wom s comm d , no r o ne o ho ne stie be no P r an yet hu t d , th ugh u it , yet do e no r ar Sur o fhumilitie it will hu t , it will we e the plis o ver the bl acke - G o w ne o f a bigge heart : I am go n i r in rs o busi e sse s for Helen to e . g fo o th , the come hith 1 Exit . 9 o now C n. Well .

- 8 d nd o s t o o d s t o o d t h e n o o d o o d 0 . . e n 7 4 ll n i g fo , j y , , , , g , g , t e —M N n ALO E . ’ ’ ’ — d — A RIDG E atb : o t h e C . . w ee : w e d C M E . 7 8 . APELL 7 9 l - — 8 . are: o ne 2 C0 LLIER . 80 a nd: arr . 1 . POPE

1 6 1 0 - THAT ENDS WELL [L iii . 3 1 3 3

S w no M a a ou o r n an t e . I k w d m y love y u Ge tlewom intire l y. ’ Cea a I do e : he r Fa er be ue ath d her to me e . F ith th q , and she her e o o t e r a an a e ma a self with ut h dv t g , y l wful lie a t o as u o as e e ﬁnde s e re m ke title m ch l ve sh , th is r O n he r e n a and o r a be a mo e wi g th is p id , m e sh ll p id h n l e an er the she e e d m d . St ew M a a I w as r a o r ne e re he r e n . d m , ve ic l te m e th I thinke e me e a o ne e e w as and sh e wisht , l sh , did co mmunicate t o he r se lfe her o w ne w ords t o he r o w ne are o I ar v o w e fo r her t e c s , Shee th ught , d e , h y t o ucht no t an ran r e n e he r a e r w as e ie st ge s c , m tt , she lo ved yo ur So nne ; Fo rtune sh e e said w as no go d e a had u d ff re n e r tw o d sse , th t put s ch i e ce betwixt th i a : Lo e no o d a o no t e n est tes v g , th t w uld xte d his might o ne lie e r a r e ] ue e ne o f Vir , wh e qu lities we e lev l , Q ’ n a o ff he r o o r Kn sur ris d gi s , th t w uld su er p e ight p with o u t rescue in the ﬁrst assault or ransome after ’ ward : This shee de liv er d in the mo st bitte r to uch o f o rro a e re I ar V r n e xclaime in c I s w th t he d i gi , whi h held dutie t o a a n ou w ithall n e 1 in my speedily cqu i t y , sithe c the o e a ma a n o n n o u o e n l ss th t y h ppe , it c cer es y s m thi g t o no l sin 1 1 k w it . ce 5 ’ Cea Yo u a disc har d ho ne stlie ke e e . h ve g this , p it ’ t o o ur f an o o inform d o f y sel e , m ie likelih ds mee this e o re n so t o t trin in t he a an e a b f , which hu g g b ll c , th t I c o uld neither be le e v e no r misdo ubt : praie yo u a e me e a in o ur o o e and I thanke le v , st ll this y b s m , yo u fo r yo ur h o nest care : I will spe ake with yo u fur r ano n E 2 . it St ew ard 1 2 the x .

- 1 0 8 . ene: D a n D ana no u e e n T c i ( i ) q HEOBALD .

1 7 ’ - I. . 1 1 LL S ELL iii 3 4 59] A W ,

Ent r H ll e e en.

l E n so w as Goa . n I O d. ve it with me whe w as yong I e e r are na re e e are o ur o rn f v we tu s , th s s , this th e Do th t o o ur Ro se o fy o uth righlie belo ng O ur blo ud t o us t o o ur o o rn , this bl od is b e , I o and e a o f na u t is the Sh w , s le t res truth , r o ro n a o n re in ou Whe e l ves st g p ssi is imp st y th , B o ur r e ran e O fdaie s fo r o n 1 0 y em mb c s g , 3 S c re o ur a o r n t o n n u h we f ults , the we h ught them o e , ’ r c o n t I o r her no w He e ie . is si ke , bse ve H a o r e a r M a a ? e ll . Wh t is y u pl su e d m o Yo u kno Hellen I am a to o 0 1 C n. u . . w mother y M n n ra e M ist ris Hell . i e ho o bl Na a o r not a mo ther n I Cl Coa . ? . y m the , why whe se d a mo ther ’ M e o saw a r e n a in o th ught you se p t , wh t s m ther, a ou ar at ? I sa I am o r o r Th t y st t it y y u m the , And put yo u in the Catal o gue o f tho se ’ a re n o ne O n n Th t we e w mbed mi , tis fte see e o o n na r and o bre ede s Ad pti strives with tu e , ch ise A native slip t o us ﬁ o m fo rraine se e de s: Yo u ne r O re st me a o r ro ane e pp with m the s g , Ye t I re t o o u a o t r ar exp sse y m he s c e , ( G o ds mercie m aiden ) do s it curd thy blo o d ’ T o sa I am o r? a t he a r y thy m the wh t s m tte , Th at this distemp e red messenger o f wet ? ’ The m anie co lo ur d Iris ro unds thine e ye ? — a ou are au ? Why , th t y my d ghter

Hell a I am no t . . Th t

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1 8

’ I 1 8 - iii. 8 2 1 LL S E . 5] A W LL,

I so o u a o n a o o c le w e f it be , y h ve w u d g dly ’ I no t fo rsw e are t ho w ere I ar e f it be , ch g thee, As heave n shal] w o rke in me fo r thine avail e e e e T o t ll me tru ll . He l o o M a a ar o n l . G d d m p d me . Do o u o So nn ? Can. y l ve my e r i r o r a o n no e M t is. Hell . Y u p d bl s oa Lo o u So nn C . ve y my e ? o e o t ou o e M a a ? Hell . D n y l v him d m ’ Coa G o e no t a o a in t a o n . b ut ; my love h th b d o o r a e no : o e c o o Where f the w ld t k s te C m , me , discl se a o f o r aff o n for o ur a ns The st te y u ecti , y p ssio ’ Ha t o the ﬁl l] a each d ve pp . Hell n I o nfe e . The c ss He re o n n e e fo r a n and o u my k e , b e high he ve y , a e o re o u and n un o h a n I o u Th t b f y , ext t igh he ve , l ve yo r So nne

’ M r n r o or but o n so s y f ie ds we e p e h est , my love Be no t o ffe n fo r ur no t 2 0 0 ded , it h ts him ’ Th at he is lo v d o f me ; I fo llo w him no t B an o n o f r uo u u y y t ke p esumpt s s ite , No r o I a ] I doe r w uld h ve him , til dese ve him , Ye t ne ve r kno w ho w th at dese rt sh o uld be : I no I o e in a ne r e a a n o : k w l v v i , st iv g i st h pe ’ Y i hi 1 and in e mibl S e e t n t s a o t e . c pti us , iv 1 I still poure in the w aters o f my lo ve capo t ions And l acke no t t o l o o se still ; th us Indian like Re o in n e rro r I a o re ligi us mi e , d S nn a lo o ke s on or r 2 1 0 The u e th t up his w shippe , But no e o f no o r M de erest M a a k w s him m e . y d m , Le t no t o r a e inc o unte r y u h t with my love, Fo r o n re o u do e o ur l vi g whe y ; but if y selfe,

- — 1 8 . 2 e nd n h e a v e n s o n P 97 i g , PO E . in i — 2 - 2 0 6 . tem ble: int e nib l e 4F.

20 E DS ELL 1 iii 2 1 6 - THAT N W [ . . 2 44

o a n a uo u Wh se ged ho or cites vert us yo th , Did e r in so a fl a o f n ve , true me liki g , c hastl and o e de are l a o r Dian Wish y, l v y, th t y u W as o he r e and o n ittie b th self l ve , O the give p T o her o e a is c a anno o o wh s st te su h , th t c t ch se But l e nd and give wh e re she is sure t o l o o se ; a se e ke s no t to ﬁnde t a he r e ar 2 2 0 Th t h t , s ch implies , But r e s e e t l ere She w e . iddl like , lives y wh dies Ha Coa . d ou no t a e an n n a truel y l t ly i te t , spe ke y, T o go e t o Paris? Hell M a a I had . d m .

o e re o re ? e l r . C a . Wh f t l t ue H ll I r ra f I sw e ar e . e will tell t uth , by g ce it sel e Yo u kno w my Father left me so me prescriptio ns ’ O f rar and ro v d e ffe as r a n e p cts , such his e di g And an e r n e had o e m ifest exp ie c , c ll cted ’ Fo r general] so v eraigntie : and that he wil d me 2 3 0 ’ In he e de ﬁl ll st re r a o n t o o e se v ti best w th m , no a n r As tes , whose f culties i clusive we e , M o r n e e r in no : o n r e the th y w e te Am gst the est , ’ r a r e a ro v d se t o n The e is emedi , pp , d w e , T o cure the de sperate l anguishings where o f ’ K n re nde r The i g is d l o st . Coa w as o r o e for Paris w as a ? . This y u m tiv , it , spe ke M o r o r o nn a f Hell . L me n o y d , y u s e, m de to thi k this E Paris and the e n and K n lse , m dici e , the i g, Had ﬁ' o m o n e r a o n o f o the c v s ti my th ughts , Ha ne a e n n ppily bee bs t the .

Coa . But thinke o u Hellen y , I o u o e n r o r o a f y sh uld t de y u supp sed ide , He wo uld receive it? He and his Phisitio ns Are o f a n a ann mi de , he, th t they c ot helpe him

— > 2 . or s ea e : se arat e l . C I E 37 f p k p A EL . Ha il : H a — pp y ply POPE .

2 1 ’ 2 - 11 1. . . 1. LL S EL iii 45 5] A W L ,

a anno ho w a r They , th t they c t helpe , sh ll they c edit o o r un e arn V r n n the S o o A p e l ed i gi , whe ch les ’ 1 Embo w e l d o f r o n a off thei d ctri e , h ve left an er t o it e f 1 The d g s l e . empt ie d ’ ’ l e r o e n n He l . Th e s s m thi g i t 2 50 ’ M o r n Fa e r c w as re at st e the my th s skill , whi h the g ro fe o n a his o o re Of his p ssi , th t g d ceipt , Sh all fo r my legacie be sanc tiﬁed ’ B th luc kie st ar in a n and o o r o no r y st s he ve , w uld y u h ’ But e a t o r e e I e n re give me l ve t i succ sse , de v tu o e O f n o n ra c r The well l st lif mi e , his G ces u e , B u a da an o r y s ch y, h u e . ’ ’ Coa Do o st o u bele e v e t ? . th Hell I M a a no n 2 . d m k wi gly . 59 Hellen o a a e e a e and o Coa . Why th u sh lt h v my l v l ve , e an and a n an and o n r n M es tte d ts , my l vi g g eeti gs T o t o o f ne in o r I a at o e h se mi C u t , le st ie h m And praie G o ds blessing into thy atte mpt : Be o n t o rro and r o f g mo w , be su e this , E a I c an e to o a no t . xeant . Wh t helpe the , th u sh lt misse

A ctas Secunda s .

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Ent er t be Kin w it b diners on Lords t akin lea r/e er g y g , g f t be Florent ine w arre : oant Resse Ber t ram and C [ ] , F or b orn e l is e ts. Parroll s. C

Far o n Lo r ar r nc e Kin . g ewell y g ds , these w like p i ipl s Do e no t ro ﬁ' o m and o u Lo r ar th w you , y my ds f ewell S are a e ou o a n all h the dvice b twixt y , if b th g i e , ’ ’ T he uift o r as re ce iv d g d th st etch it selfe tis , And e no fo r o is ugh b th .

' ’ - — Florisb : F o u r s h F. I . I de : I m C . 2 55. AMBR DGE 4 l i 4

2 2

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Till h o no ur be bought up; and no sword w orne 40 But o ne t o an e t : e a n Ile a a a d c wi h by h ve , ste le w y . ’ in h 1 Lo . . e r o no r t e f . G Th e s h u the t .

Par r o o n . . C mmit it C u t 2 E am o r a a and o . Lo . . I s a e e y u ccess ry , f r w ll . ’ Ros. I ro w t o ou o ur ar n a tortur d g y , p ti g is body . Far ll Ca aine o. . e w t 1 . L G p . 2 E S e e M o unsier arolle Lo . . P s. . w t H roe o r n Parr . o e s a d o r are k nn N ble ; my sw d y u s i e , o ar and o a o r o o me ttals Yo u go d sp kes lustr us , w d g d . a ﬁnde in the R n o f t he S ini o ne C a taine sh ll egime t p j, p S ario sic atrice an E o fw arre e r o n p his , with mbleme he e ’ his siniste r che cke ; it w as this very sword e nt re nc h d it : sa t o I and o r e re o r fo r me y him live, bse v his p ts . 53 a no Ca tain E o o. G e . eant rds. L . We sh ll ble p [ x L ] Parr M a rs do ate o n o u for n e a . y his ovic s , wh t will ye doe ? S a the K n Ross. t y i g .

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Par To Ber U se a o r a ou cere mo nie t o r . [ . ] m e sp ci s ’ o Lo r o u a e restrain d o ur n the N ble ds , y h v y selfe withi the List Of t o o co ld an adieu : be m o re expressive to th e m ; fo r they w e are themselve s in the c ap Of the e r do e r r a e at a e and tim , the e must t ue g te ; , spe k , ’ o n e r the nfl n o f o rece iv d arre m ve u d i ue ce the m st st , and t o ] leade e a r c are h ugh the devil the m su e , su h t o fo o : a er and a a o r la e be ll wed ft them , t ke m e di t d ar e 6 f ew ll . 5 nd I do e s s A o . Ros . will P r o e nd t o ro o v e mo arr . o t a W hy fell w s , like p st si r - me Exeant Bert ram and Pd f ﬂ llff newie swo d n. [ ]

— - 6 Farm ”: Fa re w e 2 F. 4 . l l 4 — i i ri w it b: t h h is s ie at rice T E . 1 . b s s cat ce w 5 , i H OBALD 2 4 11 6 - 8 THAT ENDS WELL [ . i . 3 9

e Ent er Lfew .

a l ar on for and for L. L Kn in f. [ ee g] P d my Lord mee n 0 my tidi gs . 7 le se e e e to an K in I . g . th st d up " L e n r a man an a has ou L . . g The he es st ds th t br ght ar o n his p d , ’ I o ou had kne el d Lo r to a e r w uld y my d sk me me cy , n a n n A d th t at my biddi g yo u co uld so sta d up . K in I o u I had so I had ro e a g . w ld , b k thy p te ’ And ask e r fo r t thee m cy t . ’ La l G o o dfaith a- ro o o L r u f c sse , but my g d o d tis th s , ’ Will yo u be cur d o f your inﬁrmitie ?

La ou e at no ra ro a ] o ? 80 f. O will y g pes my y l f xe o u no ra and if Yes but y will , my ble g pes , 1 M yro yal] fo xe co uld reac h the m : I have se en ame dicine ’ a a t o r a f n o a o ne 1 /7 sician Th t s ble b e th li e i t st , p y c en a ro c and a o u anc e ana Qui k ke , m ke y d C ri r ﬁre and o o n o e u With sp ightly m ti , wh s simple to ch I o w e rﬁIll t o ara e K n Pi en na s p ys i g pp , y ’ T o give great Cbarlemaine a pen in s h and And r h r a o - n w ite t o e l ve li e . K in a he r ? g . Wh t is this ’ ’ La o o r she : Lor r one arri d f. Why d ct my d , the e s v , I o u se e her: no w a and on u 1 f y will by my f ith h o r , 9 If se rio usly I may co nv ay my thoughts In e ran I a s o this my light d live ce , h ve p ke o ne a in he r he r e ere s ro o n With , th t sexe , y , p fessi , ’ W ise do me and c o n an a amaz d me e o re st cy , h th m The n I dare blame my w e ake ne sse : will yo u se e her? Fo r a he r an and n her busine sse ? th t is dem d , k ow

— nd: - T 1 . see T 1 a an E . 8 . 7 : fe e HEOBALD . H OBALD — 86 Pi a : Pe n T E . . pp pi H OBALD ’ II 0 - . . 1 1 L S ELL i 9 5] A L W ,

a done au e at Th t , l gh w ll me . i No o o Le K n . w ew g g d f , Br n in a a on a i g the dmir ti , th t we with thee M a n o ur o n r t o o o r a O ff n y spe d w de , t ke thi e B o ndrin ho w o t o kst y w g th u o it . a Na o u L . I f y, le ﬁt y , E And no t be all da n it . y either . [ x ] in a ] n n u K g . Thus he his speci l othi g ever prolog es .

Re - ent r eu [ e Laf . ]

La Na o o r w aie s. f. y, c me y u

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Kin . a e a n In g This h st h th wi gs deed . La i Na o o w aie s f y, c me y ur , his M a sa o r n e to This is jestic , y y u mi d him , ra or do e lo o ke ra or A T it you like , but such t it s His M a se ldo me ar I am Cresseds n jesty fe es, U cle , a ar a w o far o E t t o r u . i . Th t d e le ve t gethe , y well x ’ No a re n ? Kin . w o e do s o ur busine s o us g f i , y foll w H l I o o o r e . my g d L d , erard de Narben w as a G my f ther, In a he ro e fo n wh t did p f sse , well u d .

Kin I n . g . k ew him H l ra e r I ar ra a e . The th will sp e my p ises tow rds him , ’ Kno n no : o n s o f a 1 2 0 wi g him is e ugh bed de th , M an re c eits a chie flie o ne y he g ve me , , Which as the cleare st issue o fhis practice ’ And o f o e e r e n th o nlie ar n his ld exp i ce, d li g , He bad me o r as a st e up , triple eye , Safe r n ne o w ne t w o : o r c e are I a so the mi m e l h ve , And h e aring your high M aj e stic is t o ucht a a nan au n o no r With th t m lig t c se , wherei the h u a a an che cfe in o r Of my de re f thers gift , st ds p we ,

2 6

’ II 8 - . . 1 1 6 LL S ELL i 4 7 ] A W ,

Kin . Imust not ar a ] n a g he e thee , f re thee we ki d m ide , ’ a ne no t us d f be a Thy p i s , must by thy sel e p id , ro ffe r no t o o e re a e an fo r e r re ar P s t k , p th ks th i w d . H l n re M e r e . I SO r a ar spi d it by b e th is b d , It is no t so with him th at all things kno wes a ar our e e o As tis with us , th t squ e gu ss by sh wes But o re o n in e n m st it is p sumpti us , wh T he e O f a e n w e c o n t he ac t o f men h lp he v u t . De are sir n e a o r e c o n e n , to my e d v s giv s t ,

O f e a n no t me a e an e r n . h ve , , m k xpe ime t I am no t an Im o st rue a ro claime p , th t p M e fe a a n le v ill o f n a e y s l g i st the mi e im , But kno w I thinke and t hinke I no o r , k w m st su e, M Art no t a o e r n r o u a c r . y is p st p w , o y p st u e K in Art o so o n e n ? n a a g . th u c fid t Withi wh t sp ce ’ Ho p st th o u my cure? Hel T he r a e ra e e n n a . g e t st g c l di g gr ce , Ere twic e the ho rses o f t he sunne shall bring r e r o rc e r rna ] r n Thei fi y t h his diu l i g , Ere twice in mu rke and o cciden tal] dampe ’ M o ist Hesperas h ath que nch d he r sl e epy Lampe O r fo ure and twe nty times the Pylo ts gl asse Ha the e v ish nu ho w a th told the mi tes , they p sse a infirme ro o ur n ar a file Wh t is , f m y sou d p ts sh ll ,

H a t a fre e and sic ke ncsse fre e . e l h sh ll live , ly dye Kin o n e r a n and o n n g . Up thy c t i ty c ﬁde ce , ’ Wh at d ar st th o u ve nte r? He ll a e o f n . T x impude ce , r b o ldne sse a a A st umpets , divulged sh me ’ T raduc d by o di o us ball ads : my m aidens name S ar o e r ne o r o f o r e n e d th wise , w se w st ext ded

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ilde st o r r n v u . With t t e , let my life be e ded K i M e n in e e o e r a n. thi ks th s me bl ssed spi it doth spe k His o w e rﬁJ ll o n n an o r an w e ake p s u d , withi g And wh at impo ssibility would slay In o o n e nc e e n a ano r w a c mm s , s ce s ves the y fe is r for all a f can ra Thy li dee e , th t li e te o r na o f in e e a e a W th me life , th h th stim te o a w ise do me o ra all Y uth , be uty , , c u ge , a ha ine s and r e c an a c a Th t pp p im , h ppy ll o t o az ar n e n a Th u this h d , e ds must i tim te S n n e o r o n o e e ra kill i ﬁ it , m str us d sp te , S e e rac er Ph sicke I tr w t p tis , thy y will y, a n e r ne o h e a ifI Th t mi ist s thi w de th die . l If br k r f nc in ro r He . I e a e e o tim , li h p pe ty O f a I o e un it tie d le t me wh t sp k , p die , ’ ’ And dcserv d: no t e n e a well h lpi g , d th s my fee, But I e e a do e o u ro if h lp , wh t y p mise me . K in M a e an 2 1 0 e . . k thy d m d Hel But o u a e n? . will y m k it eve f K in. I S e r and o o by my cept , my h pes helpe . H l n a n n e . The sh lt th o u give me with thy ki gly ha d Wh at husb and in thy po wer I will co mmand Ex e mpte d b e fro m me the arro ganc e T o o o fro o r the ro a ] blo ud o fFran ch se m f th y l ce , M y lo w and humbl e name to prop agate With any branch o r im age o f thy state But c a o ne a a o I no su h thy v ss ll , wh m k w Is fr e fo m e r e to a e t o o . e ske, th e b st w ’ i H h r K n. er an t e e e o bserv d e e is my h d , p mis s , ’ Thy will by my perfo rmance sh all be se rv d So a the c o e o f o w ne for I m ke h ic thy time , ’ re so lv d Pa e n o n rel e : Thy ti t , thee still y

— 2 1 2 . bel e : h e av e n T p HEOBALD .

iv 1 6 2 . 9 ’ II 2 0 8— 11 2 LL . S ELL . i . 4] A W ,

M o re o I n e and or I u sh uld questio the , m e m st , o o re t o no o no t be o re t o ru Th ugh m k w , c uld m t st ’ Fro e n e o cam st ho w n e o n r m wh c th u , te d d , but est ’

Un ue stio n d and n u . q welcome , u do bted blest o e ho a t o ro Give me s me help heere , if h u p ceed , i as r a a e 2 0 As h gh wo d , my deed sh ll m tch thy d ed . 3 lor isb E F . it x .

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r oant ss and low ne Ent e C e e C .

a o n sir I a no o u L d oant . o w t o y. [ C ] C me , sh ll put y f o r re e n the height Io y u b di g . low n I e e fe fe d and o C . will sh w my s l highly , l wly I n busine se is but t o t he o r a o s . t ught , k w my ‘ C u t Lad T o the o r a a a o u s e y. C u t , why wh t pl ce m ke y p a e n o u o ff a on t o ci ll , wh y put th t with such c tempt , but the C o urt? 8 l r M a a ifG o d a e e ma man C o. n a n an T uly d m , h v l t y n r he e ma e asilie o ff at o r : he e a c anno t e s , y put it C u t th t a a e e o fPs ca kisse his an and sa no m ke l gg , put p, h d , y n has n er e e an nor c a and in thi g , eith l gg , h ds , lippe , p; e c a fe o t o sa e e r no t fo r the de d su h ll w , y precis ly , w e

o rt for I a e an answ e re e e all me n . C u , but me , h v will s rv ’ Lad M arr a a o n ] answ e re a all y. y th t s b u tiful th t fits n 1 a qu e stio s . sen t Clo I a Bar ers a r a fits all but to cke s . t is like b ch i e th t , the in but t o c ke the a 1 - butt 0 ckc ra n but p , qu tch , the b w 2 m o or an butto ckc . st ra e t r cke , y p a o r answ ere fit all o n ? 2 0 L dy. Will y u serve to questi s as t en ro a fo r the an o f an r Clo. As fit g ts is h d Attu 2 ne as o r Fr n Cro nc fo r o r aff unkc as y, y u e ch w y u t ety p ,

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l I ne re had o r e c in f in Lo r C o. w s lu ke my li e my O d sir: I se e n ma e r e o n no t r e r thi gs y s v l g , but se ve ev . La I a no e f t o e n r . pl y the bl huswi e with the time , te a ne it s rr a fo o le t i o me ily with . ’ C o Lo r sir the rc t r a n l . . O d , why se ves well ge a And e nd Sir o r busine sse H l L . : el en to y u give this , And r e he r t o a r n an e r a 6 1 u g p ese t sw b cke , o e n me n n and o nne C mm d to my ki sme , my s , no t c This is mu h . No t c n a o n to o . Clo. mu h c mme d ti them La No t c im lo e ment for o u o u un r . mu h p y y , y de an me st d .

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- - — d z O W E . 8 n . A h R d n m f l 6 0 . A . 2 11 e n NI t e o o e K T . 57 . i g i , GH - - - le e F art : H as t e F. s: e s 2 . 6 8 . H 6 7 . g g l g 4 4

- - k d . 2 . out and so throu hout R o w z . 1 2 1 brac ete . G , g 3 l LOBE

3 2 H E D LL 11 - S E . 1 8 T AT N W [ iii . 5 4

‘ Par R so I sa . ight y. a a e incur ble O l . L at o ut ea . f. Th g v him ’ r re tis so sa I t o o Pa . . Why the , y ’

La t o be he l d. O l . fI Not p ’ ’ ar R as e re a man a r o f a P . ight , tw ssu d i f and re a La U ncerta ne . O l . . f li e , su de th a e so o I a e a 2 0 Par . o u s : . Just , y y w ll w uld h v s id a I ma r sa is a no eltie t o the or O . L v . l . f y t uly y, it w ld Par I inde e de if o u a e in e n ou . t is y will h v it sh wi g , y a re a it in a o a e r sh ll de wh t d ye c ll th e . O l La n o f a a e n e ffe in an e ar . f. A shewi g he v ly ct th l c o r y A t . ’ P at I o a e a t he r c a ar . Th s it , w uld h v s id , ve i s me . r D n n t e r fo r O . L o o o t : me e l af. Why y u lphi is lus i e I speake in respect 2 8 ’ ’ a Na is ran r ra n a th P r . t e y st ge , tis ve y st u ge , th t is ’ bre e fe and o o f and o f a o facincri the tedi us it , he s m st o us 1 r a n o t a no e e t o b e the spi it , th t will ck wl dg it l La V r an o f e a n 1 O . . w i b d f e y h d h ve . c e P so a ar . I I s , y. In O l . La a o w e ake Pa sin f. m st [ a g . ] nd e r r r Par . A n e e at o r ar ran debil mi ist g p we , g e t c e nde nce o inde e de a fur er use t o , which sh uld give us th ’ be a n a o ne re co v r o f n as t o be e m de , the l the y the ki g , Pa sin [ a g . ] O ld La : n ra t hankﬁi ll ] Ge e lly .

Ent er Kin Hellen and a t enda s g , , t nt .

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K n . La e n and Parolles re t ire 1 the i g [ f . ] 4

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— - - - . rea r : re a t 2 F. all v e n t o La eu 2 Y 3 5 g g 4 3 5 7 . gi f D C E . — 2 . Lusti ue : L u s t Lusti h 4 q i g ( g ) CAPELL .

3 3 ’ II 8 - LL . . S EL iii 4 7 3] A W L,

’ m aide the Better whil st I h ave a to o th in my head : why ’ t o le ade he r a C arran he s able t o . M er d nina r no Par . a e t He len? g , is this r G o d hin La Fo I t ke s . Ol . o f. e G a fo r l Kin . oe al t he Lor in o ur g c ll be e mee ds C t , Sit r r a n my p eserve by thy p tie ts side , And wit h this he althﬁall h and wh o se banisht sence ’ o a re eal d a on e re ce v e Th u h st p , sec d tim y ’ T he o n r a o n O f ro mis d uift c ﬁ m ti my p g , a n na n Which but tte ds thy mi g .

Ent er or Lords 3 4 .

Fa r M a n fort n o u f ] ar ] i e ide se d h thi e eye , this y th ul p cel O f o Bat chellors an at o n N ble , st d my best wi g , O re o o So v e rai ne o e r and a r o wh m b th g p w , f the s v ice I a t o ran e e e n a h ve use ; thy f k l ctio m ke , a c nd no n o r o o r t o oo e a t o a . Th u h st p we h s , they e f s ke H l T o e ac o f o u o ne a re and er ou M istris e . h y , f i v tu s ; Fa e n o a e arr t o a o ne 6 0 ll wh l ve ple s , m y e ch but . ’ O ld La I ba curt all 1 and f rn t ure f. de give y , his u i M o no o r r ro n 2 n e o y m uth m e we e b ke the thes b yes , nd r a ar 1 docke d bors A w it s little be d . e r e 2 bo b King . Pe use th m well wit at t eet No t o ne o f o had a o a r th se , but N ble f the . b r o a ord Sbe addr esses e t L . ’ H l n e n a n a ro re st o r d e . Ge tl me , he ve h th th ugh me , n t o e a the ki g h lth . All W e n r an and thanke e a n fo r o u . u de st d it , h ve y . H l I am a M a e and re n a 0 e . simple id , the i we lthiest 7 a I ro I am a M a Th t p test , simply ide

v — M ar da v ina er M o rt d u v na re Ro wz . 45. g : i i g - 6 0 M i st ris ll m s t re s s Fa - Ro wz Fa . 59 . ; : i ll , 6 Gentlemen se a t - C : ra e l . . 7 . p APELL - - 6 8 beaw n bealt b v e rse C P . 7 . : A ELL 34

’ II 0 - 2 . . 1 2 1 6 LL S ELL iii ] A W ,

H Yo a La . el . u re t o o o n t o o ha ie and t o o [ ] y u g , pp , go o d T o a o r e a o nne o ut o f o o m ke y u self s my bl d . Lord Fa r o ne I hinke n s t o t o . 4. . i e , ’ l Lord La e re n ra m O . o e I . a re [ f ] Th s g pe yet , su ’ fa r drunk n B if e e . ut o e no t an a e thy the I wi th u b st ss , I am a yo uth o f fourt e e ne : I h ave kno w ne th e e al re a dy . am ar Hel . To Ber t r I no t sa I a o u I ] d e y t ke y , but give M e and e r ce e e r I e my s vi , v whilst liv I n o o r n o e r: is man t y u guidi g p w This the . ’ n o n a a K ing . Why the y u g Bert r m t ke he r shee s thy fe wi . Ber M Le e ? I a e e e c o r i hnes . y wife my ig sh l b s h y u h g In c a busine s e me a e t o use su h , giv le v T he e o f ne o h e e ie s h lpe mi w . ’ ’ i Kh o t t o no t B ra m a e h K ng . w s h u er t wh t Sh e a s do ne for me e ? Ber Ye s o o Lo r n r o t o no . my g d d , but eve h pe k w I o arr e h e r 1 2 0 why Sh uld m i . ’ ’ ’ i o no e e ha Sra me fro K ng . Th u k w st sh is d m my sick l b e d y . Ber But fo llo w e s Lo r t o r n me o n . it my d , b i g d w e M ust answ e r fo r y o ur raising ? I kno w e he r well : Sh e e had he r bre eding at my fathe rs ch arge : A po o re Physitians d aughter my wife ? Disdaine e r c r e r Rath o r upt m e v e . Kin o ne t t e o disdainst in her g . Tis ly i l th u , the which I c an build up : s trange is it th at o ur bl o o ds ’ O f c o o r a and a o ur d all o r 1 0 l u , w ight , he t , p t gethe , 3

- — 1 1 2 1 v erse W . 3 . RO E

- — 6 2 e ndin B e t ram o rd h e r b e d . 1 1 2 . r g , l , , POPE

3 6 H E DS ELL I 1 2 - 1 T AT N W [ L iii . 7 57

Wo uld quite co nfo und distinctio n : yet stands o ff In ffe re nc e so mi htie If She be e di s g . ’ All th at is ve rtuo us (save wh at th o u dislik st) ’ o o re Phisitians a e r o dislik st A p d ught , th u O f vertue fo r the name : but do e no t so Fro o lace n r o n r m l west p , whe ce ve tu us thi gs p oceed , ’ a n e th o e r e e The pl ce is dig iﬁ d by d s d de . ’ e re r a a o n 1 e and e r e no ne Wh g e t dditi s sw ll s , v tu ,

I a ro e o no r. o o a o ne t is d psi d h u G d l , Is go o d with o ut a nam e ? Vile ne ssc is so ro ertie a is o o The p p by wh t is , sh uld g ,

No t the e . S e e o n w ise a r by titl h is y u g , , f i e , ’ In e to a r she e s e a he ire thes , N tu e imm di te And e r e o no r : a o no r sc o rne thes b e d h u th t is h u s , c c a n e fe as o no r o rne Whi h h lle ges it s l h u s b , And no t re : Ho no r r e is like the si u s th iv , Wh e n rathe r fro m o ur ac ts w e them derive e n o ur fo re - o e r : m e r o r a a Th g s the e e w ds , sl ve ’ 2 De b o sh d o n e v e rie o o n e v e rie ra e t mbe , g v n T ro he e and as o ft A lyi g p , is dumbe , ’ r a m o o e nd da n d o n . Whe dust , blivi is the T mbe ’ O f ho no ur d o n n e a o be a e ? b es i d ed , wh t sh uld s id If t o an e c r a r as a a h u c st lik this e tu e , m ide, 2 I c an re a e r : Ve r and de based c t the est tue , shee I her o w ne o Ho n e a r r : o r and . s d we u w lth , f om mee ’

Ber . I c anno o e he r no r r e to o o . t l v , will st iv d t ’ ’ K in . o w ro n st fe o Sho ld st r g Th u g thy sel , if th u st ive t o c o o e h s . ’ ’ He l . a o u are e re sto r d Lo r I a Th t y w ll my d , me gl d Le t the re o 1 6 0 st g . ’ K M H n in . o o r at a e to de fe ate g y s the st k , which I u ro c o r He e re a e he r an m st p du e my p we . , t k h d ,

— ‘ — 1 1 . sta nds: s t a d 2 o w he nce : h e T n R w 1 6 . w n . 3 z . 3 HEOBALD 1 1 i — - F - — . s: ir 2 . 1 8 . r 4 4 57 v e se POPE . 3 7 ro sc o rnfull bo unw o rt hie o o P ud y, this g d gift , That do st in vile misprisi o n1 sh ackl e up M and he r s rt : a can no t dre ame y love , de e th t st , 1 W e o iz in us in he r e a misconce t ion p g def ctive sc le , p S a to a : a no t no h ll weigh thee the be me Th t wilt k w , I is in an n H no ur r t Us to pl t thi e o , whe e a ro We please to h ve it g w . Checke thy contempt O ur travaile s in o : 1 0 Obey will , which thy g od 7 Be le e v e no t disdaine but re se ntlie thy , p Do thine o w ne fo rtunes t hat o be dient right o t dutie o and O ur o r claime s Which b h thy wes , p we , O r I will t hrow thee fro m my care fo r eve r 2 2 I n o t he a and c are le sse a madness t st ggers , the l pse Of y o uth and igno rance : bo t h my revenge and h ate Lo o n o n t in na e o f c e si g up hee , the m justi , l r f i t i a an r l o t e . S e n o u a . With t te mes p pe k , thi e swe r Par o n ra o o r : fo r I Be . d my g ci us L d submit M fan t o o ur e ie s e n I c o n r y cie y , wh side a r a r at o n and a o e o f no u Wh t g e t c e i , wh t d l ho r Flies whe re yo u bid it : I ﬁ nde th at she whic h l at e W as in o er o o base : no w my N bl th ughts , m st is ra e o f K n w ho so nno The p is d the i g , e bled , ’ r o n Is as twe e b r e so . h r n Kin . a e a g T ke by the h d , And tell her she is thine : t o wh o m I pro mise ° c o unt e r o iz c : If no t t o a e A p thy est t , r r e a A ballance m o e epl t .

I a he r an . Ber . t ke h d oo o r ne and a o ur o f t he K n Kin. G d f tu , the f v i g Smile upo n this Co ntrac t : who se Ce re mo nie nt o n no w o rn r e Sh all se e me expedie the b e b i fe , ’ And be pcrfo rm d t o night : the so lem ne Fe ast n o n c o n a e Sh all m o re atte d up the mi g sp c , ’ n o u lo v st her Expecting abse nt frie ds . As th , ’ ’ E eant o to R o u : e do s e rre . x Thy l ve s me eligi s lse ,

’ II 2 2 - 2 LL S EL . iii . 5 59] A W L ,

a e n I n no t o n for I o ro well , thy c sem t eede pe , lo k th ugh me an e e e . 2 1 th . Giv thy h d 3 M Lo r o u Par . e o r o u n n y d , y giv me m st eg egi s i dig ity . La l I all e ar and o art o r o f f with my h t , th u w thy it . ’ Par I a e no t Lo r de se r d v . . h v my d it ’ Ye s o o fa e r ra o f an I L . d af g d ith , v y d mme it , will no t a e e a cr e b te th s upl . I a be r Par . e . W ll , sh ll wise ’ ’ La Ev n as o o ne as o c an fo r o a u f. s th u st , th u h st to p ll ’ ’ m n r If er o e o n at a s acke a th co t arie . ev th u b e st b u d in skarfe and e a e n o a ﬁnde a t o b e thy b t , th u sh ll wh t it is ro o f o n a e I a e a e re t o o ac p ud thy b d g , h v d si h lde my a nt an t t e e o r ra e r no e e a I qu i ce wi h h , th my k wl dg , th t ma sa in e fa he a man I no 2 y y the d ult , is k w . 43 Par M Lo r o u do me o n o rt a v e xati . y d y m st i supp ble

La I o e r e a n fo r a and f. w uld it w e h ll p i es thy s ke , my o o re o n rna ] : fo r o n I am a as I p d i g ete l d i g p st , will by e e in a o n a e e me e a e E it th , wh t moti g will giv l v . x . a e o o nne a t a e rac P r . a a W ll , th u h st s sh ll k this disg e O ff me ur O h r Lo r : e I ; sc vy , ld , ﬁlt y , scu vy d W ll , must f a o r Ile e a a n re no e e r n o . be p tie t , the is f tt i g uth ity b te him (by my life ) if I c an me e t e him with any co nv e ni Ile a e nc and he e re o e and o e a Lo r . e e , w d ubl d ubl d h v no mo re pittie o f his age then I w o uld h ave o f Ile e a n I o a n a d . b te him , if c uld but meet him ge

r e Ent e L few .

’ L S rra o ur Lo r and a e r a r r af. i , y d m st s m r ied , the e s n e r o o u a a ne w M istris 2 8 ew s fo y u : y h ve . 5 ar I o unfaine dl o r Lo rdshi e t o P . m st y beseech y u pp

’ ’ — — - b 2 o w 2 0 sball s h a t 2 F. a t : o t h e R z . . : 2 39 . 4 l 4 nd - 2 2 . a : a h . 53 , 55 POPE H E DS ELL I 2 6 0 - 0 T AT N W [ L iii . 2 9

e o r a f r r n He o mak s me eserv tion o y o u w o gs . is my g od Lo r o I r e a o a r d , wh m se v b ve is my m ste . W h G La o o d. f. ? Pa I ir r . s . ’ L he ] is a a r doo e st T . af. devil it , th t s thy m ste Why tho u garter up thy armes a this fashion ? Do st make h o se o ft hy Sle e ve s ? Do o the r servants so ? Th o u we rt be st se t o r ar e re no e an B ne Ho nor thy l we p t wh thy s st ds . y mi , ’ if I e re but tw o o nre o n er I a e : me e w h s y g , de be te the ’ n st art a nera ] Offe nc e and r man sho ld thi k thou ge l , eve y 1 beate thee : I thinke tho u wast cre ate d fo r men to breath e 1 e er cise 2 1 thems lves upo n thee . x 7 Par ar and un r a re Lor . This is h d dese ved me su my d . La G o to o sir o u r a n in It al fo r n f. , y we e be te y picki g a e rn ] o ut o f a Po m ranat o u are a a a o n and k el g , y v g b d , no true traveller : yo u are m ore saw cie w ith Lo rdes and o n ra e e r o na e n o m o n o f o r h ou bl p s g s , the the C missi y u r and r u e o u He ra r You are no t o r bi th ve t e giv s y ld y . w th ’ ano r o r I c a ou na . I a ou . the w d , else de ll y k ve le ve y Exit

Ent er oant o lli n 2 80 C R ssi e .

Par o e r o o so n : o . Go d , v y g d , it is the g od , very ’ o o c o nc e al d a e g d , let it be whil .

Ros . n o n and fo rfe t o ar for r U d e , ited c es eve . ’ Par a the a r - ar ? . Wh t s m tte sweet he t Rossill o u o r the n . Alth gh bef e solem e Priest I h ave sw o rne I no her t . , will bed Par a ? a e e ar ? . Wh t wh t sw t he t

Res. 0 Parrolles a e arr my , they h v m ied me I t o the Tascan w arre s and n her le , ever bed .

— '— 2 6 . dooest : d o s W w t . 2 6 . a : 0 2 Ro z 4 RO E 5 . ’ ’ — 2 6 8 2 8 . I de : I l d C I , 7 AMBR DGE . - ’ — 2 6 8 . meetbink st : m e t h nk s 2 o w z 9 i R . - — 2 8 6 . 2 11. end n s w o r e h e r 2 o wz . 5 i g n , R

41 ’ 2 — LL ELL II . . I 1 S iii 9 iv . ] A W ,

Par Fr ance a do - o and no o r . is g h le , it m e merits , ’ r a o f a an o o o o art e 2 The t e d m s f t : t th w s . 1 ’ ’ e re r fi o m r Res . Th s lette s my mo the : Wh at th im or I no no t p t is , k w yet . ’ Par . I a o kno w ne : o o w arrs bo th t w uld be t th my y, ’ to o th w arrcs : He e are o no r in a o e unse e ne w s his h b x , a hu cs his e ie 1 e are at o Th t gg ki k wickie h h me , Spe nding his manlie marro w in her arme s Whic h sh o uld sustaine the b o und and high curve t O f M arses fie rie e e : to o e r R o n st d th egi s , ’ France a ta w e e a in t a is s ble , th t dwell J des, ’ re o r oo arre The f e t th w . Res I a be so Ile n he r t o o . t sh ll , se d my h use , uain o er a e t o he r Acq t my m th with my h t , And whe re fo re I am fl e d : Write t o the King a I r no t a His re e n f Th t which du st spe ke . p s t gi t Sh all furnish me t o th o se Italian fi e lds Where no ble fe llo we s strike : W arre s is no strife

T o the ar o and t he e e . 0 d ke h use , detect d wif 3 9 Par C a richio 2 o in art re ? . Will this p h ld thee , su c a e r a d c e me me to n a . Ros. G o with my h mb , dvi I e n he r a a a : T o o rr 2 ca rice le s d str ight w y m ow , p I t o the w arre s o h r n o rro t e . le , she si gle s w W ’ Par h e e a o n t he r s no ise in . ar . y th s b ls b u d , it Tis h d ’ o n man arle a m an a ar A y g m d , is th t s m d re fo r a a and a he r ra e : o The e w y , le ve b v ly g , ’ o E it The King ha s do ne yo u wro ng : but hush tis s . x

’ S n Paris Tbc K in s alace . [ ce e iv . . g p ]

a an owne Ent er He len d Cl .

M o e r r me n she e ? Hel . y m th g eets ki dly , is w ll

— - - d t e c t e ows . 8 rr F 0 . de tecte : d e d W a es: w ar 2 . 30 . 4 3 9 R

’ 1 - 1 . . 2 LL S ELL iv 3 57] A W ,

Par G o t o o o u art a fo o l I . e a e o n , th wittie , h v f u d thee .

Clo. Did o u ﬁndc me in o r e fe sir o r re o y y u s l , we y u taught t o ﬁnde me ?

Clo. T he ear sir w as ro a e and Fo o s ch p fit bl , much le ma o u find in ou e e n t o o r le asure and y y y , v the w lds p , the n re a e o a r e c s f l ughte . f Par . o o na e a and e fe d. A g d k v i ith , w ll M a a Lor o aw aie t o n d m , my d will g ight , ’ A veric se rrio us busine sse call s o n him : r a re ro a and r te o f o e The g e t p g tive i l v , ’ as o r e c laime s do s a no e e Which y u due tim , he ck wl dg , ’ But puts it o ff t o a c o mpe ll d re straint : ’ o an and o e a is stre w d Wh se w t , wh se d l y , with sweets e no w in the c r e e Which th y distill u b d tim , T o a e the c o mmin o re o re flo o m k g h u w with j y, And e a re ro ne t he r pl su d w b im . ’ Hel a ? 0 , Wh t s his will else 5 ’ h n Par . a o u l a o r n an a e a t Th t y wi l t ke y u i st t le v ki g , And ma a as o r o h e o o ro n ke this h st y u w g d p ceedi g , Strengthncd with wh at Ap o lo gie yo u thinke M a r n y m ake it p o babl e ee de . Hel a o re o an he e ? . Wh t m c mm ds ’ b in d o u re se ntlie Par . a a n o ta Th t h vi g this , y p n fii rth r e a r Atte d his e pl su e .

H In e r n I a u on his . e l . ve y thi g w ite p will

Par I a r or so E it Par . . sh ll ep t it . x E it 6 0 Hell . I ra o u o rra p y y c me si h . x

l - . run on C o . out . 3 7 , ROWE ’ ' 1 a ib o t h — W 5 . : e RO E . ~ 6 0 come sirrab se rat e T . . : pa l HEOBALD 1 - 2 THAT ENDS WELL [IL v . 9

’ b i s a a e . Sc ne aris. T K n l c [ e v . P c g p ]

r Ent e Lefew and Bert ram.

La But I o e o r Lordshi e thinke s no t a f. h p y u pp him o e r s uldi . Y L r and o f e rie a an a ro o fe r e s o v . Be . my d v li t pp a Yo u a e it fro o w ne e e ran 1 L f. h v m his d liv ce . And er arran e o n e r o . Be . by th w ted t stim i La n D a ] o e s no t r e I o o Lar f. The my i l g t u , t ke this ke fo r a n n bu ti g . Ber Ido a ure o u Lo r he r re a in no . ss y my d is ve y g t k w e and acc o rdin lie a an 1 0 ledg , g v li t . ’ a n m a a n n and La . I r f h ve the si u d g i st his expe ie ce , t rans rcst a a n a o ur and a a w a g g i st his v l , my st te th t y is an e ro n e I anno e t ﬁnd in e ar re n d g us , Si c c t y my h t to pe t He e r o e I ra o u a e freinds I ur e he c m s , p y y m k us , will p a e sue the miti .

E t a s n er P rolle .

Par To Ber . e n a o n sir . [ ] Thes thi gs sh ll be d e . La Pra ou sir o e a r? f. y y wh s his T il o Par Sir? I . ” 0 Le . I no I sir he e r a o w orke g k w him well , , si s g od man a e r o o a o r. , v ic g d T il

Ber . Aside o ar e o n to n [ t P . ] Is she g e the ki g? S Par . e e h is . r e a a t o n Be . Will sh e w y ight? ’

Par . o e a e he As y u l h v r. Ber I a e r e e r casket te d a u . h v w it my l tt s , my tre s re , e n o r r fo r o ur o r and t o n Giv de h ses , ight , n I o a o o n o f Br Whe sh uld t ke p ssessi the ide , And e re I do e e n b gi .

- ’ — — 2 0 . sirs T 2 A nd E I : s ir s . : nd C . , HEOBALD . 9 OLL ER 4S ’ II 0 - 6 1 LL LL . E . S v 3 ] A W ,

Lafl A go o d Travailer is s o mething at the l atter e nd o f a nne r o n a re e r and a di , but th t lies th thi ds , uses no n r t o a e a an no n t o k w t uth p ss thous d thi gs wi h , sh uld b e e o n ar and r c a n G o d a o u C a ce h d , th i e be te . s ve y p a t me . Ber I r an unkindne s b e w e e ne Lo r and . s the e y t my d yo u M o nsi e ur? Par I no no t ho w I a e e r e t o run n o . k w h ve d s v d i t my o r a r 8 L ds disple su e . 3 ’ Y a n e and La . o u a t o run i to t o o f h ve m de shift , b t s s urrcs and all : e a e a n o t ar and p lik him th t l pt i t the Cus d , ’ o ut o f o runn a aine ra r e n ff r o n it y u le e g , the th su e questi fo r o r re n y u side ce . L r r m a be e a a n o . Be . It y you h ve mist ke him my d ’ La i And a do e so e r o I o o e at s f sh ll ev , th ugh t k him ra r Far ou Lo r and be le e v e o f p ye s . e y well my d , this r can no e rne ] in : o e me , the e be k l this light Nut the s ul o f this man is his clo at he s : Trust him no t in m atter o f he av ie c o n e n : I a e e o f e a no w sequ ce h v k pt th m t me , k r na r F r M e n e r e . a o n e r I a o thei tu s ewell si u , h ve sp k bett o f o u e n o u a o r t o e r at an y , th y h ve will d se ve my h d , but d o 1 o o a a n ] E it . we must g d g i st evil . [ x ] 5 Par An Lo r I s e ar . w e . idle d ,

Be r . I t hinke o s .

Par do o no t no . Why y u k w him ? er Ye s I d n nd o o n B . o o a , k w him well , c mm speech

a r a He re o c o . Gives him wo thy p sse . e c mes my l g

En H a t er e len .

Hel I a sir as I w as c o an o ou . h ve mm ded fr m y ’ S o the K n and a ro cur d his a p ke with i g, h ve p le ve Fo r r n ar n n p ese t p ti g , o ely he desires

n — rd —2 - F . o : ba : h e ard . 1 0 ne 2 Ro w . 3 l z. 3 3 4

’ I 8 - III 1 LL S ELL I . 8 . . . v i 3] A W ,

H l So n and ca so n o n e . : n methi g , s rse much thi g i deed , ’ I o no t e ou w a I o Lo r : Faith e s w uld t ll y h t w uld my d y , f d n e r and no t ki S ran er and o e o sse . t g s s su d , Ber I ra o u a no t in a o t o . . p y y st y , but h st h rse He l I a no t bre ake o r biddin o o d Lo r . sh ll y u g, g my d m n M o n ar E i e re are o e r e ? e . t Wh my th sieur , f w ll x B r G o t o o ar o r I n e o e e . r h u t w d h me , whe e wil ev c m , t I c an a or o r are the drumme : Whils sh ke my sw d , he a and fo r o ur f 1 0 1 Aw y , light . P Bra r 1 1 a ar . o a o ear e E eant . . c x vely , C gi g [ ]

A ctns Tertins.

’ ala F o nc . Tb Dal e s e n . c [Sce e i l re e p c . ]

b Ent r t be ab o l r n e a t de d b Floaris . e D e F o e c t en t c f [ ] , t w o anc/am w b roe o o di s Fr en it a t e S al er . , p f

Dabe . So t a r n t o o int no w a e o u ar h t f om poi t p , h v y he d ﬁi ndament all r a o n o f arr The e s s this w e , Wh o se great decisio n h ath much blo o d le t forth And o r r a r m e thi sts fte . 1 d Ho se e me s uarr ] Lor . . ly the q el Upo n y o u r Graces part : bl acke and fe are full O n o o r 1 0 the pp se . Dal e r fo r merv aile o ur o n ran . The e e we much C si F ce o in so a busine sse o e W uld just , shut his b som n r r 2 aninit iat e d Against o ur b o rro wi g p aye s . d o o Lo r Fr encb . E. 2 Lor [ . ] G d my d , T he r a o n o f o ur a e I anno e e lde e s s st t c t y , 2 But e a o o n and an o ar man lik c mm utw d , at r a r o f a C o unsaile fra Th the g e t ﬁgu e mes , B fe na o o n o r ar no t y sel u ble m ti , theref e d e

i b es se ar t e l - Fa t : a . G 94. y p LOBE .

— Florence: mis rint 1 F. t o m z w A LD 2 . ven Berua T H B . 98. gi p 48 LL II - DS E . 1 6 THAT EN W [ L i 4 u . 1

a W a I t hinke o f n e I a o un S y h t it , si c h ve f d M y se lfe in my incertaine grounds to faile O e n as I e As ft gu st . Be his a re al e . D . it ple su r n 1 Lord But I am ur o n er o f our F e . G . [ ] s e the y g na re tu , I a surfe t o n r case da da Th t thei , will y by y o e re fo r Ph sicke C me he y . Dabe e c o a the . W l me sh ll y bee And all the o no r a can f ro h s th t lye f m us , S a o n e e : o u no r a h ll th m s ttle y k w you pl ces well , n e t e r fa fo r o ur a a e e fe Whe b t ll , y v il s th y ll , ’

o rr h e b E ant . 0 o o t t Flear is . x e T m w to h e ﬁ ld . [ ] 3

’ S 1 l b o s a a n 1 . Re si lon T c C ant l ce . [ ce e a . p ]

En a lo t er Coant esse nd C wne .

’ oant I a a n all as I o u a had a C . t h th h ppe d , w ld h ve it, s ve t a he o no t a o n he r h t c mes l g with . B ro a e o n Lor to a e Clo. y my t th I t k my y u g d be v ri me lanc ho ll man 1 ra e o boo e y . ﬂ f t o a o e r an I ra nt . B C a y wh t bs v ce p y you . lo o ke n o and n Clo. u o o Why he will pp his b te , si g n R ffe 1 and n a e o n and n me d the u si g , sk questi s si g , picke his e e and n : I no a man a had tricke o f t th , si g k w th t this an o o a M anno r fo r a o n 1 0 mel ch ly h ld go o dly s g .

Lad. oant Le t me se e a he r and n [ C . ] wh t w ites , whe he an t o c e e i let er o . n n a t me es m [Op g . ] low I a no n t o Isbe ll n I w as at o r C . h ve mi de si ce C u t . ’ O ur o ld L n and o ur Isbels a th o n r are no n i gs , C u t y , thi g ’ like y o ur old Ling and y o ur Isbels a th Court: the brai ns

’ — - — - 0 . t o t b t be : t o t h e 2 F 1 0 bold: s o d F 3 4 . . l 3 4 . ’ ’ ’ 1 Lin - — 2 - — w z ’ — . F. a : 0 o . a s: n R 1 . : 0 o w 2 4 g li g 4 5 R .

49 ’ - III. 11. 1 LL S EL 7 45] A W L ,

’ ’ o f n out and I nn t o o as an my Cupid s k ock d , begi e l ve , o ld man o mone no sto mac ke l ves y, with . Lad a a e r . Wh t h v we hee e? In Clo . a o u a r th t y h ve the e .

o a ds r ant . re A Le t . [C . ] t e

Ibav e sent ea a daa bt erin- Law sbee bat/2 r y g , ecov ered t be Kin and andene me : I ba v e w edded le g , er , not bedded leer and sw orne o make b , t t c not et ernall . Yon

sball beare I am ranne aw a know it b ore t bc re y, ef

or t come . t bere bee bredt b enoa b in t bc w orld p If g , I w ill bold a lon dis a M o e t nce . dat t g y y y a . Year anfort anat e sonne B r ra e t m .

no t ra and n r b o This is well sh u b idled y, T o fl a o r o f so o o a n ye the f v u s g d Ki g , T o luc ke n na o n o n e a p his i dig ti thy h d , By the misprising o f a M aide to o vertuous For o n o f E r the c tempt mpi e .

Ent er low C ne .

Claw M a a o n e r he av ie n n be . O d m , y d is ewes withi tw e e ne tw o r and o n La souldie s , my y g die .

La . a a r Wh t is the m tte . Clo Na e r o e o r in n o . y th e is s m c mfo t the ewes , s me o fo r o r o nn no t so o o ne as I o c m t , y u s e will be kild s th ght o he w uld . ’ La o ? 0 . Why sh uld he be kill d 4 sa IM a a nn a a as I ar Clo. So ru y d me , ifhe e w y , he e he ’ ’ o an r in an n o o a the o o f d es , the d ge is st di g t t , th t s l sse H r me n o be e n o f r n . , th ugh it the g tti g child e ee e they

' — In : E e n T . 1 9 . HEOBALD 50

’ - III. 11 . 2 8 L S ELL 7 9 ] AL W ,

M a Fren. . I a G d m . La And t o b e a o r . s uldie . F S ’ ren . . c his no r o and belee v t G u h is ble pu p se , T he Duke will lay up o n him all the honor a o o c o n n e nc c laime s Th t g d ve i e .

La . Re turne o u t er y hith . Fren E a a M the n f . . I . w o d d m , with s iftest wi g spee R a He l . e ds T ill I ba v e no w i e I bav e not bin [ ] f , g a in Fr nce , 8 0 ’ e r Tis bitt . a Fn e o u a re L . i d y th t the ? H l I M a a e . . d me F h l n ren E. t e b o d e sse o fhis an a . Tis but h d h ply , which ar w as no t o ns n n o o his he t c e ti g t . Lad o n in France n ] he a no fe . N thi g , u til h ve wi ’ Th e re s no thing he e re th at is t o o go o d fo r him Bu t o n and she e r a Lo r ely she , d se ves d a n c ru e o t n o n Th t twe ty su h d b yes migh te d up , And a he r ho ure l M istris W ho w as t ? 0 c ll y . wi h him 9 r E erv an o n an a n a w h c en. I F . d n : l h A s t ely , Ge tlem a o e kno w ne h ve s metim . a ar lles w as it no t L . P o ?

E I o o La e he e Fren. . . my g d di ,

La . v erie a n e f o and o f w icke dne sse A t i t d ell w , full , M y so nne c orrupts a w e ll derive d nature n e e n With his i duc m t . Fren E In o o La e the f o has a a . . deed g d di ell w de le of

a t o o c o to a e . th t , much , whi h h lds him much h v 99 ’ a r e e e n I intre at e o u L . a e o n Y welc m Ge tl m , will y e n o u se e o nn t o a o r c an wh y my s e , tell him th t his sw d ne ver winne the ho no r th at he lo o se s : mo re Ile intre at e r to b eare alo n yo u w itten g.

- - — l h h 2 F 1 at W h c h . 1 w b cb : w c . new . 9 . i 4 i POPE - - - - - ix ﬁ v e acce nt 11. C P . 1 0 2 ﬁ v e acce nt I s acce nt l . 97 5 . , 5 A ELL

52 L II] 11 8 - 1 2 THAT ENDS WEL [ . . 9 9

W e r M a a in a and all o r Fren. G . se ve you d m th t y u affa r wo rthiest i es . No t so as an e o ur o ur La . , but we ch g c tesies , u a m r i oan ss and ent lemen Will yo dr w ee e? Ex t [ C t e G ] . ba I lea not bin in Fr an ill I no w i e e ce . Hel . T v e f v g No thing in France u ntil] he has no wife: o a a e no n Resszllion no n in Fran I 1 0 Th u sh lt h v e , e ce , ’ e n h ast o a]: a aine : o o re Lo r I Th th u g p d , is t a a e e fro th o n r e and e o Th t ch se th m y C u t i , xp se o e e n er o f h n t o the e n Th s t d limbes t i e, ev t O f no ne - ar n arre ? And it I the sp i g w is , a r e t e r o the o r o r r o Th t d iv h e f m sp tive C u t , whe e th u ’ a o at fa r e t o t he ar W s t sh t with i e yes , be m ke smo akie M ? o u e a n e n r Of uskets O y l de m sse ge s , a on o n s e c dc o f ﬁre Th t ride up the vi le t p ,

Fl fa a e o - er n a re y with lse ym , m ve the still pe i g i a n e r n do no t o c Lo r : 1 2 0 Th t si gs with pi ci g , t u h my d W ho r o o at I se t e r eve sh ts him , him th e . W ho e ver c h arges o n his fo rward bre st ’ I am C aitiffe a do o o o the th t h ld him t t , And t o I l no t I am t he a h ugh ki l him , c use ’ His death w as so e ffected : Be tte r twe re 1 ’ 1 I me t the ravine Ly o n when he ro ar d rav enoas ’ ar c o n ra n o f n r: e t t r re With Sh pe st i t hu ge b e twe , Th at all the mise rie s whic h natu re o wes e r n at o n e NO o e o o Rossillion W e mi e c . c m th u h me , e nc e o nor o f an er nne a c arr 1 0 Wh h but d g wi s s e , 3 As o ft o all I o n it l o ses . will be g e M e n e e re it is a o e e n y b i g h , th t h lds th e h ce , ’ S a I a e e re t o o o ? No no a o h ll st y h d t , , lth ugh T he a re o f Para fan o e y dise did the h us , ’ And n e O fﬁ c d all : I be o ne A gl s will g ,

— — - 1 2 6 . rav i ne: rav n C 1 A n les: a n e s 2 F. i APELL . 3 5 . g g l 4

53 — ’ III. . 1 0 . LL S ELL ii 3 iv 5] A W ,

That pittifull rum o ur may repo rt my flight

T o o n o a n ar . o n e nd da c s l te thi e c e C me ight , y, Fo r t he ar o o r thee fe I a a a E i with d ke (p e ) le ste le w y . x t .

’ F s S n . lorence . B ore t be Dal e a lac [ ce e iii ef p e . ]

Flear isb . Ent er t b e Dal e o Flor ence Rosszcnon f , ,

dram and t ram et s soldi ers Parrot/es p , , .

Dat e . ne ra ] o f o ur o r t o art and The Ge l h se h u , we r a in our o la o ur o and r n G e t h pe , y best l ve c ede ce o n ro n o r n Up thy p misi g f tu e . r Sir Be . it is ar t o o a fo r r n e t A ch ge he vy my st e gth , but y ’ r t o ar fo r o r o r a Wee l st ive be e it y u w thy s ke , ’ T O th e xtre me O f az ar edge h d . Dal e n o o fo r . The g th u th , And fo rtune pl ay up o n thy pro spero us he lm e a o mist ris As thy uspici us . er r da B . This ve y y r a M ar I n o ﬁle G e t s put my selfe i t thy , M a e me but o and I a ro k like my th ughts , sh ll p ve f E n om s o r o f drummc at r o o e . xea t ne A l ve thy , h e l v

’

o Tbc ount s alace . S e ne Reasill n. [ c iv . C p ]

’

Ent er Coant esse 69 St ewar d.

La a ! and o o u a the e r o fhe r . Al s w uld y t ke l tte M o u no t n she o do as she has o n ight y k ow w uld , d e , m a r Re a e a n By sending e Lette . d it ge .

a s Let t er . [St ew r e d . ]

a a il rim t bit ber one I am S. es P 7 o g , g f ba /2 o in m o ende d Ambit ions lov e t s e j , S4

’ III — v 1 LL S . iv . 3 4 . 3] A WELL ,

D a the o o n e n e n n e r isp tch m st c v i t messe g , e n a he a e are a She o ne Wh h ply sh ll h th t is g , He re t urne and o I ma a e e will , h pe y th t sh He ar n so s e e de her o o e a aine i g much , will p f t g , Le d hither by pure l o ve : whi c h o f them bo th I de ere st t o me I a no in e n e s , h ve skill s c T o m ake distincti o n : pro vide this M e sse nge r M e ar he av ie and ne a e is w e ake y h t is , mi g ,

G re e fe w o uld h ave te ares, and s o rro w bids me speak e . Ex e ant

r W b l F o ence it ea b l s . S e n . t w [ c e v l . t c a ]

r A T acl' e t a ar r f e mf .

Ent er old W iddow o Florence ber da a bt er Diana f , g [ ] , Violent a and M a ana i b o b r ri , w t t e

Cit iz ens.

W o Nav o e idd w . c m , Fo r e do a ro ac the if th y pp h Citty , W a o o e all he e Sh ll l s t sight . D ana e sa the Fre o n has do ne i . n Th y y, ch C u t M o o no ra r st h u ble se vice . W i I is re o r d. t p ted , ’ a he has a n e r re at st o an r Th t t ke th i g C mm de , And t h at wit h his o w ne h and he sl e w T he D e ro r : T acke t w e a e o t o ur a o r uk s b the [ ] h v l s l b u , are o n a o nt ar e w a : ar They g e c r i y h ke, r r yo u may kno w by thei T umpets . ia o e e t re turne a aine M ar . C m l s g , re o r o f And s ufﬁ c e o ur s elve s with t he p t it . e Diana a e e e o f Fre n Ear W ll , t k h d this ch le , T he o no r o f a M a he r na h ide is me , And no Le gacie is so rich

- — rOSO . 5 2 4. p POPE 56 L ] - H E S L II . 1 T AT ND WE [ V . 3 44

A h n i s o e st e .

W iddo I a e o ne o w . h v t ld my ighb ur Ho w yo u h ave be e ne so licited by a Gentlem an i 1 t e m t at ions H s C o mp anio n . p M aria I no a na an o ne Parolles . k w th t k ve , h g him , , 1 a ﬁlthy Ofﬁcer he is in th o se sugge stio ns fo r the yo ung Ear e are o f e Diana ir ro e e nt ise l , bew th m ; the p mis s , n o a e o n and all e e e n ne o f are me ts , th s , t ke s , th s gi s lust , no t t he things th e y go under : many a m aide h ath b e ene e ce e and the e r e e a e a so s du d by th m , mis i is x mpl , th t e rr e she w e s in th w rac ke of a e n - o o c anno t ibl e m id h d , t fo r all a dissw ade e o n a e are e th t succ ssi , but th t th y lim d t he t w i e s a re a e n e I I ne e with gg th t th t s th m . hope de no t t o a o u fur e r I o e o r o h e rac e dvise y th , but h p y u w g ke e e o u er o u are o e re re no will p y wh e y , th ugh th we ur r an e r kno w ne but the o is so f the d g , m destie which o l st . Dia Yo u a n ne f r . o t t o a e Sh ll ede e me .

Ent e r He llen dis is d l a P r [ g a e ike ilg im] . 3 9

W id I o e so : lo o ke e r o a r I no . h p h e c mes pilg im , k w she at o u t r e e n o ne ano e r will lye my h se , thi he th y s d th , Ile on her G o d a r r are questi . s ve you pilg im , whethe b o u nd? l 8 a He . T o . a ues l rand y g g . r do a r o e I do o u? Whe e the P lme s l dg , beseech y W Fra is r the P r id S. nc e o . At the hee e besid t . H l e . I w a ? A mare/7 arr s this the y af e . W id I arr e Har . . ou o w a m i ist ke y , they c me this y Ifyou will t arrie h o ly Pilgrime But tro o e s o e till the p c m by , ’ I o n u ou re o u a lo d d will c d ct y whe y sh ll be g ,

br - — - . t catens: t h re at e n P la : l e F. 3 3 PO E . 44. 3 4 57 ’ III - LL S ELL . . 6 v 45 9] A W ,

The rath e r for I thinke I know your ho stesse AS a e as e fe mpl my s l . H Is o r f el . it y u sel e ? W f Pil r me i I o u a a so i . d. y sh ll ple se g H l I t hanke u and a o n ur u e o . . y , will st y up yo leis re W id o u a I thinke o France ? . y c me fr m H I so el . did . W id He e re o u a se e a Co untriman o f our . y sh ll y s a has o n o r r c Th t d e w thy se vi e . e l His na e I ra o u ? H . m p y y Dia o n R os i lie : no o u a o ne ? . The C u t s l n k w y such l But he are a re o no o f He . by t c th t hea s m st bly him His fa I no o ce k w n t . Dia a so me re . Wh t he is ’ He s ra a n r He o ro France b vely t ke hee e . st le f m ’ 1 As tis rep orte d : fo r the King had m arried him 1 a n n T hinke ou so ? because Ag i st his liki g . y it is

He l I re e re the ru I no La . . su ly me t th , k w his dy Dia e re a n an a the o un . Th is Ge tlem th t serves C t , R o r but c o urse l f 1 ep ts y o her . 7 ’ H a his na el . Wh t s me? D a M n r a i o P rrolles. . sieu

Hel . I be le e v e Oh with him , In ar u e n o f ra o r t o o r g m t p ise , the w th O f the r a o n himselfe she t o o an g e t C u t , is me e T o a her na e r a all her r n h ve m epe ted , dese vi g I a re r e ho ne stie and a s se v d , th t ’ I a no t a e xamin d 2 2 aest ioned h ve he rd . e

Dian. a o o r La 8 0 Al s p e die , Tis a h ard bo ndage t o b e come the wife a n Lo r Of detesti g d . W id I r e o o r re she . a u w he e soe w it g d cre t re , is,

- 8 . w rite : w a rra nt 3 G LOBE . 58

’ III — 1 LL S ELL . v . 94 vi . 5] A W ,

M ar An r r i f - . d o cu te s e o r a r n c arr r E it y u , i g ie . x Bert ram Parolles and arm [ , , y] . W id. t ro o e a : o r I r n The p is p st C me pilg im , wil b i g ’ o u e r o u a o :1 O fin o n d e n n y , Wh e y sh ll h st j y p ite ts ’ r f r ﬁ e r o o r v t o a S. a nes un 1 2 0 The e s u e , g e t f g bo d , Al e adi at o 1 r e my h use . lodge He I t hanke o u l . humbly y P e a M a ro n and n M a l se it this t , this ge tle ide T o a i us to n ar e and an n c te w th ight , the ch g th ki g S al be fo r me and re o u r e r h l . to quite y fu th , I o o r o f V r n will best w s me p ecepts this i gi , o r no W thy the te . ’ Bo /7 ff r n unt t e a o u . E e . . We l t ke y r o e ki dly x

S a ne m b ore Florence . [ ce vi . C p ef ]

Ent er oant Ressillien and t bc Frencbmen C , as at ﬁ rst .

a Na L r C . e Lord o o o p E [S c. ] y g d my d put him ’ o o : a e w a t t let him h v his y.

Ca . irst Lord If o ur Lo rdshi e ﬁndc p G . [F ] y pp him a H in 2 r in no t no o o r re e . ild g, hold me m e y u sp ct

Ca E. O n f L r a e p. my li e my o d , bubbl . 2 Ber Do o u thinke I am so arr base w ret cb . y f e D c e in e ived him . 9 a E Be l Lo r in n o w ne re c C . . e e v e p it my d , mi e di t no t o u an a t o e a o f k wledge , wi h t y m lice , but sp ke him ’ as in an hce s a o no a e o ar an inﬁ my k sm , m st t bl C w d , n and e ndle sse L ar an ho ure l ro - re a e r ite y , y p mise b k , the o n r o fno o ne o ualitic o r Lo r w e go d q , worthy y u dships n e r ain n e t t me t . a I r o u n him a o n to o C . p G . t we e ﬁt y k ew , le st rep si g

- — - — di z RO W E . 8 . 1 l . Po rE. 1 1 8 1 . 2 e n n o u e n t e nt s 9 g y , p i 9 least - 7 1 6 . : l e st 41

60 H E DS ELL IIL 1 - T AT N W [ vi . 5 45

farr in e r c he at no t at o e his v tue whi h h h , he might s me re a and trustie busine sse in a a n daun e r fa le g t , m i e g , y o u y . Ber I u I n in a ar ar a o n t o tr . wo ld k ew wh t p ticul cti y 2 I him . f c o ff Ca G . o n e e r e n t o p. N e b tt th let him et h his drummc c are so c o n n n r ~ , whi h you he him ﬁde tly u de a t o do t ke . E I a ro o o f Fo re n ne so dainl sur C. . with t p l ti s wil y priz e him ; such I will h ave wh o m I am su re he kno we s no t fro m the e nemie : w e e will binde and ho o dw inke

’ so a he shall o no o e r a he c ar him , th t supp se th but th t is r n the Le a cr1 o f t he a e r ar e n w e n ied i to g dv s ies , wh bri g him t o o ur o w ne tents : be but yo u r Lo rdship p re se nt at his a na o n if do no t fo r the ro e o f ex mi ti , he p mis his and in o o n o f a fe ar o ffe r t o life , the highest c mpulsi b se e , ra o u and r all n n in his o e r bet y y , delive the i tellige ce p w a a n o u and a n forfeite o f g i st y , th t with the divi e his o u e n a n r ru n in an s l upo o th , eve t st my judgeme t ie n 1 m 6 thi g . ca p 3 Ca fo r o o f a r fe his p. G . O the l ve l ughte , let him tch ’ drumme he a he has a ra a e fo r : n o r , s yes st t g m t whe y u ’ Lo r se e s the o o f in t and t o dship bott me this successe , wh at m e ttle this c ounte rfeyt lump o f o urs will b e me ] if o u no t o n drumme s e ntertaine me nt ted y give him J h , o ur n H n n anno r . y i cli i g c t be emoved . eere he comes

t arrolles En er P . 43 E Ca . . Aside t o Ber fo r o au er p [ . ] O the l ve of l ght n e r no t the ho nor o f ne hi d his desig , let him fetch o ff drumm in an his e any Ih d .

r — - F i — W 0 . esent : re s e nt 2 . t b s: h is . 3 p p 4 39 . RO E — i li i — - oars: o re o ar T . 2 . ne n n : nc n 2 F ( ) HEOBALD 4 g i l i i ng 4 .

iv 1 8 6 1 . ’ III 6 - 8 1 LL S ELL . vi . 4 ] A W ,

r Ho w no w M o n ur? drumme c orc Be . sie This sti ks s in ur o o n ly yo disp siti . ’ ’ drumm x n le o a e . Ca G . o o t t p. A p , it g , tis but 49 a But a drumme : I a drumme ? r so P r . st but A d um o re w as e l e n c o an t o c a in l st . The exc l t mm d , h rge with o ur o r e o n o ur o h e n and t o re n o ur o w ne h s up w wi gs , d er so uldi s . ’ blam d in the c o an Ca . a w as no t t o p. G Th t be mm d o f t he servi c e : it w as a dis aster o fwarre th at Caesar him e fe c o no t a r n e ifhe had ne r t o s l uld h ve p eve t d , bee the e an co mm d . r mn ur Be . e w e e anno re a c o nde e o W ll , c t g tly suc c z o e o no r w e e had in the o a r esse s m dish l sse of th t d um , no t t o r o ere 6 0 but it is be ec v d .

Par . I a e e e ne r o r t might h v b ec ve ed .

Ber I no t no w . . t might , but it is Par I to re o re a the r O f se r . t is be c ve d , but th t me it vice is sildo me attributed t o the t rue and ex act pe rfo r me r I ou a a drumme o r ano r o r bic a , w ld h ve th t the , j 6 6 cat . ’ m k M o n ur if Ber . o u a e a sto ac e o : Why ify h v , t o t sie o u thinke o r m st e rie in ra a c an r n y y u y st t gem , b i g this n r n o f ono r a aine n o na e ar r be i st ume t h u g i t his tiv qu te , ma nanimio us in n r z and o o n I ra e g the e terp i e g , wil g c the atte mpt fo r a w o rthy e xplo it : ifyo u spe e de we ll in D e a o a o f and e n t o o u it , the uk sh ll b th spe ke it , ext d y a r e r e o re atne sse n t o the o wh t fu th b c mes his g , eve utm st a e o f o r w o rthine sse syll bl y u .

ar B an O f a o r I n r a . P . y the h d s uldie will u de t ke it

But o u no t no w e r in . Ber . y must Slumb it P r I a e n n and I re n a . o e le b ut it this v i g, will p se tly ’ e n o n e a n o ra in p d w e my dil mm s , e c u ge my selfe my

ildo e d o m — 2 - 6 s m : s e F. 4. l 4

— - 0 ma nani mi ous: m a nan m o u s 2 F. 7 . g g i 4

6 2

’ — 1 2 L S LL III . vi . 1 1 v n . E 5 ] AL W ,

a E l k i e C . . I o o o e t w s p must g my gg , He a b e a sh ll c ught .

Ber . o r ro e r he a o a o n Y u b th sh ll g l g with me . ’ Ca . G . e a o r Lo r Ile e a e o u p As t pl se y u dship , l v y . E [ xit . ] Ber No w I e a o u t o the o u and o u . wil l d y h se , shew y La I o e o The sse sp k f. ’ Ca E But o u sa e o ne p. . y y sh s h st . ’ B r a all a I o e hir o n e e . : Th t s the f ult sp k with but c , And o n he r o n ro o I n to he r 1 2 0 f u d w d us c ld , but se t ’ By this same C o xco mbe th at we h ave i th winde o en and L r she r n T k s ette s , which did ese d , ’ And t all I a o n : S a fa re r a u e his is h ve d e he s i c e t r , Will yo u go se e her? a E all ar Lor Exeant C p. . With my he t my d .

’ S n r Tbc W ido s b as n Flo nc w o e . [ ce e v . e e . ] W Ent er Hellen, and iddow .

H l I o me t hat I am no t e e e . o u f y misd ubt sh , I no no t ho w I a a re o u r r k w sh ll ssu y fu the , Bu I a o the ro n I w o rke o n t sh ll lo se g u ds up . W d o e a e be a h e I w a o rne i . s Th ugh my st t f l , well b , o n a a n e e n N thi g cqu i t d with th se busi esses , And w o uld no t put my reputatio n no w In a t a n n a ny s i i g ct .

H Nor o I o u . el . w uld wish y Fr e r the o n he u an 1 0 i st giv me t ust , C u t is my h sb d , And a t o o r sw o rne counsaile I a e o n wh t y u h v sp ke , Is so fro m w o rd t o w o rd : and the n yo u cannot B o o a de a I o u a o o y the g d y th t of y Sh ll b rr w , Err i o n e n best wi g it .

1 1 2 -1 1 l - o n : 3 . . P .

64 II 1 - THAT ENDS WELL [ L v n. 2 39

Wid I o u be lee v e ou . sh ld y , ’ Fo r yo u have she w d me th at which well approves ’ r a in fo r n Y are g e t tu e . He l a t r e o f o . T ke his pu s G ld , d le t me o r ndl e u farre An buy y u frie y help th s , I o r- a and a a aine Which will ve p y, p y g e n I a e o un it C o n o e our Wh h v f d . The u t he w s y a r 1 im or t anat e d ughte , p La e o n an o n sicd e e fo r he r be aut ie y s d w e his w t g b e , Reso lve t o carrie he r: let he r in fine co nsent ’ ’ As w e e l dire c t he r ho w tis be st t o beare it : No w im o rtantl o o na n his p bl d will ught de ie , ’ 2 a e an : a r n C o untic e ar Th t shee l d m d i g the w es , 2 Th at do wnward hath succeede d in his h o use coant Fro o nn t o o nne o e o ure o r fiv e disc ent s m s e s , s m f , S n e r a e r o re R n he o 0 i c the fi st f th w it . This i g h lds 3 In o r o e : in e fire m st ich ch ic yet his idl , 0 o no t e t o o e r T buy his will , it w uld s eme d e e , Ho w ere r n e a r epe t d fte . W id No w I e t he o f o r r o s e o . . b ttome y u pu p se l Yo u se e a ] n no o re He . it l wful the , it is m , But a o ur a r e re she se e me s as o nne th t y d ughte w , De sires this Ring ; app o ints him an enco unter; In fine e e r me t o , d liv s fill the time , He r selfe m o st c hastly absent : after T o arr her Ile a r o an Cro w ncs 0 m y , dde th ee th us d 4 T o a a a r a wh t is p st l e dy . 3 W d I ha e ~ ccl cd ers v r i . v y d p e e e 3 In r c a e r ho w she a r st u t my d ught sh ll perseve , Th at t ime and pl ac e with this de ceite so l awful] M a ro re n E r n o e y p ve co he t . ve y ight he c m s

’ ’ 1 T a re Yo u re- HU S N 2 Resolv e s o - I : . : R e v e d C 7 . D O 4. l OLL ER . I at T h e - r - 2 - new C . . a t e : a ft e r t h s F 34. . APELL 39 f i 4 . comes —2 - F 45. : c o m e s 4 . 65 — ’ v n 0 IV. 1 8 III . . . LL S EL 4 i ] A W L,

’ Music kcs o f all o r and on co m o With s ts , s gs p s d T o her unw o rthine sse : It no thing steeds us T o c e ro o ur e cv es r hid him f m , for he pe sists ’ if his la o n t As life y . l n t o n He . Why the ight Le t uS a a o ur o ss y pl t , which if it speed , IS wicked meaning in a law firll deede ; And law fiJ ll an n in a law fii ll ac t me i g , r o no t nn and a sinfii ll a Whe e b th si e , yet f ct ’ But a u let s bo t it .

c ns aa ns A t Q rt . W b b F S n it oat t e lorentine am . [ ce e i . c p ]

Ent er one c t be Frencbmen Second Frencb Lord f [ ] , w it b v e or sixe ot ber sealdiers in ambasb ﬁ .

d E Sec Lor d He can o e no o r w a 1 Lor . . . [ ] c m the y o rn r: n o u a u o n but by this hedge c e whe y s llie p him , spe ake wh at te rrible Langu age yo u will : th o ugh yo u n r an no t o ur no a r: fo r w e u de st d it y selves , m tte u no t t o un r an unle sse o o ne m st seeme de st d him , s me a o n us o w e e ro e fo r an In r m g , wh m must p duc te re r p te . ’ 1 Sol . o o C a t ai e th Int cr re tcr. 1 0 . G d p n , let me be p Lor d] Art no t acquai nted with him ? kno wes he no t thy vo ice ? No ir a ran u 1 . S l I s r o . o . w t y E B a t o us Lo . ut a linsie w ols a ou . wh t y h st th to spe ke ai e 1 ser v ice ag n . ’ 1 S l E n as me 1 6 o o u a t o . . . such y spe ke ’ Lo E He thinke us o an an r . . must s me b d of str ge s , i th a r a n ain n 1 No w a a smacke o fall dve s ries e tert me t . he h th

— a tain m s r nt IF. . steeds: st e ads F 1 0 . C e: 47 4 . p i p i 6 6

’ IV - . . 0 8 2 S ELL i 5 ] ALL W ,

Par o h . I w uld t e cutting ofmy garments w o ld se rv e t he rne o r the r a n O f S an o r tu , b e ki g my p ish sw d . W o E. e c a L . nno affo or o u s t d y o .

Par . O r the ar n o f ard and to sa w as in b i g my be , y it ra a st t gem . ’ o E n L . . o o t o Tw uld d .

Par . O r t o ro ne clo athe s and sa I w as r d w my , y st ipt . Ha Lo E. r r e . dly se v . Par o o re a ro n o f e . Th ugh I sw I le pt f m the wi dow th a e ] Cit d l . E H e L . o w o. d cpc? fa m Par rt do e . . Thi y Lo E re r a a o u ar a a . . Th e g e t o thes w ld sc se m ke th t be

bele e v e d.

Par I o I had an drumme o f the e n I . w uld y emies , ’ ar rc o e r w o uld sw e e I c v d it . Y ar o n an n E. o u a e e o . Lo. sh ll he

ar drumme no w o f n . P . A the e emies Alaram w itbin .

E Tbroca mov easas c ar o car o car o 6 Lo . . , g , g , g 9 c ar illianda ar corbo ar o All . ar o ar o c o v c . C g , g , g , p , g

Par . 0 ran o ran o s me , s me , n b i l m o no t T e seiz e and bl nd o d bi . D hide mi e eyes . [ y f ] s Sol osl’ os t bro aldo besbos Fir t d B m . Int er . [ ] Par I no are M as/l'os R n . k w you the egime t , a r an o f an a e And I sh ll l oo se my life fo w t l gu g . If r be r r an o r Dane Lo w D the e hee e Ge m , utch , I a an o r Fr n e a t o me t li , e ch , let him sp ke , F r n n I o r a a un o o . le disc ve th t , which sh l d the l e ti e I a a I n r an c an a nt . Bosbos v av do u , de st d thee , spe ke

— - t bc: t h e 2 F. 5 1 . 4

- - > l I . 2 1 . 7 1 . PO E ’ - - din I ll F o re nt ne C PE . 8. 2 ll . en 77 g , l i A LL 68 DS LL IV 8 - 1 0 H E . T AT EN W [ . i 3 4

o n u : K erel bont o sir a t o a t fo r thy t g e y , bet ke thee thy f i h , nte cne o n ards are at o e 8 1 sev e p y thy b so m . ar P . Oh .

Int er . ra ra ra Oh p y , p y , p y , a i d l b Mani a r e v n a u c e . d E O scer bi cbos oli rco. Le . . ul v v o

Int T he e ne ra ] c o n e n t o ar . G l is t t sp e thee yet , And ho o dw inkt as o art le ade o n th u , will thee a e r fr e Ha a nfo r T o g th o m the . ply th o u m yst i me So e n t o a f m thi g s ve thy li e . Par le t me . O live , And all t he e re o f o ur a Ile e s c ts c mpe sh w , r fo r e e r r o : Na Ile a a Thei c , th i pu p ses y, spe ke th t , o u o n er a Which y will w d t . Int er But o fa . wilt th u ithfully ? Par I I do no t a n . f , d m e me .

Int er Acordo lint a . .

o e o n o are ran e a E it C m , th u g t d sp ce . x [w it b Parolles g uarded ]

A sbort Alaram w it bin.

L E. G o t he o n Rossillion and ro r . tell C u t my b the , W e a a w o o dco c ke 1 and ke e e h ve c ught the , will p him 1 mulle d f e 1 0 0 do e ar ﬁ' o m Till we h e them . Sol C a t aine I . p will .

L. E ra us all un o ur . A will bet y to selves , I nfo r o n a me th t . So So I Sir l . will . L E n I ke e e a and a . . Till the le p him d rke s fely lockt . Exit

- - - - . ro se a re a F 8 DYC . . : rt 3 4 p E 97 3 4 .

6 9 ’ IV 11 - 2 . . 1 2 LL S ELL ] A W ,

’ n Flor c b W o b S . T en e . c id w s ous [ ce e ii e . ]

Ent er Bert ram, and i be M aide calle d

Diana .

Ber . me at o r na w as Font b ll They told th y u me y e . a o o Lo r Diana Di . . No my g d d , Ber G o dde sse . Titled , And o r a o n : fa r o e w th it with dditi but i e s ul , In yo ur ﬁne frame h ath lo ve no qualitie ? If t he e ﬁre o f o no t o r n qui ke y uth light y u mi de , Yo u are no M aide n but a mo num e nt Wh e n yo u are dead yo u sho uld be such a o ne o u are no w : fo r o u are o and e rn As y y c ld St e , And no w yo u sh o uld be as y o ur mother w as r e e fe w as o Wh e n you swe t s l g t .

Dia She t n w as o n . . he h est

Ber 80 o o u . . sh uld y be Dia NO .

M o r dutie u Lo r y m the did but , s ch (my d) o o r f As you o w e t y u wi e . ’ No o r a that : Ber . m e I pre the e do no t strive agai nst my v o w es ’ I w as c o m ell d t o he r I o h e p , but l ve t e B o o w ne o n ra n and fo r y l ves sweet c st i t , will ever Do th e e all rights o f service a I so o u r Di . y se ve us w e r o u : But n o u a o ur Ro Till se ve y whe y h ve ses , Yo u ar a o ur o rn t o r o ur e b ely le ve th es p icke selv s , And o c us o ur b ene ssc m ke with ar . B r Ho w a I sw o ne e . h ve r . ia no t an o a a a ru D . Tis the m y thes th t m kes the t th , ’ But a n n e v o w a v o w d ru 0 the pl i e si gl , th t is t e 3

’ ’ — a o Ro w z . 1 9 .

7 0

’ V 11 — 2 LL S I . . 2 ELL 5 iii . ] A W ,

M o e ne o no r e a n y h us , mi h , y my life be thi e, And I be e e le bid by th . Dia n n o no e at . a Whe mid ight c mes , k ck my ch m b er wind o w :

I o r r a e o r a no t ar . le de t k , my m the sh ll he e No w I c ar e o u in the an o f r will h g y b d t uth , ’ n o u a e c o n ue r d a n- Whe y h v q my yet m ide bed , Re maine e r an o r no r a t o me e th e but h u e , spe ke M re a o n are o ro n and o u a no y s s m st St g , y sh ll k w them , ’ Wh e n b acke againe this Ring shall be deliv er d: And o n o r n r in n I ut y u ﬁ ge the ight , le p no r R n a a in e ro e A the i g, th t wh t tim p ce ds , M a o n t o ure o ur a e y t ke the fut , p st d eds . e n e n a e no t : o u a e o nn Adi u till the , th f il y h v w e f o fme ou e r o e be o n A wi e , th gh th e my h p d e . r e a n o n ar I a o n o n Be . o A h ve e th h ve w by w i g thee . E it [ x . ] Fo r n n me Di. o to a o a n which , live l g th k b th he ve , ma so in h e n 1 Yo u y t e d. 8 M o e r o me ho w u w o o y m th t ld just he wo ld , ’ if she a in s ar She a all me n As s te he t . s yes , Have the lik e o ath e s : He had sw o rne t o m arrie me ’ Whe n his wife s dead : there fo re Ile lye with him e n I am r S n Fr n n are so ra 1 Wh bu ied . i ce e chme b ide , M arr a ll I and a M a : 1 decei ul y th t wi , live die id tf ’ n in u I think t no nn O ely this disg ise , si e , T o o n a o n u n c se him th t w uld u j stly win e .

S T bc Florent ine ca m . [ cene iii . p ]

Ent er t bc t w o Frencb Ca taines Lords and some p [ ] ,

or t bree Souldioars.

Ca First or Y u a e no t n . G L d o p . [ ] h v give him o t r r m he s lette .

7 2 IV - 0 THAT ENDS W ELL [ . iii . 3 4

’ deli re d an our a . c Lord I a C pE [Se . ] h ve v it h e ’ n r so m n in t a n na r : fo r si ce , the e is thi g th t sti gs his tu e ’ o n r a n chan d a o n o ano r man . the e di g it , he g lm st i t the a He has c o rt a a o n C p. G . mu h w hy bl me l id up him , fo r a n o ff so o o a and so e a La . sh ki g g d wife, sw et dy Ca E E e c a he e a n rre e e r a n p. . sp i lly , h th i cu d the v l sti g ’ e a re o f K n w ho had e n n o n displ su the i g , ve tu d his b u ty t o n ha in s I e o u a n e se t o . si g pp him will t ll y thi g , but ou a ar o u 1 2 y sh ll let it dwell d kly with y . ’ Ca n o u a e o e n dcad and I am p. G . Whe y h v sp k it tis , t he rave o f g it . E c a r r a o n e n e o an a . He u C p . h th pe ve ted y g G tl w m e e re in Florence o f a o a e re no n n h , m st ch st w , this ight he fle shes his will in the spo yle o fhe r h o no ur : hee h ath e n he r his o n n a ] R n and thinke s himse lfe giv m ume t l i g , a in n a e o o o n m de the u ch st c mp siti . a No w G o d a our r o n as are o ur C p. G . del y ebelli we

e W a n are . 2 1 s lves , h t thi gs we a r l ur n r i r And as in E. M ce e o o w e t a t o u s. C p. y the o o n o r e o f all r a o n se e re v e ale c mm c u s t e s s , we still them ’ e a a ne t o e r abho rr d nd : so themselv s , till they tt i th i e s he th at in this ac ti o n co ntrives against his o wh e N o bi

- lit in ro r r a o re fl o w es himselfe . y his p pe st e me , I n in Ca . G . s o t an a na e to r p it me t d m bl us , be T um pe ters o f o ur unlaw ﬁi ll inten ts? We sh all not then h ave his co mpany t o night ? a E o t a r n fo r t o C p. . N till fte mid ight : hee is dieted his h o ure . 3 I a a o a e a a a Cap. G . Th t ppr ch s p ce : I wo uld gl adly h ve ’ se e o an anatho miz d a a him his c mp y , th t hee might t ke a e a re o f o w ne n r n so o u m su his judgeme ts , whe ei curi sly had o n e rf he set his c u t eit .

73 ’ - IV. . 1 80 LL S EL iii 4 ] A W L,

a E W e no t C p. . will meddle with him till he co me ; fo r r nc o f the o e r his p ese e must be the whip th . In a a Ca . G . n a ou o f p the me e time , wh t he re y these W arre s?

a E I ar r an o e r r f C . . o ac 0 p he e the e is v tu e pe e . 4 a Na I a r o u a e a c n C . c o c p. G y, ssu e y p e luded . a a o n Ros i i C . u s p E. Wh t will C t ll on do th e n? Will he trav aile r o r re turne a aine n o ran e ? highe , g i t F c

f Ca . I e r e an u r . o a e no t a p G p ceiv by this dem d , y lto e r o f is c geth h c o un e ll . Ca E Le t be fo r sir so a r a . o I be e e p. it bid , sh uld g t a e o fhis ac t de l . Sir o Ca . G o t w o n n e fle dde p . , his wife s me m ths si c

fi o m o e her re e n e a r a t o Sa n a» his h us , p t c is pilg im ge i t 7 ues le rand c o n e r a n o au o g ; whi h h ly u d t ki g , with m st e r sanc timo nie a o : and e r re n st e she cc mplisht th e sidi g , t e nde rne sse o fher a r e a as a r t o her the N tu e , b c me p ey ' re e fe : in fine a a ro ane o fhe r a r a no w g , m de g l st b e th , she n in a n si gs he ve . a E H C . o w h p . is t is j ustified ? a f he r ne L C . ro n e r ar o o w p G . The st g p t it by etters , c a her or e r e n the o n o f he r whi h m kes st i t ue , ve to p y t e a : he r e a o no t he r o f d th d th it selfe , which c uld be fice ’ to sa o : w as faithfii ll c o nfirm d R o r y, is c me y by the ect o f the lac 6 0 p e . Ca Ha n l n e n e ? E. t he o a l p. th C u t this i t llige c a G I and ar ar o n r a o n o n C . . p , the p ticul c fi m ti s , p i t

o o nt t o t he ar n O f the v eritie . fr m p i , full mi g ’ a E I am e ar so rric a ladde o f C p. . h tily th t hee l bee g

this . m Ca . . Ho w o e a us c o p G mightily s m times , we m ke ort o f o ur o f s l sses . a A r w e e E. nd ho o th C . o p w mightily s me e times , ro ne our a n in e are a di nitie a d w g i e t s , the gre t g th t his

’ IV - . . I I 1 1 6 LL S ELL iii 4 ] A W , t o h e are O f it h ere afte r : but sh all we have this di al o gue be t w e e ne t he Po o e and the So ldio ur o e r n l . C m , b i g 1 ’ fo c o unte rfe t o u has de ce iv d e a rth this m d le , mee , lik o - an n Pro r 1 m d uble me i g phesie . edel ’ ’

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are o u a e a nc to are . , y must h v the p tie e he it

a a b r r Ent er P rolles [g u rded] w it bis Int erp e t e .

a m fe ld can sa no n Ber . e u o n uf A pl gu p him , ; he y thi g fme 1 2 O : . 1 hush , hush Ho an o e Por t ot ar t arossa Ca G . o : . p. dm c m s Int er He a e fo r the o r re a o u sa . c ll s t tu s , wh t will y y t o e m wi h ut . Par I o nfe a I no o c o n ra n . will c sse wh t k w with ut st i t , I e n me a a t I c an sa no o r f y pi ch like P s y , y m e . b b s o im r c o. Int . Bo b C u

a Boblibindo cbicur murco. C p. Int Yo u are a r u ] n ra ] : O ur ne ra ] . me cif l Ge e l Ge l bids yo u answer to what I sh all aske yo u out o fa No te .

- - 2 rose . 1 5 6 . p POPE 76 H E DS ELL IV 1 - 1 8 T AT N W [ . iii . 47 4

ar A d r as I t o I 1 P . n o . t uly , h pe live 3 Fr f a o Int . Rea ds e an o n r [ ] i st d m d him , how m y h se r n a sa o u t o a ? the Duke is st o g . Wh t y y th t ar Fi or sixe o u an e r w e ake and un . ve th s d , but v y se r 1ce able : tro o e s are all a r and the C o m v the p sc tte ed , an e r r o o r ro o n re u a on and m d s ve ic p e gues , up my p t ti re and as I o e t o e c dit , h p liv . S a I se t o ne o r an r so ? Int . h ll d w y u swe ’ Par Do Ile a Sa ra n o n t ho w . , t ke the c me t , which ’ a u a o n o 1 0 w y yo will : ll s e t him . 4 a a a - a n a e is ? Ber . Wh t p st s vi g sl v this ’ ’ G ar de c e i d Lo r M o unsie ur Ca . . v p Y e my d , this is Parrolles the a an ar a w as o w ne ra e g ll t milit ist , th t his ph s 1 that had the who le the o ric ke o f w arre in t he kno t o f his f he r n he c a e2 o f a e r ar and t a i t . sc e , p ctise h p his d gg Ca E I n r r a man a aine fo r e n p. . will eve t ust g , k epi g o r e an no r b e le e v e he can a e e v e rie n his sw d cl e , h v thi g in r n hi arr l] n a 1 b e a s a e . t eor him , by w i g pp e tly y ’ 2 Int e a se t o ne oint . W ll , th t s d w . p Pa F o r i r r . s x o an o I I sa t rue ive th us d h se sed , will y , o r e r f r Il e a e r 1 a o u se t o ne o e . 1 th e b ts d w , sp k t uth 5 ’

a G . He e r h re r in C . s p v y ee the t uth this . ’ Ber But I c o n3 no thanke s fo r in na u he . him t the t re 3 r a k o l d delive s it . c n w e g e Par o o r ro I ra ou sa . P e gues , p y y y. ’

Int e a se t o n . . W ll , th t s d w e ’ P r h nk sir a r t a . I t a e o u a ru humbly y , t u h s t th , the Ro e are mar us o r gu s v ailo p o e . Int r Rea ds e maund o f o f a re n e p. [ ] D him wh t st gth e are a f at sa ou t o a ? 1 6 0 th y Io o t . Wh y y th t Par B ro sir if I e re t o e r n . y my t th , w liv this p ese t our I r Le t se e S ario a n r & h e, will tell t ue . me , p hu d ed

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fiftic Sebast ian so an erambus so an a ues , m y , C m y , y g so an : G uilt ian Cosme Lodow icbe and Grat t w o hun m y , , , y, re fiftic e ac : M ne o w ne o an Cbit e ber Va u d d h i C mp y , p , mond Be nt t w o n re fiftie e a : so a the In te r , ij, hu d d ch th t file ro e n and o n u o n fe a o nt no t to fif , tt s u d , pp my li m u s t e ne o an o e a fe o f t he are no t a e e th us d p l , h l which , d Sh k t he no fro O ff r C asso c ke s a e a e s w m thei , le st th y sh ke th m e e t o e e c e 1 0 s lv s p s . 7 r ha a be e Be . W t sh ll do n t o him? Ca o n le t a e thanke s De and p. G . N thi g , but him h v . m o fhim my co nditi o n: and wh at cre dite I h ave with the D e uk . ’ Int e a se t o n : Reads o u a . W ll th t s d w e [ ] y sh ll de a n o f e e r o ne C a t aine Dumaine be e m u d I him , wh th p ’ a e a Fre n an : a re a o n is i th C mp , I chm wh t his put ti with t he D a a o r ho nest ie and e x e rtne sse uke , wh t Ihis v l u , , p in w arre s : o r w he t h e r he thinke s it were no t po ssibl e with well - w aighing summe s o fgo ld to c o rrupt him t o a r o a sa o u t o t ? a do o u no ev lt . Wh t y y his Wh t y k w o f it? I 1 8 1 Par I o u an r t o the ar ar o f . beseech y let me swe p ticul

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— - 2 our: t h e F. 38. y 3 4 H E D LL IV 2 88 - 2 T AT N S WE [ . iii . 3 4

but no o n o n and la in ra . I they k w his c diti s , y him st w ’ a e o r to sa Sir o f o ne he ha s e v e h ve but littl m e y his h sty , rie thing th at an h o ne st man Sh o uld no t have ; what an o n man o a has no n h est sh uld h ve , he thi g . a f r C . I e n to o o . 2 p G . b gi l ve him this 59 B r Fo r r on n ho ne stie ? o x e . this desc ipti of thi e A p ’ f o C at u o n o r or and r a . p him me , , he s m e m e Int a sa t o e x ert ne sse in arr ? . Wh t y you his p w e ’ a Fa fir mme e fo re t he En P r . ha s t he dru ith , , led b g ra an : to e I no t and or o f lish T gedi s b lye him will , m e his so uldiershi I no no t in a o n r he had p k w , except th t C u t y , the ho no ur t o be t he Offi cer at a pl ace there called M ile d t o n r n o f I o o e the en r fo t he o . u d , i st uct d ubli g files w ld man a o no r I ca o f I am no t a n u n r . wh t h , but this ce t i e ’ a He a - ill in d illanie so arr a C . o ut v a v p. G h th f e , th t the raritic r m s 2 0 e de e e him . 7 ” h a Ber o x o n e s a C t . . A p him , still Int His a e n at o o re r I ne . qu liti s bei g this p p ice , ede f o rr t o r o no t t o a e o u i o . sk y , G ld will c upt him ev lt Par Sir fo r a ar e 1 he e fe e - e o f . , C d cue will s ll the simpl ’ a a o n n r an e o f and t h int aile ro his s lv ti , the i he it c it, cut f m all r a n er and a r a ] e o n fo r e r e em i d s , pe petu l succ ssi it p p tuall 1 uar t er row n y. q c ’ B o r a a n a Int . a r Dum in? Wh t s his rothe , the the C pt i ’ a E do s he a C p. . Why ske him of me? ’ I t a ? 2 80 n . Wh t s he ’ ’ ne r a h Par . E a C o w t same nest : no t alto geth e r so re a as in o o dnesse re a r a re a a e in g t the first g , but g te g t de l H a r ] . e Bro e r fo r o ar B o e r evil excels his th c w d , yet his th re n f a In a re t re at e o ut is puted o e o the best th t is . hee ’ r nn an La arr in co mmin o n ha s u es y ckey ; m ie g , hee the ra e C mp .

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e And o u . G nt . y H l Sir I a e e ne o u in o r o f Fran e . . , h v sc y the C u t ce I a e n o e e e re ent . G . h v bee e s m tim s th H I do re e sir a o u are no t a u el . p sum , th t y f l c Fro t he re o r a o e s u o n o r o o dne sse m p t th t g p y u g , And re fo re o a o ar o a on the g ded with m st Sh pe cc si s , c la n ann r I o u t o Whi h y ice m e s by , put y T he use o f o r o w ne r u fo r y u ve t es , the which I a n e ank full sh ll co nti u t h c . ’ n a o ur ? Ge t . Wh t s y will He l a a e o u . Th t it will ple s y T o o o r e o n t o the K n give this p e p titi i g , And ayde Inc with th at sto re o f powe r yo u have T o e n o r n co m i t his p ese ce .

Gen. n no e r The Ki gs t h e e . H l No t r sir e . hee e ? Gen No t n e . i de d , ’ He n re mo v d a n and o r a 0 he ce l st ight , with m e h st 3 n use The is his . W id Lo r ho w o o o ur a n . d we l se p i es . H ’ el . a n e t All s well th t e ds well y , o e so a r and an un Th ugh time seem dve se , me es ﬁt I do e e o u r o ne ? bes ch y , whithe is he g M r ent . a r as I a t o Rossillien G ie t ke it , e r I am n Whith go i g . H el . I do c ou sir besee h y , S nc e o u are e to se e t he K n fore me i y lik i g be , o m n a r t o his rac o u an 0 C m e d the p pe g i s h d , 4

- — - 1 0 . entle A st rin r o w e 1 2 r: s ir 2 F g g e : G e nt l e m a n R . . ﬁ 4 . 0 ommend: - - 4 . C Co m m e nd 2 4F.

89 ’ V 2 — 1 LL S ELL . i . 3 ii . 9] A W ,

I re e a n o u no a Which p sum sh ll re der y bl me , But ra e r a e o u thanke o r a ne fo r th m k y y u p i s it , I will c o me after yo u with wh at go o d spe e dc O r u m e ane s will m ake us me ane s . I f r u ent le do o o . G . This y H nd o a ﬁ n c o r e fe t o e thankt e l . A y u Sh ll d y u s l be w ll ’ G o a e re fa or . u t o or a aine o wh t lles m e We m st h se g , , g ,

ro E eunt . p vide . [ x ]

’ S n 1 Re n Be ore t be ount s alac 1 asillo e . [ ce e . . f C p ]

nt er ow a ar olles o ow in E Cl ne nd P r [f ll g] .

" Par o o M Lav a t cb e Lo r L ew le t . G d giv my d af this t er I a e e re no w sir e e ne e te r kno w ne t o o u e n , h v b b t y , wh I have h e ld familiarit ic with fre she r c lo athe s: but I am no w sir e in fo r ne o o and e o a muddi d tu s m d , sm ll s mewh t tro n o fhe r t ro n e a re s g S g displ su . Clo T rue l Fo r ne e a re , y, tu s displ su is but sluttish if it ’ smell so stro ngly as th o u spe ak st o f: I will he nce fo o rth ’ a no F o f F r n bu t t rin Pre the e a o the c te ish o tu es g. l w n e 1 0 wi d . a r Na o u ne e no t t o o o r no se sir: I a e P . y y ed st p y u sp k but a M e a o r by t ph . o I n e sir if r M a o r n e I o Cl . o de d , y u et ph sti k , will st p n r n n n M e a r Pre the e t e e o o a a a a o . my se , g i st y m s t ph g th f r u th e r.

Par ra o u Sir r me a r. . P y y delive this p pe lo Fo h r h an a a a a e r fro o r un C . e t e e : , p st d w y p p m f t es

- o e st o o le to a o an . Loo ke r he cl s , to give N blem hee e o e himse lfe c m s .

— ’ - 6 e nd n h a nk d a a n ro v d e . 8 . t 4 3 i g , g i , p i POPE

” ‘ — 2 M La v atcb : M o n s e u r L av a c h e C RI . . i AMB DGE

’ V 1 2 — LL EL 1 . . 1 S L . 5 iii 7] A W , at o nce bo t h the o fﬁ ce o f G o d and the dive ] : o ne brings e in ra e and the o er r n e e o ut . Tr um e t s the g c , th b i gs th [ p sound T he K n co mmin I no r . ] i gs I g k w by his T um e S rra n r fur r afe r me I had a p ts . i h , i qui e I the t , t lke o f o u a n o o u are a fo o le and a na e y l st ight , th ugh y I k v , f o u a c a e o t o o o o . y sh ll t , g , ll w a I ra e G o d fo r o u E eunt . P r . p is y . [ x ]

’ b n s ala c T e ou t ce . S e n Reasillon. [ e iii . C p ]

F r b En r ld Lad L ew t b lou is . t e K in o c g , y af ,

t w o Fr encb Lor ds w it b a t t endant s. I ,

K in W e o t a e e ] o fhe r and o ur e ste e me . l s J w l , W as a c o o r r : o r o nne m de mu h p e by it but y u s , ’ AS mad in fo lac k d n t o no lly , the se ce k w e r a n 1 1 o t be ut most H e stim tio h o me . t ’

O ld La . a L Tis p st my iege , And I be se e c h y o u r M aj e stic t o m ak e it ’ Naturall r o n o ne th a o f o ebelli , d i bl de y uth , n o e and ﬁre t o o ro n fo r re a o n fo r e Whe yl , st g s s c ,

- O re are it and rne o n . be s , bu s ’ K in M ho no ur d La . y dy , I a o r n and o r o n all h ve f give f g tte , o r n e re n u o n Th ugh my eve g s we high be t p him , ’ And w atch d the time t o sh o o te . La I sa f. This must y, But ﬁrst I b egge my p ardo n : the y o ng Lo rd Did to M a M o r and Ladle his jesty , his the , his , Offe n ce o f mighty no te ; but t o himse lfe f ll He o a e r a ro n o a . The g e test w g l st wif , Wh o se beauty did asto nish the survey ll ar o o a Of richest eie s : who se words a c es t ke c ptive ,

- - — blade: b az e W R U T N . 0 o e o fﬁ c e 2 F. . 5 . ﬂie : 4 9 l A B R O V 1 8 - 1 THAT ENDS WELL [ . iii . 4

’ e re r o n a t a scorn d t o e Whose de pe fecti , he rts h t serv , ’ c all d M istris Humbly . Pra n a o Kin. isi g wh t is l st ,

M a e t he r e ran r . a r k s em mb ce dee e Well , c ll him hithe , ’ W e are re c o ncil d and e a , the ﬁrst vi w sh ll kill re o n : Le t no t a o ur ar on All petiti him ske p d , T he na r o f his re a o ff nc e a tu e g t e e is d d , And r e n o o n -w e do r deepe th blivi , bu ic ’ T h i c i f Le t a r a n e ns ng reliques o it . him pp o ch ran e r no o ff n e r and nfo r A st g , e d ; i me him ’ So t is o ur he o will sh uld . I a L Gent . sh ll my iege .

K in. a a e t o o r au r Wh t s y s he y u d ghte , Have yo u sp o ke ?

La a a r f r n t o o r Hi hne s. f. All th t he is , h th e e e ce y u g

Kin. n a a a a I a r se nt The sh ll we h ve m tch . h ve lette s a in fa me , th t sets him high me .

Ent r oant r ra e C Be t m.

’ H l o ke s o n c e o t . f. well in I am no t a a o f e a o n K . d y s s , Fo r o a se e a sunne and a a e th u m ist shi , h il In Inc at o nce : But t o the brighte st be ame s D rac e c o e w a so an o o r ist t d l uds giv y, st d th u f th , T he is fa re a aine time i g . Ber M r n a e . y high epe ted bl m s D ere So e rai ne ar o n o me e v g p d t .

K in . is o All wh le , No t o ne o r o re o f o n w d m the c sumed time , ’ Let s tak e t he instant by the fo rward t o p ’ Fo r are o ld and o n o ur e t e cre e we , qui k s d s ’ T h inaudible and noise le sse fo o t o f , time

- 6 1 — H - - . l T EO m . BA I. D 8 . 2 e nd n m e fa e . 3 5 . 3 9 i g , POPE — . sets: s e t W 3 9 RO E .

iv 2 0 . 9 3 ’ v - . . 2 1 LL S ELL iii 4 7 ] A W ,

S a w e can ff Yo u r te les, ere e ect them . emember T he d aughter o f this Lo rd?

Ber . r n L at r Admi i gly my iege , fi st I tu o u o n her e re inv a s cke my ch ice p , he rt Durst m ake t o o bo ld a he rauld o f my to ngue r the r o n o f n e e e nfixin Whe e imp essi mi e y g, o n e sco rnfii ll e r e e n C t mpt his P sp ctiv did le d me , w ar t the ne o f e v erie o e r a our Which p li , th f v , ’ Scorn a a o o r o r cx re st o n d f ire c l u , p it st l e , Extended o r contracted all pro po rtions T o a o t o o . e nc a m s hide us bject Th e it c me, ’ a she o all me n rais d and o fe Th t wh m p , wh m my sel , ’ S n I a e o a lo v d w as in n i ce h v l st , h ve ; mi e eye T he a o ffe n dust th t did d it . ’ i e xc us d 1 reckonin K n. Well g a o o her t o o r a a Th t th u didst l ve , s rikes s me sc es w y Fro t he r a o :1 o at o too a m g e t c mpt but l ve th c mes l te , Like a re mo rscfu ll p ardo n sl o wly c arried 7 1 T o r a n e rn a so w re o ff n the g e t se d r, tu es e ce , ’ ’ r n a o o a o n : O ur ra fau C yi g , th t s g d th t s g e sh lts , M a a ] r o f r o n a ke trivi l p ice se i us thi gs we h ve , No t n o n n n w r a k wi g them , u till we k o thei gr ve . o ur a r t o o ur n Oft disple su es selves u just , De r o ur fi' ie nds and a r w e e e r st oy , fte p thei dust ’ O ur o h o a n r t o se e a o n w e l ve w ki g , c ies wh t s d , e l afe rn o ne While sh ameful] h ate s e epe s o ut the t o .

Be e e Helens n and no w fo r her. this sw t k ell , get Se n or o a ro o n fo r a r M aud/in d f th y ur mo us t ke f i e , ’ a n o n n are had and r e e a The m i e c se ts , hee e w l st y T o se e o ur w iddo w e rs seco nd marri age day: h r 0 r a n oant . e r n t e [ C ] Which bett the ﬁ st , dee e he ve blesse , I

— - F. 8 . don e : do ne 2 7 , , 4 — sba e all bate : s h a m e fu at e G . 7 9 . mf ll l LOBE 94

’ V 1 0 1 - 1 2 LL S ELL . iii . 7] A W ,

R e the R n a aine ec ive i g g . him lf K in. Pla t ter se e, ’ a no t he n and n me d cine l 2 0 Th t k wes ti ct multiplyi g , Ha no t in na re m st erie o re n e th tu s y m scie c , ’ ’ e n I a in R n e e . a n a He lenJ Th h v this i g Tw s mi , tw s , W ho e ve r gave it yo u : th e n if yo u kno w a o u are a ua n o r e f Th t y well cq i ted with y u s l e , ’ o nf e a e r and a ro e nfo rc e n C ess tw s h s , by wh t ugh em t ’ Yo u o t ro he r She c all d the Sa n t o sure tie g it f m . i ts , a she o n r fro her n e r Th t w uld eve put it m ﬁ g , U nle sse she a t o o r e in be d g ve it y u self , Wh e re yo u h ave neve r c o m e : o r sent it us o n he r r a a e r Up g e t dis st .

Ber She ne e r saw . . v it ’ k fa I n r K in. o s e a st : as o ne Ho o Th u p it lsely l ve mi , ’ And mak st c o nne c turall fe are t o o e n o me s c m i t , I o fa n o ut if o ro e Which w uld i e shut , it sh uld p v ’ a r o n art so n an no t ro so : Th t h i hum e , twill p ve And I no no t o a he r a yet k w , th u didst h te de dly , And she e a c no n t o c o is d d , whi h thi g but l se He r e e c o w in t o be le e v e y s my selfe , uld me , M o r e n t o se e R n a e a a e th this i g . T k him w y , - [ Gum dr J e iz e Ber t ram ] 1 M o r - a ro o fe s ho w e re a t r fa 1 0 y f e p st p , the m t e ll 4 S a az fe ar o f e v anitie h ll t e my es littl , ’ Ha n a n fe ar d t o o i a vi g v i ly l ttle . Aw y with him , ’ 1 ft a e r r e r ar mer Wee l si this m tt fu th . f e o a ro e B r . If y u sh ll p v R n w as r r o u a as a e This i g eve he s , y sh ll c si Pro e a I u an he r in F re nc e v th t h sb ded bed lo , re she ne r w as E it uarded Whe yet ve . [ x g ]

l — w 1 P azas u s o z . 1 9 . : Pl t u z R

— - — - rbau: t h o u 2 F. conne urall c o n e c t ra 2 F. 1 . 1 3 3 . ct : j u l 4 3 5 4 - - t az e F. 1 41 . : t a x 2 4

95 T HA W LL V 1 2 8 - 1 T ENDS E [ . iii . 53

an Ent er a Gent le m .

K in I am w ra d in a ] n n . g . p dism l thi ki gs i n 1 0 G n G ra o So v e ra e . e . ci us g 5 e e r I a e ene t o o a e o r no I no no t Wh th h v be bl m , k w , ’ He re a e o n fro a Fo re n ne s p titi m l ti , W ho a fo r fo re or ﬁv e re o e 1 o e o r h th u m v s c m sh t , n r h f I under o o ke T o e e er e e . t t d it s l it , ’ Vanquish d the re to by the faire grace and spe e ch O f o o re an w ho I no the p suppli t , by this k w Is h e e re atte nding : her busine sse lo o ke s in he r 2 an o r n a and she o me With imp ti g vis ge , t ld In a e e t e r a ] bre e fe o n e rne 1 ort -rt a er sw v b l , it did c c p g 2 o r Hi hne sse her fe ri ni eant 1 6 0 Y u g with sel . . g ﬁ

Kin r [ g 1 4 Le t t e . Upon bi; rnany prot ert at ionr t o rnarrie mee zo lyen bi; wfi e w ad 17 o J a t b w o ine Now if ar de I 51111 t i e nne . , y ,

‘ t he ount Ror oil/ion a W iddow er bi; v owe; are C , or it d t o mee and m bonor; a e d t o lyi H e e nz . ee f f , y p y rt o/e r onz Florenee t akin no lea v e and I ollow f , g I , f bin: t o fair Connt re or nrt iee : rant it me 0 yf 7 G , Kin in ou it om lief ot /aerzo ire a J edi/oer on g , y , ﬂ ri cher and a oore M aid i; undone , p . D ana C a ile i p t . 3 La . I a o nn in Law in a faire and t o u f will buy me s e , le 3 fo r Ile no n f a this . e o him . p y t oll 1 7 1

K in. T he e a n a o e o n t e La ew h ve s h ve th ught w ll h e f , ’ T o r n fo r disco v rie se e ke e o r b i g th this , th se sut s : G o and r n a aine o un speedily , b i g g the C t .

Ent er Bert ram [gnarded] I am a- fe ard the life o f Hellen ( Ladie )

— x c . tau/e: t o T u z o na w 7 l l .

97 ’ V 1 - . . 1 80 L S E iii 54 ] A L W LL,

W as fo w l snatcht y . a No n O ld L . w o o r justice the d e s .

K in . I o n r sir sir are o n r ou g w de , , wives m ste s to y , And a o u e as o u sw e are Lo r th t y ﬂye th m y them dship , ’ u re t o arr a Yet yo desi m y . Wh t w o m an s that? 1 8 1

Ent er W iddow iana a , D , nd Parrol/er. m L Dia . I a o r a r e F or n n my d w etch d l e ti e, D r e ro an e n C a ile t e iv d f m the ci t p , M as I do n e r an o u no y suite u d st d y k w , And re o re no ho w farr I ma be ittie d the f k w e y p . W d I am he r M o r sir o i . a e and the , wh se g ho no ur Bo suffer n r c o a n r n th u de this mpl i t we b i g, And o al a o o ur r e b th sh l ce se , with ut y em die . K in o e r o n do o u no W o g . C me h the C u t, y k w these me n? 1 9 1 Ber M L r I n r can nor n e . y o d , eithe will de i , But a I no do e ar me f r er? th t k w them , th y ch ge u th Dia do o u lo o ke so ran e o n o r ? . Why y st g up y u wife ’ f Ber . S no ne o ne Lo r he s mi my d . If o u a arr Dia . y sh ll m ie Yo u e a a an and a n giv w y this h d , th t is mi e , Yo u a a a e n v o w e s and o e are n give w y he v s , th s mi e Yo u a a kno w ne n give w y my selfe , which is mi e Fo r I v o w am so o r 2 0 0 by embodied y u s , a arr o u u arr Th t she which m ies y , m st m ie me, r o r no n Eithe bo th e . a o ur r u a o n to o o r fo r dau h L f. y ep t ti comes sh t my g

te r o u are no u an fo r her. , y h sb d ’ M Lo r is a fo n and de s rate r a ure Ber . y d , this d p c e t , ’ Wh o m so me time Ih ave l augh d with : Le t y o ur highne s La a o re no e o u u o n n o no ur y m bl th ght p mi e h ,

~ d rf lles ut— W srr sir s ir s it h Dv c z . 1 82 . a n Fa a : o . 1 . : 7 9 , , RO E

’ V - 2 . . 2 0 LL S ELL iii 7 3 3] A W ,

o e na r n : t o a a u Wh s tu e sicke s but spe ke tr th , ’ I o r a o r fo r a u r Am , th t this wh t he l tte , a e a an n Th t will sp ke y thi g . K in She a a R n o f o u . h th th t i g y rs . ’ Ror. I thinke she has c e r a n I l k d ; t i e it is y her , ’ And b o o rde d he r i th w anto n w ay o f yo uth She ne he r anc and did an e fo r me e k w dist e , gl , M a n e a e rne sse he r re ra n ddi g my g with st i t , 1 ’ As all impedim e nts in fancie s c o urs e 1 lov e r Are o o f o r fan e and in ﬁne m tives m e ci , , He r insuit e c o mmin her o rn ra g with m de e g ce , ’ Subdu d t o he r ra e she o t t he R n me t , g i g , And I had th at which any inferiour might M ar ric e a e o At ket p h v b ught . a I be a e n Di . must p ti t ’ Yo u a a e uru o ff a r so no th t h v t d ﬁ st ble wife , “ M e I ra ou e a d t . t y justly y me p y y y , S nc o u ac e r e I o o e a an ( i e y l k ve tu , will l s husb d) S n for o r R n I re turne o e d y u i g , will it h me , And n a aine give me mi e g .

Roy I a e no t . . h v it in a R n w as o r I ra ou ? K . Wh t i g y u s p y y

an Sir c e the a o n o ur n r. Di . mu h lik s me up y ﬁ ge R R n as o a e K in Kno o u n w f . . w y this i g , this i g his l t D a An as I a e n a d w . i . this it g ve him b i g bed K in T he o r n o a e o u r . st y the g es f ls , y th ew it him o f a n Out a C seme t .

a Io r E r Paroller Di hav e o t he . nt e . . sp ke t uth

M Lo r I do o nf r n w as e r . Ror. y d , c esse the i g h s K in Yo u o r r a ar ou . b ggle sh ewdly , eve y fe ther st ts y Is this the man yo u speake o f?

Dia . I Lo r , my d .

int uite cammin : nﬁ n t e c u nn n - z l NGz R g i i i g s . d n k ﬁ e — 2 6 1 2 en e n r C . . i g li , g APELL

1 0 0 ELL V 2 - 2 6 E DS . THAT N W [ iii . 34 9

r I r Kin. e rra e a o u T ll me si h , but t ll me t ue ch ge y , No t fe aring the displ e asure o f yo ur master o n o r ro e n I ke e e o ff Which y u just p ce di g , le p , B and o an e ere a no o u? y him by this w m h , wh t k w y Par 80 a e o r M a e a e r a bin an . ple s y u j sty , my m st h th

o no ura e e n an . T ricke s a had in h bl G tlem hee h th him , e n n a which G tleme h ve . ’ ’ K in C o o t o th ur o se : Did he e o t . me , c me , p p l ve his woman? F h h r h Par . a t sir e o e e o w . i h did l v , but Ho w I ra o u K in. p y y ?

h r ir as a e n a an . ar He e e s . o P . o o did l v , G t l ves W m Kin Ho w a ? . is th t ’ ’ Par . He lov d he r sir, and lo v d he r no t .

a na and no na a an u Kin. o rt a As th u k ve k ve , wh t eq i voc al] C o mp ani o n is this ? Par I am a o or man and at o ur M a e e co m . p e , y j sti s an m d . ’ La He a drumme Lo r but a nau htie f. e s good my d , g ra o r 2 0 O t . 9 Dia Do o u no he ro mist arr a e ? n. y k w p me m i g P r Fa I no o re Ile a e a . n ith k w m the spe k . ’ K in But ou no t e a e all o kno st ? . wilt th sp k th u w Par so a e o r M a : I o e be tw e e ne . Yes ple s y u jesty did g t e as I a o re n a o e he r fo r in h m s id , but m the th t he l v d , e w as a e fo r her and t alkt o fSa an and o f deed he m dd , th , L o and o f F r e and I no no t a : e t Iw as in imb , u i s , k w wh t y a c re e at a a I kne w e o f r th t dit with th m th t time , th t thei o n t o b e d and o f o r o o n as ro n he r g i g , the m ti s , p misi g arr a e and n c o r e me e t o m i g , thi gs whi h w uld de iv ill will e a o f r fo r I no t e a e a I no 0 1 sp ke , the e e will sp k wh t k w . 3

K in. o a o n all alreadie unle sse ou an Th u h st sp ke , th c st

2 82 ent : e e m — 8 - — . G . nt a n o w s 2 6 . ne . w 1. at W h at G g l R 5 LOBE .

IO I ’ V - . . 2 6 2 6 LL S ELL iii 9 9 ] A W ,

sa e are marie d but u art to o ﬁne1 in n y th y , tho thy evide ce ,

r o r an a e . R n o u sa w as o r the ef e st d sid This i g y y y u s . Dia I o o Lo r 1 . my g d d . artful K in r o u ? O r ho a o u . Whe e did y buy it w g ve it y ? D a n i . I w as o t n nor I no t bu t give me , did y it . Kin W ho n o u ? . le t it y Dia w as n t n r o n . . It le t me eithe in re o u ﬁnde n? K . Whe did y it the

ia I o n no t . D . f u d it in I re o r no n o f a l e a K . l w e s f it we y u s by e thes y , Ho w co uld yo u give it him ? Dia I n e r a e . ev g v it him . La l o an an a Lo r she o e f This w m s c sie glove my d , g s o ff and n a a re o t pl e su . in R n as n I a r f K . w . This i g mi e , g ve it his ﬁ st wi e Dia I o r o r er fo r o I n . t might be y u s h s ught k ow .

K in. a e he r a a I do no t e he r no w T k w y , lik , T o r o n he r : and a a p is with w y with him , Unle sse o t e lst e re o u a R n th u me wh th h dst this i g , n o r Th o u diest withi this h u e .

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