2018

JUHAR 2018

JUHAR Juhar Surta 2018 Rêjûe _eòaûe, \òfäú Ze`eê _âKûgòZ @ûce Rúa^ @ûCe cûUòeþ K[û Rêjûeþ iêeþZû Rêjûe þ^ì@ûñLûA _eaþ - 2018 23 ùiù_Ö´e 2018 2018

JUHAR JUHAR PARIVAR DELHI (REGD.) www.juhar.org Email : [email protected]

A^ _âKûgòZþ iaê ùfLû ùfLK cû^Keþ ^òRe cZ @ûG û ‘Rêjûe iêeZû’ Aiaêe _âKûg^e MêùU cû]ýc @ûG û ùfLûcû^ue aòhdaÉê ùe KòQò ZéUò fûMò ‘Rêjûe iêeZû’ \ûdú ^êùj û

1 Juhar Surta 2018

2018

JUHAR

2 Juhar Surta 2018 _ËAÜMÐB \Þ `Ò] @Ò^......

ajêZþ Cñyû Pò«û @ûC ùPZþ^ûeþ _eaþ ùjCùQ ^ì@ûñLûA û ]eþZú cûñ @ûC bMaû^þuê ^ì@ûñ Pûeû @eþ_^þ Kfû_ùe _eòaûeþ iûùw cògò Keò LûA Keò icÉuê geþ]û @ûC i¹û^þ ù\aûeþ _eaþ - ^ì@ûñLûA û A[òeþ fûMò i^ÚKaò búc ùbûA MûAQ^þ : “]cð _ùQ ^ò¦û ùjC, \eYú cŠk ejê ; gì^ý ]eZú @ûKûg, @ûKûg bûiò ^ ~ûC û” @ûC Êbûa Kaò Mwû]e ùcùjeue @ceþ ùfLþ^ú [êñ `êUòùQ; “`êùf `êùf ~[û aòbò^Ü aûi, Rúaù^ Rúaù^ gâ¡û ^òaûi û” ^ì@ûñLûA e ùPZþ^û ]eþZú - cûñ ùK icþeê¡þ Keê @ûC icÉþueþ Rúa^ [ò geþ]û @ûC i¹û^þ beò ù\C û icÉuê ^ì@ûñLûAe geþ]û beû Rêjûeþ û

iêRòZþ Kêcûe _éùhVþ The spirit of NUAKHAI2018 : The celebration of the offering of the first grain to the Almighty and worshipping the land as gratitude have been the uniqueness of Nuakhai. Subsequently eating the first grain along with all members of family and subsequently offering respect to elders by offering ‘Juhar’ has been the ritualistic foundation of Nuakhai. The essence and spirit of Nuakhai is to strengthen bonding in the family and society by espousing love, affection, unity and fraternity. The world will certainly be full of nectar as envisioned by SwabhavKabiGangadharMeher if all of us practice the spirit of JUHARNuakhai. Nuakhai Juhar Sujit Kumar Pruseth Bhudopunee, 2018

Co-Editor Surya Narayan Behera, Subasa Bishwal, Sarbeswar Padhan bòZe _éÂû : \gUò M¬_û, eûcûdY M¬_û, ùiû^_êe

3 Juhar Surta 2018

2018

JUHAR

4 Juhar Surta 2018 iìPú_Zeþ Contents

Topic Page No fù´û\e Zâò_ûVú 66 iêùe¦â iûGu aýqòZß ùgûh Êù_Ügße \ûg 11 Rd\â[ iê^û 67 \òfäúùe aúe iêùe¦â iûGu céZêý gZaûhðòKú @òG ùbûKe MúZ icûùeûj : GK ià éZò Rd\â[ iê^û 68 ^ûeûdY _êùhVþ 15 _êeû C@ûñie ùNûWû @ûV Mûñ Rcò\ûeú Gaõ Rcò\ûe ]eciòõ cû^]ûZû W. iwúZû e[ 69 cêùKg ajò\ûe 17 ^ì@ûñLûAe aûiÜû aògßcû^aaû\ @ûCeþ i^ÚKaò búcùbûA iùaðgße _]û^ 70 iêgâú iéR^ú cògâ-Zâò_ûVú 19 ^aû^Ü ^ì@ûñLûA Ciôa I icûR iõÄûeK Mwû]e @ùgûK Kêcûe _ìRûeú 70 cùj¦â Kêcûe ùcùje 23 Rêjûe ^ì@ûñLûA _ea ùK Kkû Gaõ iõÄéZòe @^^ý bûÄ~ðý Wû. iêak P¦â cûSú 71 _\àgâú Wü iû]ê ùcùje ieMò ùZfþ e PùKfþ _òVû eûRúa Kêcûe ^ûdK 28 RM\úg _ùUf 72 KêPò_ûfòe RêMûe ~ûZâû Ne ùK KòG @ûAQ^ ? W. iêgúk Kêcûe aûMþ 30 W. _âZòbû aògßûk 73 _½òc IWògûùe ùK\ûe^û[ `òùeA @^þcû Sûeþ ggúbìhY _ûYòMâûjú 33 eiû^¦ iûjê 74 KùY×gße_êe e gòa c¦òe 2018^ì@ûñLûA @ûiaû ùaûfò ù\aûgòh _…^ûdK 35 iõMúZû cêfò@û 74 _½òc IWògûe \êAUò @^^ý _að Sambalpur : A Personal reminiscence K^ò Kòùgûe iûjê 36 Anita S.Jaisingh 75 PòZâKe aúeae Two Legends: A Poet & A Music Composer aúe aòRdû^¦ iûjê 39 E. Kiran Mohan 77 ùaZûe ^ûUýKûe The Kitchen-shed Concept of the aê¡ù\a _â]û^ I eùcg P¦â _]û^ 42 Chuktia Bhunjia CWÿþgû aWÿò Lohitakshya Joshi 80 \êüLúùiaK iûjê 45 The Saga of Community Forestry in @ûc @ke bûhû I iõÄéZòe GK Êûbòcòû^ PòZâ Western Odisha gûgßZ Kêcûe Zâò_ûVú 49 Dr. Tapas Kumar Sarangi 85 ^ì@ûñLûA Folk Music Tradition of Western Odisha JUHARRMa§ê iûjê 52 Dr. Sujit Kumar Mishra 90 ^ì@ñûLûAe K[û Dadan Sundari Wü aòbìZò bìhY _Šû 53 Sanjay Mishra 94 _eòùag Pò«û Sickle Cell Disease in Western Odisha : Ic _âYa ^ûdK 56 Need to readdress right from the begning iêiûjòZòýK ÊMðZ jUKòùgûe _ûYòMâûjú Sobharani Bhoi, Subasa Bishwal 103 _â`êf _ûYòMâûjú 58 Char (Buchanania lanzan Spreng.) and ieþiWò@û kendu (Diospyros melanoxylon Roxb.): iì~ðý ^ûeûdY ùaùjeû 60 The ‘super-fruits’ of western Odisha bûMaZþ MúZû (ùKûgþfú) Sumedha N Sahu 108

5 Juhar Surta 2018

2018

JUHAR

6 Juhar Surta 2018

MESSAGE

I am glad to know that Juhar Delhi is going to celeberate ‘NUAKHAI PARAV’ on 23rd September, 2018 at New Delhi and to commemorate the occasion a souvenir “Juhar Surta- 2018” is going to be published. 2018 ‘Nuakhi’ is a traditional agricultural festival and mainly concentrates on the worship of rice which is the manifestation of life itself. The celebration would enrich the cultural heritage of Odisha and promote ethical values in the society.

I wish Odia community in Delhi for their progress, peace and prosperity and hope that the function will be a grand success.

(Dharmendra Pradhan)JUHAR

7 Juhar Surta 2018

2018

JUHAR

8 Juhar Surta 2018

^aú^ _…^ûdK eûRý iPòaûkd cêLýcªú, IWògû bêaù^gße

aûðû \òfäúùe _½òc IWògûe bûAbCYú cû^ue iûõÄéZòK iõMV^ Rêjûe \òfäú _leê 2018 ùiù_Ö´e 23 ZûeòL \ò^ “^ì@ûñLûA _að”e @ûùdûR^ Keû~ûC[òaû Gaõ Gjò @aieeùe iàeYòKû “Rêjûe-iêeZû-2018” _âKûgòZ ùjC[òaû @û^¦e K[û û 2018 @û_Ycû^uê icÉuê ùcûe ^ì@ûñLûA Rêjûe û ^ì@ûñLûA icÉue fûMò Lêiò @û^ò\C, cû icùfgßeú _ûùL ùcûeþ GZþKò Mêjûeú û Rêjûe \òfäú _leê @ûùdûRòZ ^ì@ûñLûA _aðe cêñ aò_êk i`kZû Kûc^û KeêQò û

JUHAR (^aú^ _…^ûdK)

9 Juhar Surta 2018

2018

JUHAR

10 Juhar Surta 2018

iêùe¦â iûGu aýqòZß Êù_Ügße \ûg

ùPøjûY eûR_eòaûeùe iêùe¦â iûG R^à _eòMâj _âZû_ _eò ùi \ûiZß Ê‰ð eZÜ jûe ]ûeY Keòaû @ù_lû Keò[òùf û Zûue gûeúeòK MV^ iê¡û ùPøjûY PZêbðêR Êû]ú^Zû iKûùg ~ê¡ Keò ùføj gévk _ò§òaûKê ùgâdÄe _âaP^e ic[ðK ùjûA[òfû û R^gîZòeê RYû~ûG ù~, ùi cYò[òùf û ùi[ò_ûAñ ùi KûdûùKäg _âZò bïùl_ ^ Keò _[efiû (_ûhûYRûZ \âaý aòùgh) LûA[òùf û iêZeûõ _âak _âZû_ú aâòUòg ieKûeu jûZeê ù\ge Êû]ú^Zû KûXò Zûue @w _âZýw ùføj_eò KVò^ I bûeò ùjûA[òfû û ùi @ûYòaû _ûAñ Rúa^ \û^ Keò[òùf û iêùe¦â iûGu ~ê¡ Wwûùe aiòùf, WwûUû ùaûS ùjZê aêWò ~ûC[òfû û ùi _âYûkú gòaûRúu @ûaòÃéZ ~ê¡ _âYûkúe \ßòZúd iõÄeY Zûu Rû^êùe KY Jh]úd \âaý _êùeA eLò[òùf û ùaûfò Kjòùf, ùKøYiò @ù~øqòK ùja ^ûjó û \òfäúgßùeû aû RM\úgßùeû jò¦ê]cðûaòù\ßhú ùcûMf icâûUþ @ûCewRaþu cjûbûeZùe K‰ðue GKNÜú @ùcûN ge Rû^êùe KûeMûeeê gòaûRú ù~_eò ùKøgkùe Liò @ûiò[òùf, eLò[òaû C_ûLýû^ ejò@Qò û \lòY aûjêùe ùi @KûU ZûaòRþ iêùe¦â iûG c]ý aògßûiNûZK ùf iûùjau ùRfLû^ûeê (1) aû§ò eLò[òaû \égý Zûue `ùUûùe ù\LòaûKê còùk, _kûA ~ûA Zûuê CPòZ gòlû ù\A[òùf û @KûU ^ ]eò [òùf @È gÈ KûUò ^ _ûùe ùaûfò ùi Kûke ùfûKue aògßûi [òfû û aâûjàYaúe aûfþKò\ûg iê¡û aûjêùe iêùe¦â iûG ùagò _ûVgûV _Xò ^ [òùf iê¡û bMaZþ @KûU ]ûeY Keò[òùf û céZêý icdùe @KûU ZûaòR MúùZûq Ê]ùRÜ2018 ^ò]^õ ùgâdü _e]ùcðû bdûajü ]cð^úZò \jýcû^ ùNûWûgûk C_ùe `òwò ù\A[òùf û (2) iêùe¦â aûKý bfeìù_ aêSò _ûeò[òùf û GYê ùi _e]cðú aòù\gú iûG ùbûM aòkûg _ì‰ð eûRba^ùe R^àMâjY Keò[òùf AõùeR RûZòKê bûeZeê ZWòaû iKûùg aûfý Rúa^eê jó iê¡û @KûZeùe \êüL ù\÷^ý ijý Keò_ûeê[òùf û Zûu _âbûaòZ ùjûA[òùf û ùi gûq [òùf û i´f_êe ùPøjû^ ~ê¡ûbò~û^ icdùe _aðZgéw, Mòeò Mêjû, jòõiâR«ê-_eò_ì‰ð eûRaõge AÁù\aú ùiûcfûAu _âZò ùi GKû« @ûiÚûaû^þ @eYýû^ò eûRba^ Zêfý ùjûA[òfû û aél C_ùe C^Üò\â I [òùf û Zûue ùijò ]cðûbûa i´§ùe ZZKûkú^ Kaòu @^ûjûeùe icMâ eûZâò ~û_^ Keòaû NUYû Zûu Rúa^ùe a‰ðòZ ùiûcfûA ÉêZòùe GK ÉêZò ejò@Qò û G[ò c¤eê c¤ @ù^K \ò^ NUò[òfû û ùi ùKak aûõgMRû LûA I SeYû RYû~òa ù~, ùi Kûke R^iû]ûeY iêùe¦â iûGu Kêgk _ûYò _òA cûi cûi _aðZ géwùe ejò[òùf û _ûAñ AÁù\aúuVûùe Kò_eò _âû[ð^û Keò[òùf û iêùe¦â iûGu Rúa^PeòZJUHAR eûYû _âZû_ I gòaûRúue i´f_êe ijeùK cûùS û ùPø^ aõgùKû KùeûZêcþ Rúa^PeòZ ijòZ Zêk^û Keû~ûA_ûùe û eûYû ZûùR û ùZùe aò^û ùPøjû^þ @û^ ù^júñ bùR û Rdiòõj cjûeûR iòõj _âúZò iòõj (1) iê¦e iòõj A¦e gòLe ~êM (1) ùPecìk Jh]aòùgh û _ìað Kûkùe ù~ûMú RòGñ û _ûR^ @û^¦ùc û bùY ~\êcûfò ùR ùR PŠòùK i^ýûiúcûù^ Zûjû jòcûkd _aðZeê @ûYê[òùf û aûfþKò \ûg a¦^û û RùY ù~ûMúVûeê @KûU _ûA[òùf û (2) aûfþKò \ûgu ù_øZâ \ûùcû\e \ûguVûeê Gjò A_dêðýq ÉêZò a¦^û ùiûcfûA ù\aúu _ìRûeòcûù^ i´û\_âû¯ û aûfþKò \ûgu céZêý icdùe \ûùcû\e \ûgu @a]ò _ìRû icdùe _ûVKeò @ûiê@Q«ò û adi 20 ahð ùjûA[òfû û 11 Juhar Surta 2018 iêùe¦â iûGu bûAcûù^ Zûue GKû« @^êeqò @bòi§ò ù\Lò ùi RûZúd iõMâûc @ûe¸ Keò [òùf û iêùe¦â [òùf û @MâRu _âûY _eòaùð C\« iûG I ]îa iûG AõùeR iûG cej…û- AõùeR i§òe ccð aêSò _ûeò[òùf û Zûue ieKûeuVûùe @ûZàic_ðY Keò[òùf û Zûue GKcûZâ _êZâ _òZé_òZûcjcû^u \ßûeû _âZòÂòZ júeûLŠ iûcâûRýe còZâbû^ê iûG _òZé _\ûuû^êieY KeòaûKê @YêcûZâ KêY×òZ ùfû_ ùjfû \ò^eê ùi i´f_êeùe Êù\gú ùjûA ^[òùf û Zûu Mâûcaûiú R^iû]ûeY Zûu ]cðùe eûRZße aòùeû]ú [òùf û AõùeR aYòKcû^ue eûRý \úlòZ ùjûA[òùf û _âZòÂûe @bòi§ò ù\Lò ùi RûZúd iõMâûc @ûe¸ Keò[òùf û iêùe¦â iûG cej…û AõùeR i§òe ccð (1) ùfûKcêLùe iêùe¦âiûG iê¦e iòõj ^ûcùe aêSò_ûeò[òùf û Zûue _òZé_òZûcjcû^u \ßûeû K[òZ û Z\þaZþ Rdiòõj (Rd« iòõj), cjûeûR iòõj _âZòÂòZ júeûLŠ iûcâûRýe ùfû_ ùjfû \ò^eê ùi (cjûeûR iûG ), _âúZò iòõj (_é[ßúeûR) _âbéZò û i´f_êeùe Êù\gú eûRgûi^ _ê^ü _âZòÂûKùÌ iêùe¦â iûGu ù~_eò gûeúeòK ak [òfû, ùi_eò a¡_eòKe ùjûA[òùf û AõùeR ieKûeu KâúW^K @û¤ûZàòK gqò c¤ [òfû û ùi a^_aðZùe @ùKægùe aêfò eûRû cjûeûR iûGu céZêý_ùe AõùeR ieKûe ùi _ûeê[òùf û ùMûUûG eûZòùe ùi ùNûWûùe gj gj cûAf `û¦ ùLkò[òùf, @[ðûZþ Gjò júeK eûRýKê Kak Keòaû @ZòKâc Keê[òùf û ùi GKû« @ûZà^òbðegúk [òùf û ùZYê CùŸgýùe aò]aû eûYúuê iòõjûi^ùe aiûA ù\A[òùf, @ûZàelû _ûAñ elK aû @^êPe ^ ù\A _\aâRùe ~ûZâû iêùe¦â iûG ^òbðdùe ùi[òe _âZòaû\ Keò[òùf û iêùe¦â Keê[òùf û iêùe¦â iûG ù~_eò KìU^úZòm, ùi_eò eY iûG ùPøjûY eûRiòõjûi^e _â]û^Zc Ceû]òKûeú [òùf ùKøYkú [òùf û Zûu_eò ZýûMú aýqò bûeZ AZòjûiùe iê¡û Êû[ð_e AõùeR ieKûe Zûu ^ýû~ðý \ûaò RûYò aêSò KßPòZþ ù\Lû~û«ò û ùi RùY Hgúgqòiõ_^Ü aýqò [òùf û Cù_lû Keò[òùf2018 û Zûuê lcZûjú^ eûRiòõjûi^ còkò[òùf ùijò ù\agqò akùe AõùeR ieKûeue @ûi^ Uk Uk iê¡û ùi Zûjû Cù_lû Keò[ûù«; Gjû c]ý AõùeR Keò ù\A[òùf û ~\ò ieKûe Zûuê K_U ùKøgkùe ]eò ^ ieKûeue @aò\òZ ^ [òfû û iêZeûõ iêùe¦â iûG _âKûgý [ûù«, ùZùa ùi @ûceY Êû]ú^Zû -ice PkûA [ûù« û aòù\gú gûi^e cìùkû_ôûU^ Keòaû CùŸgýùe aò_æae iìZâ_ûZ Keò[òùf û iêùe¦â iûGu aýqòZß @Zêk^úd [òfû û Zûue cêLgâú ù~_eò _âbû_ì‰ð [òfû, aûKý iê¡û ùi_eò _âbûa_ì‰ð iêùe¦â iûGu ~ê¡ûbò~û^ fêUþ _ûUþ ^úZòcìkK [òfû û [òfû û Zûue aûMàòZûùe gZî c¤ @û^êMZý ÊúKûe ]^úcû^uVûeê ]^ @ûYò jú^cû^uê aûòù\aû eêhúd ^úZò Keê[òùf û AõùeR bdbúZ Rcò\ûe, ùMø«ò@û I _âRûcûù^ ùi i´f_êeùe _â[c ù\LûA ù\A[òùf û @û\òaûiú Zûu aûKýùe @ûgßÉ ùjûA aò_æaú\kbêq ùjûA[òùf û R^iû]ûeY iêùe¦â iûGuê AÁù\aZû ùaûfò AõùeR ieKûeu ùi^û c¤ Zûu \kùe cògò ~ûA[òùf û aògßûi Keò[òùf û ùi fêY×òZ ]^ùe aò_æaú ùi^ûe JUHARùaZ^ PkûA C\þaé ]^ \êüLú \eò\âcû^uê aûò iêùe¦â iûG lê\âùi^û ùN^ò aâòUòg ùi^û ijòZ Meòfû ù\C[òùf û Zûue baòhýZþ _ûAñ ùi K_ŸðK iê¡û id ~ê¡ _âYûkúùe iõMâûc PkûA KéZKû~ðý ùjûA[òùfû Zûue Keò eLò ^[òùf û ùi ù~Cñ icdùe aò_æaúùi^ûuê @ûKâcY ]cðcìkK [òfû û ùi aògßûiNûZú aâòUòg @^êMZ aò\ûd ù\A[òùf, ùiùZùaùk ieKûeuê @[ð iûjû~ý Rcò\ûe I ùMø«ò@ûcû^uê _â[cùe iûa]û^ Keò _ùe cûMò[òùf û G[òeê Zûue @û[ðòK _eòiÚòZò ijRùe ùicû^uê @ûKâcY Keò[òùf û Zûue aò_æae cêLýKûeY @^êùcd û aò_æaú ùi^ûcû^u c¤ùe ùKjò ùKjò Zûue eûRiòõjûi^ fûb ^ [òfû û ùi @ûaûfý aòù\gú eûRZße gqò ^òùh] iùß fêUþ_ûUþ Keê[òaû RûYò _ûeòùf, ùicû^uê aòùeû]ú [òùf û AõùeR aYòKcû^ue eûRý _âZòÂûe ÊjÉùe gq \Š ù\aûKê QûWê ^[òùf û G[òeê ijRùe

12 Juhar Surta 2018 RYû~ûG ù~, ùi @^ûPûe aû @ZýûPûeKê _âgâd ù\A júeûKê\ a§ @ûù¦ûk^ùe i´f_êe- ^ûeúgqòe ^[òùf û ^ò\gð^ _eò\éÁ ùjûA[òfû û Giaê NUYûeê RYû~ûG ù~, ùPøjûYaúe iêùe¦â iûGu iìlþc geúe i´f_êe cûUò, Zûue @ûZàic_ðY iciýûùe ùi @agý Qk^û _ûYò, _a^, ùZR I @ûKûgùe _âz^Ü bûaùe ejò@Qò Gaõ Keò[òùf û KûeY Zûuê ]eòaû aýû_ûeùe AõùeR ieKûe ùakKûk CŠò cìðòcû^ eì_ùe _âKûgòZ ùjC@Qò û G Ròfäûùe \c^ ^úZòe ùgh @bò^d ù\LûA [òùf û cjûeûYú bòùKÖûeò@ûu gû«ò ùNûhYûeê ùKak i´f_êe ùPøjûYaúe iêùe¦â iûG céZêý _ìaðeê ù^ù_ûfòd^u Ròfäû aòZ ùjûA[òfû û Mb‰ðe ùRù^eûf fWð Kýû^òõ _eò Zûue céZ geúee CAfþ Keò ~ûA[òùf û Zûue i´f_êe eûRýe \ûaú _ì‰ð ^ Keò AõùeR ieKûeu ga iõÄûe @ûiòeMW gàgû^ùe ^ Keò i´f_êe icÉ eûRgqò i´f_êe - aò_æa \c^ iKûùg ^òùdûM cjû^\ú eûRgàgû^ùe KeòaûKê ùi @ûiòeMW ùRf Keò[òùf û iê_eòùUùŠuê Zûue _âdûùYû^à êLú @û¸ûe @ûiûe @ûKûõlû

RYûA ù\A[òùf û ùlûbe aòhd ù~, AõùeR ieKûe Gjû HZòjûiòKcû^u \ßûeû _âcûYòZ ùjûA@Qò ù~; ùijò aúe a¦úu céZ geúeKê iê¡û bìZmû^ùe bd bûeZúd RûZúd RûMeY iað _â[cùe i´f_êeeê Keò[òùf û ùijòicdùe ù~ûMZü iêùe¦â iûGu GKcûZâ Gaõ iêùe¦â iûGu cÉòÃeê CVò[òfû û iò_ûjú aòù\âûjûMÜò iê_êZâ còZâbû^ê iûG I bûA ]îaiûG @ûiòeMW ùRfùe ^òaðû_òZ ùjfû_ùe iê¡û 5 ahð _~ðý« ùijò @MÜò i´f_êee ejò[òùf û ùicûù^ aòùgh ùPÁûKeò gaiõÄûe a^_aðZùe Rkò AõùeR ieKûeuê aòPkòZ Keò KeòaûKê @^êcZò _ûA[òùfû @Ì\ò^ _ùe ù\A[òfû û i´f_êe eûRýe aòùghZß GjòVûùe ù\LòaûKê còZâbû^ê iûG Rûcò^þùe ùRfeê cêqò_ûA aYûA còùk û @ûiò Zûu2018 _òZûu geúee Kêg_òZêkû ]cðgûÈcùZ iêùe¦â iûGu aò^gße iÚëk geúe 1884 LâúÁû±ùe aâûjàYú^\ú- NûUùe \Mþ] Keò _òZûue @ù«ýÁòKéZý ^ûM_êe @ûiòeMWiÚ gàgû^ùe _õPbìZùe còkò ~ûA[òfû; iõ_û\^ Keò[òùf û Kò«ê Zûue @aò^gße iìlàgeúe (@ûZàû) i´f_êee aé[û ù\ûhûùeû_ _bìZùe iòZ ejò@Qò û 1921 ciòjûùe cjûZàûMû§úu aòù\gú aRð^ ZûfòKûbêq QûZâcû^ue ÄêfaRð^^úZò _êeûYcû^uùe c]ý aýqòaòùgh _âZò aé[û icMâ bûeZahð c¤ùe iaðûùMâ i´f_êe Ròfäû Äêf ù\ûhûùeû_e @ù^K KûjûYú _XòaûKê gêYòaûKê còùk û _ûk^ Keò[òfû û KfòKZûe iê_âZòÂòZ ù\÷^òK _ZâòKûicìj eûRû eûcue eûRZß icdùe iZúgòùeûcYú iúZûeûYúu i´f_êe QûZâicûRe ùijò Kû~ðýe bìdiú _âgõiûaû\ _aòZâ PeòZâùe RùY ù]ûaûaêXû aé[û ù\ûhûùeû_ Keò[òfû Keò[òùf û C}kcYò ÊMðúd ùMû_a§ê \ûg Zûue Gaõ ùKùZK KûŠmû^aòjú^ _âRû Zûe K[ûKê ic[ð^ ijKcðú _ŠòZ gâú ^úkKY×JUHAR \ûgu ijòZ _âûKéZòK Keò[òùf û eûRû eûc iyeòZâû eûYúuê MbðaZú @aiÚûùe C}ke @^ýZâ C_~êq ùlZâ ^ ù\Lò i´f_êeiÚ aêXûeRû @eYýùe ^òaðûiòZû Keò[òfû û bêa^aòLýûZ cjûKaò _ûjûW C_ùe cjûZàûMû§úu ù_âeòZ ÄêfaRð^ aúR a_^ Kûkò\ûi eNêaõg cjûKûaýùe eûcPõ\âu cêLùe _âKûg Keò[òùf û Gjò lê\â _êÉKe ùfLKe c]ýc_êZâ gâúa› Keò[òùf ù~ û 149 RY QûZâ ijòZ aêXûeRû _ûjûWùe ibû Keò[òfû û ùi @ûC ÄêfKê ù`eò ^ [òfû û (ùfLK Cq aòaeY 1907 ciòjûùe còZâbû^ê iûGu cêjñeê gêYòaûKê _ûA[òfû ) ù\g cògâY @ûù¦ûk^ icdùe i´f_êeeê ùi[òe _âû[còK Kû~ðý @ûe¸ ùjûA[òfû (1902) 13 Juhar Surta 2018

2018

JUHAR

ùiøR^ý - KeêYûKe iê_Kûe

aúe iêùe¦â iûG (23/1/1809 - 23/5/1884) 14 Juhar Surta 2018 \òfäúùe aúe iêùe¦â iûGu céZêý gZaûhðòKú icûùeûj : GK ià Zòé ^ûeûdY _êùhVþ aâòUòg aòeê¡ùe aúe iêùe¦â iûGu \úNð iõMâûc jó ccjû^ûdK ùjûA ejòQ«ò û @^ý_ùU iõMâûce ùlZâ bûeZ AZòjûiùe GK ʉðòc @]ýûd û 38 ahðe Kûeûaûi c¤ aòÉéZ @aòbq i´f_êe RòfäûVê aðcû^e ^ì@û_Wû I \úNð 17 ahðe igÈ iõMâûc, ùKak bûeZ ^êùjñ, ùiVûeê KkûjûŠòe Rê^ûMW, Rd_êe I Z}ûkú^ ùiâûfþ aògß AZòjûie c¤ GK ù_âeYû\ûdú @ûùZàû›Mðe Mû[û û _âòbò^è (_ùe c¤_âù\g I aðcû^ QZògMWe aÉeeê aògße aòbò^Ü ù\ge cêqò iõMâûcùe ù^ZéZßùe _eòað^ ieMêRû _~ðý«) û ùijò_eò ù^ZéZß ù\aûe gqò c¤ [òfû ùjûAQò, cûZâ _½òc IWògûe Gj iõMâûceê ù^ZéZß Lêaþ gqògûkú û ùiùZùaùk aòbò^Ü eûRýe cêLý [òaû _eòað^ ùjûA^ûjó û @ûe¸eê ùgh _~ðý« iêùe¦â iûG MŠ aòõSûfþ, K§ _âbéZò @û\òaûiúcûù^ @ûKêY× Pò bûùa aúe iêùe¦â iûGu _âZcêðú 2018

JUHAR

15 Juhar Surta 2018 ic[ð^ RYûA[òùf û iõMâûce aûðû _âPûe, iõMV^ @ûdêùað\ KùfRe _eòPûk^û icòZò ùa÷VKùe I iõNhðe ~ê¡ ùKøgke \ûdòZß [òfû, iêùe¦â iûGu Z}ûkú^ iûõi\ ÊMðZ Ké_ûiò§ê ùbûA \òfäúùe iêùe¦â C_ùe û Giaê iùß aâòUòg Kðé_l I iûceòK Kû~ðýû^êÂû^ iûGu cjû_âdûY gZaûhðòKú icûùeûj _ûk^ iõ_Kðùe ù~ûMêñ @aiÚû PKâùe _Wò iêùe¦â iûG @ûZà ic_ðY Keò[òùf iìP^û ù\ùf û Z\þ @^ê~ûdú ^ùb´e c¤ bûMùe c¤ Giaê @kùe aòù\âûj ^òaðû_òZ ùjûA^[òfû û 1874 \òfäú Vûùe Zûu @¤lZûùe iþéZò _ûk^ fûMò GK RûZúd _~ðý« ~\òI bûeZe @^ýû^ý @õPkùe aâòUòg ieKûe KcòUò MVòZ ùjfû û W. baû^úgue \úlòZ Gjûe iõ_û\K aòù\âûj \c^ KeòaûKê ic[ð ùjûA[òùf û Gjûjó iêùe¦âu ejòùf û _âÉêZò KcòUòùe @ù^K eûRù^Zû, ÊMðZ aòNÜeûR afò ù^ZéZße _eòPd û _ùUfu bkò @ù^K Cy_\iÚ _âgûi^òK @]òKûeú I QûZâ ù~ûM ù\A[òùf û 1857 iõMâûcùe ù~ûM ù\A[òaû @^ýû^ý iõMâûcúu Vûeê iêùe¦âu ‘CfþMêfû^þ’ ùKøYiò MêYùe Kcþ 1984 ciòjûe ù`aédûeú 28 ZûeòLùe ^[òfû û cûZâ @^ýcûù^ aòbò^Ü KûeYeê AZòjûi _éÂûKê icûùeûjùe Z}ûkú^ _âZòelû eûÁâcªú gâú ùK._ò @ûiò Kò´\«ú ùjûA _ûeòùf, iêùe¦âu bûMýùe ùi iêù~ûM iòõjù\I @¤lZû Keò[òùf û cêLý @Zò[ò bûùa ù~ûM ù\A ~êUòfû ^ûjó û @lcYúd @aùjkûe ùi gòKûe ùjùf û ùK¦â ù~ûMûù~ûM cªú aò.G^þ.MûWMòfþ iêùe¦â iûGuê gâú Giþ.G^þ.ùi^þu \ßûeû ePòZ I bûeZ ieKûeu RùY cjû^þ aò_æaú bûùa gâ¡û¬kò mû_^ Keò WûKaòbûM \ßûeû _âKûgòZ ‘@Vegj gZûa^’ _êÉKùe iêùe¦â iûGu Ze`eê _âKûgòZ ÊZª f`û_û (`ûÁùW Kbeþ) Cù^àûP^ iõ_Kðùe @Zý« iõlò¯ bûùa iìP^û \ò@û ~ûAQò û Keò[òùf Gaõ2018 Lêaþ gúNâ WûK UòKU _âKûg Keû~òa ùaûfò 1955ùe _ŠòZ iì~ðý^ûeûdY \ûgu \ßûeû fòLòZ ùNûhYû Keò[Aùf û G ùfLK [òfû cêLýaqû AõeûRú ‘IWògûùe iò_ûjú aòù\âûje SfKþ’ _êÉKùe iêùe¦â iûGu bûhYùe iêùe¦âu ~ê¡ ùKøgk I C_^òùagaû\ @ûZàic_ðY iõ_Kðùe ù~Cñ ¯ee @^êaû\ \ò@û~ûAQò aòeê¡ùe Zûue \úNð iõMâûce a‰ð^û Keò[òfû û W. ùbûA ùi[òùe HZòjûiòK ZéUò[òaû RYû~ûAQò û bûeZúd AZòjûi I W. \úlòZ c¤ C\þùaû]^ ù\A[òùf û icûùeûjùe ajò Z \ìee K[û IWògûe AZòjûiùe c¤ ùi \úNð \ò^ ajêcªú, iûõi\, jûAùKûUð aòPûe_Zò, Kêk_Zò, _âù`ie, Cù_lòZ ùjûA ejòMùf û Zûjû jó @ûc fûMò aòW´^ûe aê¡òRúaúu iùcZ 3 jRûe ùgâûZû ù~ûM ù\A[òùf û Gjò K[û û i´f_êe aògßaò\þýûkd _âZòÂû _ìaðeê ùKak ÊMðZ HZòjûiòK icûùeûj iõ_Kðùe AõeûRú, jò¦ú I IWò@û Kaò bìhY iù_Ügße \ûgu ùPøjû^aúe iêùe¦â iûG I Lae KûMRùe aòÉéZ aòaeYú _âKûg _ûA[òfû û ÊMðZ @^òeê¡ \ûgu aúe iêùe¦â iûG (Cbd AõeûRú I JUHARGjò icûùeûjùe \òfäúe GK eûÉûKê iêùe¦â iûGu IWò@ûùe) C_f² [ûG û iêùe¦â iûGu cjû_âdûY ^ûcùe ^ûcòZ Keòaû Gaõ _ûfðò@ûùc _eòieùe GK gZaûhðòKú ù`aédûeú 28, 1984ùe _ûA^ fûMò _âZòcìðò iÚû_^ fûMò \ûaò ùjûA[òfû û @ûc bkò Cù_lòZ i´f_êeùe aýû_K @ûùdûR^ fûMò 1983 ciòjûe c¤ ùfûKu \êbðûMý ù~, aðcû^ iê¡û G Ê_Ü iûKûe ùjûA bûMeê @ûùfûP^û I _âÉêZò @ûe¸ ùjûA~ûA[ûG û GjûKê _ûeò^ûjó û _ûk^ Keòaû fûMò IWògû ieKûe c¤ Z_ôeZû _âKûg Keê[û«ò û aògßaò\ýûkd Éeùe c¤ Kû~ðýKâc @ûe¸ iûMe _Wû, afûwúe Keû~ûA[ûG û ùijòahð \gjeû icdùe ^éiòõj^û[ 16 Juhar Surta 2018

@ûV Mûñ Rcò\ûeú Gaõ Rcò\ûe ]eciòõ cû^]ûZû cêùKg ajò\ûe

1800 ciòjûe K[û icMâ bûeZ ahðùe Êû]ú^Zû Keê[òùf û Kò«ê C\þùaMe aòhd Cq @ûVMûñ Rcò\ûe iõMâûce ^ò@û Rkòaû @ûe¸ ùjûAiûeò[ûG û iað bûeZúd @ûRò GK @RYû AZòjûiùe _eòYZ ùjûA~ûAQ«ò û @ûV Éeùe Z}ûkú^ Êû]ú^Zû iõMâûcúcûù^ ^òR ù^ZéZßùe Mûñ Rcò\ûeúe ùgh i«K Rcò\ûe aLeû @ûRò bMÜ Éì_ùe aâòUòg gûi^Kê aòùeû] Keê[û«ò û jòcûkdeê K^ýûKêcûeú _eòYZ ùjaûKê aiòQò û ù~_eò Êû]ú^Zû iõMâûcùe ^òRe Gaõ Kz C_Kìkeê iòfòMêWò _~ðý« iaê@ûùW aâòUòg iaðÊ ZýûM Keò[òaû Rcò\ûeuê @ûRò icùÉ bêfò ~ûAQ«ò û gûi^Kê aòùeû] Keò iõMâûcúcûù^ ^òRe ajêcêfý Rúa^e Rcò\ûeúe C_ôò - _ûUYû ùÁUe _â[c eûcP¦â akò ù\C[û«ò û ùijò icdùe 1817 ciòjûùe _â[c [e ù\Iu eûRêZò icdùe @ûV Mûñe K§ Rcò\ûe VûKêe _ûAñ aKèò RMa§êu ù^ZéZßùe IWògûùe _ûAK aòù\âûje iòõ cûSú eûRûu aòeê¡ùe ùKøYiò KûeY agZü ~ê¡ WûKeû \ò@û~ûA[òfû û _ùe _ùe 1857ùe cwf_ûùŠu Keò[òùf û `kùe Zûuê céZêý \Š \ò@û~ûA _ùe Zûu ù^ZéZßùe iò_ûjú aòù\âûj bkò @ù^K aòù\âûj aâòUòg eûR _eòaûe ùijò icdùe ùaûWûi´e Rcò\ûeu geY aòeê¡ùe cêŠ ùUKòaûKê aiòfû û @_e_ùl ZéYcìkÉeùe 2018 ù^A[òùf û _eaðú icdùe c¤ùe bì_ûf ù\I _ûUYû _½òc IWògûùe aúe iêùe¦â iûGu ù^ZéZßùe Mûñ Mûñùe AõùeR gûi^ aòùeû]ùe ^ò@ûñ Rkòfû û ~ûjûKê iÚû^úd @õPke Rcò\ûe, aòbò^Ü iõ_â\ûde ù^Zû ic[ð^ Keê[òùf û Kò«ê Cq icdùe Z}ûkú^ _ûUYû ùÁU Z[û aðcû^e afûõMúe Ròfäû C_KY×iÚ @ûVMûñeJUHAR Rcò\ûe ]ec iòõ cû^]ûZû _ûUYû @õPkùe AõùeR gûi^ aòùeû] Rûeò eLò[òùf û G[ò ijòZ iêùe¦â iûG Gaõ Nêcie K§ùckò aòù\âûje ^ûdK PKeû ]ec iòõue aûiiÚû^ aòùgûAuê aòù\âûjùe ijù~ûM

17 Juhar Surta 2018 eûRýe eûRû eìù_ @bòhòq ùjaû _ùe VûKêe iòõ cûSúu \ûdû\ ùfûK^û[ cûSúuê @ûV Mûñ Rcò\ûeúùe _ê^ü iÚû_^ Keò[òùf û VòK Gjò icdùe ùaûWûi´e Rcò\ûe I eûRû bì_ûf ù\Iu c¤ùe @iù«ûh iéÁò ùjûA[òfû û KûeY _eµeû @^ê~ûdú _ûUYû eûRû cû^u @bòùhK ùaùk ùaûWûi´ee Rcò\ûe cûù^ eûRûcû^u cìŠùe _ûM aû§ò @bòùhK KeûC[òùf û ùi[ò_ûAñ ùaûWûi´ee Rcò\ûecûù^ @ûMf_êe, ùaf_Wû, NiòG^ Gjò_eò Zò^òUò Keò@ûYòùf û Rcò\ûe aeòjû eûRûuVûeê lcû _ûA _ê^½ _âMYûe eûRÊ C_ùbûM Keò@ûiê[òùf û Kò«ê _ûUYûe ^òR Rcò\ûeú ù`eò ~ûA[òùf û Kò«ê ]ec iòõ cûSúu Z}ûkú^ ù\Ißû^ akb\â eûGu KêcªYûùe _âbûaòZ 2018 @\cý iûji I aògßi^údZû _ûAñ _ûUYû eûRû Zûuê ùjûA cjûeûR bì_ûf ù\I Gjò Zò^òUò _âMYû ùaûWûi´e cû^]Zû C_û]òùe bìhòZ Keòaû ijòZ _AZû ]ûeYû _ûAñ Rcò\ûeeê Cùz\ Keòù^A[òùf û G[òùe ~ê¡ ùjûA @^êcZò ù\A[òùf û ùijò \ò^Vûeê _ûUYû eûRýùe @ûV Mûñ ùaûWûi´e Rcò\ûe eûcRûf aeòjû _ûUYû cjûeûRu Rcò\ûeu c~ðýû\û \òIßû^u ijòZ icKl [òfû û aòeê¡ùe cêq iõMâûc ùNûhYû Keò[òùf û cjûeûR aòù\âûje \c^ _ûAñ \òIßû^Kê ùaûWûi´e @bòcêùL _VûA[òùf û ]ec iòõu - @ûV Mûñ c¤ùe Rcò\ûeu \êA cjfû cûZâ @]ê^ûZ^ ùfûAiòõjû iÚòZ aûaòaûjûfVûùe aògòÁ GK cjf ejòQò û ~ûjû ùaf @Vû, MêW, fûL I \òIßû^ akb\â eûG ùgûP^úd bûaùe _eûÉ ùjûA PìWû @û\ò _ûeõ_eòK ^òcðûY \âaýùe ^òcðòZ ùjûA[òfû û céZêýaeY Keò[òùf û eûRû G[òùe ccðûjZ ùjûA Kò«ê aðcû^ Gjû ReûRú‰ð @aiÚûùe _Wò ejòQò û cjfe ^òùR ùaûWûi´e aòeê¡ùe JUHARùi÷^ýiûc« ijòZ ~ê¡Kê _Q_U aûc _ûgßðùe aÉùe^þ ù\aúu c¦òe ejòQò û Mùf û Kò«ê eûÉûùe MûfðiòùfUVûùe eûRûue Gjûe _Q _Uùe GK Rkûgd ejòQò ~ûjûKê ùfûK^û[ @ÈgÈ GK @MÜò \êNðUYûùe ^Á ùjûA~ûA[òfû û cûSú L^^ KeûA[òaû Kêjû~ûG û cjfe _Q_U WûjûY ùi[ò_ûAñ Zûuê aû¤ ùjûA _âZýûað^ KeòaûKê _Wò[òfû û cûZâ bûMùe @ûC GK c¦òe ejòQò ~ûjûKê _êWû_ûU c¦òe aòù\âûj ^ [còaûeê cjûeûR Z}ûkú^ @ûV Mûñ Kêjû~ûG û ù~CñVò aeêf aêXû, bûfê_ûU, _êWû_ûU, iòùKe Rcò\ûe Z[û ùfûK^û[ cûSúu _ê@ ]ec iòõ cûSúuê _ûU, a¦LùW^, _ûULŠû, Kkû_ûU I @§ûe aûjêZò @û\ò aû\òaûjûf @bòcêùL ù_âeYû Keò[òùf û Rcò\ûe ]ec iòõ ù\aûù\aú _ìRû _ûCQ«ò û c¦òe iûc^þû PCeûùe aòù\âûjú eûcRûf aeòjûuê _eûÉ Keò eûRûu ^òKUKê a¦ò cûùjgßeú, Lù´gßeú, iêùegßeú, _ûUùYgßeú, K§ aêXû-

18 Juhar Surta 2018 @]òKûeú [òùf û Zûue _âûd 1400 GKe Pûh Rcò [òfû û ~ûjû aðcû^e aêXûaûjûf, fêjêùe^_ûfò, a^aûjûf, ajfbêa^, @ûVMûñ, @GñfûPì@ûñ, cûKePì@ûñ, aeKû^ú @û\ò @k c¤ùe ejò[òfû û G_eòKò Zûu icdùe icùÉ Lêiò [òùf ùaûfò ùi icde ùKùZK _êeêLû aýqò Kjò[û«ò û

céZêý - eûRû bì_ûf ù\Iu _ùe Kù§^aêXò, RùW^aêXú Z[û PChVò ù~ûMò^ú _ìRû Zûu _êZâ júeûaRâe _û@û«ò û cjfe Pûeò_ùU MêeêR L´û iÚû_^ Keû~ûAQò û ù\I icdùe aòbò^Ü iÚû^ùe AõùeRcû^u aòeê¡ùe ~ûjûKê cjfe aûÉê aò]ò ùaûfò Kêjû~ûA[ûG û aðcû^ aò @û\òaûiúu2018 igÈ @ûù¦ûk^ Peciúcûùe _jò GVûùe _ìRûyð^û Pûfê@Qò û ahðe ùP÷Zâ I @ûgßú^ cûiùe iûeò[òfû û Gjò icdùe Nêcie I K§cû^kùe K§cûù^ GVûùe aGf ~ûZâû ùjûA[ûG û PKeû aòùgûAu ù^ZéZßùe AõùeR aòeê¡ùe iõMâûc Rûeò Rcò\ûe ]ec iòõ RùY Cc ù~û¡û [òùf û eûc jeòuê eLò[òùf û Gjò iõMâûce ajÜò KkûjûŠò I _ûUYûKê c¤ aýû_ò _eûÉ Keò @ûe¸ Keò[òaû Rcò\ûeú gûi^ùe ùi ~ê¡Kê iûeò[òfû û Rwf I _ûjûWùe fêPò fêPò Liò@ûiò PKeû _i¦ Keê^[òùf û Z[û_ò @ûRò @ù^K @ÈgÈ C¡ûe aòùgûA _ûUYûùe _jò[òùf û ù~ùjZê @ûV Mûñ Rcò\ûe Keò[òùf û ùi[òeê KòQò @ÈgÈ @ûRò aò bMÜ c¦òeùe eLò ]ec iòõ cûSú c¤ RùY K§ iõ_â\ûde Rcò\ûe [òùf _ìRû Keû~ûCQò û cjfe iûcÜûùe Rcò\ûeu @gß aûjò^ú ùi Zûuê @ûgâd _â\û^ Keò[òùf û cûZâ G aòhdùe ùMûeû _ûAñ GK ùNûWûgûk ^òcðòZ ùjûA[òfû û ~ûjû aðcû^ iûùja Lae _ûA ieKûeu _âZò^ò]ò bûaùe ùfù`þU^û @^ûa^û MQùe _eò_ì‰ð û GVûùeJUHAR WKûjKû ^ûcK GK ice ùcKùWû^ûfØ Gaõ K§cû^ke Zjiòf\ûe \ò^a§ê aû\ý~ª [òfû û ~ûjû gZâêe @ûKâcY icdùe ùi÷^ýcû^uê _…^ûdKuê ù_âeY Keò[òùf û cûZâ G aòhdùe _ìaðeê GKZâòZ Keòaû _ûAñ aýajûe Keû~ûC[òfû û Kêjû~ûG ]eciòõ cûSú iìP^û _ûA~òaûeê PKeû aòùgûAuê LùiA ù~, Gjû aûRòaû _ùe Rwf bòZùe fêPò ejê[òaû icÉ ù\A AõùeRcû^u ijòZ fXò[òùf û ùghùe aâòUòg cû^u @û\òaûiú cjf _ûLùe @ûiò GKZâòZ ùjC[òùf Gaõ jûZùe ]eû _Wò ùRfùe Zûue céZêý NUò[òfû û ~\òI iõNa¡ bûaùe gZîKê @ûKâcY Keê[òùf û _ûUYû eûRýe ùi RùY \¸gûkú Rcò\ûe [òùf û ùjùf Zûuê afûwúe AZòjûiùe Zûuê ~[û[ð c~ðýû\ûa« iÚû^ ù\aû gûi^ aýaiÚû - ùfûKK[û @^êiûùe ]eciòõ cûSú @ûce Kðaý û RùY _âRûa›k Rcò\ûe [òùf û ùi ùcûU 109 ùcøRû Rcòe 19 Juhar Surta 2018

aògßcû^aaû\ @ûCeþ i^ÚKaò búcùbûA iêgâú iéR^ú cògâ-Zâò_ûVú

~êM ~êMeê ùKùZù~ cjû^þ_êeêhþ, ~êM_êeêh cûù^ @bûaþ [ôfû @ûCeþ Qê@ûùaùf ai«ùeûMùe _úWÿòZþ _êeþ[ôùe gû«ò @ûeþ ùc÷Zâúeþ Mû[û MûA @ûiòQ^þ @ûC Acûù^ ùjAKeò ùi ZûKeþ \éÁògqò jùeA aiò[ôùf û ùQûUþ icûRþùK bfþ \òMþùe @Mâieþ ùjaûeþ fûMò aûUþ ù\ùLA \ò^Vû^ê ùi Zûueþ cûñ @ûeþ aû_û \êjòRYþKê jùeA @ûiòQ^þ û A cê^êhþ icûRþ ùK Zûe Kðaý \òùM aXþaûeþ [ôùf û ^òReþ ù_Uþ _êhþaûeþ fûMò Qê@ûùU \ò^ê ùi MûBRMò fûMò G«û cjû_êeêhþ cû^Keþ bìcòKû Zêf^û Keû~ûA Keò Rúa^þ aòZC[ôùf û gê^û~ûGiò ù~ 4aQeþ adiþ ^ûAñ_ûùe û ù\LþaûùK Mùf ~êM_êeêhcû^ueþ \òMþ\gð^þUû ùafþùK ùi MêùU @\þbêZþ ù~ûMúeþ \gð^þ _ûA[ôùf û @ûC @ûceþ bûeZúd iõÄéZòe jò cêf]ûeþ @ûG, ù~^þUûùK ùijò\ò^ê ùi cjòcû ]ecþ _âZò @ûCeþ cû^aþ icûReþ KfýûY ]eòKeò @ûceþ GWÿþKò aòeûUþ _êeþ[ô [ô iõÄéZòeþ ù_ûhY @ûeþ \òMþùe @Mâieþ ùjA[ôùf û ùjùf \êüLþ @ûC KÁ Zûueþ @ûe¸ iõba ùjAùQ û _òQû QûWê^ûAñ[ûA û R^cþeê @§ [ôùf ùi[ôùe ù`eþ Zkò@û K^ _eòaûeùe R^cþ ù^A[ôùf û ù_Uþ _êhþaûeþ fûMò ùi A[ôeþfûMò _ùjfû \eKûeþ ^òReþ cûñ-cûGUþe _âZò MûA Peûaûe @ûe¸ Kùf 12 aehþ adiùe û ùQûU i¹û^þ, ccþZû @ûeþ ge]û iõùM ùi cûGUþùe R^cþ \ò^êñ MúZþ MûGaûùe ùi ajêZþ @ûMâjú [ôùf, A@ûWÿê iò@ûWÿê ù^A[ôaû cjû^þ_êeêhþ cû^uê ^òùR PòjÜòaû @ûeþ fêKþKê RêùUA RêùUA bR^þ cûù^ icKê gê^C[ôùf û Kêjû~ûGiò PòjÜûaûeþUû û ^òReþ cûñ cûGUþe ù~^þ ^òR_^ò@ûñ @ùQ, AUû 2018 ù~ ùK«ûKeò @bò^Ü @ûeþ RMZþe cwfþ fûMò ùKùZ ù~ \eKûeþ ùiUûùK C_f²ò Keò Keò ù\gþ aòù\gþùe _âPûeþ _âiûeþ KeþaûeUû jó @ûceþ CùŸgý ùjaûeþ K[û û @ûceþ @keþ Meaþ @ûeþ ùMøeaþ, icûRe RùY jòZKûeú, i^ÚKaò búcùbûAue _êeû Rúa^Uû MêùU cû^aþaû\ú ~ûZâû û búcùbûA RùY IWÿò@û Kaò @ûeþ cjòcû ]ecþ _âPûeKþ [ôùf û búcùbûA RùY i^ÚKaò bûaùe _eòPòZþ û Zûueþ ePþ^û iaêùe cû^aþ]ecþ, \gð^þ I Rúa^þùK Lêaþ JUHARiefþ bûaþùe a‰ð^û Keû~ûAùQ û búcùbûA K§ iõ_â\ûde MêùU @û\òaûiú _eòaûeþùe R^cþ ù^A[ôùf û Kêjû~ûGiò ùi i´fþ_êeþe ùeXÿûùLûfþ Vûù^ R^cþ ù^A[ôùf û Zûueþ R^cþ iÚû^þùK ù^AKeò Gùa aò MùahYû @ûeþ aû\þaòaû\þ PûfòùQ û Kò´\«ú @ûeþ R^gâêZòe @ûKûeþùe, búcùbûAue Qê@û ùafþUû ajêZþ \êüLþ, KÁùe aòZòùQ û ùi ajêZþ Meòaþ [ôùf û Meòaþ GùZ C}Uþ [ôfû ù~ Lû^þ_û^þe aò ajêZþ 20 Juhar Surta 2018 ZûKeþ bR^þ gê^òKeò MûBcûù^ aò ù~ ù~^þù^ Peê[ôùf cjòcû ]cðe _âPûe @ûeê aòKûgùe cêLý bìcòKû MâjY ]ûAñ @ûC[ôùf ZûKeþ _ùQ _ùQ...û Keò[ôùf û @ù^Kþ bR^þ, RYûYþ ùPø_ûA @ûeþ Mâ^Ú ùi eP^û Keò~ûAQ^þ û ùi eP^û MêWÿûK bòZþeê gâéZò-^òùh] _âû[còK gòlû ùi fûb Keaûeê aõPòZ MúZû, ^òùað\- iû]^, @û\ò@« MúZû, @Á aòjûeú MúZû, ùjA[ôùf û ùjùf ùi [ôùf aòPlY iàeY gqòe @^ûa iõjòZû, búcùbûA cûkòKû, ÉêZò Pò«ûcYò @ûeþ ajêZþ @]ôKûeú û _òfûùakê ùi MúZþ MûGaûùe Zûue @ûMâj MêWÿûG PCZògû _âiò¡ò fûb KeòùQ û ùi icdùe IWÿò@û RYû_Wê[ôfû û cjòcû ]ecþe _âPûe _ìaðeê ùiicde MêùU iûjòZýùK icé¡ò Keþaûùe búcùbûAueþ cjß_ì‰ð bìcòKû MûdKþ bûùa ùi _eòPòZþ _ûA_ûeò[ôùf û gêYû~ûG ù~ ejòùQ û _½òc IWògûe ùfûKMúZ, ù~«û WûfLûA, eieùKfò, RûA`êf, A iaê ùg÷kúùe eû]ûKé¾ue bR^ ùi MêùU Agßeþ, MêùU icûRþ, @ûC MêùU ]ecþeþ aûðû iûeû eûARùK ùbUò ù\A[ôùf û Zûue cû^aaû\ú ù^AKeò “RMZþ C¡ûeþ” (liberation of entire world) Pò«û]ûeûùK Zûue KaòZû cû¤cùe ùi Lêa ieiþ bûaùe afò Zûueþ _âPûe, ùi Lfò@û_ûfò @ûgâcþeê @ûe¸ _eiò ù\AQ^þ û Zûue ùfL^úeê... Keò[ôùf û jòõiû, @juûe icûRþùe KêiõÄûeþ @ûeþ RûZò_â[û C_ùe aòùghþ Keò ùi Zûueþ @ûù^K ùfLû ejòùQ û _âûYúu @ûeZ \êüL @_âcòZ ù\Lê ù\Lê Kòaû ijê ùcû Rúa^ _ùQ ^ùKð _Wò[ûC RMZ C¡ûe ùjC búcùbûAueþ 4RY gòiý (aiê _Šû, jeò _Šû, cûKðŠ \ûi @ûC ]cðû^¦ \ûi) ùicûù^ búcùbûAueþ cêL^iéZ “the sorrow and agony of all beings are 4Uò bR^ fò_òa¡ Keþaûeþ fûMò ùfL^ú iûjû~ýùe immeasurable and who can tolerate seeing Zûk_Zâùe ùfLôaû @ûe¸ Keò[ôùf û Kêjû~ûGiò ù~ them ? Let my soul be condemned to hell 2018 @^^ý _âZòbûeþ @]ôKûeú búcùbûA GKû iûwùe bò^Ü and let the universe be redeemed” bò^Ü _âKûee 4Uò géZfòL^ Zûueþ 4RY gògýcû^þKê WÿûKò búcùbûAue A iê¦e ùfLû bûeZe iõaò]û^ _ûeê[ôùf û ùKûVeú _ûLùe RûMû _ûAKeò cû^aaû\e aûðû aj^ cjòcû ]ecþ ù~ùjZê KòQò ]ecþMâ^Ú ^ûA^ ùi KaòZû Keaûe iõùM iõùM ùMøea cŠ^ Keò@ûiêùQ û _êeû @ûeþ bR^þùK cû¤cþ aù^Aù^ùf, cjòcû ]ecþeþ ^òele [ôaûe iõùM iõùM @§ [ôaûeþ fûMò @fMû Kaò _âPûeþ _âiûeþ fûMò û A cû¤cùe ]ecþùK iek ùg÷kúùe cû^ue Pò«û]ûeû Zûuê ùagú _âbûaòZ ^ûAñ Keò_ûeò û ùi bûa^ûcôK \òMþ iûùw ù~ûWÿòKeò ù~^þ KaòZû ùfLê[ôùf ^òRe bò^þ _âZòbû MêùU @fMû eKceþ ùg÷kúùe Zûue iaê ùi KaòZû MêWÿûK @ûcôûZé¯ò @ûeþ gû«ò fûMò ~ù[Á [ôfû û KaòZûakú ùK eP^û KeòQ^þ û Zûue eP^û icûR ùK Zûueþ @ù^K bR^þ awkûùe @ûC Zûcòfþ bûhûùe aò MêùU ^ê@ûñ aûðû ù\A_ûeòùQ ûJUHAR Zûue bR^, RYûY @ûCeþ @^êaû\òZþ ùjAKeò ùagþ @û\éZþ ùjA_ûeòùQ û KaòZû cû¤cùe ùi ^òKU baòhýZùe MêùU Êz, iê¦e @ûCeþ _âZòÂòZ icûR MV^ fûMò _âû[ð^û Keò~ûAQ^þ û ùi icdùe RùY cû^aù_âcú aò_äaú bûùa Cbû icûRùe _âPkòZ RûZò_â[û, Cz ^òy, Qê@û-@Qê@ûñ ùb\ ùjA[ôùf û cìòð_ìRû @ûeþ aâûjàY cû^Keþ \ßûeû KcðKûŠùK bûa, KêiõÄûe @ûeê @§aògßûi aòeê¡ùe ajêZ MêùW ùi aògßûi ^ûAñ Keê[ûA û _âKéZòùe Mûñeþ cûGUþùe ùi Qû¦, PC_\ú @ûCeþ PCZòhû ùfLô~ûAQ^þ û Zûue Agßeueþ iû ùK ùLûRê[ôùf û cê^êhþ – cê^êhþ bòZþùe eP^û jòiûaùe MêùW cjòcû ùMûiûAñ ùK cûMð\gðK \ìeþZûùK Kcûaûeþ _âdûiþ Keò[ôùf û jòiûùa ù^AKeò ùiû^_êe Ròfäûe Lfò@û_ûfòVûù^ iZý-

21 Juhar Surta 2018 icûRþùe ^ûeúueþ @MââMZò, ^ûeúgòlûe _âPûeþ i^ÚKaò búcùbûAe ùfLûeê... aò Zûueþ ùfLûùe ù\LþaûùK còkê[ôfû û Zûueþ “iû]ê iêm R^ ùcûe ^]eòa ù\ûh @ù^Kþ ùfLû fêKò-Mfû^ û iáZò Pò«ûcYò Zûueþ cêLý cêLð Kaò @UA cêñ aûkêZ adi @a\û^ afò Kêjû~ûAiò û AUû 2000 Q¦ @ûCeþ Ké_û Keò[ôa ùaûfò @ûgòh KfýûY 200Uû ùaûfþ [ûAKeò A Mâ^ÚUû Zûueþ Rúa^þ, ]cð @ûeþ \gð^þùe Mê^Úû û iû]ê iêmR^ PeùY ùcû geY û (aâjà ^òeì_Y MúZû – Zâùdû\g @¤ûd) ùi cû^aþù_âcú Kaòue Pò«û]ûeû ù~ RMZþe C¡ûe @mû^ cêeêL _âûYú ù~ cêjó fûMò ùi[ôùe Zòùk cûZâ iù¦j ^ûAñ^ û cû^aþ icûRùK mû^, ]ûc, Kcð, ]cð cêñ ^ RûYA Zûue bf_ûAaûe @ûCeþ bûa ùK Zûue ùfL^ú Lêaþ iê¦eþ bûùa PòZâòY Keò@ùQ û Zfeþ ùfLû _\eê Zûue aûkêZ adi Pò ùcû aòbkòZ A _âKûe Pò«û]ûeû ùK VòKþKeò aêSòùjiò.... ù\ûh ù\a^ûjó ùcûùZ ùj iû]êi^Ú û” (@û\ò@« MúZû – GKû\g @¤ûd) “GKû LWÿMùe \g-_û cêŠ QòùWÿA bûeZþ ~êù¡ @ûùeK @wKê _ûù\ _âjûeòùf G @wKê ùcûeþ aûù]” û ceþaû ZKþ iêa‰ð_êeþ Ròfäûe Lfò@û_ûfòùK ^òReþ aûiiÚû^þ eìù_ ùi aûQò ù^A[ôùf û A _âiò¡ _úVþ Gùb ùi A _âKéZòe jeGKþ KYòKû bòZþùe AgßeþùK aò ùfûKùfûP^þùK _ìeûbûùa ^ûAñ @ûiò_ûeò û _âZò aehþ _ûC[ôùf û Zûueþ cùZ, iaê aÉê Agßeueþ iéÁò û Agßeue ùP÷Zâ _ì‰ðòcûùe Aù^ ~ûZþeû ùjiò @ûeþ ajêZþ bòWÿ fûMþiò û @ûKûe ^ûAñ, ùj[ôefûMò ùi ^òeûKûeþ, @ûCeþ ùfLô cûN _ì‰òðcûùe2018 108 Kkiþ ùgûbû~ûZâû iùw búcùbûAueþ ^ûAñjêG ùj[ôeþ fûMò ùi @ùfL, @ûC ù\Lô^ûAñ jêG ùi _û\êKû _ìRû Keû~ûGiò û AUû _âiò¡ cûNùckû eìù_ iùb @eì_ û aògê¡ @ù\ßZþaû\þe _âPûeK @û^þ ùi û @ù\ßZþ Rû^òQ^þ û aâjàaû\þ @^ê~ûdú _eõaâjà Vû^ê _ecûcôû Êcjòcûùe iaêVûù^ @ûcôû Êeì_þ _âKûgòZþ Rù^ c¤~êMeþ Kaò, @¤ûcôK aâjà\ûaú ùPZ^û ]ûeû ùjûAKeò iaêRûMûùe _ì‰ð aâjà Êeì_ùe aòeûRòZþ C_ûi^ûeþ _ìRûeú [ôùf i^ÚKaò búcùbûA û cû^aþ RûZò ùjAQ^þ û ZûefûMò iaê cê^êhþ, _gê, _lú bòZþùe aâjàùK fûMò búcùbûAueþ Rúa^þ C›Mð [ôfû û ZûeþfûMò Zûueþ \gð^þ KeþaûeþUû [ôfû i^ÚKaò búcùbûAueþ @û\gð @ûCeþ ^ûñeþ _âPûe _âiûeþ IWÿògûùe @ûeê IWÿògû aûjûùe KeòKeò \gð^þ û Zûueþ cû^aþ ù_âcú bûa^û @ûeþ Pò«û]ûeûùK fêKþcû^ueþ iûc^ûùK @û^ò_ûeòùf Zûueþ fûMò @ûceþ @iþfò i^þcû^þ iê¦eþ bûhû @ûeþ Pò«û]ûeûùe ùfLû ùjA_ûeþaû û @ûRò Rû^òKeò icKê Lêiò fûMþaû Kò ieKûeue ùjA[ôaûeþ Mâ^ÚMêWÿûK JUHARcû^aþ icûRþ fûMò ijcZò ùjAiûeòùQ afûwòe^ ù~^þ ùcWòKûfþ KùfR @ù^Kþÿ aûðûùK aLû^êùQ û Zûueþ aòeûUþ Pò«û]ûeû @ûCeþ Zò@ûeò ùjaû, ùiUûùK i^ÚKaò búcùbûAue ^ûñ ùe @gòlòZþ [ûA Keò aò GùZ iê¦eþ bûhûeþ aýajûeþ Zûuê ^ûcòZ KeûùjAùQ û AUû icûR fûMò Zûue @a\û^ iaêùaùk @ûceþ IWÿò@û iûjòZýùe @ceþ eLô[ôaû û @ûCeþ Zûue _âZòbûùK i^þcû^þ e _âZòeì_ @ûG û ~ûeþ\ßûeû gj gj bR^þ, PCZòhû, Mâ^Ú eP^û Keò~ûA[ôùf aò _eaðò _òXúùK aò Kaòue aòhdùe Rû^ò_ûeaûeþ MêùU ùi Zûueþ KaòZû cû¤cþùe ^òRþùK \ú^þ, jú^þ, @mû^þ, cêLð, cû¤c ùjA_ûeaû û @_ŠòZ afò _âKûg KeòQ^þ û A[ôeê Zûueþ cjû^Zûeþ iêeûMþ ^ì@ûñ\òfäú còfþiò û 22 Juhar Surta 2018 ^ì@ûñLûA Ciôa I icûR iõÄûeK Mwû]e cùj¦â Kêcûe ùcùje

Êbûa Kaò Mwû]e IWÿò@û iûjòZýe RùY @ckò^ cû]ýcùeö icMâ IWògûKê @Zý« bf_ûAaû ijòZ _âZòbûö ùi IWÿò@û iûjòZýKê Êz, ^òcðk I bûa_ì‰ð Keòaû CKôkaûiúuê GK _eòaûe bûaùe MâjY Keò @ûiòQ«òö ij icûRe iaê ùgâYúe _ûVK cû^u _ûAñ PeòZâe KaòMêeê eû]û^û[ eûd, _fäúKaò ^¦Kòùgûe ak, bqKaò M«ûNe iéÁò Keòaû ij icûRKê \òMþ\gð^ ù\A ~ûAQ«òö c]êiì\^ eûI, IWÿò@û Êûbòcû^e _âZúK CKôfùMøea ù~ùZùaùk IWò@û bûhûe iÚòZòKê ù^A _âgÜaûPú iéÁò c]êiì\^ \ûi, CKôkcYò _ŠòZ ùMû_a§ê \ûi, cdêeb¬ ùjûAQò, Gjûe @ÉòZß C_ùe @û @ûiòQò Gaõ “CWòdû cjûeûR gâúeûc P¦â b¬ ù\I, aýûiKaò `Kúe ùcûj^ GKþUû ÊZª bûhû ^G” ùaûfò Gjû C_ùe @ûKâcY ùjûAQò ùi^û_Zò, Êbûa Kaò Mwû]e ùcùje, CKôkcYò Gjò icdùe Mwû]e u iûeÊZ KéZò @ûcô_âKûg KeòQòö ùMû_a§ê \ûi, _ŠòZ ^úkKY× \ûi, _âcêL Kaò I iûjòZòýK icMâ ù\ge aòbò^Ü _âû«e IWò@û iûjòZòýK cûù^ GKZâòZ cûù^ ùfL^ú cû]ýcùe IWÿò@û bûhûe _âPûe I _âiûe _ûAñ ùjûA IWò@û bûhû, IWÿò@û iõÄéZò I IWÿò@ûe Êûbòcû^Kê C\ýc Rûeò eLòùfö aûcŠû eûRû iyò\û^¦ Zâòbêa^ ù\a, elû Keòaû _ûAñ GKZâòZ ùjûA~ûAQ«ò ‘CKôk i¹òk^ú’ _ŠòZ ^úkcYò2018 aò\ýûe^ô, aûMàú aògß^û[ Ke, cjûeûRû

JUHAR

23 Juhar Surta 2018 gâúeûc P¦â b¬ ù\I, aâRiê¦e \ûi, ùMû\ûaeúg aòùR_êee _âûKéZòK _eòùag Kaòuê cêMþ] Keò[ôfûö cògâ, aûfêùugße cògâ, _âcêL CKôk i¹òk^ú cû]ýcùe aòùR_êeaûiúu ijòZ Kaòu iõ_Kð @ûcôòK I @Zý« icMâ IWÿò@û bûhûbûhú @õPkKê GKZâúKeY ij IWÿò@û ùiøjûŸðý_ì‰ð [aûeê aòùR_êeaûiú Kaòuê Lêaþ bqò Keòaû cû^u c]ýùe GKZû _âZòÂû I IWÿò@û iûjòZýe _âPûe ijòZ @Riâ i¹û^ RYûC[ôùfö aòùR_êee ZZþKûkú^ Gaõ _âiûe _ûAñ iõKÌa¡ ùjûA[ôùfö G[ùe GK cêLý Rcò\ûe guhðY MWÿZò@û Kaòu _âZòbû ijòZ _eòPòZ [ôaû @õgMâjY Keò[ôùf Kaò Mwû]eö ijòZ iûjòZýû^êeûMú [ôùfö Kaòu _âZò Zûue ~ù[Á ‘^ì@ûñLûA’ ùjCQò _½òc IWÿògûe Kéhò bòòK MY_aðö i¹û^ [ôfûö @ù^K icdùe Kaòu ijòZ eûRaûUúùe Gjû bû\âa gêKä_l _cú Zò[ôùe _Wÿò[ûGö Gjû ]û^ aiò _âRû cû^ue iêL iêaò]û C_ùe @ûùfûP^û Keòaû C_ôû\^ ùjaûe icdö ^ì@ûñ]û^ùlZ ù\Lò Pûhò Lêiòùe ijòZ iûjòZýûùfûP^ûùe c]ý ^òcMÜ ejê[ôùfö Gjûe @ûcôjeû ùjûA _Wÿò[ûGö _â[ùc AÁù\aú icùfgßeúu gû« _eòùag, ùfûKu @ûcôòdZû bûa, bûAPûeû, _âKéZòe Vûùe ^ì@ûñ ]û^e ùbûM fMû~ûA[ûGö Pûhú Gjò ^ì@ûñ @_ìað ùgûbûeûgò, Rcò\ûeu iû^Üò]ý Zûuê Lêa @û^¦ ]û^Kê ^òRe AÁù\aZûuê ic_ðY Kfû_ùe ^òùR ù\C[ôfûö G_eò GK _eòùag Kaòuê ^òRe iaðùgâ Kûaý aýajûe Keò[ûGö Gjû ùjCQò bûAPûeûe _aðö ‘Z_Êò^ú’ eP^û _ûAñ ù_âeYû ù~ûMûA[ôfûö Zûu _eòaûe Gjò\ò^ _eòaûee i\iý cûù^ ~òG ù~CñVò [ôùf c]ý ejê[ôùf ae_ûfòùeö Zûu _êZâ bMaû^ ùcùje ^ì@ûñLûA GKZâ còkòZ ùjûA ^ì@ûñ LûA[û«òö ùijò\ò^ ^òR ^òR AÁù\ icdùe _ìaðeê QêUò ù^A _òZûuê ae_ûfò @ûiòaû _ûAñ cù^ aúuê @^Ü_ì‰ðû (flàú) bûaùe _ìRûKeò ^ì@ûñ ]û^ ic_ðY _KûA ù\A[ôùfö Kò«ê aòùR_êeaûiú ù~ùZùaùk GK[û Keòaû ijòZ ^ì@ûñ ]û^eê PûCk iõMâj Keò ùi[ôùe _âÉêZ RûYòùf, ùicûù^2018 ^ì@ûñLûA Ciôa Kaòu ijòZ c^ûAaû Lòeò Kò´û iêcòÁ ùbûM @_ðY Keò[û«òö MéjKðû Gjò\ò^ _ûAñ Rò\ ]eò aiòùfö G_eòKò “@û_Y ~\ò @ûc iwùe ^ì@ûñ fêMû _eò]û^ Keò gê¡ _ìZ bûaùe @Zý« ^òÂûe ijòZ ^ì@ûñ ^LûAùa @ûùc ^ì@ûñ LûAaê ^ûjó”ùaûfò Kjòùfö Zûu AÁù\aúu _ìRû Keò[û«òö Méje @^ý i\iýcûù^ c]ý @ûMâj ù\Lò Kaò aòùR_êeaûiúu ijòZ ^ì@ûñ LûAaûKê ^ò¿ò ^ì@ûñ fêMû _eò]û^ Keòaû _eõ_eû ejò @ûiòQòö ZZþ_ùe ù^ùfö ùi aòùR_êe aûiúuê ^òRe GK aòeûU _eòaûe ^ì@ûñ @^Üe _âiû\ (^aû^Ü)Kê Méje Kðû _eòaûee @^ý bûaùe aòPûe Keê[ôùfö ùijò ccðùe Zûu _êZâ _ûLKê i\iý cû^uê aòZeY _ìaðK GKZâ ùbûR^ Keò[û«òö Kaò GK _Zâ ùfLò RYûA ù\A[ôùfö ùi ùfLòùf - Gjò\ò^ icÉu Nùe Lòeò, _òVû, cŠû, KûKeû, eiaeû aòùR_êe @û\ò aòbò^Ü _âKûe iêcòÁ aý¬^ _âÉêZ ùjaûij Zû. 1-9-13 ^ì@ûñ ]û^eê iõMéjòZ PûCkeêJUHAR _âÉêZ @^Ü, iûeê, cêMWûkò _âòd bMaû^, ij aòbò^Ü _âKûe aý¬^ AÁù\aúuê ic_ðY _ùe GKZâ GVò ùfûùK @û¸uê QûWò ^ì@ûñ LûAaûKê ùlûb Keê@Q«òö aiò Kêùe_Zâùe _âÉêZ Lfò I \^ûùe ùbûR^ Keò[û«òö Zêù¸ ùiVûùe ^ì@ûñ ^LûAùf _Wûe ùfûùK \êüLòZ ùjaû ZZþ_ùe Nee aùdûùRý cû^uê ‘^ì@ûñLûA Rêjûe’ Keò i¸aö @ZGa Zêù¸ ùiVûùe _WûùfûKu ijòZ ^ì@ûñ @ûgúaðû\ ù^A[û«òö Gjò ^aû^ÜKê Kaò ^òùR _eòaûee cêLý LûAaö @ûù¸ iê¡û GVûùe ^ì@ûñ LAaêñö G[ôùe @^ýKòQò bûaùe @^ýû^ý i\iý cû^uê ù\A @ûiê[ôùfö 1913 aòPûe Keòa ^ûjòñö ciòjûùe Kaò aòùR_êeùe @aiÚû^ Keê[aû icdùe gâú Mwû]e ùcùje 24 Juhar Surta 2018 aòùR_êe aûiúu @ûMâjKê ùi GWò _ûeò^[ôùfö G[ôeê flý Keò G[ôùe iõÄûe @ûYòaûKê ù~Cñ aûKý-aûY Kaòu cjû^Zû I bâûZéZßbûaeç _eòPd còkò[ûGö ùijò _âùdûM KeòQ«ò Zûjû Kcþ iûjie K[û ^êùjñ! icdùe Kaòu MjYùe ^ì@ûñLûA Ciôa _ûk^ Keòaû ùi [ôùf iõÄûe]cðúö icûRe aòbò^Ü Éeùe ùiøbûMý aòùR_êe aûiúuê còkò[ôfûö ùKak bâûZéZßbûae ejò[ôaû KêiõÄûe, Kê_â[û @û\òe ùNûe aòùeû]úö iûcûRòK ùi _eòPd ù\A^ûjû«ò icûReê KêiõÄûe \ìe Keòaû _ûAñ Éeùe GK ùa÷_äaòK _eòað^ @ûYòaû [ôfû Zûue GK c]ý _\ùl_ ù^AQ«òö iê\ìe_âiûeú _âdûiö aòbò^Ü Kê_â[û I KêiõÄûeùe RRðeòZ ùi icdùe c]ý icûRùe \ê^ðúZò, @^ýûd icûR \òMjú^ ùjûA ejò~ûA[ôfûö Kaò Zûu _âòdZcû _^ôú @ZýûPûe, _egâúKûZeZû, KêiõÄûe beòò ejò[ôfûö gû«û ù\aúu céZêýùe @Zý« ccðûjZ ùjûA _Wò[ôùfö Cy RûZòe Z[ûK[ôZ gòlòZ ùfûùK ^òRe Êû[ð _ûAñ ù~ iõiûe PkûAaû Zûu _ûAñ KûVòKe_ûV ùjûA ~ûA[ôfûö ùKøYiò _^Úû @af´^ Keòaû _ûAñ _QûC^[ôùfö ^òRKê ùQûU ùQûU _ê@ Sò@uê _ûkòaû _ûAñ GK ÈúùfûKe @Zý« gòlòZ I Êûbòcû^ú bûaùe C_iÚû_òZ Keòaû ij @ûagýKZû ùi cùcð cùcð @^êba Keò[ôùfö ùi icdùe ù~ ùKøYiò jú^ _âdûiKê @af´^ Keòaû _ûAñ f{ûùaû] _^ôúe aòùdûMùe \ßòZúd _^ôú MâjY _ûAñ icûRùe ùKøYiò c]ý Keê^[ôùfö G iaê @ûPeY I aýajûe Mwû]eu aû]û ^[ôfûö G_eòKò _âbûagûkú ùfûùK GKû]ôK _^ôú \éÁòeê aû\ ~ûA^[ôfûö ùi icûRùe iùPZ^Zû c]ý MâjY Keê[ôùfö Kò«ê _Zòe aòùdûM _ùe aò]aû Èú @ûYòaû _ûAñ aýwûcôK bûaùe KùVûe bûhû _âùdûM Keòaû ùfûKUòe Ne iõ_ì‰ð CRêWò ~ûC[ôfûö ùi GK _eòZýq _ûAñ _QûA ^ûjû«òö ZûKê “c]ý ùaûfò[û«ò ]cð @aZûe” Rúa^ ù^A2018 ajêZ Uûjò Uû_eû c]ýùe GK fûõQòZ Rúa^ KaòZûùe ùfLòùf, - aòZûAaû _ûAñ aû]ý ùjC[ôfûö icûR ZûKê @Zò jú^ “c^ ~ûe aýÉ i\û _eÊ jeùY \éÁòùe ù\Lê[ôfûö G_eòKò @ù^K eûRýùe ùi ]^ ~û’e aò\kòZ MYòKû PeùY, icdùe iZú_â[ûe _âPk^ ù~ûMêñ Êûcúe PòZûMÜòùe Rúa^ ~û’ fl fl ùfûKue bûe ùRûejae\Éò _^ôúKê ù_ûWò \ò@û ~ûC[ôfûö Kò´û aò]aû ZûKê c]ý ùaûfò[û«ò ]cð @aZûeö Èú ùfûKKê G_eò cû^iòK ^ò~ðýûZ^û \ò@û ~ûC[ôfû ù~, aò\ýû ~û’e ùcûWê [ûG ]cð ^úZò cêŠ ùi _Zòe PòZûMÜòùe Sûi ù\aûKê aû]ý ùjC[ôfû Kò´û aê¡ò ~û’e Keê[ûG gZ iZý MêŠ, @ZàjZýû KeòaûKê _QûC^[ôfûö G_eò GK NéYý _â[ûKê eûRû ]ù^ KâúZ ùjC[ûG ~ûjûe aòPûe eûcùcûj^ eûd Zúaâ _âZòaû\ Keò aò]aû aòaûjKê iûcûRòK ZûKê c]ý ùaûfò [û«ò ]cð @aZûeö ÊúKéZò ù\aû_ûAñ _âdûi Keò[ôùfö GK[û Kò«ê Kaò ^òR bâcY LeP _ûAñ _ûA[ûGJUHAR bû Rúa^ùe ù\LûA ~ûAQ«òö ùi [ôùf ieKûeú PûKòeò@ûö LûA[ûG ùcûWò GùY \eò\âu c[û icûRùe Zûue ÊZª i¹û^ ejò[ôfûö ùi Pûjó[ôùf RùY Keê[ûG lcZûe @_aýajûe @aòaûjòZû iê¦eú K^ýûKê aòaûj Keò _ûeò[ûù«ö ZûKê c]ý ùaûfò[û«ò ]cð @aZûeö” Kò«ê G iõ_Kðùe ^òRe @Zò _âòd Kaò-Mêeê eû]û^û[ eûdu Vûùe RùY aò]aûuê aòaûj Keòaû GA[ôeê cù^jêG ùi icdùe c]ý iaê ùlZâùe _ûAñ ^òRe Azû aýq Keò[ôùfö eû]û^û[ eûd c]ý G \ê^ðúZò beò ejò[ôfûö aòPûe aýaiÚû I iû]ûeY Rúa^ Êz iõ_Kðùe GKcZ ùjûA Kaòuê GK _Zâùe ùfLòùf, - ^[ôaû RYû~ûGö AõùeR gûi^ icdùe gûi^ aýaiÚûKê 25 Juhar Surta 2018 gâú jeòü geYcþ cjûR^ _ûLùe a§ûù\A Kò´û @Zò @Ì cìfýùe aòKâd Keò iaò^d ^òùa\^ cò\õ, ùK¦âû_Wû Pkòaû _ûAñ _âdûi Keê[ôùfö @^ýcûù^ Rúa^ aûAaû gâù¡d cùjû\d iKûùg _\à K¦û, KAñ K¦û, cjêf iòSû, @gß[þ[ `k @û\ò Zû. 16-11-1897 LûA Rúa^ aûAaû _ûAñ ùPÁû Keê[ôùfö @ù^ùK ^òRe i«û^ i«Zòuê Lû\ý ù~ûMûA ^_ûeò @^ýVûùe aòKâd \ßòZúd \ûeû _eòMâj _âgÉ ^ùjùfùjñ aò]aû aòaûj KeòaûKê aû]ý ùjC[ôùfö @ûC ùKùZK Lû\ýûbûaeê ùi_eò \ìhYúd ^êùjñö @]ôKû adÄû aò]aû K^ýû iêfb céZêý cêLùe _Wê[ôùfö G_eò icdùe jARûe _âû\êbðûa ùjùf cêñ @iõKêPòZ Pòùe @û_Yuê aòaûj KeòaûKê _eòiÚòZòKê @ûjêeò RUòk I bdûaj Keòù\fûö _âZò\ò^ C_ù\g ù\aòö G_eò aòaûjùe @û_Yue @gû«òe ajê iõLûùe ùfûùK jARû Kakùe céZêý cêLùe _Wòaû @ûguû ^ûjóö iû]ûeY NUYû ùjûA~ûA[ôfûö ùfûùK Mûñ QûWò i_eòaûe @aKûg cùZ _ùe _Zâ ùfLòaòö @^ýZâ _kûAaû _ûAñ aû]ý ùjC[ôùfö G iõ_Kðùe @û_Yue Kaò_êZâ bMaû^ ùcùje ùfLòQ«ò, - “ùi icdùe eû]û^û[ eûd ae_ûfò aÉòe PZêŸòðMe \égý @Zò bdûaj ùjûA CVò[ôfûö Zû’_ùe Kaò Pµû ù\aú ^ûcK RùY aò]aû cjòkûuê PZêŸòðMùe ga _Wò ejò[ôaû ùjZê \ò^ \ßò_âjeùe aòaûj Keò[ôùf, @^ýcû^ue Uûjò Uû_eû I béKê^Kê c]ý ùfûùK Neê aûjûeòaûKê bd Keê[ôùfö ùi icdùe béùl_ ^Keòö _òZû @^ù^ýû_ûd ùjûA ^òRe _eòaûe I @^ý \êAUò @ijûd _eòaûeuê2018 ù^A ae_ûfò ^òKUiÚ ùMûUòG Lcûe ae_ûfòe ùfûK_âòd _âRûaiôk Rcò\ûe ^é_eûR (\û^úKUû) Nùe @ûgâd MâjY Keò[ôùfö Kò«ê G_eò iòõju ù\jû« _ùe Zûu ù_øZâ iìù~ðýû\d iòõj I búhY icdùe iê¡û ùi _âZò\ò^ _[ Cbd _ûgßðùe Zûu _ûgßðPe cû^u KêKcð I @ZýûPûe aòeê¡ùe c]ý _Wò[ôaû ga eûgòKê @ZòKâc Keò ^òRe KcðùlZâùe ù~ûM Mwû]e ùcùje Êe Cùûk^ Keò icûRùe gû«ò _âZòÂû ù\aû_ûAñ ae_ûfò Rcò\ûeu NeKê @ûiê[ôùf I i§ýû _ûAñ C\ýc Rûeò eLò[ôùfö ae_ûfòe aòbò^Ü iûcûRòK _ìaðeê ù`eò ~ûC[ôùfö Zûu cêLeê ae_ûfòe bdûaj iciýûe ijR icû]û^ _ûAñ I @^ýûd @ZýûPûee _eòiÚòZò aòhd gêYò @ûù¸ cûù^ bdbúZ ùjûA ~ûC[ôfêñ , _âZòaû\ _ûAñ R^iû]ûeYuê GK iõMV^ MV^ Keòaû _ûAñ Kò«ê ùi ùiùZùaùk @ûù\ø aòPkòZ ùjaû ù\Lû~ûC _eûcgð ù\A[ôùfö G \òMùe _â[c _\ùl_ Êeì_ ‘iû]ê ^[ôfûö _âZò\ò^ ùi \êA cûAf _[ ~ûA i§ýû _ìaðeê ù`eò icòZò’ ^ûcùe ae_ûfòe aògòÁ aýqò cû^uê ù^A GK iõiÚû JUHAR@ûiê[ôùfö Zûu iwùe [ôaû @ijûd aýqò cû^uê ùijò MV^ Keò[ôùfö Z}ûkú^ Rcò\ûe ùi[ôùe ibû_Zò [ôaû icdùe ùi ~[ûiû]ý iûjû~ý Keê[ôùfö ùi iaêùaùk ùaùk ^òùR iÚûdú iõ_û\K bûaùe cù^û^úZ ùjûA[ôùfö ^òR _ûLùe @Rú‰ð ^ûgK I jARû _âZòùh]K Jh] eLò ùi icdùe _âak bûaùe RûZò_â[û ejò[ôùf c]ý ùi @ûagýK ùjùf ^òùR aýajûe Keê[ôùf I @^ý cû^uê ùKøYiò RûZò aû iõ_â\ûdKê ^êý^ \éÁòùe ù\Lê^[ôùfö ù\C[ôùfö” ùcûe ùRùRu Vûeê gêYòQò ùi icdùe 1900 LâúÁû±ùe _âak \êbòðlùe ùfûùK ùbûK ùKøYiò Cy ^úP aûQ aòPûe ^Keò cû^aòKZû \éÁò ùKûYeê C_ûiùe @Kûkùe Ukò _Wê[ôùfö @aiÚûiµ^Ü _eòaûeu RûZò ]cð a‰ð ^òaòðùghùe c^ùe ùKøYiò NéYû bûa ù_ûhY Nùe ~ûjûKòQò iê^û, eì_û, Kõiû, _òk @û\ò [ôfû Zûjû ^Keò @ijûdu ùiaûùe ^òRKê iõ_ì‰ð bûaùe ic_ðY Keò 26 Juhar Surta 2018 ù\A[ôùfö ~ûjûKò @^ý cû^u _ûAñ ù_âeYûe Ciô ùjûA _eòaûee iað cwk ùja ùaûfò ùfûKu aògßûi ejò[ôfûö ejòMfûö jARûKê VûKêeûYúue @bògû_ ùaûfò ùfûKu G NéYý _eõ_eû aòeê¡ùe iùPZ^Zû iéÁò Keòaû _ûAñ c^ùe ù~Cñ bd [ôfû Zûj \ìe Keòaû _ûAñ I c^ùe ùi ùPÁòZ [ôùfö Zûu _òZûu @ckeê G _eõ_eû Zûu iûji iõPd Keò _eòiÚòZòKê iûc^û Keòaû _ûAñ _eûcgð _eòaûeùe ^[ôfû, ùi iõ_ì‰ð iûZßòK eúZòùe _ìRû ù\C[ôùfö Keê[ôùfö Gjû ù\Lò icûRe ajê ùfûK @û½~ðý _âKûg ùi icdùe ùcùje (bêfò@û) icûRùe Keê[ôaû @ûùc Zûu Rúa^úeê RûYêö Zûu _âbûaùe ùcùje @ù^K KêiõÄûe _êeò ejò[ôfûö ùfûKu c^eê KêiõÄûe icûRe @ù^K _eòaûe _âbûaòZ ùjûA akò _â[û _eò NéYý \ìe Keò GK ^òcðk icûR iÚû_^ _ûAñ ùPÁòZ [ôùfö Kû~ðýKê _eòjûe Keò iõ_ì‰ð iûßòK eúZòùe @ûRò _~ðý« ù\aú _úV cû^uùe I AÁ ù\aúu Vûùe ùfûùK cû^iòK _ìRû Keò @ûiê[ôaû ù\LòaûKê còkòQòö ùijò icdeê iûßòK Keò ùaû\û akò ajêk bûaùe ù\C[ôaûe ù\LòaûKê eúZòùe Kaò _eòaûeùe _ìRû Pûfò @ûiòQòö còkê[ôfûö akò_â[ûKê a¦ Keòaû _ûAñ ùi ùfûKuê _eûcgð 1924 ciòjû cûyð cûi 25 ZûeòL ùP÷Zâ Ké¾_l _cú ù\C[ôùfö ùcùje icûRùe ùi icdùe ^òRe AÁ ù\ Zò[ôùe Kaò ùcùje icûReê ùKùZK Kê_â[û I KêiõÄûe \ìe aúuê i«êÁ Keòaû _ûAñ Kkû ùaû\û, Kkû KêKêWû @û\ò akò Keò GK géõLkòZ icûR MV^ Keòaû CùŸgýùe “ùcùje ù\aûe _eµeû [ôfûö akò ù\aû \ßûeû cûñ i«êÁ ùjùa I cjûibû” e @ûjßû^ ù\A[ôùfö G[ôùe i´f_êe e @Ve ùMûUò MWRûZe ùcùje cûù^ ù~ûM ù\A[ôùfö _ûUYû, KkûjûŠò, LWò@ûk,2018 ùaø\, ùiû^_êe, i´f_êe `êfSe, iûewMW, P¦â_êe, _\à_êe @û\ò @õPkeê jRûe iõLýûùe ùcùje @ûiò ae_ûfòùe ù~ûM ù\A[ôùfö Gjû Zò^ò\ò^ ]eò Pûfò @ûiò[ôfûö G[ôùe icûRe jòZ \éÁòeê I aòbò^Ü iûcûRòK Kcðùe RûZò bûAu ijù~ûM C_ùe ^òdc cû^ _êÉòKûKûeùe _âYd^ ùjûA[ôfû, ~ûjûKò @ûRò _~ðý« RûZòbûA cûù^ ùcûUû ùcûUò bûaùe _ûk^ Keò @ûiêQ«òö @ce iûjòZý iéÁò Keò~ûA[ôaû Kaò Mwû]e Cc ù\g I icûR MV^ ij icûR iõÄûe _ûAñ c]ý C\ûjeY JUHARiéÁò Keò~ûAQ«ò Gjû RûYò aòiàòZ ùjaûKê _ùWö cjûibû _ùe _ùe MêeêZe @iêiÚ ùjûA ùP÷Zâ @cûaûiýû \ò^ icÉuê K¦ûA ùi Aj]ûc ZýûM Kùfö céZêý _ìaðeê ùi @Zò lúY KY×ùe Kjòùf, “cêñ iõiûeùe ùMûUòG Jh] MQ _eò [ôfò, Gjû_ùe Bgßu ~ûjû Azûö ” Mwû]e iáZò i\^, ae_ûfò (ùcû) 98617 68681 ùiøR^ý - @«~ýðcú cùje E mail: [email protected]

27 Juhar Surta 2018 Kkû Gaõ iõÄéZòe @^^ý bûÄ~ðý _\àgâú Wü iû]ê ùcùje eûRúa Kêcûe ^ûdK

IWògûe ùaø¡ Ròfäûùe [òaû GK @LýûZ _fäú G` [òGUe A^þÁòPêU @` A`ò@û, _ê^û Cbdùe ùag MêWùbfò_\eþ Vûùe 1940 ciòjûùe eû]û ùcûj^ i`kZûe ij _â[c ùgâYúùe _â[c ùjûA CúYð jê@«òö ùcùje Gaõ \ìZú ùcùjeu Iøeieê R^à fûb Keò[òaû aûÉaùe Kjòùf Mûñ eûcfúkû Zûuê ^ûUK c^Ä KeûG iû]ê ùcùje ù~ _eaðú icdùe cûdû ^Meú cê´ûAùe ~\ßûeû ùi Mûñùe _eòùahòZ ùQûU ùQûU GKûuòKûùe bûM ^òR aýqòZße _eûKûÂû ù\LûA ^ûUý Gaõ PkyòZâ RMZùe ù^aû ijòZ aò\ýûkd Gaõ cjûaò\ýûkd Éeùe aòbò^Ü GK ÊZª _eòPd iéÁò Keò[òùf Gjû Kc ùMøeae bìcòKûùe @aZúYð jê@«ò Gaõ _eaðú icdùe KfòKZû K[û ^êùjñö ^òR R^àiÚû^ ^òKUiÚ ù~ûMú_\e Mâûcùe Z[û _ê^û bkò ^Meúùe ejò ^ûUK Gaõ PkyòZâ i´§ùe _âû[còK gòlû icû¯ Keò Z}ûkú^ afûwòe Ròfäûe Zebû @]òK mû^ @ûjeY Keòaûe Ê_Ü ù\L«òö gòlû icû¯ _ùe c]ý AõeûRú aò\ýûkd ùe Gc.A Gaõ _ùe afûwúeiÚòZ 1966ùe cê´ûA aûjûe«ò Gaõ GK Kµû^úe _âWKè^ _é[úeûR Cy aò\ýûkdeê cýûUâòK icû¯ Kfû_ùe ùi cýûù^Re eìù_ Kûc Ke«òö ùiVûùe KòQò\ò^ iõNhð i´f_êe MõMû]e ùcùje cjûaò\ýûkdùe aòmû^ùe Kfû_ùe 2018iòù^cûùe aòùgh Kûc ^ _ûAaûeê KfòKZûKê iÜûZK _X«òö _ùe ^ûUK _âZò \êaðkZû [òaû KûeYeê ùi ù`eò ^ûUKùe cù^û^òùag Ke«òö ùiVûùe aògòÁ eaú¦â bûeZú aògßaò\ýûkdeê Wâûcûùe Wòù_äûcû Gaõ `òfà iòù^ ^òùŸðgK gýûc ùa^òMfu iõÆgðùe @ûiòfû _ùe

JUHAR

Rêjûe _eòaûe \ßûeû _\àgâú iû]ê ùcùjeuê i¹û^úZ Keû~ûA [òfû

28 Juhar Surta 2018 Zûuê _â[c `òfà Êeì bìa^ùiûcùe Kûc KeòaûKê iêù~ûM QûWòùf ùi ùagþ KòQò WKìýùcûeú iòù^cû Z[û còùkö Zûu akò @bò^d ù~ûMêñ _eaðú icdùe gýûc \ìe\gð^e iòeòGfùe c]ý Kûc KeòQ«ò ö Gjò Kûc ùa^òMf Zûuê @uêe Gaõ céMdû bkò iòù^cû iKûùg Keòaû c]ýùe ùi @û«RðûZòK LýûZò iµ^Ü ^òùŸðgK @bò^d _ûAñ Zûuê Pd^ Keòaû ij ^ògû« iòù^cûùe Zûuê iZýRòZ eûd, gýûc ùaù^Mûf, aê¡ù\a \ûiMê¯û, ij ^òùŸðgKe \ûdòZß @_ðY Ke«ò ö céYûk ùi^ Z[û Z_^ iòjÜûu iõÆgðùe @ûiòaûe ùiøbûMý fûb KeòQ«ö Zûu iciûcdòK @bòù^Zû G_eòKò @uêeùe Zûue cêK, \kòZ Kê¸ûe, c\ê@ûe @bòù^Zâúu c]ýùe Ic_êeú,^ûiòeêŸò^ gûjû, iaû^û bêcòKûùe ^òLêY @bò^d Zûuê ùgâ @bòù^Zû eìù_ 1974 @ûRcú @^ýZcö KkûKûe bûaùe @û«RðûZòK afðò^ `òfà ciòjûùe RûZúd _êeÄûe @ûYò\òGö @uêee i`kZû _ùe C›a 1975ùe ùi bûeZe _âZò^ò]ò \kùe, bûeZúd Zûuê @]òKeê @]òK Kûc còùk Gaõ Zûu ^ûcùe KkûZàK _ûù^ûecû iKûùg @ûkòK _ýûù^fe Rêýeú bûùa ùi `òfà KkûKûee ùcûje fûùM û Wü ùcùjeu cZùe 5[e (1982eê 1996 c]ýùe), RûZúd `òfà _êeÄûe KkûZàK iòù^cû KkûKûee ùcûje fûMò~òaû `kùe 1988 iKûùg MVòZ aòPûeK c`kúe i\iý bûùa, Zûue aýaiûdòK PkyòZâùe Kûc Keòaûe iêù~ûM iuêPòZ ^ì@û\òfäú Vûùe @^êÂòZ 32 Zc @û«RðûZúd PkyòZâ ùjûA~ûG ö @^ý \òMùe icû«eûk iòù^cûe _âZòÂûZû C›ae ùK¦âúd @ûùdûRK KcòUòe i\iý eìù_ Gaõ bûeZ ùMûÂúùe Zûu ^ûc ù~ûWòjêGö Gjò \éÁòeê ùi aýaiûd ieKûeu \ßûeû 1987 ciòjûùe @^êÂòZ 5c @û«RðûZúd PkyòZâVûeê @]òK @]òK \ìùeA Mfûùaùk Zûu ^ûc gògê PkyòZâ C›ae RùY KcòUòe i\iý eìù_ cù^û^úZ @ù^K icû«eûk iòù^cû ijòZ ù~ûWò jêG ~[û- ùjaû KòQò 2018Kc ùMøeae K[û ^êùjñö ^ògû«, c^Ú^, A^Kûe, PeûPe, céMdû, _[ AZýû\òö ùKak ùiZòKò ^êùjñ cê´ûAe i`kZûKê ù^A Gjòiaê \éÁòeê ù\Lòùf iû]ê ùcùje Kkû Gaõ iõÄéZò Zûuê ^òR R^àcûUò IWògûùe c]ý Kûc Keòaûe iêù~ûM ùlZâùe RùY @^^ý ZûeKûö Zûue Rúa^ aýû_ú iû]^û còùkö IWò@û iòù^cû aûfòNe, aZúNe, gúZeûZò, _âZòcìðú Zûuê @ù^K i`kZû @ûYòù\aû ij @ù^K @^êÂû^ ù\agògê, bìLû AZýû\òùe ùi @bò^d Keò[òaûùaùk Ze`eê Zûuê i´¡ðòZ Keû ~ûA@Qòö 2012 ciòjûùe @bòkûi, @bòcû^, @_eòPòZ, aûaêfû AZýû\ò iòù^cûùe i´f_êe aògß aò\ýûkd Ze`eê i¹û^R^K Wò.fòU Zûuê ^òùŸðg^û e Mêeê \ûdòZß aj^ KeòaûKê jêGö gògê i¹û^ _â\û^ iùaðø_eò IWò@û iòù^cû ùlZâùe iùaðøy PkyòZâ Azû _ìe^, iù`\ jûZú AZýû\òùe Zûu @bò^d i¹û^ Rdù\a _êeÄûeùe ùi 2008 ciòjûùe bìhòZ R^ cû^iKê ùag _âbûaòZ KùeJUHAR Gaõ ùi GK _âZòÂòZ ùjûA[òaû ùaùk bûeZ ieKûe Zûuê 2017 ciòjûùe aýqòZßùe _eòMYòZ jê@«òö Gjòbkò bûaùe ù\Lòùf _\àgâú i¹û^ _â\û^ KeòQ«òö Wü ùcùje _\àgâú _ûAfû iû]ê ùcùje Kûc Keò[òaû ùcûU iòù^cûe iõLýû 36 _ùe IWògûe @MYòZ KkûKûeu CùŸgýùe Zûue ùjûA[òaû ùaùk _ûLû_ûLò 30Uò iòù^cû KkûZàKö Zûu _\àgâú i¹û^Kê C›Mð Keòaû Zûueç cj^údZûKê iìPûC @bò^úZ Azû_ìe^ PkyòZâ ^òùŸðgòZ GKcûZâ gògê PkyòZâ [òaû ùaùk Kkû_âZò [òaû ic_ðòZ bûa @ù^K KkûKûeuê ùjûA[òaûùaùk Gjû eaú¦â^û[ VûKêeu MÌ C_ùe @ûMûcú \ò^ùe _âZòÂòZ ùjaû iKûùg ù_âeYû ù~ûMûAaö @û]ûeòZö Zûu\ßûeû @bò^úZ i´f_êeú PkyòZâ bìLû _\e_Wû, ùaø¡ (IWògû) 1989 ciòjûùe RûZúd _êeÄûe kûb Kùeö iòù^cûKê 29 Juhar Surta 2018 KêPò_ûfòe RêMûe ~ûZâû W. iêgúk Kêcûe aûMþ @ûRò _ìRû I _ûaðY ^ûñùe ùfûùK _gê akò ù\aû, @§ \ìe _\à_êe Mfûùaùk eûÉûKWùe _ùW KêPò_ûfò û @ûV aògßûie agaðú ùjûA ]^iõ_ò ùfûbùe cYòh cYòhKê ùMûUò IßûWð aògòÁ Gjò Mûñe ùfûK iõLýû Zò^ò jRûeeê @]òK jZýû KeòaûKê c¤ _QûC ^ûjó û ]cðe aé[û @jcòKûùe ùja û _½òc IWògûùe Gjò Mûñe ejòQò GK ÊZª _âc cYòh ù~ ùKøYiò aaðùeûPòZ Kû~ðý KeòaûKê KêY×û _eòPd û RêMûe ~ûZâû bkò GK ^ò@ûeû _eõ_eû _ûAñ Gjò _âKûg Keê^ûjó û RûZò I ]cð ^ûñùe iéÁò ùjCQò bdûaj Mûñ, @ûRò iê_eòPòZ û ùKak _½òc IWògû ^êùjñ, _ùWûgú iûõ_â\ûdòK \wû û ù~CñVò ^òjZ ùjCQ«ò gj gj QZògMW, c¤_âù\gùe c¤ Gjò Mûñe ^òRÊ GK ÊZª ^òeúj ùfûK û GjûVûeê akò @ûC \êüL I @aùgûhe _eòPd iéÁò Keò_ûeòQò RêMûe ~ûZâû _ûAñ û K[û KY [ûA_ûùe bûeZ bkò GK ]cð ^òeù_l RêMûe ~ûZâûe _eõ_eû : aeMW ùjCQò GK Kéhò eûÁâùe ? Kò«ê bûeZ ahðùe Gbkò Mûñ @Qò ù~CñVò jò¦ê I _â]û^ Ròfäû û ]û^ GVûKûe cêLý Pûh û KéhòKê bòò cêifcû^ GKûVò cògò aòbò^Ü _að_aðûYú _ûk^ Ke«ò cjû Keò aòbò^Ü icdùe bò^Ü bò^Ü _að _ûkòZ ùjûA@ûiêQò icûùeûjùe û ùiVûKûe ùfûùK jòõiû ^êùjñ gû«ò jó _½òc IWògûùe û RêMûe ~ûZâû ~\òaû GK KéhòbòòK Kûc^û Ke«ò ^òe«e û \wû ^êùjñ iûõ_â\ûdòK i\þbûa^û _að ^êùjñ, Z[û_ò Kéhò ijòZ ejòQò Gjûe ^òaòW iéÁò ùicû^ue CùŸgý û ùibkò GK ^ò@ûeû Mûñ ùjCQò 2018 iõ_Kð û cûu _ìRû ^ûñùe iaðZâ _gê akò \ò@û~òaû _ìaðeê GK KêPò_ûfò û Mûñe jò¦ê I cêifcû^ iõ_â\ûde ùfûùK _ûk^ iû]ûeY K[û [òfû û Kò«ê aðcû^ R^iùPZ^Zû _ûAñ akò Ke«ò @^^ý _að RêMûe ~ûZâû û _â[û a¦ ùjaûùe fûMòQò û Z[û_ò _½òc IWògûùe aòbò^Ü aeMW Ròfäû i\e cjKêcûVûeê _âûd 50 Kò.cò. gqò_úVMêWòKùe _gê, _lúcû^uê ^òcðc bûùa jZýû Keò akò \ò@û~ûCQò û iZùe KY cû ^òR i«û^e eq Pûùjñ ? ^û, @ûùc ^òRe @jõKûe I Ê[ð iû]^ _ûAñ cûu @ûMùe ^òcðc bûùa _gê, _lú G_eòKò ùaùkùaùk cYòhKê c¤ akò PXûAaû _ûAñ _QNêû ù\A^[ûCñ û G _âgÜ JUHARKêPò_ûfò Mâûcaûiúu bòZùe Mbúe @ûùfûW^ iéÁò Keò[òfû GK\û û Mâûce @]òKûõg ùfûK Kéhò C_ùe c¤ ^òbðe Keò Pk«ò û ùicûù^ iÚòe Kùf _gê akò a\kùe cûuê ùicû^u C_ôû\òZ giýeê C_ô^Ü ùbûM jó ic_ðY Keòùa û Gbkò GK Pò«û]ûeûeê iéÁò ùjûA[òaû RêMûe ~ûZâû û ^òRe cù^ûÄûc^û _ì‰ð _ûAñ cû Kûkúuê ùicûù^ RêMûe @_ðY KeòaûKê ^ò¿ò ù^ùf û 1985 ciòjûeê @ûe¸ ùjûA[òfû RêMûe ~ûZâû RêMûe ~ûZâû _eõ_eeû û Gjò ~ûZâûùe iûcòf ùjùf jò¦ê I cêifcû^ 30 Juhar Surta 2018 _â[c [e _ûAñ 1985 ciòjûùe Mâûce _ìaðZ^ ie_ RêMûe ~ûZâû ÊMðZ gâúa› iûu _eòaûeeê _âÉêZ RêMûeuê cû uê @_ðY Keû~ûA[òfû û ùiA _eõ_eû @^ê~ûdú Gùa aò Zûu _ê@ iêaûh iûu _leê _âÉêZ cêLý RêMûeUò 21 Zû´ò ]û^e fò@û I ùMûUòG cûVò@û MêWùe _âÉêZ Keû~ûA[ûG û Gjûe CyZû _âûd 6 `êUeê @]òK Gaõ ùMûùfA 3 `êU û _êYò GjûKê ewú^ KûMR, `êf, _Zâ ù\A @ûKhðYúd bûùa iyû aòbò^Ü @ûKûee RêMûe cûuê @û_ðY Keò[û«ò û ùgh \ò^ icÉ RêMûeKê bqcûù^ Kû§ùe ùaûjò Gjò aògûk ùgûbû~ûZâûùe Mâûc _eòKâcû _ùe _ìRû cŠ_Kê iõ_â\ûde ùfûK I Cbd iõ_â\ûde ùfûKu @û«eòK @ûYò cû Kûkúu _ûLùe @_ðY Keò[û«ò û Gjò ùgûbû~ûZâûùe C\ýc I ^òÂû akùe @ûùdûRòZ ùjfû GGjò ~ûZâû û Mâûce RûZò, ]cð a‰ð, ^òaðòùghùe icÉ iõ_â\ûde ùfûùK akò _â[û Cùz\ Keòaû I Kéhò C_ôû\òZ iûcMâúeê C_ô^Ü GKZâòZ ùjûA[û«ò û Gbkò GK iûõ_â\ûdòK i\þ bûa^û ùbûMKê cû Kûkúuê @_ðY Keòaû _ûAñ R^iùPZ^Zû iéÁò _âZúKe _að @ûRòe icûRùe GKû« aòek û aòbò^Ü aû\ý, Keòaû jó Gjò ~ûZâûe @^ýZc flý ùaûfò Kj«ò û 1994 ^éZýe ZûùkZûùk bqcûù^ Sêcò Sêcò @Zò C›ûj I ciòjûeê RêMûe ~ûZâû KcòUòe ibû_Zò \ûdòZßùe [òaû CŸú_^û ij ~ûZâûùe ùgûbû _ûA[ûG û bqcûù^ ^òRe eiò\þ Lûñ û RêMûe ~ûZâûe GK cêLý @õg ùjCQò cû Kûkúu c^Äûc^û2018 _ûAñ cûuê RêMûe ùbûM ù\A[û«ò û _ìRû _ùe _ìRù^û›a û G[ò_ûAñ \gjeû _ì‰ðcú \ò^eê iaê RêMûeKê _âiû\ Keò a^ Keû~ûG û CùfäùL~ûMý _ûeõ_eòK bûùa iûùZûUò iÚû^eê cûUò @ûYò cû Kûkúu ù~ 1998 ciòjûùe ceêWò _â_úWòZ _\à_êe iaþ WòbòR^þ cé‰d _âZòcû ^òcðûYe gêbûe¸ Keû~ûG û KûðòK cûi Ké¾ @õPkMêWòKê Gaõ 1999 ciòjûùe _ìaðûõPk cjûaûZýû _l Zâùdû\gú \ò^eê RêMûe ~ûZâû @ûe¸ ùjûA Zò^ò \ò^ _~ðý« Pûùf û Mûñe _ìRû cŠ_ùe cû Kûkúu céYàd cìðòKê Mâûcaûiú _ìRû Ke«ò û JUHAR RêMûe ~ûZâûe aòùghZß : cû Kûkúu _ûLùe ùbûM fMûAaû _ûAñ fò@û aû LAKê MêWùe cògûA Zò@ûeò Keû~ûG RêMûe û Gjò \ò^ KêPò_ûfòe _âZò Neeê @ûiò[òaû fò@û I MêWe aûiÜû Mûñ _eòùagKê cjKûA ù\A[ûG û RêMûe ~ûZâû 31 Juhar Surta 2018 aò_^Ü ùfûKcû^u _ûLKê iaê RêMûe _âiû\ _Vû CùfäL^úd û Cbd iõ_â\ûd ùfûKu bòZùe ^òaòW a§êZß ~ûA[òfû û Gjò aòek RêMûe ~ûZâûùe _½òc IWògûe aeMW, I bûAPûeû iéÁò Keòaûùe RêMûe ~ûZâû GK ùiZê û ùKak i´f_êe, SûeiêMêWû, afûwúe, KkûjûŠò, ^ì@û_Wû Ròfäû RêMûe ~ûZâû ^êùjñ Gjò Mûñùe _ûkòZ ùjC[òaû jò¦ê _að iùcZ _ùWûgú QZògMW I c¤_âù\ge jRûe jRûe ^ì@ûñLûA, \êMðû _ìRû, ^ûc ~m @û\ò _âùZýKUò _að_aðûYòùe R^iû]ûeYu icûMc ùjûA[ûG û _ìRûe Kðû bûùa cêifcû^cûù^ iKâòd @õg MâjY Ke«ò û G_eò Kò cêifcû^ \ûdòZß iõ_û\^ Keòaû _ûAñ ùfûùK ahð ahð @ûMeê ~ûZâû _eòaûeùe aûjûNe ùjùf Mûñe jò¦ê _eòaûe ùfûùK _ìRû KcòUò _ûLùe @ûùa\^ Keò[û«ò û ~ûZâû KcòUòe ^ò¿ò [ûkò ]eòaû Vûeê @ûe¸ Keò ùbûRòbûZ iaê[òùe @û«eòK @^ê~ûdú ù~Cñ \õ_òuê Kðû \ûdòZß \ò@û~ûG Zûjû icÉ bûùa ijù~ûM Ke«ò û KêPò_ûfòùe [òaû jò¦ê cêifcû^ bq iû\ùe MâjY Keò^ò@«ò û RêMûe ~ûZâûe Kðû ùjaûe bûAPûeû I iûõ_â\ûdòK i\þbûa^û @ûRòe icûRe _ûAñ iêù~ûM ù~Cñcûù^ _û@û«ò ùicûù^ ^òRKê ùMøeaû^ßòZ GK ù_âeYûe C› û cù^ Ke«ò û iûõÄéZòK ùPZ^ûe aûðûaj : ]cðúd bûa^û ij iûõ_â\ûdòK i\þ bûa^ûe _âZúK : iõ_âZò bûeZ iûõÄéZòK bûa]ûeû @wûwúbûùa RWòZ û KêPò_ûfòe bkò GK ]cð^òeù_l eûÁâùe aòbò^Ü NUYûKê ù^A RêMûe ~ûZâû iûõÄéZòK RûMeYe @^ýZc ^ò\gð^ û Kki @ù^K icdùe iûõ_â\ûdòK \wû I CùR^û iéÁò ùgûbû~ûZâû RêMûe ~ûZâûe @^ýZc @ûKhðY û Mâûce ùjCQò û Gbkò _eòiÚòZòùe KêPò_ûfò _eò GK ^ò_U gZû]òK cjòkû C_aûi Keò ^òKUiÚ ^\úeê Kkiùe _aòZâ c`ifùe jò¦ê I cêifcû^ iõ_â\ûd ùfûùK GKZâ Rk ]eò cû Kûkúu _ìRû cŠ_Kê GK aòeûU ùgûbû~ûZâûùe cû^aúd bûa]ûeû C_ùe _~ðý_iòZ GK @bò^a ~ûZâû @ûiò[û«ò û 2018 \êfþ \êfò aûRû, Naû\ý, gv @û\òe _aòZâ @ûùdûR^ Keê[òaû ^ò½òZ bûaùe gêbue û RêMûe ]ß^úùe _eòùag _âKµòZ ùjûACVê[ûG û ùijò_eò RêMûe ~ûZâûùe cêifcû^ iõ_â\ûde ùfûKcû^u bìcòKû GKû« ùgûbû~ûZâûùe iûcòf jê@«ò _½òc IWògûe fê¯ _âûd ùfûK aû\ý I ^éZý \k û iû _eòaûeeê @ûiò[òaû cêLý RêMûe ùgûbû~ûZâûe _â[cùe [òa Zû_ùe _ùe cû^iòK RêMûe MêWòKe ]ûWò f´ò[òa û Nêcêeû, \êfþ\êfò aûRû, N aû\ý @û\ò aòbò^Ü ùfûK aû\ý I ^éZý \ke KkûKûecû^u iûùw ^éZý JUHAR Keò bqcûù^ cû Kûkúu _ìRû cŠ_ùe _j«ò û _ùe ùiVûùe cûuê icÉ RêMûe @_ðY Keû~ûG û bqcû^u jeòùaûf, jêkjêkò g±ùe MM^ _a^ cêLeòZ ùjûACùV û bqcûù^ cûuê ^òR ^òR iêL\êüL RYûA[û«ò û RêMûe ~ûZâû Gjò @kùe RêMûe ~ûZâû GK iûõÄéZòK ùPZ^û iéÁò Keòaûùe _ì‰ðZü ilc û 32 Juhar Surta 2018 _½òc IWògûùe ùK\ûe^û[ ggúbìhY _ûYòMâûjú

_½òc IWògûe Ê^ûc]^ý ùg÷a_úVcû^u c]ýùe Z}ûkú^ eûRû akeûc ù\au icêRßk Kúðò û” @¸ûùbû^û ùg÷a _úV @^ýZc û bMaû^ gòa GVûùe @ûc ùiøe RMZùe ^@Uò Mâj û ùRýûZòh gûÈe cùZ ùK\ûe^û[ ^ûcùe _ìRû _ûCQ«ò û ùZYê GVòKûe gòa aòaò] KûeYeê _âùZýK Mâje gêb\éÁò @[aû ùKû_ \éÁò c¦òe ùK\ûe^û[ gòa c¦òe ^ûcùe iêLýûZ û i´f_êe _ùW û gêb \éÁòeê KfýûY jêG Gaõ ùKû_ \éÁòe _âbûaùe ù\gúd eûRýe aòbò^Ü iÚû^eê _âû¯ Zûcâ `kK, gòa ùfuû ^û^û aò_~ðýd _ùW û Gjò cZaû\Kê bòò Keò aògßûi Z[û IWògû ùMùRUò@e Z[ýKê bòòKeò IWògû AZòjûi Keû~ûG û @ûc _é[òaúùe NUòZ ajêaò] aò_~ðýde cìk Kùj : KûeY ùjCQò, _é[òaú C_ùe _Wê[òaû @^ý Mâjcû^ue “Gjû ùjCQò LâúÁúd ùhûWg gZû±úùe iõNUòZ ùKû_\éÁòe _âbûa û Gjû @ÁMâjKìU ^ûcùe ^ûcòZ û @Á 2018

JUHAR

@ûù´ûb^ûe ùK\ûe^û[ c¦òe 33 Juhar Surta 2018 MâjKìUeê _é[òaúaûiúuê elû Keòaû ^òòcù« @ûM Kûkùe aeMWeê eûdMWKê f´ò[òaû eûR_[e _ûgßð ù\gùe eûRûcûù^ ^òR^òR eûRýùe @Á g¸ê _âZòÂû Keê[òùf û @aiÚòZ Gjò gòa c¦òe û Gùa Gjò ùg÷a _úVùe @ù^K ùicûù^ aògßûi Keê[òùf, bMaû^ gòa _âi^Ü ùjùf ùijò @û]ýûZà bòòK Z[û iûcûRòK @^êÂû^ MXò CVòQò û ~[û : _âûKéZòK aò_~ðýdeê elû còkò _ûeòa û 1. PZêŸðgú @^êÂû^- Gjò iZþiw @^êÂû^e cûiòK @ûc i´f_êe eûRûu ùiøbûMý, @Á g¸ê _âZòÂû ùa÷VK _âZò cûi gêKæ PZêŸðgú eûZòùe @^êÂòZ jêG û KeòaûKê KÌ^û Kfûùaùk Zûuê bhà @ÁùRýûZòfðòwe 2. ùK\ûe^û[ ùiaû icòZò - Gjò ùiaû icòZò i§û^ còkò[òfû û ^òcÜ Kò´\«ú cùZ GK\û eûRûuê Ê_Üûù\g @û^êKìfýùe _âZýj iZþiw ibû jêG I @^Ü _âiû\ aòZeY ùjfû : jêG û cûiKê [ùe aýû_K bûaùe iZþiw ibû jêG I eûR^þ ! Zêc bqòùe cêñ _âi^Ü û ae _â\û^ KeêQò, Zêce icÉuê @^Ü _âiû\ a^ Keû~ûG û cù^ûKûc^û @Pòùe _ì‰ð ùja û 3. Ké¾ Mêeê iZþiw @^êÂû^- Gjò @^êÂû^e _âbê gâúeûc a^aûi Kûkùe Zêc eûRýe @Á ùlZâùe @û^êKìfýùe _âZò iõKâû«òe _ìað eûZòùe iZþiwe aýaiÚû iÜû^ûù« bqò_ìZ jé\dùe ùcûe _ìRûyð^û Keê[òùf ûZûu Keû~ûG û bqòùe _âúZ ùjûA ùijò iaê ùlZâùe cêñ ùRýûZòfðòw eìù_ 4. @LŠ ^ûc @^êÂû^ - Gjò @^êÂû^ \ßûeû @LŠ _âKU ùjûAQò û ùijò _úV MêWòK cûù^gßeVûeê @ûe¸ ^ûcùe aýaiÚû Keû~ûAQò û Keò @´ûùbû^û _~ðý« ic aýa]û^ùe @ûVUò Mâûcùe 2018 @aiÚòZ û ùijò _úVcû^uùe ùcû _ûAñ c¦òe ùZûkòa û 5. ùK\ûe^û[ Kkû- iûjòZý iõi\- Gjò iõi\ _âZò cûi _â[c eaòaûe \ò^ Kkû I iûjòZý @ûie Kùe û _êYò cù^ eL ! ùcû @Á c¦òee ^òcðûY Kûc ùMûUòG aòbò^Ü _âiw C_ùe @ûùfûP^û PKâ @^êÂòZ jêG û \òaiùe @ûe¸ ùja Gaõ ùMûUòG \òaiùe iõ_ì‰ð ùja û Gjò icÉ iZþiw @^êÂû^ icûRùe gû«ò I inûa^ûe _e\ò^ iKûùk eûRû Zûu ùi^û_Zò \lòY eûdu _âPûe _âiûe ^òcù« aòbò^Ü Kû~ðýKâc jûZKê ^ò@«ò û C_ùe Gjò \ûdòZß _â\û^ Kùf û Gùa @LŠ i´f_êe Ròfäûe aòbò^Ü @kùe QZòg MWe fMÜ ^ûcK Mâûceê ùMûUòG MûB @ûiò @Ág¸ê iõù~ûM ù~ûR^û Kû~ðýKûeú Keû~òaû ^òcò _âZò\ò^ @´ûùi^û iÚòZ gòa fòw C_ùe lúe \û^ R^ùPZ^û RûMâZ ùjûAQò û Gjû Kû~ðýKûeú ùjùf _âûPú^ Keê[òfû û Gjò R^géZòKê bòò Keò @^êi§û^ Keòaû JUHARi´f_êe ù\gúd eûRý GK _âiò¡ _~ðýU^ iÚkúùe _eòYZ `kùe @´ûùbû^û ùg÷a _úVe i§û^ _ûA[òùf ùi^û_Zò ùjûA_ûeòa û \lòY eûd û @^ý iûZUò ùRýûZòfðòwe i§û^ c]ý ùi Gjòbkò @ûkòK R^géZòKê bòò Keò _ûA[òùf û Rd ùK\ûe^û[ @´ûùbû^û _úVùe bMaû^ gòa ùK\ûe^û[ ^ûcùe ibû_Zò, ùK\ûe^û[ Kkû- iûjòZý iõi\, _ìRû _ûCQ«ò û ùZYê GVûùe Zûu c¦òe ùK\ûe ^û[ gòa @¸ûùbû^û, Rò- aeMW c¦òe ^ûcùe _âLýûZ û

34 Juhar Surta 2018 KùY×gße_êe e gòa c¦òe ù\aûgòh _…^ûdK

_½òc IWògûùe @ù^K MêWòG ùg÷a_úV ^òcðûY Keê[òùf û ùaûWûi´e _\à_êe @õPkùe @«fðû @aiÚòZ û ùi[ò c]ýeê aeMW Ròfäûe _\à_êe iaWòbòR^ ^ûcK GK Mâûc [òfû û ùijò Mâûce @]òKûõg @]òaûiú MCW @«MðZ KùY×gße_êe Mâûce ^úkKùY×gße gòa c¦òe iõ_â\ûde [òùf û MûB, ùMûeê, ùc‹û, ùQkò PeûAaû @^ýZc û _\à_êe Vûeê Gjò c¦òee \ìeZû 20 ùicû^ue cêLý RúaòKû [òfû û ùijò Mâûce ùKøgòK I KòùfûcòUe û ^úkKùY×gße aûaûu ^ûcû^êiûùe Gjò còZâbû^ê ^ûcK \êARY ~êaK _âZýj Rwf @õPkKê Mâûce ^ûc KùY×gße_êe eLû~ûAQò û Mâûce _ìað \òMùe MûB PeûAaûKê ù^C[òùf û GK a‰ðú MûBUò _âZò\ò^ ~êaûùLûf I RceZfû Mâûc, _½òc \òMùe @«òfû I Peûkòe @\égýùe _ûjûW Zke GK ^òŸðòÁ RûMûKê ~ûA \jòMû Mâûc, Ce \òMùe ùaùjeûUûf I \lòY \òMùe PUûY C_ùe lúe _â\û^ Keê[òfû û ùKùa Vûeê Gjû a¬êSêfû I LêfûMW Mâûc @aiÚòZ û _âûKéZòK ùiø¦~ðýùe Rûeò[òfû Zûjû MûB Peê@ûkòUòKê RYû ^[òfû û G_eòKò ùgûbûgòZ Gjò Mâûc KùY×gße_êe û Mâûc _ûLKê fûMò ejòQò KòQò\ò^ _ùe ùijò MûBUò @«]ðýû^ ùjûAMfû û MûBKê aêXû_ûjûW û _ûjûWe gúhðùe ejòQò @ù^K MêWòG ùLûRê ùLûRê KòQò \ò^ _ùe jVûZþ Peê@ûkòUò ù\Lòfû ù~ @û´aél û ùijò aélcìkeê GK SeYû aûjûeò@Qò ~ûjûe ùijò RûMûùe2018 MûBUò QòWû ùjûA _êYò lúe ù\CQò û iûùw ^ûc eLû~ûAQò @û´SeYû û Gjò SeYûUò KùY×gße_êe iûùw Mûñ ùfûKu ijûdZûùe Rcò\ûeuê Lae ù\fû û _ùe MâûcKê @ZòKâc Keò iò]û iò]û c¦òe ZkKê ùaûjò@ûiòQò û Rcò\ûe ùfûK fMûA ùijò RûMûUòKê ùLûkòaû _ûAñ ^òùŸðg ù\ùf û ùLûkû Kû~ðý @ûe¸ ùjfû û ù~ZòKò Mbúe _~ðý« R^iéZò @^ê~ûdú aðcû^e i´f_êe, eûdMW, MûZ ùLûkû ~ûA[òfû fòwUò ùiZòKò Iiûeò@û ùjC[òfû û eûd_êe, iûewMW, aòùfAMW, ùiû^_êe, afûwúe, gûak ùPûUùe fòwUò LŠò@û c]ý ùjC[òfû û ùghùe KkûjûŠò, ùaøŸ I `êfaûYú @kKê ù^A ùKûif eûRý MXò ùijò RûMûùe lúe aûjûeòaû @ûe¸ ùjfû û 1875 CVò[òfû û @ûjêeò c]ý ùQûU ùQûU @õPkKê ù^A MWRûZ ciòjûùe ùaûWûi´e Rcò\ûe bMZ aeòjû ùijò RûMûùe eûRý MXò CVò[òfû û ùi[ò c]ýeê 1700 gZû±úùe MXò gòa c¦òeUò ^òcðûY Kùf û CVò[òfû ùaûWûi´e eûRý û JUHARaðcû^ Gjò _úVùe _âZýj ajê iõLýûùe Gjò eûRýùe aò¬ûk iõ_â\ûde bMZ aeòjû ^ûcK gòabqu icûMZ ùjCQò û _âùZýK ahð cjûgòaeûZâú Rcò\ûe gûi^ Keê[òùf û Zûu bûAu ^ûc iê¦e aeòjû û I RûMe ùckû Gjò _úVùe @û^êÂû^òK bûaùe _ûk^ ùicûù^ [òùf aúe ù~û¡û, ùZYê ùicû^uê ùaKûe ùaûfò Keû~ûCQò û gâûaY cûiùe KûCWò@û bq c]ý RkûbòùhK Kêjû~ûC[òfû û bMZ aeòjûu aõg]e Rcò\ûe eûùR¦â _ûAñ Gjò ùg÷a_úVKê ajê iõLýûùe @ûiò bMaû^ @ûgúaðû\ aeòjû ùaûWûi´e _\à_êe ^ûcùe _âZòÂû Keò[òùf û ùijò bòlû Ke«ò û icdùe IWògûe aòbò^Ü @õPkùe gûq ]cð C_ûiKcûù^ gòauê _ìRû Keê[òùf I aòbò^Ü iÚû^ùe gòaûkd MêWòK K_iòfû ùeûW, _\à_êe

35 Juhar Surta 2018 _½òc IWògûe \êAUò @^^ý _að K^òÂ Kòùgûe iûjê

]^ê~ûZâû - aògße iað aéjZ cêqûKûg ewcõP aiêù\au aòaûjùe I @« Ké¾ akeûcu \ßûeû ùjûA[òaû Kõi a]ùe ùjûA[ûG û Cq ~ûZâûùe c[êeû ^Me - aògße iað aéjZ cêqûKûg ewcõP eìù_ aòLýûZ aeMWe cêLý cêý^òiò_ûfUò @õPk, ~cê^û-Rúeû ^\ú, aeMWe ]^ê~ûZâû _âZòahð ù_øh gêKæ_l PZê[ðúVûeê ùMû__êe-^òKUiÚ @cû_ûfò Mâûc I Kûk¦ú jâ\- Rúeû^\ú @ûe¸ ùjûA ù_øh _ì‰ðòcûùe icû¯ ùjûA[ûG û _ûgßðiÚ GK ù_ûLeú (a§)Kê ù_âøeûYòK eìù_ _â\û^ c[êeû]ò_Zò cjûeûR Kõiu ]^êC›aKê ù^A G ~ûZâû aû Keû~ûA[ûG û @bò^de _â\gð^ ^òcù« ^òKUiÚ _Wò@û aû ùckû \úNð 11 \ò^ ]eò (ùgh Pûeò\ò^ cêLý) Q@ Kò.cò. ùLûfûiÚû^ùe cjûeûR Kõiu ewcjf, eûR\eaûe I aýûiû¡ð aògòÁ iÚû^ùe ùjC[òaû ùaùk iõ_ì‰ð aeMW ^¦ \eaûe _âZòÂû Keû~ûG û G[ò ^òcù« iêCy cõPcû^ ije ù_øeûYòK c]êeû^Me I aeMWaûiú c[êeûaûiú _âZòÂû Keû~ûG û iûeû ijee Kû^Ú MêWòKê PòZâòZ Keû~ûA eìù_ _âZúdcû^ ùjûA[û«ò û cjûbûeZ, jeòaõg Z[û PòûKhðK Keû~ûG û eûÉûùe aW aW ÊûMZ ùZûeY gâúcû^þ bûMaZ MúZû @û\ò ù_øeûYòK K[û aÉêKê @û]ûe ^òcðûY Keû~ûG û G C›aùe ù_øeûYYòK K[ûaÉêKê @û]ûe Keò 14/15Uò cêqûKûg ew cõPùe ]^ê~ûZâûe aòbò^Ü Keò CMâùi^, ù\aKú, aiêù\a, @Kîe, iê\ûcû, _êZ^û, \égý @bò^úZ ùjûA[ûGû G ùckûe @û^¦ ù^aûKê ù\g eû]û @û\ò PeòZâùe KkûKûecûù^ ^òLêY I Rúa« @bò^d aòù\geê @ûiê[òaû @ûM«êK cû^u iê@ Z[û flû]òK ùfûKu Keò[û«ò û ù\ge ùKûY @^êùKûYeê gj gj iûõÄéZòK \k icûMc ù\Lò Gjûe ùfûK_âòdZû RûYòjêG û I \eaûecû^uùe ^òR ^òR Kkû ù^÷_êYý _â\gð^ Keò AõùeRcû^u gûi^e @«òc icdùe 1947 RûZúd GKZûe2018 gv^û\ Keò[û«ò û ciòjûùe _â[c Keò KòQò iû]ûeY aýqòu \ßûeû Gjûe G ]^ê~ûZâûùe aòùgh @ûKhðYe ùK¦âaò¦ê cjûeûR gêbûe¸ ùjûA[òfû û _ùe _ùe Gjûe ùfûK_âòdZû Kõi ùjûA[û«ò û icMâ c[êeû ^Me (aeMW)ùe ùi ù\Lò aeMW I @ûL_ûLe @ûMâjú aýqò aòùghu ijù~ûM ^òRe @û]ò_Zý aòÉûe Keò jûZú _òVòùe aiò ^Me `kùe Gjûe Kùkae aé¡ò jêG û PkòZ ahð c]ý @^ýû^ý _eòKâcû Keò[û«ò û _eòKâcû ùaùk R^iû]ûeYu ahð Zêk^ûùe ajê RûKRcKùe ~ûZâû KeòaûKê iÚòe KeòQ«ò bêfþ bUKû aû ù\ûh ù\Lòùf ZZþlYûZþ aòPûe Keò Gjûe iKâòd i\iýMY û \Šûù\g ù\A[û«ò û ùaùk ùaùk ùi @û[ðòK \Šùe ^òŸðòÁ _ûŠêfò_ò ^ [òaû G ~ûZâûe @ûe¸ ù\aKú I c]ý \ŠòZ Keò[û«ò û iaêVê cRû K[û ùjfû ùi \gfl JUHAR

36 Juhar Surta 2018 ʉðcê\âûùe \Š _âû¯ ùjûA[òaû aýqò cûZâ \gUuû ù\A \òMiòeû, [ê@û_ûfò, ùeùcŠû @û\ò iÚû^ùe ]^ê~ûZâû MêWòK ù\ûhKê ÊúKûe Keòaû û ùaùkùaùk Kò«ê ^ RûYòfû @ûùdûRòZ ùjCQò û ùi ~ûjû ùjC aò aeMWe ]^ê~ûZâû ùfûKcûù^ Gbkò \Š_âû¯ ùjfû_ùe @_\É ùjaûe ùfûK_âòdZûùe @\ßúZúd I ùgâÂ- G K[û icùÉ ^ò½òZ ù\Lû~ûG û Z[û_ò, cjûeûRu @ûù\g bûaùe icÉ _âKûe eìù_ ÊúKûe Keòùa û \Šûù\gKê iaðcû^ý Keû~ûA[ûG û _êhþ_ê^ò cjûeûR Kõi c[êeû ^Mee @]ò_Zò ùjûA[òaûeê ùi icd icdùe Zûu eûR \eaûeùe ^Me_ûk, ùfûK KéhòbòòK IWògûe _½òcûõPkùe @ûajcû^ Kûkeê _âZò^ò]ò, Ròfäû_ûk, @ûelú @]òlK @û\òuê, G_eòKò @Zò[ò _ûkòZ ùjûA @ûiê[òaû _êhþ_ê^ò (ù_øh_ì‰ðòcû) _aKð _âZòahð bûaùe ù~ûM\û^ Keò[òaû cªú aû cêLýcªúuê C_ù\g, ù_øh _ì‰ðòcûùe aòùgh @ûMâjùe iaðZâ _ûkòZ ùjûA[ûG û @ûù\g aû @[ð\Šùe \ŠòZ Keò[û«ò û _ìaðZ^ cêLýcªú _½òc IWògûe cêLý `if ]û^Pûh û ù_øh _ì‰ðòcû ùakKê ÊMðúd aòRê_…^ûdK I Zûu cªúcŠk GK\û \ŠòZ ùjûA[òaû Rcòe icÉ ]û^ @ck ùjûA iûeò[ûG û Q@ cûie KVò^ RYû~ûG û ù_øeûYòK K[ûaÉêKê @û]ûe Keò ùjC[òaû G _eògâc _ùe Pûhú jûZùe aòùgh Kûc ^ [ûG û Kéhò cêqûKûg ewcõP ij ùK¦â Keò MXò CVò[òaû @iÚûdú ùlZâùe Kûc Keê[òaû jkò@û (PêqòbòòK KéhògâcòK)cû^u ù\ûKû^ aRûe, ùjûùUf, cú^ûaRûe I iûõÄéZòK Kê¸ùckû cò@û\þ ùgh ùjûA[ûG û Êû]ú^ b@ûaùe Kûc Keê[òaû aòùgh @ûKhðYe ùK¦âaò¦ê ùjûA[û«ò û PûhKû~ðýe ùgh bêùZeþ (cPêeò@û) I Kéhò gâcòKcûù^ Pûh Kû~ðýùe ùXeþ icd Z[û _êh _ê^ò (ù_øh _ì‰ðòcû) @ûiò~ûA[òaûeê Kûjûeò @ûd Keò[û«ò û icÉu jûZùe [ûG icd _êYò Zû iûwKê jûZ Lûfò ^ [ûG û ùfûKcûù^ @ûKêY× Pòùe Lyð Keò[û«ò û _Aiû û GYê, Kéhò ahðe @«òc \òai eìù_ KéhKcû^u ij GVûùe còkê[òaû NeKeYû I ù`^èò iûcMâú aRûe \eVûeê @^ýû^ý aMðe R^iû]ûeY c]ý ajê @û^¦ I Cfäûie ij PXû ùjùf iê¡û ùfûùK ]^ê~ûZâûe iáZò PòjÜ eìù_ Kâd _êhþ _ê^ò _ûk^ Keê[òaû ù\Lû~ûG û Keò NeKê Lêiòùe ù^A[û«ò û G ahð bkò ù~Cñ ]^ê~ûZâû Kéhò ùlZâùe2018 iõ_éq Z[û ^òbðegúk aýqòcû^u ^òcù« ùaùk ^ì@û ahð (AõeûRú I ù_øh _ì‰ðòcû ù~ûWò ùjûA[ûG, ù_øh cûi ùagþ MêeêZß_ì‰ð û KéhK @ck Keò[òaû ]û^Kê ùi[e ]^ê~ûZâûùe @ûiò ~ûA[ûG û aòKâd Keò \ò _Aiû _ûA[ûG û aW aW Pûhúcû^u ^òKUùe Gjûe ùfûK_âòdZûKê ù\Lûù\Lò _½òc IWògûe jfò@ûeìù_ Kû~ðý Keê[òaû aýqòcûù^ ae\^þ (aûhðòK

JUHAR

aeMWe ]^ê~ûZâû

37 Juhar Surta 2018 @ûd) GKû[eùK Zû cûfòKVûeê iõMâj Keò[û«ò û Gjûij ùi aûMêWò, @û\ò ùLkò iõ]ýû ùaùk jêùcû- aCfú bkò ùLk _ûA[òaû LkûQWû I Kêfû_eò (GK _âKûe ]û^ @ûKûeùe ùLkò[û«ò û @^ý _lùe _òfûcûù^ @_eûjÜ ùaùk Pµû, còkê[òaû ùaû^iþ) c]ý cûfòKVûeê iõMâj Keò[ûG û ‘Phû PùXA, ZòùZe (\òòe)( KêKêWû, Meþeû (MûeW) @û\ò fùl _êhû’ ùjûA[òaûeê bêùZeþ (Êû]ú^ Kéhò gâcòK), UâûKÖe cûW @ûùdûRòZ Keò iõ]ýû icdùe ùQûeþ, RêG, MêWê @û\ò cûfòK, aýaiûdú @û\òu _ûLùe _Aiûe @bûa ^[ûG û _ûeõ_eòK ùLk ùLkò[û«ò û icùÉ ^òÉûe (Êû]ú^Zû) _ûA[û«ò û cû^iòK Pû_ ^[ûG û aW aW Pûhúcû^u @ù_lû Zûuê ^òbðe Keò Pkê[òaû gâcòK @_eûjÜ ùaùk _òVû _Yûe \ò@û^ò@û _ûL _ùWûgúu ùMûÂúu C›ûj Kûjóùe KY [òaû ù\Lû~ûG û ij icû¯ ùjfû_ùe _êYò cûõie _âÉêZZòùe _eòaûee cjòkûcûù^ c{ò ~û@û«ò û iû]ûeY aMðe ùfûKcûù^ _êhþ_ê^ò _aðe \òù^ \ò’ \ò^ _ìaðeê ùQeþ ùQeû cûMòaû ùKak cûõiùe c^Kê gû«ò Keê[òaû ùaùk gâcòK ùMûÂú, _eõ_eû @Qò û G Kû~ðýKâcùe Mû@ûñe ùQûU ùQûU aûkK \kòZ I @û\òaûiú ùgâYúe aýqòcûù^ ZûijòZ Kêiþ^û aûkòKûcûù^ aûCñge fêMû (ùbûùMA), aýûMþ @û\ò ]eò (PûCkeê _âÉêZ c\) I cjêfú (cjêf `êfeê _âÉêZ ) aêfò aêfò G bûA ùQeþ ùQeû ... ùPeþ ùQeû bûA ùQeþ c\ _òA ù_øh _ì‰ðòcûe ùRýûœû aòù]øZ eûZâúKê ewú^þ ùQeû û A Nee aêXú... @û\ò MúZ MûA ùQeþ ùQeû Keò[û«ò û iûeû eûZò ^ûP I MúZùe Mâûcûke gû« cûMò[û«ò û Mûñe icùÉ G _òfûcû^uê KòQò KòQò ]û^, PûCk _eòùag ùagþ C_ùbûMý ùjûA[ûG û Gbkò Kû~ðýKâc Zû’ aû Uuû ùQeþ ùQeû @ûKûeùe _â\û^ Keò[û«ò û QGeþ ùQeû _e\ò^ _~ðý« Pûfò[òaûe _âûdZü ù\Lû~ûG û \êAUò i´f_êeú g± ‘ùPùe Peû’ @[ðûZþ PùXAcû^u Peû (Lû\ý)eê @ûiòQò û @^ý @[ðùe PùXAe Lû\ý _êhþ _ê^òe _e\ò^Kê aûiò Kêjû~ûG û _êhþ _ê^ò cêZûaK @Ì _eòcûYe Lû\ý giý ùQeþ ùQeû eìù_ _â\û^ \ò^ _âÉêZ Keû~ûA[òaû @ûagýKZûVûeê @]òK Lû\ý akò Keòaû û G _òfûcûù^ ùQâ ùQeû eê còkò[òaû ]û^, PûCk ~ûA[òùf G \ò^ Lò@û ~ûA[ûG û gúZ EZê ùjûA[òaûeê akò @û\òKê ùbûRò bûZ I cRû cRfòiþùe CWûA[û«ò û ajê ~ûA[òaû cŠû,2018 _òVû @û\ò Zò@ûiò (ZéZúd\ò^) \ò^ c]ý bf icdùe bìcòjú^ Meòa ùLÜYúe ùfûKcûù^ ùQeþ ùQeû @aiÚûùe [ûG, ~ûjûKê `òwû ù`û_Wû ^ Keò Lû\ýeìù_ cûMò _êhþ_ê^ò _ûk^ Keê[òaû ù\Lû~ûG û MâjY Keò~ûA[ûG û ùcûUûùcûUò _êhþ _ê^ò \ò^K _ûAñ _ûk^ Keû~ûC[òf ùjñ \ò^ \ò^ _~ðý« Gjûe cjK ejò[ûG û _êhþ _ê^ò _aðe _ìað\ò^eê Gjûe _âÉêZò ùjûA[ûG û Nee cjòkûcûù^ PûCkKê Xòuòùe KêUò Pê^û _âÉêZ _êhþ _ê^ò IWògûe _½òcûõPk aýZúZ QZògMWe Keò[û«ò û ùi \ò^ iKûkê eûgò MêWòKe _ìe [òaû cŠû I aòkûi_êe, eûdMW @û\ò IWògûe _ùWûgú Ròfäûcû^uùe _òVû _âÉêZ jêG û c]ýûjÜ ùbûR^ ùakKê ù~ ùKø÷÷Yiò cûõi c]ý _ûkòZ ùjûA[ûG û ^ì@ûñ LûA bkò _êhþ _ê^òKê aòùghZü ùcfQû (Lûiê Keû~ûA[òaû @Šòeû ùQkò) cûõi c]ý ùfûùK C}Y×ûe ij @ù_lû Keò[û«òû Gjû _âûdZü I Q’ Zò@Y ^’ bRû _eòaûee icùÉ GKûVò LûA cRû Mâú ùMûeòG^þ KýûùfŠee (AõeûRú) ^aahð _ûLû_ûLò ù^A[û«ò û @_eûjÜ ùakKê Kê@ûñeú K^ýûcûù^ KõiûWò, _Wê[òaûeê ùfûùK ù\ûjeû cRû ù^C[òaûe ù\Lû~ûG û ù~Cñ ahð fûMò fûMò @ûiò~ûG, ùZùa cRû cRfòiþùe UßòÁ JUHAR@ûiê[òaû ù\Lû~ûG û @ûRòKûfò _êhþ_ê^ò _aðùe _ûeõ_eòK ùLk, ^ûP, MúZ, @û\òe _âPk^ ajêcûZâûùe Kcò~ûA[òùf ùjñ ^ò½òjÜ ùjûA^ûjó û Gjû c]ýùe @û]ê^òKZû I ùiûiò@ûfþ còWò@û _âùag Keê[òaûeê Gjû _½òc IWògûe _eòiúcû @ZòKâc Keò aògßûbòcêLú ùjûAQò - GK[û icùÉ cêq KY×ùe ÊúKûe Keòùa û ùcŠû, iêa‰ð_êe, ù`û^þ - 9777888338 Rêjûe _eòaûe \ßûeû _ûkòZ _êhþ_ê^ò 38 Juhar Surta 2018 PòZâKe aúeae aúe aòRdû^¦ iûjê “Zcùiûcûñ ùRýûZòMðcd, @iùZû cû i\þMcd, céùZýûeþ cû @céZõMcd” i\û CyûeY Keê[òaû ae_ûfòe Mað - ùMøea PòZâKe aúeae gZûdêùe _\û_ðY Keòiê¡û ÆÁ cûZébqe _eòPd _â\û^ Keê[û«ò û Zûue Z^ c^ cûZébìcò I cûñu _âZò i\ûiað\û C›MðúKéZ ùjûA gâúcû gâú @eaò¦u ^ûc R_ùe cMÜ ej«ò û ùKøYiò aqòuê ù\Lòùf gâú cû gâú @eaò¦u aòhdùe @ûùfûP^û KeòaûKê @ûMâjú jê@«ò û \òaýRúa^, \òaýKé_û fûbe @ûgûdú ùjûA @aòeZ Pòeiê¦e iZýe, ù_âce ùijò KûeêYòKu geYû_^Ü ùjûA iÚòe c^ùe Zûu \òaý @ûùfûKegàòKê @ûÊû\^, @ûjeY I c^^ Keê[û«ò û ùi @^êba Keò[òùf, GK cje @û\gð ^òcò @]ýaiûd KeòaûKê c^ I jé\dKê C^àëq Keòaû ij ^òRKê C›MðúKéZ Keò ^òR c]ýùe Z[û icÉu c]ýùe Bgßeuê 2018 C_f²ò Keòaû CùŸgýùe GK lê\â aúR Zêfý û KûeY \ûue aògßûi Gjò lê\â aúR cjû\îc ùjûA ^ò½òZ \òù^ @ù^K KòQò C_Kûe, _ùeû_Kûe, gû«ò, _aòZâZûe Mòfò aû ù_Wò ùjaò û ^òR Rúa^Kê MXò ùZûkò[òùf ùijò _ec ù_âccd KûeêYòK iéÁòe gâÁûu CùŸgýùe û @û]ýûZàòKZûùe @^ê_âûYòZ ùjûA baòhýZ _òXò _ûAñ \òMþ\gð^e cûMð _âÉêZ cd jêG û ù~ùjZê iêL ùjCQò _âZýK c^êhýe R^àMZ Keê[òùf û cû^a R^à ù^A ~\ò aýqò aýqòe C_Kûeùe @]òKûe, Kò«ê @mû^e ZûW^ûùe ^û^û \êEL KÁ ùbûMòaûKê ^ fûùM Zû’ ùjùf R^àe iû[ðKZû ^ [ûG ùaûfò @^êba _Wò[ûG û PòZâKe aúeae Zûjû jé\dwc Keò[òùf û Keê[òùf û Kjê[òùf - ùPZ^ûùe ic_ðY ùjùf aýqò JUHARùgâ _fäú ae_fäú KaòZú[ð, _âZòbû_âiê 1916 ciòjû @^êba Kùe ^òR bòZùe cûñue gqò Kû~ðýKûeú ùjCQò û Mêeê _ì‰ðcúùe PòZâKe aúeae R^à ^ò@«ò iêeê ùiaZúu @Zòcû^i gqò \ßûeû cûñuê ]ýû^ Keò Rúa cûñue eì_û«eòZ Nùe û ù~Cñ cûUòùe Kò ÊbûaKaò Mwû]e ùcùjeu Kcðe ijûdK jêG«ò û KûjY Rúae iéÁò ùjCQò Kcð Keòaû bkò ùfûK R^à ùjûA cûUò cûñ Kê _aòZâ Keò iûeòQ«ò û ^òRe Kcð iûjû~ýùe ^òRe @MâMZò I @ù]ûMZò cûMðKê PòZâKeue R^à_úVUòe Cbd _ûgßðùe RM{^^ú cûñ _âÉêZ Kùe û @mû^Zûeê cêq ùjùf jó Rúa^e @û^¦ icùfgßeú c¦òe I RMZe ^û[ RM^Üû[ue c¦òe û

39 Juhar Surta 2018 gqò @ûgúaðû\ Êeì_ _ûA[òùf û PòZâKe aúeae aûfýûaiÚûùe _âZýj Kaò Mwû]euê \gð^ Keê[òùf Gaõ Zûue iû^Üò]ý fûb Keê[òùf û Kaò Mwû]e ùcùje Zûu Kcð ùlZâKê Mfûùaùk PòZâKeu NeaûU ù\A ~û@û«ò û @agý \êjóue Nâee \ìeZß _âûd GKgZ _ûjêŠ cûZâ û _âKéZòKê ù^A Kaò Mwû]e ù~_eò Kûaý KaòZûe PòZâY Keê[òùf VòKþ ùijò_eò PòZâKe aúeae c]ý ù~ ùKøYiò PòZâùe _âKéZòe aòbò^Ü eì_Kê ùfûKùfûP^ùe _KûAaûe _âdûi Keê[òùf û 20181926 ciòjûe K[û IWògûe aWfûUþ ùK÷fûi^û[ KûUKê Lêiòùe PòZâKeuê _êeÄéZ Keò[òùf û 1946 ciòjûùe PòZâKe KfòKZû @ûUð ÄêfKê ~ûA[òùf Kò«ê jò¦ê cêifcû^ MŠùMûk ùjaûeê ùiVê ajê KÁùe ^òRe Rúa^ aûA R^àcûUòKê _âZýûað^ JUHAR Keò[òùf û \êA c¦òe c]ýbûMùe Zûue R^à û iùZ ù~_eò cûZégqò I _òZégqòe ùaÁ^ú bòZùe _âKéZò _âÉêZ Keò eLò[òfû û gòÌú aúeae iûjêue PûeòbûA û ^òùR cògò _û û ù~Cñ ùKøùgûe Kûkeê jó ùi _âKéZòe @_eì_ ùiø¦~ðý iêhcû R^^ú _û bâûZûuê R^à ù\AQ«ò _âZòbû _âiaò^ú ùiaZú Gaõ Mâûcaûiúue @«üùiø¦~ðý Zûuê RûaêWò ]eò[òùf û Gjò iûjê Gaõ Gjò _õP bâûZûue R^K ùjùf iêeê iûjê û PòZâKe @^êba geúe bòZùe ÊMðúd ù_âeYû _â\û^ Keê[òfû û aúeae iê¦e PòZâKkûùe _âaúY û Zû_ùe HZòjûiòK _eaðú icdùe _âKéZòe c^cêMÛ ùiø¦~ðý Gaõ ùfûKue W. ^aú^ Kêcûe iûjê Gaõ W. ~m Kêcûe iûjê AZòjûiùe \òaýeì_ PòZâKê Zìkú I ew iûjû~ýùe C{òaúZ Keòaûe _âaúY ùfLK, Zû’_ùe bìZßaòZþ _eòùagaòZþ 40 Juhar Surta 2018 _âù`ie Ké¾P¦â iûjê Gaõ KéhòaòZþ ùMûaò¦ _âiû\ iûjê ]ûWòùe ù~ûWò _ûeò[ûù« û KûeY bûeZQûW @ûù¦ûk^ùe _ûe[ò Kjòùf KòQò @Zêýqò ùja^ûjó û ]^ý ùi R^^ú I @ù^K iÚû^ùe ibûicòZò Keò AõùeR aòeê¡ùe R^àbìcò û _û bûA ù\ge aòbò^Ü iÚû^ùe ejò ù\g cûZéKûe @ûù¦ûk^ Keò[òùf û bMaZþ _ò_ûhê ^òùfðûbú Gaõ iûßòK Mað ùMøea @cæû^ eLòaûKê aòù\g ~ûA CygòlòZ c]ý [òùf û aûfýKûkeê ùKùaaò @ûcòh LûC^[òùf ùi ùKùa ùjûA[òùf û PòZâKe aúeae ùRý bûA ùjûA[òaûeê Zûu ùKøYiò Jh] ùia^ Keê[òaû RYû^ûjó û ùi cûZéKé_ûùe \ûdòZß c]ý ^ò½òZ eìù_ Mêeê û Gjûu C_ùe Zòù^ûUò bCYú aõPòaû ij iì~ðýiÜû^ Keê[òùf û ^ògû \âaý aò ùia^ c]ý [òùf û ibòGñ aûjûiûjû ùjûA Neiõiûe KeòQ«ò û Keê^[òùf û ~êa _òXòKê C\þùaû]^ ù\A i\û iað\û aòeûU _eòaûe ejYú PkYú aW ^ò@ûeû û Pûh Rcò ùcûUeê iûßòK ejòaûKê C_ù\g ù\C[òùf û Zûue Rúa^Kûk ^ûjó û ùKak cûZâ MêWò@û aýaiûd Keò ùKùZaW _eòaûe c]ýùe ÊPlêùe gâúcû, cjûZàûMû§ú, Raûjefûf Pkòaû Kò_eò ùjC[òa _ûVùK @^êba Keê[òùa û _eÆe ù^ùjeê, aòRdflàú _ŠòZ, aòù^ûaû bûùa, bûA bCYú cûù^ ^òe«e ùiÜj gâ¡û bqò_êZ bûaùe fûfaûjû\ìe gûÈú AZýû\ò @ù^K @ù^K cjû^ ae_ûfò cûUòùe @û^¦ Cfäûiùe ejê[òùf û ùKùa aýqòuê \gð^ Keò iêiõ_Kð iÚû_^ Keò[òùf û 1950 aò Gjò _eòaûee jòõiû I @ûZàMað ^ [òfû û cûñ, cûZébìcò iûfeê `ùUûMâû`eþ KcðKeò ^òRe RúaòKû ^òaðûj ùfûKue cwk _ûAñ cwkcd bMaû^uê i\ûiað\û Keê[òùf û 1972 iûfeê Zûu _êZâcû^uê \ûdòZß ù\A ^òùR _âû[ð^û Keê[òùf û ùfûKuê @û]ýûZàòK mû^ùe C\þaê¡ @û]ýûZàòK eûÉû aûQò ù^A[òùf û Zûue KéZ ùZ÷kPòZâ MêWòK ùjaûKê C›ûjòZ Keê[òùf û _âKéZòe \égýKê PòZâKe @ù^K eûRû cjûeûRûu _âûiû\, Äêf KùfR @^êÂû^ PòZâòZ Keò ùfûKcû^uê cêMÛ Keê[òùf û PòZâKe aúeae I aòbò^Ü _âZòÂû^2018 Z[û iõMâûjûkdùe ù\LòaûKê còùk û _âZòbûùfûbú ^[òùf û ùi [òùf _ec KûeêYòKu GK i´f_êe aògßaò\ýûkde iõMâjûkd ^òcò @ù^K aÉê, ^ò C_ûiK Z[û gûgßZ iûe C_f²ò, _âKéZòe PòZâ, ù_û[ò AZýû\ò iõMâj _ûAñ iûjû~ý Keò[òùf û PòZâYùe iò¡jÉ, ajòü_âKéZò I @«ü_âKéZòKê ùfûKu gâúcû gâú @eaò¦ \gð^e Gjò ^òea iû]K Zû. @ûMùe C_iÚû_^ Keê[òùf û Zûue _âùZýK PòZâMêWòK 6.11.2008 Mêeêaûe \ò^e ùgh I iõ]ýûe @ûe¸ùe ùiø¦~ðý_ì‰ð, cù^ûm, _aòZâ I ù^÷iMðòK gqò iõ_^Ü ùMû]ìkòe _ùe _ùe gû«òe Pòe ^ò\âû Mùf û iùZ ù~_eò [òaû C_f² jêG û ùi ^òùR bûeZe aòbò^Ü iÚû^ @û^¦cdú, ùP÷Z^ýcdú \òaýR^^úu ùKûkùe gògêUòG bâcY Keò ejò ^òRe Kkû I @û]ýûZàòKZû C_ùe _eò ^òbðdùe KûjûeòKê aû Kûjû_âZò @bò~ûM Kò´û @bòcû^ @ûùfûP^û Keê[òùf û ùi [òùf GK ^òea, iZý^ò ^ Keò gû« ^òɲ ^òeaZûe c]êcd fMÜe cû]êeòcûùe @û]ýûZàòK ùPZ^ûe _[ _â\gðKJUHAR û @ù^K @^êÂû^ Zûuê Pòe^ò\âûe _[òK ùjûA PòZâKe aúeae @û^¦]ûcKê @ûMâj ij i¹û^úZ KeòQ«ò û ieKûeú ù_âû›ûj^ _ûAaûKê ù`eòMùf û iáZòùe ùKak ùKùZûUò Zûue @cæû^ cêjìð @ù^K _âaðûAQ«ò Kò«ê ùKùaùjùf ùKøYiò i¹û^ _ûAñ I gûgßZ @û]ýûZàòK C_ù\g Gaõ KòQòUû Zûue jÉKéZ fûkûdòZ ^ [òùf û aòeûU _eòaûeUòKê iêLùe PkûAaûKê PòZâ_U I Zûue _êZâ, _êZâa]ì, i«Zò, @ûZàúdÊR^ Gaõ ùi `ùUûMâû`ò eûÉû aûQòù^A ~Zþ KòõPòZþ @ûdùe ^òRKê Ne ^òɲ ^òaðûKþ .... û _eòù_ûhòZ Keê[òùf û Pûjó[òùf ^òRKê Êû]ú^Zû iõMâûcú ae_ûfò

41 Juhar Surta 2018 ùaZûe ^ûUýKûe aê¡ù\a _â]û^ I eùcg P¦â _]û^

gâú aê¡ù\a _â]û^ gòlû\û^ cùe RùY _âaúY _âZòbûe @uêùeû\þMc ùjûA[ôfû Zûu Vûùe ö iaê_âKûe Kðaý^ò @û\gð QûZâa›k gòlK eìù_ aûÉa @bò^d ~ûZâû, ^ûUK, [ôGUe, \ûiKûVò@û, _ûkû, @û\ò @aùfûK^ _â\gð^ Keò ajê gòlûù_âcú, QûZâ Z[û @bòbûaK cjkùe Keò G @kùe Kkû I iõÄéZò _âZò aòùgh bûaùe ùi ùag iê_eòPòZ ö _êYò ùi _é[ôaúe aéjc ùLûfû eõMcõP @ûiq ùjûA _Wÿò[ôùf ö _ùe iéR^]cðú Kkû_âZò cêjýcû^ aeMWÿe _âiò¡ ]^ê~ûZâûùe iKâòd @õgMâjY Keò _âMûX ùjûA Zûue ùfL^ú ùjûA[ôfû Pk Pk ö gâú _â]û^ ^òÂû I iû]^û ij _ûŠêfò_ò _âÉêZòKeY I Gjò ~ûZâûe cêLý Mwû]e ùcùje cjûaò\ýûkde QûZâ [ôaû icdùe Kõi I ijù~ûMú bìcòòKû _ûAñ akò ^òùŸðg^û akùe @ù_eû ^ûUK _ûAñ @ù^K MêWòG MúZ eP^û Keò c^^gúk R^cû^iùe @ûùfûWÿ^û iéÁò Keòaû ij GK iê\éX iÚû^ aûQò iéÁòe iâÁû ùjaûe ùiøbûMý @Rð^ Keò[ôùf ö ùi @ûV ù^AQ«ò ö aûÉaZü ^ûUýKkû ù^÷_êYýakùe ]^ê~ûZâû ahð adieê c C_ùe _û\ [û_òò @ûe¸ KeòQ«ò Zûueò KkûcôK I MêYûcôK aòKûg NUûA Gjò ~ûZâûKê aògß\eaûeKê @bò^d Rúa^ ö _âû[còK aò\ýûkde QûZâ [ôfûùaùk _jûAaûùe gâú~êq _]û^ue @^a\ý @^ÊúKû~ðý ö ‘iúZû aòaûj’ ^ûUKùe _gêðeûc bìcòKûùe @bò^d Keò Cy_âgõiòZ I _êeÄéZ ùjûA[ôùf ùi ö R^à – aeMWÿe _êeêYûaÉò Zkò_Wÿûùe @aiÚòZ gâú gâú icùfgßeú ù\aúu _úViÚkúe @^Zò\ìeùe 1938 PûKòeú2018 Rúa^ - gâú~êq _â]û^ Cbd AZòjûi I ciòjû @ùKÖûae 3 ZûeòLùe # ^aú^ P¦â _â]û^ gòlû aòhdùe iÜûZùKûe WÿòMâú jûif Keò Zûfòc _ùe # cúeûù\aúu ZéZúd i«û^ eìù_ gâú aê¡ù\a _â]û^ _ùe aòmû^ I MYòZ gòlK eìù_ ieKûeu \ßûeû ^ò~êqò R^àMâjY Keò[ôùf ö _ûA i´f_êe cjòkû _âgòlY aò\ýûkdùe PûKòeú Rúa^ @ûe¸ Keòaû ij RùY i`k gòlKbûùa ^òRKê _âZòÂòZ QûZâûaiÚû - _âû[còK Éeeê KùfRÉe _~ðý« Keò_ûeòò[ôùf ö _ùe aòbò^Ü ieKûeú @^êÂû^cû^uùe ùc]ûaú QûZâ eìù_ ùi [ôùf Lêa RYûgêYû ö @ù^K baòhýZ ijKûeú gòlK, @YùMùRùUWÿ _â]û^ gòlK Z[û aûfýKûkeê RYû_Wÿòaû _eòò aûfýKûkeê iìPúZ ùjC[ôfû ùW_êUò _\_\aúKê C^ÜúZ ùjûA ijKûeú gòlû cŠkû]ôKûeú ZûuVûùe GK KkûKûee @ûbûi ö Gjò icdeê iûeÊZ bûùa i´f_êe gòlû cŠk Kû~ðýûkdùe @aiÚû_òZ ùjûA ^ûUKe \égý \lZûe ij \ûdòZß iõ_û\^ Keò[ôùf ö _eaðú icdùe JUHARùÊzûKéZ bûùa _â]û^ gòlK eìù_ aeMWÿ _âgòlY aò\ýûkdKê _eòaðòZ ùjûA 1996 ciòjûùe ieKûeú PûKòeúeê @aie MâjY KeòQ«ò ö Gjò Kû~ðýKûk c]ýùe gâú _â]û^ iûeÊZ Kkûùe ^òRKê aò^òù~ûM Keòaû _ìað aòbò^Ü @^êÂû^ùe ajê iûõÄéZòK Kû~ðýKâc i`kZûe ij ciÚ KeûA ^ìZ^ KkûKûecû^uê cKkû _âZò @ûKéÁ KeûA ùfûK ùfûP^Kê @ûYò _ûeòò[ôùf ö KkûKûe Rúa^ I PûKòeú Rúa^ Zûu _ûAñ @]ôKûõg icdùe _eò_ìeK I 42 Juhar Surta 2018 @^ê_ìeK bûùa Kû~ðý KeòòQò ö HZòjûiòK ^ûUK ‘Kkû_ûjûW’, ^éZý^ûUòKû ‘P¦âbûMû’ ‘_ê^còðk^’ (Wâûcû) @û\ò ^òùŸðg^û \ù\aû ijòZ ciÚ ùfLK Rúa^ - KòQòUû ùcøkòKZû _ì‰ð I ùa÷mû^òK KeûA G @ke Kkûù_âcú \gðKcû^ue _âgõiû bûR^ I \éÁòùKûY iõ_^Ü ^ûUK eP^û KeòaûKê gâú _â]û^ ùjûA_ûeòQ«ò ö aòMZ 1984 ciòjûeê gâú~êq _â]û^uê @ûMâj _âKûg Ke«ò ö Zûueò @ù^K ùfLû ~êùMû_ù~ûMú, aeMWÿe _âiò¡ ]^ê~ûZâûe GK @aòùz\ý @w eìù_ @bò^a cûRðòZ, cêLýZü iéR^]cðú Kkû_âZò iù´\^gúk aòùaP^û Keòaû icúPò^ ùja ö gâú _â]û^u ePòZ _eòùag C_ùe @û]ûeòZ ùaZûe ^ûUK “KkKú @aZûe” @ûMûcú _úXò _ûAñ GK iZKðZûe HZòjûiòK aeMWÿ ]^ê~ûZâûe eõMc _é[ôaúe iõùKZ aj^ Kùe ö aðcû^ Rúa RMZe _cjûbìZ iaðaéjZ ùLûkû ewc ö @ùXA Kò.cò aýûiû¡ð aògòÁ _â\ìhYKê \éÁòùe eLô aòmû^ Kkû I ù_øeûYòK aòhdaÉêe Gjò aòÉú‰ð @õPkùe aòbò^Ü ù_øeûYòK C_ûLýû^ ^ûUKúd @_ìað ic^ßd iéÁò Keò_ûeòQ«ò ùi Gjò ^ûUKùe ö Cq Xwùe _eòùahòZ ùjûA[ûG ö 1948 eê 1983 ^ûUK 1989/90 ciòjûùe @Lôôk bûeZúd ùaZûe _~ðý« Gjò eõMc cêLý KkûKûe aýqòùK¦âòK [ôfû ö ^ûUK _âZòòù~ûMòZû (IWÿò@û aòbûM) ùe ùK¦â iìP^û I @^ý KkûKûecû^u bìcòKû ^ûcKê cûZâ [ôfû ö 1984 _âiûeY cªYûkd bûeZ ieKûeu \ßûeû _â[c _êeÄûe ciòjûùe Gjò ~ûZâûKê Rúa«, @ûKhðYúd Gaõ R^_âòd _âû¯ ö @^ý aòhdaÉêKê @û]ûe Keòaû _eòaùð _eòùagKê Keòaû _ûAñ Kõi Z[û ijù~ûMú KkûKûecû^u Pd^ @û]ûe Keò ^ûUK eP^û Keòaûe @ûbòcêLý iõ_Kðùe ^òcò _â[c iûlûZKûe Kû~ðýKâc Keû~òaû ij GjûKê Zûue @bòaýqò ùjfû- aðcû^ _é[ôaúe Rßk« iciýû jó C_ûLýû^ i´kòZ C_ùbûMú Keòaûe @ûbòcêLý ù^A gâú _eòùag _â\ìhY ö ù~Cñ _cjûbìZ \ßûeû Cnò\ RMZ aê¡ù\a _â]û^2018 _â[c Keò _ûŠêkò_ò _âÉêZò I ^òùŸðg^û ù\A I _âûYúRMZe iéÁò ùijò _ cjûbìZ _âZòcéjìðùe _â\ìhòZ Gjûe i`k eì_ûd^ KeòQ«ò ö _âûd Zò^ò \g§ò ]eò gâú~êq ùjaûùe fûMòQò ö KkKûeLû^ûeê ^òMðZ ]ì@ûñ I ùa÷mû^òK _â]û^ G[ôùe IZüù_âûZ bûaùe RWòZ ejò ]^ê~ûZâû @ûYaòK _eúlû ^òeúlû \ßûeû aûdê, Rk I bìcŠk \ìhòZ Kò_eò aògß\eaûeùe @ûjêeò @û\éZ ùja ùi iõKâû«ùe ùjûA Cnò\ I _âûYúRMZ C_ùe aòhcd _âbûa @^êbìZò ^ìZ^eì_ ùeL ù\aû _ûAñ i\û iað\û @û_âûY ùPÁû ùjCQò ö G\òMùe R^iùPZ^Zû iéÁò jó ùcûe ùcøkòK PkûA @ûiòQ«ò ö ]^ê~ûZâûe ^ûUKúd CKôhðZû, Kõi flý ö Zûue fòLôZ ‘aògßeì_ \gð^’ ‘K^ò@ûñ ù\Lû’ iùcZ ijù~ûMú KkûKûecû^u MêYûcôK aòKûg \òMùe (i´f_êeú) @ûKûgaûYú i´f_êe ùK¦âeê ajêaûe _êvû^ê_êv _~ðýûùfûP^û Keò ùi i´§úd GK MùahYû _âiûeòZ ö ‘céMZé¾û I @^ýcûù^’ (^ûUK), ‘cjû\û^’ cìkK AõeûRò _êÉK “The legendary Dahnuyatra (^ûUK), ‘_âKéZò c^Ú^’ (^ûUK), ‘aúe iêùe¦â iûG’ I Festival, Bargarh (Criterion on selection of ‘KûcêeêL’ (i´f_êeú ^ûUK)JUHAR AZýû\ò Zûueò @ù^K characters) ” eP^û KeòQ«ò ö ~ûjûKò Gjò ~ûZâûe eP^ûakú @_âKûgòZ ùjûA ejòQò ö ^ûUKúd Kkûe @bòaé¡ò Z[û KkûKûe Pd^ _âKòdûùe ^ìZ^ \òM\gð^ iéÁò Keòa ö gâú~êq _â]û^ Gjò _êÉKùe KkûKûe Rúa^ - gâú~êq _â]û^ GK ajêcìLú \gðûAQ«ò – ùKak c[êeû_êee eõMcùe _âûd 60 eê _âZòbû iõ_^Ü aýqòZß ö ùi GKû]ûeùe RùY @bòù^Zû, 70 RY KkûKûe _âZòahð bûM ^ò@«ò ö Gjû CùfäL^úd Kaò, ^ûUýKûe Gaõ @ù_eû ^ûUK ^òùŸðgK bûaùe ù~ ùijò KkûKûe c]ýeê ùKøYiò KkûKûe ù_gû\ûe ^òRe Kkû\lZûKê _âZò_û\^ KeûA ùag ùfûK_âòd ^êjñ«ò ö _ê^½ ùicû^u iõLýû _âZòahð ^òŸðòÁ ^êùjñ ö Gjò ùjûA_ûeòQ«ò ö aòbò^Ü icdùe ~êa KkûKûecû^uê _eòù_âlúùe Kêjû~ûA_ûùe ù~ KkûKûecû^u iõLýû iõMVòZ KeûA ù_øeûYòK ^ûUK ‘K‰ðûRêð^’ I ‘^eù\aZû’, 43 Juhar Surta 2018 _ûŠêfò_òe ù\÷Nðý ij iò]ûikL icû^ê_ûZòK ö C_iÚû_^û Keòaû ij Kõie ijù~ûMú KkûKûecû^uê KkûKûecû^u iõLýû aXòMùf _ûŠêfò_e ù\÷NðýKê \úNðZe c]ý @bò^d Keòaûe iêù~ûM ù\A[ôùf ö ~[û- Keû~ûG ö iõLýû KcòMùf _ûŠêfò_e ù\÷NðýKê iúcòZ \écòk eûli a], Reûi§, RûeKûiêe I aûYûiêe Keò\ò@û~ûG ö _eûRd Gaõ @Ácfä @ûjßû^ AZýû\ò C_ûLýû^ MêWòK @\ýûa]ô ciÚ ùjûA @ûiê@Qò ö 1984 iûfùe Kõi I ijù~ûMúbìcòKûùe @bò^d Keê[ôaû _â[c Keò ]^ê~ûZâûe Kõi Z[û @^ý KkûKûe Pd^ KkûKûecû^u Kò Kò aòùghZß ejòaû K[û Zûjû ùi G _ûAñ ZZþKûkú^ ]^ê~ûZâû KcòUú Ze`eê @ûùdûRòZ _êÉKùe ÆÁbûaùe CùfäL KeòQ«ò ö Kõi bìcòKû _ûAñ iûlûZKûe Kû~ðýKâcùe Kõiûbò^d _ûAñ iaði¹Zò Kâùc gûeòòeúK MV^, gòlûMZ ù~ûMýZû, iéR^gúkZû, ^òÂû, RùY ^ìZ^ KkûKûe gâú ùMû_ûf iûjêuê (Gfò) Pd^ KÁ ijò¾êZû, cû\K\âaý aRð^, ù_øeûYòK mû^, jò¦úbûhû Keû~ûA[ôfû ö gâú iûjê c ^ûUýKkû ùlZâùe iõ_ì‰ð ^ìZ^ _UêZû, Gjò MêYcû^u _âZò aòùgh \éÁò ù\aû aòù]d ö Gaõ @^bòm ùjûA[ôaû ù~ûMêñ ZZþKûkú^ KcòUúe ibû_Zò gâú @Kée bìcòKû _ûAñ KkûKûeu @û]ýcôòKZû, ic_ðY i\û^¦ _ûYòMâûjú Kõi @bò^d _ûAñ gâú~êq iûjêuê ^òùŸðg^û cù^ûbûa, bqòMúZ _eòùahY ùg÷kúùe \gðKcû^u ù\aû I _ûŠêfò_ò _âÉêZòKeY _ûAñ gâú _â]û^uê @^êùeû] bûa_âaY Cù\âK, @Ácfä Pd^ _âKòdûùe KkûKûeu Keò[ôùf ö ÊMðZ _â]û^ Cq Mêeê\ûdòZß aj^ Keò geúe _é[êfZû, Lk_âKéZò @bò^d, Ké¾akeûc Pd^ _ûAñ ^òùŸðg^û ù\aû ij _êeûY a‰ðòZ aòbò^Ü C_ûLýû^MêWòK 10/12 ahð adie iê¦e geúe MV^ @û\ò KkûKûe ^ûUýeì_ ù\A _ûŠêfò_òe KûdûKê c]ý aé¡ò Keòaûùe fûMò cù^û^d^ \òMùe aòùgh ]ýû^ ù\aû CPòZ ùaûfò gâú~êq _Wò[ôùf ö G_eòKò Zò^òahð Kûk _~ðý« ]^ê~ûZâûe c _â]û^ Gjò _êÉKe MêeêZßûùeû_ KeòQ«ò ö C_ùe Kõi2018 bìcòKûùe iõkû_ MêWòKe ~[û~[ C_iÚû_^ _ûAñ iàûeK Kû~ðý c]ý ZêfûA[ôùfö gâú~êq _â]û^u Gjò ~ûZâûe PòeûPeòZ @ûbòcêLýKê ^ìZ^ eì_, ei Q¦ @\cý _âùPÁû akùe gâú ùMû_ûf iûjê ^òRKê Kõi ù\A cù^ûeõRK, C_ùbûMý I iaðR^û\éZ Keòaûùe bìcòKûùe iê_âZòÂòZ KeûA 1994 ciòjûùe ^òLìY Zûueò ^òeaQò^Ü iû]^û I @a\û^ @aòiàeYúd ö Kõi @bò^d iKûùg IWòògû iõMúZ ^ûUK GKûùWcú I 1998 @bò^d jòñ [ôfû ~ûZâûe ùK¦âaò¦ê ö ijù~ûMú PeòZâcû^u ciòjûùe @ûùceòKû Caðgú ^éZý iõiÚû Ze`eê i¹û^e ij @bò^d _âûdZü ùMøY Kjòùf Pùk ö aûe´ûe Gjò _eêÄéZ ùjûAQ«ò ö GKK ùK¦âòK @bò^dKê ù\Lô \gðK cŠkúe aúZÆéjZû ùjZê gâú _â]û^ 1984 iûfùe ]^ê~ûZâûKê _â[c Zû.06.09.2016 Zûue _âdûY \òai ö @ûc [e _ûAñ C_ûLýû^ i´kòZ Keò ^ûUKúd ùg÷kúùe icÉu ù_âeYûe C›, ÊMðZ _â]û^ue @ceKéZú, iûeÊZ JUHARZ[û KkûKûe _âZòbû, _é[ôaúe iaðaéjZþ ùLûkû eõMc aeMWÿ ]^ê~ûZâûùe Zûue cjû^ @a\û^ iì‰ðûleùe fò_òaŸ ùjûA ejòa ö Zûue _aòZâ iáZò _âZò gâ¡ûbqò @_ðY Kùe ö IßûWð ^õ-16 , aâjàPûeú, aeMWÿ ùcûaûAf ^õ-9438015563 Email: [email protected]

44 Juhar Surta 2018 CWÿþgû aWÿò \êüLúùiaK iûjê ^êeûeþ cû’ ù_ûÁKûWÿðþ MêùU MêùU VòKþ^û iùjùZ CVò Keò Rêjûeþ ùjùf ùi iûùw bêaù^ aûaê aò jûZþ _XÿòKeò gê^CQ^þ û PûGeþ^ò@û ù_ûÁKûWÿðþ Z ^ùjùi ùUKùf LùU gêA Keò û ^êeûeþ cû PCKò ù\A Keò ù~^þZû aêZþùf ùfLû eKZþ @ûG bêaþù^ aûaêeþ fûMò û aiaûeþ ùK Kùjùf û @ûmû aiòKeò bêaù^ aûaêùK ù\Lò @ûeþ ^êeûeþ cû’ ùK Z fûMê[òfû MêùU MêùU PòVò _Zþùe Keò Kùjùf-“ ùK«û @Q^þ bêaù^ aûaê ?” ùfLû @ûGh û _û@ûñfò ~C[òfû ZûKeþ cê^êhþe Rúa^eþ “jñ @ûmû UòùK eòfò`þ fûMþfû^ û MêfòaûRfû Vû^þ gêLò Wûjò _Leû [ò K@ñfò K@ñfò _Zeþ ùfùL û aiþfû^ û KµûCŠeþ @ûmû `ò \ò^þ @ûiò Keò ùWâiòõ KeêQ^þ “@ûùc @û_Yu @ûgê @ûùeûMý ijòZ \úNûðdê Kûc^û aò û @û_Y aò ùcûeþ fûMò afò ùWfò Zò^þ Zò^þ KòùfûcòUe KeêQêñ û” jGeû^þ jCQ^þ @ûmû û Mûñeþ KûjûùK ùbUùf PòVò _ùVA “cû’ icùfA @û_Yuê QZeþ CXÿûùf eLê û” ù\ùa bêaù^ Kùjùf”- ùK«û K[û Kùji^þ bêaù^ RMZe ^û[ RM^Üû[ @û_Yuê \úNûðdê Keò eLò[û«ê û aûaê? K[û KûUòKeò ù_ûÁcûÁe aûaê Kùjùf – “cêAñ “bêêaþù^ aûaê @û_Y aeMWÿ cûUòe aúe ùi÷^òK û Z ùcûe WýêUò KeêùQñ, @û_Yþ Z WýêUò iûùw Rúa^þ ùK bò @û_Yuê @^êÂû^ Ze`eê gZùKûUò ifûcþ û @ûgê @ûùeûMý _ûG^þ QùWÿA Keò fùXÿA KeêQ^þ û ~ûjû ùjC A aûjû^û @ûce GKû« Kûcý û” [ò @û_YþKê2018 ù\Lò Z jCùQ û @ûù\, @ûSòeþ PòVò ]eê^þ û KûGf eGaûeþ [òfû Z @ûGRþ aù^ MêWÿû\ê PòVò @ùQ û” aýqò, Äêf, KùfRþ , Käaþ , @^êÂû^ iaê@ûWÿê @ûgúaûð\beû PòVòcûù^ `ò \ò^þ @ûiêùQ û bêaù^ aûaê WûqeLû^û^ê `òeòKeò Mûñ ^ eùjfû \ò^þVû^ê û @ûeþ ù~^þ \ò^ bêaù^ aûaê bêaù^geþ^ê aeMWÿùK _êjêñPòùf ùefùUi^þ^ê KfýûY cŠ_ZKþ ~ûZþeû aûMòeþ ùfûKþ û RG Raû^þ RG Kòiû^þ ^ûeû [ò `ûUò _Wÿêô[òfû @ûKûgþ û KòGJUHAR `êfþ cûfþ Z KòG `êfMêzû ]ùeA Keò gêbþ Kûcþ^û R^ûaûeþ ù\Lò Keò QûZò `êfò ~C[òfû ù\Lþfû fêKþe û icò@û _ûjû«òùafû û bêaù^aûaêùK aûUþ \ê@ûeê WûKò WûKò NeþùK XêKùf ù_ûÁcûÁeþ @ûmû, ^êeûeþ cû aifûVû^ê bûeZúd ùi÷^ýue ùgh ic¡ð^û 45 Juhar Surta 2018 bêaù^ ùWaþeò jûùZ PòVò ]Gùf @ûeþ ^êeûeþ cû @ûmûKê aGfó û ùj \ò^êñ ùZûe aû’ bò bêaù^gße ^ûñ ùK eLò _Kûùf Pûjû ]eûùf û PòVò ù_WÿûñùK ]eò Keò bêaù^ aGùf – @ûeþ _eû_ûUþùKñ bêaþù^ bêaþù^ aGùfñ û QûWþÿ ùi ‘iZþ K[û û @ûmû A PòVò MêùU MêùU cùZ Cùhû aûMòeþ Kûcþ K[û û bêù\û cûiþ û @ûceþ `ûfeþ gòNû Zòjûeþ ^ì@ûñLûA û KeêùQ û ZûKZþ \CùQ û’ Rcò\ûeþue AÁù\aúVûù^ CRêf _Le i¯cú iêSòùQ ‘^òjûZò iZþ K[û aûaê û Pûjû _ò iûeò K_þùK PCKò ^ì@ûñ Lò@û fM^þ û Mûñ Mûñ ^ WûKþ ù\fû^ PCKò\ûeþ û Zùf [êA Keò Vò@û ùjA Kùjùf ù_ûÁcûÁeþ aûaê – be\eþ PûfòùQ fò_û Nñhû, i`û iêZeþ , Nò^û aòKû û aûjòUû ùfûKþ cû^Keþ bfþ _ûGaûUû ^òù½ ZcKê aWþÿùU c^eþ ~ûKe Mjfþ Pjfþ , Mjfþ Pjfþ aRûeþ û aûUþ NûUþ , aiþ ZûKZ @ûG û c^eþ a`êUû \ùjeþ a`ê^ê @ûMþ @ûG û VòKþ cUeþ û ~û’ @ûiþ û bûA \ûA , _êI _êZêeû û ùjùf ùcûeþ @ùQ aûaê, @ûiêùQñ û @û_Yþ Rfþ\ò aù^ jC^þ , jñ @ûeþ _êIUû Zòjûùe aûjûùe ^ûAñ afò c^þ Uû C^û û VòKþ ùafþùK MêùU K[û bêaù^ aûaê @û_Y aù^ ùjaûeþ ZKþ MêùU aò PòVò MêùU @ûGfû û PòVò[ò cùZ aêùSA Keò ùfLò[òfû ù~ PòVò @ûGaû aGùf cêAñ A^þùK @ûGcò û @ûiêùQñ û” Mfû bûeZþ _ûKòÉû^þ Sùcfò@û _eòiÚòZò fûMò A [e ^ì@ûñLûAùK ùafþùK bêaù^ aûaê ù`eþ NûG Rêjûe Rù^A Keò PòVò @ûiò ^ûAñ _ûùeñ afò û QûZòùK _[e þ Kfò û MêùU afò _êI ù_Wÿûñ ùK ù\Lò aiùf û ù_ûÁKûWÿð bòZþùe f`û_û ùU û ùK _ùVAùQñ û ù~ùZùaùf c^þ ùK ^ûAñ aêSûùf Pùf UòùK @ûgþeòR ùjA Keò _Zû ùK ù\Lùf , ùfLû @ùQ – ^ûAñ û R^cþ Kfû cû’ ^ê bûeZþ cûñ ùKùZMê^þ aWÿ ùjUû CWÿgû aWÿò , ^ò/ù_û-jòcMòeò , Rò-iê¦eMWÿ(IWÿògû) R^cþ Kfû cû’ KûGñ^ aêSþaû û bêaù^ aûaê ^ûñ Uû _XÿòKeò @UKò Mùf UòùK û ZûKe ^ì@ûñLûA2018 \òù^ û Mûñ Uû ~ûKeþ ùfûKaûKþ, Ne Mêjûf, aû’ Vû^ê gê^fû @ZúZþ _éÂû ùKùZUû Sfþ Sfþ \ògòMfû _ûG^þ , _a^þ, ùLZLfû – G«û Kò @ûKûgþUû ~ûKe ZûKe bûa^û [ò û cû’ aû’ ùK WûKò Keò ^êeûeþ cû ùK _ezûð û ùjùf ùcûeþ c^eþ _Gzûð ^ûAñ , aQeþUûKe Zòjûeþ f`û_û ]ùeA icKeþ @ûMcêùWÿ _Xÿaûeþ ùK Kùjùf û afò iaê Kaûeþ XûWÿþùi Keê[òùf aò _êI Bgße(aGùf VòKû ùafþùK ^êeû cû’eþ Kêùfñ Sñù_A ùjfû afò bêaù^e ùZûe \û\û) ^òùK c^þUû ^eþ\ò ~C[ûG û Neeþ aWÿ cû’ ^fò _û_Wÿ Nò^ò ù^cò afò LùKA Keò Mûñ LêAfþ KêZò _êIcûù^ ùLZþ _ìRû Keò ~CQ^þ ùafùK ùcûeþ _êI Mùf – PòVò _ùQ gê^þcò^ afò Kjò Kjò û ^ûAñ û K]eò@û ùjA Keò Lfò \^û Uò_êùQñ û ajUû _ìRû fûMò LñRû_ûZò KeêùQ û ùLZê `òeòKeò ùZûeþ aaû LùU aiò ^êeûeþ cû’ PòVò _Xÿùf- ùiÜjeþ _êI bêaù^, @ûgòaûð\ [ûKþ cûeêQ^þ û cùZ ù\Lò Keò aGùf- CWÿgû! \^û RêVû ù^aê û ùZûeþ cû’aû, bê@ûùi^þ @ûeþ ùZûeþ Sò ùK @ûgòaûð\ Keò ù\fû^ ùjZò ù`eþ _ìRû Kùf @gêbþ ùjaû, LñiùeAþ R^ûaê û Mûñ cû ùK Rêjûeþ ZêA Rfþ\ò aù^ j afò cjû_êeê^ JUHARù\ û cêAñ PcþKò Keò _^þùZ @ûGñL fj _êQþfó û ùZûeþ aaû aò^þZò û PòVò cêfê ùghZKþ _Xÿaê û ùZûe cû’ aû ^ê ùcûe aêùSA Keò Kùjùf ZêAñ ~\ò ùj«û ùjaê bê@ûùi^ \êA aòùh @fþù_ ajêùZ Rû^ò[ôaê û PòVòUû ZùZ ~\ò UòùK Rúaþ^ò@û ùjAQ^þ ZûKeþ c^þUû ùK«û ùjaû û \cþ ù\aû ùjùf ùcûeþ PòVò \ò@û iû`êf ùjfû afò bûaþcò û ùjùKA @ûiê[òaû Kû¦òUûùK aWÿû KùÁ QûZò^ i¸ùfA Keò KòG Rûù^ ùMû Bgßeeþ aû , c^þ Uû MêùfA 1972 iûfeþ K[û û ùiùZùaùf ZêAñ aêUþ aêUþ NûñUò fûMêùQ û ùWùaeþ @ûGñLUû `eþKêùQ KjòKeò \^û ùK Pûfê[òfê û jñ VòKþ ùiûe _Wÿfû ùZûeþ A bêaù^gßeþ LiùeA ù\fòñ û ^ûñ aò cêAñ ù\A[òfòñ û CWÿþgû aWÿòeþ _êI bêaù^gße 46 Juhar Surta 2018 ùZûeþ c^eþ becþ @ûG CWÿgû û bê@ûùi^þ ùK KûYû WòjòùK Nò^òKeò Neþ a^ûfò û ùfCUþ aQùe ùZûeþ aaû KûYû Keò fûMþ , _ìRûUû SUþ SUþ iûeò ù\cû û ùZûeþ aaû ceòMùf û Mûñeþ KûjûùK ^ûAñ Rù^A û Lûfò ùZûeþ aû ’ ùK ùaû]þ ù\A Kùjùf û @ûGñL QòAaû afò KûeþUùU _ùVA[òfò û ^ûZò KûcKûeRþ ùZûeþ aaû \ò_þ ùU Rûfò Keò _óWÿ _ìRû Kefû iaê Kfû û fùXÿA icò@û^ ùZûe _êZêeûeþ R^cþ afò Zûeþ ùaùf \ò_þ fòbò ~ûC[ûG û c^þUû @ûeþ ]Kþ ]Kþ Kfû, ^ûñ iõMâûc ù\AùQñ û iõMâûc ùi÷^òKþ Äêf, KùfRþ _Xÿû iûeò ^ì@ûñ Peû UòùK Pûaò Keò _eiû\þ UòùK _ûA iûeòQêñ û VòKþ Keò @ûKûgþaûjò^ú[ò ù~ûMþ ù\A Keò ùUâ^òõ KeêùQ û aûaê Rêjûeþ ùbUþ ùafùK _êfòi aûaê \êAS^þ Ne @ûM cêùWÿ bìaù^ aêSò_ûeê[òaê ZùZ @ûeþ KûYû Kùjcò, ZêAZ NûZþ jûReþ û ZûKeþ UêêWÿêñ ù~«û gê^þfê Kò @ûe KûYû Lê@û _ò@û, LûGfû ùi÷^òK @ûC û ùiùZùaùf MêùU cû ’ iòe`þ MêùU Rêjûe ùbUþ û ùcûeþ ùgûeþ aêWÿòMfû û Mûñ,cû `ûfRûKò Kûfþ cû’ _êI ùK fùXÿA ùc÷\û^ ùK _ùVA[òfó ùjùf Ajûù\ _WÿòMfû û MQ _Zeþ Kû¦òMfû û \òù^ CZûeê Bgßee fûgþ \êA \êAUû cû’ iõMâûc ùK _ùVAQêñ û ...... PòVò KûYû _êjêñPòfû û ù^Zû , cªú, ieKûeú \eaûeú ùfûK Mûñ ^ _Xÿùa ^êeûeþ cû’ ùbû ùbû ùjA Kû¦ò _Kûùf û bêaþù^ QûAMùf û GKêgþ [eþ ùZû_þ ifûcò, Keò eûÁâúd c~ýûð\û^ @ûeþ Zûeþ aû e @ûLêñ aò fj aêjò~ûCùQ û _êIùK g’ ù\ùf û ajeþ cêjêñ ùK ù\Lò Keò \òùjùK _[eþ ^êeûeþ cû’ ZûKeþ _^þùZ bêaþù^e fj ùK _êQò Keò eùjfó û aûe \ò^ ~ûK Mûñ ^ ibû icòZò Keò Mûñ cû Keò ^òùR aò \cþ ]eþùf û bêaù^ aGùf- ^êeûeþ cû ! fêùK Kûcþ Kûe~ Kùf û VòKþ \òù^aûùe ùZûeþ ajê _ûeþ PòVòUûùK _Xÿò _K û AUûZ bûaeþ fj @ûG, ZûKZeþ fj _òfûZò ùjfû û cjû_êeê ]ecê ^ûZòùU ùjfû û _êI a\fû @ûG ...... 2018_Xÿò _K û _êI _ûGfó û ieKûe ùMùQ UñKû ù\ùf û ajùK PûKòeòùU ^êeûeþ cû’ ù`eþ cêfþ Kùf – bò còfþfû û iaê KòQò [G ùjùf aò ùcûe c^þUû _êWÿê [ûG û Uòbò @ûeê Laeþ KûMRþ^ê KûeMòfþ ~ê¡eþ K[ûZ iaê MêùU afò _êI ùK _Xÿûfò û ùi÷^ý aòbûMþ ùK _Vûfò R^c gê^ò[òfò û ùjùf ùZûeþ K[û gê^þfû CZûeê ùcûeþ c^þ Kfû cû’ ^ê bûeZþ cû’ e ùiaû aWÿ afò û _êI ijò\þ ùjAMfû @ûeþ [ûùa ^ûAñ^ û GZþ Kò \ò^þ Z ^ì@ûñLûA KûYû aù^ Keò ù~ aò \òùj Keò eùjfò ûùjùf Mûñ ^ ùKùZUû cûùjRòKeþ ^ûA cû^ê [ûA ùjùf @ûGaû ^ì@ûñLûA Zce Nùe LûGcû û U_û \ûGKû ùcûeþ KfþRûùK LñWÿ LñWÿ Keò _KCùQ û KòG ùZûeþ ajê @ûeþ _êZþeû ùK bò ]eò Keò ~òcò û ~j KûYû KûYû aGfû UñKûe fêùb ùfûùb fùL ùKûgþùK _Vûfû MêùU ùfLò ù\fò^ û bûaêùQ PòVò _XÿòKeò c^þ ùK jûfþKû Keþaê _êI ùK û Z KòG Kùjfû UùXÿA ùjA MêùU _êIùK LûGfû ùgùh ù`e NûG cjû_êeêVûù^ ZêA ZêeþZò aù^ j afò @ûeþ ajùK ~êaZþeû@ûñWÿò Kefû û UêWÿñùK KûGñ jêfþjêfò @Ÿðfò Keò ejêùQñ û \êKûfþ, jûùU aûùU, a¦ NûùUJUHAR iaêVûù^ Uê_êeþ `êiêeþ û ùZûe gêbþPò«Kþ ùZûe aaû ù~ ^ò\û aò¾ê û cûQò ùK bò ceþ ^ûAñ Kj^þ û ùcûeþ Z CWþÿgû aWÿò K_ûùf cûMò @û^òùQ ù~ùZùaùk, Kûjûeþ ^ jû_þiò ùjùf KûGñ ùjaû û Rcò^þ \êAUêKþeò ùZûeþ aû’ ùK ù\fó û Wòjò PòVòUû _Xÿò iûeþfû CZûeê NùWÿ aûMòeþ Kûjû UêWÿêñ UòùKùK AÄêfùK \û^ ù\A Keò ùcûeþ cûcêñ Ne jòcþMòeòùK K[û ^ûA aûjeþfû û NûG Mfû Kò bêaù^e aû aGùf – _ùkA @ûGfòñ û aQþùe CZûeêñ ùZûeþ ajê ùK aò a\þfò Keò ùZûeþ CWþÿgû aWÿò @ûiêQ^þ ZûKeþ Mûñ cû’ ^òùK ùiUû ù`eþ @û^fò û ùcûeþ cûcêñ Nùe aQe\ê eùjfû CZûeêñ ^ì@ûñLûA Zòjûùe aûjûùe aGùf K[ûUû Mûñ cûñ iaêKê R^ûùf VòKþ ùjZû aûaê û cêAñ @ûNfò ^ê Kjò[òfó Ajûù\aò 47 Juhar Surta 2018 KjêùQñ ùZûeþ aWÿò ^òùR MêùU Zòeò[þ @ûG û ù\Lþaê aûaê ZêA \êA\êAUû iõMâûcú ùK R^cþ ù\fû cû’ CWÿgû aWÿòùK û aò iaê \êüL _ûgþeò ù^aê û ibû Vû^þ MRòð Mfû Zûfò [ô NùWÿ ùafþ ZKþ û CWÿgû aWÿò iZþ K[û aû ! bêaù^ ùaû]þ ùjA Keò ù`eò Kùjùf K_þUû _^Zþ `ûfùK Lù¦ ù\A Keò cPû C_ùe cêWÿò@û PòVò MêùU [ò iaê \êüL C^û ùjAMfû^ @ûeþ ù\Laûeþ cûeò Keò K_ûùf aûGfþ UòùK cûLò K[û cêfþ Kùf – “cêAñ K[û KûYû KjêQê aû’ û Mûñ e iò@û^ iêR^þ , M@ñZò@û KKû cêWÿò@û cûeêùQ ùcûe _êI BgßeùK R^cþ ù\fû cûGUþ @ûeþ ie_ñPþ \\û ùK Kjò Keò còUòõùU Keþcû û A aQþe ùK û CfMò jCùQñ Mûñ eþ ù\aú ù\aZû, iò@û^þ iêR^, ^ì@ûñLûA iaêaQeþ^ê @fMû bûùa c^ûMê^û ùjaû û ^êeûeþ @ûeþ cPû^ aiò[òaû @ûmûcû^Kê û ùcûe bûG aùj^Kê cû’ ùK ù`eþ ù\Lò Keò Kùjùf - ^êeûeþ cû’ ! PòVò ùK @ûgòeþaû\ û KêUò KêUò aò^þZò KeêùQñ icò@û ùK û @ûGRþ ùK [ûùa eLò [ eûZò ù`eþ NûG _XÿòKeò gê^ûcû @ûeþ ^ì@ûñLûA iùZAg aQeþ Zùf G^þZû MêùU ^ê@ûñLûA fMþù^ ùcûeþ iRaûRþ aù^ Xùw Keþcû û x x x x x MêùU afò _êI ijò\þ ùjA[òfû bûeZþ cû’e fûMò @ûeþ iùZAgþ aQeþ CZûeê CWÿgû aWÿò ZûKe Mûñ cû cêAñ cRþaêe ùjA[òfò R^cþ cûGUþ ùK QûWÿò Keò ~òaûeþ Vûù^ ^ê@ûñ LûGùaþ, iûùw ZûKeþ aj @ûC ^ûZò iõMâûcþ ö ùK û @ûGRþ ùi aúe cûUòe Zò@ûe ùjfû AÄêùf _ûV _X bêaþù^e Nùe _ìRû_ûVþ iûeòKeò, ^ì@ûñMêWû _ûGfû ùafþ Keò ùcûeþ @ûeþ MêùU _êI KûeþMòfþ RòZò aòRde _ZûKû ùK CWÿgû aWòþ e @ûñLê fj ^ûAñ ù[aê[ûAö ùi iûùw KêUêc CWÿûfû ùafþùK Mûñ e @ûeþ PûGeþUû cû’eþ aúe i«û^þ – Uû ~ûKò @ûñLòe _ûG^ Zeû Zeû ùjA~C [ûG ö ùjùf iCKòfûfþ, A¦âRòZþ , ZûeûKû« @ûeþ ùcûe ^ûZò iõMâûc û @ûSòeeþ fj còf^eþ @ûñLfþ [ôfû ù~^þUûKò Mfû iùZAg A¦â @ûeþ Zûeû GùQ^ ùUâ^òõ ^ @Q^þ aGùf aûKò Zò^þS^þ aQeeþ \êüLþ \û\eþ ùK ]êA \C[ôfû ö _eû_ûUþKe iò@û^þ, A^ C_iÚòZ2018 @Q^þ û cêAñ @ûGRþ A ^ê@ûñLûAeþ gêbþ @aieþ iêR^þ, ajbê@ûùi^þcûù^ ùbUþ _Wÿò @ûiê[û^þ aWÿò ^òùK ö ^ ùcûeþ aúe _êI Bgße ùK ùifêUþ KeêùQñ û ù~^þ ijò\ bêaþù^eþ aû’ MêUþMêU Keò PòùjÜA \C[û^þþ aWÿû CiZþ [ô ö _êIe a\fû _ûñP _ûñP Uû ~aû^þ Vò@ûWÿþ ùjA_ûeþùf û ù`eþ ù~^ cû’ cûù^ cùZ UñùXÿA ùjA _êI ùK LûGfû icò@û Zò^þ aûRfû ö ie_ñP, M@ñZò@û @ûeþ iò@û^þ afò U_û ù\ùf ùi Mûñ cûñ ^ ù`eþ _ûñPU^þ cû’ ...... S^\ê CWÿgû aWÿòùK ae^þ Keò @ûGùf û Bgße ù~^ @ûü...... @ûü...... cû ùK Zò@ûeþ Keò _ûeþ...... fû...... û Wòjò^ R^cþ ùi Wòjò [ò a^ûfû AÄêfþ iûcþ^û QùK @ûSòeeþ ùcûe ...... QûZò...... bêaù^ @ûeþ iõMâûc ^eþ\ò @ûGùf û ^ê@ûñLûA ùbUþ Kû~ýðKâce cPû^þ a^òùQ û VòKþ CWÿgû aWÿò _ûG^þ ..... _ûG^þ afaûeþ ùK bêaù^ ZûKeþ icò@ûùK Gcþ.Gfþ.G. aò _êjêñPò [ùf ^ û còUòõ cêf ùjfû û Kêùf aùiAKeò iõMâûcþ ùUaêfþ C_eeþ aêZfþ ù\fû Mñ@ñZò@û còUòõ^ @]ýlZû Kùf û cPû^ aiòQ^þ Gcþ.Gfþ.G, _ûG^þ ùK XêùK _òGA ù\fû CZûeê aWÿò XùKû Keò XêùK ie_, CWÿgû aWÿò @ûeþ ^ûZò JUHARiõMâûc û Kû~ýðKâc @^þiûùe _ò Keò iaê \ò^eþ fûMò gêA _Wÿþùf û icùfA cû’ e `Uê _ìRû,AÄêfe _òfûcû^u \ßûeû ÊûMZ MúZþ, Rêjûe ùbUþ iûùw bêaù^, iõMâûc Gcþ.Gfþ.G. ùi\ò^ bêaù^ aû’ ùfûKeþ bòWÿ bòZùe MQþ aûMòeþ @ûeþ ùgùh CWÿþgû aWÿòùK @õMQò ù\A Keò cûG^þ R^ûùf Vò@ûWÿþ ùjA _êI bêaù^eþ Kêùf CWÿgû aWÿò ùK ^ûAñ Mûñ cûñ Ze`eê û @Zò[òcûù^ ~ûjûùK ù~ZKò ~êeþfû _ù\ ù\Lê[ûA ù\Lê[òùf aWÿ Zòe[þ û @ûeþ Kûù^ gê^ê[òùf \êA _\ Kùjùf û Zûeþ CZûeê þ Mñ@ñZò@û iù´û]^ Keò cûGSòKeþ MêùU K[û – aòPþeò bûGMþcû^ò @ûG ùMû , Mûñ cûñ WûKþùf- Ajûù\ @ûSòeeþ cêLý @ûKhðY, A cûUòe aj, eþ Kêùf Zûeþ Rúa^þ Mfû û bò^Ülc aò\ýûkd, aeMWÿ û 48 Juhar Surta 2018 @ûc @ke bûhû I iõÄéZòe GK ißûbòcòû^ PòZâ gûgßZ Kêcûe Zâò_ûVú

@ûùc ù~Cñ @kùe aiaûi KeêùQ ù~Cñ cûUòùe ùfûKaû\ý, ^ûUK, KûjûYú, aLûYú, Wêjû, U_û-\ûGKû, @ûce R^à Zûjû _â[ùc \lòY ùKûgk eûRý ùjûA ejò[òfû QUþKû, ]¦û/aLû^ò, eúZò^úZò, _eõ_eû I Kkû iõÄéZò û Gaõ aò^òZþ _êe aû aò^òZûgß_êe Gjûe eûR]û^ú [òfû ~ûjû ]cðKê aògßûi eLò G @õPke ùfûùK @ù^K Rò^òhKê aðcû^ aò^òKû bûaùe RYûgêYû û ù~ùjZê Gjû eûRý aûeY Keò[û«ò û Gaõ ^ûAñ ~êùM ùaûfò GK g± c]ý [òfû ùZYê Gjûe bûhû ÊûbûaòK û ùKûgkeûRýe _âcûY aýajûe Keò[û«ò û ù~còZò- iñKþeû^þZò ùK aûfþ Kò ^Lþ _êeûYùe còkò[ûG û ùKûgf eûGRþ ùKûgf eRû, Kêgfò KûUþaûeþ ^ûAñ ~êùM û eûZòùe QûGñ ù\Lò “^ûAñ ~êùM”, cûcêñ Wwû, Kêgkûcûfò Kêgkû gûMþ, Kêgùfgße, ùKûgùfA b^þRû MêùU aûi^þ[ò LûA ^ûAñ ~êùM, eûZòùe fêjû Uò^þ, ù\aú @û\ò GK _âcûYòK Z[ý jòiûaùe ^ò@û~ûA_ûùe û aGñgú aûùRA ^ûAñ ~êùM, cûùN aêùeû Kò cêfû LûA ^ûAñ ùZYê bûhûKê ùKûgþfú jòiûaùe MâjY Keû~ûA_ûùe û ~êùM AZýû\ò û @ûce iõÄéZòe _âPûe _â[ùc NêaêKêWê, Mêñ Mêñ ^û\ò@û, c^Kê Lêiòùe eLòaû _ûAñ @ûc cûUòe cYòh _eòùagKê iõPûe, Keþcû, \Š, ^ûUþ @û\òeê _â[ùc ùjûA[òfû û ù\Lò @ù^K MêWòG U_û- \ûGKû, Uûjò - Uû_eû, WKû, Wêjû, @ûce bûhûe U_û - \ûGKûeê @ûc bûhûe cû]ê~ðýZû RYû QUþKû, ùgæûK2018 @û\ò _âùdûM Keò[ûG û ù~còZò- “iû^þ PCKû, _Wò[ûG û @ûc @õPke cûUò, _ûYò, _a^, eúZò^úZò, aWþ PCKû, ^û_þùf ~êLùf iùb GKû” , iaþ ùPûeþ, aòeò _eõ_eû, _â[û, aýaiÚû, Kkû, iõÄéZò, HZòjý, PûfòPkYú @ûùUñ ùVûfþ, ^ûAñ ùicòfò `êùf, LWþùKû Zûfû, ^ûAñ Mû]ò Keò ajêZ iê¦e @ùU û ~ûjû @^ýcû^u _ûLùe ù\LòaûKê còkò ù\aþZû Kfû, aûeaûñWò iêeþh Lfû, ùZûeþ R^cþ Kecþ aêeþ[û ^[ûG û ^\ú, _ûjûW, aY Rwf bkò _âûKéZòK C_û\û^e Mfû, PjUcfò, ùfùjñUò aûjûeò @ûGPê `òeò, ceþùMû X_, ùiø¦~ðýcd _eòagùe GVòKûe R^RûZò gû«, iek, iê^û cjeùM _òZf Lû_, ceþ ùMû @ûWû, NêWûKê ^ûAñ ùjùf ^òùfðûb ùjûA[òaûe @^êcû^ Keû~ûG û @PòjÜû ùfûKu ^ûAñ ~ûC SûWû, @cþùKû M\þùeû cê^þMû bûRò, ZêAZ cûGSò _âZò c]ý K[ûbûhûùe @ûZàòdZû _âZò`kòZ ùjûA[ûG û KêWþwòG^þû, Mûñ MGñZò@û SMWSûAñ, `êiþ_ê^ò \òù^ @Xò@û ù~còZò, aû_]^ùe, aaûùaû LûAfê ^ Kò^ò ùaû, Keþcû ù~, \cþ ]eþ ... AZýû\ò û @ûc @õPke ^ûcKeYùeJUHAR c]ý GA @ûZàòdZûe ùaû] RYû_ùW û ù~còZò- KGñUê, ùewþUê, ùUwþ^ê, ùa÷Vûeê, ùa÷gûLê, PGZê, aêeþhêb, jûWê, cwþ ^ò@ûñ, X^þX^ò@ûñ, ùXûKûfê, cKûeê, ùfûKî, cûfê, Qûfê, Kaûeê, _ûWê, MûWê, ùKPþùKPû, ùQZþKû, MûWþ bûfê, aòVfþ, Leþ_eþWê AZýû\ò û Kûjó ùKùZ \ò^ê G @õPke @]òaûiú G ZêŠeê ùi ZêŠKê CZûeò @ûYò gòLòQ«ò @ù^K ùfûKK[û, ùfûKMúZ, i´f_êeú ^ûP 49 Juhar Surta 2018 ^ûAñ, `fþiû _Zeþ Kûjûfò, ùWaþeò ^ûùKþ ~ûCñfò Mê^û, @ûùi GK @û~ðý @^û~ðýe còk^ iÚk eìù_ _âZòÂòZ ùjûAQòû ~û NòWò NòWò aûjûeò, @_Uþ _Uþ, QòWòMfû ùZûeþ M§ê@û LUþ, Gcû^u Rúa^ ùg÷kú ijòZ CyRûZòe iù¹k^ \ßûeû c^þ Rû^êùP c^eþ K[û \òjþ Rû^êùP CeþNû a[û, còeþPû GVûKûe iûcûRòK Rúa^ @]òK _eòÀêU ùjûAQòû _âûKééZòK Uê_þfò @ù^, @ûeþ cêAñ Kjòù\ùf PWþPWûiò, ZêA Kjò iõ_\ùe _eò_ì‰ð Gjò @õPke @]òaûiúue iûcûRòK ù\ùf aù^, iêLû KLûeê, cêjñ gêLòMfû _jñZò@ûeê, aû_eþ PkYú, eúZò^úZò ~[û iéR^gúkZûe ÊûZªý _eòflòZ _êI cêùW ùWwþ, CZþKò jêG XêWû ùawþ, aû_eþ MòùR ^ûAñ^ ùjûA[ûG û Gjò @õPke R^Rúa^Kê IZüù_âûZ ]Wò, _ê LêRêùP iûAùKfþ NWò, Ißûùjû, gòfþ gòfþ_û MMù^ bûaùe ^òcªY Keê[òaû ùfûK iõÄéZò, ùfûKaògßûi, CWþùf^, eê@û aû_þeò afêùP ùañùP aiþcò, cfò`êf ]cð]ûeû Z[û icûR @ûc ùfûKMúZùe Pc}ûe bûaùe KûõP^, cûGSò ~ûCùP KPòeò Keò NGZû ù\LêùP \eþ_^, eì_ûdòZ ùjûA[ûG Gaõ iû]ûeYZü G[òùe cûUòe MêYMû^ KñKþeû icþfû Keþ_^, @ûLÒþ `ûeò `ûeò ù\Lê[û ^^ò - ùcûeþ Keê[òaûe ù\LòaûKê còkò[ûG û Nò^òù\fû \eþ_^, MñZò@û Neeþ LeþiòWfû, jûZþ Sûeò Sûeò ùKûgkûkùe i´f_êeò@û Sò@ Zûe ^òRe ÊbûaKê NeþùK _fû, @_ù^eþ \òùj _êeþùM cûQò, _eþùK KjêùQ ù^A Mað Keò[ûG - aûQò aûQò, fûRþ ^ûA [ûG ~ûeþ cêùL, PêùeA ~ûGiò CRfþ [ûfòùe \êA aê¦ò Nò@, @ûùc PûfòMùf ^ûAñ jùfþ _ùL û \òjùe iùZ, @ûùc i´f_êeò@û Sò@ û G @õPk K§, ùKûjä, Ieûcþ, LWò@û, Kògû^þ, MŠ, ùicòZò _êeêhcûù^ c]ý ^òR aúe _Yò@ûe PòZâ aòõSûfþ, KêWû @û\ò @û\òaûiú iõ_â\ûd @]ýêhòZ ùjùf MúZcû^uùe _âZò`kòZ ùjûA[ûG û ùjñ aâûjàY, ùa÷gý @û\ò CyRûZòe aiZòe iõ_Kðùe 2018

JUHAR

Rêjûe i\iýu \ßûeû i´f_êeú ^ûP _eòùahY 50 Juhar Surta 2018 iûAùKf PKcK jûùZ PKcK Kù§ a§êK iùZ, i´f_êeò@û fêKùe eûR^, @ûùc i´f_êeò@û fêK û bò^Ü bò^Ü @õPke _âgõiû c]ý MúZcû^uùe _âZò`kòZ ùjûA[ûG û @ûcþ _Zâ f_ f_ aCfúùe aò^òKû ijùe ùKfò K\c UñKû aûùR ecSc aCfúùe û @ûc @õPke ùfûKMúZ I ùfûK^éZýe GK ÊZªýZû ejòQò û G @õPke MúZ ^ûPùe GK cû]ê~ðýZû _êeò ejò[ûG û Wûfþ Lûfò, eieþ ùKfò, cûGfû RW, jêùcûaCfú, iR^ú, jfò@û MúZ, gMþWò@û MúZ, bì@ûùh^þ Kû¦ò, MCeaûWò, NêMò@û, cwfû aêfû, Keþcû, iõ_eþ\û @ûC NêaêKêWê aûfûe MûAaû MúZ iaêVò @û\e iéÁò Keò_ûeòQò û @ûce ùfûKbûhû, ùfûK iûjòZý, ùfûK iõÄéZò ùLfþfû ùafeþ,2018 aeþhû Leû MúZ, aòeþSûfû MúZ, UêùKfþ ajêZ _êeêYû û @ûce ùfûK iûjòZý bòZùe [òaû _òfûKeþ ùLfþ MúZ, UêùKfþ Keþ @aþMò - ùNû ùNû eû^ú, @Zò _êeêYû ùfûKMúZ ajêZ Cy I icé¡ @ùU û ùi iaê QêeþKò, Qòùfû eûA, PûAñ PûAñ cêVò, icþ ù]^þ MúZ, KòPòeò ùjCQò- WûfþLûA, eieþùKfò, aûdûc^, RûA`êf, bceû, còPòeò, _òfûKeþ KaûWò, WêWê MúZ, aòjû ùafeþ Mûfþ ùiKû Mê@û^Wò@û, ^ò@ûfòcfò, cûGfûRW, eiþK\cþ, eêcþKêSêcû, MúZ, iõÄûe MúZ, f[û \ò@û, jfþ\ò ùVñiû, cêKêUþ ùWMû, RjÜò`êf, iò_ûA`êf, P_þKeûUò, aR^ò@ûñ, ^Pþ ù~øZêK \ò@û, bê@ûùi^þ Kû¦ò, aûñWòaêZfþ, LñRþ^ò, Mêñ Mêñ ^ò@ûñ, cfò`êf Kò RûA`êf, fjñKò, fjeò, aûwþeò, icKUû, ^û\ò@û, cwfû aêfû, aò^ûKûeò@û MúZ, ùiûùfû, ùaXû ùKûKòf, jêùcûaCfú, iR^ú, Kê@ûñeòMúZ, aûA]^, aêfû, K^ò@ûñ i@ñ_û, _eaþ MúZ, aûecûiú MúZþ, ùfûKþ aeò@û, jfò@ûMúZ, gMWò@û MúZ, Wwûaêjû MúZ, _fþ Mû[û, Zûeþ _ùQ K[û^ò, aLû^ò, Xa, iêfþK, \ûGKû, QUþKû, jûeê@û MúZ, cûùW^þ MúZ, Xû_þ,JUHAR Nêcêeû, cû\fþ, NêWþKû, U_û-\ûGKû, ^ûAñ ~êùM @û\ò ùKCñ Kûkeê @Qò Zûjû VòKþ ]ê^þùKfþ MúZ, NêWû^ûPþMúZ, WñWþ, Keþcûñ, ùawþfò Chû, bûaùe Kjò ùja ^ûjó û Gjû @ùLûRþ Kêcûe hû‹u _êÉK aòjû, ùQeþ ùQeû, jêfþ Kê\û, cMþZòeò, cwþ^ò@û MúZ, “@ûceþ bûhû @ûceþ K[û” Gaõ Wü \ßûeòKû^û[ ^ûdKu MCeþaûWò, WñWûeò, MûjûKþ /aûjûKþ, iõPûe, Ké¾Mêeê, “i´f_êêeú ùfûKMúZùe Êûbòcû^e PòZâ”e GK Qê@ûKeþ MúZþ bòZùe ùZfcLû, Zûfòceû gòLû, jñiû, @ûùfûP^û cûZâ û Sêfûaûe, ^Pûaûeþ, R^þ Zeû ù\Lûaûeþ, \ûñZþ @ñKþeû cýûù^Ròw UâÁò, gâú @eaò¦ _ì‰ðûw gòlûùK¦â, ùafeþ, gêAfû ùafeþ, Pûfþfû ùafeþ, eûñ_òù\fû ùiùfWò, Sûe_Wû, iêa‰ð_êe ùafeþ, CVûaûe ùafeþ, eêhþfû ùafeþ, Qê@ûKeþ iûùw 51 Juhar Surta 2018 ^ì@ûñLûA RMa§ê iûjê ^ì@ûñLûA aÉêZü GK KéhòbòòK _að û Pûhú Zû Rúa^e Rcðû^ú _eò ù\gùe c]ý G_òe_eò _að _ûkòZ jêG û _âZòUò eqaò¦êKê ùÊ\ùe _eòYZ Keò ù~Cñ Ê_Ü ù^A bû\âa cûie gêKæ_l _cúe _ìaðûKûgùe ^aûMZ iìù~ðýû\deê iì~ðýûÉ _~ðý« ùlZùe cûUò ij cûUòe cYòh iì~ðýKòeY Mâûc ijeùe aòùQA ùjûA_Wòaû _ìaðeê ùjûA[ûG û ZûjûKê @ûRòe \ò^ jó iûKûe Keò[ûG û _âùZýK MéjiÚ iÜû^ icû_^ Keò ^ì@û ]û^ @ûYò iûeò[û«ò û _½òc IWògûe Pûh _að ùjCQò ^ì@ûñLûA û Pûhú ùi\ò^ icÉu c^ ùagþ _â`êfäòZ û cêjñMêWòK ùagþ C{ßk û Zûe _eògâcùe @Rð^ Keò[òaû _â[c ]û^ ^òRe AÁù\ ^ì@û]û^ Z[û ^ì@û]û^e PûCkKê _â[ùc iÚû^úd ù\aû aûù\aúuê ic_ðY Kùe û Gjò _að ^IßûLû^ò, ]û^ ù\aúu _âZò @_ðY Ke«ò û iû]ûeYZü icùÉ ]^]û^ýe ^Ißû]û^ò, ^Ißûù^ûcþ, ^I@û, còKûZf, KõPûùRû^þ, ^aû^Ü @]òKûeòYú “flàúuê _ìRû Keò[û«ò û _ìRû icû_^ _ùe @û\ò ^ûcùe iÚû^ aòùghùe _ûkòZ ùjûA[ûG û ^ì@ûñLûA Nee cêeaú icÉuê _âiû\ _â\û^ Keò[û«ò û ùi\ò^ jòõiû I _að_ûk^ Keòaû @«eûkùe ejòQò _â[c `ifKê i¹û^ ùKâû]Kê ]^ú, Meúa icùÉ bêfò~ûA[û«ò û _eòaûee ~òG I Zûe AÁù\aû ù\aúu _âZò @^ûaòk bqò û _½òc IWògû ù~Cñ iÚû^ùe [û@û«ê ^û KûjóKò icùÉ GKZâ jê@«ò û ùMûUòG ùKak ^êùjñ, ù\ge aòbò^Ü eûRýùe Pûhú Zûe _â[c iÚû^ùe e§^2018 jêG û icùÉ ùMûUòG iÚû^ùe @^ÜùbûR^ `ifKê _ûAaû _ùe bqòùe AÁù\aù\aúuê @_ðY Ke«ò û @^ÜùbûR^ _ùe icùÉ ^òRVûeê aùdûùRýÂcû^uê Kùe, ^û^û _að_aðûYúùe û _¬ûaùe ‘ùa÷gûLò’, ùKekùe Rêjûe RYû«ò I aùdûùRýÂcûù^ K^òÂcû^uê @ûgúaðû\ ‘I^ûc’, @ûiûcùe ‘aòjê’, @û§â_âù\ge I Zûcòf^ûWêùe \ò@«ò û ‘ù_ûwf’ _að Gjûe ^cê^û û Giaê _að_aðûYúe ùg÷kú ^ì@ûñLûA @aieùe iaê fûùM ^ì@ûñ ^ì@ûñ û icùÉ ^ì@û bò^Ü bò^Ü ùjùf c]ý CùŸgý û Czßûi : GK @bò^Ü û `âû^è, \òg«ò ^a _âÀêUòZ `êf_eò û eõM ùaeõM ù_ûhûK_Zâ _eò]û^ Keò @ûe¸ ùjûA~ûG ^ì@ûñLûA ùbUþNûU û Rêjûeee @û\û^ _â\û^ û i¹û^ ù\aû ù^aûùe ^ [ûG RûZòùMûZâe _eòPd ^ [ûG gZîcòZâe ùb\bûa û ^ [ûG JUHAR@ûc aWòcû û Rêjûeee Zûùk Zûùk @ûe¸ ùjûA~ûG i´f_êeú MúZe Êe û cù^jêG _é[òaúUû ù~còZò iõMúZcd ùjûA~ûAQò û ^éZý, MúZ, KaûWò, `êUaf, KâòùKU @û\ò cù^ûeõR^ Kû~ðýKâcùe _eòùag ùjûA~ûG ùgûbûcd û

^ì@ûñLûA GK KéhòbòòK _að ùjùf ùjñ _âùZýKue _âûYùe _âaûjòZ Kùe RûZúd _âúZò I i\þbûa^ûe cjû^]ûeû û aûfêKû gúÌú iê\gð^ _…^ûdKu \ßûeû ^ì@ûñLûA @bò^¦^ MXòùZûùk cYòh ijòZ cYòhe GK c]êeiòq iõ_Kð û 52 Juhar Surta 2018 ^ì@ñûLûAe K[û’ Wü aòbìZò bìhY _Šû

\òfäú ije C_û«ùe [ôaû `äûU Nùe ^òR _ê@ Kjö’ ùiøeb @ûMâj ijKûùe Ròmûiû Keòaûeê geZ aûaê _ûLùe ~ûA _jô[ôùf geZ aûaêö ùi _jôfû \ò^Vûeê Kjòaû @ûe¸ Keò[ôùf ù~, ùiøeb ùZûe aû_û iûùw Äêfùe ^ac ÁûŠûWÿðùe _Xÿê[ôaû ^ûZò ùiøeb _jô~ûA Zêùccûù^ iò^û Kj @ûce Ne i´f_êee cê\ò_Wÿû Kò«ê ùaùkùaùk ^û^û\òLae ù\C[ûGö ùicòZò ùi\ò^e @ûce _êeêYû Mñû ùjCùQ júeûKê\ a§û[ô aêWÿò ~ûA[ôaû eaòaûe iKûk _jeùe ùi Ne aûfùKû^úùe aiò Pû cf\ûö ùiùZùaùk ùcûùZ @ûV Kò ^@ aeh ùjC[ôfûö _òC[ôfû icdùe _jô~ûA Kjòfû ù~, Rû^fKûGñ \û\û Mñû’Uû aêWÿòMfû _ùe aû_û Mêeê_Wÿû cêý^òiò_ûfUò Äêfùe @ûiþaû ùiù_Ö´e 23 ZûeòL @ûce \òfäúe Rêjûe _eòaûe gòlK [ôfûeê @ûiò bWÿû Nùe ejòfêö Kò«ê Zû’e @ûMeê _ûf^ Keþaû ^ì@ñûLûA ùbUNûUö \ò^ Zcûc Lô@û_ò@û _êeêh _êeêh ]eò @ûce _êùeûjòZ @ûC RcòaûWÿò Pûhaûi Keò @ûC @ûce @ke ùXûfcû\f iùw eieùKfò, _êeêh _êeêh ]eò Pkò@ûiê[ôùfö ùcûe aû_û, KKûcû^ue WûfLûA cûAfû RWÿ @û\ò MúZ ^ûP ùjaû ù~ Zêùc bûaþa @ckeê _ûV _XÿòKeò PûKòeú Keòaû @ûe¸ ùjûA[ôfûö _jô~ûAQê i´f_êe Kò afûwúe aû baû^ú_ûUYû @ûC ùicûù^ iùb ^ì@ñûLûAñ UûAcþùK cf\ûùe Rcû Vûù^ö’ ùjûA ^ì@ñûLûAñ2018 cû^ê[ôùfö’ geZ aûaê @ù^A ejò[ôùf ^ûZò ùiøebe CRêkò jñ \û\û @ûce cìfþ Mñû cf\û [ôfû @ûC júeûKê\ CVê[ôaû cêjñ, @ûC ^òùR aò bûaê[ôùf @ù^K iûcûRòK a§û iùw aêWÿò @ke ùfûKcû^ue K[û Z @ûMeê _eòað^ ù\A MZò Kùf aò ^ì@ñûLûA _ea iûùw _½òc @ù^K [e KjòQ, Gùa Zêùc Qê@ûùakê _ûkò @ûiê[ôaû IWÿògûe bûhû @ûC iõÄéZò aò icd ^Be _âaûjcû^ ^ì@ñûLûAñe K[û iaê Kjö’ ]ûeûùe @ûMKê @ûMKê aXÿòPûfòùQö ùibkò KòQò bûa^û ^ûZòe @^êùeû]ùe geZ aûaê Kjê[ôùf ù~, ‘KòQò iûùw Zûu IV `ûuùe CKêUò CVò[ôfû ]ûùe jiö ùiA KòQò ùfûK _½òc IWÿògûe cìk @]ôaûiú @û\òaûiúcû^ue ji ù\Lô ùiøeb Kjê[ôfû, `\û\û jiùf KûAñKeò cñê cûù^ K§, MŠ, bìdñû, cò¡ðû, iCeû, aòƒûf @û\òcû^ue KûYû còQ KjêùQ bûaf?’ aiZò [ôfû, @ûC ùicûù^ bò^Ü bò^Ü icò@û[ô CiZþ @û^¦e ^ûZò ùiøebe @bòcû^ flýJUHAR Keò geZaûaê Kjê[ôùf, _ea iaê _ûkê[ôùf, ùR^þZû Kò `Mê^ _ê^ò \ò^ @ûcþ, `^ûAñùe Mfû KòQò aeh ùjfû \òfäú, ùawùfûe, Pûe, cjêf @û\ò `fþaûe @ûe¸ ùjfû icò@û[ô `fiû ùP^ÜûA ù~^þVò aò @ûce _½òc IWÿògûe ùfûK @Q^þ `êf iùw MêõWÿò QùWÿûC[ôùf ù~, bf @ûcþ Pûe cjêf ^ì@ñûLûAñ _ûk^ iùw @ûce ùfûKiûjòZý I iõÄéZòe C_R ùjùf ùicûù^ @ù^K fûb _ûGùaö ùi _eaùK _âPûe KeòPûfòQ^þö AUû @û^¦ CiZe K[û ùjùf ùcûe Kêjû~ûC[ôfû MêŠòLô@û @ûC Zû’e _ùe _ùe @ûiê[ôfû ^ì@û cù^ _Wÿê[ôfû @ûce Qê@ûùake ^ì@ñûLûA K[ûö’ ^ì@û ]û^ C_R ùjfû icò@û[ô @ûC ùghùe @ûiê[ôfû _êh_ê^ò Zòjûeö Zû’ecûù^ MêŠòLô@û, ^ì@ñûLûA @ûC _êh_ê^ò `jC \û\û Zêce _òfûùake ^ì@ñûLûA K[û KòQò [ôfû Zò^òUû aWÿ Zòjûeö’ 53 Juhar Surta 2018 ùiøeb Kjê[ôfû, ‘~\ò @û\òaûiúcû^ue cìfþ _ea bû\âa cûùi Xò_þ Rcòcû^ùK ]û^þ ùjfû _ùe _ùe ùaûfò Kùja, Zû’ùjùf _½òc IWÿògûe cjû«ò, eûR_êZþ, ù\aûù\aúue _ûùL ^ì@û ]û^þeê PûCk KûXÿò cjê, Mêei, aâûjàYcûù^ ùK^Zû cògòùf?’ MêWÿ, \jò @û\ò còùgA _ìRû Keaûe iûùw _eòaûe Mñû’ @ke iaê ùfûùK MêùU \ò^ VòKþ Keò Kò _ea _ûfaûe ^ûZòe C}Y×û ù\Lô geZ aûaê Kjê[ôùf, ‘gêYþ cê^êh UûùK Kêjû~ûGiò ^ì@ûLûA aû ùa\e K[û @^êiûùe _âf´^ cûZe ùK GK @ûC @û\òaûiú ùjC^ aû aâûjàY eûR_êZþ ~mö”geZ aûaêue K[û gêYòfû _ùe ùiøeb Kjê[ôfû, cjû«ò, icùÉ Z cê^êh @û^, Zû’e _ùe ùKùZ RY ‘\û\û AUûMêùU iûcûRòK MY_að bûùa ùKùaVûeê Kùji^ ù~ ‘ùa\’ icò@ûVê Pûhaûi Keò cê^êhcûù^ KêjûMfû?” eùjfû _ùe @^Üe @ù^K _ìRû aû ~m K[û Kêjû~ûAùQ ù~^Zû Kò @lòZéZúdû @ûMeê Rcò^[ô jf Keò iRaûR geZ aûaê ^ûZòKê aêSûAaûKê ~ûA Kjê[ôùf ‘@ûce KeaûùK iúZû~m, @lòcêVò ]eò]û^aêYûaûe K[ûùK cf\ûùe ^ì@ñûLûA ùaùf ùcûe \û\û ~ûjû Kjê[ôùf _âbû_\ ~m, @ûC _ûPfû ]û^ ùK KûUò @ûYaûùK gê^þ Zòù^ö _ûUYû eûRýe _â[c eûRû [ôùf ecûAù\ _âf´^ ~m Kjê[ôfû ùakùK Lfû[ô ]û^ cWÿûA _ê@û KûXÿò Iö ùi icò@û[ô cûù^ @ûRKê Zò^òg Pûeòg aehe @ûMe Kêfû ]êKû]êKò Keò ù_ûf]û^ iaê CùWÿA ù\A]û^ @ck K[û ù~, ^ì@û ]û^ ùjfû_ùe ùiVû^ê PûCk aûQò Keò aûQò @ûYaûe K[û Lkû~m KêjûMfûö @ûC ùi bòZeê _ìRûaò]ôe K[û bòZùe _âRû_ûUKuê aû§ò eLaûùK ùi ùNûhYû bf c¬ò aûQaûe iùw @ûe aeh fûMò iûGZò eLaûùK Kùf ù~, ^ì@ñûLûAñ fûMò MêùU \ò^ VòKþ Keû~ûA eûARe Kêjû~ûGiò _âR^^ ~mö PûhKûce A _ûUû K[ûùK MêùU iaê Mñû’e ùfûùK ^òRe ^òRe Nùe ^ì@û LûGùaö ]ôùe MêùU ~m Kêjû~ûGiòö’ ]ôùe ù\LûMfû2018 ù~ _ûUYû eûRýùe _ûUùYgßeú, ùiû^_êe [ô iêùegßeú, KkûjûŠòùK cûYòùKgße. i´f_êeù^ geZ aûaêu K[û _ùe ùiøeb _âgÜ Keê[ôfû ù~, icùfA, Mûw_êe aû iê¦eMWÿ [ô gòLeaûiò^ú ù\aúcû^uê ‘@ûC ^ì@ûñûLûAñ K[ûUû A bòZeê ùK^þUû @ûG?’ PûCf fMû ùjaûe fûMò \ò^ eRû @ûC eûR_êùeûjòZcû^u ùibkò _âgÜe Ce eLaûùK ~ûA geZ aûaê \ßûeû \ò^ VòKþ KeûMfûö @ûC ^ì@ñûLûA _ûf^þe KòQò Kjê[ôùf ù~, ‘Zêùccûù^ Z ije[ô aXÿf @ûC @ûRòe aò]ôaò]û^ KeûMfûö ùi ^úZò^òdc @^êiûùe Mñû’e KUê@ _òfûcûù^ KûYû Rû^þa ù~ ùLùZ ùjC[ôaû fUû aQûaòjòWÿû ûk cûù^ Wòaò Wòaò aùRA eRûue @ûù\g cùZ \ò^ VòKþ @û\ò Kûc _ùe _ùe gâûaY cûie _ê^òe @ûMeê ùjC[ôaû KeòaûùK ibû KeûC[ôùf ~ûjûùK Kêjû~ûC[ôfû Mñû’ Mñû’ ù\cêk_ìRûe K[ûö Mñûe aûjûùe [ôaû Sûe bòZùe ùaùjùe^, Zû’e _ùe ùjC[ôfû fM^þ ù\Lûö @ûC fM^þ Vûù^ Vûù^ gMðòMQ Z @ûCJUHAR ùK^Vûù^ ùaùjeûMQ VòKþ ùjfû_ùe KêUêce ùfûKcûù^ @[ðûZþ MêùU aõg aû Zùk _ìRû _ûC[ôaû Mñû’ ù\aZúùK bf `f C_Rûaûe ùMûZâe iò@û^ ùfûKUû ^òRe KêUêce iaê ùfûKKê GKû iûùw fûMò _ìRû ùK Kêjû~ûC[ôfû ù\cêf _ìRûö ù\aú cû Mñû’ ^ì@ñûLûGaû ùK ù~^þ Lae ù\C[ôfû ZûjûùK aûjûùe ejò iaê ùLZþùK aòcûeúeê aûùaö ùiZþKòùaùk Kêjû~ûC[ôfû WKûjKûö bûA bûA bòZùe aò KKû, Rcò^þ[ô Mêei Xûki^ @ûC Vûù^ Vûù^ KêKêWÿû, ùaû\û _êZeû bòZùe eòhû `êfû Mûkò-SMWÿû ùjA[ôùf aò iùbñ akò aò ù\i^þ, cûZe ùi _ìRûe _eiû\ ùfûùK NeùK ^ì@ñû LûAaû fûMò GK ùjC[ôùfö Zû’e _ùe @ûe¸ ^ûAñ @ûYò Mñû’ aûjûùe LûGi^ö Zû’e _ùe gâûaY _ê^ò ùjûA~ûC[ôfû Necû^uê fò_ò _êQò i`ûiêZêeû Keò Nee \ò^ jf fwk @ûC MûB, ak\e _ìRûö Zû’e _ùe _ùe iaê Rò^òh_Ze iùRA eLôaûö Zû’e _ùe _ùe @ûe¸ 54 Juhar Surta 2018 ùjûA~ûC[ôfû jûUcû^ùK aiê[ôaû ^ì@û jûŠò K_WÿûfZû \ò^[ô ^ì@ñûLô@û ùjC[ôfûö [ùe 1960 ciòjûùe Nò^ûaòKûö Zû’e _ùe bêù\ûcûi[ô Lûfò MêWÿû ]û^ @ck iaê@ûWÿe iò@û^ iêR^ VòKþ Kùf ù~ MêùU \ò^ùe jñò ùjC[ôaû KûeYeê ^ì@û ]û^LêRû, ùi Kûc Uû Mñû’cû^ue ^ì@ñûLûA ùjaû, cûZeK ùi K[û i¸a ùjfû^ûAñö Sñûuecûù^ Keê[ôùfö ^ì@û ]û^ LêRfû _ùe ^ì@ñûLûAe 1990 iûf[ô aòRê _…^ûdK eûARe cêLýcªú ùjfû \òù^ @ûMeê Mñû’e Ne Ne aêfò ]û^ùLWÿ iaê aûê _ùe 1991 ciòjû^ê bû\â gêKæ _cú Zò[ôùK ^ì@ñûLûA ù\C[ôùfö Zû’e _ùe ^ì@ñûLûA \ò^ Nùe Nùe ^ì@û QêUò ieKûeú bûùa ùNûhYû Kùf, @ûC icÉKê ùiA GKû ]û^ bòZeê PûCk KûXÿò cjê, MêWÿ, Mêei @ûC \jò iûùw \ò^ ^ì@ñûLûA _ûf^ fûMòe @^êùeû] Kùfö @ûMeê Z còùgA gMðò_Ze Kò´û Kêùe_Zee \^û[ô eLô Mñû’e ^ì@ñûLûAe fûMò ÄêfKùfR @ûC ieKûeú @`òi ùfûKûf ù\aûù\aú _ìRû Kefû_ùe Nee ù\aûù\aúuê ùjûfòùWÿ ùjC[ôfûö Z[û_ò aò _ùjfû KòQò aeh @k ùbûM fMûaûe K[û ùjC[ôfûö Zû’e _ùe Nee ùb\[ô Z`ûZþ eùjùf aò ùghùe bû\â gêKæ _cú Zò[ô cêLô@û aû cêeaú ùfûK, Nee icÉuê ]ûWÿòKeò aùiA ùQûU _½òc IWÿògûe ^ì@ñûLûA bûùa MâjY Keû~ûAùQ, @ûC cû^ue^ê aWÿcû^Kê _ìRû Kfû ^ì@ñûPûCk ù\C[ôùf IWÿògûe MY_að ùjûA~ûAùQö’ I ùghùe ^òùR ù^A GKû iûwùe Nee icùÉ ^ûZò ùiøeb c^ ù\A K[û iaê gêYê[ôaû ù\Lô geZ ^ì@ñûPûCk LûC[ôùfö Zû’e _ùe @ûe¸ ùjC[ôfûö aûaê Kjê[ôùf ù~, ù\L aûaê ^ì@ñûLûAe @ûMe ~êùM ù\aûù\aú @ûC aWÿcû^Kê cêŠò@ûceûö Zû’e i¬ùaùk fêùK iKûk ùak _ìRû_ûV _ùe eûZòùe gòKûe _ùe Nùe ùjC[ôaû _òVû_Yû, LôeòKûKeû Zê^ aò LûC[ôùfö ùfûùK KêjûKêjò ùjC[ôùf ù~, @ûAñh ajêZ _âKûe Zê^ ZeKûeú, gûeêiûM, @û´òf aû eûZòùe ^ûAñ2018 LûAùf @ûe R^àùe aK ùjaö cûZâ Gùa ùf[û @û\òe iùw icùÉ Lêiò cù^A LûGfû ]ôùe ]ôùe ùi K[û @ûC ^ûA^ö’ @ûC ^ì@ñûLûA _ea _ùe Mñû’ bòZùe ùLf KieZ MúZaûG\, @ûC Rêjûe _ùe @ûMeê ‘iûf ùghe _ea [ôfû _êhþ_ê^úö @ûC ùbU Pûfê[ôfûö ùi icò@û[ô _ìRûùK Kêjû~ûC[ôfû _êh_ê^òe @ûMe \ò^Ne Ne aêfò ùQeþ ùQeû cMaû @ûC akò_Kû @ûC Zû’e _ee K[ûUû Rêjûe ùbUö’ @û^¦ Cfäûiùe _òVû_Yû @ûC gòKûe LûA _êh_ê^ò Uû ùiøeb iaê gêYòfû _ùe Kjê[ôfû, ‘\û\û bû\â gêKæ _ûf^ Keû~ûC[ôfûö ù\Laûe ùK Mùf MêñWÿòLô@û, ù\ _cúùe Z ^ì@ñûLô@û, ùi[ôe fûMò Wòaò Wòaò aûRû aùRA cêk _ìRû, ^ì@ñûLûA @ûC _êh_ê^ò _ea _ûk^ bòZùe ibû KûGñ Keò \eKûe [ôfû? Pûhúcû^ue @û^¦ Cfäûi beò ejê[ôfûö bûAPûeûe aòKûg ùjC[ôfû, @ûce _½òc IWÿògûe iõÄéZò ejò[ôfûö geZ aûaê Ce JUHAR ù\aûKê ~ûA Kjê[ôùf, ‘GAUû Z Gae K[û @ûMeê bò^Ü bò^Ü MWÿRûZe eûRûcûù^ geZ aûaêue K[û[ô ùiøeb Lêiò ùjC[ôfû, @ûC ^òRe eûR_êùeûjòZcû^ue iûùw ^ì@ñûLûA fM^þ VòKþ ùbUNûUùK @Rû ^ûZò @ù_lû Keê[ôùfö Keê[ôùfö @ûC i´k_êe ùK AõùeR ieKûe gûi^ @ûe¸ Kfû_ùe aâjà_êeû RM^Üû[ MêWÿò[ô aâûjàYcûù^ `äûUþ.^õ.-302, RM^Üû[ _ûKð G^þùKäb ^ì@ñûLûA fM^þ VòKþ Keê[ôùf, @ûMeê ùi[ôe fûMò _½òc _äUþ.^õ.-Rò.G.-34, ^òkû\âúaòjûe, IWÿògûùe _cú, i¯cú, \gcú @û\ò Zò[ôùe bò^þ bò^þ bêaù^gße– 751021 ùcû - 9937112535

55 Juhar Surta 2018 _eòùag Pò«û Ic _âYa ^ûdK

Rwf QòWêùQ ùaKûeú aXêùQ, ù\ùg ùjA~ûG ^ûjó QûGñ QGñeû û Mecþ _a^þ Sûfû aûMêe RMZþRúa^þ ùfMþùfõMû û aeMû Kcþfû jZûgû aWfû Keò]eò PûMû \eþceû û ù\LZ @ûceþ Rúa^þ ùK«û QûUþ_ûUþ ùjaûe QûWò jeõRMû û GKZû aùXA @jòõiû fùXA ùR^þ ù\gþ [òfû \ò^ê\ò^þùK KêùRA ~ûCùQ ^ û ~ê@û^þ _òùf A^ Kûcþ ùPñwþ ùPwû jòõiû @jõKûùe fXò iXòKeò R^Rúa^þ Kaûe ^ûA _ûAKeò @ù]ûZûA ùjCQ^þ û _ìùað ùfûK ùjfû ùfwþ ùfõMû û Kcòjûñ _òùf ùaKûeú aêfò jûZþ ùMûWþ 100/120 aehþ aõPê[òfû ùafþùK @ûRòKûfò Zeþieþ Kùf ù[eþù[eû û jòõiû @jõKûùe fXfû aûMêe iûeò ù\ 60 / 70 aehþ ùfûKcû^ue @ûdêh û `ò aQeþ MêùU/ ùf Sûeþ_Zeû û R^Zû aXQ^þ MQ_Zeþ ieêùQ Kûjó \êA WòMâú Keò Mecþ aWùZfþ PûfòùQ û ù\Lê^ _âKéZòeþ

2018

JUHAR

© Tapas Sarangi

56 Juhar Surta 2018 ùK^þZû ùLfþ ù~ ùK^þ^ a^ýû Z @ûeþùK^ ceþWò ^ûAñ ù\LòKeò Zûùjùf _eòùagþùK ù\Lþcû û ^òùRùK \ò^ê\ò^þùK Mecþ aXêùQ, Rwf KcêùQ a^ýR«êcûù^ ù\ùL ù\Lþùf ^òùR GùLA iò^û bfþbûùa Pfþcû ùjùf ùfû_ _ûGaûùK aiêQ^þ û ahûð. gúZ, Leû EZêcûù^ VòKþ _eòùagþùK bfþ Kùf @ûce iûõùM û @ûeþ ùfûKþcûù^ aò icò@ûùK ^ûA @ûiþ aûeùK û _eòùagþùe ù~^þ i«êf^þ aù^cûù^ ejGùa û AUûùK @ûcKê cû^Kê icþKê ùjZê eùjaû K[û ùiUû \ò^ò\ò^þùK aòMòWò ~ûCùQ û A[òeþ eLþaûùK _Wþaû ù~ _eòùagþ iûõùM @ûceþ iõ_Kð @ûeþ fûMò @ûùc KûjûùK ù\ûhþ ù\cû ? GUûùK ù^AKeò bûaþ _òeþZò @Zò ^òaòW @ûG û MQ_Ze `êfþ`fþ, a^e @ûùc aòKgòZþ ù\gþ cû^þùK ù\ûhþ ù\AKeò Kùjcû gòÌ _gê_lú @ûeþ _eòùagþ ^ [òaû ^òRðòaaÉê cû^þKeþ iûõùM aòKûg, KfþKûeLû^û @ûeþ ùa÷Mýû^òKþ MùahYû fûMò ù~^þ aò @ûce iõ_Kð iìlà bûaùe @ùQ û ùicûù^ ~\ò _â\ìhòZ _eúlûcûù^ KeêQ^þ ùi[òefûMò G«û ùjCùQ û ùj«û ùjùa @ûùc aò A[òeê cêKþfò ^ûAñ _ûeêñ û GQ^þKû _eòùag aòKgòZþ ù\gþ cûù^ aò aòKûggúk ù\gcû^Kê aò ù\ûhþ iciýû GùZ RUòfþ ùjfû^ò ù~ ieKûeú, ùaiKûeú @û\ò ù\aûeþ ùK fûMòQ^þ û ùjùf Kcþ ùagú ùjAKeò A[òefûMò iaê Éeùe A \òMþùe Kûcþ ùjCùQ û ùfûKcû^uê RYûA @ûùc iùb \ûdú @ûC^þ û ù~ ~ûjûeþ jòiûùa RwfùK \ò@û ~ûAQò, Rwf iêelû @ûA^þùK bò^þ bò^þ icdùe ]ßõi ùR÷a aòaò]ZûùK ùVûiþ _jCùQ û KòG MQ_Zeþ iê]ûeò ^òdc Kû^ê^þùK @ûeþ KWûKWò _ûk^þ Keû~ûCùQ KûUòKeò Z KòG MûWòcUe PXòKeò Kò«ê AUû iZþ @ûGùR ùfûKþcû^Kêeê _eòùag _â\ìhY \òMùe iùPZ^ Keòaû Meúaþ fêKeþ cû^Keþ Vûeê ]^ú fêùK ^òRe iêLiêaò]ûùK iûõùM iûõùM RwfùK ^Á ^ûAKeò Rwf aXûaûùK aXûaû fûMò \ò^ê \ò^þùK fêKiû^þ _jCQ^þ û ù^f Keò2018 MQ, Pûeû fMûaûùK ùfûKcû^uê bò^þ aòù^ Kû~ðýKâc cû]ýcùe C›ûjòZ Keû~ûCùQ û @ûiê^ Meúa ùfûKþùU MQ_Zeþ Kûfþùf _eòùagþ KGùZUû @ûùccûù^ A A @bòRû^ùe ù~ûMù^A Rwf aXûaûùK fêKþiû^ ùjCùQ ùaûfò KùjaûeþUû ^ûAR^û_Waûe fûMòMWcû MQ fMûcû û @ûce ]cðgûÈ C_^òh\þùe ùicûù^ ùicû^ueþ iað^òcÜ @ûagýKZûùK _ìe^þ Kêjû~ûAùQ \gþUû Kì@ûñ Lêfþùf ù~ùZ _êA^þ ùjiò MêùU KeòaûùK MQ KûUêQ^þ ùjùf gòÌòe aòKûgfûMò @ûe @ûceþ a¦þ Lêfþùf ùiZþKò _A^ û 10Uû a§ Lêfþùf ù~ùZ iêLþ iêaò]ûfûMò ùaajûeþ Keû~ûC[òaû Rò^òhþe aRðýaÉêùe _êA^ ùjiò MêùU iûMe Lêfþùf ùiùZ _êA^þ ùjiò, 10Uû @ûcKê ùNeò ejò[òaû cûGUþ, _ûG^þ @ûeþ _a^þ _â\ìhòZ iûMeþ Lêfþùf ù~ùZ _êA^þ ùjiò MêùU iê_êZâ R^cþ Kùf ùjCùQ û ùiZþKò _êA^þ ùjiò û 10Uû iê_êZâ R^cþ Kùf ù~ZþKò Kjê^þ Z @ûùc bf ùjùfJUHAR _eòùag bfþ ùjaû Kò ? _êA^þ ùjiò MêùU MQ fMûùf ùiZþKò _êA^þ ùjiò û @ûce _eþòùagþ bfþ eùjùf @ûùc ? cêAñZ Kùjcò _eòùagþ ]ecþ gûÈ MQùK ù\aþZû bûùa cûG^þZû ù\AùQ GUû AUû bf ùjùf @ûùc bùf ejò_ûeþcû û Zûùjùf @ûùc @ûùc ^òüiù¦jùe Kùjcû ù~ MQ ùjCùQ G iéÁòe iaêVê ^êùjñiþ, Zûùjùf _eòùag @ûG û Sûeþ, Rwfþ, aûeò\ê@ûùe @Zêk^úd @ûaòÃûe @ûG û @ûiê^þ @ûùc ù~ZþKò MQe añPcû MQ_Ze [òùf @^êba Keþùa Z c^þUû ùK^þZû Ciaþ ^òKêPþ _òùl ùiZþKòUû MQ fMûcû û fûMê[òiò ù~, cêjñùe ji @ûAiò û ~ûjû ùjfû, ùjfû^ afûwúe, IWògû @ûiê^, AùQ^þKû ùjùf ùPZþcû û Zûùjùf ^òRþùK 57 Juhar Surta 2018 iêiûjòZòýK ÊMðZ jUKòùgûe _ûYòMâûjú _â`êf _ûYòMâûjú aeMW Ròfäû _ûAKcûk [û^û @«MðZ _fi\û Mâûcùe _òZû ÊMðZ P¦âbû^ê _ûYòMâûjúu Jeieê Gaõ cûZû ÊMðúdû _\àûaZú ù\aúu Mbðeê 1932 ciòjû @ùKÖûae 29 ZûeòL \ò^ Kaò jUKòùgûeu R^à ùjûA[òfû û aûfýKûkeê _òZûcûZu aògê¡, cûRðòZ, ^òùŸðûh, ^òÃku Z[û @û]ýûZàòK i\àëYe _âbûa _Wò[òfû Zûu Rúa^ùe û 1937 ciòjûùe _û ahð adiùe Zûue aò\ýûgòlûe gêbûe¸ ùjûA[òfû Mûñ PûUgûkúùe û Mûñ PûUgûkúeê ZéZúd ùgâYú Cú‰ð ùjfû_ùe aeòùKf Mâûcùe PZê[ð I _c ùgâYúùe @]ýd^ Kùf û Zû_ùe ù~ùZùaùk ùi _\à_êe c]ý AõeûRú aò\ýûkdùe _Xê[òùf, ùi icdùe Zûuê ùNûe @û[ðòK iõKUe i¹êLú^ ùjaûKê _Wò[òfû û \ûeò\âý I @û[ðòK @^U^ c]ýùe _ê@e _ûV_Xû Lyð ZêfûAaû Zûu aû_ûu _ùl i¸a ^ [òfû û Gbkò GK \êüiÚòZò icdùe _fi\û Mâûc ^òKaeðú Wêwêeò_ûfò Mâûce ~ê]òÂòe iûjê ^ûcK RùY jûZùfLû 2018iûjòZý _ZâòKûe iõ_û\^û Keê[òùf û @ù^K ù\aZêfý C\ûeaýqòu iûjû~ý I ijù~ûM jó Zûue Cy iûjòZýû^êeûMú ùfLKu eP^û iõMâj Keò ^òR jûZùe gòlû iKûùg ijûdK ùjfû û ùiùZùaùk ùijò cjûgd _ZâòKûUòKê ùfLò _âiûe Keê[òùf û 1962 eê 1966 _\à_êe eûRùaûWûi´e Cy aò\ýûkdùe gòlKZû _~ðý« ^òR R^àMâûc _fi\ûe R^Zû cò.A. Äêfùe Keê[òùf Gaõ aò\ýûkde QûZâûaûiùe @^ý ùKùZRY gòlKZû û 1966 ciòjû @MÁ cûieê _ûAKcûk Cy gòlKu ij ejê[òùf û gâú ~ê]òÂòe iûjê cùjû\d _fi\û aò\ýûkdùe \úNð 26 ahð gòlKZû Keò 1992 @ùKÖûae MâûcKê @ûiò jUKòùgûeu aû_ûu ijòZ K[ûaûðû Keò cûiùe @aie MâjY Kùf û RùY Kðaý^òÂ, gévkòZ _ûV _XûAaû _ûAñ iûwùe ù^A~ûA[òùf û jUKòùgûe Z[û ùiÜjgúk gòlK bûaùe ùi icÉue gâ¡ûbûR^ ùiVûùe cûUâòK _~ðý« @]ýd^ Kùf û ùiùZùaùk ùjûA _ûeò[òùf û C}k aògßaò\ýûkd \ßûeû cûUâòKêýùfi^ _eúlû _eòPûkòZ iûjòZý iû]^û : - QûZâRúa^eê iûjòZý @]ýd^ _âZò ùjC[òfû û 1954 ciòjûùe cûUâòKJUHAR i_äòùcûeò _eúlûùe Mbúe @^êeûM û h ùgâYúùe _Xê[òaû icdeê iûjòZý _âûY \ßòZúd ùgâYúùe Cú‰ð ùjC[òùf c]ý IWògûùe _c Kaò ÊMðZ LùMgße ùgVu iõÆgðùe @ûiò aòbò^Ü @[ðùe iÚû^ fûb Keò[òùf û 1955 ciòjûùe aeòùKf iÚòZ gâú “jeò” g±Kê _âùdûM Keò KaòZû eP^û ù\Lò Kaò LùMgße gâú fûfûRú ùMû_ûfRú iõÄéZ aò\ýûkdùe ijKûeú gòlK jUKòùgûeu Vûùe [òaû Kaò _âZòbûKê C_f²ò Keò[òùf û bûaùe Kû~ðýûe¸ û 1957 ciòjû eê 1959 _~ðý« ^ac ùgâYú _Wê[òaû icdùe Mwû]e Rd«ú C›aùe \êA ahð _ûAñ aâjà_êe ieKûeú cû]ýcòK gòlK _âgòlY KaòZû fòL^ _ûAñ _â[c _êeÄûe Êeì_ “Mwû]e Mâ^Úûakú” aò\ýûkdeê gòlK Zûfòc MâjY û 1959 eê 1962 UòG _ûA[òùf û ÊbûaKaò Mwû]e, iûjòZý_âûY LùMgße _~ðý« ^ýûi^ûf jûAÄêf, ^ì@û_Wûùe gòlKZû û Gaõ ^òiMðKaò Mwû]e Mêeêu @^êeûMcd iû]^ûe ^ì@û_Wû @aiÚû^ Kûkùe _âZòbû ^ûcùe GK cûiòK cûMðùe MZò KeòQ«ò iûeû Rúa^ û Kaò ÊMðZ LùMgßeu 58 Juhar Surta 2018 Kûaýû\gðùe aòùgh bûaùe @^ê_âûYòZ ùjûA[òùf _eòPd^ _â\û^ i´§úd eP^û icÁò, 365 Uò jUKòùgûe û LùMgße iûjòZý e ùcûkòKZûùe ^òRKê _âa§ iéÁò _ûAñ ahðaýû_ú ^òeki iû]^û û iõ_ì‰ð C›Mð Keò[òùf ùi û Gjò @ûùfûKcd ù_âeYûùe 2. ~êM iõùKZ :- i^Ú aòù^ûaûRúu iùaðû\d Pò«û]ûeû _eòPûkòZ ùjûA ùi iéÁò Keò~ûAQ«ò @ù^K _êÉK û ùijò @û]ûeòZ _âa§ iõKk^ _êÉKMêWòK _âKéZùe c^ù^~ûMý û 3. ^¦^ a^e P¦^ :- KZò_d @û\gð Kaò iûjòZòýKu icûR - _âûYZû : - iêiûjòZòýK jUKòùgûe iûjòZý iõlò¯ Rúa^ I \gð^ iû]^û ijòZ icûRe aòKûgKê c]ý @]òK MêeêZß ù\AQ«ò 4. Q¦ Zßùaû] :- Q¦e iõmû, _âûPú^ Q¦ I @û]ê^òK Zûu Rúa^ùe û _fi\û cò.A. Äêf MV^, _fi\ûùe Q« icìje ùiû\ûjeY flY (MùahYû _âÉêZ) Mâûc\û^ Kû~ðý, _fi\ûeê c\bûUò Cùz\, @û~ðý icûR 5. Kòùgûe iõPd^ - 1c bûM :- _\ý eP^ûakú Kû~ðýKâcùe @û~ðý bûa]ûeûe _âað^, iûjòZòýK aûZûaeY (@uêe, _fäa, afäeú, KkòKû, Kêiêc, ùiøeb, @gî iéÁò, LùMgße - iûjòZý - icòZò MV^ I _eòPûk^û, ^òSðe, iê\gû aâZ, UuûPûh, lcZû, lY_âb) ^éiòõj^û[ c¦òe _eòPûk^ûùe ijù~ûM, _\à_êeùe Mêeê 6. Kòùgûe iõPd^ - 2d bûM :- M\ý eP^ûakú- 1 _âKûg^ú iõMV^, gâú gâú ^éiòõj^û[ aâûjàY icûR MV^ I 7. Kòùgûe iõPd^ - 3 d bûM :- M\ý eP^ûakú-2 iõÄéZò c¦òe ^òcðûY, _ûAKcûk ~cê^û K§êYú aûkòKû Cy 8. Kòùgûe iõPd^ - 4@ bûM :- M\ý eP^ûakú- 2 aò\ýûkde _eòPûk^û Z[û Kaò LùMgßeu iûjòZý icMâe 9. Kòùgûe iõPd^- 5c bûM :- LùMgße iûjòZý iõKk^ @û\ò ajêaò] Kû~ðýùe ^òRKê ^òùdûRòZ Keò[òùf û @ûùfûP^û jUKòùgûeu iûeÊZ iéÁò icìj :- i¹û^ I ÊúKéZò :- _âKûgòZ eP^û akú- 1. ^ì@û_Wû Ròfäû - iûjòZý - iõÄéZò I Kkû _eòh\ 1. jÉûle gòlû (1957 -59 c]ýùe aâjà_êe (28û11û1993)2018 ieKûeú cû]ýcòK gòlK _âgòlY aò\ýûkdùe 2. iûjòZý I iûõÄéZò _eòh\ aûi«ú, ae_ûfò iûõÄéZòK C›a _ûk^ @aieùe @ûùdûRòZ cjûaò\ýûkd, ae_ûfò (30û01û1995) _â\gð^úùe Gjò _êÉòKûe iê\égý iêùgûbòZ _ûêfò_ò 3. LWò@ûk iûjòZý icòZò, LWò@ûk 112 Zc iû´›eòK \gðKcû^uê @ûKéÁ Keò[òfû û iûeÊZ icûùeûj (05û10û1995) 2. Zú[ð \gð^ - ^éiòõj ^û[ Zú[ð ùlZâe _âûKéZòK iêhcû 4. M\û]e iûjòZý iõi\, ùKûc^û (Kaò K\û]e Rd«ú ijòZ @û]ýûZàòK cjß _âZò_û\òZ û iûeÊZ icûùeûj) 13û10û1916 3. @ld _âZòbû - ^òRe _ìRý Mêeêù\a LùMgßeu 5. ùK\ûe ^û[ Kkû- iûjòZý iõi\, @´ùbû^û @ckò^ _âZòbûe iõlò¯ _eòPd I Rúa^ú û (10û05û2000) 4. GK eûÉû - cjûZàû @û^¦ Êûcú _âYòZ @û~ðý iõÄéZò 6. iûeÊZ i´¡ð^û - 2001 (IWògû iûjòZý GKûùWcú, i´§úd _êÉKe IWò@û bûhû«eJUHAR û bêaù^gße) 08û01û2003 5. ùcøkòK iûjòZý iû]^û - LùMgße iûjòZýe ùcøkòK cjû_âdûY :- Kûaýû\gðe iÚëk _eòPd û @ûRúa^ ^òeki aûYú iû]K, @û\gð QûZâa›k Z[û 6. iõÄéZò _eòKâcû - Mû§ú gZaûhðòKú _ûk^ @aieùe icûR iõMVK Gjò cjû^ _êYýûZàûu Zòùeû]û^ NùU ahð Zcûc ^òeki iûjòZý iû]^û Gaõ iûjòZý, 2008 ciòjû @ùKÖûae PC\ ZûeòL \ò^ û Zûu _aòZâ iõÄéZò, ]cð \gð^ @û\òe i^ò @]ýd^ Z[û cûUòù\j C}k R^^úu _aòZâ ùKûkùe Pòegû«òùe @^êgúk^ û (365 Uò _âa§eK cù^ûm iõKk^) ùgûAMfû û ùjùf, @MYòZ IWò@ûu _ûAñ eLòù\AMfû @_âKûgòZ eP^ûakú :- @cæû^ iûeiéZ KéZò^òPd û 1. \êhéZò - _eòKâcû - icûR @alde KûeY icìje 59 Juhar Surta 2018

ieþiZò@û iì~ðý ^ûeûdY ùaùjeû

i´f_êe ~ûA Keò ~\ò ieþiZò@û ^ûA PûLò Zû cêjñ _ûLùK iò^û ù^AMfò ùjùf KòQò ^ûA PûLò û i´f_êeú@û Mû^û, aûR^û ù~«û, ùjùf cêjñ _ûLùK ù^Zûe @ûMêñ K_Wû ùi«û @ûC Lû^ _û^ aò ùi«û û @ûC A iaê Rò^òh jûùZ bùwA ù^fò @ûce aògß _eòiò¡ û AZûe iûùw iûùw @ûce i^iKéZò GZKò `êei[ KòG ZùZ a^fû @ûe AZòjûi aò û aeh ~ûK @fMû @fMû icòdû^ [ò bûA ieiZò@û ùMû ieiZò@û ~êñZò@û, _ê@ ~êñZò@û, gúZk hÂò, ^ì@ûLûA c^ûùjiò @ûC A LêRê[òfò ZùZ eû[ò @]ò@û û iaê _ea ùe @fMû @fMû _òVû, @ûC còVû a^û ùjiò û A A KaòZûùe ieiZò@û còVû @ûC cêicêiò@û fûMaûe iaê còVû bòZùe ieþiZò@û MêùU @fMû _âKûe còVû ~ûjûe bûa^û Uû RYû_Wiò û ùi còVûUû GùZ @fMû ùjùf aò Kò a^ûaûe _âKâòdû Uû bûeò @fMû û Zûe \ûc ajêZ Kcþ, MêùUùK Q@Uuû cûZeþ û IWògûe ieþiZò@û KûYû- iaê RûMû ùK iûùw, ù\g aûjûeþ ùK aò _Vûùjiò û ajêZ ieiZò@û e a^ûaûe aò]òUû bûeò @fMû, AUû Lûfò jûfKû Rò^òh @ûG ùj[òe fûMò MêXÿ ùjA ~ûGiò ùi[òe còVû afò ^êùjñ a^ûaûe aò]ò Uû ajêZ Kc ùfûK ùK fûMò @fMû ù_Kòw Keûùjiò û RYû û _½òc IWògûe ùKùZ Rwfùe Mùƒe MQ ù\Laû ùK còfiò û A MQ ùK KûUò @ûYKeò Zûe Qûfò ùK i`ûKeò \û« KûVò aûMòe _Zfû _Zfû Keûùjiò û ùi _Zfû KûVò 2018 cû^Kê _û^ò [ò \êA \ò^ùK aêZêeû ùjA Keò eLû ùjiò û _^ò [ò aêZeûùf ùi[òeê MêùU còVû ei aûjeiò ù~^Uû Kò \òj fûMò ajêZ bf @G û A ei [ò PûCfMêX, _ûG^, @ûC Pò^ò còhû ùjAKeò MêùU ùNûf a^ûùjiò û A ùNûf ùK jûùZ ù^A Keò Mec ùZf KùXAùe ]òùe ]òùe Keò _ùKA Keò a^ûùjiò û ieiZò@û ù\Laûe fûMò ajêZ jûfKû @ûC ù\ Lòaûe fûMò aò ajêZ aXò@û û LûAaûe fûMò aò ajêZ bf fûMiò û ieþiZò@û ùK eûaWò @ûC Mêei iûùw aò LûGi^þ û A Mù¬e ùNûkJUHAR ùK PùKA _òVû aò a^ûùjiò û ieiZò@û _òVû ^ì@û LûA \ò^ cû icùfA ^ ùbûM aò fûMiò û @ûeê MêùU MúZ i´f_êeú ùe @ùQ- “ieiZò@û ùMû ieiZò@û LêRê[òfò Zù[ eûGZþ @]ò@û Mù¬e aêUûùK Mfò ùKùZ ùcj^ùZ ZùZ ùaû^ûfò Mù¬e MQ CiZþ ùjA Kò 60 Juhar Surta 2018 A ieiZò@û còVû i´f_êe Kêù¬f_Wûe 200 aeh _êe^û _âbêfûf Mê¯ûue \êKûù^ cfiò û 2Uû gZû±úeê Mê¯û _eòaûe ieiZò@û a^êCQ^ û ùicû^ ajêZ ùPÁû KeêQ^ ieiZò@û a^ûaûe _eõ_eû UûùK aùA Keò eLòaûe fûMò û A Rò^òhUû ù~ùjZê A _eòaûe GKû a^êCQ^ ùi[òe fûMò ùagò _âPûe _âiûe ^ûB ùjA _ûeaûe afò Zûue _òfûQê@û cûù^ KjêQ^ û GùZ aXò@û còVû ùjùf aò i´f_êe QWû @ûC aûjûee ùfûKcûù^ ~û^ò ^ûA _ûeaûe û @ûC MêùU i´f_êeú MúZ @ùQ ieiZò@û ùK ù^AKeò û ùXûÿf, ^òiû^, Zûiû c^ùK Keiò KêiKê Kêiû i´f_êeú eû^ú i´f_êeú gûXòe Kû^ò cVû, Uie, KêeZû Meaþ @û^òùQ R^Zû iaê bûhûe fêKþ eùji^þ bûAPûeûe _ea c^ûi^þ û 2018 fêKùK _ùjfû fêbûiò ieiZò@û còVû i´f_êeú Lû^û ùjZòe fûMò Mê¬êe^êñ i´f_êeùe aêfê[òiò còfòùQ còVûe VòKû^û ieiZò@û aû^û û Lû^û bòZùe LRû^û @ûhûX cûi[ò @ûGiò ùfûKþ iaêùaùf còVûe \òIßû^û û aeh~ûK eûRþ Keiò Zû’e _ieû ~òG _ûGiò, Rúa^ be ^êeê[òiò û MúZùe ùfLû ùjùf aò ieiZò@ûe _âPûe _âiûe JUHAR@bûaeê @ûRòZK Zûe aû^û ^ûA CWò_ûeòû @ûùc ~\ò UòùK _âPûe _âiûe Kecû Zû ùjùf ieiZò@ûUû _êeû \ê^ò@ûñùe _âPûe _âiûe ùjA_ûeaû @ûC ùi[òe fûMò @ûùc @ûce ù~ZKò ùjA _ûeaû C\ýc Keaûe K[û û ^ì@û \òfäú

_âbêfûf Mê¯û

61 Juhar Surta 2018 Cartoon : A Subtle yet strong piller of Democracy

2018

JUHAR

cjûcôûMû§úu 108Zc Rd«ú @aieùeARò°òG^þùKeòùKPeþùiûiûAUòGaõKûAùeûiÚòZbûeZúd \ìZûaûiecòkòZijù~ûMùe @ùdûR^ Keû~ûA[ôaû‘ÆòeòUþ @`þMû§ú -_â\gð^ú-aêKþùfUþ’ùeiÚû^úZKûUðê^ û

62 Juhar Surta 2018

KûUðê^þ _ZâòKû KûUðê^þIûßPþ Gaõ AŠò@ûiòGiþ @ûeþ Ze`eê ~êMàbûaùe Kù_ðûùeU ùiûiò@ûf ùeÆ^þiò_aòfòUò (iòGiþ @ûeþ) aòhd C_ùe @ûùdûRòZ iaðbûeZúd KûUðê^þ _âZòù~ûMòZûùe ÊZª _êeÄûe _âû¯ KûUðê^þ û

2018

KûUðê^þ _û‘KûUðê^þIûßPþ’ Gaõ QZògMW G^þbûdû^ðùc^þ UK^þReþ ùbi^þùaûW e còkòZ @ûaûjKZßùe‘aòUþ _äûÁòKþ _fýêi^þ’ aòhdaÉê C_ùe @û]ûeòZ iaðbûeZúd KûUðê^þ _âZòù~ûMòZûùe ÊZª JUHAR _êeÄûe fûb Keò[ôaû KûUðê^þ û

63 Juhar Surta 2018

2018

JUHAR

Ashwani & Abani Rath bêaù^gßee eûÁòd ffòZ Kkû ùK¦âVûùe @ûùdûRòZ Only cartoonist Brother Duo of the world ‘PKþ ù\ \òfò_’ _â\gð^úùe _â\gðòZ û

64 Juhar Surta 2018 A tale of two guness book of world holders from sambalpur

2018

JUHAR

65 Juhar Surta 2018 bûMaZþ MúZû (ùKûgþfú) fù´û\e Zâò_ûVú Iñ aGieûVû^ê Mò@û^þ aWþ ]ô@û^þ aWþ Mò@û^þ [ê gâú _ecûcôûùK cêWò@û cûeêùQñ ]ô@û^þ Vû^ê Kecþ `fþ Zò@ûMþ Rfþ\ò gûõZò gâúc\þ bMaZþ MúZû (\ßû\gþ @¤û) còfþiò Zò@ûMþ[ê (12) @Rðì^þ KjêP^þ jòõiû ccþZû Kò @jñKûeþ bûaþ ù~ iaêRúùa ^ûAñ eLþiò G^þZò i\û ~êKZþ ù~^þ bMþùZ ZcþùK aõ]ê \dû @ûeê lcû bûaþ eLô iêLþ \êüLþ @ûeê ù~^þ bKZþ cûù^ icû^þ bûaþiò (13) ^òeûKûeþ aâjà bRþi^þ ZñûKeþ ^ê VòKþ @ûcôû RòZû @ûeê \éXc^û ùjA i\û iù«ûh eùjiò ù~ûMþ Rû^ê ùK^þ cûù^ (1) ùcûeþ^ c^þ aê¡ò [êA ùi ~êMò ùcûeþ _âòd gâúbMaû^þ KjêQ^þ bKZþ ùjiò (14) i\û ~êKZþ ùjA c^þ [êA ùcûeþ Vûù^ KûjûùK C\þùaMþ ^ûAñ Kùe ù~ Kò Kûeþ Vû^ê ùjiò ^ûAñ ù~^þ cûù^ bRi^þ cùZ jeh Bhðû bG C\þùaMþ jú^þ ùi ùcûeþ _ecþ geþ]û[ô bRþùf _ecþ ù~ûMú _âòd bKZþ ùjA (15) ùji^þ ùcûeþ cùZ (2) gê¡þ PZêeþ Kûc^û \êüL cêKZþ @ûeê ù~ C\ûiú^þ @aò^ûgú @K[þ eì_þ ^òeûKûeþ i^ûZ^þ ieaþ aýû_Kþ iaê @^þKêfþ QûWê ùi ùjiò ùcûeþ _âòd bKZþ Rû^ (16) bûaþ^û C_þùe i\û GKþ eiþ @Pfþ aâjà bRþi^þ ù~^þ jeh Né^û ùgûKþ @ûeê Kûc^û ù~^þ bKZþ Kùe ^ûAñ ùfûKþ (3) 2018 A¦âò iaêùK \c^þ Keò icþKê icû^þ ù\Lþi^þ gêbþ @gêbþ \êjò Kecþ QûWþiò ùi ùcûeþ _âòd ùjA (17) iaê Rúaeþ cñMþùf [ôi^þ ùicûù^ cùZ aGeò còùZ cû^þ @_þcûù^ ù~^þ bKZþ [ôiò iùc _ûGi^þ (4) @ûiqò cêKZþ ùjA iùc [ôiò iêL \êüùL gúZ Meþùc (18) ^òeûKûeþ aâùjà @ûiqc^ûueþ LUþ^ò Rj ùjiò ^ò¦û _eþgñiû icû^þ bûaê ù~ cCù^ bûaê \òj]ûeú cû^Keþ Rj \êüùL ^òeûKûeþ ~ûjû _ûGùf Zé_Zþ MZò còfþiò (5) [ôeþ c^û @ûeê Nùe ^ûAñ @û\eþ iaê Kecþ cùZ ù\A ù~^þ cûù^ ùcûeþ bûùa c^þ [êA ùi ùcûeþ _âòd bKZþ (19) @bò^þ bKþZò ù~ûùM ]ô@û^þ Keò cùZ C_þùe Kjû A ]ecþ @céZþ K[û ù~^þ [ôi^þ bRò ejò (6) bMþùZ ùia^þ Keþi^þ ùcûeþ Vûù^ c^þ ZñûKeþ _û[ð i\û ejò[ôiò geþ]û ~êKZþ ùcûeþ bûùa [ôZþ ùicûù^ ce^þ iñiûeþ iûMþeê ZûjûKê RfþJUHAR \ò C¡ûeþ Keþiò (7) ùcûeþ aùX _âòd ùji^þ (20) ùcûeþ Vûù^ c^þ fùMA \ò@ aê¡ò fM ùcûeþ Vûù^ Iñ ZZþ iZþ AZûeþ CZþeê iñgG ^ûAñ ùcûeþ Vûù^ eùja Zùc (8) aâjà aò\ýû @ûeê ù~ûMþ gûÈcG gâúcZþ bMaZþ MúZû ~\ò Zùc ùcûeþ Vûù^ c^þ [ôeþ Keò ^ûA _ûe C_^òh\þ eì_ gâúKé¾ @Rðì^ue iñaû\þ [ô bqòù~ûMþ ^ûceþ aGieû eì_þ ù~ûMþ[ô cùZ _ûGaûùK c^þ Ke (9) \ßû\gþ @¤û ùghþ ùjfû û ùcûeþ Keþùc i\û fûMò ~ ~\ò aGieû Keò ^ûAñ _ûeþa @aie_âû¯ _â]û^ gòlK, ùcûeþ fûMò Zùc Kecþ Keò Keò iò¡ò _eû_Zþ ùja (10) ùcûeþ ù~ûMþ ùK @ûgâò aò A iaê Keò ^ûAñ _ûeêQ ~\ò ùiùfWò, iêa‰ð_êe iaê Kecþ `fþ QûW @ûGùZ eLô c^þ A¦âò aê¡ò (11) ùcû.^õ-7683917767 66 Juhar Surta 2018

ùgûh Rd\â[ iê^û c^ûKe^û ^ûKùUK^û [eêUòG PûL @ûce aû_ @RûVê LûA @ûiê[òaû Lû\ý MêeêRò, Sú_û bûZ cûŠò@û ù_R û

Zûk ù\A ^ûP @ûc _û\ùe _û\ cògûA û @ûi, @ûc jûZùe jûZ cògûA cûUò ùLûkòaû jk Keòaû2018 Uûwò@û ]eò if_ if_ _Zeû cûeòaû Pûf û

[eêUòG @ûi Pûf.... ZcKê ù\LûA ù\aê ùMûUòG Ikò @ûc fûR Xûuê [òaû K_Wû ùQUþ^û ùQU^þ ùMûae ùbûK cûeê[òaû Wwe `òwòaû Pûf ùgûh Mòkê[òaû SeYû JUHARMAñZò ]e cêŠ MêõRò[òaû Ne bûe bûe cûUò ùaûjòaû Pûf û _ìRû Keê[òaû _ò\e GZòKò ùjùf ù\aZû MêWò Pûf G[e @ûce iûjò @ûelY _ûAñ @ûce aÉò eûR]û^úe @ûce e§ûgûk û \ê@ûùe aiòaû Pûf û

67 Juhar Surta 2018

@òG ùbûKe MúZ Rd\â[ iê^û

Ê_Üe _[ùe Pûfò jêG^òùe aêAcûù^ jêGZ KòQò \ò^e ùbûK còkò_ûùe @ûgûe \ògûùe aõPò jêG^òùe ^ê^ûcûù^ @ûi, if_ CZþùeA ~òaû @ûi, cjêf ùaUò~òaû jêGZ KòQò \ò^e ùgûh còkò_ûùe û _Ze ùZûkò~òþaû AG @ûce ]õ\ò jê@^ûùe ^ê^û^ê^úcûù^ @§ûe @Mðkòe @_«eû bûMý û @ûdûùcù^, @ûaûcûù^ @ibý ùaûfò Kjò_ûe«ò ùicûù^ ùjA ù\L, @ûùcZ R^àeê @û\òc Bgße L¬òùf @ûi, @û\òc MúZ MûAaû Zûu jûZùe ù_û[ò @ûc WweKê _ìRò @^ý jûZùe LŠû ù\aZûKê `û¦ò Kûjû bûMýùe ùfLòùf ^ò]ðìc ^ûPòaû û gjgj GKe GKe Rcò 2018 aûò_\e, ùeMWû LõRòùf ^ûjó @ûc jûZùe iòfU ù\LûAùf^ò @ûùfûKe aûU û

@ûi, Wwe ùKû^ûùSûfûKê Pûjûñe LûA~òaû ùK¦ê ùaUò~òaû ùZ«êfò ùZûkòaû if_ if_ _Zâû _Zâû ùLûRòJUHAR gûXúe @òùe @òe ùbûK iõPòKò @ûYòaû û

@ûi, MeòfûU ]eò cûQ fMûA~òaû © Subas Biswal

68 Juhar Surta 2018

_êeû C@ûñie ùNûWû W. iwúZû e[ Gùa Z _òùf Zc _ûLùe cêXò, CLêWû, jêeêc, fò@û RûZò RûZò ùLk^û û Zjóùe beò ù\A ûû iaêVê _âòd ùcûaûAfþ ùMcþ ùQûUeê aW Kê@ûñeú Sò@ ^ûjó Zûe Zêk^û ûû Vû@ûKê Vû@û aiò ûû ùcûaûAfþ @ûRò Zêce iû[ú _ûeê ^ Zêùc aêSò û còQò còQòKû NeKeYû \CWKê\, iû[ú-iõMûZ ùLkê [û@û«ò jiò ûû iaê MfûYò jRò ûû cêXò CLêWû \ò@û^ò@ûùe aû_û-cûñ @Rû-@ûBVê aêS CQêkê [òfû iûjò û _êeû C@ûñi K[û û Sò@cû^u jiLêiòùe ùicûù^ iò^û aêSû ù\ùa beê ù~ [òfû cjú ûû @ûc cûUòe Mû[û ûû _êeû C@ûñi ùNûWûuê UûYò i¯_êeú @cûaûiýûUò _Wûe ù~ùZ bûA û _ùW bû\â cûiùe û ^û^ú-bCYú2018 _ûLùe Vò@û _êeû C@ûñi ^ûùc aòLýûZ ùNûWûe bûM _ûAñ ûû _½òc IWògûùe ûû _êeû C@ûñi ùNûWûUò Pûùf cûUòùe MXû KêñXò- KûñPòKê Pûeò PKKê ù~ûLò û ajêeõùM iRûAû KûV Kò cûUò MXû ù\jùe KûAñg `êf cûLò ûû @ûMùe Zûe \CWò LùŠ aõ]û ~Z^ùe û ùNûWûUò UûYò bûA PûfêQò bCYúe _Qùe ûû JUHARùNûWûe bûM, ^òRe bûM \ò bûM cê@ûñ _ûA û bûAUò jùi bûeò Lêiòùe ^û^ú aò Lêiò ù\A ûû ùcûaûAfþ QûWò Sò@cûù^ ùfû @ûi ùLkòa @ûi û KûV ùNûWûKê UûYò _òfûG ùLk _êeû C@ûñi û

69 Juhar Surta 2018 ^ì@ûñLûAe aûiÜû ^aû^Ü iùaðgße _]û^ @ùgûK Kêcûe _ìRûeú fi fiò@û `if ùlZùe Rúa^e _að cûUòe icûùeûj ^ì@ûñ ^ì@ûñ Ê_Ü i¸ûeùe ^a @^Ü aýõR^e gê¡ _ûaðY Pûfò@ûùi ^ì@ûñLûA b\ê@ e _cú Zò[òùe gâûaYe ùUû_û ùUû_û Rùk ^a]û^ @cke _âûùYûzßûi ùcûj c^ C_^ bòRòMfû _ùe @céZ _êZò KéhKue bûa ic_ðY û _âKéZò eûPú KaòZû eùZ iaêR iaêR _Zâ Mjkòùe û ^ì@ûñLûA @ûùi Mâûcýù\aú AÁù\aú cûZû R^ue ^ì@ûMúZ MûAaûKê .... ^ì@ûñ K[û KjòaûKê .... icùfgßeú _ûUùYgßeú cûYòùKgßeú ^òRKê @^ýVò jRûA ù\aûKê û iêùegßeú c¦òùe cjK ^a@^Ü ùbûMe ~\òI G ]eû [ùe.... cûZéKé_û _ûA @û^¦ fjeò _âûY @^Ücdú û fûù\^e @ûZuùe cûIaû\úe ùaûcû aòùÇûeYùe 2018 ~\òI a^ýûùe ù]ûA~ûG cjû^ iõÄéZò IWògû _½òc bìbûùM ijiâ ijiâ Rúa^ ~\òI ceêWòe ZûŠa fúkûùe gZîjêG còZâ @^^ý @ûZàúd @^êeûM iêùL MQe K@ñk _Zâ iaê ù_âc ùiøjûŸðý iõjZòe @_ìað còk^ ~\òI \û\^ eìZê jêG C_MZ ùKùZù~ f´ò~û«ò AUûbûUò Kê... cû’cûUò Kéhò KéhKe \òaý ^aû^Ü _ûaðY û @ûC ùKùZ Zûcòf^ûWêe KûÁ^ ù`pò Kê @´û_ûfò, aeMW, IWògû Z[û_ò .... ^ì@ûñLûA aûiÜû PjUò~ûG cûUòeê @ûKûg ~ûG ùMûUòG jé\deê @^ý jé\d ~ûG ^ì@ûñLûA @ûùi JUHAR _ê¬û _ê¬û Ê_Ü ù^A ^ì@ûñ K[û KjòaûKê ^ì@û MúZ MûAaûKê û Kûùaeú jùÁf-211, Raûjûefûf ù^jeê aògßaò\ýûkd (ùR.G^þ.dê.), ^ì@û\òfäú -110067

70 Juhar Surta 2018 Rêjûe ^ì@ûñLûA _ea ùK Wû. iêak P¦â cûSú

ùKùZKûfê @ûceþ _½òc IWògû^ Qòùfû fûA jêùcû aCfò MúZþ @ûeþ `êþZþ ùWMû^ò [ñô aQeþK [ùe @ûùc ^ì@ûñLûA _ea _ûf^ KeêQêñ ~ê@û^þ UêùKfþ cûù^ cûZò ~ûGi^þ (5) ùjùfñ, A iòNû Zòjûeeþ cìfþ ùKbñê ùjAùQ Gaþ~ûGKþ Zûeþ cìfþ aQeþ Uû Rû^ò ^ûAñ _ûeêQêñ (1) Mûñeþ ùLZþ Lfû iûMê@û \òiþiò ù]ûaþ KûAñiþ `êfþ jñiþiò ^òfò@û ùcNeþ Zùfñ ^ì@ûñLûA \ò^þ @ûMeþ ^ògû eûGZþ ^ ^ì@ûñLûA \ò^þ _ìeêaþ \òMþafùdñ Mûñeþ ù\aú ù\aþZûKêñ ùbûMþ fùMA SûñKeþ ~ûGiò ~\ò A¦â]^ê CAñ[ôaû iê¦eþ \òiþiò iKûfþ _ûGùf ^ì@ûñLûA @ûGiò ùafþaêWòMfû ùaùf (6) ^ì@ûñ PûCfeþ ~ûC @ûeþ _òVûcWû ^ icKeþ ù_Uþ _êeþiò (2) bêeþbêeò _ûG^þ [ô jêeþjêeò@û _a^þ ~\ò aêjê[ôaû ^ê@ûñLûA \ò^ gúZ fûMþiò bûMaZþ Uêwò @ûeþ Mûñeþ MêñWò M¸òeû^ Mûñeþ eûÉûNûUþ2018 aeþhû _ûG^þ[ôñ Kúð^þ bûMaZþ ùK Mûñeþ iùb ùVûfþ ùji^þ ifþfò ~ûGiò Kûù\û _Pþ_Pþ Keþiò (7) iû^þ aWþ iùb cûG^þZû cû^þKê Rêjûeþ cêWò@û cûeò ^ì@ûñLûA Zòjûeþ cû^þi^þ (3) còZû cûjûiûZþ Keþ bûaeþ @û\û^þ _â\û^þ ^ê@ûñLûA \ò^ Lûfò ùjiò ^ì@ûñLûA Zòjûeeþ CRûMeþ fûMò ^ê@ûñLûA MêùU @ûceþ CiZþ @û^¦þ e Zòjûeþ Mûñeþ GKþZûùK iùb cògò aeþKiþ Keþi^þ aQeþ K bêù\û cûùi Lûfò @ûGiò (8) gZé còZé iùb ^òReþ ùb\þbûaþ QûWò CiZþ ùjAKeò MêùU Wêùe aû§ò ùji^þ (4) icþùfA, iêeþiêeò, _ûUþù^gòeò cûñ cûYòùKgeò ù\aú cû^þKêñ ùcûeþ Rêjûeþ cRû cRfòiþ Keò jûZþ ]eû]eòJUHAR ^ûPò ùWMò Keò cêLý iõ_û\K, \òaýgqò, MêWê ùQûeþ ùLfþ ~ê@û^þ _òfûcûù^ ùLfþi^þ RM^Üû[ ^Me, ae_ûfò

71 Juhar Surta 2018 ieMò ùZfþ e PùKfþ _òVû RM\úg _ùUf ieMò ùZf e PùKf _òVû, aê@û ùK KjêQ^þ ùWWò @ûC `û\eþ, \g _¦e _U LûGiò PñVû, Zûeþ K[û ùK ^ûG^ Weþ Kò `òKeþ û bKû^ò @ûG Kò K[û^ò @ûG, _Xò LûGùf fûMaû còVû ûû aò^þ cûñ aê@ûeþ Qê@û ~\ò Nùe GKfû aXaû, a§êaû§a ùK ^ûA Rû^aû, \êA _Giû Kcûcò afò, ù\g aòù\g [ò aêfò fûMaû, Ne QûWòKeò _fûA @ûGfò, Z Mûñùe Ne iõiûe ùK«û MXaû û LêRû fûMê[òiò ùcûe Mûñ Mjfò, A ijeee ^ûñ @ûG \òfäú ûû Neþ ùfûMþ K[û ^ûA cû^ùa, @ûeê cûñ aê@û ùK ùaARZþ Kùe, jûf a\fòfû Pûf a\fòfû, ^òùRùK _eþ _eþ ùK ^òReþ, Pûfò Pf^ Z _êeû a\fòMfû, ùcûaûAfþ [ò aòjû iRþ Keùa û K_WûfZû UòùK ùQûU ùjAMfû, cûGSò bòfþ ~\ò aêZû _fûaû, eõMþ ùjAMfû UòùK ]fû ûû cûñ eþ ccZû Qê@û ùK^ê _ûGaû, ce\þ 2018[KòKeò aêZû ^ê @ûGaû, aiþ ùjAMfû ùcùUâû, Nee bfþ c¦ @ûC ùK^ê Rû^aû ûû gMWþ ùjAMfû ùiùâû, _òVû ùjAMfû _ò{û, cûGSò ce\ \òùjñ ~\ò aêZû _fûùa, @ûC ^ûG^ iê@û\e cRû ûû Ne @ûGùf eûùM RePeûC [òùa, iêL gû«ò ùK jRûA ù\ùa, NGZû cûGù_û \òùjñ PûKòeò ~òùa, iaê iûeòKeò Mûñ @ûGùa ûû A \òfäú ije ^ eùjaû ~òG, cûGSò aò.Giiò Z ce\þ aò.G, iùb cògòKeò ^ì@ûñ LûGcû Mûñ ^ jêfò, _ê^ò, \ò@ûfò, @ûC Qê@û ùK cê^êh a^ûaû KòG ûû Rêjûeþ fûMò eùjaû iùbñ aêfùa Lêfò Lêfò, JUHARiaê _eaþ ùK cògò _ûfcû, cûñ cûUò @ûCe cûñ’e bûhû ùK bêfò ~ûCQ^þ, _Waû MõRû @ûCe aêKû afò ûû aòù\gú bûhû ùK Mêeê MGñV KeêQ^þ, Rêjûe SKûñe ùU ^ûA Rû^aûeþ, GKfû LûGùf fûMiò _òZû, i¹û^þ ^ûA ù\A jûñ[þ còfûCQ^þûû iûõMþ iû[ò aò^û A Rúa^þ @ûG LUû, iûõùM cògò LûGùf fûMiò còVû, cûñ ùK KjêQ^þ c¹ò @ûCeþ c\eþ, ieMò ùZfþe PùKfþ _òVû ûû Zûeþ fûMòeþ c^þ ^ ^ûG^ @û\eþ, Kû_ûùiWû, ^ì@û \òfäú

72 Juhar Surta 2018

Ne ùK KòG @ûAQ^ ? W. _âZòbû aògßûk Neþ ùK KòG @ûAQ^þ ? @ûGRþ KûGfþ Z iaê _GeþQû \êA aÉû KñPû @ûcþ ]eò ^ûA^þ Kê^ê@û ^ûAñ PGeþPû Zò^ ùKRò fWê iêKêfê iûùw c^þ Kùf ùKùb Kê^ê@û Mùf _ûU^ûMWe còKiþPeþ @û^ò ù`û^þ Keò @ûùN Kjò ù\A[û ùcûe aWþLû ^^û @ûAQ^þ ûû Ne ùK Zce ùfûK @ûCQ^ ûû

Neþ ùK KòG @ûAQ^þ ? jGùMû ^û^ú Rêjûeþ Kfò @ûGeþiû _òVû bêMþùf ]eò, Kûcþ UòùK [òfû ù`û^þ fMûfú Zò^þUû Waû [ò còùVA beò @GZKû PûCk fùMA \ò@ cêùW Lúeþ_ò^ò fùMA Keò Ne ùK Zceþ ùfûK @ûCQ^þ ûû ùcûeþ cûcê Neþ ^û^ú @ûAQ^þ ûû ùUùKÜûùfûRò jùRA ù\fû Neþ ùK KòG @ûAQ^þ ? GZòKò iê¦e PePû Keû cUeþ MûWò je^þ aRûfû Qê@û ùafeþ2018 cRû cRfòiþ Neþ @ûMþ @ûùW Vò@ûWþ ùjfû \\ûe Vû^ê UõKû aKiúiþ `ùe^þ @Zeþ cûLò Keò ù\L ^ûAñ Kjò jêG cRû iûùw @ûeê cûCiú ùcûe aêfò @ûAQ^þ ûû Ne ùK KòG @ûAQ^ ? ûû

Neþ ùK KòG @ûAQ^þ ? ùMâUe ^GWû ]êZò _ûARûcû ù]ûaþ `eþ `eþ jiò \CQ^þ cìfêeþ cìfêeþ cjògêeþ _ûKþ ]eò Keò @ûRò ùcûeþ cûcê Neþ \\û @ûAQ^þJUHAR ûû ù~ùb @ûGùa Kê^ê@û fêùK Neþ aûeò @ûW iaê \êfþùK e§û Neþ Vû^ê Sêeò cjùK aLþeú aûùf ù\Lò @ûGùa NeþùK Zceþ KòG @ûAQ^þ ?ûû

73 Juhar Surta 2018

`òùeA @^þcû Sûeþeiû^¦ iûjê ^ì@ûñLûA @ûiaû ùaûfò iõMúZû cêfò@û @ûi ù\gþaûiú iùb còfòcògò c^ jCùQ CiZ `òùeA @û^þcû Sûeþ û KûAùQ ^ì@ûLûA @ûKûùg CXò _û^òùe aêWò KûAùQ ùbUNûU SûeùK Kfûñ Lûe û Lûfò _WòùQ Mûñe Lêfò SûeUû @ûceþ ]^Rúa^þ ^ûA^ Mûñ ^ RcK RòAñaûùK @ûgû beiû û @ù] ~ûAQ^ \û\^ Sûeþ `êf`fþ gûMþ Wûfþ LûA @ûe @ù] @Q^ ijùe añPò @ûiòùQ A _êeþiû û Sûeþ `êf`k gûMþ Wûfþ LûA @ûe aPû LêQû Uû @Q^ ù~ gae Sûùe cjû_êeê û cû^êQ^ ^ì@ûLûA aògßûcòZâ iñùM Sûùe Sûùe Mùf KeêQ^ ùbUNûU ]òaeþ ùQKþfû \ìeê û ]ìaeþ ùfùL^þ @ûMeþ ùQñKþùf A ^ì@ûLûA2018 Uû bòGùb ijùe Cbû ^ûA bûMò_ûùe Sûe û ùKùb ù\ge eûR]û^ú ^ SûeþùK RMûcû, SûeþùK Keþcû aGùfñ ùKùb eûAùR Vû^ Vû^ @ûce Mfûeþ jûeþ û aò^ fM^ e ^ì@ûLûA SûeùK Rû^ò aeþMû _û^ò `òebò aõPòùQ c^ bòZùe aZþùe ùjaû bûA û @ûgû UòK Seò Seð^û `fþaû iê^û aõPò[ûC Zû ù~«û aõPaû cêUê ùjcû LûA LûA û A ^ì@ûLûA @ûe A ùbUNûU @ûeþ KûYû cêAñ Ceþù^ Kùjcò còùQ ùjcò beNû a[û û JUHAR fûùWûieûA, ^ì@û\òfäú ^ûùc Kaûùe iùb fûMò[òcû jiþaû bûeZþcûZû û

Zêkiú ^Me, afûõMúe

74 Juhar Surta 2018 Sambalpur : A Personal reminiscence Anita S.Jaisingh Sambalpur…… and support local commerce. The name itself speaks volume about a Sambalpur also got a new identity with the vibrant city on the bank of river Mahanadi. I feel longest dam built across the river Mahanadi, connected to the city as I was born and raised known as Hirakud dam. Built with the exceptional here. Many features in and around the city make engineering skill of Er. Sir M.Visveswaraya, the the memory ever-lasting. Hirakud dam was dedicated to the nation by Pt. Sambalpur is also divinely blessed by Nehru in 1957. The magnificent dam appears Goddess ‘Samlei’ or ‘ Samaleswari’. The city got so beautiful when it lights up all light posts on its name after its tutelary Goddess ‘Samlei’ as the dam in evening. It also looks majestically She was established under the ‘Simul’ tree. The beautiful when it opens its gates to release the chimmering sounds of the bells of the ‘Samlei water. The grand and grandeur of Hirakud dam temple’ or ‘Samlei Gudi’ make one experience a make everyone feel proud. spiritual experience. The city-Sambalpur has been the centre One of the distinct feature of Sambalpur point of commerce since its inception. Even now, has been the presence of river Mahanadi which the city is a centre point for trade and commerce. occupies a place of eminence and reverence in Apart from the waterways, the surface transport everybody’s psyche. River Mahanadi also has and the railways2018 connections have transformed been the life-line of the city. The river Mahanadi Sambalpur as a hub of business. The prominent flows through Sambalpur in a great curve from place in the heart of city has been the ‘Gole north-west to south-east. The river Mahandi Bazar’ which has been a place of business and throws up a more picturesque appearance commerce. Being a central point of business especially in monsoon. Noted British officer activities, ‘Gole bazar’ also serves as the social L.S.S. O’Malley describes river Mahanadi in gathering point. The other place has been the his book ‘Sambalpur’ in the following words, industrial area in Kshetrajpur. ‘’throughout its course in this district the The notable feature of Sambalpur has been Mahanadi is a river of the first magnitude, having the erstwhile Gangadhar Meher College, now a breadth of more than a mile in flood time, when rechristened as Gangadhar Meher University and it brings down a vast sheet of muddy water, over flowing its submerged banks1 …’ During monsoon it appears spectacularJUHAR and shows its mighty persona. Near Sambalpur city the river Mahanadi appears rocky and in the words of Sir C Grant, ‘ ..the terror of boatmen- standing up in the mid-stream and realizing the exact notion of Scylla and Charybdis.’2. The mighty river Mahanadi also supported the local economy as inland trade route from Sonepur to Sambalpur and Sambalpur to Cuttack.Its tributaries like Ib, Ang, Jira and Jonk also work as inland waterways Postage stamp on Hirakud dam, 1979 75 Juhar Surta 2018 renamed as ‘Amrit Vihar’. This iconic institution of learning has been the light house of high- standard education in western Odisha. Named after the great Odia poet Gangadhar Meher, the institution has carved a niche for itself with many distinguished alumni in various walks of life. I have vivid memory of joining the college for an Honours Degree in Economics in early 90s. Known as Gangadhar Meher [Autonomous] Hirakud dam on Rs 100 currency College at that time, the college provided me a carnival format. All residents of Sambalpur platform to learn the basics of economics and look forward to the annual celebration of ‘Seetal the fundamentals of working in a multi-cultural Sasthee’. Since my childhood, me and my family environment. The period that I spent during my graduation in G M College gave me a proper members have been a part of the festivity around perspective to face various challenges in life. ‘Seetal Sasthee’. The name of Sambalpur’s got world recognition with Sambalpuri textile. The aesthetically enriched patterns, designs, colours of Sambalpuri textile are the distinct features. The elegance gets noticed and enhanced when Sambalpuri textile is worn by anyone. The textile has been an inseparable part of every one in Sambalpur.2018 No social or cultural festival in Sambalpur could be imagined without Sambalpuri textile. The vibrant culture and ethos of Sambalpur is intrinsically linked to Sambalpuri textile. Hirakud dam on Rs 100 currency Can Sambalpur’s identity be complete without its rich and diverse delicacies? Certainly Sambalpur represents its cultural vibrancy not. The delicacies of Sambalpur are unparalled. through celebration of many festivals round the year. ‘Seetal Sasthee’ is celebrated during the The delicacy locally known as ‘Sarsatia’ certainly last phase of blistering summer in Sambalpur deserves a special mention. ‘Sarstia’ made in and the entire city gets transformed into festive Sambalpur; especially in Kunjelpada gives an mood. ‘Seetal Sasthee’ has become a part and unique identity to Sambalpur. It is made from the parcel of every inhabitant of Sambalpur. ‘Seetal resin of twigs of a local tree known as ‘Ganjer’. JUHARThe resin produced by putting the twigs of Sasthee’ is a festival to propitiate the Almighty for good rain through arranging the marriage ‘Ganjer’ tree in water is mixed with rice powder between God Shiva and Godess Parvati. The and sugar and subsequently fried in oil. The post-marriage procession of both God Shiva and taste of ‘Sarsatia’ made in Sambalpur provides a Godess Parvati provides an unique assemblage wonderful memory to be cherished. of traditional music, dance, folk-culture in a The rich culture and vibrant public life of Sambalpur have provided the city a distinct 1. O’Malley,L.S.S, [1909], Sambalpur, Logos Press, New identity since its inception and will continue for Delhi, Pg5 ever. 2. Grant, C, [1870], Central Provinces Gazetter, Nagpur 76 Juhar Surta 2018 Two Legends : A Poet & A Music Composer E. Kiran Mohan

Padma Shri Haldhar Nag emergency step to send his mother Gurbari Nag to Ghens to rescue her life from the clutches of In the entire length and breadth of Western death. Over night she walked several miles to Odisha Koshali poet Haldhar Nag is someone reach Ghens. She came to Ghens to take shelter who is revered to as a messiah. Needless to under the roof of maternal uncle of Haldhar Nag. say he got lakhs of followers in Odisha and Later in the year 1950 Haldhar Nag was born at Chatishgarh, who congregate in large number Ghens. When Haldhar was barely ten years old to listen to his Koshali poetry when so ever he his father expired. And within a year his mother orates on the podium. You would be amazed to as well passed away out of paralysis. At a tender know Haldhar neither never went to attend a age he was left alone as an orphan and his life high school, college or a university to hone his was in utter chaos. skills in Odia literature. The basic vocation of this community is to act as cowherds. They rear The early life and the adulthood of Haldhar cows and make a living by milching and selling Nag was spent on hunger. In his own words he the milk. says, his entire life was a confrontation with only one hurdle and i.e. “annakasta” or hunger. After The ancestors of Haldhar Nag were from the demise of his parents he never had a full- Baidpali village. During the year 1948 there was meal and was used to be contended with what an epidemic in that village. Hundreds of people so ever little offered by his sister-in-law. He died in no time. His father Bhaja Nag took the 2018 remembers the days when he survived solely by consuming Kulhia Kanda. These are the roots of a wild plant which are bitter in taste. They are so bitter and inedible that even wild JUHAR boars and bears don’t even dig the earth to consume it. Haldhar was dropped from the village Odia medium Padma Shri Haldhar Nag was felicitated with JUHAR SAMMAN during Nuakhai Government Parav 2015 77 Juhar Surta 2018 school while he was in standard three. To make he composed an episode from the Hindu epic a living he worked in Mangal Baba Hotel. He Ramayana. He narrated how Lord Rama had was cleaning the utensils in the hotel. While accepted and eaten the touched fruit of a forest this young lad was working in the dirt filled dweller named Sabari. Whereas in the Twenty- environment of the hotel the Sarpanch of Ghens first Century we the Hindus don’t even enter Late Braja Mohan Sahu spotted him. That village the homes of low caste people. Based on Hindu head invited Haldhar Nag to work as a cook in religious texts he composed many works like the hostel of the Ghens High School. Haldhar Satia Biha, Tara Mandodari, Karam Sani, Rasia joined the school at a monthly salary of Rs.8/- KabiTulsi Das etc. Apart from religious texts he (roughly US 10 Cents as on this date). He keep composed poetry on Santha Kabi Bhima Bhoi, on working in the school for long 16 years. And Rusi Kabi Gangadhar Meher, Vir Surendra Sai his monthly salary enhanced from Rs.8 to Rs.16; etc. to Rs.20; to Rs.25 and finally to Rs.40 by the time The suicide rate of students in India is 10.3 he left the school. per 1,00,000. And most of the students die when It was the year 1975 when the Branch they failed in the exams. But here is someone Manager of Balangir Anchalik Gramya Bank who able to reach the pinnacle of Odia literature (now Utkala Bank) endorsed him a loan of despite being dropped from a primary school. It Rs.1,000/- to undertake a business venture. proves, qualification and an educational degree Haldhar opened a stationary shop outside the is not a prerequisite to achieve anything in life. premises of Govt. Boys Primary School. Haldhar He has been felicitated with India’s second was selling the blackboards, chalk sticks, note highest civilian award i.e. Padmashree title by books, pens, pencils, chocolates and of course the President of India Sh. Pranab Mukherjee in peanuts. His client base was purely made of the year 20182016. school children. His business hours were strictly restricted to the functioning of the school. As a Late Prabhudutta Pradhan result, during the school holidays he unable to Prabhudutta Pradhan is the music composer earn a single rupee. Somehow he managed to of the all time great Sambalpuri song “Rangabati”. meet the immediate needs to support his life. He was born during the pre-independence era At the age of 22 years Haldhar married of India to a family who were converted as Parbati. His wife Parbati was under prolonged Christians three generations back. His father late illness and could not bear any children. She Pravas Chandra Pradhan was working as a head forced Haldhar to marry another lady. She clerk in the Forest Department of Odisha. As early herself carried the Maulabhar for the marriage of as at the age of three years Prabhudutta started Haldhar Nag. It’s an Odia ritual where different learning music under the mentorship of his father. commodities need to be carried on the shoulder He was assigned by his father to sing bhajans at by the maternal uncle of theJUHAR bride groom during home. He is educated only up to Matriculation. the marriage function. Later he went to Banaras in Uttar Pradesh to learn playing of Indian music instrument tabla It was the year 1976 when the second from Padmashree Pandit Jadunath Supkar. In marriage of Haldhar Nag was successfully the year 1969 he joined All India Radio (AIR) accomplished. His first wife Parbati voluntarily at Sambalpur station as an instrumentalist at a left for her parents house. Haldhar resumed his monthly salary of Ra.216/- only. In the studio life afresh with Malati. And in another year the he was playing ethnic Indian music instruments couple got blessed with a baby girl. like dhol, dholak, mandal, tabla, sanchar and His anguish about un-touchablity is reflected mrudung. He was sincere towards his work as in one of his poetry work titled Àchian. Here if music is a passion. His wife Arati Pradhan 78 Juhar Surta 2018 says, “every night her husband used to play tabla seating near the bed till 1’O clock in the mid night. His riyaj (practice) of tabla in the dead of the night not only disturbed her sleep, but used to ward off any ghosts if roaming in the periphery.” But it was only in the year 1975 he got a breakthrough when he composed the music for Rangabati song. The script of this song was written by Mitrabhanu Gauntia. It was sung by Jitendra Haripal in L- R : Late Prabhudutta Pradhan & Mitrabhanu Gauntia faliciated the male voice, while during Juhar Nuakhai Parab 2015 the female voice was version of Sambalpuri song “Rangabati”. We lent by Krishna Patel. In this chart buster song have witnessed2018 this chart buster was copied by Prabhudatta directed panchabadya (five musical the newly groomed genre of Odia music industry instruments i.e. dhol, nishan, tasha, muhuri of eastern Odisha. It is highly disgusting to watch and jhanj). During the year 2003 he retired from the remake of “Rangabati”. One who copy the Akashbani. things from other will never be able to progress Seventies and eighties of the last Century in life. It marks the end of his/her career. A copy was the era when the consumer market was cat will be addicted to easy way out to gain the yet to be flooded with the tape recorders. Radio quick name and fame. And he/she will lose the transmission was the sole succor for the music creativity in their work. If you are an artist let lovers. People were rejoicing when so ever whatever your discipline may it be, you need to Rangabati song was transmitted in the radio. keep alive your originality. Once you copy the Rangabati is unarguably the most popular folk work of others, than you would never be able to song of Western Odisha for the past forty years. retrieve in your career. In the year 2007 RangabatiJUHAR song was played in Even in Olympic Games they play an the tableau of Odisha as part of the Republic Day anthem along with the music so as to unite the celebrations at Rajpath of New Delhi. whole world. But copying the popular songs is not E.Kiran Mohan something new to the music industry. Over Barpali the past seven decades many big battles were [email protected] fought in Bollywoood over the infringement Mobile:+91 8249314972 of copyrights. Likewise in the recent past Odia http://barpalidays.blogspot.com/ music industry erupted with the release of a new

79 Juhar Surta 2018 The Kitchen-shed Concept of the Chuktia Bhunjia Lohitakshya Joshi

There is growing interest among Balasore and Keonjhar in small proportions. anthropologists, sociologists and free-lance Though there is no recorded or scientific evidence researchers to study tribal life and map up as yet, the Bhunjias claim to be the most primitive changes pertaining to their religion, tradition, among all the tribal groups. ‘Bhunjia’ which culture, belief system, rituals and festivals over literally means ‘growing out of land’ lends some a period of time. Tribal life forms an important relevance to this claim. Because of this they have and integral part of Indian sensibility. This is a sense of superiority among other tribal groups. due to the fact that “…in India there are 427 Russel and Hiralal throw some light on the origin Scheduled Tribes with different socio-economic of this tribe. They believe that the Bhunjias have spectrum. Out of them 62 are in Odisha. …. It is originated from the union between the Gonds said Odisha can be proud of her wealth in the and the Halvas. Not withstanding the scientific form of tribal people because she stands first evidence to this, it can be an acceptable finding among all the states in India by the size of the because there is close proximity in the economic Scheduled Tribe population which constitutes life, social organization, material culture and about 24.07% of the total population of the state religious practices of the Bhunjias and the and 14.2% of the tribal population of India”1 Gonds.3 The Chuktia Bhunjias speak ‘Halbi’, a There are as many as ten tribal groups mixture of2018 Chhatisgarhi, Koshli and Marathi. living in Nuapada district in western Odisha, each with its distinctive culture and traditions, often offering many intriguing paradoxes in its accommodation of several apparently opposing polarities of ideas. Often we see these practices superficially and dismiss those as mere superstitions. But a closer scrutiny and understanding show that these are actually necessary dualities in keeping with the people’s fundamental concept of balance with their own ethos and milieu. Further critical engagements reveal the strength and relevance of their belief system. At this backdrop JUHARand understanding this article is an attempt at making an inquiry into one such unique practice of Chuktia Bhunjia, an Bhunjias are divided into two categories; aboriginal tribal group of Nuapada district in Chuktia Bhunjias and Chinda Bhunjias. The west Odisha. former prefers to live in inaccessible pockets, It is one of the primitive tribal groups found away from the mainstream civilization where mostly in Nuapada district and the adjoining as the later lives in the plain areas. It is worth areas of Chhatisgarh. mentioning here that around 77% of the total Bhunjia population lives in Nuapada district Statistics show that they are found in other alone.4 They live primarily in the hills and jungles districts such as Koraput, Sambalpur, Dhenkanal, 80 Juhar Surta 2018 of Sunabeda plateau which forms a borderline group- ‘Bhum’, the earth and ‘jia’ means with Chhatisgarh State on the western fringe dependent on it. According to the local origin of Nuapada district. It is most unfortunate that myth of this tribal group as Dr. F. Deo claims, we still do not have the latest data on the exact “…the earlier name of Bhunjia was “Matia” (Mat population of this tribal group. We still refer – soil , ia- came from or origin- implying origin to the 1981 Census where in the population of from earth). Though Bhunjia are the indigenous Bhunjia was approximately 7000 and now it is people of this area there is no reference to presumed to be more than 10000. According Bhunjia in Hindu literature and myths.”6 Some to Chuktia Bhiunjia Development Agency myth also indicates that the Chuktia Bhunjia (CBDA) sources there are around 614 families originated from the union between Gonds and of Chakutia Bhunjia in Sunabeda.5 They live in Halvas. There are many similarities between small habitats and mostly in single tribe villages. the Chuktias and the Gonds which further However with the passage of time they have substantiate this claim. Probably due to this begun to live in mixed group villages. They are they have a sense of superiority among all other today found in Sunabeda, Gadbhata, Sonbahali, tribes. They consider themselves as pure and Nakapada, Salepada, Dhekunpen, Korrabeda, look down upon the Chindas as Khachdias or Bhabsil, Jalmadai, Seonaraynpur, Bachhadhara, mixed. This possibly is the reason they maintain Kamarkhata, Jharlama, Junapen, Thalipen, certain unique features to make them strikingly Jamgaon, Cherechuan under Sunabeda wildlife different from the Chindas and other tribal sanctuary area. groups. This satisfies their tribal ego that they “Bhunjia” basically means growing out of are the forerunners among all tribal groups. The land. The term Bhunjia means an indigenous kitchen-shed concept is one such belief which makes them2018 unique from the rest of the tribal communities. The Chuktias consider their kitchen as the most sacred part and believe that their ancestral deities reside in the kitchen. The kitchen is built separately within their compound mostly in the front-yard having bamboo walls plastered with red mud and thatched roof. It is also known as ‘Lal Bangla’ (Red Bungalow). They keep it JUHAR

81 Juhar Surta 2018 clean and do not allow any outsiders near it. into the kitchen. If any outsiders touch or enter into this the Change is an inevitable force in the tribal kitchen, they burn it entirely thinking that it has life. The Chuktia Bhunjias are no exception. become unholy. They build a new one thereafter. “The ethnic specificity is in danger today. Nityanand Patnaik, Prasant Kumar Mohanty There is massive social change among them. and Trilochan Sahoo also echo the similar line The change has eroded their traditional value of thought,”The kitchen-shed is the most sacred system. The tribal religion, customs, traditions, place of the Bhunjias. Therefore, it is built in a social structure and the value system attached to convenient place separated from the living and it are fast displayed by new secular values. The other rooms and enclosure of bamboo or timber new tribal society which is emerging as a result palliasses is given around the kitchen-shed. No of transformation is relatively more stratified outsider is allowed to come anywhere near the and differentiated”8 Apart from the change in kitchen-shed, let alone any physical contact with the kitchen-shed, there are other change too. it. In case any outsider touches any part of the 7 Earlier the girls after attaining puberty used to kitchen-shed, the entire shed is burnt into ashes” drape only white saris, but today there is slight The Chuktias are so strict about this belief deviation and some of them are using colourful that they do not allow even their married saris as well. daughters into the kitchen. They cook food but never take food inside the kitchen for fear of polluting it. Even they do not use any charred wood from any outside households in the oven inside the kitchen. If there is slight violation, the Chuktias are so tradition-bound that they do not 2018 hesitate to set the entire kitchen on fire and build a new one. Changing Belief System: Of course over the years the Chuktia Bhunjias are not beyond certain socio-cultural changes due to the process of urbanization and acculturation. The Bhunjias are also aware of these subtle changes intruding into their life. In the context of the kitchen-shed also this change is quite overt. The elderly people of the Chuktia villages of SunabedaJUHAR plateau say that earlier they used to live in single-tribe villages. Gradually other tribe and caste people came to their villages. No outsiders, even their married daughters were allowed into their compound. They were given ration and were allowed to cook outside their premises. Gradually they were allowed to cook inside the campus but never to come near the kitchen-shed. But again there was further relaxation and today the outsiders and their married daughters are not allowed to enter 82 Juhar Surta 2018 Factors of Change: neo-colonisation has serious repercussion on the tribal world view. There are many possible reasons for this emphatic change in the socio-cultural practices Some Critical Overviews: of the Chuktia Bhunjia community. Their Despite such disruptive forces eroding preferred isolated habitation is conducive to their age-old traditions and belief the Chuktia maintain their unique practices as they are Bhunjias hold onto their kitchen-shed concept. aware of the overpowering forces of change. This is a unique one which probably makes As has been mentioned in the beginning of this them separate, unique and that is the way article the Chuktia Bhunjias are confined to they maintain their unique tribal identity. Also Sunabeda sanctuary of Nuapada district. This this makes them believe that they are the most area remained cut off from the rest part for a primitive and superior among other tribal long period of time. It seems, this was a self- groups. inflicted isolation adopted by this community, probably to resist the forces of change in the form The most widely prevalent and easily of acculturation and urbanization. But the entry acceptable version of this peculiar kitchen-shed of the forest contractors, other tribal and caste belief is that they consider their kitchen as the people, construction of forest road, seasonal most sacred one and believe that their deities movement of trucks and vehicles exposed the reside there. It is indicative of the fact that they secluded Chuktias into the vagaries of change. consider food as their god/goddess which again qualifies their gatherer-settled-agriculturist The Paharia community migrated to ethos. Sunabeda plateau and began to live in the Bhunjia villages in symbiotic relationship. Though both The 2018 Bhunjia household is exemplary of are primitive tribal groups, the Bhunjias are cleanliness. Though made of mud and thatched more progressive by nature. The Paharias suffer roof, the well cut walls with red mud plastering from withdrawal syndrome and do not prefer to and well maintained roofs give a decent look live a settled life. This also had some impact on to the Bhunjia houses. They always observe the Chuktias. cleanliness. This might be the motivating force to adhere to such strict practice of not allowing A massive force of change ushered in any outsiders into their kitchen. due to the entry of non-tribal population. The Kultha cultivators from the plains of adjoining Often the forbidding of married daughters Sambalpur district came and settled in Sunabeda into the kitchen is seen as a gender-biased attitude plateau. They were skilled farmers and they of the Bhunjias. Like other tribal and non-tribal encroached land and began commercial they treat their married daughters as outsiders. activities. Gradually many Kultha and Teli By not allowing them into their kitchen is a clear JUHARmessage that the Bhunjias are unbending so far households from Padampur area came and became permanent settlers there. This infiltration as their belief and practice are concerned. They has far-reaching consequence, not merely on the want to communicate the message quite clear economic life of the Bhunjias, but at the same time that they do not compromise it even with their it influenced their socio-cultural practices and married daughters. This precisely may be the beliefs. The successful entry of these outsiders way they resist the forces of change to preserve has encouraged the local non-tribal from the their tribal ego and uniqueness. foothill semi-urban centres such as Bhela and Like all other tribal communities the Chuktia Komna to make their fortune in the plateau. This Bhunjias have a strict worldview of socio-

83 Juhar Surta 2018 religious beliefs and practices. Their religious civilized world. They are never considered in beliefs are unshakeable convictions in the terms of their feeling, wishes and the intention existence of a deity or deities who created them of continuing their symbiotic relation with the and are ultimately responsible for their destiny. nature around. Rather they are seen as mere So they consider their deities as supreme and do conglomeration of limbs, bodies and eyes, as not compromise their tradition. meaningless as the forest, the river, the hills etc. Such socio-religious gathering offers an The social cohesion, meaningful insights are opportunity for the Chuktia Bhunjia to establish never felt and understood. The kitchen-shed potency and relevance of indigenous tradition as concept and other such socio-cultural, the social a source of value and stability. This communality adjustment question the objectification of Chuktia based on tradition and culture serves as the most Bhunjia life and that it justifies that they are a effective antidote to the process of decay, change living entity with all elements of a civilization; and socio-religious degradation. revalidated within the orbit of Chuktia Bhunjia consciousness. These beliefs and practices of this tribal group are instrumental to see the tribal society References: as remarkably stable and continuous. For them 1. B.C. Ray, Tribes of Orissa: The Changing Socio- movement and pace of time is quite slow. These Economic Profile (New Delhi: Gian Publishing House, practices and beliefs are meaningful components 1989) XII. in interlinking their past, the present and the 2. Dr. N.K. Behera and K.K. Mishra, “Religious Rites future. Such traditions determine the smooth and Festivals of the Tribes of Orissa”, B.C. Ray ed. Tribes interlinking and movement of the past to the of Orissa: The Changing Socio-Economic Profile, 40. present which ultimately determines the future 3. see2018 Russel, R.V. and Hiralal’s article “Bhunjia” in of the tribal society. The Tribes and Castes of Central Provinces of India, Vol.II Conclusion (London, 1916) 322-325. In the study of tribal society we often come 4. see N. Senapati and D.C. Kuanr ed. Orissa District across the contradiction between communal Gazetteer, Kalahandi, page 92. life and individual life. In a traditional society 5. see Chuktia Bhunjia Development Agency (CBDA) traditions are repeatedly emphasized as being Report. supreme to the more recent individual way of 6. see Dr. Fanindam Deo’s M.Phil. Dissertation, J.N.U. life. Communal life furnishes sanctions for action , New Delhi, 1984, page 58. through religion and family that are largely 7. N. Pattnaik and Others, Life in Sonabera Plateau modern society. In this context it can be said that (Bhubaneswar: Tribal and Harijan Research Institute, the Chuktia Bhunjias are not completely free 1984) 89-90. from the process of change (not to confuse with JUHAR8. Adityendra Rao, “Tribal Ethnicity and Identity”, civilization, mainstreaming or development). Tribal Social Stratification, (Udaipur: Himansu Publication, However the pace of change is too slow and 1988) 100. they have been able to preserve their socio- religious beliefs to a greater extent. This has been Orissa Review * September-Oct 2007 possible due to their relative seclusion from the Dept. of English mainstream civilization. K.V. College, Often the Chuktia Bhunjias are used as mere Kantabanji literary and research stereotypes by the so-called [email protected]

84 Juhar Surta 2018 The Saga of Community Forestry in Western Odisha Dr. Tapas Kumar Sarangi The history of forest protection by local spread of community forestry efforts in different communities dates back to the pre-independence parts in the state. The forested regions, which period in Odisha. In fact, in some of the tribal- witnessed degradation and the resulting dominated areas, such as Nabarangpur and implications earlier, were the first to take to Keonjhar, forest protection initiatives have been CFM. Over the period, the communities in the reported in the pre-1900 and 1900-1930 periods neighbourhood of forest protection villages, respectively. Further, the oldest recorded moved by the gains of protection, joined in the community forest management (CFM) case movement. Another factor which triggered ‘Lapanga’ in Sambalpur district exhibiting the movement has been increasing hardships strong traditions of forest protection has been in faced by the local communities in meeting their existence since 1936. By the 60s, as a spontaneous subsistence needs (such as firewood and small response to forest degradation, many villages in timber) because of declining forest resource as Western Odisha took to forest protection on their well as due to curtailment of access to community own. The 1970s and 80s experienced extensive protected forest areas. CFM embraces creativity, flexibility and diversity2018 in institutional arrangements and protection and management practices. The local institutions engaged in forest protection include village councils, youth groups, women groups, etc. Protection system(s) comprise one or a combination of arrangements, such as merely keeping an eye on the forests, thengapalli (i.e., voluntary patrolling on rotation basis) or paid watchmen. The customary practices of Thengapalli and household contribution have facilitated involvement of all the people in protection efforts in the village. This popular JUHARpatrolling practice of thengapalli has received Box-1: Timeline of CFM in Odisha 1900-40: Initiation of forest protection by communities in Sambalpur and Nabarangpur 1941-50: Forest Protection initiatives in Koraput, Keonjhar and Mayurbhanj regions 1951-60: Forest Protection initiatives in Nayagarh, Cuttack, Balangir 1970-80: 1970-80: Initiation of forest protection initiatives in massive scale in Dhenkanal, Keonjhar, Mayurbhanj, Phulbani, Deogarh and Sundergarh regions Note: Balangir, Deogarh, Sambalpur & Sundergarh are coming under Western Odisha

85 Juhar Surta 2018 accolades at the international level. Thengapalli through marriage. Some communities prohibited has been introduced as an innovative method for marriage of their children in non-protecting forest protection and social mobilisation in the villages. An interesting practice is followed in cross-cultural curriculum for the students of the some CFM villages, particularly in Nayagarh 6th standard under the new education policy in district, where every newly wedded couple Britain in the year 1988. during marriage goes for planting trees to mark Similarly, punitive measures also vary, such the beginning of their conjugal life. as social pressure or monetary punishment, and Forest policies in the country including in are decided taking into account the nature of the Odisha had focused on revenue generation on offence. Elaborate rules and regulations based the one hand and restricted the access to forest on local experiences and common prudence and forest products to indigenous inhabitants are evolved, addressing a wide range of issues on the other hand. This twin policy continues such as forestry conflicts, benefit sharing, till late 1970s. The Forest governance in the protection systems, management, equity, and state was guided by a number of forest policies social capital. These characteristics are evidence and acts including the Indian Forest Policy Act of the participatory and democratic spirit of 1927, 1952, Odisha Forest Act 1972. The aim of CFM. The CFM movement is, thus, driven by the Forest Conservation Act 1980, was to check the basic philosophy such as (1) Draw a balance degradation of environment even by restricted between conservation and livelihoods. (2) Forest the access of forest to its indigenous inhabitants. needs to be sustainably managed for succeeding There was paradigm shift in the National generations. (3) No timber harvesting. (4) Stress on Forest Policy 1988. This policy gave importance minor forest products for livelihoods. Over time, to participation of local stakeholders by ensuring CFM has evolved as a socio-cultural movement 2018 their access to forest produce for sustaining their and is not restricted to forest protection alone. livelihood. Keeping these twin objectives in view, In certain areas communities engaged in forest the government of India enacted resolution in protection named themselves as ‘forest caste’ 1990 for formation of Joint Forest Management to strengthen the relationship existing with the (JFM) committee in order to protect and forest. CFM in many cases also helped the local develop forest along with forest department. In communities in establishing new relationships accordance with this resolution the government of Odisha gave administrative instruction to Forest department (1993) to form Vana Samraskyan Samitee (VSS). The Forest Department initiated the process of formation of VSS, which was slow initially, but it picked up in late 1990s and later. JUHARAll the afforestation Programmes were unified under Forest Development Authority during 2002-03. In the mean time the Forest Department, with the financial help from the Japan Bank for International Cooperation, started programme to improve degraded forest in hinterland districts of Odisha to improve livelihood of people by providing incentives to the existing newly formed Forest Protection Committees. Further, Forest Right Act (FRA) 2006 provides

86 Juhar Surta 2018 conditions of the forest dwelling communities is at rock bottom level. Odisha contains among the highest concentration of forest dependent population particularly tribal groups and these groups contain some of the most acute poverty in India. Findings based on authors own study in Western Odisha presented here are based on assessment in three districts (Sambalpur, Balangir and Deogarh), and of six sample villages spread across them. Three JFM (VSS) villages and three Community Forest tennural securities to the land under cultivation Management villages or self initiated by forest dwellers and provides legal access to forest protection groups (i.e. CFM in Odisha forest products. However the functioning of hereafter). The aim was to provide evidence for a participatory forest management (PFM) was cross section of both institutional arrangements weak and discriminating to the poor, women around local forest use and protection and also and other disadvantages groups. The livelihood across regions. of forest dwelling communities is dependent Forest dependence for livelihood has on the size and quality of forest, the amount of 2018 been a critical element for poor households in the forest products collected and the price at which absence for adequate resource endowment, such the products are sold. But in Western Odisha as land and access to service sector. Collection the size of forest and the quality of forest has of forest products for own use and generation been shrinking due to widespread deforestation, of cash through selling is the predominant forest land used for non-forest purposes labour use for the majority of poor households. (especially mining) and lack of investment in the Generations of wage employment through forest sector. Further the marketing conditions public work programs in VSS as well as CFM in the tribal area is unfavorable to the sellers villages are meagre. The forest department has due to a number of problems of the market, generated a meagre 10-15 days of employment including of interlinked product and credit in VSS villages, but it has no such programme in market and unequal bargaining power of sellers the CFM villages. Households obtain a number vis-a-vis buyers. Lastly theJUHAR income realised by of products from the forest including foods the sellers is low due to lack of value addition of (mushrooms, bamboo shoots, roots, tubers, the products. Clearly adverse market condition spinach, fruits) fodders, firewood, kendu leaves, as well as lack of value addition contributed for sal (leaves and seeds), bamboo, grasses and reeds the low income of the products. (converted into mats or brooms) materials for Overall the community based forest household construction, fencing of houses and management has been growing in Western or kitchen garden, medicinal plants and fruits. Odisha over the last few years but its functioning Overall one fourth of the household is weak. It is being participatory but it has a income comes from forest related activities number of constraints as a result the livelihood among the VSS households. It constitutes a 87 Juhar Surta 2018 much higher proportion of total income of poor of PFM the executive committee (EC) should be households but the absolute income from the dynamic, representative and it should represent forest is very low for these groups in VSS and different groups including the poor and women CFM villages. When non marketed products are in it. In order to increase the participation of valued, the average income earned per VSS and women there is need to involve NGOs and CFM household from forest related activities SHGs in VSS and CFM villages. There should be was Rs. 6122/- and Rs. 5118/- respectively. provision for training relating to forest related About 77.2% of total forest income among the issues, environmental awareness, record keeping VSS villages has been generated during the etc. to make the FPCs vibrant in their activities summer season and 71%t in CFM villages. The and transparent in dealing with development contribution of rainy season to total income was work and in decision making. 9%, 12.8% in VSS and CFM villages respectively. In order to improve the quality of Of the total value of forest products forest and livelihood of forest dependent collected 33.6% has been utilized for self communities, there is need for assured consumption/ self use and 66.4% to generate tennurial rights for providing incentives to cash in VSS villages whereas it was 44.6% in local communities, recognition of multiple CFM villages. Although the contribution of participatory management practices including forest income coming during rainy season is low JFM and CFM, recognition of forest based to total income, a major part of it is utilized for subsistence use, promotion of value addition consumptive purpose. As the alternative source and forest based enterprises, improvement of income and employment to the poor in this of marketing networks through collaboration season is negligible, forest products work as a with panchayats, SHGs and NGOs and self insurance mechanism against hunger to the increased2018 investment in forest sector. Different forest dependent poor. stakeholders including the forest department Participatory Forest Management (PFM) has lack co-ordination among themselves and there generally led to improved forest condition, which are contradictory interest because of which has in turn led to increased access to a variety of forest related policies are not effective in raising NTFPs products. More than four fifths of VSS and the quality of forest and livelihood of people. In CFM members felt that participation of people in such a situation there should be co-ordination forest management has improved their economic among different stakeholders including the conditions positively even if the improvement is state, forest department, civil society for effective marginal. A number of factors including no value addition to collected products and no improvement in market relation for NTFP sale even after the marketingJUHAR of these has been transferred to the panchayats are responsible for low level of living of forest dwellers. PFM has raised the expectation of members, and it now has to help raise the economic conditions of the poor. Policy Implication: Strengthening Institu- tions & Livelihoods To improve the functioning of institutions

88 Juhar Surta 2018 under the FDA is limited. However, there is large opportunity for the development of tribal areas in the state including in the study areas through different provision of forest rights act (FRA), 2006. The synergy of FRA with MGNREGS would generate significant self-employment through provision of land improvement which will take place as per the new guidelines for implementation of MGNREGS. Infact the utilisation of MGNREGS fund for land improvement has already taken place in a limited scale in some of the area where formulation and implementation of forest based individual titles under FRA 2006 have been given. livelihood and development of forest. Similarly construction of roads and renovation It has been found in the study areas that the of existing water bodies and afforrestration dependence of poor on forest is high and nearly in forest fringed villages under the scheme half of their labour time is allocated for collection would generate significant wage employment of forest products. But the return to their labour possibilities for the local people. It will also in this activity is very low. Further in the absence improve the infrastructural facilities including of alternative source of livelihood the current that of irrigation. Such provision will not only economic condition of majority of households in reduced the transaction cost of production and the study areas is precarious. transport of forest product to nearby market but also increase2018 the productivity of existing land. In such a situation investment in employment generating activities through MGNREGS as On the whole, PFM should be viewed well as raising the productivity of the existing as a comprehensive process focusing on the assets such as land is necessary to enhance their development of institutional dimensions such as legitimate livelihood opportunities. Under the the provision of legal status to Forest Protection Forest Development Agency (FDA) scheme Committees, decentralisation and devolution opportunities for investment have been created of power to forest dwellers to raise efficiency in in some JFM villages as a large amount of working of PFM and to gain equity and economic funds are allocated to those villages fortunate sustainability among them. Further, there is need enough to be selected. The money allocated to for implementation of integrated and innovative VSS villages if utilized towards development of measures to improve the livelihood options and village infrastructure as a whole may lead to the capacity building through provision of human increase in the productivityJUHAR of the agriculture and social capital of forest dwellers. in these villages and may also generate some Assistant Director employment opportunities for the poor. These National Institute of Labour Economics development activities would help preservation Research and Development and maintenance of forest indirectly as (Under NITI Aayog, Government of India) alternative sources of livelihood would go up. A-7, Narela Institutional Area, However doubts have been raised about the Delhi- 110040, INDIA proper utilization of the funds coming through Email: [email protected] FDA, given those village societies in Odisha is Mobile- 9810342705 faction ridden. In any case the coverage of VSS

89 Juhar Surta 2018 Folk Music Tradition of Western Odisha Dr.Sujit Kumar Mishra

1. Introduction year 1968. The photograph (Photo 1) was taken with late Smt. Indira Gandhi at her residence. Dulduli Baja is one of the prominent During this event they also had an opportunity to folk musical traditions of Western Odisha. persuade Smt. Gandhi too to dance to the rhythm The players of this art form belong to a Dalit of Dulduli Baja. Now-a-days the major cities of community, largely from the entire western part India as well as major institutions like Jawaharlal of Odisha, bordering parts of Jharkhand and Nehru University, New Delhi and Hyderabad Chhattisgarh). They believe in the bonding of Central University too host the agrarian festival Jajmani system against the services provided by called Nuakhai Bhetghat. During this occasion their forefathers in the name of culture. This is they invite eminent people and cultural groups an ancient art, which is at the centre of social, of Western Odisha. Cultural group is mainly the cultural and religious activities of Western Dulduli Baja troupe with its Dalkhai dancers. Odisha. This ancient art was popular in the past This shows the popularity of this activity. as well in the present. The first example below illustrates the popularity of the activity in the Popularity of the culture or activity does not fetch2018 income to sustain in a daily manner. past. Because the general situation of the livelihood During the field work, the study team got a scenario of the Dulduli artists in Western Odisha chance to meet Ms. Gunu Pandey from the rural is not sound. Largely this particular community area of Bargarh district. She was a member of is socio-economically backward due to various the Dalkhai team and a dancer of the Dulduli socio-cultural reasons. Baja troop. The entire Dulduli Baja troupe (of Podbhadi village) of Bargarh district was a part They are based in both the rural as well as of the Republic Day Parade at New Delhi in the the urban area of these districts of Odisha. They work as labourers, cycle rickshaw pullers, factory workers, masons, carpenters, construction workers, JUHAR petty business and butchers. One of the very important activities from where they are largely dependent upon is earning through beating drums. The history of the economic activities practised by these people is Photo 1: Folk Music Troupe with Smt. Indira Gandhi in 1968 discussed in length in the Source: Field Survey 90 Juhar Surta 2018 following section. and Jhumkia (the person who operates Jhumka 2.0 Economic History: Changes and or Idiophone). Five is the minimum strength of Continuity a team of players but six is considered a sound quorum for the group and the composition is Members of Dulduli baja in all the districts one Dhol, one Muhuri, one Jhumka, one Tasa (except few districts) in Western Odisha earn their and two Nisan. The group has a flexibility of livelihood mainly from (i) agricultural labour extending it to eight members if and only if there work; (ii) daily wage work; (iii) weaving; and is a demand of dancers (man with the outfit of (iv) migration apart from working as members woman) from the clients (Photo 3). It is said of Dulduli Baja troupe. They are almost landless that a party is stronger where more numbers of people. Mainly they depended upon drum members are there with varying capacities. beating and weaving (“Bajan” and “Bayan”). Since their traditional occupation of weaving Earlier agreement between the service taker has been declining with the introduction of and service providers (Dulduli Baja team) was mill made clothes, they have been reduced to done through the Jajmani system in these areas. landless agricultural labourers and some of them They were the part of the oral contract through have migrated to urban and industrial setting in which they were paid their wage (largely in terms search of livelihoods. of kind). As they did not have any alternative except beating of the drum and meager non- Dulduli Baja consists up a minimum of five agricultural work, the wage rates offered to members of different capacities in it (Photo 2). them in exchange2018 of the services was distress in They are Muhuria (the person who operates nature. Whatever amount offered by the demand Muhuri or aerophone), Dhulia (the person who side actors, these people had to accept it. They operates Dhol or large drum), Tashlia (the person were not at all a part of the determination of who operates Tasa or small flat drum), Nisnia (the wage rate mechanisms. Over exploited by the person who operates Nisan or roundish drum) distress wage rate for a longer period of time,

JUHAR

Photo 2: Group Members of the Troupe Photo 3: Dancers (man with the outfit of woman) 91 Juhar Surta 2018 many people started withdrawing themselves the cases. This equity leads to inequality among from this system. the members. It is the Dhulia who makes the Presently the contract between these maximum effort whereas the effort of the person two groups is completely based on a mutual who monitors the Jhumka is considerably less. agreement. Slowly these people are entering into But both of them receive the same share. The cost the market by negotiating the wage rate. When of repairment is more for the Dhulia and Nisnia one talks about income from the drum beating in comparison to the other members of the party. profession, there are different directions of it. In order to make homogeneity and uniformity, The returns from all the directions (in any forms) they follow this. are accepted by the team members of the troupe Many a times the people from this (kind and cash). Earlier the wage rate was very community migrate to (almost all the districts less. At that time they were voiceless and could of) Chhattisgarh (largely to Raipur and Bilaspur) not get a chance to enter into the market for the with their musical instruments mainly twice in determination of wage rate. Now-a-days they a year – (i) Akshya Tritiya; and (ii) Gaura Gauri start with a minimum of Rs 5,000 and goes up Puja and Diwali. During the last Dewali, the to Rs. 15,000 also. They go different places with study team met a gathering of more than 1000 different distances from their villages. They get Dulduli Baja troupes in Raipur. Sadhu Bag (a around 30 calls (performance) of different sizes to seasonal Baja migrant to Chattisgarh) from perform. The income also varies from patron to Malamunda village of Bargarh district says, patron. The exploitation also varies from one caste “People2018 from our area migrate to Bilaspur to another. So far as distribution of the income during Akshaya Tritiya with the instruments. is concerned, they do it equitably in almost all

JUHAR

Photo 4: Baja Market during Diwali in Raipur Source: Field Survey 92 Juhar Surta 2018 During that time large numbers of marriages are they have started entering into the market performed and the demand of our baja is more. to determine the wage rate for this specific Some people do not get baja for their marriages. livelihood, many a time it has been observed Hence whatever we demand we generally that they receive an imposed wage rate from the get from our patrons. We generally assemble patron. in a field nearer to a place called Chenicheri In spite of possessing cultural brilliance, market in Bilaspur of Chhattisgarh. During the these people are deprived of the benefit of negotiation of wage rate, we fix the terms and institutional mechanisms of the government. conditions (how many days, wage rate, food and As per their words, “we have achieved a lot in stay). During that time we get five to seven calls the field of music. We have received awards and (marriage where they perform) for which we certificates. The other states are recognising us earn Rs 15,000 to Rs 16, 000 each including the but we do not possess any identity in our own food and stay. During our stay with the patron, state”. The legislative measures, at large, have they take optimum care and provide food and remained ineffective owing to the prevailing liquor on time. The provision of food depends socio-religious customs and weak enforcement upon the economic capacity of the patron. We machinery. Above all, the institutional get our exact amount on the negotiated date. mechanisms were found to be unsound during Sometimes we earn more than Rs 20,000 also. the pre-constitution period. The acceptability rate Though the work is relatively hard, we earn our was also less. However, in the post-constitution livelihood with dignity during that time”. era, the 2018 activities in terms of acts, policies and The other instance of migration is Diwali. schemes are more. The material and intellectual Budha Talab in Raipur (Photo 4) is the place investment are also found to be adequately where the transactions happen. The contract more now. But the result is unsatisfactory. Apart between the patron and client happen for a range from this, weak extension services and poor of three to nine days. The activities are for only coordination among administrative bodies are three days during Gaura Gauri worship. The adding more miseries to the problem. Therefore, day it ends, the same day night people celebrate it is suggested that to improve the status of the first day of Diwali, for which they need the livelihood of these artists it is indeed necessary troupe for nine days. Dulduli Baja party charge that a system is to be in place for increasing Rs 14,000 to Rs 15,000 for three days and Rs preparedness at all levels, i.e., government, civil 20,000 to Rs 25,000 for nineJUHAR days. society and community. Conclusions Associate Professor (Economics) Dulduli Baja is a major source of livelihood Council for Social Development in major part of western Odisha. They sustain (An Institute of ICSSR by Ministry of HRD) more than 06 months from this livelihood. Modern technology in the form of modern 5-6-151, Rajendranagar music has completely changed the life style of Hyderabad – 500030, Telangana the drum beaters. They are getting exploited by Email: [email protected] their economy in the name of culture. Though 93 Juhar Surta 2018 Dadan Sundari Dr Sanjay Mishra

Dadan Sundari, a novel by Dr. Sanjaya Kumar the earth and then the brick kilns of Hyderabad Mishra, a writer of Balangir , Odisha, published in it had already been a story of stratum of poison. Odia language in 2014 is a trendsetter text. The From Hyderabad to Kantabanji- the broken novel is full of human pathos, sufferings and is a walls of every hut revealed the pitiable faces of beautiful narration of socio-cultural hegemony. famished people, dead millions of years ago. Mishra has taken the issue of distress migration in They were coming back in despair from the context of western Odisha in a sensible manner. YPR brick kiln near Hyderabad market where This has earned a lot of critical acclaim so far. Mishra twenty-two paturias were working. They had successfully takes a very local issue to a wider arena. to return with the load of the deprivation of It is a realistic narration of folk life , culture through leaving behind old father and the long tale of the life of the protagonist Tiri, a maiden who suffers in suffering. They were four while going. Head of the inhuman process of migration. Through her early life the novelist refers to the vibrant village culture with its festivals and ritual and its gradual falling apart due to migration. The novel also is a critical manifestation of the insensitive and callous attitude of our governance. Tiri’s suffering can be seen as a by product of our systemic failure. 2018 In the chapters given here we find a close look at the land distribution pattern, factors leading to crop loss and intensified drought uprooting the rural folk from their socio-cultural fabric. Migration is not merely an economic issue, it has rather wider ramification at the socio-cultural and political ambits too. Nuakhai is the principal festival observed by the dominant agrarian communities of western Odisha. In this novel, especially the writer makes meaningful references to this festival in the migration cycle. In order to pave widerJUHAR readership, Dadan Sundari has already been translated into Hindi by noted writer Padmashree Dr Srinibas Udgata and its English translation by noted linguist Lohitakshya Joshi. They were Coming Back History was coming back with stain of sinned blood on forehead. When sun rays fell on

94 Juhar Surta 2018 the family died in the brick kiln. But on return gave the tickets, one dozen banana, a bottle of also they were four. Virgin Tira was returning water to Tira’s mother. with a four-month old innocent child- living Perhaps a station came. One more batch of witness of her illegitimate relationship with around fifty-sixty passengers scurried into the some Seth Rao or Reddy or Khan of Andhra. compartment. The four-month old child was Laibana Parabhue, widow of the dead labourer shocked amidst the hue and cry of the crowd. Rohita Parabhue, daughter Tira Parabhue, son Alas! Tira should have died then!! Sebak and grandson boarded the train at 8.30 in the morning. The owner pushed three hundred After around eight hours of journey when rupees into the palm of Tira while coming back Waltiar station arrived it was already eight P.M. and gave the tickets to Tira’s mother. Train has They have to get down and change train here. been on the move, continuously. With a lot of difficulty when they loaded the bundles of all their belongings on heads, trying The continuous journey of the iron giant to straighten weak waists and put steps on the bereft of thirst and hunger was going on both platform their pale bodies were desperately within and outside the family of dead Rohita. crying for water. They had forgotten water and They were shattered by the thorny wind coming food during their 14-16 hours journey. Even if through the window intermittently coupled they tried, their exhausted bodies and the crowd with the odd sounding Telugu conversation of did not allow them to get up from their seats. fellow travelers. The long three years awaited Perhaps they had been turned into the absolute freedom failed to give them happiness. Their silence followed by thunder and broken trees stone-turned eyes, chest, face, back and hair after after the storm. The little baby was desperately round-the-clock hard labour were eager to get sucking the dangling piece of loose skin in the back the humane touch. Their heart, soul, joy, 2018 illusion of breast. Tira neither understood nor laziness were weeping for a handful of foggy had the experience or sincerity to locate even if pink ray. Their hearts were filled with million of she understood that motherhood is the ultimate years’ hunger. They had crossed all barriers of realization of a woman. Her eyes, nose and all lifelessness after eating the broken rice meant for other parts of the body were so tired that it was cocks and hens. difficult for her to feel the flowing river inside Sikanderabad station was over-crowded, her and measure its depth either. people and people all around, with dresses of She is returning now. While making her different colour. This is a continuous journey. journey from the village she thought that ours is a Children, old people all on their way rushing big country, countless people. Where did they all to destination. No one has time to speak. The come from? Where do they go? She has marked Census 2001 says around 30 crore people suffer thousands of cycles, motor-cycles remain parked displacement in searchJUHAR of employment and on the stand. Whom do these belong to? Have they livelihood in India. all gone out for work together after discussion? They had to wait for the train for around one This is about the well-to-dos. She also thinks and half hour at Sikanderabad station. They have where do all these labourers come from? Black, started from 4 in the morning. They were around ugly, untidy labourers with spade and other eighty kilometers away from Hyderabad. They implements and naked children have crowded can speak only the name of the locality but very all around. Whatever type of person one wants difficult for them to detail the geography of the one can easily locate in thousands (readers may locality. The Master himself drove them in his apologize because for my protagonist thousand vehicle from the village. During this waiting he is the highest digit. Hence her thousand may 95 Juhar Surta 2018 be understood as crore or million). Due to displacement. It has even precipitated war ignorance she does not understand many scenes among communities, men and religions. Some and incidents. If she could remain ignorant all have become rulers where as others have her life! But alas, she had to suffer….. . become plunderers. But such organized and Around four hours of waiting at the Waltiar mass displacement to get rid of deprivation and Station. Food means some groundnuts, banana arrange employment points finger at the laws and water. Six years old Sebak brought food and and schemes of a welfare state. Questions such water for his mother and sister. Kids of drought as ‘why Sebaks will become child labourers, affected area understand the many ways of Tiras will suffer and Rohits will die’ dilute in the life from this early age. Still he was remaining sky and the steel-solid chests. ignorant; or pretended to be ignorant for that The train from Waltier to Kantabanji was matter. He was simply carrying the chain of comparatively less crowded and at least they events that had occurred before his eyes. What could put their buttocks on the wooden seat. can a migrant boy do except carrying? Do As the flicker of hope does not emanate from the terms suffering, carrying signify certain broken heart so was nectar not flowing from the possibilities for those who have ability? Does sunken breasts? Occasionally when the child their fate know anyone except the bite of black cried she simply put her nipple into his mouth cobra in the name of future? for namesake. She bought an orange for seven From the cascading hair of Tira the readers rupees and some milk from a tea stall by paying might add the adjectives such as a long-haired three rupees more at Waltier station. That was maiden, a pretty one etc. But she has come all up to Kantbanaji station and thereafter to her back as the protagonist of a long and sorrowful village. It2018 was merely to pour drops of milk into tale which does not end in this life. You may the child’s mouth to make him silent. understand by seeing her broken heart, burning Tiri’s mother faintly remembered the heart and unholy body. Brave woman, wise incident of their migration in search of livelihood woman signify the dignity of a woman. But three years back. They all reached Kantabanji Migrant lass means the woman like Tira and railway station putting festive clothes, smearing other such unfortunate women who suffer like oil on hair and putting eight/ten fifty rupees the boiling parched rice. Tira is a migrant; the note in a valiant manner. The railway station was migrant lass. crowded like car festival and dusserah. It looked Dreams do not need to be buried under like a fair of the migrant people. And now they grave. Sebaks and Tiras are similar, because they are returning to the station with broken family have no dreams. Their fate undergo thousands and carrying the burden of dead souls. of death already. Their courage, strength make Laiban even could not know how much millions of suicides, becauseJUHAR they are migrant did they work there. How much were they paid labourers; wonderful architects of arms bondage, towards food and how much was deducted from belly bondage and bondage of life. They succumb or added to advance. They still owe advance or before poverty, hunger, torture and the so-called are due to be paid because they went for a season skill of brick making and in the process exhaust but stayed back for two more years- all these themselves thousands of time. things could not enter her mind. She did not Migration is an important part of human have any proof of death they had already gone civilization. It is complimentary to social through every now and then while working development. World history is the history of there.

96 Juhar Surta 2018 Around two o’clock at night, the train arrived rounds from village to village and body to body at Rayagada station. All of them remembered the indifferently. stations, even Tiri also. The migrant labourers Slowing down of train, blow of horn and remember the names of the dalal and the railway the time gap between stations indicated that stations like the jail inmates remembering all the Kantabanji station has come. It is very difficult acts, punishment and different sections quite to say whether the epilogue of the journey intimately. The train in which they travel in beginning three years ago will be scripted from search of livelihood does not run on iron tracks here or elsewhere. These people who were alone, it rather runs on the bones and skeletons building their own misfortune for long were of these people. The train was running from simply piling up their rolling tears, bundles of darkness to abysmally mysterious darkness on emotions and suppressed protests. They were these skeleton tracks. merely trying to keep the clay diyas burning Massive exodus of labourers ensues from the by pouring some kerosene, petrol or pure ghee. drought-prone and starving regions of Bolangir. They were aware that the time they were living This agrarian district has turned into a favourite did not belong to them. Everything comes destination of drought due to inadequate rainfall from and is promoted by history. They have to and crop failure. There are neither any cottage live amidst hard work for many more births. industries nor any big ones. The sinister and Their complex and agonizing life is not straight looming shadow of drought has penetrated into and simple or with mere ups and downs; it is every section of society. Small, medium and vulnerable, uncontrollable and terrifying. marginal farmers have turned into poor and When Tiri sat at the platform of Kantabanji landless, forced to take the path of migration. with a lot of struggle “oh, father!” emanated from This distress condition has compelled the likes of 2018 within her. It was not merely a word or sound, Rohit and Laiban to migrate in search of a square but was the reflection of generations of suffering meal rather than suffer the brunt of hunger at and agony. It was very excruciating. home. These households reeling under abject Lost Money Not Yet Recovered poverty, take advance from the dalals and She is Tira, some call her Tiri. People say soon after the festival of Nuakhai is over, set Tira had not merely lost money; she had rather on migration. They leave back their houses and lost her childhood. While going to the soilconser whatever little assets they have such as goats, dam beside the farmland of Nariha near the chickens, deities etc. in the custody of their banyan tree at the end of the village Drought had old parents. Crowds of thousands of labourers left strong footprints much before her birth. It gather at bus stands and railway stations. Despite was not that there would be not a single rain-fed scores of government schemesJUHAR people do not get crop, but Tira’s father had mortgaged two acres employment and if at all get any work they do of Aat (upland) and one acre of Bahal (low land) not get their wage. two years before the birth of Tira. He has not been able to release it as yet. Gurji and Mandia Things become more sensitive when grown in the Aat and some indigenous variety incidents of starvation death and child sale are of paddy could address their hunger for only reported in the newspapers. Fleet of vehicles five months in a year. But that is also no more rush to the villages; time gets burdened with there. One businessman has taken it on share- dust and assurances. History smiles at this cropping for cotton cultivation. He has engulfed time, pretending not to have known anything. the intestine of time, devoured the stained blood Sins, repentance, envy and allegations make 97 Juhar Surta 2018 of history in distress and helpless condition. experience which comes through tradition. It cannot be said that she was beautiful. Black Like, when we see fire in the distant hill we beauty or fairly pretty, tall or short was not to be call it monkey’s wedding and get delighted, but debated; it would be fine to say that Tira was well- she immediately understands the mystery of structured. Dimples on her cheeks, black mole wood smuggling by mahua flower gatherers. on the centre of her neck, slender waist, flowing She well understands how and why agricultural long hair and rising breasts only indicated that products such as mandia, gurji, cotton, paddy, she was a beautiful lass of future who would beans and maize are siphoned. She knows how steal the dreams of many youths. Focusing on the products of our sweat and tears go from her gait or other petty aspects would distract village to town and from there to the metropolis. one from her nature. Agile and flamboyant, Tiri She also knows that this is in conformity with walked gracefully. Unlike others she walked and prescribed by law and they are not eligible cautiously, pressing her lips, arranging her frock, for any protest. looking at all sides and taking precaution of any She goes to school, takes goats for grazing, impending danger. When she spoke she was plays kitkit by drawing lines on the ground, remarkably distinguished from the crowd. Of climbs hills, gathers firewood, sings Rasarkeli, course, she was not yet grown up, it was time for Chutku Chuta or Lahari while walking, bows her to eat and roam around. It was not a city so before the village deities, laughs, moves around that she would eat chocolates, watch television, and plays. sit on sofa or sleep. She was spending her days like others in the rural ambience amidst water, She can’t wear new clothes during Nuakhai. air, babool, berry plants, river, nallah, Bahal She avoids the drunken male members scolding and Aat. She was enrolled in the school when others during2018 the village festivals such as Asadh she was five. She was already ten by the time Khena, Bihan Chhina, Chait Parab, Janmastami she learnt “A, Aa, Ka, Kha” and was familiar etc. Tiri sings well, her lips do not stop while with the ways of life, its many avenues, potholes, singing Chutku Chuta. Beginning from, “Juhar steeps and mud. juhar garam budha, pada debu juda juda” it goes on. She at times decorates her palms with Tiri knew of her family and social status mehandi and her feet with alta bought from from the day-to-day household management, market. She also plays folk games such as Kitkit, conversation of her parents, wind and water, Hide and Seek, Chor Police in addition to carom, rain and straw, tiles, land, harvesting space, nose long jump, ludo at school. rings and loan from the money-lender. She had realized that life is as useless as a torn drum; it Study is half-hearted in school, she observes is like a lashing rain and runoff water. She had that attendance in school becomes slender from developed her own solutionJUHAR to such difficult Nuakhai onwards, school gets empty. More than questions of life. She didn’t know anything more, half of the students migrate with their parents nor do I. most importantly, the likes of Tiri were in search of livelihood. And those parents trying to locate themselves in the curriculum of who do not migrate, send their children with the textbooks designed by the learned people of other ‘pathuria’ families as labourers. All these our state. For example, for her ‘engine’ means incidents are never unusual to Tiri. It rather that which pulls the train in which people of forms part of her social consciousness. her and other villages migrate, ‘Industry’ means When I use the allegories such as “a beautiful where people work as laboutrers. This is a very kadamba flower amidst fresh new leaves”, ‘a natural way of understanding. This is their social playful deer” in praise of Tiri, time mocks me

98 Juhar Surta 2018 from behind. Her body is surging like a coiled missing it she finally hid it there. But alas! She is snake. The snake which has bitten her millions not able to locate the box where she has stored of times is quite strong and well-built. It also her life. An entire phase of history has been crushes all creativity emanating from a virgin’s passed between her hiding and searching the mind. It only increases the plight of Tiris. box. Millions of Dharamas have been beheaded One more thing needs to be observed- she has after accomplishing the crown of the temple, answered many questions of her school teachers hands of the sculptors engaged in building the and CRCCs, BRCC and S.I. of schools visiting Taj Mahal have been chopped off. Tiri is a stray her school. Her fearless and spontaneous way and weak girl, but a strong flame for the progress of speech, knowledge on curricula have been of civilization. appreciated many times. But no one has ever used Man may be Small the metaphor such as “Basil gives fragrance from The horizon of Tiri’s sea-like heart had its sapling” or “wild Jasmine” for her. Perhaps, been devastated like the ruined villages. She it is deep rooted in the psyche of the people that was getting tired, exhausted. Her young heart children from this impoverished section cannot moving with smile and joy was crushed under grow properly. It was quite embarrassing when the torture and humiliation of cruel demon of once Tiri, replying to a question on her future, migration. Tiri had countless sorrow within, but said with much difficulty that she would become she looked still and blue like the water of a pond. an Anganwadi Worker. This she spoke with a Despite emotional torture of life and livelihood lot of reluctance and disbelief. The indifferent she was as transparent and sound like an amri attitude of the officials always prevails towards plant. the study, accommodation, food and daily life of these Tiris. Amidst2018 all these narration let me also tell the readers that Tiri was not a fool or rustic. She Tiri does not understand why the town has many times gone to the river bank to fetch people transport timber from her village forest. sand by tractor, has gone to click a photo to a The Forest Check Post people reprimand the famous studio in the town. She has sung many village women carrying firewood on their heads, songs applying her presence of mind by joining where as why don’t they cease the truck-loads? her feet while weeding in the farmland. The village stones are blasted and carried out. If anyone from the Block or the Tehsil comes, he is Since Tiri does not know English, has no appeased with chicken. knowledge of computer, cannot prepare chicken fry or tomato you may call her a rustic and fool. It will be inconvenient if one aspect about But that is not so. She was a girl with a golden Tiri is not mentioned here. Tiri was a little nose and full of wit like the elderly people of emotional. I don’t know whether her parents or the nearby villages. She had knowledge about grand-parents know it orJUHAR not, but I know that her house, village, gochar, hill and everything. she had hidden six fifty-paisa coins collected on Drought is like half-hearted hilly fountain. Tiri different occasions, four one rupee coins and one with a moon like face was trying to go ahead in five rupee coin and a black jiuntia (necklace of her life by rescuing herself from the setting sun thread) tied with two two-rupees coins and some bereft of conscience. She understood the bone, broken pieces of chalk in her grandmother’s old frame, lanes and bye-lanes of her orbit better broken box which she kept it in the old Amri than herself. bush on the agriculture filed of Pradhans behind her house. She had kept this box in her school There were three mundas in the village bag for a long time. But being apprehensive of hundred year ago; Darlimunda, Kharlimunda 99 Juhar Surta 2018 and Bhoimunda. Darlimunda was located on 1986-87 Rajiv Gandhi and Sonia Gandhi visited a the east of the village beside the approach road, nearby village and had eaten greens in the house Kharlimunda on the north, just above the land of Phanas Punji, the daughter in law had sold her of Gaontia and Bhoimunda was close to the sister in law for forty rupees due to deprivation. village. Now Kharlimunda and Bhoimunda exist Tiri adds with a tone of bewilderment that at no more. People today bath in the stone quarry that time there were many vehicles in the village and Darlimunda. Both these dry up during like the trees in the forest. summer. After Magh or Fagun both these dry If we ask Tiri as to how did she know all up completely. Two tube-wells, one in Harijan these things she would say her grandmother habitation and one in the Talpada are the only said this and sometime she would say she knew source to depend upon. it so so. The streams coming from the hills have been There was acute caste discrimination converted into farmland by the people. The rest earlier. The Harijans were harassed a lot. The are fallow or upland. There are a few medium children of Harijan families were chewing raw or berna as well. The low lands belong to the paddy sitting in the agriculture field. When village Gaontia and the teacher. The small and any one from the Gaontia family beat drum at the marginal farmers own only upland. More midnight, all the male persons of the Harijan than thirty percent of the villagers are landless families had to stand on the middle of the village wage earners and migrant labourers. street. Whoever would not be there, he would Tiri has heard, seen and experienced all these be interrogated and whipped in the morning. things and facts during her thirteen years of life. It would then be presumed that they had gone If asked she can narrate like The Bhagbat or The to thieve2018 somewhere. The place of robbing was Gita. Since she got her senses she has grown up determined not in term of loot, but on the basis by listening, witnessing and understanding all of the absence of the person. these stuff. The people from Harijan families initially She also knows only upland varieties of migrated to the tea estates of Assam due to paddy are grown. In the low land the indigenous deprivation. Later on they only led routes to the varieties such as Asamchudi, Jhuli, Lache, places such as Raipur, Nagpur, Bhilai, Durg etc. Sankri, Jubraj, Mugdhi, Serna etc. were grown and then to the brick kilns of Andhra Pradesh earlier. But now all the hybrid varieties supplied and Tamil Nadu. The male members drink by the government are grown in her and other liquor, whip their wives. Tiri also knows that thousands of villages. they sell their household utensils. Earlier seven hamlets comprised their Tiri is neither wise, nor intelligent. She village. In course of timeJUHAR it reduced from seven is also not the daughter or granddaughter of to five, two and now only their village. The seven any officer. She is not a kakra pitha rather an hamlets earlier are now seven villages. accursed mirror, a doll made of clay, a broken Ask Tiri and she will speak when the katki village on the foothill, an innocent, unattractive measurement or settlement had come to the leaf, a statue of suffering and a lump of black tar village, it was 1936, India became independent falling on the road, crushed and injured under in 1947, in 1951 the people of their village first thousands feet and vehicles. cast their vote, everyone along with Tiri’s By worldly life she means whatever she grandfather had voted for the King then., the has seen and experienced. She has heartily area was devastated in the famine of 1965-66, in understood the worship of the month of Magha,

100 Juhar Surta 2018 festival of colour in Faguna. She remembers the One more stanza Tiri mostly sang in low worship of deity in Chaitra, the scorching heat and tone. onion harvesting of Baisakha, mango of Jyestha, rain and car festival of Asadha, eating of paddy Cut the plantain by a knife O’ friend, cut the in Sravana, Nuakhai of Bhadrav, Dusserah of plantain by knife Ashwin, recitation of purana in Karttik, worship O’ mother why do you weep at home, of Laxmi in Margasira and the traditional food O’ mother why do you weep at home like Manda Pitha during Pushpuni. I will come once a year, will come once a year. Tira still quests the large dense forest around her village and the animals such as tiger, beer, Half maan of paddy flower, half maan of paddy sambar, kutra and trees such as sal, piasal, bija, flower mahua etc. as narrated by her grandmother. Daughter is like a camphor beetle, daughter is Tira shivers within while remembering like a camphor beetle the existing system of debt in the region. Many She is humiliated at in-law’s house, humiliated people have turned into paupers due to poverty at in-law’s house. and the vicious cycle of debt. Many large farmers have become small and marginal farmers or She sings many songs like this. She also sings landless working on their own land as labourers herself through song. She is living as she is able or have migrated to other states being affected to sing. Oh! Alas, Tira has to suffer more. Many by irrational debt system such as suki, dedhi, more histories will be created around her. How duni sahaji, bandhak, gahana etc. The objective does Tira know this? How can she know the of life is merely living and living only. Living suffering2018 time has in store for her? is life. Living is the only vice or virtue. Living She further sings: is the only way, only symbol, only challenge. O, Rasarkeli, while walking on the road I came They have been merely living for generations, across a Dhamna tolerating the torment of deprivation. Their back has been turned like a tortoise by carrying stones If you give me one ani of money I will wear on the path of time. Their millions, crore long kakana dreams have been reduced to a few feet long Rasa is purging on both ends of the kakana, walking stick. Their Sun of life has turned into ashes by burning within. I will give you Bhanga mixed with cumin, Tiri used to sing while playing with her O, Rasarkeli come to me. friends O, Rasarkeli, water flowedJUHAR with murmuring O, Rasarkeli, while walking on the road I came sound across a fox The daughter suffered O, Bhulia, like a hibiscus flower please weave a And I am a niali flower for you piece of cloth Suffering for the daughter O, my Rasarkeli. Go to Vrindaban, O, Rasarkeli, where had you been so long If there is hair there is lock, care Did the Jhalia bite you? Comb and mirror, go to Vrindaban. And you suffer from fever

101 Juhar Surta 2018 O, my Rasarkeli? Which mustard- wild mustard She also knows Jaiphula and sings it Which forest- Kia forest thus: Which Kia- king’s wedding O, Jaiphula, there is extreme heat in the month Which king- sweet Khaja of Pusa Which sweet- search the eyes If my husband would be there I would hug him Which eye- eye of the old woman The night would pass in pleasure. Which old woman- old woman with ripened hair O, Jaiphula there is extreme cold in the month of Which ripe- the old woman of Padhan family Magha danced with a stick of paddy in the field. If my husband would be there I would touch his The other day while washing her feet in the feet stream water Tiri sang a nice Dalkhai song. It is O, Jaiphula fate separated us. like this: O, Jaiphula the festival of Dola Govind in Fagun O, Dalkhai; O, Dalkhai Radhamadhav played colour See, a lily has blossomed in the Buda pond He is naughty and embodiment of ecstasy. The Moon is looking it from the sky (2) O, Jaiphula jasmine blooms in the month of Chait Water is surging on its leaf My husband lived outside O, Jaiphula, Shinning like a piece of silver I live a forlorn life. My heart2018 has gone made by seeing it In addition to this she sings a couple of children The lily wants only one person play songs. Many people have heard her singing Speaking a lot with smiles these two songs. The songs are such: The lily knows the love and affection There was a bald-headed, he suffered from fever The water is lapping dear (2) Came two doctors, offered chair to sit Really it mesmerized, without my notice They gave tablets to eat, the beaks lengthened I could not know O, Dalkhai. They wrapped it, see children they became birds. One more important thing is that Tiri always The other song is: repeated a line, no matter she understood it or Come children, will tellJUHAR you a tale not. That is: Which tale-about the frog Tininang, Tininang re Tinin touch Which frog- toad Ghabkodo Ghach Which toad- old Brahmin Tiri sang it in silence very often, repeatedly, as if she had made it by heart. Which Brahmin- low grade Brahmin (The book is published by Time pass, Which lower- soft cake Bhubaneswar.) Which cake- palm cake Which palm- mustard field 102 Juhar Surta 2018 Sickle Cell Disease in Western Odisha : Need to readdress right from the begning Sobharani Bhoi, Subasa Bishwal

Sickle Cell Disease (Sickling) is an inherited cell gene and other passes the normal gene to hemoglobin disorder. Hemoglobin is the the child, that child will have the sickle cell trait pigment present in the red cells(RBCs) which or commonly known as carrier of sickling. With transfers oxygen to the different tissue of the one normal hemoglobin gene and one defective body. Due to the mutation in β-globin gene the form of the gene (sickling carrier) people makes structure of hemoglobin gets distorted and the both normal and sickle hemoglobin. Sickling shape of RBC become sickle shaped, hence the carrier don’t show any symptoms and lead name of the disease is Sickling. It is an inherited a normal life but they may pass the sickling form of anemia and caused by the mutation in gene to the next generation. Sickle cell disease the β-globin gene. In a pattern of inheritance,the symptomsnormally develops after 5 to 6 months sickle cell gene is passed from generation to of birth. There are numbers of symptoms for generation. This means if both the parent having the disease commonly known as sickle cell sickling gene, passes the defective form of gene crisis. Which is attacks of pains that generally to the child, he/she will be affected by sickling. occurs with the affected ones, swelling of feet Otherwise if only one parent passes the sickle and hands,2018 leg ulcers, stroke and infections. The

JUHAR

103 Juhar Surta 2018 pain in a long term develops with the age due to in the North-African coast and quiet uncommon clumping of sickled, rigid, sticky RBCs in small in southern Africa. In North and South America capillaries near joints. and the Caribbean, the gene was imported from Origin and prevalence of Sickling Africa through slave trade route. In the Middle East and Saudi Arabia, the βS gene is widespread Around 7,300 years ago, at Green Sahara and present in lower frequencies in Iran, Iraq, or somewhere in West-Central Africa a child Syria, Jordan, Israel and Palestine. would have been born with mutation in one chromosome, affecting the hemoglobin structure. Prevalence of Sickle cell disease in The child wouldn’t have suffered because the Western Odisha other gene would have been perfectly normal, In India, the first case of sickle hemoglobin but he or she would have grown up and had was reported by Dunlop and Mazumder. They children of his or her own, thus passing on the detected five cases of sickle cell trait and three gene to the next generation.The mutation would presumptive cases of sickle cell anemia among have endured, passing on for hundreds of years the tea garden laborers of Upper Assam, before one unfortunate child would have been originating from the tribal populations of Bihar born with two copies of the mutation and, and Odisha states. In the same year, Lehmann therefore, have developed sickle cell anemia. and CutBush reported the presence of sickle The first recorded cases in history occurred cell trait among the aboriginal Toda tribe of in Egypt during the predynastic period (3200 the Nilgiri Hills in Southern India.The highest BCE). This origin of sickling has been revealed prevalence has been recorded in the state of by Center for Research on Genomics and Global Odisha (1-44.4%), followed by Madhya Pradesh Health, National Institute of Health (NIH), USA, (1-40.0%;2018 including Chhattisgarh). The sickle conductedon genetic analysis of close to 3000 cell disorder is common mostly in SC and ST people with some genetic history of sickling. in most of these states except in Odisha, where During the Bantu migrations and later, the slave the general castes have shown the highest trade, Sickling would have travelled rest of prevalence. In Odisha first 17 Sickling case were Africa and to other parts of the world, including reported in VSS medical college, Burla and the Near East, India, and Southern Europe the patients belonged to the Agharia cast from developing into different sub-types along the Sambalpur and Bolangir districts of Western way. Odisha.In Odisha more than 5 lakh people are The abnormal characteristics of the red affected by the disease, according to the State blood cells was first reported in 1846, described Health Department, of which nearly 80% are by Ernest E. Diseases due to hemoglobin found in 13 Western Odisha districts. Prevalent abnormalities have been studied for many years, in western districts is more common in certain particularly after the discoveryJUHAR of sickle cell Hinducaste such as Agharia, Kuilta, Chasa, anemia in 1949 by Pauling and his associates. Gouda, Teli, and people belong to SC and ST Globally an estimated 3,30,000 babies are born categories, including both tribal and non-tribal. each year with carrying one or more of these Societal impact of Sickle cell disease abnormal genes and 10% of these feared to be dying before reaching to their reproductive stage. The Sickle cell disease takes an emotional toll WHO figures estimate that 5 % of the world as patients face challenges with the healthcare population is carrier for hemoglobin disorders. system, stigma within society to not disclose The sickling gene is present at high frequency in about the disease, financial hardships, and worry the equatorial and central Africa, less prevalent about their future. Specially women experiences 104 Juhar Surta 2018 fear about pregnancy to have a family and significant complications. maintain relationships. The sickle cell patients Other therapy include, prescription and usually face marriage related issue. The young over-the-counter pain relievers are also used and old one have their fear about dying early for acute and chronic pain. To prevent infection from their disease. Young patient’s parents suffer penicillin and immunizations are frequently in their concerns about the long term effects of used, especially in children. Some patients rely on sickle cell disease, challenges in transitioning to anherbal remedy, restricted diet, supplements, adult care, the cumulative effects of their sickle non-drug therapies such as massage, heat, and cell treatments for their children. Sickling affects relaxation techniques to manage their disease. all aspects of patients’ lives critically. The disease debilitating symptoms and complex treatment Sickle Cell Institute, VIMSAR, Burla : needs limit their ability to perform in school and The Journey so far colleges and to pursue in career. Both old and Prof. Bimal Kar requested the British Council young live with constant reminders that they to fund the visit of Prof G. R Serjeant, Medical don’t lead a normal life. They also stressed with ResearchCouncil Laboratories (Jamaica), the importance of taking a holistic approach University of the West Indies, Jamaica, and his to managing sickle cell disease that addresses wife Beryl, a hematology technologist, to V. S. hydration, diet, psychosocial and mental health, S. Medical College Burla. In February 1985 Prof and lifestyle changes in addition to medical G. R Serjeant and his wife visited Burla and treatments throughout their life. examined children and young adults with the Therapies to prevent complications of Sickle cell disease 2018 Hydroxyurea Therapy, an FDA-approved treatment to increase production of fetal hemoglobin and reduce the occurrence of sickling-related complications. It is effective for many but not all patients, and side effects include nausea, loss of appetite, hair loss, kidney or liver complications and reduce in sperm count in male adult patients. Blood transfusions and exchanges are effective in raising normal red blood cell levels and reducing sickle cell complications. Always treatment occurs in a JUHAR hospital and requires intravenous access. There are several side effects, which include iron overload, alloimmunization, transmission of disease and injection site reactions. Bone marrow or stem cell transplantation,treatment is limited by the availability of appropriate donors. The therapy can be curative but are associated with significant Prof G. R Serjeant, Medical Research Council risks that often limit its use only for patients with Laboratories (Jamaica), 105 Juhar Surta 2018 clinical signs of sickle cell disease with Professor Kar and his wife, Mrs. (Dr) Kar in the Department of Pediatrics. They found some patients with the history and the clinical signs of typical sickle cell disease, blood samples were later confirmed in Prof. Serjeant laboratory in Jamaica. In the following year, again with British Council support, Prof. Serjeant travelled to Burla, with an entire laboratory and a team of Dr. Andreas Kloza and his medical doctor wife Martina, both working in Oxford, England and a nurse, Mrs. Su Sirr from Jamaica. The laboratory was set up in a lecture theatre and departed for a health camp to Phulbani and Udayagiri where there was a focus of patients with the sickling disease. A message had been broadcast on radio about the visiting team and every morning Prof Kar and Prof. Serjeant saw all the patients, with the aid of structured questionnaires, and translation by Professor Kar. Martina, who thought she had come for an Indian holiday performed 699 blood tests on patients and their families. By the end Late Dr. Dilip Patel of 10 days, they confirmed 131 patients and their under Sickle2018 Cell research Project till 2009. Due to families with full hematology and hemoglobin Prof. Patel’s continuous effort “Odisha Sickle Cell electrophoresis. It was clear that sickle cell Project” was started in April 2010 By National disease was a major problem among people Rural Health Mission (NRHM). The project was around Burla and also that the features showed operated initially in Six district headquarters important differences from those in patients of in Odisha such as Sambalpur, Jharsuguda, African origin. For control of this disease way Sundergarh, Deogarh, Bargarh and Bolangir back in 1987 Sickle Cell Project was launched by with its referral center as Sickle Cell Clinic, V. late Prof. B. C. Kar and Prof. G. R. Serjeant with S. S. Medical college Burla with all advanced sponsorship of ICMR which was closed in 1992. technologies for detection and treatment of Again in1998 Sickle Cell Clinic was reopened sickling and other hemoglobinopathy. Now by the initiative of late Dr. Dilip Patel, a Professor Sickle Cell Clinic is known as Sickle Cell Institute of Medicine department,JUHAR V.S.S. Medical College under V.S.S. Institute of Medical Science and Burla.The dedicated doctor couple, Prof. Dilip Research (VIMSAR), Burla works as the Nodal Patel, and his wife Dr. S. Patel conducted Centre and runs 12 satellite unit functioning field survey in many districts like Bargarh, in district head quarter hospital of Sambalpur, Sambalpur, Jharsuguda etc in duration of 2007 Balangir, Bargarh, Jharsuguda, Sundargarh, to 2009. According to that survey from a total Deogarh, Angul,Boudh, Kandhamal,Kalahandi, population of 3,73,58,000in Odisha 1,26,77,000 Nuapada,Sonepur.Each unit is managed by people are with endemic Sickle Cell Disease. one Program Associate and one Laboratory i.e a percentage of 33.9%.Around 1200 patients Technician for screening of sickle cell disease. per year attending to OPD & Sickle cell clinic at Sickle Cell Institutehave dedicated doctor and V.S.S.M.C, Burla. Total no. of 2172 cases enrolled 106 Juhar Surta 2018 staff for OPD service, diagnosis, Molecular evaluation. Till the end of 2017 Sickle Cell Institute has more than 16000 registered sickling patients. The patients are getting regular checkup and medicine free of cost. The referral center (sickle cell institute) and the satellite center provide free screening. Prevention is better than cure: As we all knows “prevention is better than cure”, self-screening before marriage, family screening and prenatal diagnosis (if sickle cell opathies in the state of Orissa, India: a ten years gene in family) is the best way to stay away from cohort study. JAPI, 53, pp.1021-1026. the disease. 4. Patel,2018 D.K., Mashon, R.S., Patel, S., Das, References B.S., Purohit, P. and Bishwal, S.C., 2012. Low dose hydroxyurea is effective in reducing the 1. Shriner, D. and Rotimi, C.N., 2018. incidence of painful crisis and frequency of Whole-Genome-Sequence-Based Haplotypes blood transfusion in sickle cell anemia patients Reveal Single Origin of the Sickle Allele during from eastern India. Hemoglobin, 36(5), pp.409- the Holocene Wet Phase. The American Journal 420. of Human Genetics, 102(4), pp.547-556. 5. BC Kar Memorial Oration by Prof G. R. 2. Kaur, M., Dangi, C.B.S., Singh, M., Singh, Serjeant at Dr. B.C. Kar Memorial International H. and Kapoor, H., 2013. Burden of sickle cell Conference & CME on Sickle Cell Disease, 12th diseases among tribes of India—a burning & 13th March 2011 at V.S.S. Medical College, problem. International Research Journal of Burla Pharmaceutical and AppliedJUHAR Sciences, 3(1), Gurgoan pp.60-80. Email : [email protected] 3. Balgir, R.S., 2005. Spectrum of hemoglobin

Some contact persons for free Sickle cell disease screening:

Sickle Cell Institute Burla: Mr. Sayabrata Meher (7873939753), Mrs. Sulia Sahoo (9040451845), Balangir: Mrs. Sunita Meher (8895666336), Bargarh: Mr. Bimal Mahanand (9937887502), Jharsuguda: Mrs Amrita Patel (9778830767), Sundergarh: Miss Sarita Patel (8895098182), Deogarh: Mr. Mritabhanu (9438041106)

107 Juhar Surta 2018 Char (Buchanania lanzan Spreng.) and kendu (Diospyros melanoxylon Roxb.): The ‘super-fruits’ of western Odisha Sumedha N Sahu

NTFPs (non-timber forest products) refers Jharkhand and Odisha. Moreover, forest fruits to all biological materials other than timber represent an important natural food supplement extracted from natural forests for human and with abundant potent bio-actives associated animal use. Forest products play a significant role with reduced risk of various human health in meeting subsistence needs of tribal community alignments. The medicinal and other properties and its demand is getting accelerated momentum of forest plant products are higher in vitamins, in the international scenario. NTFPs collection is minerals and nutrients than domesticated at the heart of the livelihood options of round varieties and are nutritionally important, adding 100 million people in India living close to forest. substantial calories, oil and protein to the diet. Several NTFPs such as Mahua (Mahua longifolia), These forest products are used by tribals health Chaar or Chironji (Buchanania lanzan Spreng.), benefits and socio-economic improvements. Jamun (Syzygium cumini), Kendu (Diospyros Char and Kendu are two wild forest melanoxylon),Wild honey, Amla (Phyllanthus plant products that give nostalgic moments emblica), Ber (Ziziphus mauritiana) etc., are the most of childhood. The taste of char and Kendu economical valued items available in the tribal fruits brings2018 freshness into life as being a super areas of Chhattisgarh, Madhya Pradesh, Bihar, delicious with unique taste as nature foods.

JUHAR

Fig: Pictorial view of chironji tree, freshly harvested matured fruits of Char and kendu

108 Juhar Surta 2018

fruits are associated with numerous health promoting benefits with multi-dimensional potential i.e. nutritional, medicinal and socio- economic values for the unprivileged tribal. The pulp of Kendu fruits is edible and cherished by tribal people. Good quality juice is prepared from These forest products are highly available in the pulp of Kendu fruits. Kendu seeds have been tribal area of various states in India. These fruit prescribed in Indian medicine systems as a cure have emerged as ‘super-fruits’, keeping in mind for mental disorders, nervous breakdowns and their potent bioactive constituents, nutrients palpitations of the heart. Diospyros species are content and socio-economic importance for the valuable traditional medicines of Chinese herbal unprivileged tribal people. medicine,2018 Tibetan medicine, and Ayurvedic ‘Chaar’ which is also known as Chironji plant medicine and Fruits of Diospyros species (Buchanania lanzan Spreng.) designated as one showed the presence of bioactive constituents of the most promising and highly nutritive wild of alkaloids flavonoids, tannin, terpenoids and forest plant having a wide range of medicinal essential oils. and health potential . This plant mostly found in Based on nutritional importance and dry deciduous forests under a natural condition availability of chironji and Kendu fruit, value in the north, west and central India in states like addition of these fruits need to popularized Madhya Pradesh, Bihar, Orissa, Andhra Pradesh, these underutilized forest products globally. Chhattisgarh, Jharkhand, Gujarat, Rajasthan and The forest products may provide opportunities Maharashtra. It is a dry deciduous forest tree of to develop value-added products, dietary Anacardiaceae family, highly available in forest supplements and phytotherapeutic compounds. area of western Odisha. All most all parts of this In addition, there is a need to promote the plant are used as traditionalJUHAR medicine in diverse importance and scientific harvesting of all ways to treat a variety of health issues. Char fruits forest products for its conservation as a mean of are rich in sugar, dietary fiber, essential mineral forest conservation which will generate socio- and vitamin contents. The unique phytochemical economic improvement of tribals living nearer profile of char fruit has the potential to solve to forest area. many health and nutritional issues.. Young Scientist ( DST) Kendu (Diospyros melanoxylon Roxb.) CRDT, Indian Institute of Technology fruits are another important underutilized forest fruits of north, west and central India. Kendu Delhi, New Delhi-110016 Email: [email protected] 109 Juhar Surta 2018

2018

JUHAR

110 Juhar Surta 2018

2018

JUHAR

111 Juhar Surta 2018

2018

JUHAR

112 Juhar Surta 2018

2018

JUHAR

113 Juhar Surta 2018

2018

JUHAR

114 Juhar Surta 2018

2018 Rêjûe _eòaûe, \òfäú JUHAR

115 Juhar Surta 2018

2018

JUHAR

116 Juhar Surta 2018

2018

JUHAR

117 Juhar Surta 2018

2018

JUHAR

118 Juhar Surta 2018

2018

JUHAR

119 Juhar Surta 2018

2018

JUHAR

120 Juhar Surta 2018

2018

JUHAR

121 Juhar Surta 2018

2018

JUHAR

122 Juhar Surta 2018

2018

JUHAR

123 Juhar Surta 2018

2018

JUHAR

124 Juhar Surta 2018

2018

JUHAR

125 2018

JUHAR 2018

JUHAR