JUHAR PARIVAR DELHI (REGD.) Website : Email : [email protected] Icþke Fûmò Ù\

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JUHAR PARIVAR DELHI (REGD.) Website : Email : Info@Juhar.Org Icþke Fûmò Ù\ Rêjûe _eòaûe, \òfäò Ze`eê _âKûgòZ @ûce Rúa^ @ûCe cûUòeþ K[û Rêjûe iêeZû Rêjûe ^ê@ûñLûA _eaþ - 2015 Zû. 27 ùiù_Ö´e 2015 e _aòZâ @aieùe JUHAR PARIVAR DELHI (REGD.) Website : www.juhar.org Email : [email protected] icþKe fûMò _ù\.... @G^þ Kùji^þ iùb Kò icò@û aùX a_ê\ûeþ @ûG û icò@û Keþ ùfjñUûùf iaê a\fò RûGiò, iêLû ùLWû cûUòùe aò MQþ_Zeþ Qù^ùK @ûñKeò @ûGiò û jeûbeû ùjARûGiò cûñ cûUòeþ _^ZþKû^ò û VòKþ ùi«û ùafþKûfþ CfùUA @ûGiò @ûce cûUòeþ _eêjûñ _eaþ ^ê@ûñLûA û c^ bòZùe ~ûjû bò Ne Keò[ûC, Rúa^eþ PfûaûUþ ù~ZþKò bò iõKeò RûC, A _eaþUû @ûiòMùf, iùj jûZòe a_êñ beòRûGiò ù\ùjñ, MêõPûcêiûe e_þUû ùfùL^þ Pjfþ ^e]ô RûGiò c^þ bòZùe û iùb @ñUû bòWò Keò Vò@û ùji^þ AZûe CùRûMþ @ûeþ iRþaûRþ[ô û ùKùbñ Cñ ^ûAñ Keaûeþ cêjêñ bò G«û bûi^þ VêKþiò ùR @fiò@û, RûwfLô@û iùbRûKeþ GKûiõùM Vêfþ û cûñ cûUòeþ Vû^ê \êùe ejòKeò bò Zûeþ eõM @ûeþ Xwùe icKê ùcUþ Keaûeþ fûMò @ûe¸ ùjiò iRþaûRþ û jeþGKþ Kûcþ ùK^þZû eê_þ ù^aû, cûñ _ìRû]Rû ^êñ, Lû^û_ò^û, Mû^û aûRþ^û, ùWMû ^Pû ùKjñiò K[û[ô C^û ^ûAñ jC A K[ûùK aòPûeþ KeòKeò ùcûaûAfþ e Meùc Kû^þ_Uò cûù^ S^þKò RûC[ôiò û Neþ, aûjûeþ @ûeþ @`òiþ iaê MêùU ùjARûGiò û c^þ bòZùe A iaê MjKò ùK iaê\òù^ iêeþZû eLaûeþ fG[ô @ûce iûcûRòK @ûeþ iûõÄéZòK Pf^òeþ MêùU `e\þ ‘Rêjûe iêeZû’ icKe GKþ RêUþZûe MêùU _ecû^þ @ûG û @ûgû KeêQêñ AZûe @Vû @ûcKê iaê\ò^ ùcUþ Keò eLô[ôaû û icKê ^ê@ûñLûAeþ Rêjûe !! aûiêù\a Zâò_ûVò (eòfê) Rêjûe _eòaûe, \òfäò A^ _âKûgòZþ iaê ùfLû ùfLK cû^ueþ ^Re cZ @ûG û ‘Rêjûe iêeZû’ Aiaêe _âKûg^e MêùU cû]ýc cûZâ û ùfLûcû^ue aòhd aÉê ùe KòQò ZéUò fûMò ‘Rêjûe iêeZû’ \ûdú ^êùj û Message Prime Minister CONTENT [ôeþ UòùK fûMò jf]e ^ûM 9 cê^êh @ûC Pùe aé¦ûa^ iûjê 11 @ûNe \ò^þ ù`eþ @ûGZû Kûñ `òeò... iéR^ú cògâ-Zâò_ûVú 12 ^eþ]û _â\ýêcÜ Kêcûe iûjê 13 @ûce Mûñeþ ^ê@ûñLûA iì~ð Kêcûe cògâ 14 Pûhú iêaûi aògßûk 15 KûjóMùf ùi “ùfûKþ” WKÖe \ßûeòKû^û[ ^ûdK 16 ùZfþcûfòiþ gâú @Uk aòjûeú _Šû 21 ùKûifò e @û\ò Kaò ‘RêM \ûi’ iûùKZ iòâbêiY 25 @ûNe eõM ei - jêùcûaCfú... aâjàû^¦ a^ùQûe 27 Mwû]e Iñ _âKûg eûCZ 30 ùf[ûZê^þ @Kée bûeZ iûMe 32 bûeZeþ Êûcú \dûiûMe _ùUfþ 34 eûcûdY’e K[û^ò ^ì bf bf C_ù\g cûù^ iêKû« iûjê 35 _½òc IWÿògûe ùfûKiûjòZý : GK \éÁò_ûZ @]ýû_K _êeêùhûc cògâ 42 i´f_êeú ^éZýe C_ôò I Gjûe aòKûg]ûeû ùcûjòZþ Kêcûe ÊûAñ 53 iêa‰ð_êee eûcûdYú M¬_û : Zûiþ ùLke _âûPú^ _eµeû W. i\û^¦ @MâIßûf,Wò.fòUþ 57 Cultural Rennaissance in Western Odisha Dr Bhabani Dikshit 60 Rangabati in Remix: Kedar Mishra 65 Slaughtering a Song for Unfair Feast Vira Surendra Sai Bijnan Sutar 68 The Great Festival of Western Odisha: Nuakhai Bandana Meher 71 “Ganda Baja” - Chaudhuri Bibhar 73 An important Element of Folk Culture Juhar JNU Nuakhai Bhetghat: Sarbeswar Padhan 75 Beyond a Journey of Festival Juhar Surta NUAKHAI PARAV 2015 9 [ôeþ UòùK fûMò ùfûK-KaòeZÜ jf]e ^ûM _eaZþ cûù^ @ûKûiþ_Zò ùi@ûWþùK R@ ]ûweò ùRùZ ^G\þ aù§A A¦âûaZò ùeRò@û @Q^þ ùKZ^ò ùKùZ KUþKUCùQ Sûeþ ùi^ ùja fcþPUê iûMeþ aûMòeþ _ûG^þ _êeòùQ _ûPfû _Zeþ ^ùa aeieþ ù\LþaûùK bdûuûeþ ûû 1 aêXòeþ ^CQ `Uê ûû 5 \iþeû QêUòùK KùfRþ _òùf Sù^ _Pþeûfû aêXòcû Kj a^þbêRò Keò ùi^òùK Mùf A aùdùiñ Kûcþ KeêQ Rj aêfêQ^þ @ù^aù^ jûWþbwû _eòiâc fùeû[ùeû aêXòMêùU ù\Lò @ûiþeòRþ fûMêùQ @ûcþKêñ ùMUò _òùU _eaZþ Ke_ù^ ûû 2 Mj\êùQ NcþNcþ ûû 6 fùPû KùPû ùjAMfû^ Qûfþ aêXòaùf aê@û iê^Z UòùK aòUþKfû \òjêñ ^ò[þùe Sûfþ SñKò RC[ôfó ùcûe \ò^þùK aGi @iò Kò ^ùa MCñZò@û SòA aj `Uê CV `Uê CV afò PZeò ^ûMeò Mê^cZò cêAñ Rcû ùjAMùf iùb ûû 3 ù\L^þ iê¦eò Rj ûû 7 CVûùf ùR^þZû ùKceû ]eò Nùe [ôfû ]^þ @Pûf Pûf aêXòeòiû KWþKùWA Keò iùj GKWe cûf-aûjûfþ eALòG aûNþ]ùe @ûñUþ MêWû cêMþaòeþjò ùcûe `Uê ù^a _û_ò MûWþiêG Mê^þRò cWò@û Kêù\û cêMþ`fò (cêAñZceþ) @ûAeþ icû^ _ùe ûû 4 Neþ RûC[ôfû beò ûû 8 Juhar Surta 10 NUAKHAI PARAV 2015 ùK^þiòUû ùKùbñ ^òjA C^û cêAñ @ûUþKeò iKfLûA \òùjñ _ò§ò[ôfó PûñùNâ iê^û @ûùMñ^ûA Kòùj _ùQ bò ^ûA iêùLñ bêùMñ [ôfò ejò cùZ ^ûA ù^fû Rcþ KêVò@û MêZòKñê aeMê [ôfó^ [ôeUòùK Keþ fûMò A aGùiñ iûjûKûùe^þùU jA ûû 9 KeêùQ Kaûe Kûcþ ûû 11 MCñZò@û ùcûe cê^êiþ [ôfû icò@ûeþ afêñ ^ûA^ afþ Rê@û^ Rê@û^þ \êAUû _òfû iMWeþ WñWû C_eþ Zfþ (ùjùf) ùK^þ R^ceþ _û_þ (\òù^) eRûbò WûñWþ bLûeò A¦âûaZò aù§A[ôñ aê@û [ôeþ UòùK fûMò ]ôeû MCñZòG^þ aêWòceò iùb iû`þ ûû 10 ùMUò_òùU c^þcûeò ûû 12 ùNñiþ, aeMWþ V Juhar Surta NUAKHAI PARAV 2015 11 cê^êh @ûC Pùe aé¦ûa^ iûjê Wwe Zfe ùgùcf Sûùeñ \êA \ò^ ejó LûWû C_ûùiñ MêWû aû§ò[ôùf _YKû iûùe _YùK^ \òù^ Peûe @ûùiñ bûa _òeZò [ôñ RWò \êjò ùW^û ù\fû aûjò iêA^ @ûKûùgñ KòPòe còPòe NûG ^ûAñ QWûQWò Kùjfû ZùcùMû Qê@û ù\Lê[ôa Rf\ò `òecò cêAñ \òù^ aòùZ QêùU bûae ]ûeû \Gae ùLf Rû^òùQ KòG _YùK^ aêjò _ûefû Meû ùjA \ò^ê PûGe \ò^e cêùjñ MêWû ^ \êAUû \òù^ @ûKûg _ûZûf MêùU _YKûe c^ CiùZñ @û^ù^ A¦e P¦e ^ûAñ cûù^ cNû jûeò~òaû cêif ]ûe Kfò@û aû\fñê QêùU CiùcA ù\fû MêWû ^ aiò _YùK^ aê_eò cjû aòKùfñ _YùK^ ^ûAñ jfó fjñiò fêKfû Zeie aeWû Zùfñ Meû`êUò ùjùf Qê@û Zò^\ò^ Mfû aòZò _YùK^ ùjfû ]ûweò cû, _YKû aêfûfû aê@û Peû LêRû QûWò, Lûfò jûZ ]eò cêjûñfû MêWûe KêZò CiùZñ CWùf \êjò _eû^ò bûafû Kùjcò KûYû ZûjûKêñ Qê@û \êjòUûe c^ùK Rû^ò @ûñLf e ]ûe SeêùQ @ûLêñ Kûjó ùK^ê LêRò ^êeò _YKûe _ûjû ]eò K@ñf K@ñf Peû @û^òKeò Qê@û cêùjñ ù\ùf beò Kùjfû cùZ ùMû aògûi Ke ^êùjùi cêAñ \êPûeò G«û MWfû \ò^ ùKùZUû CVûfû _YKû ùW^û ùK ]eò @Pû^K AUû ùjfû KûGñUû ZêAñ Mê^cZò ùcûe iê^ûMêeò iõR ùaf aêùWñ \òù^ gê^ K[û ùcûe [ùe NWNWò cûeó Seò aehû ^ûAñ [ùc NùW Qù^ @aògûi Lûfò cê^òh Kei^ @ûùc @ûCñ _ùe Pùe! 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    Afro Asian Journal of Social Sciences Volume VII, No II. Quarter II 2016 ISSN: 2229 – 5313 ODISHA AS A MULTICULTURAL STATE: FROM MULTICULTURALISM TO POLITICS OF SUB-REGIONALISM Artatrana Gochhayat Assistant Professor, Department of Political Science, Sree Chaitanya College, Habra, under West Bengal State University, Barasat, West Bengal, India ABSTRACT The state of Odisha has been shaped by a unique geography, different cultural patterns from neighboring states, and a predominant Jagannath culture along with a number of castes, tribes, religions, languages and regional disparity which shows the multicultural nature of the state. But the regional disparities in terms of economic and political development pose a grave challenge to the state politics in Odisha. Thus, multiculturalism in Odisha can be defined as the territorial division of the state into different sub-regions and in terms of regionalism and sub- regional identity. The paper attempts to assess Odisha as a multicultural state by highlighting its cultural diversity and tries to establish the idea that multiculturalism is manifested in sub- regionalism. Bringing out the major areas of sub-regional disparity that lead to secessionist movement and the response of state government to it, the paper concludes with some suggestive measures. INTRODUCTION The concept of multiculturalism has attracted immense attention of the academicians as well as researchers in present times for the fact that it not only involves the question of citizenship, justice, recognition, identities and group differentiated rights of cultural disadvantaged minorities, it also offers solutions to the challenges arising from the diverse cultural groups. It endorses the idea of difference and heterogeneity which is manifested in the cultural diversity.
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  • Bhubaneswar Were of at Gun Point from a Bank W(Monsoon) of the 16Th Days to Isolate Themselves
    . + 2 "#"3 4 5633&753!8 "#9"3 " ) !753!8 "#9"3 8 )2513 /"/0 1/23)4 ,"/2'5 $6#" < 3! / */ <*- -/ ( ? // '0%* (*('(/- *<< 0- -' ( <0*<< *= / 0 0 -0 - '- 0 +- -' =-(> 1= : 0" -<! :" /$ 5 ) "499#"5 6# ;,=; )9 #$=)+ 7))6;)# .4$.&.&> )2.( ! " he farmers’ protests in the fter the CAG disclosed " Tcountry seem to be grow- Athat the French manufac- !#$ ing every day across the coun- turers of the Rafale jets have try. On Monday, Punjab Chief %& !"# failed to meet their offset oblig- Minister Captain Amarinder ations, the Defence Acquisition Singh sat on dharna at Khatkar Procedure (DAP)-2020 ! ' Kalan, an ancestral village in $ unveiled here on Monday has (& Nawanshahr, the birthplace of done away with the offset (&& Shaheed Bhagat Singh on his Singh (36), Ramandeep Singh clause itself in all future cases birthday anniversary to protest Sindhu (28), Rahul (23), Sahib of Government to Government against the farm laws, while a (28) and Sumit (28), all resi- defence contracts the type of tractor was set on fire at India dents of Punjab — have been which India and France Gate in Delhi on Monday arrested. Governments entered into as a morning by Punjab Congress “Around 15-20 people car- part of the Rafale deal. Youth workers. ried a tractor on a truck to The Congress had Farmers in Punjab Rajpath, Man Singh Crossing. launched a scathing attack on launched “Gherao Corporate They unloaded the tractor the NDA Government last year Businesses” in the State. The from the truck and set it on alleging that an Indian indus- silo run by Adani Agri Logistics fire,” said a senior police offi- trial house was favoured in bag- Group at Village Dagru in cial.
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    SELF STUDY REPORT (2ND CYCLE) LARAMBHA COLLEGE, LARAMBHA BRAJA VIHAR BARGARH, ODISHA-768102 SUBMITTED TO: NATIONAL ASSESSMENT & ACCREDITATION COUNCIL, P.O.BOX NO.1075, NAGARBHAVI, BANGALORE - 560072 LARAMBHA COLLEGE, LARAMBHA BRAJA VIHAR BARGARH – 768102 (ODISHA) NAAC REACCREDITATION – SECOND CYCLE 2016 STEERING COMMITTEE Chairman : ASHOK KUMAR SAHU, Principal Coordinator : GOPAL CHANDRA SATPATHY, Reader in Economics Joint Coordinator : SUSANTA KUMAR MISRA, Lecturer in English MEMBERS : BUNI GHOSH, Reader in Botany : ANANDA KUMAR SAHU, Reader in Chemistry : DHANESWAR MEHER, Reader in Physics : GORACHAND MOHAPATRA, Reader in History : JANARDAN PANIGRAHI, Lecturer in Odia : AMRITA SAMANTA, Lecturer in Zoology : RATAN KUMAR SHARMA, Lecturer in Pol.Sc : BASANTA KUMAR PADHAN, Lecturer in Maths Compiled & designed by : TOSHARAJ KHAMARI & GOPAL CHANDRA NAYAK CONTENTS Page No. Part-I Preface 1 Profile of the College 2 - 11 Part-II Criteria-wise Inputs: Criterion-I: Curricular Aspects 12 – 18 Criterion-II: Teaching Learning & Evaluation 19 – 29 Criterion-III: Research, Consultancy & Extension 30 – 39 Criterion-IV: Infrastructure & Learning Resources 40 – 50 Criterion-V: Student Support & Progression 51 – 59 Criterion-VI: Governance, Leadership & Management 60 – 68 Criterion-VII: Innovation & Best Practices I & II 69 – 73 Part-III Evaluative Reports of the Departments 74 – 140 Part-IV Post Accreditation Initiatives 141 – 142 Declaration by the Head of the Institution 143 Appendices I- Certificate 2 (f) 145 – 149 II- Certificate 12 (B) 150 – 151 III- Accreditation Certificate (Cycle – 1) 152 – 153 IV- Peer Team Report 154 – 169 V- Master Plan of the Institution 170 Other Required Documents University Affiliation 171 – 174 AISHE Certificate 175 – 176 Certificate of Compliance 177 PART- I PREFACE Nestled in the midst of a scenic and serene rural surrounding, Larambha College owes everything to its founder Braja Mohan Panda, a visionary, philanthropist, educationalist, agriculturalist and above all a nationalist.
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  • Funds Sanctioned and Released by Special Relief Commissioner
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  • Chronological Accounts of Odishan History
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  • `UZ D]R^D 422 Tczeztd
    9038 : : : (*+!#(", -./0 "#$#$% ! &"!' 8$ 31+31.$ 057825'5' /A158../10 31/4/+!'.2 4.8/4'125 85'8/+/4 5'+4585 +4'3;54 041A ;'0N7+51# 31453' 4@3153A6@23 / + %&!' %& (() %= > 1 12 3 -42 56567 $ -/ 4 Q R ! $ !./!0 Minister Mamata Banerjee or not. day after West Bengal Incidentally, the Chief AChief Minister Mamata Minister who met the Prime Banerjee urged Prime Minister Minister at the Governor’s Narendra Modi to scrap the House on Saturday and Citizenship Amendment Act, inspected a public function the PM on Sunday slammed together with him at the the critics of the CAA and took iconic Millennium Park by the a swipe at the TMC-led State Hooghly River on Sunday Government for not imple- skipped the Port Trust menting Central schemes say- programme. ing the State is doing so as these “I announce the renaming schemes do not help “syndi- of the Kolkata Port Trust as Dr cates” or involve “cut money”. Shyama Prasad Mukherjee Delivering a speech at Port. He is a living legend who Belur Math, the headquarters was a leader for development of Ramakrishna Mission order, and fought on the forefront for on the occasion of Swami the idea of One Nation, One Vivekananda’s birth anniver- Constitution,” said the PM, sary, Modi said, “There are adding how “development of some people who are vehe- waterways has improved mently opposing the Kolkata Port Trust’s connec- Citizenship Amendment Act… tivity with industrial centres in (but) it is not that the BJP east India, making trade !
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  • Experiment with Folk Elements: a Study in Modern Odia Drama Dr
    Experiment with Folk Elements: A study in Modern Odia Drama Dr.Alok Baral Introduction The comprehensive aspects related to human life bears resemblance to folk elements, viz. folk religion, folk belief, folk literature, folk medicine, folk art etc. Even acclaimed mainstream literature cannot claim that it is free from influence of folk elements. The stalwart creators of literature consciously or unconsciously have used elements of folk in their creations. The cultural heritage is thus reflected in the academic works of an author through the use of folk elements. This particular ‘reflection’ forms the basis of significance of the created literature. Despite of several disparities, the relationship between folk elements & modern Odia drama, specially in recent times have gained a strong bondage starting from folk ballad , folk tale and folk songs, proverbs & folk-sayings, folk language, folk customs & beliefs have been assimilated in theatre. Odia Drama: An Anthropological Study Many plays have been written based on regional & colloquial languages and also on the basis of partial usage of regional languages. Aswinikumar Ghosh’s ‘Samaleswari’ (1925); Jointly written by Shibaprasad Mishra, Krushnaprasad Mishra & Murariprasad Mishra’s ‘Pranayaballari Kabya Nataka’(1954-un published )& ‘Akbar Ray’(1955-un published); Kali Charan Patnaik’s ‘Hirakhanda’(1960) contains use of ‘Sambalpuri’ or regional language of western Orissa. Dhaneswar Patnaik’s ‘Adivasi’ contains a fusion of tribal language with Sambalpuri language. Sankar Tripathy’s ‘Shuniba Heu E Kahani’, there are characters like Saragu, Shanta, Chandu, Chari etc . who vibe language of western Odisha similarly Gopal Chottaray’s ‘Ghataka’(1961), Pramod Tripathy’s ‘Honu Upadraba Sambad’, Sadananda Agrawal’s ‘Rakat’ etc.
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  • Language, Literature and Culture of Western Odisha Tila Kumar
    SOCIAL TRENDS1 Journal of the Department of Sociology of North Bengal University Vol. 5, 31 March 2018; ISSN: 2348-6538 UGC Approved Social Relationships Through Feminist Lens Jhuma Chakraborty Abstract: This paper endeavours to discuss two real life relationships from the perspective of two philosophers- Carol Gilligan, a renowned psychologist and philosopher and Simone de Beauvoir an existentialist philosopher. I will show how the readings of these relations become difficult from the perspectives of two philosophies. Both of them have critiqued the patriarchal top down structure like any other feminist and have explored and interpreted human relations from novel perspectives. Gilligan maintains that human beings are essentially related. Gilligan suggests that the entire relational network of a society can be sustained through care and empathetic listening of the voices of the ‘Other’. Beauvoir is an existentialist philosopher who maintains that human existence creates his/her being through freedom. One should go beyond the constraints of our contingent existence and give meaning to everyday relations through a never-ending venture of taking new projects. Keywords: Relational self, voice, empathetic listening, freedom, facticity. Introduction My paper focuses on two stories and their interpretation from feminist perspective. I am concerned with the ethical aspect of the two happenings. I want to discuss them from feminist perspective simply because patriarchal values will not appreciate the moral dilemma involved in these two stories. These are real life stories and are not a product of my imagination. The names of the characters are the only changes that I have made and the rest has been a description of what actually occurred.
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  • The Debaprasad Das Tradition: Reconsidering the Narrative of Classical Indian Odissi Dance History Paromita Kar a Dissertation S
    THE DEBAPRASAD DAS TRADITION: RECONSIDERING THE NARRATIVE OF CLASSICAL INDIAN ODISSI DANCE HISTORY PAROMITA KAR A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN DANCE STUDIES YORK UNIVERSITY TORONTO, ONTARIO DECEMBER 2013 @PAROMITA KAR, 2013 ii Abstract This dissertation is dedicated to theorizing the Debaprasad Das stylistic lineage of Indian classical Odissi dance. Odissi is one of the seven classical Indian dance forms recognized by the Indian government. Each of these dance forms underwent a twentieth century “revival” whereby it was codified and recontextualized from pre-existing ritualistic and popular movement practices to a performance art form suitable for the proscenium stage. The 1950s revival of Odissi dance in India ultimately led to four stylistic lineage branches of Odissi, each named after the corresponding founding pioneer of the tradition. I argue that the theorization of a dance lineage should be inclusive of the history of the lineage, its stylistic vestiges and philosophies as embodied through its aesthetic characteristics, as well as its interpretation, and transmission by present-day practitioners. In my theorization of the Debaprasad Das lineage of Odissi, I draw upon Pierre Bourdieu's theory of the habitus, and argue that Guru Debaprasad Das's vision of Odissi dance was informed by the socio-political backdrop of Oriya nationalism, in the context of which he choreographed, but also resisted the heavy emphasis on coastal Oriya culture of the Oriya nationalist movement. My methodology for the project has been ethnographic, supported by original archival research.
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    Odisha State Beverages Corporation Ltd ( A G o v e r n m e n t o f O d i s h a U n d e r t a k i n g ) H.O.- 2nd FLOOR, FORTUNE TOWERS,CHANDRASEKHARPUR, BHUBANESWAR-751023 (ODISHA) E-mail : [email protected], Phone : 0674 -2303972 RETAILER INFORMATION Sl Type of District Name Retailer Name Address Shop Details No. Shop C.O, 120 INFANTRY BATTALION 1 ANGUL (TERITORIAL ARMY) BBSR, ANGULCSD EXT COUNTER,ANGUL DEFENCE EXTENSION COUNTER AT ANGUL SATYANANDA DALABEBERA, HOTEL 2 ANGUL DURGA,RAINBROW BRITE TURANGA, HOTEL DURGA,TURANGA,ANGUL ON SHOP HOTEL ANGUL SATYA RANJAN SAMANTA, 3 ANGUL HOTEL ARYA, TURANGA ,ANGUL ON SHOP RESTAURANT TURANGA,ANGUL M/S KALINGA GUEST HOUSE & RESORTS(KAMLESH SATYABRATA SWAIN, HOTEL 4 ANGUL CONTINENTAL), INDUSTRIAL AREA HAKIM ON SHOP HOTEL KAMLESH CONTIINNETAL PADA,ANGUL 5 ANGUL NITAN JAISWAL, DERANGA DERANGA OFF SHOP RAMESH CHANDRA SAHOO & BIJAY 6 ANGUL ANGUL TOWN,ANGUL,Ward No.21,Municipality,Angul OFF SHOP KUMAR SAHOO,ANGUL TOWN NO.I RAMESH CHANDRA SAHOO & BIJAY 7 ANGUL CHHENDIPADA, ANGUL OFF SHOP KUMAR SAHOO, CHHENDIPADA RAMESH CHANDRA SAHOO& BIJAY 8 ANGUL SOUTH BALANDA, ANGUL OFF SHOP KUMAR SAHOO, SOUTHBALANDA RAMESH CHANDRA SAHOO& BIJAY 9 ANGUL KUMAR SAHOO,TALCHER NO-IV( HANDIDHUA,ANGUL OFF SHOP HANDIDHUA) PRABHU KUMAR & SITARAM 10 ANGUL BANTALA ,ANGUL OFF SHOP PRADHAN, BANTALA NO.I RAMESH CHANDRA SAHU & BIJAYA 11 ANGUL AT-BAMUR,P.S-KISHORENAGAR,ANGUL OFF SHOP KUMAR SAHU,BAMUR 12 ANGUL BANSIDHAR DEHURY, NISHA NISHA,ANGUL OFF SHOP 13 ANGUL BANSIDHAR DEHURY, KUMANDA KUMANDA,ANGUL OFF SHOP 14 ANGUL JYOTI RANJAN
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