UCLA Encyclopedia of Egyptology

Total Page:16

File Type:pdf, Size:1020Kb

UCLA Encyclopedia of Egyptology UCLA UCLA Encyclopedia of Egyptology Title Amarna: Private and Royal Tombs Permalink https://escholarship.org/uc/item/0227n3wp Journal UCLA Encyclopedia of Egyptology, 1(1) Author Arp-Neumann, Janne Publication Date 2020-12-12 Peer reviewed eScholarship.org Powered by the California Digital Library University of California AMARNA: PRIVATE AND ROYAL TOMBS ﺍﻟﻌﻤﺎﺭﻧﺔ: ﺍﻟﻤﻘﺎﺑﺮ ﺍﻟﻤﻠﻜﻴﺔ ﻭﻣﻘﺎﺑﺮ ﺍﻷﻓﺮﺍﺩ Janne Arp-Neumann EDITORS WILLEKE WENDRICH SOLANGE ASHBY Editor Upper Nile Languages and Culture Editor Geography; Editor-in-Chief Associated Researcher UCLA, USA University of California, Los Angeles, USA ANNE AUSTIN MENNAT –ALLAH EL DORRY Editor, Individual and Society Editor, Natural Environment Flora and Fauna University of Missouri-St. Louis, USA Ministry of Tourism and Antiquities, Egypt JUAN CARLOS MORENO GARCÍA WOLFRAM GRAJETZKI Editor, Economy Editor, Time and History Centre National de la Recherche Scientifique University College London, UK UMR 8167 (Orient & Méditerranée), Sorbonne Université, France CHRISTINE JOHNSTON RUNE NYORD Editor, Natural Environment, Landscapes and Climate Editor, History of Egyptology Western Washington University, USA Emory University, USA ANDRÉAS STAUDER JULIE STAUDER-PORCHET Editor, Language, Text and Writing Editor, Language, Text and Writing École Pratique des Hautes Études, Swiss National Science Foundation & Université Paris Sciences et Lettres, France Université de Genève, Switzerland TANJA POMMERENING Editor, Domains of Knowledge Philipps-Universität Marburg, Germany Short Citation: Arp-Neumann 2020, Amarna: Private and Royal Tombs. UEE. Full Citation: Arp-Neumann, Janne, 2020, Amarna: Private and Royal Tombs. In Willeke Wendrich (ed.), UCLA Encyclopedia of Egyptology, Los Angeles. ISSN 2693-7425. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz002knv2r 8556 Version 1, December 2020 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz002knv2r AMARNA: PRIVATE AND ROYAL TOMBS ﺍﻟﻌﻤﺎﺭﻧﺔ: ﺍﻟﻤﻘﺎﺑﺮ ﺍﻟﻤﻠﻜﻴﺔ ﻭﻣﻘﺎﺑﺮ ﺍﻷﻓﺮﺍﺩ Janne Arp-Neumann Amarna: private und königliche Gräber Amarna: tombes privées et royales The monumental tombs of el-Amarna (also Tell el-Amarna) were constructed for members of the elite and for the royal family. They are considered to be a main source for the study of the history, religion, and art of the so-called “Amarna Period.” All tombs are located on the east bank of the Nile. The private rock-cut tombs are located in the crescent of foothills and cliffs east of the ancient city. They are decorated with reliefs and inscriptions, and among the texts, the “hymns to the Aten” are of special interest. Special features include columned halls and statues of the tomb owners. The Royal Tombs were constructed in remote wadis behind the cliffs, descending from the ground floor and featuring pillared halls. They too are decorated with reliefs and inscriptions, but suffered much more from destruction than the private tombs. Due to the comparatively short period of occupation of the city, most of the monumental tombs were not completed, and supposedly not many of them had been used for burial. ﺷﻴﺪﺕ ﺍﻟﻤﻘﺎﺑﺮ ﺍﻷﺛﺮﻳﺔ ﻓﻲ ﺍﻟﻌﻤﺎﺭﻧﺔ (ﻳﻌﺮﻑ ﺃﻳﻀﺎ ﺑﺘﻞ ﺍﻟﻌﻤﺎﺭﻧﺔ) ﻟﻄﺒﻘﺔ ﺍﻟﻨﺨﺒﺔ ﻭﺍﻟﻌﺎﺋﻠﺔ ﺍﻟﻤﺎﻟﻜﺔ. ﺣﻴﺚ ﺗﻌﺘﺒﺮ ﺍﻟﻤﺼﺪﺭ ﺍﻟﺮﺋﻴﺴﻲ ﻟﺪﺭﺍﺳﺔ ﺍﻟﺘﺎﺭﻳﺦ ﻭﺍﻟﺪﻳﻦ ﻭﺍﻟﻔﻦ ﺧﻼﻝ ﻓﺘﺮﺓ ﺍﻟﻌﻤﺎﺭﻧﺔ. ﺗﻘﻊ ﺟﻤﻴﻊ ﺍﻟﻤﻘﺎﺑﺮ ﻋﻠﻰ ﺍﻟﻀﻔﺔ ﺍﻟﺸﺮﻗﻴﺔ ﻟﻨﻬﺮ ﺍﻟﻨﻴﻞ. ﻣﻘﺎﺑﺮ ﺍﻷﻓﺮﺍﺩ ﺍﻟﻤﻨﺤﻮﺗﺔ ﻓﻲ ﺍﻟﺼﺨﺮ ﺗﻘﻊ ﻓﻲ ﻣﻨﻄﻘﺔ ﺍﻟﻤﻨﺤﺪﺭﺍﺕ ﺍﻟﺼﺨﺮﻳﺔ ﺷﺮﻕ ﺍﻟﻤﺪﻳﻨﺔ ﺍﻟﻘﺪﻳﻤﺔ. ﻭﻫﻲ ﻣﺰﻳﻨﺔ ﺑﻤﻨﺎﻅﺮ ﻭﻧﻘﻮﺵ ، ﻭﻣﻦ ﺑﻴﻦ ﺍﻟﻨﺼﻮﺹ ، ﺗﺤﻈﻰ "ﺗﺮﺍﻧﻴﻢ ﺁﺗﻮﻥ" ﺑﺄﻫﻤﻴﺔ ﺧﺎﺻﺔ. ﻭﻟﺘﻠﻚ ﺍﻟﻤﻘﺎﺑﺮ ﻣﻴﺰﺍﺕ ﺧﺎﺻﺔ ﺣﻴﺚ ﺗﺸﻤﻞ ﻋﻠﻰ ﻗﺎﻋﺎﺕ ﺃﻋﻤﺪﺓ ﻭﺗﻤﺎﺛﻴﻞ ﻷﺻﺤﺎﺏ ﺍﻟﻤﻘﺎﺑﺮ. ﺃﻣﺎ ﺍﻟﻤﻘﺎﺑﺮ ﺍﻟﻤﻠﻜﻴﺔ ﻓﻘﺪ ﺷﻴﺪﺕ ﻓﻲ ﺍﻷﻭﺩﻳﺔ ﺍﻟﺒﻌﻴﺪﺓ ﺧﻠﻒ ﺍﻟﻤﻨﺤﺪﺭﺍﺕ ﺍﻟﺼﺨﺮﻳﺔ، ﺗﻨﺤﺪﺭ ﺗﺤﺖ ﺍﻷﺭﺽ ﻭﺗﻀﻢ ﻗﺎﻋﺎﺕ ﺫﺍﺕ ﺃﻋﻤﺪﺓ. ًﺃﻳﻀﺎ ﻫﻲ ﻣﺰﻳﻨﺔ ﺑﺎﻟﻤﻨﺎﻅﺮ ﻭﺍﻟﻨﻘﻮﺵ ، ﻟﻜﻨﻬﺎ ﻋﺎﻧﺖ ﻣﻦ ﺍﻟﺪﻣﺎﺭ ﺑﺸﻜﻞ ﺃﻛﺒﺮ ﻣﻦ ﻣﻘﺎﺑﺮ ﺍﻷﻓﺮﺍﺩ. ﻭﻧﻈﺮﺍ ً ﻟﻘﺼﺮ ﻓﺘﺮﺓ ﺷﻐﻞ ﺍﻟﻤﺪﻳﻨﺔ ، ﻟﻢ ﻳﺘﻢ ﺍﻻﻧﺘﻬﺎء ﻣﻦ ﻣﻌﻈﻢ ﺍﻟﻤﻘﺎﺑﺮ ﺍﻷﺛﺮﻳﺔ ، ﻭﻟﻢ ﻳﺘﻢ ﺍﺳﺘﺨﺪﺍﻡ ﺍﻟﻜﺜﻴﺮ ﻣﻨﻬﺎ ﻟﻠﺪﻓﻦ. he private monumental tombs at of the modern village of el-Hag Qandiil (fig. 1; el-Amarna (also “Tell el-Amarna”) Davies 1903: 1; 1906: 7, fn. 1). A central wadi, T lie in the crescent of foothills and Wadi Abu Hasah el-Bahri (variously called the cliffs east of the ancient city of Akhetaten (see Royal Wadi, Darb el-Hamzawi and Darb el- Stevens 2016 for the etymology of the names Malek), discharges into the bay of Amarna, of the city and its broader territory and for midway between the two groups, and extends discussion of the non-elite cemeteries). They eastward to the Royal Tombs behind the cliffs comprise north and south groupings. The (Martin 1974: 1-2). The private tombs in the North Tombs are located toward the north end north are hewn horizontally into the high cliff of the crescent, in proximity to the modern face, whereas those in the south are hewn village of el-Til. The South Tombs are located downward into the low foothills. toward the crescent’s south end, in the vicinity Amarna: Private and Royal Tombs, Arp-Neumann, UEE 2020 1 Figure 1. Map of el-Amarna. The necropolis is referred to as “Mountain In modern times, a total of 50 monumental of the East” (Dw wbnw) in inscriptions in the structures at el-Amarna have been assigned private monumental tombs and also in the first consecutive numbers designating them as set in the chain of Boundary Stelae that mark tombs. Twenty-five structures in the combined the site. The tombs are variously referred to as northern and southern necropolis of private “the place of favor” (st/spAt Hswt) and “the tombs bear the numerical designations TA 01 place of the favorites” (st/spAt Hsyw); in one to TA 25—“TA” referring to either “Tombs of instance they are referred to as “the place of Amarna” (e.g., Arp 2012) or to “Tell el- justification” (Hwt nt mAa xrw) (Murnane and Amarna” (Dodson 2018 – 2019)—while van Siclen III 1993; Murnane 1995; Arp 2012). twenty were assigned the addition of an alphabetic sub-categorization (for example, TA 01A). Five structures in the necropolis of Royal Amarna: Private and Royal Tombs, Arp-Neumann, UEE 2020 2 Tombs bear the numbers TA 26 to TA 30. TA 01A Rudu Alternatively, Marion Hesse has introduced a TA 01B no name designation system that numbers the tombs TA 01 Huya with the abbreviation “AT” (“Amarna TA 02 Meryra II Tomb”), from AT 1 to AT 45 (2013: 7). TA 03 A no name Hesse’s system was meant to overcome the TA 03 B no name differentiation between decorated and TA 03 C no name undecorated, or smaller and larger, tombs. But TA 03 D no name there are in fact clusters of tombs perceivable, TA 03 E no name and this additional information is addressed TA 03 F no name with the subordinate numbers in the TA 03 Ahmes conventional system. Another difficulty with TA 04 Meryra I Hesse’s system is its retention of the TA 05 Pentu numbering of the Royal Tombs as numbers 26 TA 06 A no name to 30, though they are designated with the abbreviation “KVA” (“Kings Valley Amarna,” TA 06 B no name Hesse 2013: 6). TA 06 C no name TA 06 D no name The northern necropolis (fig. 2) comprises TA 06 Panehesy 18 tombs, numbered as follows from north to south: Figure 2. The northern necropolis of el-Amarna: TA 03, TA 04, and TA 05. View to the northeast. Amarna: Private and Royal Tombs, Arp-Neumann, UEE 2020 3 Figure 3. The southern necropolis of el-Amarna: TA 18 and TA 19. View to the southeast. The southern group (fig. 3) comprises 27 TA 21 no name tombs, numbered as follows from north to TA 22 no name south: TA 23 Any TA 07 Parennefer TA 24 Pa-Aten-em-Heb TA 07 A no name TA 24 A no name TA 07 B no name TA 25 Ay and Tiy TA 07 C no name TA 25 A no name TA 08 Tutu The five structures in the royal necropolis TA 09 A no name (see Figure 1 above) are rock-cut, constructed TA 09 B no name by hewing into the wadi’s bed and proceeding TA 09 C no name downwards. TA 27 designates a large structure TA 09 Mahu on the south side of the Royal Wadi, about 3-4 TA 10 Apy km past the cliffs of the private tombs. Behind TA 11 Rames it, TA 28 and TA 29 were cut into a smaller TA 12 Nekht-Pa-Aten wadi branching off to the south. TA 26, known TA 13 Nefer-Kheperu-Her-Sekheper as the tomb of Akhenaten, was set into yet TA 14 May another, smaller wadi, branching northward off TA 15 Suti the main wadi. A second tomb, TA 30, was also TA 16 no name begun here. TA 17 no name A ritual complex known as the “Desert TA 18 no name Altars,” as well as the structures at the site of TA 19 Sutau Kom el-Nana (see Figure 1 above), are thought TA 20 no name Amarna: Private and Royal Tombs, Arp-Neumann, UEE 2020 4 to have been places for the cultic maintenance 26, for example, is considered the actual burial of the private monumental tombs (Stevens place of Akhenaten, the dowager queen Tiy, 2016: 4; Williamson 2017). and the princesses Neferneferura, Setepenra, and Meketaten (Gabolde 1998: 136-138). Kiya Significance and Baketaten were possibly entombed in TA 28 (Gabolde and Dunsmore 2004: 33), and TA The monumental tombs of el-Amarna are 29 was provided for Nefertiti and Meritaten sources for the study of Amarna religion (e.g., (Kemp 2016: 6 and 8). Finally, the private Bickel 2003; Hesse 2013; compare Williamson tombs attest to a much wider range of titles 2015: 6), Amarna art (Laboury 2011), Amarna than that given in the text of the Boundary history, especially the questions of coregencies Stelae.
Recommended publications
  • T U T a N K H a M
    Veldmeijer Tutankhamun’s Footwear Tutankhamun’s Footwear Studies of Ancient Egyptian Footwear The discovery of Tutankhamun’s tomb by Howard Carter in 1922 is Studies of Ancient Egyptian Footwear one of the most significant archaeological discoveries of all time. It took Carter and his team 10 years to clear the contents of the tomb and among the objects found was a large collection of shoes and sandals. The Tutankhamun’s Footwear footwear is analysed here in detail for the first time since the discovery using Carter’s records and Harry Burton’s excellent photographs along with the author’s analyses of the objects, all of which are housed in the Egyptian Museum, Cairo and the Luxor Museum. Several specialists contributed to the volume discussing the different materials (gold, vegetable fibre, birch bark, glass and faience, leather, gemstones) that were used in the footwear. Tutankhamun’s footwear is compared with other finds in order to be able to put it in a broader context. The footwear from the tomb of Yuya and Tjuiu, the King’s great-grandparents, are, therefore, analysed as well. In addition to the analysis, footwear in texts and two- and three-dimensional art is considered. André J. Veldmeijer (assistant director for Egyptology at the Netherlands Flemish Institute Cairo) studied archaeology at Leiden University (The Netherlands) and received his PhD from Utrecht University (The Netherlands). He has worked in Egypt since 1995 as a leather, footwear and cordage specialist for various missons (including Amarna, Berenike, Dra’ Abu el-Naga, Elephantine, Hierakonpolis and Qasr Ibrim) and has also worked in several collections all over the world.
    [Show full text]
  • Egyptian Religion a Handbook
    A HANDBOOK OF EGYPTIAN RELIGION A HANDBOOK OF EGYPTIAN RELIGION BY ADOLF ERMAN WITH 130 ILLUSTRATIONS Published in tile original German edition as r handbook, by the Ge:r*rm/?'~?~~ltunf of the Berlin Imperial Morcums TRANSLATED BY A. S. GRIFFITH LONDON ARCHIBALD CONSTABLE & CO. LTD. '907 Itic~mnoCLAY B 80~8,L~~II'ED BRIIO 6Tllll&I "ILL, E.C., AY" DUN,I*Y, RUFIOLP. ; ,, . ,ill . I., . 1 / / ., l I. - ' PREFACE TO THE ENGLISH EDITION THEvolume here translated appeared originally in 1904 as one of the excellent series of handbooks which, in addition to descriptive catalogues, are ~rovidedby the Berlin Museums for the guida,nce of visitors to their great collections. The haud- book of the Egyptian Religion seemed cspecially worthy of a wide circulation. It is a survey by the founder of the modern school of Egyptology in Germany, of perhaps tile most interest- ing of all the departments of this subject. The Egyptian religion appeals to some because of its endless variety of form, and the many phases of superstition and belief that it represents ; to others because of its early recognition of a high moral principle, its elaborate conceptions of a life aftcr death, and its connection with the development of Christianity; to others again no doubt because it explains pretty things dear to the collector of antiquities, and familiar objects in museums. Professor Erman is the first to present the Egyptian religion in historical perspective; and it is surely a merit in his worlc that out of his profound knowledge of the Egyptian texts, he permits them to tell their own tale almost in their own words, either by extracts or by summaries.
    [Show full text]
  • Egyptian Magic Publishers’ Note
    S.V. JBooftg on Bagpt anft Cbalfta?a VOL. II. EGYPTIAN MAGIC PUBLISHERS’ NOTE. In the year 1894 Dr. Wallis Budge prepared for Messrs. Kegan Paul, Trench, Triibner & Co. an elementary work on the Egyptian language, entitled “First Steps in Egyptian,” and two years later the companion volume, “ An Egyptian Reading Book,” with transliterations of all the texts printed in it, and a full vocabulary. I he success of these works proved that they had helped to satisfy a want long felt by students of the Egyptian language, and as a similar want existed among students of the languages written in the cuneiform character, Mr. L. W. King, of the British Museum, prepared, on the same lines as the two books mentioned above, an elementary work on the Assyrian and Babylonian languages (“First Steps in Assyrian”), which appeared in 1898. These works, however, dealt mainly with the philological branch of Egyptology and Assyriology, and it was impossible in the space allowed to explain much that needed explanation in the other branches of these subjects—that is to say, matters relating to the archaeology, history, religion, etc., of the Egyptians, Assyrians, and Babylonians. In answer to the numerous requests which have been made, a series of short, popular handbooks on the most important branches of Egyptology and Assyriology have been prepared, and it is hoped that these will serve as introductions to the larger works on these subjects. The present is the second volume of the series, and the succeeding volumes will be published at short intervals, and at moderate prices.
    [Show full text]
  • THE CEREMONIAL CANOPIED CHARIOT of TUTANKHAMUN (JE61990 and JE60705): a TENTATIVE VIRTUAL RECONSTRUCTION*
    1 THE CEREMONIAL CANOPIED CHARIOT OF TUTANKHAMUN (JE61990 and JE60705): A TENTATIVE VIRTUAL RECONSTRUCTION* BY NOZOMU KAWAI, YASUSHI OKADA, TAKESHI OISHI, MASATAKA KAGESAWA, AKIKO NISHISAKA, AND HUSSEIN KAMAL† The Japan International Cooperation Agency (JICA) and the Ministry of Tourism and Antiquities, Arab Republic of Egypt, have been conducting the Grand Egyptian Museum Joint Conservation Project (GEM-JC) since November 2016, after having completed two phases of cooperation to improve conservation techniques at the Grand Egyptian Museum Conservation Center (GEM-CC). The GEM- CC conservation specialists will have their skills enhanced through this experience and GEM-CC's capacity and efficiency as an important conservation centre will also be improved. It is expected that GEM-CC staff will ultimately complete all conservation activities and treatments. Among the 72 target objects for the GEM-JC Project, designated to be transferred from the Egyptian Museum in Tahrir Square to the Grand Egyptian Museum in Giza and jointly conserved by Egyptian and Japanese conservators, five chariots were selected. In particular, the ‘second state chariot’ (GEM 4940; JE61990; Carter no. 122; A1 of Littauer and Crouwel1) (fig.1) was chosen as the lead object, with Japanese and Egyptian experts working jointly on all aspects of the treatment, including remedial conservation, as a model for the conservation of the other chariots. In the course of the project, we confirmed that this particular chariot originally had a canopy (GEM 4539; JE60705; Carter no. 123) (fig. 2) attached to the chariot body, as first proposed by Edwin Brock in 2012.2 However, it is impossible to join these two artifacts together because of their fragile condition, and it has been decided to display them separately.
    [Show full text]
  • Who Was Who at Amarna
    1 Who was Who at Amarna Akhenaten’s predecessors Amenhotep III: Akhenaten’s father, who ruled for nearly 40 years during the peak of Egypt’s New Kingdom empire. One of ancient Egypt’s most prolific builders, he is also known for his interest in the solar cult and promotion of divine kingship. He was buried in WV22 at Thebes, his mummy later cached with other royal mummies in the Tomb of Amenhotep II (KV 35) in the Valley of the Kings. Tiye: Amenhotep III’s chief wife and the mother of Akhenaten. Her parents Yuya and Tjuyu were from the region of modern Akhmim in Egypt’s south. She may have lived out her later years at Akhetaten and died in the 14th year of Akhenaten’s reign. Funerary equipment found in the Amarna Royal Tomb suggests she was originally buried there, although her mummy was later moved to Luxor and is perhaps to be identified as the ‘elder lady’ from the KV35 cache. Akhenaten and his family Akhenaten: Son and successor of Amenhotep III, known for his belief in a single solar god, the Aten. He spent most of his reign at Akhetaten (modern Amarna), the sacred city he created for the Aten. Akhenaten died of causes now unknown in the 17th year of his reign and was buried in the Amarna Royal Tomb. His body was probably relocated to Thebes and may be the enigmatic mummy recovered in the early 20th century in tomb KV55 in the Valley of the Kings. Nefertiti: Akhenaten’s principal queen. Little is known of her background, although she may also have come from Akhmim.
    [Show full text]
  • Who's Who in Ancient Egypt
    Who’s Who IN ANCIENT EGYPT Available from Routledge worldwide: Who’s Who in Ancient Egypt Michael Rice Who’s Who in the Ancient Near East Gwendolyn Leick Who’s Who in Classical Mythology Michael Grant and John Hazel Who’s Who in World Politics Alan Palmer Who’s Who in Dickens Donald Hawes Who’s Who in Jewish History Joan Comay, new edition revised by Lavinia Cohn-Sherbok Who’s Who in Military History John Keegan and Andrew Wheatcroft Who’s Who in Nazi Germany Robert S.Wistrich Who’s Who in the New Testament Ronald Brownrigg Who’s Who in Non-Classical Mythology Egerton Sykes, new edition revised by Alan Kendall Who’s Who in the Old Testament Joan Comay Who’s Who in Russia since 1900 Martin McCauley Who’s Who in Shakespeare Peter Quennell and Hamish Johnson Who’s Who in World War Two Edited by John Keegan Who’s Who IN ANCIENT EGYPT Michael Rice 0 London and New York First published 1999 by Routledge 11 New Fetter Lane, London EC4P 4EE Simultaneously published in the USA and Canada by Routledge 29 West 35th Street, New York, NY 10001 Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2004. © 1999 Michael Rice The right of Michael Rice to be identified as the Author of this Work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
    [Show full text]
  • WHO WAS WHO AMONG the ROYAL MUMMIES by Edward F
    THE oi.uchicago.edu ORIENTAL INSTITUTE NEWS & NOTES NO. 144 WINTER 1995 ©THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO WHO WAS WHO AMONG THE ROYAL MUMMIES By Edward F. Wente, Professor, The Oriental Institute and the Department of Near Eastern Languages and Civilizations The University of Chicago had an early association with the mummies. With the exception of the mummy of Thutmose IV, royal mummies, albeit an indirect one. On the Midway in the which a certain Dr. Khayat x-rayed in 1903, and the mummy area in front of where Rockefeller Chapel now stands there of Amenhotep I, x-rayed by Dr. Douglas Derry in the 1930s, was an exhibit of the 1893 World Columbian Exposition known none of the other royal mummies had ever been radiographed as "A Street in Cairo." To lure visitors into the pavilion a plac­ until Dr. James E. Harris, Chairman of the Department of Orth­ ard placed at the entrance displayed an over life-sized odontics at the University of Michigan, and his team from the photograph of the "Mummy of Rameses II, the Oppressor of University of Michigan and Alexandria University began x­ the Israelites." Elsewhere on the exterior of the building were raying the royal mummies in the Cairo Museum in 1967. The the words "Royal Mummies Found Lately in Egypt," giving inadequacy of Smith's approach in determining age at death the impression that the visitor had already been hinted at by would be seeing the genuine Smith in his catalogue, where mummies, which only twelve he indicated that the x-ray of years earlier had been re­ Thutmose IV suggested that moved by Egyptologists from a this king's age at death might cache in the desert escarpment have been older than his pre­ of Deir el-Bahri in western vious visual examination of the Thebes.
    [Show full text]
  • Rituals Related to Animal Cults
    UCLA UCLA Encyclopedia of Egyptology Title Rituals Related to Animal Cults Permalink https://escholarship.org/uc/item/6wk541n0 Journal UCLA Encyclopedia of Egyptology, 1(1) Author Dodson, Aidan Publication Date 2009-07-16 Peer reviewed eScholarship.org Powered by the California Digital Library University of California RITUALS RELATED TO ANIMAL CULTS الطقوس المتعلقة بطوائف الحيوانات Aidan Dodson EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Dodson, 2009, Rituals Related to Animal Cults. UEE. Full Citation: Dodson, Aidan, 2009, Rituals Related to Animal Cults. In Jacco Dieleman, Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology, Los Angeles. ttp://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf7d0 1027 Version 1, July 2009 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz001nf7d0 RITUALS RELATED TO ANIMAL CULTS الطقوس المتعلقة بطوائف الحيوانات Aidan Dodson Tierkulte Cultes des animaux Two kinds of cult animal existed in ancient Egypt: specific faunal representatives of a given deity that lived in a temple and were ceremonially interred, and creatures killed and mummified to act as votive offerings. The former are attested from the earliest times, while the latter date from the Late Period and later. عرف نوعان من طوائف الحيوانات بمصر القديمة: فكانت تمثل الحيوانات اﻵلھة وتسكن بالمعبد وتدفن بشكل مراسمي. وعرف ھذا من أول العصور المصرية، والنوع الثاني ھو قتل الحيوانات وتحنيطھا لتكون قرابين نذرية وھي عادة ظھرت بالعصر المتأخر وما بعده. hile there continues to be debate which reflected the deities’ iconic over precise definitions (cf.
    [Show full text]
  • Nefertiti, Devonia, Michael by Ancient Art Podcast on Monday, July 6, 2009 at 8:04Pm
    Episode 22: Nefertiti, Devonia, Michael by Ancient Art Podcast on Monday, July 6, 2009 at 8:04pm Complete transcript of podcast by Lucas Livingston, an Egyptologist associated with the Art Institute of Chicago, which discusses Nefertiti/Devonia Evangeline and Miscegenated Family Album in detail. Also a YouTube video with high-quality images. **** Transcript On October 31, 1980 at Just Above Midtown Gallery in New York City, artist Lorraine O'Grady, dressed in a long red robe, debuted her new work of performance art. On a dark stage with a slideshow backdrop and dramatic recorded narration, O'Grady enacted hypnotic, ritualized motions, like the priestess of an ancient mystery cult, incanting magicks over vessels of sacred sand and offerings blessings of protection to the projected images of the Ancient Egyptian Queen Nefertiti and her late sister Devonia Evangeline O'Grady Allen. In the piece entitled Nefertiti/Devonia Evangeline, Lorraine O'Grady confronted her relationship with her sister through the lens of Nefertiti and Nefertiti's own apparent sister, Mutnedjmet -- a relationship which O'Grady felt would have been equally troubled. O'Grady's sister Devonia tragically died just a few short weeks after the two of them had finally begun speaking after many years of a strained relationship. Inspired two years later after a trip to Egypt, O'Grady began researching Queen Nefertiti and her famed family of the Amarna Period. While in Egypt, O'Grady encountered a new found feeling of belonging -- as the artist says in her own words, "surrounded for the first time by people who looked like me" (Art Journal 56:4, Winter 1997, p.
    [Show full text]
  • Illuminating the Path of Darkness
    ILLUMINATING THE PATH OF DARKNESS: Social and sacred power of artificial light in Pharaonic Period Egypt This thesis is submitted for the degree of Doctor of Philosophy Meghan E. Strong Girton College University of Cambridge January 2018 Illuminating the path of darkness: social and sacred power of artificial light in Pharaonic Period Egypt Meghan E. Strong ABSTRACT Light is seldom addressed in archaeological research, despite the fact that, at least in ancient Egypt, it would have impacted upon all aspects of life. When discussing light in Egyptology, the vast majority of scholarly attention is placed on the sun, the primary source of illumination. In comparison, artificial light receives very little attention, primarily due to a lack of archaeological evidence for lighting equipment prior to the 7th century BC. However, 19th and 20th century lychnological studies have exaggerated this point by placing an overwhelming emphasis on decorated lamps from the Greco-Roman Period. In an attempt to move beyond these antiquarian roots, recent scholarship has turned towards examining the role that light, both natural and artificial, played in aspects of ancient societies’ architecture, ideology and religion. The extensive body of archaeological, textual and iconographic evidence that remains from ancient Egypt is well suited to this type of study and forms three core data sets in this thesis. Combining a materials- based examination of artificial light with a contextualized, theoretical analysis contributes to a richer understanding of ancient Egyptian culture from the 3rd to 1st millennium BC. The first three chapters of this study establish a typology of known artificial lighting equipment, as well as a lexicon of lighting terminology.
    [Show full text]
  • The Symbolism and Function of the Window of Appearance in the Amarna Period*1
    FOLIA PRAEHISTORICA POSNANIENSIA T. XXIV – 2019 WYDZIAŁ ARCHEOLOGII, UAM POZNAŃ – ISSN 0239-8524 http://dx.doi.org/10.14746/fpp.2019.24.05 THE SYMBOLISM AND FUNCTION OF THE WINDOW OF APPEARANCE IN THE AMARNA PERIOD*1 SYMBOLIZM I FUNKCJA OKNA POJAWIEŃ W OKRESIE AMARNEŃSKIM Maria M. Kloska orcid.org/0000-0003-4822-8891 Wydział Historii, Uniwersytet im. A. Mickiewicza ul. Uniwersytetu Poznańskiego 7, 61-614 Poznań [email protected] ABSTRACT: During the reign of the Amarna spouses, giving gold necklaces to royal officials took place (almost always) from the so-called Window of Appearance. From them, Akhenaten and Nefertiti, often with princesses, honoured deserved and devoted dignitaries. The popularity of the Window of Appearance closely relates to the introduction of a new religious system introduced by Akhenaten and Nefertiti. Ac- cording to the new religion, Akhenaten and Nefertiti were a pair of divine twins like Shu and Tefnut, who in the Heliopolitan theology, were the children of the god Atum – replaced by Aten in Amarna. The royal couple prayed to the main solar god, while their subjects prayed to the king and queen. Since Akhenaten per- formed the role of a priest through whom ordinary people could pray to the god, it was necessary to create a construction that would allow the king to meet with his subjects publicly. The Window of Appearance was such architectural innovation. It was crucial because the king was an intermediator between the peo- ple and the only right sun god, Aten. The Windows of Appearance were probably located in various places in Akhetaten, including the Great Palace, the King’s House, the North Palace, the Small Aten Temple and in the temples of the Sunshades of Re in the Kom el-Nana and Maru-Aten.
    [Show full text]
  • L'egyptologie
    L'egyptologie Gaston Maspero The Project Gutenberg EBook of L'egyptologie, by Gaston Maspero This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: L'egyptologie Author: Gaston Maspero Release Date: January 21, 2004 [EBook #10768] Language: French Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK L'EGYPTOLOGIE *** Produced by Robert Connal, Renald Levesque and PG Distributed Proofreaders. This file was produced from images generously made available by the Bibliotheque nationale de France (BnF/Gallica) at http://gallica.bnf.fr. L'EGYPTOLOGIE Par G. MASPERO LES ETUDES EGYPTOLOGIQUES L'Egyptologie est nee en France; CHAMPOLLION le Jeune (1790-1832) en fut le fondateur, et, pendant un certain nombre d'annees, cette science demeura exclusivement francaise. L'histoire de ses commencements se trouve ecrite dans le rapport que M. DE ROUGE adressa, a propos de l'Exposition Universelle de Paris, en 1867, a Victor DURUY, alors ministre de l'Instruction publique: je ne reviendrai pas sur les faits anterieurs a cette date. La generation d'egyptologues francais qui avait succede a celle de Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download. CHAMPOLLION et qui, avec Theodule DEVERIA (1831-1871), Emmanuel DE ROUGE (1811-1872), MARIETTE PACHA (1821-1881), CHABAS (1817-1882), avait deblaye vigoureusement les abords du terrain, commencait alors a disparaitre sous la poussee d'une generation nouvelle.
    [Show full text]