The Rascals' Dino Danelli
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A CUSTOM-BUILT DRUM AND CYMBAL $ WIN SET VALUED AT 14 ,000 CARRIE UNDERWOOD’S GARRETT GOODWIN MODERNTHE WORLD’S #1 DRUM MAGAZINE DRUMMERSEPTEMBER 2013 LEARN HOW TO GET ANTONIO CLASSIC SANCHEZ FUNK SOUNDS NEW SOLO ALBUM TRACK BY TRACK JON WURSTER BUSY WITH SUPERCHUNK, MOULD, MOUNTAIN GOATS TheThe Rascals’Rascals’ DinoDino DanelliDanelli THE RETURN OF THE COOL ONE + TOWER OF POWER ENCORE MODERNDRUMMER.com + MARILYN MANSON’S JASON SUTTER GEARS UP + LUDWIG SUPRA-PHONIC A SNARE DRUM FOR THE AGES + SABIAN CYMBAL VOTE WINNERS GEN16 DIRECT SOURCE PICKUP THE NEXT GENERATION Introducing the new Direct Source Pickup from Zildjian. A one-of-a-kind pickup design for use with Gen16 acoustic-electric cymbals as well as Zildjian acoustic cymbals. Eliminates feedback, phasing, and cross-talk. Reproduce a natural acoustic tone. Enhance with reverb. Or use the Gen16 Digital Cymbal Processor (DCP) to tone shape any cymbal in your setup. Seamlessly integrates with both edrum and acoustic drum sets. Perfect for live performance applications. Visit gen-16.com for more information. SOUND LEGACY CONTENTS Cover and contents photos by Rahav Volume 37, Number 9 EDUCATION 72 Strictly Technique On the Cover Playing the Sixes Part 2: Speed and Orchestration by Chris Prescott 74 Rock ’n’ Jazz Clinic 44 Dino Danelli The Odds Are in Your Favor Three-, Five-, and Seven-Note Fills by Mark Powers Once upon a time, the Rascals were the coolest, most innovative American rock ’n’ roll band—and they featured 78 Rock Perspectives the scene’s coolest, most innovative drummer. Today, forty Double Bass Workout Part 2: Grooves by Todd Vinciguerra years after their breakup, they’ve returned—and they’re tearing it up. by Bob Girouard 80 Jazz Drummer’s Workshop Approaching Standards A Framework for Musical Practice, Part 1: Phrasing by Steve Fidyk 82 In the Studio 12 Update Seeing Sounds Part 3: Funk by Donny Gruendler • The Aristocrats’ Marco Minnemann • Mission of Burma’s Peter Prescott EQUIPMENT 26 Product Close-Up Tower of Power: In the Slot by Ken Micallef 34 Encore • Sabian Cymbal Vote 2013 Winners So precise, so grooving, so in uential. David Garibaldi and • Rochefort Custom Drumset and Snares company’s powerful sixth album is always ripe for analysis. • Dixson Bass Drum Lift • Liverpool Brazilian-Made Drumsticks • Acoutin Custom Metal/Wood Snare Drums 36 Portraits Arturo Stable by Michael Dawson Whether he’s collaborating with heavyweight jazz artists or 32 Gearing Up Marilyn Manson’s Jason Sutter leading his own unique ensembles, he’s always respecting old ideas, and courting new ones. 86 Shop Talk Ludwig Supra-Phonic Snare by Mark Cooper 88 New and Notable 56 Antonio Sanchez by Michael Dawson The Pat Metheny/Gary Burton drummer has released the rst album completely made up of his own compositions. Here he details the remarkable kit work found on each track. DEPARTMENTS 8 An Editor’s Overview Know Your History by Michael Parillo 64 Jon Wurster by Adam Budofsky The loyal Superchunk band member has also been a signi cant contributor of late to the music of Bob Mould and Mountain 10 Readers’ Platform Goats. Meanwhile, his sharp comedic work gets props from all corners, including the Twitter followers at Rolling Stone. 18 Ask a Pro Pete Lockett, Inside Methods, Narada Michael Walden 22 It’s Questionable How Should I Tune My Snare? • 70 Up & Coming Mind Matters: Is Sexy Stage Wear Necessary? Carrie Underwood’s Garrett Goodwin by Ilya Stemkovsky Nothing about the 2013 MD Readers Poll Up & Coming winner is 91 Showcase Featuring Drum Market predictable—including his route to success. 99 Critique 102 Backbeats The Common Thread Clinic Tour 96 What Do You Know About... Big Country’s Mark Brzezicki by Nick Lauro 104 Kit of the Month Clad in Plaid From working in a rhythm section for hire to scaling the top of the charts to backing the biggest names in rock, he’s experienced all the highs—and also some of the lows— A Custom-Built that a thirty-year career in pop music brings. Drum and Cymbal $ Set Valued at 14,000 WIN pg 98 AN EDITOR’S OVERVIEW Founder MODERN DRUMMER ADVISORY BOARD: Kenny Aronoff, Eddie Bayers, Bill Bruford, Ronald Spagnardi Harry Cangany, Dennis DeLucia, Les 1943–2003 DeMerle, Len DiMuzio, Peter Erskine, Vic Know Your History Firth, Bob Gatzen, Danny Gottlieb, Jim Publisher/CEO Keltner, Paul Leim, Peter Magadini, George Marsh, Rod Morgenstein, Andy Newmark, Isabel Spagnardi Neil Peart, Steve Smith, Billy Ward, have a photographer friend who doesn’t Dave Weckl, Paul Wertico. have any favorite photographers. This Senior Vice President I Lori Spagnardi CONTRIBUTING WRITERS: makes very little sense to me—probably Patrick Berkery, David Ciauro, John Emrich, because I’m a drummer, and the idea of a Margit Erb Mike Haid, Dr. Asif Khan, Rick Mattingly, Ken Vice President drummer existing apart from tradition is Micallef, Mark Parsons, Martin Patmos, Jeff Kevin W. Kearns Potter, Will Romano, Bernie Schallehn, Ilya pretty much unthinkable. Even the most Stemkovsky, Stephen Styles, Robin Tolleson, wildly innovative practitioners of any craft— Associate Publisher Lauren Vogel Weiss, Paul Wells. music, ne arts, architecture, cooking, and Tracy A. Kearns MODERN DRUMMER magazine (ISSN so on—are best served to have at least a 0194-4533) is published monthly by basic understanding of what came before Editorial Director MODERN DRUMMER Publications, Inc., 12 Old Bridge Road, Cedar Grove, NJ 07009. them in their eld. And then there’s the Adam J. Budofsky PERIODICALS MAIL POSTAGE paid at “follow your bliss” principle: It stands to rea- Cedar Grove, NJ 07009 and at additional son that if you like playing drums, you like Managing Editor mailing offi ces. Copyright 2013 by Michael Dawson MODERN DRUMMER Publications, Inc. hearing drums; if you enjoy taking pictures, All rights reserved. Reproduction without the you love looking at them too. There’s so permission of the publisher is prohibited. Associate Editor much to learn from the past, and so much to simply savor. Billy Amendola EDITORIAL/ADVERTISING/ With every issue of MD, we aim to re ect the present day while looking back ADMINISTRATIVE OFFICES: at the past and also gazing into the future. It’s all one long continuum anyway. In Associate Editor MODERN DRUMMER Publications, 12 Old Bridge Road, Cedar Grove, NJ this month’s Jazz Drummer’s Workshop, Steve Fidyk discusses something that ties Michael Parillo 07009. Tel: (973) 239-4140. together the eras in the world of jazz: the standard. It’s a huge part of the common Fax: (973) 239-7139. language, and it’s incredibly sturdy yet unusually exible. A standard tune is tough Senior Art Director Email: [email protected]. Scott G. Bienstock enough to weather the decades and endure any type of reinterpretation that MODERN DRUMMER welcomes musicians can dream up. You can play it straight, or you can mess around with the manuscripts and photographic material time signature, the melody, the harmony, any and all of it—don’t worry, the tune Art Director but cannot assume responsibility for them. Gerald J. Vitale Jr. can take it. Have you heard Chris Dave’s version of Coltrane’s “Giant Steps”? How SUBSCRIPTIONS: US and Canada $34.97 about Chris Potter’s? per year; $56.97, two years. Other Advertising Director international $59.97 per year. If you ever wanted an example of a drummer who has a rm grasp of tradition Bob Berenson Single copies $5.99. and who lives exuberantly in the moment while pushing forward the art of timekeeping, Antonio Sanchez is it. In this issue we chat with Sanchez about his Advertising Assistant SUBSCRIPTION CORRESPONDENCE: Modern Drummer, PO Box 274, Oregon, IL latest recording, New Life, which is bursting with beautiful compositional ideas LaShanda Gibson 61061-9920. Change of address: Allow and hot playing. Again, the album would not be possible without the in uence of at least six weeks for a change. Please Digital Media Director provide both old and new address. Antonio’s musical heroes, yet it is very much a product of the year 2013 and all of Call (800) 551-3786 the cultural and sonic forces that exist right now. EJ DeCoske or (815) 732-5283. Phone hours, Finally, do yourself a favor as you read our cover story on Dino Danelli and check 8AM–4:30PM Monday–Friday CST, Music Engraver or visit Subscriber Services at out clips, old and new, of the Rascals playing live. Take a gander at the band on Willie Rose www.moderndrummer.com. TV in 1966, and you’ll understand without question how Danelli has in uenced generations of drummers. His work from nearly fty years ago—with its ash, its MUSIC DEALERS: Modern Drummer is distributed by Hal Leonard Corp. playfulness, its bounce—seems new even today. And his drumming on the band’s (800) 554-0626. [email protected] www.halleonard.com/dealers current Once Upon a Dream tour is equally tasty and stylish. So, who helped this MODERN DRUMMER early rock ’n’ roll drum hero form his distinctive approach to the kit? Jazzers, of PRO PANEL INTERNATIONAL LICENSING course, as Danelli explained in March of 1989, in his rst MD cover story. REPRESENTATIVE: Robert Abramson “My style came from Lionel Hampton and Sonny Payne,” Dino said. “Sonny & Associates, Inc., Libby Abramson, 2013 Pro Panel President, PO Box 740346, Boyton Beach, Payne was the most incredibly ashy player who ever lived, bar none. I never Benny Greb FL 33474-0346, missed him when he played. I took all his jazz stu and made it rock ’n’ roll—the Matt Halpern [email protected]. bass drum accents, the way you move your sticks and throw them up.