Great Northern Machine Wars: Rivalry Between User Groups in Finland
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Pelit-Lehden Lukijakirjeet [email protected] Ja Digipelaamisen Muutos Suomessa Vuosina 1992–2002 Turun Yliopisto
Pelitutkimuksen vuosikirja 2012, s. 21–40. Toim. Jaakko Suominen et al. Tampereen yliopisto. http://www.pelitutkimus.fi Artikkeli PETRI SAARIKOSKI “Rakas Pelit-lehden toimitus...” Pelit-lehden lukijakirjeet [email protected] Turun yliopisto ja digipelaamisen muutos Suomessa vuosina 1992–2002 Tiivistelmä Readers’ letters in Finnish Pelit gaming magazine during Artikkelissa tarkastellaan lukijakirjeiden roolia Pelit-lehdessä vuosina 1992–2002. Aineisto 1992–2002 tarjoaa ainutkertaisen aikalaiskuvan suomalaisesta pelikulttuurista. Kyseisenä ajanjakso- na Suomessa PC oli tärkein pelikone kotitalouksissa, konsolien merkitys alkoi näkyä vasta Abstract tarkasteltavan ajanjakson loppupuolella. Kirjeissä pelaajat ottivat yleensä kantaa lehdessä Article examines the history of readers’ letters in Finnish Pelit computer game magazine julkaistuihin juttuihin tai muihin pelimaailman ajankohtaisiin ilmiöihin ja tapahtumiin. during 1992–2002. Letters provides a unique picture of the Finnish game culture in time Niissä kyseltiin myös paljon pelaamisen liittyviä vinkkejä ja vihjeitä. Osa kirjeistä voidaan when PC was the most popular game machine in Finland. The importance of game con- luokitella niin sanotuiksi “fanikirjeiksi”, joissa lukijat jakoivat kehuja lehden tunnetuille soles, such as Sony Play Station, began to emerge from late 1990s onwards. In the letters peliarvostelijoille. Kirjeissä näkyy miten tietoverkot, aluksi BBS-purkit ja myöhemmin players gave their opinions of the published game reviews or commented on the contem- Internet, alkoivat vakiinnuttaa asemaansa pelaajia yhdistävinä viestintävälineinä, mikä porary issues and events in gaming culture. They also asked for a gaming tips and tricks. lopulta näkyi myös postitettujen kirjeiden määrän romahtamisena vuodesta 1997 eteen- Some of the letters could be classified as so-called “fan letters”, where readers shared their päin. praise for the well-known game reviewers. -
Kalle Kotipsykiatri -Tietokone- Ohjelma Tekoälyn Popularisoijana 1980-Luvulla
THS Tekniikan Waiheita ISSN 2490-0443 Tekniikan Historian Seura ry. 37. vuosikerta:3 2019 https://journal.fi/tekniikanwaiheita ”Leiki pöpiä – Kalle parantaa”: Kalle kotipsykiatri -tietokone- ohjelma tekoälyn popularisoijana 1980-luvulla Petri Saarikoski, Markku Reunanen & Jaakko Suominen Jaakko Suominen https://orcid.org/0000-0003-1352-7699 To cite this article: Petri Saarikoski, Markku Reunanen & Jaakko Suominen, ”'Leiki pöpiä – Kalle parantaa': Kalle kotipsykiatri -tietokoneohjelma tekoälyn popularisoijana 1980-lu- vulla” Tekniikan Waiheita 37, no. 3 (2019): 6–30. https://dx.doi.org/10.33355/tw.86772 To link to this article: https://dx.doi.org/10.33355/tw.86772 ”Leiki pöpiä – Kalle parantaa”: Kalle kotipsykiatri -tietokone- ohjelma tekoälyn popularisoijana 1980-luvulla Petri Saarikoski1, Markku Reunanen2 & Jaakko Suominen3 Tekoälyä koskevalla vilkkaalla julkisuuskeskustelulla on oma monipuolinen taustahistoriansa. Artikke- lissa käsitellään Pekka Tolosen luoman Kalle kotipsykiatri -ohjelman vaiheita 1980-luvun tietokoneleh- distössä. Kalle kotipsykiatri tunnetaan varhaisena esimerkkinä tekoälyä simuloivasta keskusteluohjel- masta, jonka Commodore 64 -käännösversion koodivirheitä korjailtiin yli vuoden ajan kotitietokoneisiin erikoistuneessa MikroBitti -lehdessä. Johdanto Tekoälyltä koskevalta keskustelulta voi tuskin välttyä nykyään missään. Tekoäly esiintyy uu- tisissa, poliittisissa puheissa, mediajulkisuudessa sekä ihmisten kasvokkais- ja nettikeskuste- luissa. Tekoälyllä viitataan muun muassa robotteihin, erilaisiin digitaalisiin -
The Gamification of Digital Gaming – Video Game Competitions and High Score Tables As a Prehistory of E-Sports in Finland in the 1980S and Early 1990S
The Gamification of Digital Gaming – Video Game Competitions and High Score Tables as a Prehistory of E-Sports in Finland in the 1980s and Early 1990s Petri Saarikoski, Jaakko Suominen University of Turku Finland [email protected], [email protected] Markku Reunanen Aalto University Finland [email protected] Abstract: The aim of this paper is to examine the “prehistory” of E-sports from the Finnish perspective. In the context of the GamiFIN conference, we approach E-sports as a gamified form of video gaming. In particular, we study the early Finnish game championships of the 1980s and the early 1990s as well as the high score lists of Finnish computer and video game magazines. We ask the question: how did these publications and activities construct video gaming as a socially-experienced competitive practice? In addition, we seek answers to the following questions: Who were the early video game contestants? How was competitive gaming presented in media? What kind of rules were defined for the contests? How was cheating dealt with? Keywords: Competitive gaming, game history, e-sports, high score tables, Pac-Man 1. Introduction Academic research on E-sports has focused on competitive game playing as a contemporary popular cultural phenomenon. The studies have touched upon, for instance, questions on game playing and tactics, comparisons between E-sports and traditional sports consumers’ behavior, as well as other activities revolving around E-sports. (Hamari & Sjöblom 2017.) The studies often briefly mention the history of competitive gaming and typically date its roots back to the activities from the mid or late 1990s that took place in the US, South Korea, UK, and other countries, in relation to different online game genres and the rising interest towards competitive gaming (e.g. -
Digra Conference Publication Format
Game Reviews as Tools in the Construction of Game Historical Awareness in Finland, 1984– 2010: Case MikroBitti Magazine Jaakko Suominen University of Turku, Department of Digital Culture P.O. Box 124 28101 Pori, Finland [email protected] ABSTRACT The paper introduces a case study on game journalistic practices and on the construction of historical self-understanding of game cultures. It presents results of the study of Finnish digital game reviews, retrieved from a major computer hobbyist magazine, MikroBitti. The results are based on a qualitative content analysis of 640 reviews from two magazine issues per year (1984–2010). The aim is to examine changes in the production of game reviews, in the work of individual reviewers, and then to focus on particular stylistic characteristics: to study how game journalists refer, on the one hand to other popular media cultural forms and products such as television series, cinema, comics, literature, sports, news, board games, and on the other hand, to other digital games, game genres, genre-hybrids, game producers, national game product styles as well as game designer auteurs. The paper argues that by using these references and allusions game journalists construct historical understanding of digital gaming as a particular popular media cultural form. The preliminary research hypothesis was that digital game cultural references increase and other media cultural references decline in reviews. This has proven to be partially incorrect. The content analysis of reviews hints that historical self-understanding of game cultural actors as well as the press and gaming industry has grown and been enriched since the 1980s. -
Kriisin Merkit
Pioneerien leluista kulutuselektroniikaksi. Suomalainen kotimikroharrastus tietotekniikan murroksessa 980-luvun alusta 1990-luvun puoliväliin TURUN YLIOPISTO Yleinen historia Lisensiaatintutkimus Petri Saarikoski Huhtikuu 2001 Teoksen jäljentäminen ja levittäminen ilman Turun yliopiston yleisen historian oppiaineen ja tekijän lupaa kielletään tekijänoikeuslainsäädännön nojalla Pioneerien leluista kulutuselektroniikaksi Suomalainen kotimikroharrastus tietotekniikan murroksessa 1980-luvun alusta 1990-luvun puoliväliin I. Johdanto 1.1 Johdatusta tietotekniikan historiantutkimukseen .................................................. 4 1.2 Tutkimustilanteen kartoitus ................................................................................... 10 1.3 Tutkimusongelma, lähteet ja työn eteneminen ..................................................... 13 1.4 Keskeiset käsitteet.................................................................................................. 19 II Kotimikro, ikkuna tulevaisuuteen? 2. Kotimikrot tietoteknistyvässä Suomessa 2.1 Suomen tietoteknistymisen alkuvaiheet ................................................................ 22 2.2 Mikrotietokoneiden läpimurto ............................................................................... 24 2.3 Kotimikrolehdistön synty....................................................................................... 28 3. Kotimikrot ja niiden käyttäjät 1980-luvulla 3.1 Commodore 64 — tasavallan tietokone ................................................................. -
Down with the Commies: Anti-Communist Propaganda in American Cold War Video Games
Down with the Commies von Regina Seiwald https://www.paidia.de/down-with-the-commies-anti-communist-propaganda -in-american-cold-war-video-games/ (21. Januar 2021) Down with the Commies: Anti-Communist Propaganda in American Cold War Video Games Video games are often sold by publishers as being apolitical because they are mainly accessed in our leisure time, but their potential for communicating political content and ideologies should not be underestimated.1 This relationship between politics and video games is intrinsically linked to the medium’s origin, with many war simulations among the first video games.2 In addition, many innocuous games, such as Tennis for Two (1958), showed some affiliation with military projects.3 While early digital worlds, such as The Bradley Trainer (1981),4 targeted military personnel, later games, such as America’s Army (2002),5 were intended for the public.6 These games flaunt their agenda, namely creating positive associations with the US military in their players, and as cultural artefacts are, in Marx and Engels’s words, “a mere training to act as a machine.”7 This paper asks whether Cold War video games played from an American perspective and created by American or Western game studios after 2000 act as Louis Althusser’s Ideological State Apparatuses by reproducing anti-communist ideologies. For Althusser, ideology is defined by two key characteristics: it “represents the imaginary relationship of individuals to their real conditions of existence”8 and it “has a material existence.”9 Unlike Marx and Engels, who argued that ideology creates a false consciousness and hides the real world,10 Althusser contents that ideology displays the “imaginary relationship of individuals”11 to reality. -
Times of Change in the Demoscene: a Creative Commu- Nity and Its Relationship with Technology
TIMES OF CHANGE IN THE DEMOSCENE A Creative Community and Its Relationship with Technology Markku Reunanen TURUN YLIOPISTON JULKAISUJA – ANNALES UNIVERSITATIS TURKUENSIS Sarja - ser. B osa - tom. 428 | Humanoria | Turku 2017 University of Turku Faculty of Humanities School of History, Culture and Arts Studies Degree Programme in Cultural Production and Landscape Studies Digital Culture, Juno Doctoral Programme Supervisors Professor Jaakko Suominen University lecturer Petri Saarikoski University of Turku University of Turku Finland Finland Pre-examiners Professor Nick Montfort Associate professor Olli Sotamaa Massachusetts Institute of Technology University of Tampere United States Finland Opponent Assistant professor Carl Therrien University of Montreal Canada The originality of this thesis has been checked in accordance with the University of Turku quality assurance system using the Turnitin OriginalityCheck service. ISBN 978-951-29-6716-2 (PRINT) ISBN 978-951-29-6717-9 (PDF) ISSN 0082-6987 (PRINT) ISSN 2343-3191 (ONLINE) Cover image: Markku Reunanen Juvenes Print, Turku, Finland 2017 Abstract UNIVERSITY OF TURKU Faculty of Humanities School of History, Culture and Arts Studies Degree Programme in Cultural Production and Landscape Studies Digital Culture REUNANEN, MARKKU: Times of Change in the Demoscene: A Creative Commu- nity and Its Relationship with Technology Doctoral dissertation, 100 pages, 88 appendix pages January 17, 2017 The demoscene is a form of digital culture that emerged in the mid-1980s after home computers started becoming commonplace. Throughout its approximately thirty years of existence it has changed in a number of ways, due to both external and internal fac- tors. The most evident external driver has been the considerable technological devel- opment of the period, which has forced the community to react in its own particular ways. -
Pelitutkimuksen Vuosikirja 2020
This is a self-archived version of an original article. This version may differ from the original in pagination and typographic details. Author(s): Title: Pelitutkimuksen vuosikirja 2020 Year: 2020 Version: Published version Copyright: © Kirjoittajat ja Pelitutkimuksen vuosikirja 2020 Rights: CC BY-NC-ND 4.0 Rights url: https://creativecommons.org/licenses/by-nc-nd/4.0/ Please cite the original version: Arjoranta, J., Friman, U., Koskimaa, R., Mäyrä, F., Sotamaa, O., Suominen, J., & Välisalo, T. (Eds.). (2020). Pelitutkimuksen vuosikirja 2020. Pelitutkimuksen seura. Pelitutkimuksen vuosikirja, 2020. http://www.pelitutkimus.fi/vuosikirja-2020 PELITUTKIMUKSEN VUOSIKIRJA 2020 Jonne Arjoranta, Usva Friman, Raine Koskimaa, Frans Mäyrä, Olli Sotamaa, Jaakko Suominen, Tanja Välisalo (toim.) Pelitutkimuksen vuosikirja 2020 Pelitutkimuksen vuosikirjan artikkelit käyvät läpi anonyymin vertaisarvioinnin ja vuosikirja noudattaa arvioinnissa Tieteellisten Seurain Valtuuskunnan arviointiohjeistoa. Ainoastaan artikkelit ovat käyneet läpi vertaisarvioinnin. Toimituskunta: Jonne Arjoranta, Usva Friman, Raine Koskimaa, Frans Mäyrä, Olli Sotamaa, Jaakko Suominen, Tanja Välisalo Tekninen toimitustyö ja taitto: Jonne Arjoranta Korjausluku: Tanja Välisalo ISSN: 1798-355X Julkaisija: Pelitutkimuksen seura Tekijänoikeudet: © Kirjoittajat ja Pelitutkimuksen vuosikirja. Tämä teos on lisensoitu Creative Commons Nimeä-EiKaupallinen- EiMuutoksia 4.0 Kansainvälinen -lisenssillä. Kansikuva: Markus Spiske: CAPTCHA Versio: 1.0 http://pelitutkimus.fi/vuosikirja-2020 ii -
Proposal for Video Games Around the World
Proposal for Video Games Around the World Mark J. P. Wolf, editor Communication Department Concordia University Wisconsin 12800 North Lake Shore Drive Mequon, WI 53097, USA phone: (262)243-4262 e-mail: [email protected] When the history of video games is told, it most often centers around video games in the United States, with perhaps a bit of Japanese and European video game history thrown in. But this, of course, is only a part of the whole story, and Video Games Around the World is the first book to attempt truly global coverage of the topic, with essays on video games in 35 different countries and regions, from every inhabited continent, most of which are written by scholars native to the areas discussed. While the essays include the video game history for their particular region, each also discusses concerns important to their culture of origin and how video games are informed by them, collectively examining the different ways video games interact with culture as well as educational and governmental institutions. As no other book on video games has such a broad, international scope, Video Games Around the World fills a niche and has no competitors, while at the same time the book has the potential to reach a worldwide audience, in not only game studies but other areas of cultural studies and technology studies, with a tone and style appropriate for an undergraduate audience. Although the content of the essays will vary considerably due to the variety of situations and contexts from one country to another, contributors have been asked to include such things as the history of video games in their country or region, the influence of national history on video games, the reception of foreign imports, domestic video game production and exports, indigenous video game culture, video game company profiles, video game content description, video game studies in the country or region, and the future of video games in the country or region. -
Rewriting History
Return in Play: The Emergence of Retrogaming in Finnish Computer Hobbyist and Game Magazines from the 1980s to the 2000s Jaakko Suominen, Markku Reunanen, Sami Remes Abstract This article deals with the emergence of the retrogaming phenomenon in Finland starting from the 1980s. On the one hand, retrogaming can be considered as the practice of playing and collecting aging hardware and games, and on the other hand, it refers to a wider cultural phenomenon comprising, for example, commercial products, artistic activities, research, museums and online discussions. Using major Finnish computer hobbyist and game magazines as our primary source material, we trace the origins of game-related nostalgia, historicization, and retro hobbyism. We argue that the last thirty years can be divided into three periods: initial game nostalgia and historicization, the emergence of retrogaming, and the mainstream commodification of retro. The influential role of prominent journalists in the historicization of video games and general spreading of retro awareness is evident in the developments, as well as the perceived generation gaps between older and younger hobbyists. Based on the findings, retro and nostalgia appear as moving targets, when machines, games and characters go through a life cycle from their prime time to oblivion and, eventually, comeback and canonization into shared cultural icons. Keywords Retro, nostalgia, video games, computer games, local histories of computing ***** _____________________________________________________________ Kinephanos, ISSN 1916-985X Cultural History of Video Games Special Issue, June 2015, www.kinephanos.ca Return in Play: The Emergence of Retrogaming in Finnish Computer Hobbyist and Game Magazines from the 1980s to the 2000s 1. Introduction How did the playing of video games evolve from a new media cultural form into something that also looks into the past? Over the past two decades, we have seen a shift where various practices of digital gaming nostalgia and retrogaming have emerged.