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BIBLIOGRAPHY PRIMARY SOURCES A: Archival Sources Archives British Library Newspaper Collection. Glasgow Museums People’s Palace Collection. Mitchell Library Glasgow Collection. National Fairground Archive, Sheffi eld. National Library of Scotland. Scottish Jewish Archive Centre. Scottish Theatre Archive, Glasgow University Library. PRIMARY DOCUMENTS/REPORTS Pickard’s Papers is a new digital resource that allows researchers to browse and search twenty-two volumes of press cuttings, fl yers and letters collected by A.E. Pickard between 1906 and 1917: http://pickardspapers.gla.ac.uk Prospectus , The Glasgow Panopticon Ltd , 10 June 1910; National Library of Scotland Moving Image Archive collection. Public Houses’ Act Conference Testimonies and Statistics, in reference to the workings of the Public Houses’ Act, from magistrates, superintendents of police, clergymen, city missionaries etc, etc. ‘Report of Lieut. Andrew’, dated 9 March 1875: GCA SR22/62/1. ‘Report of Visit to Music Halls on 27 February 1875’ by Superintendant Brown, dated 1 March 1875: GCA SR22/62/1. © The Editor(s) (if applicable) and The Author(s) 2016 247 P. Maloney, The Britannia Panopticon Music Hall and Cosmopolitan Entertainment Culture, DOI 10.1057/978-1-137-47659-3 248 BIBLIOGRAPHY Report on the working of the Public House Acts in the City of Glasgow for 1856 by James Smart, Superintendent of Police (Glasgow, R. Anderson, 1857). Statement of William Kean, Sederunt Book, Court of Session Sequestrations, SRO. B: NEWSPAPERS AND CONTEMPORARY JOURNALS Periodicals Barr’s Professional Gazette & Advertiser. Clydebank & Renfrew Press. Daily Record and Mail. Dumbarton Herald. Educational Film Bulletin. Era Almanack. Glasgow Eastern Standard. Glasgow Evening Citizen. Glasgow Evening News. Glasgow Evening Times. Glasgow Herald. Glasgow Programme. Glasgow Sentinel. Glasgow Theatrical Review. Glasgow Weekly Mail. Jewish Chronicle. Jewish Echo. North British Daily Mail. Scottish Kinema Record. Scottish Referee. The Amateur & Singer’s Journal. The Bailie. The Eagle. The Entertainer. The Era. The Performer (BL). The Playgoer . The Poets’ Box. The Press. The Professional & Authors’ Journal. The Quiz. The Scottish Stage. The Showman (NFA). The World’s Fair. BIBLIOGRAPHY 249 NEWSPAPER SERIES James Anderson. ‘The Auld Saltmarket, its closes, taverns and saloons’, ‘The Auld Trongate, its closes and taverns’, Glasgow Weekly Mail , 17 November–29 December 1888; Mitchell Library Glasgow Collection. Old Harry of Bridgeton. Old music-halls, songs and singers. Glasgow Eastern Standard , 30 May–8 August 1925. Mitchell Library Glasgow Collection. ‘The dark side of Glasgow’, North British Daily Mail, 27 December 1870–1871 : Cuttings Book, Mitchell Library Glasgow Collection GCF 914.1435 DAR. C: PUBLISHED PRIMARY MATERIAL Annan, Thomas. 1977. Photographs of the old closes and streets of Glasgow 1868/1877. Glasgow, 1878/1879; New York: Dover. Autobiography of a Scotch Lad, being reminiscences of three score years and ten . 1887. Glasgow: David Bryce & Son. Baynham, Walter. 1892. The Glasgow stage . Glasgow: Robert Forrester. Bell, J.J. 1932. I remember . Edinburgh: Porpoise Press. Bostock, E.H. 1927. Menageries, circuses and theatres . London: Chapman and Hall. Buchanan, Rev. Robert. 1850. The schoolmaster in the wynds; or, how to educate the masses . Glasgow: Blackie. Buchanan, Rev. Robert. 1851. The spiritual destitution of the masses in Glasgow . Glasgow: Blackie. Buchanan, Rev. Robert. 1871. The city’s spiritual wants and the Christian church’s duty . Glasgow. Christie, A.V. 1944. More brass tacks and a fi ddle , vol. 2. Kilmarnock: Ritchie’s Paper Products. Cross patter jokes , publ. D.R. Burnside, 50 Stockwell Street, Glasgow. c.1920s [no date]. Fellowes, Horace. 1958. Music in my heart . Edinburgh: Oliver & Boyd. Frame, W.F. 1907. Tells his own story . Glasgow: Wm Holmes. Freer, Walter. 1929. My life and memories . Glasgow: Civic Press Ltd. Haddow, W. Martin. 1943. My seventy years . Glasgow: Robert Gibson. Kane, Albert. 1987. But the memory lingers on . Paisley: James Paton. Lauder, Harry. 1928. Roamin’ in the Gloamin’ . London: Hutchinson. Mackintosh, Matthew. 1866. An old stager, stage reminiscences: Being recollections, chiefl y personal, of celebrated theatres and musical performers during the last forty years . Glasgow. McShane, Harry. 1978. No mean fi ghter . London: Pluto. Miller, David Prince. 1849. The life of a showman; to which is added managerial struggles, by David Prince Miller, late of the Adelphi Theatre, Glasgow . London/ Leeds: Lacy/C.A. Wilson. 250 BIBLIOGRAPHY Mitchell, J.O. 1905. Old Glasgow essays . Glasgow: Maclehose & Sons. Moffat, Graham. 1955. Join me in remembering. The life and reminiscences of the author of ‘Bunty pulls the strings’ . Camps Bay: Winifred L. Moffat. Muir, James Hamilton. 1901. Glasgow in 1901 . Glasgow/Edinburgh: Wm Hodge; White Cockade repr. 2001. Norman, Tom. 1985. The penny showman: Memoirs of Tom Norman, the Silver King . London: Private. Perrett, Eddie. 1990. The magic of the Gorbals: How we lived, loved and laughed 1914–60 . Glasgow: Clydeside Press. Purvis, Billy. 1875. The life of Billy Purvis, the extraordinary, witty and comical showman (1784–1853) . Newcastle: Arthur; facsimile ed. Newcastle: Frank Graham, 1981. Reid, Robert (‘Senex’). 1884. The Glasgow shows of olden times. Glasgow past and present, III , 313–369. Glasgow: D. Robertson. Shadow. 1976. Midnight scenes and social photographs: Being sketches of life in the streets, wynds and dens of the city . repr. of 1858 ed. Glasgow: University of Glasgow Press. Urie, John. 1908. Reminiscences of eighty years . Paisley: Alexander Gardner. D: ORAL TESTIMONY Interview with Bernard Frutin by Ben Braber, AUD OHP 0001: Scottish Jewish Archive Centre. Linda Mackenney. Interview with Samm Hankin, Scottish Theatre Archive. STA Tape 48. E: THESES Braber, Ben. 1992. Integretation of Jewish immigrants in Glasgow, 1880–1939. University of Glasgow PhD thesis. Distler, Paul Antonie. 1963. The rise and fall of the racial comics in American vaudeville. PhD dissertation, Tulane University. Eva, Philamon. 1996. Popular song and social identity in Victorian Manchester, PhD thesis, Manchester University. Forbes, Ruth P. 2003. Patterns of cultural production and reception in Dundee, 1850–1914. PhD thesis, Dundee University. MacGregor, J. A. 2003. In search of ethnicity: Jewish and Celtic identities in Liverpool and Glasgow, 1850–1900. M.Phil thesis, University of Liverpool. Munro, Margaret. 2004. Language and cultural identities in the Scots comic tradi- tion. PhD thesis, Queen Margaret University College. Qureshi, Sadiah. 2005. Living curiosities: Human ethnological exhibitions in London, 1800–1855. PhD thesis, University of Cambridge. BIBLIOGRAPHY 251 SELECTED SECONDARY SOURCES Adams, Bluford. 1989. E. Pluribus Barnum: The great showman & the making of U.S. popular culture . Minneapolis: University of Minnesota Press. Adams, Rachel. 2003. Sideshow USA: Freaks and the American cultural imagina- tion . Chicago: University of Chicago Press. Anderson, Benedict. 1991. Imagined communities: Refl ections on the origin and spread of nationalism , 2nd ed. London: Verso. Aspinwall, Bernard. 1984. Portable utopia: Glasgow and the United States 1820–1920 . Aberdeen: Aberdeen University Press. Audrey, Suzanne. 2000. Multiculturalism in practice. Irish, Jewish, Italian and Pakistani migration to Scotland . Aldershot: Ashgate. Bailey, Peter. 1979. “Will the real bill banks please stand up?” Towards a role analysis of mid-Victorian working-class respectability. The Journal of Social History 12(3): 336–353. Bailey, Peter. 1982. Custom, capital and culture in the Victorian music hall. In Popular culture and custom in nineteenth-century England , ed. Robert Storch. London: Croom Helm. Bailey, Peter (ed.). 1986. Music hall: The business of pleasure . Milton Keynes: Open University Press. Bailey, Peter. 1987. Leisure and class in Victorian England. Rational recreation and the contest for control 1830–1885 . London: Methuen. Bailey, Peter. 1989. Leisure, culture and the historian: Reviewing the fi rst genera- tion of leisure historiography in Britain. Leisure Studies 8(2): 107–127. Bailey, Peter. 1994. Conspiracies of meaning: Music hall song and the knowing- ness of popular culture. Past and Present 144: 138–170. Bailey, Peter. 1998a. Popular culture and performance in the Victorian city . Cambridge: Cambridge University Press. Bailey, Peter. 1998b. Theatres of entertainment/spaces of modernity. Nineteenth Century Theatre 26(1): 5–24. Barker, Clive. 1979. The audience of the Britannia Theatre, Hoxton. Theatre Quarterly 9(34): 27–41. Beaven, Brad. 2005. Leisure, citizenship and working-class men in Britain, 1850–1945 . Manchester: Manchester University Press. Bell, Barbara. 1992. The national drama. Theatre Research International 17(2): 96–108. Bell, Barbara. 1998. The nineteenth century. In A history of Scottish theatre , ed. Bill Findlay, 137–206. Edinburgh: Edinburgh University Press. Bell, Barbara. 2001. Revisiting the national theatre debate: Once more, with feel- ing…. Edinburgh Review 105: 5–14, Theatre in Scotland. Bermant, Chaim. 1969. Troubled Eden: An anatomy of British Jewry . London: Vallentine Mitchell. 252 BIBLIOGRAPHY Berridge, Kate. 2006. Madame Tussaud. A life in waxworks . New York: William Morrow. Beveridge, Craig, and Ronald Turnbull. 1989. The eclipse of Scottish culture: Inferiorism and the intellectuals . Edinburgh: Polygon. Bhabha, Homi K. (ed.). 1990. Nation and narration . London/New
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