Choral Evensong for the Fifth Sunday of Easter
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SON 442 Einleitung
XII Einleitung Die drei in diesem Band edierten Stücke sind vom Komponis- in seinem Album bewahren will auch einige Takte nach dem ten verfasste Bearbeitungen von originalen Kirchenwerken für Choral als Vorspiel zu der letzten Nummer die er gern drucken Solostimmen, vierstimmigen Chor und Orgel. Während es sich laßen möchte. Die drollige Weise in welcher er sich darüber bei den beiden Stücken mit englischer Textierung, beim Anthem an mich schriftlich ausdrückt, ist zu possirlich daß ich Dir sie „Why, o Lord, delay for ever“ MWV A 19 und beim Hymn nicht vorenthalten kann, u. lege seinen Brief beÿ. Dieses Docu- „Hear my prayer“ MWV B 49, um Auftragswerke handelte, war ment ist eines der zahlreichen seiner absonderlichen halbver- die Übertragung der Orgelstimme des „Ave Maria“ op. 23 Nr. 2 rückten Natur.“4 In dem beigelegten Brief hatte Broadley tags MWV B 19 auf Instrumente der praktischen Notwendigkeit für zuvor gebeten: „With reference to the Prelude, you were kind Aufführungen in Düsseldorf geschuldet. enough to say you would name to Mr. Mendelssohn, I beg to say that Organists in England generally indulge on those oc- casions in a style rather florid – at one time with an extra-low Anthem „Why, o Lord, delay for ever“ MWV A 19 für Solo pedal bass – at another time on the very top of the Instrument (Alt oder Mezzosopran), Chor und Orchester either in thirds, or after the manner of some of the ad libitum passages in the Gems a la Paganini of yours; I think this has a Das Anthem MWV A 19 stellt die Orchestrierung und Umarbei- very good effect for organ Prelude, particularly on theSwell . -
Mendelssohn, Bruckner, Whitacre, Stainer
Mendelssohn, Bruckner, Whitacre, Stainer Hear my prayer Felix Mendelssohn (1809-1847) Felix Mendelssohn-Bartholdy has a good claim to be considered the greatest prodigy in musical history. Although Mozart was composing fluent, sometimes large-scale, pieces in his childhood and teens, almost none of his juvenilia have actually survived in the repertoire, whereas Mendelssohn’s Octet (written aged 16), Midsummer Night’s Dream Overture (17), Fingal’s Cave Overture (20) and Italian Symphony (24) are masterpieces which have never slipped from the repertoire since their first publication. Mendelssohn showed an interest in sacred choral music from an early age, and wrote two oratorios - Elijah (which RCS will be performing on 23 rd June 2012) and St Paul . He also wrote a number of other sacred choral works, among which one of the best known and best loved is tonight’s setting of an adaptation of Psalm 55, Hear my Prayer . The composition of this psalm took place towards the end of Mendelssohn’s tragically short life (he died aged only 38 in 1847), being completed on 25 th January 1844. It was originally composed in German as Hör mein Bitten and dedicated to his friend Wilhelm Taubert. The English version of the text, which was approved by Mendelssohn, is by William Bartholomew, an English lyricist, librettist, composer and writer who was, by profession, a chemist. It was given its first performance in English at a concert arranged by Bartholomew’s wife in January 1845. It is possible that Mendelssohn modelled it on English verse anthems, having studied examples by Purcell, Croft and others provided by Thomas Attwood, the organist at St Paul’s Cathedral. -
Choral Evensong
Summer 2017 Service & Music List Sunday 2nd July The Third Sunday after Trinity Thursday 6th July Decani Week 11.05am Eucharist said in Saint Stephen’s Chapel 9.15am Eucharist said in the Lady Chapel 5.30pm Choral Evensong sung by the Georgia Boys’ Choir 11 .15 am Choral Eucharist sung by the Maryland State Boy choir Canticles Brewer in D Responses: Hancock Setting Piccolo: Canterbury Mass Anthem All in the April evening Roberton Psalm: 34 vv 1 -10 Gradual O sing joyfully Batten Motet Ave Verum corpus Byrd Friday 7th July Preacher The Revd T.S. Forster, B.A., B.Th., M.Phil. 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Prebendary of Yagoe Hymns: 334, 272, 475 3.15pm Choral Evensong sung by the Maryland State Boy choir Canticles Kelly in C Responses: Hancock Anthem Like as the hart Howells Psalm: 37 vv 1 -11 Canticle s Stanford in C Responses: Quinn An them Hail gladdening light Wood Psalm: 12 Saturday 8th July Voluntary Preludium in G Buxtehude Hymns: 483 (t.77), 252 11.05am Eucharist said in Saint Stephen’s Chapel rd Monday 3 July Saint Thomas th 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Sunday 9 July The Fourth Sunday after Trinity Cantoris Week Canticles Dyson in D Re sponses: Hancock Anthem The deer’s cry Pärt Psalm: 18 vv 1 -16 9.15am Eucharist said in the Lady Chapel 11.15am Choral Eucharist sung by the Georgia Boys’ Choir Tuesday 4th July Setting Missa de Angelis 5.30pm Choral Evensong sung by the Georgia Boys’ Choir Gradual Os Justi Bruckner Motet Faire is th e Heaven Harris Canticles Hogan in D b Responses: Hancock Preacher The Revd W.P. -
The 2007 Edition Is Available in PDF Form By
VOX The new Chapter Secretary: Nick Gale [email protected] The Academy of St Cecilia Patrons: The Most Hon. The Marquess of Londonderry Dean and Education Advisor: Sir Peter Maxwell Davies CBE John McIntosh OBE Vice Patrons: James Bowman CBE, Naji Hakim, Monica Huggett [email protected] From the master Treasurer: Paula Chandler [email protected] elcome to the 2007 edition of Vox - the mouthpiece of the Academy of St Cecilia. Registrar: Jonathan Lycett We always welcome contributions from our members - [email protected] indeed without them Vox would not exist. In this edition we announce our restructured Chapter and its new members; feature a major article on Thomas Tallis Director of Communications: whose 500th anniversay falls at this time; and we Alistair Dixon review the Academy’s most major event to date, the [email protected] chant day held in June 2006. Our new address is: Composer in Residence: Nicholas O'Neill The Academy of St Cecilia Email: [email protected] C/o Music Department [email protected] Cathedral House Westminster Bridge Road Web site: LONDON SE1 7HY www.academyofsaintcecilia.com Archivist: Graham Hawkes Tel: 020 8265 6703 [email protected] ~ Page 1 ~ ~ Page 2 ~ Advisors to the Academy Thomas Tallis (c.1505 - 1585) Alistair Dixon, a member of the Chapter of the Academy, spent ten years studying and performing the music of Thomas Tallis. In 2005 Academic Advisor: he released the last in the series of recordings with his choir, Chapelle Dr Reinhard Strohm PhD (KU Berlin) FBA HonFASC. Heather Professor of Music Oxford University du Roi, of the Complete Works of Thomas Tallis in nine volumes. -
A Prima Vista
A PRIMA VISTA a survey of reprints and of recent publications 2002/1 BROEKMANS & VAN POPPEL Van Baerlestraat 92-94 Postbus 75228 1070 AE AMSTERDAM sheet music: 020-6796575 CDs: 020-6751653/fax: 020-6646759 also on INTERNET: www.broekmans.com e-mail: [email protected] 2 CONTENTS A PRIMA VISTA 2002/1 PAGE HEADING 03 PIANO 2-HANDS 07 PIANO 4-HANDS, 2 AND MORE PIANOS, HARPSICHORD 08 ORGAN 09 KEYBOARD 1 STRING INSTRUMENT WITHOUT ACCOMPANIMENT: 10 VIOLIN SOLO, VIOLA SOLO 1 STRING INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 11 VIOLIN WITH ACCOMPANIMENT 12 VIOLIN PLAY-ALONG 13 VIOLA WITH ACCOMPANIMENT, CELLO WITH ACCOMPANIMENT 14 VIOLA DA GAMBA WITH ACCOMPANIMENT 14 2 AND MORE STRING INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 1 WIND INSTRUMENT WITHOUT ACCOMPANIMENT: 18 FLUTE SOLO, OBOE SOLO 19 CLARINET SOLO, SAXOPHONE SOLO, BASSOON SOLO, TRUMPET SOLO 20 HORN SOLO, TROMBONE SOLO, TUBA SOLO 1 WIND INSTRUMENT WITH ACCOMPANIMENT, piano unless stated otherwise: 20 PICCOLO WITH ACCOMPANIMENT, FLUTE WITH ACCOMPANIMENT 22 FLUTE PLAY-ALONG, ALTO FLUTE WITH ACCOMPANIMENT 23 OBOE WITH ACCOMPANIMENT, OBOE PLAY-ALONG, CLARINET WIT ACCOMPANIMENT 24 CLARINET PLAY-ALONG 25 BASSETHORN WITH ACCOMPANIMENT, SAXOPHONE WITH ACCOMPANIMENT 27 SAXOPHONE PLAY-ALONG 28 BASSOON WITH ACCOMPANIMENT, TRUMPET WIT ACCOMPANIMENT 29 TRUMPET PLAY-ALONG, HORN WITH ACCOMPANIMENT 30 TROMBONE WITH ACCOMPANIMENT, TROMBONE PLAY-ALONG 31 TUBA WITH ACCOMPANIMENT, EUPHONIUM PLAY-ALONG 2 AND MORE WIND INSTRUMENTS WITH AND WITHOUT ACCOMPANIMENT: 31 2 AND MORE WOODWIND -
Music List – May 2021
MUSIC LIST – MAY 2021 SUNDAY 2nd MAY WEDNESDAY 5th FIFTH SUNDAY OF EASTER Cantoris 5.45pm Choral Evensong services sung by the Boys and Lay Clerks sung by the Consort 10.30am Sung Eucharist Oxley responses Psalm 99 Rowley Sursum corda Harris in A Darke in E Bairstow Sing ye to the Lord arr. Wood This joyful Eastertide Stanford Andante maestoso Hymns: 205 (omit vv. 2 & 4); 112 (omit vv. 2 & 4); 110 THURSDAY 6th Langlais Fête 5.45pm Choral Evensong Preacher: Canon Benjamin Carter sung by the Girls and Lay Clerks Cullen responses Psalm 104 3.00pm Choral Evensong Dyson in F Stanford Prelude on Tallis’ Canon Wesley Blessed be the God Moore responses Psalm 96 and Father Dyson in D Willan O filii et filiae Stanford Ye choirs of new Jerusalem Hymns: 119 (omit vv. 4 & 5); 120 FRIDAY 7th Stanford Prelude on the Easter Hymn 5.45pm Choral Evensong sung by the Boys and Lay Clerks TUESDAY 4th Shephard responses Psalm 66 5.45pm Choral Evensong Sumsion in G sung by the Lay Clerks Millican Haec dies Ashfield responses Psalm 97 Sumsion Ceremonial march Lang in E flat MacPherson Te Deum in E Brahms Schmücke dich, O liebe Seele SUNDAY 9th MAY WEDNESDAY 12th SIXTH SUNDAY OF EASTER Decani 5.45pm Choral Evensong services sung by the Girls and Lay Clerks sung by the Consort 10.30am Sung Eucharist Clucas responses Psalms 15, 24 Widor Symphonie Romane: Cantilène Ireland in F (founded upon the Easter hymn Amner Come, let’s rejoice ‘Haec dies’) Murrill Carillon Haydn Little organ mass Palestrina Sicut cervus THURSDAY 13th Hymns: 106 (omit v. -
Some Tho:Ughts on Antiphonal Singing
SOME THO:UGHTS ON ANTIPHONAL SINGING placement of organs in two separate arms Decani choir (south side of the Cathe• LEONARD VAN CAMP of this cross caused the experimentation dral) and a Cantoris choir (north side of Prepared for the Fourth Annual High with alternating the sound of the two the Cathedral). Many works which we School Choral Clinic, Southern Illinois instruments (which had been done ear- think to be for four-part choir were in• University, Edwardsville Campus, ·by Dr. lier in other places). Further exploration stead intended to be sung by alternate Van Camp, Director of Choral Activities showed the feasibility of placing separate choirs, including for example (in the choirs across the nave from each other. writer's opinion) the oft-performed A marvelously colorful musical experi- With each succeeding generation of mas- "Lord, for Thy Tender Mercies' Sake" ence awaits the director and choir who ter composers the Venetian school of by Richard Farrant (c. 1530-1581) and undertake choral music which. incorpor-' polychoral singing developed to a higher Christopher Tye's (c. 1500-c. 1572) "O ates antiphonal singing. We must first and more colorful peak. The height of Come, Ye Servants of the Lord," both of of all answer the question: "What do you this development which began in earnest which take mi new meaning when per• mean, antiphonal singing?" The term at St. Mark's in 1527 with Adrian Wil- formed in this way. The Roman School, refers, in a general way, to music for laert (c. 1490-1562), and continued even especially Antonio Lotti (1667-1740) two choirs in which one choir imitates after the days of the famous composer, and Antonio Caldara ( 1670-1736), was or echoes the music of the other. -
The Plight of Anglican Church Music in the Western Cape: Three Case Studies
THE PLIGHT OF ANGLICAN CHURCH MUSIC IN THE WESTERN CAPE: THREE CASE STUDIES Levi Eudo Alexander Thesis presented in partial fulfilment of the requirements for the degree of Master of Music (Choral Conducting) in the Faculty of Arts and Social Sciences at Stellenbosch University. Supervisor: Martin Berger March 2021 Stellenbosch University https://scholar.sun.ac.za DECLARATION By submitting this thesis electronically, I declare that the entirety of the work contained therein is my own, original work, that I am the sole author thereof (save to the extent explicitly otherwise stated), that reproduction and publication thereof by Stellenbosch University will not infringe any third party rights and that I have not previously in its entirety or in part submitted it for obtaining any qualification. Levi Alexander March 2021 Copyright © 2021 Stellenbosch University All rights reserved 1 Stellenbosch University https://scholar.sun.ac.za ABSTRACT Music ministries still providing Anglican church congregations with traditional Anglican church music find themselves clutching onto a musical tradition in a church plagued by the increasing secularisation of society. This thesis, in three case studies, investigates the musical output and general daily function of three Anglican churches in the Western Cape by interviewing the rector and music director of each parish. Each parish was selected as it presented a varied historical, musical, liturgical and churchmanship culture. The aim of the thesis is to ascertain, primarily, whether traditional music is under threat of falling into disuse in the church and secondly, if traditional music is indeed under threat, the possible measures which could be implemented to preserve the heritage for future generations of Anglican worshippers. -
Services and Music List
Services and Music List December 2018 WELCOME December begins almost immediately with the thrill of Advent and our Carol Service, How shall we call Thee?, built around the Great Advent Antiphons. These are set to music this year by Richard Allain under the title Vero Cras. Amid the many celebrations of Christmas hosted by the Cathedral throughout Advent, we keep the daily round of prayer and praise as excitement builds, and we are surprised again by God’s gift of himself. We hope very much that you will join us when you can. The Reverend Canon Nicholas Jepson-Biddle, Precentor Communicant members of other churches in good standing are welcome to receive the Sacrament in this church if they so desire. IN RESIDENCE December 1: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 2 – 8: The Very Reverend Dr John Davies DL, Dean December 9 – 15: The Reverend Canon Rosalind Paul, Pastor December 16 – 25: The Reverend Canon Nicholas Jepson-Biddle, Precentor December 26 – 31: The Reverend Canon Rosalind Paul, Pastor WELLS CATHEDRAL CHOIR The Cathedral’s Organist and Master of the Choristers, Prebendary Matthew Owens, is always pleased to hear from parents of prospective choristers. Scholarships and additional bursaries for Wells Cathedral School, which all choristers attend, are available. For more information, or about choral and organ scholarships at the Cathedral, please telephone 01749 832204 or email [email protected] USE OF INCENSE At certain services throughout the year, incense is used to enhance the festal nature of the day. These services are marked with an asterisk (*). ANTHEMS Selected translations of anthems which are not sung in English may be found towards the back of the Services and Music List, following the final listed week. -
Robert Shay (University of Missouri)
Manuscript Culture and the Rebuilding of the London Sacred Establishments, 1660- c.17001 By Robert Shay (University of Missouri) The opportunity to present to you today caused me to reflect on the context in which I began to study English music seriously. As a graduate student in musicology, I found myself in a situation I suspect is rare today, taking courses mostly on Medieval and Renaissance music. I learned to transcribe Notre Dame polyphony, studied modal theory, and edited Italian madrigals, among other pursuits. I had come to musicology with a background in singing and choral conducting, and had grown to appreciate—as a performer—what I sensed were the unique characteristics of English choral music of the sixteenth and seventeenth centuries. It was a seminar on the stile antico that finally provided an opportunity to bring together earlier performing and newer research interests. I had sung a few of Henry Purcell’s polyphonic anthems (there really are only a few), liked them a lot, and wondered if they were connected to earlier music by Thomas Tallis, William Byrd, and others, music which I soon came to learn Purcell knew himself. First for the above-mentioned seminar and then for my dissertation, I cast my net broadly, trying to learn as much as I could about Purcell and his connections to earlier English music. I quickly came to discover that the English traditions were, in almost every respect, distinct from the Continental ones I had been studying, ranging from how counterpoint was taught (or not taught) 1 This paper was delivered at a March 2013 symposium at Western Illinois University with the title, “English Cathedral Music and the Persistence of the Manuscript Tradition.” The present version includes some subsequent revisions and a retitling that I felt more accurately described the paper. -
The Word of God St. Patrick's Episcopal Church
St. Patrick’s Episcopal Church 4700 Whitehaven Parkway, NW Washington, District of Columbia 20007 202 342-2800 www.stpatrickschurchdc.org Trinity Sunday May 30, 2021 10:00am The Word of God Prelude Suite in Bb Major: Andante G. Michael Brown Processional Hymn 362 “Holy, holy, holy” Nicaea Copyright: From Hymnal 1982 © 1982 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Inc., New York, NY. The Opening Acclamation Book of Common Prayer, Page 355 Celebrant: Blessed be God: Father, Son, and Holy Spirit. People: And blessed be God’s Kingdom, now and forever. Amen The Collect for Purity Celebrant and People: Almighty God, to you all hearts are open, all desires known, and from you no secrets are hid: Cleanse the thoughts of our hearts by the inspiration of your Holy Spirit, that we may perfectly love you, and worthily magnify your holy Name; through Christ our Lord. Amen. Song of Praise, Hymn 370 “I bind unto myself the Name” St. Patrick’s Breastplate Vs. 7 Copyright: From Hymnal 1982 © 1982 the Church Pension Fund. All rights reserved. Used by permission of Church Publishing Inc., New York, NY. The Collect of the Day Celebrant: The Lord be with you. People: And also with you. Celebrant: Let us pray. Almighty and everlasting God, you have given to us your servants grace, by the confession of a true faith, to acknowledge the glory of the eternal Trinity, and in the power of your divine Majesty to worship the Unity: Keep us steadfast in this faith and worship, and bring us at last to see you in your one and eternal glory, O Father; who with the Son and the Holy Spirit live and reign, one God, for ever and ever. -
18.06.24-18.07.07
THE QUEEN’S FREE CHAPEL THE CHAPEL OF THE COLLEGE OF ST GEORGE ST GEORGE’S CHAPEL THE CHAPEL OF THE MOST HONOURABLE & NOBLE ORDER OF THE GARTER www.stgeorges-windsor.org Services and Music from Sunday 24 to Saturday 30 June 2018 Sunday 24 8.30 am Holy Communion FOURTH SUNDAY 10.45 am Mattins Canticles: Weelkes First Service Responses: Smith AFTER TRINITY Organ Voluntary: Langlais Fête Psalm 50 vv 1–12 Preacher: The Right Reverend David Conner, KCVO, Dean of Windsor Hymns 439 omit vv 3–4, Collections for the Robert Ward Bursary Fund and the College of St George. 457, 466 12 noon Sung Eucharist Setting: Jackson in G Hymns 486, 310, 374 Gradual: Plainsong Be merciful, O Lord, unto our sins Organ Voluntary: Sumsion Variations on a Folk Tune 5.15 pm Memorial Evensong for Stephen Le Bras Introit: Walford Davies God be in my head Responses: Smith Decani (a) Canticles: Byrd Second Service Psalm 15 Anthem: Samuel Sebastian Wesley Thou wilt keep him in perfect peace Hymn 377 Organ Voluntary: Elgar Imperial March Collection to support The Queen’s Choral Foundation. Monday 25 7.30 am Mattins Psalm 80 THE BIRTH OF 8.00 am Holy Communion JOHN THE BAPTIST 5.15 pm Evensong Canticles: Byrd Fauxbourdons Responses: Tomkins Anthem: Thomas Mudd Let thy merciful ears Psalm 85 Tuesday 26 7.30 am Mattins Psalm 89 vv 1–18 8.00 am Holy Communion 5.15 pm Evensong sung by the Lay Clerks Canticles: Walsh St Paul’s Service Responses: Rose Anthem: Giovanni Pierluigi da Palestrina Sicut cervus Psalm 89 vv 20–30 Wednesday 27 7.30 am Mattins Psalm 119 vv 105–128 8.00