Ancient Japanese Mythology
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“Iki,” the Edo Aesthetic, Seen in Bijin-Ga Prints from the Tenmei To
English Edition19 Oct.23 Fri. 2020 No.19 From the Permanent Exhibition Area From the Aesthetics of Edo Corner “Iki,” the Edo Aesthetic, Seen in Bijin-ga Prints from the Tenmei to Kansei (1781-1800) looking at her colleague who is still applying rouge to her lips. When their preparations are complete, the geisha will stroll to the dinner party at which they are to perform. eir kimono are the then-popular style with designs conned to their skirts. ey walk with bare feet in wooden clogs to aunt these iki patterns. Torii Kiyonaga depicts their Edo-ideal slender, supple bodies in a manner now labeled “Edo Venus.” is ukiyo-e captures the pride and resilience of the geisha getting ready to perform. Knowing the Sweets and bitters of Love Resting her chin on her hand, she stares into the distance, her eyes half closed. Reflective Love, from the series Anthology of Poems: e Love Section, is an okubi-e portrait. e expression on the face and gesture with the hand capture this beauty’s emotions in a manner that makes this portrait of a beauty one of Kitagawa Utamaro’s masterpieces. e clean, unadorned lines elegantly and eortlessly depict the feelings expressed in her face. Her shaved eyebrows tell us that she is a married woman, and her hair done up in a torobin shinoji mage chignon indicates that she is the wife of a commoner. She is wearing a kosode kimono with a small, komon, decorative pattern. e background color is a faintly reddish grey. Her under kimono has a yellow and black check pattern that, combined with the purple tie-dyed undergarment, enlivens the color of the hand Permanent Exhibition and face. -
Tra Storia E Leggenda “Kusanagi No Tsurugi” La Spada Falciatrice D’Erba
Tra storia e leggenda “Kusanagi no Tsurugi” la Spada Falciatrice d’Erba Si narra che il dio Haya Susanoo - figlio del dio Attorno alle spade giapponesi (alla loro origine, ai Izanagi, creatore, insieme alla dea Izanami, delle fabbri che le forgiarono, ai personaggi che ne furo- isole nipponiche - venne esiliato nella regione di no in possesso o ne subirono gli effetti) sono fiorite Izumo dalle otto centinaia di decine di migliaia nel tempo numerose storie e leggende come quella di dei. Qui egli uccise un drago con otto teste per di Susanoo, sospese tra mito e realtà storicamente salvare una vergine, offerta in sacrificio al mostro. documentate. Tramandati di padre in figlio in epoche Trafitta a morte la bestia, si affrettò a smembrarla con lontane, molti di questi racconti sono inverosimili la propria spada ma, arrivato alla coda, non riuscì a alla luce della pragmatica logica occidentale, ma un troncarla: il filo della spada si intaccava, cozzando tempo erano venerati in Giappone come indiscutibili contro un elemento prodigiosamente inscalfibile. verità rivelate: spade indistruttibili e prodigiosamente Squarciata la coda per tutta la lunghezza, il dio trovò affilate riparavano torti e scacciavano spiriti malvagi all’interno una grande spada, che venne chiamata in nome della giustizia. E portavano nomi propri, Tsumugari (La Ben Affilata). Susanoo la consegnò legati al possessore, al fabbro o, più frequentemente, alla dea solare Amaterasu, che la diede poi al nipote ad un particolare elemento della loro straordinaria Ninigi quando questi discese dal cielo per governare vicenda. il Giappone. La spada fu infine ereditata dagli impe- ratori, il decimo dei quali, Suigin, ordinò che fosse _ custodita nel tempio di Ise. -
Education Reform in Japan: a Case of Immobilist Politics (The Nissan Institute/Routledge Japanese Studies Series) 1
Education Reform in Japan The Japanese education system is widely praised in western countries as a model to be emulated. In Japan, however, the system is criticized for its strict uniformity and for its supposed failure to train the creative minds that are needed for the next stage of economic advance. Since 1967 the Japanese government has twice embarked on major reform initiatives, but despite these high-profile attempts it has failed to achieve significant reform. Education Reform in Japan explains this failure in terms of an inability to reach consensus. The author argues that the prolonged one-party dominance by the Liberal Democratic Party has led to an internal diversity that has obstructed political change. He describes the paralysis that develops in the Japanese policy-making process when rifts occur between bureaucrats, party leaders and politicians specializing in education. He argues, moreover, that this ‘immobilism’ is not confined to education reform, but afflicts other areas of Japanese policy making as well. Leonard Schoppa is an Assistant Professor in the Woodrow Wilson Department of Government and Foreign Affairs, University of Virginia. He was first exposed to the Japanese education system as an elementary school child living in Japan, and became interested in the Japanese education reform debate after working as a junior high school teacher in the city of Kumamoto. His subsequent research took him back to Japan for numerous interviews with leading politicians, government officials and teachers’ union leaders. THE NISSAN -
The Japanese New Religion Oomoto
UNIVERSITÉ DU QUÉBEC À MONTRÉAL THE JAPANESE NEW RELIGION OOMOTO: RECONCILIATION OF NATNIST AND INTERNATIONALIST TRENDS THE SIS SUBMITTED AS PARTIAL REQUIREMENT FOR THE MASTERS OF ARTS IN RELIGIOUS STUDIES JOEL AMIS APRIL 2015 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006) . Cette autorisation stipule que «conformément à l'article 11 du Règlement no 8 des études de cycles supérieurs, [l 'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l 'auteur] autorise l'Université du Québec à Montréal à reproduire , diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l 'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire. " UNIVERSITÉ DU QUÉBEC À MONTRÉAL LA NOUVELLE RELIGION JAPONAISE OOMOTO: RÉCONCILIATION DES COURANTS NATIVISTES ET INTERNATIONALISTES MÉMOIRE PRÉSENTÉE COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN SCIENCES DES RELIGIONS JOEL AMIS AVRIL 2015 ACKNOWLEDGMENTS First of all, I would like to thank the Oomoto organization rn general and the International Department ofüomoto in particular for graciously hosting us in Kameoka and other Oomoto centers and for all their eff01is to facilitate my research. -
Japanese Aesthetics and the Tale of Genji Liya Li Department of English SUNY/Rockland Community College [email protected] T
Japanese Aesthetics and The Tale of Genji Liya Li Department of English SUNY/Rockland Community College [email protected] Table of Contents 1. Themes and Uses 2. Instructor’s Introduction 3. Student Readings 4. Discussion Questions 5. Sample Writing Assignments 6. Further Reading and Resources 1. Themes and Uses Using an excerpt from the chapter “The Sacred Tree,” this unit offers a guide to a close examination of Japanese aesthetics in The Tale of Genji (ca.1010). This two-session lesson plan can be used in World Literature courses or any course that teaches components of Zen Buddhism or Japanese aesthetics (e.g. Introduction to Buddhism, the History of Buddhism, Philosophy, Japanese History, Asian Literature, or World Religion). Specifically, the lesson plan aims at helping students develop a deeper appreciation for both the novel and important concepts of Japanese aesthetics. Over the centuries since its composition, Genji has been read through the lenses of some of the following terms, which are explored in this unit: • miyabi (“courtly elegance”; refers to the aristocracy’s privileging of a refined aesthetic sensibility and an indirectness of expression) • mono no aware (the “poignant beauty of things;” describes a cultivated sensitivity to the ineluctable transience of the world) • wabi-sabi (wabi can be translated as “rustic beauty” and sabi as “desolate beauty;” the qualities usually associated with wabi and sabi are austerity, imperfection, and a palpable sense of the passage of time. • yûgen (an emotion, a sentiment, or a mood so subtle and profoundly elegant that it is beyond what words can describe) For further explanation of these concepts, see the unit “Buddhism and Japanese Aesthetics” (forthcoming on the ExEAS website.) 2. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Удк 712.42:635.923 Сприйняття Рьоан-Дзі Восприятие Рёан
160 Культура України. Випуск 48. 2015 УДК 712.42:635.923 Ендрю Дж. Сведлоу, професор мистецтвознавства та історії мистецт ва, Університет Північного Колорадо, США СпРИЙНяТТя РЬоАН-дзі У храмі Рьоан-дзі в Кіото розташований найвідоміший у Японії сад каменів. Камені розміщені так, що з будь-якого кута побачити всю композицію неможливо. Щодо цього саду, як і будь-якого витвору мистецтва, можливі різні інтерпретації. Висвітлено зв’язок між естетичними теоріями за часів створення саду та сучасними поглядами на природу і мистецтво, розглянуто важливість місця медитації в естетичному досвіді. Проаналізовано суворість і про- стоту саду в Рьоан-дзі в історичному і релігійному контекстах. Ключові слова: храм, сад каменів, дизайн, медитація, асиметрія, традиції дзен-буддизму. Эндрю Дж. Сведлоу, профессор искусствоведения и истории искус- ства, Университет Северного Колорадо, США ВоСпРИяТИЕ РЁАН-дзИ В храме Рёан-дзи в Киото находится самый знаменитый в Япо- нии сад камней. Камни расположены так, что под любым углом увидеть всю композицию невозможно. Относительно этого сада, как и любого произведения искусства, возможны различные ин- терпретации. Освещена связь между эстетическими теориями времен создания сада и современными взглядами на природу и искусство, рассмотрено значение места медитации в эстетиче- ском опыте. Проведен анализ строгости и простоты сада в Рёан- дзи в историческом и религиозном контекстах. Ключевые слова: храм, сад камней, дизайн, медитация, асимме- трия, традиции дзэн-буддизма. Andrew J. Svedlow, Ph.D., Professor of Art History University of Northern Colorado. Greeley, Colorado, USA EMBraCING rYOaN-JI Ryoan-ji temple in Kyoto is the site of Japan's most famous rock gar- den. The stones are arranged so that the entire composition cannot be seen at once from any angle. -
Katsura Imperial Villa: the Photographs of Ishimoto Yasuhiro
Art in the Garden Katsura Imperial Villa: The Photographs of Ishimoto Yasuhiro Winter 2011 Katsura Imperial Villa: The Photographs of Ishimoto Yasuhiro This exhibition celebrates one of the most exquisite Harry Callahan and Aaron Siskind. He received the magnum opus 1955 exhibition titled The Family of THE MA OF MODERNISM: THE BOX architectural and garden treasures of Japan— Moholy-Nagy Prize awarded to top students of the Man at the Museum of Modern Art, New York. CONSTRUCTIONS OF DANIEL FAGERENG Katsura Imperial Villa in Kyoto—and one of its finest Institute for two consecutive years in 1951 and 1952. The box constructions of Daniel Fagereng were on living photographers, Ishimoto Yasuhiro, whose In 1966, Ishimoto returned again to Japan, where he view in conjunction with the Katsura photography 1953 images of Katsura introduced this unrivalled In 1953, Ishimoto returned to Japan to photograph became a professor at the Tokyo University of Art exhibition. The artist reinterprets the elements and masterpiece to the world. Katsura Detached Palace, and published the and Design. In 1969, he became a Japanese citizen. book, Katsura: Tradition and Creation in Japanese He visited Kyoto again in 1982, re-photographing components of traditional Japanese architecture in Born in San Francisco in 1921, and raised in Japan, Architecture, in 1960 with text by Walter Gropius Katsura in color to capture his own personal these mixed media constructions using light, line, Ishimoto returned to the U.S. at the age of 17 to and Tange Kenzo, two of the greatest architects of the vision of the richer, more complex character of and shadow as compositional elements. -
Univerzita Karlova V Praze Filozofická Fakulta
Univerzita Karlova v Praze Filozofická fakulta Ústav Dálného východu Bakalářská práce Kateřina Danišová Vztah umění a vytváření japonské národní identity v moderním období The Relation of Art and Japanese National Identity in the Modern Era Praha, 2011 vedoucí práce: Mgr. David Labus, Ph.D. Poděkování Tímto bych chtěla poděkovat Mgr. Davidu Labusovi, Ph.D., za vedení práce, užitečné rady a připomínky. Prohlašuji, že jsem bakalářskou práci vypracovala samostatně, že jsem řádně citovala všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. V Praze dne 9.7.2011 podpis Anotace Bakalářská práce se zaměřuje na představení nových západních uměleckých technik, které se v Japonsku rozšířily během období Meidži, dále na způsob jejich interakce s tradičními žánry a formami. Soustřeďuje se na role jedinců, zejména Ernesta Fenollosy a Okakury Tenšina, spolků a institucí při vytváření vědomí národní identity a také na roli, kterou kultura zastala ve vznikající moderní ideologii. Annotation This bachelor dissertation concentrates on the introduction of the new artistic techniques, which spread out in Japan during the Meiji period, and on their interaction with the traditional genres and forms. It examines the role of individuals, particularly Ernest Fenollosa and Okakura Tenshin, societies and institutions in the process of creating a national identity. It also deals with the part of the culture in the developing of a modern ideology. Klíčová slova Japonsko, japonské umění, umění v období Meidži, národní identita, interakce tradičního a moderního umění, moderní japonské umění, Okakura, Fenollosa, Conder, jóga, nihonga. Keywords Japan, japanese art, Meiji period art, national identity, traditional and modern art interaction, japanese modern art, Okakura, Fenollosa, Conder, jōga, nihonga. -
Issue Print Test | Nonsite.Org
ISSUE #13: THE LATIN AMERICAN ISSUE 13 nonsite.org is an online, open access, peer-reviewed quarterly journal of scholarship in the arts and humanities affiliated with Emory College of Arts and Sciences. 2015 all rights reserved. ISSN 2164-1668 EDITORIAL BOARD Bridget Alsdorf Ruth Leys James Welling Jennifer Ashton Walter Benn Michaels Todd Cronan Charles Palermo Lisa Chinn, editorial assistant Rachael DeLue Robert Pippin Michael Fried Adolph Reed, Jr. Oren Izenberg Victoria H.F. Scott Brian Kane Kenneth Warren FOR AUTHORS ARTICLES: SUBMISSION PROCEDURE Please direct all Letters to the Editors, Comments on Articles and Posts, Questions about Submissions to [email protected]. Potential contributors should send submissions electronically via nonsite.submishmash.com/Submit. Applicants for the B-Side Modernism/Danowski Library Fellowship should consult the full proposal guidelines before submitting their applications directly to the nonsite.org submission manager. Please include a title page with the author’s name, title and current affiliation, plus an up-to-date e-mail address to which edited text and correspondence will be sent. Please also provide an abstract of 100-150 words and up to five keywords or tags for searching online (preferably not words already used in the title). Please do not submit a manuscript that is under consideration elsewhere. ARTICLES: MANUSCRIPT FORMAT Accepted essays should be submitted as Microsoft Word documents (either .doc or .rtf), although .pdf documents are acceptable for initial submissions.. Double-space manuscripts throughout; include page numbers and one-inch margins. All notes should be formatted as endnotes. Style and format should be consistent with The Chicago Manual of Style, 15th ed. -
Japan Studies Review
JAPAN STUDIES REVIEW Volume Nineteen 2015 Interdisciplinary Studies of Modern Japan Steven Heine Editor Editorial Board John A. Tucker, East Carolina University Yumiko Hulvey, University of Florida Matthew Marr, Florida International University Ann Wehmeyer, University of Florida Hitomi Yoshio, Florida International University Copy and Production María Sol Echarren Rebecca Richko Ian Verhine Kimberly Zwez JAPAN STUDIES REVIEW VOLUME NINETEEN 2015 A publication of Florida International University and the Southern Japan Seminar CONTENTS Editor’s Introduction i Re: Subscriptions, Submissions, and Comments ii ARTICLES Going Postal: Empire Building through Miniature Messages on German and Japanese Stamps Fabian Bauwens 3 Old, New, Borrowed, and Blue: Hiroshi Senju’s Waterfall Paintings as Intersections of Innovation Peter L. Doebler 37 Delightfully Sauced: Wine Manga and the Japanese Sommelier’s Rise to the Top of the French Wine World Jason Christopher Jones 55 “Fairness” and Japanese Government Subsidies for Sickness Insurances Yoneyuki Sugita 85 ESSAYS A “Brief Era of Experimentation”: How the Early Meiji Political Debates Shaped Japanese Political Terminology Bradly Hammond 117 The Night Crane: Nun Abutsu’s Yoru No Tsuru Introduced, Translated, and Annotated Eric Esteban 135 BOOK REVIEWS Scream from the Shadows: The Women’s Liberation Movement in Japan By Setsu Shigematsu Reviewed by Julia C. Bullock 169 Critical Buddhism: Engaging with Modern Japanese Buddhist Thought By James Mark Shields Reviewed by Steven Heine 172 Banzai Babe Ruth: Baseball, Espionage, & Assassination During the 1934 Tour of Japan By Robert K. Fitts Reviewed by Daniel A. Métraux 175 Supreme Commander: MacArther’s Triumph in Japan By Seymour Morris Reviewed by Daniel A. Métraux 177 CONTRIBUTORS/EDITORS i EDITOR’S INTRODUCTION Welcome to the nineteenth volume of the Japan Studies Review (JSR), an annual peer-reviewed journal sponsored by the Asian Studies Program at Florida International University Seminar. -
The Book of Tea
THE BOOK OF TEA KAKUZO OKAKURA ORIGINAL EDITION Prepared by JULIAN TAI Amazing-Green-Tea.com Sussex, United Kingdom Real Tea Directly from the Source www.amazing-green-tea.com Page 1 of 75 Steal This eBook! Well, okay, not quite. But actually, you now own, absolutely free, resale, reprint and redistribution rights to this ebook! This book currently sells at Amazon.com for at least $9.95! What does that really mean? It means that you can sell this ebook for any price you'd like and you keep 100% of the profits...or you can use it as a free bonus and give it away on your site... or you can print out as many copies as you want... or you can send it as a file to your friends and family who might be interested in reading it. It's your choice. Ebook Distribution The only restriction is that you cannot modify the ebook or its contents in any way. The entire ebook must be distributed in full. If you enjoy reading this ebook, please consider sharing it with others, so that they too can start discovering their next great tea! To tell a friend, click http://www.amazing-green-tea.com/share-this-site.html Real Tea Directly from the Source www.amazing-green-tea.com Page 2 of 75 Contents Chapter 1: The Cup of Humanity 4 Chapter 2: The School of Tea 14 Chapter 3: Taoism and Zennism 24 Chapter 4: The Tea Room 36 Chapter 5: Art Appreciation 49 Chapter 6: Flowers 58 Chapter 7: Tea Masters 70 About Amazing Green Tea 75 Real Tea Directly from the Source www.amazing-green-tea.com Page 3 of 75 Chapter 1: The Cup of Humanity Tea began as a medicine and grew into a beverage.