Mar 2011 on Song
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
News Брой 2 (73) I Декември 2010 I Година Xvii С
брой 2 (73) I декември 2010 I година XVII NEWS I XVI година година I 2010 декември I (73) 2 брой брой NEWS NewFord C-MAX С РАЗМЕР ПО ИЗБОР Скъпи читатели, Dear readers, Заглавието, превърнало се и в крилата фраза – „Крачка напред, две на- We sincerely hope that the new edition of our magazine will contribute to зад” – може да се окаже точно определение за развитиесто на бизнеса your joyful summer. In defiance of the bad economic crisis we have wonderful в България (а и не само) през последни години на криза. Колко точно е automotive news. връщането назад всеки бранш, разбира се, мери индивидуално. Хубава- The most important news considering the cars, used by the business, is the та новина е, че нашата крачка напред беше гигантска – изключителни version with VAT deductibility of Ford Focus, Mondeo, Kuga and the highly продукти, представени на пазара и усъвършенствани услуги. Възро- desirable Volvo XC60. The iconic British brands Jaguar and Land Rover/Range дената икона на Jaguar, изцяло новият XJ, трайно плени желанията и Rover with fully renewed range are making their aggressive reload in Bulgaria въображението на клиентите. Императорът – Land Rover/Range Rover with new, extremely better prices, 5 years warranty and free Premium Service триумфира у нас с нова гама автомобили и атрактивни цени, както Program. In Geneva their first public appearance did the all-new Ford Focus, и 5 годишна гаранция и програма Premium Service. Новото Volvo S60 the face lifted S-Max and Galaxy, as well as the long expected, naughty Volvo предизвика възторг с новия си дизайн и уникални технологии, спасява- S60. -
2020 Annual Report Testifies to Much Resilience and Innovation, Yielding Improvement in 18 Key Performance Indicators of at Least 5% When Compared to 2019 (Table Xx)
ANNUAL REPORT ANNUAL REPORT 1 2 2 Scope and Boundary of the Report and Report Content OVERVIEW, SCOPE AND BOUNDARY OF THE REPORT The scope and boundary of the University of Johannesburg’s Annual Report is reflected in this section and is, firstly, guided by the Department of Higher Education and Training Regulations for Annual Reporting (compliance report) by Public Higher Education Institutions. Secondly, the principles of integrated and sustainability reporting are taken into consideration for the portfolio and divisional sections of this report. The Annual Report covers the period of 1 January 2020 to 31 December 2020 and highlights development and performance for the calendar year. The report is available at www.uj.ac.za. Any questions, queries and comments regarding this report should be directed to the Registrar, whose contact details are available on the University of Johannesburg’s website. The report is an overview of the core business of the University of Johannesburg (UJ), which is offered on the four campuses in Gauteng: the Auckland Park Kingsway Campus (APK), the Auckland Park Bunting Road Campus (APB), the Doornfontein Campus (DFC), and the Soweto Campus (SWC). The following processes and guidelines were followed for determining the content of the report: ¾ The Regulations for Reporting by Public Higher Education Institutions. ¾ The Institutional Strategic Plan 2025 and predetermined objectives, as approved by Council and reflected in the Annual Performance Plan (APP). ¾ The Institutional Risk Register approved by Council. The Annual Report is presented in sections largely determined by the structure of the institution; however, the important cross-over themes of risk management, sustainability, and transformation, as well as the six strategic objectives of the institution, are addressed both in dedicated sections and across the Annual Report. -
Sounds of Young Afrikaners
Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Maike Lolkema Research Master Thesis in African Studies African Studies Centre / Leiden University Sounds of young Afrikaners Popular music and processes of social identification in and around Pretoria, South Africa Name Maike Reinate Lolkema Supervisor Dr. W.M.J. (Ineke) van Kessel Second Reader Dr. H. (Harry) Wels Date July 2014 Pictures used at the cover: Picture at the top: Audience at the performance of Fokofpolisiekar at Oppikoppi Festival at August 10th 2012. Picture at the bottom: Audience at the performance of Steve Hofmeyr at the Pretoria Musiekfees on November 17th 2012. The writer made both pictures. 2 ‘We understand it still that there is no easy road to freedom. We know it well that none of us acting alone can achieve success. We must therefore act together as a united people, for national reconciliation, for nation building, for the birth of a new world.’ - Nelson Mandela in his inaugural address May 10th 1994 ‘Een ding het intussen vir my duidelik geword: Dis nie ’n land vir sissies nie.’ - Fred de Vries in Rigting Bedonnerd ‘Revoluties worden op schepen uitgeroepen, utopieën op eilanden geleefd. Dat er nog iets anders moet zijn dan het hier en nu, is een troostende gedachte.’ - Judith Schalansky in De atlas van afgelegen eilanden ‘Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness, that most frightens us. Your playing small does not serve the world. -
How Ninja from Die Antwoord Performs South African White Masculinities Through the Digital Archive
ZEF AS PERFORMANCE ART ON THE ‘INTERWEB’: How Ninja from Die Antwoord performs South African white masculinities through the digital archive by Esther Alet Rossouw Submitted in fulfilment of the requirements of the degree MAGISTER ARTIUM in the Department of Drama Faculty of Humanities University of Pretoria Supervisor: Dr M Taub AUGUST 2015 1 ABSTRACT The experience of South African rap-rave group Die Antwoord’s digital archive of online videos is one that, in this study, is interpreted as performance art. This interpretation provides a reading of the character Ninja as a performance of South African white masculinities, which places Die Antwoord’s work within identity discourse. The resurgence of the discussion and practice of performance art in the past thirty years has led some observers to suggest that Die Antwoord’s questionable work may be performance art. This study investigates a reconfiguration of the notion of performance art in online video. This is done through an interrogation of notions of risk, a conceptual dimension of ideas, audience participation and digital liveness. The character Ninja performs notions of South African white masculinities in their music videos, interviews and short film Umshini Wam which raises questions of representation. Based on the critical reading of Die Antwoord’s online video performance art, this dissertation explores notions of Zef, freakery, the abject, new ethnicities, and racechanges, as related to the research field of whiteness, to interpret Ninja’s performance of whiteness. A gendered reading of Die Antwoord’s digital archive is used to determine how hegemonic masculinities are performed by Ninja. It is determined that through their parodic performance art, Die Antwoord creates a transformative intervention through which stagnant notions of South African white masculinity may be reconfigured. -
Die Liedtekste Van Bok Van Blerk, Fokofpolisiekar, the Buckfever Underground En Karen Zoid
AFRIKAANSE LIEDTEKSTE IN KONTEKS: DIE LIEDTEKSTE VAN BOK VAN BLERK, FOKOFPOLISIEKAR, THE BUCKFEVER UNDERGROUND EN KAREN ZOID deur WENDY DESRÉ NELL voorgelê luidens die vereistes vir die graad MAGISTER ARTIUM in die vak AFRIKAANS aan die UNIVERSITEIT VAN SUID-AFRIKA STUDIELEIER: PROF A G VISAGIE MEDESTUDIELEIER: PROF J L COETSER FEBRUARIE 2014 1 OPSOMMING Die doel van hierdie studie is om op die liedtekste van die kunstenaars, Bok van Blerk, Fokofpolisiekar, The Buckfever Underground (en Toast Coetzer) en Karen Zoid te fokus en om te bepaal wat hulle funksie in die eietydse Afrikaanse kultuurlandskap is, en wat hulle rol in die definiëring van kulturele identiteit is. In hierdie studie sal daar ook klem gelê word op die sosiopolitieke faktore wat tot die opbloei van die Afrikaanse musiekbedryf gelei het. Deur die analise van dié kunstenaars se lirieke, sal ek vasstel of hulle wel betekenisvolle werk van literêre gehalte lewer. Ek het spesifiek hierdie musikante gekies omdat hulle jong eietydse musikante is. 2 ABSTRACT The purpose of this study is to focus on the song texts of artists, Karen Zoid, Fokofpolisiekar, The Buckfever Underground (and Toast Coetzer) and Bok van Blerk and to determine their function in today’s cultural reality, and whether these musicians and their music have an influence on today’s youth and their search for a Cultural Identity. This study will also focus on the socio-political factors that led to the rise of the Afrikaans Music Industry. By analyzing these artists’ lyrics, I want to determine whether they are significant works of literary quality. These musicians were chosen because they are regarded as young contemporary musicians. -
"The Official Kiaat Magazine" Kiaat Diaries from the Editor
KiaatVolume 3, Issue 1 March 2014 Diaries"The Official Kiaat Magazine" Kiaat Diaries From The Editor... Taking over the reins from you bow down – you do not one of the best designers I embrace what I offer, but you have come across was – to accept the bowl of old tuna put it simply – an almost and cow dung I feed you. I impossible task. However, the get straight to the point, no team and resources I have at sugar coating or B.S – so my disposal have been key if there’s something worth in this project being able to reporting, better be sure I come together. will have the midget in a When in Rome, do as…….? wheelchair with a blind 80- Not in the living hell!! When year old trans-gendered Jew in Rome, eat Roman noodles. on his lap. Editor: Geuren Pierce Hendricks So when in my presence, Enjoy the show!! Cover Art: "Pineapple" on Groenkloof In This Edition: campus courtesy of Innocent Mulalo Production Coordinator: RAMming it up! 3 Geuren Pierce Hendricks & Janco Hurter Cleaning the prison floor 5 Magazine Design: BTrue2U 7 Geuren Pierce Hendricks & Janco Hurter Orientation Week 2014 10 Proof Reading: A Smile 11 Mark Hubbard Socials 13 Publications Committee: Stress Management 14 Geuren Pierce Hendricks Mark Hubbard Lords of London 14 Janco Hurter Cayden Nel Express Your Faith 15 Marvin Frans Khumbulani Mdhluli Res Sport Leagues 16 Rodney Xaba Blessing Mseleku Kiaat Diaries Column 16 Thabang Mabena Kobus Labuschagne 2 Kiaat Diaries RAMming it up! Foals have since swept the world shaking the globe with their bass By Cayden Nel by playing all around the globe. -
A Brand Loyalty Model for Arts Festivals
A brand loyalty model for arts festivals SE Burger 12309869 Thesis submitted in fulfilment of the requirements for the degree Philosophiae Doctor in Tourism Management at the Potchefstroom Campus of the North-West University Promoter: Prof E Slabbert Assistant promoter: Prof M Saayman May 2015 I DECLARATION OF INDEPENDENT WORK I, Elizna Burger, identity number 8204020004081 and student number 12309869, hereby declare that this research submitted to the North-West University, for the PhD study: A brand loyalty model for arts festivals, is my own independent work; and complies with the Code of Academic integrity, as well as other relevant policies, procedures, rules and regulations of the North-West University; and has not been submitted before to any institution by myself or any other person in fulfilment (or partial fulfilment) of the requirements for the attainment of any qualification. ____________________ ______________________ Elizna Burger Prof E. Slabbert ___________________ Date II ACKNOWLEDGEMENTS I express my gratitude to the following individuals who supported me throughout the course of completing my PhD. Above all, I thank God the almighty for giving me this opportunity and granting me the capability to proceed successfully. To my supervisor, Prof Elmarie Slabbert, whose expertise, patience and understanding played an invaluable role in completing this study. Thank you also for the motivational talks. To Prof Melville Saayman for his useful insights. Thanks to my husband, Edohan, who has supported me in every step towards completing this study. Thank you for your endless love and encouragement. To my two children, Eldoné and Leah, who were born before this study was completed and who had to stay with family on various occasions to allow me to focus. -
Finland's Largest Entertainment Centre to Open in Vantaa
ISSUE 33 (65) • 29 AUGUST – 4 SEPTEMBER 2008 • €3 • WWW.HELSINKITIMES.FI DOMESTIC NEWS BUSINESS SPORT LIFESTYLE CULTURE Dead Forestry HJK breaks Peace The world zones in compared Inter’s is in of art Baltic Sea in EU-27 undefeated run the air exchange page 5 page 10 page 13 page 14 page 15 Violence among pupils has increased at an alarming rate HEIDI LEHTONEN - HT early intervention are central to MICHAEL NAGLER – HT decreasing school bullying and vi- olence. It is important to increase BULLYING has become more com- knowledge about how we perceive mon in comprehensive schools. Sev- violence and what it means to youth, en per cent of girls and one tenth of parents and those who work among boys said that they are bullied at least young people,” Pietikäinen says. once a week. A fi fth of junior high The results of the Kiva Koulu school students on average have ex- (Nice school) programme, which was perienced physical threats during the developed at the University of Turku last year. Fights and threatening with with funding from the Ministry of violence have increased considerably Education, have appeared prom- among boys in comprehensive school. ising. In the experimental schools These results are revealed in a school which ran for a year, the proportion health survey conducted by STAKES, of children who were repeatedly bul- the National Research and Develop- lied as well as those who bullied oth- ment Centre for Welfare and Health. ers fell by about 40 per cent. Over 100,000 comprehensive school, Elisa Poskiparta of the Universi- vocational school and high school stu- ty of Turku, a senior researcher of the dents took part in the survey. -
Entertainment and Media Outlook: 2013 – 2017
4th annual edition: PwC’s annual forecast of advertising and consumer spending across 3 countries and 12 industry segments South African entertainment and media outlook: 2013 – 2017 In-depth analysis of the trends shaping the entertainment industry in South Africa, Nigeria and Kenya www.pwc.co.za/outlook ii | South African entertainment and media outlook: 2013-2017 (including Nigeria and Kenya) 4th annual edition PwC South African entertainment & media outlook: 2013-2017 PwC fi rms help organisations and individuals create the value they are looking for. We are a network of fi rms in 158 countries with more than 180 000 people who are committed to delivering quality in assurance, tax and advisory services. PricewaterhouseCoopers Inc. 2 Eglin Road Sunninghill, 2157 +27 11 797 4000 www.pwc.co.za © 2013 Published in South Africa by PricewaterhouseCoopers. All rights reserved. “PwC” is the brand under which member fi rms of PricewaterhouseCoopers International Limited (PwCIL) operate and provide services. Together, these fi rms form the PwC network. Each fi rm in the network is a separate legal entity and does not act as agent of PwCIL or any other member fi rm. PwCIL does not provide any services to clients. PwCIL is not responsible or liable for the acts or omissions of any of its member fi rms nor can it control the exercise of their professional judgment or bind them in any way. Editorial team Vicki Myburgh Nana Madikane Osere Alakhume Michael Mugasa South African South African Nigerian Kenyan Entertainment & Entertainment and Entertainment and -
Ramfest – Final Line-Up Announced
RAMfest – Final Line-up Announced: 5 cities! 5 days! 7 stages! Local and international artists! The line-up is final at last. In 2012 we bring you not two, not three, but four international acts! RAMfest has upped the game and we are proud to announce that AWOLNATION (USA) will be joining the international line-up together with In Flames (Sweden), Infected Mushroom (Israel) and drum and bass master NETSKY ft. MC Darrison (Belgium and UK). SA fans were thrilled when RAMfest announced the first headliner In Flames in November last year. In Flames vocalist Anders Friden says that the band is excited about their upcoming performances at RAMfest (JHB and CT): “We are really looking forward to touring South Africa. There are many countries that we have visited many times over, but this will be a completely new experience for us. Get ready to hear some delicious metal brewed and matured in Sweden; we hope to see many of you!" Infected Mushroom and NETSKY ft. MC Darrison were announced earlier this year and with AWOLNATION also joining the line up, South Africa is in for a phenomenal treat. With the help of our sponsors we have managed to put together the ultimate alternative playground. Book your tickets now and join us at one of the selected venues for SA's best loved annual music festival: Dates: Friday 02 March 2012: Port Elizabeth, Hume Park Saturday 03 March 2012: Bloemfontein, Mystic Boer Friday 09 March 2012: Durban, Origin Night Club Saturday 10 March 2012: Johannesburg, Riversands Farm Sunday 11 March 2012: Cape Town Ostrich Ranch, N7 *Please note that the international acts will only be performing at RAMfest in Joburg and Cape Town and Netsky will also be in Durban. -
Gwladys Nocera
Gwladys Nocera Representerar Frankrike (FRA) Född 1975-05-22 Status Blev proffs 2003 Huvudtour SGT-spelare Nej Aktuellt Ranking 2021 Gwladys Nocera har inte startat säsongen. Karriären Totala prispengar 1997-2021 Gwladys Nocera har följande facit så här långt i karriären: (officiella prispengar på SGT och världstourerna) Summa Största Snitt per 13 segrar på 297 tävlingar. För att vinna dessa 13 tävlingar har det krävts en snittscore om kronor prischeck tävling 68,33 slag, eller totalt -164 mot par. I snitt per vunnen tävling gick Gwladys Nocera -12,62 i År Tävl förhållande mot par. Segrarna har varit värda 5 842 749 kr. 2002 3 0 0 0 Härutöver har det också blivit: 2003 12 175 864 51 396 14 655 - 13 andraplatser. - 12 tredjeplatser. 2004 17 498 141 63 350 29 302 - 43 övriga topp-10-placeringar 2005 17 1 423 759 259 858 83 751 - 63 placeringar inom 11-20 2006 20 4 015 108 705 000 200 755 - 97 övriga placeringar på rätt sida kvalgränsen - 56 missade kval 2007 23 2 018 561 281 700 87 764 Med 241 klarade kval på 297 starter är kvalprocenten sålunda 81. 2008 25 3 717 745 976 000 148 710 Sammantaget har Gwladys Nocera en snittscore om 72,22 slag, eller totalt 258 mot par. 2009 18 1 532 905 417 175 85 161 2010 27 2 331 014 666 007 86 334 2011 24 598 284 124 999 24 929 2012 24 830 893 154 477 34 621 2013 17 1 171 224 324 375 68 896 2014 20 2 072 272 403 767 103 614 2015 19 2 059 677 629 100 108 404 2016 22 956 027 169 522 43 456 2017 9 133 317 59 214 14 813 Totalt 23 534 792 Bästa placeringarna • Segrar (13 st) Catalonia Ladies Masters Thailand -
The Dynamics of the Interaction Between Music and Society in Recorded Popular Afrikaans Music, 1900 – 2015
The dynamics of the interaction between music and society in recorded popular Afrikaans music, 1900 – 2015. by Schalk Daniël van der Merwe Dissertation presented for the degree of Doctor of Philosophy (History) in the Faculty of Arts and Social Sciences at Stellenbosch University Supervisor: Prof. Albert Mauritz Grundlingh Co-supervisor: Prof. Stephanus Muller December 2015 Stellenbosch University https://scholar.sun.ac.za Declaration By submitting this dissertation, I declare that the entirety of the work contained therein is my own, original work, that I am the owner of the copyright thereof (unless to the extent explicitly otherwise stated) and that I have not previously in its entirety or in part submitted it for obtaining any qualification. December 2015 Copyright © 2015 Stellenbosch University All rights reserved Stellenbosch University https://scholar.sun.ac.za Acknowledgements Firstly, I would like to extend my gratitude to my two supervisors, Professors Albert Grundlingh and Stephanus Muller – I cannot think of a more suitable combination of minds for guiding me through the specific challenges of writing on this subject. I am also grateful for the History Department of Stellenbosch University for financial support, and to my colleagues Professors Sandra Swart, Bill Nasson, Wessel Visser, Dr. Anton Ehlers, (soon-to- be Dr.) Chet Fransch, Melvyn Daniels and Leschelle Morkel, and former colleague Dr. Sarah Duff – all of whom contributed in their own ways. Thank you to Mimi Seyffert, Marina Brink and Lynne Fourie at the University of Stellenbosch’s Library Archive for their help and guidance with archival material. Thank you also to Ernéne Verster and Huibre Lombard at the University of the Free State’s Institute for Contemporary History Archives, and to Monica van Deventer at the SABC Information Library for their help and correspondence.