BA North American Studies Summer 2019
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Wenn Ki, Dann Feministisch Impulse Aus Wissenschaft Und Aktivismus
WENN KI, DANN FEMINISTISCH IMPULSE AUS WISSENSCHAFT UND AKTIVISMUS Hrsg. von netzforma* e.V. Berlin 2020 • Wenn KI, dann feministisch — Impulse aus Wissenschaft und Aktivismus Hrsg. von netzforma* e.V. — Berlin 2020 • DIE GESCHICHTE MEINER SCHRIFT Zu Beginn des Jahres entdeckte meine Mutter eine neue Leiden- schaft: Sticken. Sie hatte schon vorher Freude an kreativen Praktiken gehabt (wie Weben und Stricken). In ihrer neuen Aktivität fand sie etwas befriedigendes, was sie sehr er- füllt. Ihre ersten Stickereien waren Buchstaben, vor allem aus dem Sajou-Alphabet. Als ich die sah, kam mir eine Idee. Gemeinsam dachten wir über eine fruchtbare Zusammen- arbeit nach, die unsere beiden jeweiligen Hobbys vereinen könnte. Was wäre, wenn sie meine eigenen Schriften stickte? Um diese Idee umzusetzen, entwickelte ich für meine Schrift Arthemys Display Light eine neue Version, die es meiner Mutter ermöglichte, die Formen auf ein spezielles Gewebe (namens Aïda) zu übertragen. Dieser Prozess erfordert eine binäre Sprache, genau wie Pixel auf einem Computer. Die Buchstaben werden also Punkt für Punkt gedacht und akribisch zusammengesetzt. Das geht weg von dem Ge- danken einer vektorisierten Form, die nur durch ihre Umrisse definiert wird. Vielmehr muss die Form in ihrer gesamten Fläche aufgebaut werden, wie mit Legosteinen! Auf dieser Grundlage konnte meine Mutter die verschiedenen Buch- staben bauen, indem sie einfach dem Raster des Gewebes folgte. Sicherlich war dieser Prozess ziemlich aufwendig und verlangte eine Menge Geduld ab, aber meine Mutter -
View Recent MA Theses, Exams, and Projects
Department of Women’s Studies Masters Thesis Topics Thesis: Politicizing the Woman’s Body: Incentivizing Childbirth to Rebuild Hungarian Kelsey Rosendale Nationalism (Spring 2021) Exam: Feminist Political and Epistemic Engagements with Menstruation and Meat- Rashanna Lee Eating (Spring 2021) Thesis: Patch Privilege: A Queer Feminist Autoethnography of Lifeguarding (Spring Asako Yonan 2021) Thesis: A Feminist Epistemological Evaluation of Comparative Cognition Research Barbara Perez (Spring 2021) Thesis: Redefining Burden: A Mother and Daughter’s Navigation of Alzheimer’s Anna Buckley Dementia (Spring 2021) Project: Feminist Dramaturgy and Analysis of San Diego State’s Fall 2020 Production of Emily Sapp Two Lakes, Two Rivers (Spring 2021) Thesis: Living as Resistance: The Limits of Huanization and (Re)Imagining Life-Making Amanda Brown as Rebellion for Black Trans Women in Pose (Fall 2020) Thesis: More than and Image: A Feminist Analysis of Childhood, Values, and Norms in Ariana Aritelli Children’s Clothing Advertisements at H&M (Spring 2020) Alexandra-Grissell H. Thesis: A Queer of Color Materialista Praxis (Spring 2020) Gomez Thesis: Centers of Inclusion? Trans* and Non-Binary Inclusivity in California State Lori Loftin University Women’s Centers (Spring 2020) Rogelia Y. Mata- Thesis: First-Generation College Latinas’ Self-Reported Reasons for Joining a Latina- Villegas Focused Sorority (Spring 2020) Thesis: The Rise of Genetic Genealogy: A Queer and Feminist Analysis of Finding Your Kerry Scroggie Roots Spring 2020) Yazan Zahzah Thesis: -
Stockholm Cinema Studies 11
ACTA UNIVERSITATIS STOCKHOLMIENSIS Stockholm Cinema Studies 11 Imagining Safe Space The Politics of Queer, Feminist and Lesbian Pornography Ingrid Ryberg This is a print on demand publication distributed by Stockholm University Library www.sub.su.se First issue printed by US-AB 2012 ©Ingrid Ryberg and Acta Universitatis Stockholmiensis 2012 ISSN 1653-4859 ISBN 978-91-86071-83-7 Publisher: Acta Universitatis Stockholmiensis, Stockholm Distributor: Stockholm University Library, Sweden Printed 2012 by US-AB Cover image: Still from Phone Fuck (Ingrid Ryberg, 2009) Contents 1. Introduction ................................................................................................... 13 Research aims and questions .................................................................................... 13 Queer, feminist and lesbian porn film culture: central debates.................................... 19 Feminism and/vs. pornography ............................................................................. 20 What is queer, feminist and lesbian pornography?................................................ 25 The sexualized public sphere................................................................................ 27 Interpretive community as a key concept and theoretical framework.......................... 30 Spectatorial practices and historical context.......................................................... 33 Porn studies .......................................................................................................... 35 Embodied -
Into the Labyrinth of Knowledge and Power
Into the Labyrinth of Knowledge and Power The library as a gendered space in the western imaginary Sanne Koevoets PhD Dissertation Utrecht University Sanne Koevoets, 2013. This work is licensed under a Creative Commons Attribution-Non Commercial-Share Alike 3.0 Unported License ISBN: 978-90-393-5988-4 Into the Labyrinth of Knowledge and Power The library as a gendered space in the western imaginary In het Labyrint van Kennis en Macht De bibliotheek als gegenderde ruimte in het westerse imaginaire (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. G.J. van der Zwaan, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op vrijdag 14 juni 2013 des middags te 14.30 uur door Susanna Koevoets geboren op 12 september 1980 te Apeldoorn Promotoren: Prof. Dr. R.L. Buikema Prof. Dr. S. Slapšak Financial support for this research was partially provided by the European Union, Marie Curie Fellowship for Early Stage Training (EU Sixth Framework Programme) Librarians wield unfathomable power. With a flip of the wrist they can hide your dissertation behind piles of old Field and Stream magazines. […] Librarians rule. - The Librarian Avengers Table of contents ACKNOWLEDGEMENTS 3 INTRODUCTION 5 SETTING THE SCENE FOR LIBRARY RESEARCH: RESONANCES OF LIBRARY LOSS 5 SETTING THE SCENE FOR LIBRARY RESEARCH: THE “IMAGE PROBLEM” OF THE FEMALE LIBRARIAN 11 SETTING THE SCENE FOR LIBRARY RESEARCH: INTO THE LABYRINTH 18 1. THEORETICAL FOUNDATIONS OF CULTURAL LIBRARY RESEARCH 22 ARCHIVE THEORY 22 ARCHIVAL EXCLUSION AND BIBLIOGRAPHIC ERASURE 30 EPISTEMOLOGIES OF THE LIBRARY 34 A FEMINIST HETEROTOPOLOGY OF THE LIBRARY 38 METHODOLOGY: TOWARDS A POETICS OF THE LIBRARY 43 2. -
Can Pornography Ever Be Feminist?’
Amarpreet Kaur Intimate and Sexual Practices ‘Can pornography ever be feminist?’ Pornography is defined as ‘printed or visual material containing the explicit description or display of sexual organs or activity, intended to stimulate sexual excitement’ (Oxford Dictionaries, 2015). Reporting on 2014 activity, the self- acclaimed number one porn site named ‘Pornhub’ revealed that it had averaged about 5,800 visits per second (Pornhub, 2015a) throughout the year, making it one of the most globally popular websites and highlights how significantly dominant the online porn industry is. Those advocating for women’s equal footing in a patriarchal society, i.e. feminists, began occupying themselves with the porn industry in the 1970s (Ciclitira, 2004). Feminist literature is rife with anti-pornography stances focusing on male oppression of women, exploitation and violence (Russell, 1993) however it is also argued that pornography can be liberating and holds multiple benefits for women. Taking this in to consideration, the following assignment will explore whether or not pornography has the potential to ever give women an equal footing and satisfaction within digital society. Whilst many anti-porn feminists such as Gail Dines (2010), claim that porn is damaging to the female’s ideology on her body and sexuality, other feminists, like Wendy McElroy (1995) argue that pornography is actually liberating to women, their bodies and sexualities. Dines (TED X Talks, 2015) maintains porn advocates a blonde, white, well-toned woman, neglecting to mention that mainstream porn sites such as Pornhub feature categories such as ‘BBW’, which is an abbreviation for Big Beautiful Women (Rockson, 2009) and additional categories signify an interest in women of other races and with a range of hair colours. -
A Liberal Anti-Porn Feminism? Alex Davies Forthcoming in Social Theory and Practice
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by PhilPapers A liberal anti-porn feminism? Alex Davies Forthcoming in Social Theory and Practice ...the glorification of settling for the best inequality has to offer or has stimulated the resourceful to invent, are what Ti-Grace Atkinson meant to reject when she said, "I do not know any feminist worthy of that name who, if forced to choose between freedom and sex, would choose sex. She'd choose freedom every time."1 In her essay “Why I'm Against S/M Liberation” (in Against Sadomasochism), Ti Grace Atkinson says, “I do not know any feminist worthy of that name who, if forced to choose between freedom and sex, would choose sex.” While women are forced to make such a choice we cannot consider ourselves free.2 1 – The prospect of a liberal anti-porn feminism Catharine MacKinnon has presented two defences of several anti-pornography civil rights ordinances, which classify the trafficking (i.e. the production, sale, exhibition or distribution) of pornography as a form of discrimination on the basis of sex.3 First, she justifies the ordinances by drawing attention to the role pornography purportedly plays in the subordination of women to men. Pornography sexualizes gender inequality and thereby helps to sustain gender inequality by making it attractive and constitutive of sex. Pornography should not be trafficked if we want an end to gender inequality. Second, MacKinnon presents what was originally a pre-emptive defence of the ordinances against the predictable challenge that, in restricting the trafficking of pornography, the ordinances violate the free speech rights of pornographers. -
Reviewed Scott Dissertation Final
MURDEROUS MOTHERS: FEMINIST VIOLENCE IN GERMAN LITERATURE AND FILM (1970-2000) Claire E. Scott A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill and Duke University in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Carolina-Duke Graduate Program in German Studies. Chapel Hill 2017 Approved by: Kata Gellen Stefani Engelstein Richard Langston Priscilla Layne Inga Pollmann ©2017 Claire E. Scott ALL RIGHTS RESERVED ii ABSTRACT Claire E. Scott: Murderous Mothers: Feminist Violence in German Literature and Film (1970-2000) (Under the direction of Kata Gellen) This dissertation analyzes literary and filmic representations of violent mothers from late 20th-century Germany. It employs feminist theories of language and theories of the voice and the body in film to enhance close readings of texts in which female protagonists defy gendered expectations by perpetrating acts of aggression. Through an interplay between thematic violence and the transgression of aesthetic conventions, these works generate an imaginary of feminist violence that advances feminist politics. Highlighting this dynamic reveals female bodies and voices as important sites for working through both past and contemporary violence in the German context. In addition, this work has broader theoretical significance as an intermediary between feminist theories of language and materialist feminist theories. Instead of strategies for emancipation, these texts generate female subjectivities that are engaged, not in assertions of individuality, but in collective and collaborative storytelling practices. The first chapter considers Dea Loher’s Manhattan Medea (1999) and Christa Wolf’s Medea. Stimmen (1996). Both of these texts use the story of Medea to come to terms with a historical context in which the voices of outsiders are excluded. -
Feminist Critique of the Feminist Critique of Pornography, a Essay Nadine Strossen New York Law School
digitalcommons.nyls.edu Faculty Scholarship Articles & Chapters 1993 Feminist Critique of the Feminist Critique of Pornography, A Essay Nadine Strossen New York Law School Follow this and additional works at: http://digitalcommons.nyls.edu/fac_articles_chapters Recommended Citation 79 Va. L. Rev. 1099 (1993) This Article is brought to you for free and open access by the Faculty Scholarship at DigitalCommons@NYLS. It has been accepted for inclusion in Articles & Chapters by an authorized administrator of DigitalCommons@NYLS. ESSA Y A FEMINIST CRITIQUE OF "THE" FEMINIST CRITIQUE OF PORNOGRAPHY' 2 Nadine Strossen TABLE OF CONTENTS INTRODUCTION: THE FEMINIST ANTI-CENSORSHIP MOVEMENT ................................................. 1103 I. THE FEMINIST PRO-CENSORSHIP FACTION IS STILL INFLUENTIAL ........................................... 1114 A. Public Opinion ...................................... 1114 . (Mis)alliancewith Conservative Censorship Advocates . 1114 C. Governmental Assaults on Sexually Explicit Speech ... 1116 D. Governmental Initiatives against "Pornography"..... 1120 E. Sexual HarassmentLaw ............................. 1122 F. Impact in Other Countries ........................... 1126 1 See Catharine A. MacKinnon, Not a Moral Issue, 2 Yale L. & Pol'y Rev. 321, 325 (1984) ("Pornography, in the feminist view, is a form of forced sex .... an institution of gender inequality." (emphasis added)). 2 Professor of Law, New York Law School; President, American Civil Liberties Union; A.B. 1972, Harvard-Radcliffe College; J.D. 1975, Harvard Law School. Professor Strossen is a founding member of Feminists for Free Expression, see infra text accompanying notes 35-37, and a member of the National Coalition Against Censorship's Working Group on Women, Censorship & "Pornography," see infra text accompanying note 41. This paper grew out of a lecture that Professor Strossen delivered at the University of Virginia School of Law in September 1992. -
Passion, Politics, and Politically Incorrect Sex: Towards a History Of
PASSION, POLITICS, AND POLITICALLY INCORRECT SEX: TOWARDS A HISTORY OF LESBIAN SADOMASOCHISM IN THE USA 1975-1993 by Anna Robinson Submitted to the Department of Gender Studies, Central European University In partial fulfilment of the requirements for the Erasmus Mundus Master's Degree in Women's and Gender Studies CEU eTD Collection Main supervisor: Francisca de Haan (Central European University) Second reader: Anne-Marie Korte (Utrecht University) Budapest, Hungary 2015 PASSION, POLITICS, AND POLITICALLY INCORRECT SEX: TOWARDS A HISTORY OF LESBIAN SADOMASOCHISM IN THE USA 1975-1993 by Anna Robinson Submitted to the Department of Gender Studies, Central European University In partial fulfilment of the requirements for the Erasmus Mundus Master's Degree in Women's and Gender Studies Main supervisor: Francisca de Haan (Central European University) Second reader: Anne-Marie Korte (Utrecht University) CEU eTD Collection Budapest, Hungary 2015 Approved by: ________________________ Abstract This thesis is an exploration of the largely underexamined history of lesbian sadomasochism (SM) in the United States between the mid-1970s, when the first organised lesbian feminist SM groups were founded, and 1993, by which time public debates about lesbian SM were becoming less visible. I engage with feminist discourses around lesbian SM within the so- called feminist sex wars of the 1980s, tracing the sometimes dramatic rise to prominence of lesbian SM as a feminist issue. Entwined in this web of controversy, I assert, is the story of a perceived fundamental split in the feminist movement between those who believed SM was patriarchal, abusive and violent, and those who saw it as a consensual expression of sexual freedom and liberation. -
Lynne Tillman and the Contributors to Suck Magazine Revisit Their Experiment in Radical Feminist Pornography
Type: Read time: Tex t: Photography: Article 12 minutes Alison M. Gingeras Joanna McClure Lynne Tillman and the contributors to Suck magazine revisit their experiment in radical feminist pornography 212 There were “men’s magazines,” and then there was Suck, “The real provocativeness and importance of endeav- an experimental amalgam of sexual liberation, feminist ors like Suck,” Kraus continued, was that the magazine ferment, alternative visual culture, and literary ambition, “not only demystified the sex acts themselves but translated into eight crazy issues of newsprint. Founded undermined any mythologizing of the individual speak- in London in 1969 and published irregularly until 1974, ers.… Suck’s authors viewed disclosure not as personal Suck offered a radically different vision of avant-pornog- narcissism but as a means of escaping the limits of ‘self.’” raphy—no small feat in an era that produced a plethora Unlike run-of-the-mill “jerk-off” magazines, Suck of explicit and transgressive printed matter. The self- boasted some sky-high (if erotic) culture, such as W.H. styled “European sexpaper,” Suck decisively contested the Auden’s little-known “The Gobble Poem,” which pruriently formulaic conventions of straight porn mags. detailed the poet’s lusty affair with a male lover, and a With Germaine Greer as one of its star ambassadors, translated excerpt of Guillaume Apollinaire’s X-rated Suck blurred many boundaries in an attempt to forge, novel The Debauched Hospodar. Through the quality of its as Greer told the academic journal Women’s Studies writing and accompanying visuals, Suck put its anarcho- International Forum, “a new kind of erotic art, away from intelligentsia stamp on prosaic magazine fodder with the tits ’n’ ass and the peep-show syndrome.” Suck was eroticized horoscopes, interactive features (the “Feminine premised on the notion that explicit erotica was more Fuckablity Test” of Suck No. -
AWKWARD ALLIANCES and the INDIANAPOLIS ANTI-PORNOGRAPHY ORDINANCE of 1984 Jonnie Bray Fox Submitted to the Faculty of the Univer
AWKWARD ALLIANCES AND THE INDIANAPOLIS ANTI-PORNOGRAPHY ORDINANCE OF 1984 Jonnie Bray Fox Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Master of Arts in the Department of History, Indiana University May 2021 Accepted by the Graduate Faculty of Indiana University, in partial fulfillment of the requirements for the degree of Master of Arts. Master's Thesis Committee ______________________________________ Raymond Haberski, PhD, Chair ______________________________________ Nancy Marie Robertson, PhD ______________________________________ Rebecca K. Shrum, PhD ii © 2021 Jonnie Bray Fox iii ACKNOWLEDGEMENT Thank you to all who supported and guided me through this process. Thank you to my advisor, Dr. Raymond Haberski, who first presented me with this topic and encouraged me to tackle controversial history with an honest and unrelenting voice. Thank you to my committee members, Dr. Rebecca Shrum and Dr. Nancy Marie Robertson. Dr. Shrum provided great opportunities like working with the Michael Bohr Collection at the Indiana Historical Society. Dr. Robertson has been a beacon of guidance through the graduate program as well as a wealth of resource recommendations. Regarding the research, thank you to the archivists of the University of Indianapolis Digital Mayoral Archives. This mecca of materials was my crutch and I still recommend these collections to anyone researching Indianapolis politics. I would like to thank everyone who allowed me to interview them for my research. They were not only invaluable resources, but inspiring individuals. I would also like to thank my family and friends for their endless support. Thank you to my Mom for being excited that her daughter was doing her thesis on pornography. -
Sexual Justice, Student Scholarship and the So-Called Seven Sins
Sexual Justice, Student Scholarship and the So-Called Seven Sins Ruthann Robson∗ Encouraging creativity and risk is an important—and underappreciated—dimension of the mentor-student process in student scholarly writing. This Article models an imaginative reflection on collaborative supervision that produces student scholarship. The organizational motif of “sins” connects to extra-legal cultural constructions that permeate everyday life, including the life of writing, and more specifically confronts the conflation of “sin” and “sex” that persists in legal and nonlegal discourse. The boundaries of legal academic writing, like the limitations of sexual freedom, are sites of anxiety for both mentors and students; this Article suggests that these borders also can be places of adventure. I. INTRODUCTION ................................................................................... 31 II. THE SEVEN DEADLY SINS .................................................................. 35 III. LUST .................................................................................................... 41 IV. SLOTH ................................................................................................. 47 V. ANGER ................................................................................................ 49 VI. GREED ................................................................................................. 51 VII. ENVY ................................................................................................... 53 VIII. GLUTTONY