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Radical Feminism and Its Major Socio-Religious Impact… 45 Radical Feminism and Its Major Socio-Religious Impact (A Critical Analysis from Islamic Perspective) Dr
Radical Feminism and its Major Socio-Religious Impact… 45 Radical Feminism and its Major Socio-Religious Impact (A Critical Analysis from Islamic Perspective) Dr. Riaz Ahmad Saeed Dr. Arshad Munir Leghari ** ABSTRACT Women’s rights and freedom is one of the most debated subjects and the flash point of contemporary world. Women maintain a significant place in the society catered to them not only by the modern world but also by religion. Yet, the clash between Islamic and western civilization is that they have defined different set of duties for them. Islam considers women an important participatory member of the society by assigning them inclusive role, specifying certain fields of work to them, given the vulnerability they might fall victim to. Contrarily, Western world allows women to opt any profession of their choice regardless of tangible threats they may encounter. Apparently, the modern approach seems more attractive and favorable, but actually this is not plausible from Islamic point of view. Intermingling, co-gathering and sexual attraction of male and female are creating serious difficulties and problems for both genders, especially for women. Women are currently running many movements for their security, rights and liberties under the umbrella of “Feminism”. Due to excess of freedom and lack of responsibility, a radical movement came into existence which was named as ‘Radical Feminism’. This feminist movement is affecting the unique status of women in the whole world, especially in the west. This study seeks to explore radical feminism and its major impact on socio-religious norms in addition to its critical analysis from an Islamic perspective. -
In Andrea Dworkin and Catharine Mackinnon
Dymock, Alex. 2018. Anti-communal, Anti-egalitarian, Anti-nurturing, Anti-loving: Sex and the ’Irredeemable’ in Andrea Dworkin and Catharine MacKinnon. Paragraph, 41(3), pp. 349-363. ISSN 0264-8334 [Article] https://research.gold.ac.uk/id/eprint/27778/ The version presented here may differ from the published, performed or presented work. Please go to the persistent GRO record above for more information. If you believe that any material held in the repository infringes copyright law, please contact the Repository Team at Goldsmiths, University of London via the following email address: [email protected]. The item will be removed from the repository while any claim is being investigated. For more information, please contact the GRO team: [email protected] Anticommunal, antiegalitarian, antinurturing, antiloving: sex and the ‘irredeemable’ in Dworkin and MacKinnon ALEX DYMOCK Abstract: The work of Andrea Dworkin and Catharine A. MacKinnon on sex and sexuality has often been posed as adversary to the development of queer theory. Leo Bersani, in particular, is critical of the normative ambitions of their work, which he sees firstly as trying to ‘redeem’ sex acts themselves, and secondly as advocating for sexuality as a site of potential for social transformation. In this article, I argue that this is a misreading of their work. Drawing on Dworkin’s wide body of writing, and the early Signs essays of MacKinnon, I suggest that their work makes no such case for sex or sexuality. Rather, by bringing their analysis into conversation with Halberstam’s recent work on ‘shadow feminism’, I contend that Dworkin and MacKinnon’s anti- social, anti-pastoral and distinctly anti-normative vision of sex and sexuality shares many of the same features of queer theory, ultimately advocating for sex as ‘irredeemable’. -
The Literacy Practices of Feminist Consciousness- Raising: an Argument for Remembering and Recitation
LEUSCHEN, KATHLEEN T., Ph.D. The Literacy Practices of Feminist Consciousness- Raising: An Argument for Remembering and Recitation. (2016) Directed by Dr. Nancy Myers. 169 pp. Protesting the 1968 Miss America Pageant in Atlantic City, NJ, second-wave feminists targeted racism, militarism, excessive consumerism, and sexism. Yet nearly fifty years after this protest, popular memory recalls these activists as bra-burners— employing a widespread, derogatory image of feminist activists as trivial and laughably misguided. Contemporary academics, too, have critiqued second-wave feminism as a largely white, middle-class, and essentialist movement, dismissing second-wave practices in favor of more recent, more “progressive” waves of feminism. Following recent rhetorical scholarly investigations into public acts of remembering and forgetting, my dissertation project contests the derogatory characterizations of second-wave feminist activism. I use archival research on consciousness-raising groups to challenge the pejorative representations of these activists within academic and popular memory, and ultimately, to critique telic narratives of feminist progress. In my dissertation, I analyze a rich collection of archival documents— promotional materials, consciousness-raising guidelines, photographs, newsletters, and reflective essays—to demonstrate that consciousness-raising groups were collectives of women engaging in literacy practices—reading, writing, speaking, and listening—to make personal and political material and discursive change, between and across differences among women. As I demonstrate, consciousness-raising, the central practice of second-wave feminism across the 1960s and 1970s, developed out of a collective rhetorical theory that not only linked personal identity to political discourses, but also 1 linked the emotional to the rational in the production of knowledge. -
The Radical Feminist Manifesto As Generic Appropriation: Gender, Genre, and Second Wave Resistance
Southern Journal of Communication ISSN: 1041-794X (Print) 1930-3203 (Online) Journal homepage: http://www.tandfonline.com/loi/rsjc20 The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance Kimber Charles Pearce To cite this article: Kimber Charles Pearce (1999) The radical feminist manifesto as generic appropriation: Gender, genre, and second wave resistance, Southern Journal of Communication, 64:4, 307-315, DOI: 10.1080/10417949909373145 To link to this article: https://doi.org/10.1080/10417949909373145 Published online: 01 Apr 2009. Submit your article to this journal Article views: 578 View related articles Citing articles: 4 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsjc20 The Radical Feminist Manifesto as Generic Appropriation: Gender, Genre, And Second Wave Resistance Kimber Charles Pearce n June of 1968, self-styled feminist revolutionary Valerie Solanis discovered herself at the heart of a media spectacle after she shot pop artist Andy Warhol, whom she I accused of plagiarizing her ideas. While incarcerated for the attack, she penned the "S.C.U.M. Manifesto"—"The Society for Cutting Up Men." By doing so, Solanis appropriated the traditionally masculine manifesto genre, which had evolved from sov- ereign proclamations of the 1600s into a form of radical protest of the 1960s. Feminist appropriation of the manifesto genre can be traced as far back as the 1848 Seneca Falls Woman's Rights Convention, at which suffragists Elizabeth Cady Stanton, Lucretia Coffin Mott, Martha Coffin, and Mary Ann McClintock parodied the Declara- tion of Independence with their "Declaration of Sentiments" (Campbell, 1989). -
Wenn Ki, Dann Feministisch Impulse Aus Wissenschaft Und Aktivismus
WENN KI, DANN FEMINISTISCH IMPULSE AUS WISSENSCHAFT UND AKTIVISMUS Hrsg. von netzforma* e.V. Berlin 2020 • Wenn KI, dann feministisch — Impulse aus Wissenschaft und Aktivismus Hrsg. von netzforma* e.V. — Berlin 2020 • DIE GESCHICHTE MEINER SCHRIFT Zu Beginn des Jahres entdeckte meine Mutter eine neue Leiden- schaft: Sticken. Sie hatte schon vorher Freude an kreativen Praktiken gehabt (wie Weben und Stricken). In ihrer neuen Aktivität fand sie etwas befriedigendes, was sie sehr er- füllt. Ihre ersten Stickereien waren Buchstaben, vor allem aus dem Sajou-Alphabet. Als ich die sah, kam mir eine Idee. Gemeinsam dachten wir über eine fruchtbare Zusammen- arbeit nach, die unsere beiden jeweiligen Hobbys vereinen könnte. Was wäre, wenn sie meine eigenen Schriften stickte? Um diese Idee umzusetzen, entwickelte ich für meine Schrift Arthemys Display Light eine neue Version, die es meiner Mutter ermöglichte, die Formen auf ein spezielles Gewebe (namens Aïda) zu übertragen. Dieser Prozess erfordert eine binäre Sprache, genau wie Pixel auf einem Computer. Die Buchstaben werden also Punkt für Punkt gedacht und akribisch zusammengesetzt. Das geht weg von dem Ge- danken einer vektorisierten Form, die nur durch ihre Umrisse definiert wird. Vielmehr muss die Form in ihrer gesamten Fläche aufgebaut werden, wie mit Legosteinen! Auf dieser Grundlage konnte meine Mutter die verschiedenen Buch- staben bauen, indem sie einfach dem Raster des Gewebes folgte. Sicherlich war dieser Prozess ziemlich aufwendig und verlangte eine Menge Geduld ab, aber meine Mutter -
Sexual Controversies in the Women's and Lesbian/Gay Liberation Movements
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1985 Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements. Lisa J. Orlando University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Orlando, Lisa J., "Politics and pleasures : sexual controversies in the women's and lesbian/gay liberation movements." (1985). Masters Theses 1911 - February 2014. 2489. Retrieved from https://scholarworks.umass.edu/theses/2489 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. POLITICS AND PLEASURES: SEXUAL CONTROVERSIES IN THE WOMEN'S AND LESBIAN/GAY LIBERATION MOVEMENTS A Thesis Presented By LISA J. ORLANDO Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS September 1985 Political Science Department Politics and Pleasures: Sexual Controversies in the Uomen's and Lesbian/Gay Liberation Movements" A MASTERS THESIS by Lisa J. Orlando Approved by: Sheldon Goldman, Member Philosophy \ hi (UV .CVvAj June 21, 19S4 Dean Alfange, Jj' Graduate P ogram Department of Political Science Lisa J. Orlando © 1982, 1983, 1984, 1985 All Rights Reserved iii ACKNOWLEDGEMENTS I would like to thank the following friends who, in long and often difficult discussion, helped me to work through the ideas presented in this thesis: John Levin, Sheila Walsh, Christine Di Stefano, Tom Keenan, Judy Butler, Adela Pinch, Gayle Rubin, Betsy Duren, Ellen Willis, Ellen Cantarow, and Pam Mitchell. -
View Recent MA Theses, Exams, and Projects
Department of Women’s Studies Masters Thesis Topics Thesis: Politicizing the Woman’s Body: Incentivizing Childbirth to Rebuild Hungarian Kelsey Rosendale Nationalism (Spring 2021) Exam: Feminist Political and Epistemic Engagements with Menstruation and Meat- Rashanna Lee Eating (Spring 2021) Thesis: Patch Privilege: A Queer Feminist Autoethnography of Lifeguarding (Spring Asako Yonan 2021) Thesis: A Feminist Epistemological Evaluation of Comparative Cognition Research Barbara Perez (Spring 2021) Thesis: Redefining Burden: A Mother and Daughter’s Navigation of Alzheimer’s Anna Buckley Dementia (Spring 2021) Project: Feminist Dramaturgy and Analysis of San Diego State’s Fall 2020 Production of Emily Sapp Two Lakes, Two Rivers (Spring 2021) Thesis: Living as Resistance: The Limits of Huanization and (Re)Imagining Life-Making Amanda Brown as Rebellion for Black Trans Women in Pose (Fall 2020) Thesis: More than and Image: A Feminist Analysis of Childhood, Values, and Norms in Ariana Aritelli Children’s Clothing Advertisements at H&M (Spring 2020) Alexandra-Grissell H. Thesis: A Queer of Color Materialista Praxis (Spring 2020) Gomez Thesis: Centers of Inclusion? Trans* and Non-Binary Inclusivity in California State Lori Loftin University Women’s Centers (Spring 2020) Rogelia Y. Mata- Thesis: First-Generation College Latinas’ Self-Reported Reasons for Joining a Latina- Villegas Focused Sorority (Spring 2020) Thesis: The Rise of Genetic Genealogy: A Queer and Feminist Analysis of Finding Your Kerry Scroggie Roots Spring 2020) Yazan Zahzah Thesis: -
Bella Abzug and the Campaign for Women's Liberation Within
Leandra Zarnow, PhD “We Just Have to Push and Push and Push”: Bella Abzug and the Campaign for Women’s Liberation within Electoral Politics” * This paper was presented on March, 25, 2014 as part of "A Revolutionary Moment: Women's Liberation in the late 1960s and early 1970s," a conference organized by the Women's, Gender, & Sexuality Studies Program at Boston University, March 27-29, 2014. ** Copyright 2014. Do not circulate, publish, or quote without permission of the author. After a decade stumping for unelectable male “dove” candidates, Bella Abzug threw her hat in the ring—quite literally—entering the congressional race for Manhattan’s Nineteenth District in 1970. A keen political strategist, Abzug calculated “the renaissance in the born again women’s movement” (as she put it) would provide the necessary boost to her longstanding anti- war base. What assured her congressional win, Abzug reasoned, was her ability to garner women’s “swing vote” fostered, in part, by her natural alliance with feminists. Or so it seemed. Early on, Abzug approached Susan Brownmiller, a freelance writer she knew from reform Democratic politics in Greenwich Village. As a member of the newly formed New York Radical Women, Brownmiller was well positioned to compel this and like consciousness-raising groups to come out for Abzug. “I will take the cause of women—America’s oppressed majority—to the halls of Congress,” Abzug had promised in her March announcement speech, a pledge she believed would directly appeal to all feminists. Accordingly, she was rather taken aback by Brownmiller’s cool reception. “They will not support you,” Abzug recalled Brownmiller curtly dismissing. -
Rethinking Coalitions: Anti-Pornography Feminists, Conservatives, and Relationships Between Collaborative Adversarial Movements
Rethinking Coalitions: Anti-Pornography Feminists, Conservatives, and Relationships between Collaborative Adversarial Movements Nancy Whittier This research was partially supported by the Center for Advanced Study in Behavioral Sciences. The author thanks the following people for their comments: Martha Ackelsberg, Steven Boutcher, Kai Heidemann, Holly McCammon, Ziad Munson, Jo Reger, Marc Steinberg, Kim Voss, the anonymous reviewers for Social Problems, and editor Becky Pettit. A previous version of this paper was presented at the 2011 Annual Meetings of the American Sociological Association. Direct correspondence to Nancy Whittier, 10 Prospect St., Smith College, Northampton MA 01063. Email: [email protected]. 1 Abstract Social movements interact in a wide range of ways, yet we have only a few concepts for thinking about these interactions: coalition, spillover, and opposition. Many social movements interact with each other as neither coalition partners nor opposing movements. In this paper, I argue that we need to think more broadly and precisely about the relationships between movements and suggest a framework for conceptualizing non- coalitional interaction between movements. Although social movements scholars have not theorized such interactions, “strange bedfellows” are not uncommon. They differ from coalitions in form, dynamics, relationship to larger movements, and consequences. I first distinguish types of relationships between movements based on extent of interaction and ideological congruence and describe the relationship between collaborating, ideologically-opposed movements, which I call “collaborative adversarial relationships.” Second, I differentiate among the dimensions along which social movements may interact and outline the range of forms that collaborative adversarial relationships may take. Third, I theorize factors that influence collaborative adversarial relationships’ development over time, the effects on participants and consequences for larger movements, in contrast to coalitions. -
Stockholm Cinema Studies 11
ACTA UNIVERSITATIS STOCKHOLMIENSIS Stockholm Cinema Studies 11 Imagining Safe Space The Politics of Queer, Feminist and Lesbian Pornography Ingrid Ryberg This is a print on demand publication distributed by Stockholm University Library www.sub.su.se First issue printed by US-AB 2012 ©Ingrid Ryberg and Acta Universitatis Stockholmiensis 2012 ISSN 1653-4859 ISBN 978-91-86071-83-7 Publisher: Acta Universitatis Stockholmiensis, Stockholm Distributor: Stockholm University Library, Sweden Printed 2012 by US-AB Cover image: Still from Phone Fuck (Ingrid Ryberg, 2009) Contents 1. Introduction ................................................................................................... 13 Research aims and questions .................................................................................... 13 Queer, feminist and lesbian porn film culture: central debates.................................... 19 Feminism and/vs. pornography ............................................................................. 20 What is queer, feminist and lesbian pornography?................................................ 25 The sexualized public sphere................................................................................ 27 Interpretive community as a key concept and theoretical framework.......................... 30 Spectatorial practices and historical context.......................................................... 33 Porn studies .......................................................................................................... 35 Embodied -
Susan Faludi How Shulamith Firestone Shaped Feminism The
AMERICAN CHRONICLES DEATH OF A REVOLUTIONARY Shulamith Firestone helped to create a new society. But she couldn’t live in it. by Susan Faludi APRIL 15, 2013 Print More Share Close Reddit Linked In Email StumbleUpon hen Shulamith Firestone’s body was found Wlate last August, in her studio apartment on the fifth floor of a tenement walkup on East Tenth Street, she had been dead for some days. She was sixtyseven, and she had battled schizophrenia for decades, surviving on public assistance. There was no food in the apartment, and one theory is that Firestone starved, though no autopsy was conducted, by preference of her Orthodox Jewish family. Such a solitary demise would have been unimaginable to anyone who knew Firestone in the late nineteensixties, when she was at the epicenter of the radicalfeminist movement, Firestone, top left, in 1970, at the beach, surrounded by some of the same women who, a reading “The Second Sex”; center left, with month after her death, gathered in St. Mark’s Gloria Steinem, in 2000; and bottom right, Church IntheBowery, to pay their respects. in 1997. Best known for her writings, Firestone also launched the first major The memorial service verged on radical radicalfeminist groups in the country, feminist revival. Women distributed flyers on which made headlines in the late nineteen consciousnessraising, and displayed copies of sixties and early seventies with confrontational protests and street theatre. texts published by the Redstockings, a New York group that Firestone cofounded. The WBAI radio host Fran Luck called for the Tenth Street studio to be named the Shulamith Firestone Memorial Apartment, and rented “in perpetuity” to “an older and meaningful feminist.” Kathie Sarachild, who had pioneered consciousnessraising and coined the slogan “Sisterhood Is Powerful,” in 1968, proposed convening a Shulamith Firestone Women’s Liberation Memorial Conference on What Is to Be Done. -
Play Guide for Gloria
Play Guide September 28-October 20, 2019 by Emily Mann directed by Risa Brainin 2019 and the recent past. This new work by Tony Award-winning playwright Emily Mann celebrates the life of one of the most important figures of America's feminist movement! Nearly half a century later, Ms. Steinem's fight for gender equality is still a battle yet to besimplifying won. IT 30 East Tenth Street Saint Paul, MN 55101 651-292-4323 Box Office 651-292-4320 Group Sales historytheatre.com Page 2 Emily Mann—Playwright Pages 3-4 Gloria Steinem Timeline Page 5-7 Equal Rights Amendment Page 8-11 Second Wave Feminism Page 12 National Women’s Conference Page 13 Phyllis Schlafly Pages 14-15 Milestones in U.S. Women’s History Page 16 Discussion Questions/Activities Page 17 Books by Gloria Steinem able of Content T Play Guide published by History Theatre c2019 Emily Mann (Playwright, Artistic Director/Resident Playwright) is in her 30th and final season as Artistic Director and Resident Playwright at the McCarter Theatre Center in Princeton, New Jersey. Her nearly 50 McCarter directing credits include acclaimed produc- tions by Shakespeare, Chekhov, Ibsen, and Williams and the world premieres of Christopher Durang’s Turning Off the Morning News and Miss Witherspoon; Ken Ludwig’s Murder on the Orient Express; Rachel Bonds’ Five Mile Lake; Danai Guri- ra’s The Convert; Sarah Treem’s The How and the Why; and Edward Albee’s Me, Myself & I. Broadway: A Streetcar Named Desire, Anna in the Tropics, Execution of Justice, Having Our Say.