(;) f{~i~ Number three in Britain
MAY 17, 1969 MANFRED - he's back Summer with a band offers • PACE 1 pour1n
LODACH RODGERS is _in Ii~• for C an American TV ser1es, ,t was HUMBLE PIE revealed exclusively to MM at press- timH~sband and manacer John Mor ris told MM that an executive from NBC, the American TV network, - there's had been to see Clodagh at Top of t he Pops. He took photographs a_nd publicity material back to Amenca a new with him ... He told us there was a strong chance of Clodap doing a group series in America," said Morris. CABARET cooking Clo.lash, whose hit •i.,.ie " Come Back And Shake Me " i1 at numNr thrH in the MM Pop 30, loa1 had PACE 11 offen for sia summer NaSOIII ancl for major cabaret ut-• •l11c:e the record hit the chart. But J_.n Mor ri1 ha1 turned them all clown. He explained: " I want her to be h-H for TV shows. If she is con tracted for appearances, we will looe TV~. UNDERGROUND " We are alnady neptiat1111 aa appearance on America's Ell S.HiYa11 TV show in the _,,r future. I npect she will clo some ...ajor a,,..rances - Auntie's arouftd July. I ha,re offen from l!ODd venues like the Batley Variety Oub and the Fiesta, Stockton, to coa..W.r guide to for her." where CONCERT Clouch makes loer flnt coacert appearance since the -orol Wt the it's at chart on May 24 and 25 w.,_ IN appean with Frao lfieW at the ABC, Great Yarmoutli. Sloe win aho PACE 17 be ...,. °" the Joe Brow,, uries, Set 'Em Up, Joe D11 May 31. Thi• week, •he was in the 1hNllo• reconlinc loer foll--up sm,i. anol tracks for an all,um. Sheustwo ...... _ __ by Clive Westlake ancl the ""- by GARNER Kenny Youns - "- wWclo .. c"-e her follow.-,. and his brand new ELLA TO SING WITH RONNI E LLA FITZGERALD Is to appear with 1M Ronnie E Scott Band ll5 well as her own trio on her Brass forthcoming British concerts. She arrives In Britain today (Thursday) and n hearus with the Scott Band tomorrow (Friday). She SCOTT BAND Bed opens her- short tour with two concerts with the band and the trio at London's Royal Festival Hall on Sat May 24 sht appean with the trio and the bll buMI at urday (17). Manchest•r's t·ree Trade Hui, On Monday (19), she appears with her trio only Ella's trio eon•l•t1 of Tommy Flanaaan (pno), Ed for on, roncert at London's Royal Albert Hall and on Thl1ptn (drs) and Frank De La R- (bau). Fairport drummer ,\1h1 Iii I #Iii 111
,,u 1, MINO dies in M1 crash (1h111,.l1ll!Wll'!fotll•l11I, I I hH t ol II, I I, IU 1 Ill CET BACK . . . Beatles, Apple F A I R P O R T CON .,,,111 y II I, r h1 h •I 2 18) MY SENTIMENTAL FRIEND Herman's Herm,ts, Columb,a l,1 h w111 11 3 131 COME BACK AND SHAKE ME Clodagh Rodgers, RCA VENTION drumm<'r I ,., ,ti Ill 111'1- 1 1 t itl •I 4 ill COODBYE Marv Hopkon. Apple Martin Lambie, and Ut~ 1111 MO II 1\1,\l"il 5 \Q} MY WAY Frank Sinatra, Reprise an American girl 1,,111 rnll 't I Jltll llit tl t I, d1Ur n, If\ •• 6 i 131 MAN OF THE WORLD Fleetwood Mac. lmmed,ate known as Jeanie The 7 1·11 PINBALL WIZARD .. . , .. Who, Track WAI IV .., .. ,,., ''" II n1 •11 J I 8 I 14} BEHIND A PAINTED SMILE Isley Brothers, Tamla Motown Tailor were killed lu,I ): 111 II• I II • an fl hi"II 9 !SI ISRAELITES Desmond Dekker. Pyram,d when the group's JOE GETS TV SERIES M\HIIN I .\KIii\ I•, 10 {6} CUPID Johnny Nash, Major M,nor van overturned and 11• thr 1mt1,, I ••h 1n1 ll•l!hJ 1,il,tll'lr. 1111 J l'IP. Ir, f,, I 11 I 18) BOXER . . S,mon and Garfunkel, CBS 1111 HHOWN fl!IIUI ' II 111 ~1-•·k crashed on the MI al ~ ,,..r w11n'1 '"" 1•d+ 1,1 n, 1 l\ ,t 12 t 111 ROAD RUNNER Jnr Walker and the All Stars. Tamla Motown ur1w,11k IV 1,111• '"' I (1n,l1•11 Mill Hill on Monday Wf'f'ki·n•I IV 111 , M11\ II, 11th ,I f,,r l"iT'tr 11111 I"' tl41) "' 13 t lJ HARLEM SHUFFLE . . Bob and Earl, Island LAMOL( ~rl 1111 I Ip. I•~ w111d,I llli I qt11, I, 1, Ii h I morning. di1td instant!, 14 1n1 DIZZY Tommy Roe. Stateside 1,ur•I" 1111 1hr 111at •_hnw 1,r .,,,1,,., • n.,.tl "'' ft\111.1 N 15 110) CENTLE ON MY MIND Dean Marton. Reprose The group were on ,.rr, ( lu,IIIMh Jh,ll• u. ~I• I' lf111" (lltNI(\~\ !till llH~ prnwoll t ,\l,w 1<11111Jnll 1111,I the way hack to Lon 11111 " llt 11 IWII t ,\Ml 11'1 (tlJ 16 1m1 l'M LIVINC IN SHAME RILEY TRIO AT PROMS J ,ankt,. V•1111h1111, 'nn•llr don after a gig at Diana Ross and the Supremes, Tama Motown "-h•w nntl I ,mnlt'I Unnr1u111 IANI\ "'' l't41l) l'U 1 1 17 (.'91 RACAMUFFIN MAN . . Mother'i;; Club in Bir JA7,.lMAN tl()WAKI> K1lrv ·• (Jun, '/) .1,w 'NIii 11•111,d 1111 l\ilrll "M'\MIIN c.'\k1uy Manfred Mann. Fontana Trio nt' lhl In 1111r,rnr in alhum nr 111111i,ia hr .. in,- 111 lh" l"l!ul •M'\KIIN I \MIii' 18 ilbl 1 DON'T KNOW WHY . . Stev,e Wonder, Tamla Motown mingham. ycor'1 P1om11 Al thr H11v•I ,,,,11• r,,, Ml I\ u,,,,,ril., !I 19 I 17) WINDMILLS OF YOUR MIND Noel Hamson, Reprose Mnrlm (IA) rand Jt-11nlc, Athrrl ll pll ',If ONO \IHPM' •ill I• 1 whose renl name wn'> On Auwult 7, they wtll hr ri lf'fllU 11 I'll• I thl, t••• 11 20 {.II PASSING STRANGERS takln,, onrt In n wurk t,,, Frnnklin, i,:irl friend nf NEMS TAKEOVER ',\IHI I) Sarah Vaughan and Billy Eckstme, Mercury FAirport ~uitnrisl Richnrd Wllfr, cl Mrlh•r11 , n ,rttlnN ol " pot·m hv (ll'lr)I ~rw1Clr·t, 111111"11( l} JOIIN I \Ill 'I •" •• .\1t1•11 21 t.7 AQUARIUS/LET THE SUN SHINE IN F,fth D,mension, liberty Thompson, bolh dil"d with 11n· onh1•<1tr•, choru• 1111d l'INII 1-1 fl'r'll, I y11111n• 1111111 22 1261 BADCE . . Cream, Polydor instr.ntly. Group m1•mh1•r1 lfrx. l't1•tly thin~•·. I nll1w1rl 1,111 , .. 1111111.t "'h" h•• I \ l'lt•ctronk dt'Vlt r• ,111, 1111111 HI II II• 1,1 • ., an• 23 \I 'I BOOM BANC-ABANC . . .. Lulu. Columbia Thompson, ~,man Nicol .ind Howard hn~ al•u lwrn ( unvr111lr•11. lh•• 1111 ,,-,llhl, ,I Ti~er Hutchin, wen• all • wardrd • n ArlJ I nuni·tl t~/~'r~11tll:~,;ut, -~crll ::~~lol 111;1,:,111 ht \I.\Nioll'\MU • \lu1n1 "\I I H I I HEARD IT TijROUCH THE CRAPEVINE taken tn hor,ipital in Slan aranl to writ,, 11 nrw Jn,, LflW t•ltlNI 1,s" c\.\" Marvin Gaye, Tamla Motown more with cuts and hruist!'o work whirh hr pl• ,u 111 lnrll'I h"h,n11 '"' •um,• "' lh"' ~1uup11 lnvnlvw,I "''111'11 N, mill l,l \HII ,\;NI 11(1,,11) II Richard ~unere
1 ' "' WHO YOU ( ,\\ 1,111 )UH• GONNA RUN II IUIPI,) t-,, 11 • •fad I , TO 'l"INNt1t, \• 1 l1 I 11\ 1 DFEDEN (,IOltc,I I ltl"illflll'tl I, ' ,,, ~·:ooo TONs'o MEGATON M .. ,~,j A, (M\ ·•] FIRST TASTE O LOVE r.,, .,~ M, 'OIJl'I ( IAI 11 DOWN IN THE PARK lho lnlflo,01_,., A'-\tt , I Album RUN GIRL RUN ~c.'-rou.11 u,110 RESCUE ME ~~~~~ of the week "'-1tgg.,.o.. 1, Straight into the Charts l••UI l!Al er:, ~./..k~ TAKE YOUR and still climbing HAND FROM MY NECK "'-tMt \·~· IJ • 1-1 HAILES SELAISE/ ILUES DANCE 1.o .. .i ,A,,t ..... ,..,, , Al QU SEVEN LITTIRS 'Elvis' sounda trom -y hemiop~ IUN Do,-i•IMor•.., CIAI I Original Soundtrack and form COM'IOfAff'IJC rock OERAM , of the NBC-TV Speclal RD 8011 (mono only) Due to Whitsun'...,... •rrC1111ementa, copy for lhla - .. N41Ulretl ...... _ RCII THURSDAY, MAY 22nd Melody 0 Maker Berry' Who, Fleetwood ~e:~:g ~:.:ed 161 rlHt St. london EC4 Telephon• 01 -353 5011 l0110R Jack Hulton ASSISTANT EDITOR Bob Houslol\ Mac named for Proms I:;:.~~w~ .~usical FEATURE~ EDITOR Uob D<1wb;.un new mwrcal, .. Cinderella NEWS ED ITOR ;~~th~ Ahm W,1lsh ~he uf:~e v~y srAHMEN CHUCK BERRY, the record producer John MD11. Jones Schroeder Lourie Henshaw Who, F I e e t w o o d Schro!der has wntten and Chni. H.iyes Mac, Amen Corner, 5<:0red the musical which i5 Chris Welch likely to open, Wlth Ltt in 81II WJlkt,r Marmalade and Pent a leading role, m London in Tony W,1so,, angle are some of the the autumn. The 5hoW is be- Rov!ton Eldr,di:c ing backed by Amttican im- LEAPY LEE star names booked presariof; Single also clue ADVER I IS[M~ Nl Revealing the offer on MANAGER for the Pop Proms at Monday. Lee'5 aient Barry A new u&py Lee sin,:te Pcll'.!f Will, ,n~on Clayman said: ·• Ne:goti.ation.s will be released by MCA 1•ROVlfllt'1Al Nt.W~ London's Royal Al for Leapy to star in this later this month Leapy EDITOR bert Hall between show are goini on at the staru a month Jong tour of J•rry D ,IW!.On moment" South Africa on June 1 2 -4 O.1.lord RoJd June 29 and July 5. M,mchestcr 1 The " Proms " are Telephone Ce11tr.1I 3232 being presented by Roy Guest of Nems Enter p~ises. Each evening will feature a different Pet Clark's musical theme. The list of artists booked s~ far is: Led Zeppelin. Live rpool Scene, Blodwyn solo show Pig (June 29); Fleetwood Mac, Pentangle, Duster Bennett (30); Amen Corner, WILLIAMS SET SIGNED Marmalade, the Web Bob Kerr's Whoopee Band' (July fixed for PAUL WILLIAMS Set have l);_ Incredible String Band, been signed for management Fairport Convention (2): and agency to the Bron Chuck Berry, Chicken Organisation The group were Shack, Alan Bown (4) and born out ol the original Alan October 17 The Who, Chuck Berry and Price Se1 and Alan retains an Bodast (5). interest in their recording. PETULA CLARK'S one Artists for July 3 have The band say they have a woman show at the Royal still to be announced. Roy more progressive policy than Guest is negotiating with Al lhe old group and are Albert Hall has been fixed currently planning their first for October 17. It will be Kooper, the Family and album. her first British live concert Richie Havens for appear• for six yet\l"s. ranees. No radio or TV She wm be in London coverage has been arranged HOLLIES IN SWEDEN nround that time to film a at present. TV special which will be used HOLLIES FLEW to Sweden t~ opl'n BBC-l's colour ser NEW BALDRY DISC this week for three weeks vice in November .3nd also to open air concert and theatre appearances. ollend \he premier of her new LONG JOHN BALDRY has a film, a musical version of new single, to be chosen from On thei_r return, the group Goodhye Mr Chips two Tony Macaulay com• go on holiday for three weeks Petula last week comp\eled postions, "When Brigadier befo~e entering the recording the soundtrack recordm~5 for McKenzie Comes To Town " studios where they will be lhe Rim She lold the MM or ." The Lights Of Clnci recording a new single and an then!: would probably be both natt1," scheduled for release LP an alhum and a sinRle rrom in the first week of June. the film On Saturday (17) he appears at the Leas Cliff Hall. LEGAL MOVE Folkestone, then lhc following BEACH BOYS SELLOUT night (18) travels to Crawley. THERE WERE further legal Sus5ex, for a show at the moves th is week over Peter THERE WAS a tremendous Starlight Ballroom and plays Frampton·s decision to join demand for tickets for the a week's cabaret at Tito's, Steve Marriott in the new Beach Boys-Paul Revere con Stockton-on-Tees, commencing group Humble Pie. cert'! at London's Odeon, May 25. Double R Productions Ltd Hammersmith, when the box on Monday issued a statement office opened on Sunday. which read: '' On the ex parte "Jt seems certain to be a LOWELL TOUR OPENS applications of Double R sell-out," Bill West, stage Pro~uctions Ltd and Destiny c.lireclor for lhe Rank Organ A M E R I CAN BLUESMAN M~SIC Ltd, a Judge in the isation, told the MM on Lowell Fulson began his first High Court on May 9 granted Monday morning. "The re tour of Britain at the Kirk• interim injunctions, the effect sponse was reminiscent of the levington Country Club on Friday. He is accompanied on of which is that the record on fJP~~~"ct of Ham- which Peter Framptor: has J~:s Be~v::·" his tour by Steve Miller's participated will not be re mersmith on May 31. Their Delivery. Tonight (Thursday) the gui leased before May 23 when opening British dote is at the the matter is to be heard Doml:', Brighton, on May 30. tarist-singer is at the Lafa• again and the case for the 0!11Y remaining dates are at yette, Wolverhampton. The Birmingham (June 6), Liver rest of his dates are: ~~~.7r side will be represent• pool (7), Manchester (8), and 0 Glugow (9). BJ;~ l~~t Tw\~i~~s~:~ ~:;t See feature on page 11. CLUB NEWS
MOTHERS, THE Blrmlng to the West Country to ham blues and progressive appear at Acker Bilk's Old club, goes into the promo Granary, Bristol, on Satur tion business when they day, May 24. Ken Colyer is stage the Mothers Of Inven the attraction on May 29, tion at Birmingham Town with June bookings includ Hall on May 30. ing Monty Sunshine (7) and Humphrey Lyttelton (14). John Peel ls to make five appearances at Mothers in Harmony Grass open a quick timt: - with Steppen week or cabaret on Sunday wolr (May 18), John Hise (18), doubling La Dolce man's Colosseum and Pete VJta, Newcastle, and the Brown's Battered Orna Latino, South Shields. ments (25), John Fahey HERMAN Before travelling north the (31), Proco! Harum (June 7) r~~u1u an LP and Deep Purple (14). Vanity Fare (30). Resident 1;1:~l::~lete GROUPS WITH SOUND CITY AMPLIFICATION Tyrannosaurus Rex visit deejay will be Malcolm Jay. Midland clubs next week the club this Saturday (17). Bill Haley and the play host to a Dutch group, Blues singer Howlin' Comets will fly from Ger the Whiskers, on their firs t Jimi Hendrix Experience • The Herd • The Who • Dave Dee etc • The Action Wolf starts his British tour many to open their three visit to Britain. They start a tomonow (Friday) at the week 1969 British tour at six-day tour at the Belfry, Country Club, Klrklevlng Club Fiesta, Stockton Sutton Coldfield, on Led Zeppelin • Chris Farlowe • Juniors Eyes • Jon Hiseman's Colloseum • The ton, near Stockton--on-Tees. on-Tees for six nights from Monday (19) followed by Bonzo Dog Band • Entire Sioux Nation Mary Wells visits the dub June 23. Other Americans Club Lafayette, Wolver un Saturday (17) followed pencilled in for the club hampton (22) and the Pure Medicine • The Plastic Penny ht Glass Menagerie (23). include Little Richard. Len Elbow Room, Birmingham 10-18 CLIFTON STREET Htrman's Hermit'.i open Barry plays a one-nighter (23 and 24). LONDON E.C.2. • on July 9 and the Crystals The Revelation • Fairport Convention for a week at Manch~ter's Bookings at Birming- 01-241 9981 Golden Garter on SundJlly on July 23. ham's Le Metro Club In~ Blossom Toes • The Episode Six• The I 08), followed by Donnld June brings a strong clud~ Idle Race (May 17), blues line-up to Club Lafa Wellington Kitch J ump Glass Menagerie • The Eclection • The rh~r~e!~ cJ:'me~~f:~s rJ:; yette. Wolverhampton, Band (18), Soul Committee Pl eo,e H nd details a f So und City Amps. I endas• 1 /- In I 25 starling with Freddie King (24), Jasmin T (25), Clive Marmalade • The Status Quo• Aynsley , tamps to cover po1t09e and padung. Da\lL Dl'e, Dozy, (5) and continuing with McPhatter (31, and Band Beoky. 1\1ick and Tlch John Mayall (12), John Lee wagon (June J). Dunbar Retaliation • The Kult • and 1,umch a r1ew Mr,nday night Hooker (19) and Blodwyn Morefields h8\'e opened I p11p polrc1,· at 1..a Resen1e1 Pig (26). I owell Fulson thi!ir newest club In Dor many other groups \urtc,n Coldli,pld, on Ma}' plays the club tonight chC",tN, featuring name and 2fJ Thry will br ruJlowrd (Thursday) followed by local groups. Tony Kayt- is Used in the mus,cal 'Hair' also on the Nina by hlt'cllun (June 2), lhe Ho\11 lln" Wolf (22) and r(':i.Ldcnt deejay~ and the I 1ovt' (9), Grapefruit 06), "l.nvoy Brown (2!j). c-lub, thr Leisure Centr~, jS, Simone tour and the Janis Joplin com en "\lood1, Hltn:s- (23) and lonk John Haldry tra\.'tls oprn ~even days a wt-E'k -• I'••• • Ml I Ull't M,\KI M, Ml't' 11. \C.lf;Q
--.c. ENGELBERT RETURNS ' ~
I·~ ... ' •- ...__7 TO STATES IN AUTUMN ~ ,, ENGELBERT HUM •, •.. • Bee Gees PERDINCK is to re IN AMERICA UNTIL CHRISTMAS turn to America for C.ohn Allen •~ J{Hntn.i Ht tl1e5, 111 Swedcn for • shnrt release the whole of this Genrgie famr and Mick conct'rt and TV visit. return autumn. Taylnr will h• rccordmi: fllt Ina for another conccrt at thc Rrk Gunnell manaRement Roundhouse, London, on May Following his current ~t~~ Thomp'lt,n remains with 25, the Oomf'. Brighton (26). new disc c.uccess in American Mayall on has~ rrcr conlert, Parliament H1li Fields (30) and 81rm1ngham cabJret in New York (31) Ian Carr at London's IHI IHI (,I t s arf' 1,1 rt· FOUNDATIONS CHANCE Vegas, he lu,;• II ru" i,tnJ:lt lllll.'(I and Las re turns to the States THE FOUNDATIONS will not WHOOPEE BAND MOVE T1 n1nrr,,v. lt•n11,rn•v. " •t now ~ record1nR thrlr new lhl' f'n..l r,1 th1 mnnlh It , after hi s summer sea• single and an 1lhum m first Jazz Convention ROB KERR'S Whoopee Band rht'tr ru~t 1n1d.- ~1nce Rnb1n son at the ABC, Great Amel"IC'I 11 WIS planned The} are expectcd to sign with wdl cut the rollow-up lo " In NEMS ,or agenty and to (,1t,t, •nnuunrrcJ h1, tnle-ndl•d Yarmouth, which opens The B•d Old D1y5 •· when reltHe records through CBS
The concert is m aid of tht Community Action Union. which fights against poverty, bad housing and helps race relations SALENA FOR SAVOY
AMERICAN SINGER Salena Jones, just back from a seven week tour of Australia and Hona Kong, opens a three week season at l.Qndon's Savoy Hotel· on Monday (19). This Will be her fin.I appearance m Savoy caharet FILM FOR BILLIE BILLIE DAVIS, whose single, J. J JACKSON has his first album released on MCA on "I Can Remember," was rush May 30, lilted "The Greatest released last Friday, 1!1 to Little Soul Band In The make her film dehut in a rnovi~ which &OeJ into produc Land" tion 1n late July. The a lbum featu re, tenor 1s1 Dick Morrissey and g-uitar· Produced by Tc,m Keylock, 1st Terry Smith, both of whoni the fllm will have music are MM Jau Pollwinners written by the CHu111, who Tracks include "Tenement will also make an appearance Halls," "Tob1ccc.o Road," B1lhe will have an aclln1 role as well u singing ;~/fo::,i~r !nd "Fal Black 0 22 sra~ ,~~ ~~y~ ~~d~ ~~ J~~~ 8, star!! five days of Span BLUES AWARD DANCE ish/ TV, radio and concert dales In Madrid and Barce THE Rhythm And Blues lflna Association will future Donnie Elbert, J. J. Jackson, Joyce Bond and Rnot And Jenny Jack,nn al thtir Award~ Successful Dane, al llford Palai<, on Ma)' 20 They are- also negotiatine for Geno Washington, Chicken Shack. tht: FlirtatlOM, Oscar Toney. Jr and the Bandwagon benefit Oet'JIYS Mike Raven, Stuart Henry and Johnny Walker and Alan Price will al,o hi' appunn,: BOBBY VEE ARRIVES for Lonnie BOBBY VEE •mved m Bn laltl th1 ~•ek for ""'vcn week" cabarel m the north of E.nt~"1:! lt'I 11,r !ht' Amrr1c1n star inch,dr (wttk bt-J(mnmaJ May 11 Newcut\e and South Sh1t"ld1, ~locktnn (Ma~ lfil). f:U1ckhurn (\11) 15), 81rm1n11- ham (Jun• kl Shrfhcld and Bun,,le~ Uunp 221 and Spe-nn) JUNHJR~ ['\'F~. tlie Drv1an1, Pn·lly Thrn1 Sere-.. th• PAUL NICHOLAS ncOor Gu•rilla P ,rt UP Hp.rl• d 1 tah Pill 1n a n rt at Lnnd n1 R undh1 gn Ma " MELODY MAKER, Mly 17 , 1969-P••t 5 BURRELL TO PLAY JOE SOUTH HOPES FOR SCOTT'S NEXT MONTH GUITARIST KENNY Burrtll's Quarttt, playing m Bntam for tht' lint time, tw ~ins a fortnis.:hl"!t "nJ::a~~ment at I ondon'1 Ronnie- Scott Club on Junf' 2 Th" quarte-t wiil appf'ar opp THE TEN Ve,1 r, Ahe r.Jt thro Tull-Clouds pac:k•g• ~nw • ~! ';!~' 'l1b: ~td~=~c 1a!~ !:enkd~~•= How much for pt'ovlded on, of the best show• CHe1 of • rltis h t• l• nt Hen In concert fo r ,1 long lime Cloud,, 11111 a much undcr r ;illtl group, kicked orf • !though their stt Wils m,1rrl! d slightly by ov, r-ampllflutlon . BIiiy R lc: hl ci r•,g• n. vcls) l;in Etlll the free concert? bu, vc: 11) ilnd Harry Hughes \ dn) - combine good voc ,1 I f~t-f- r •nlf'rlll IH•· h:1flhnj( il ltlc: k with 1100d ,1rr,1 ng e meru, 1 r1a11'l a eo i;: t i1J n 'I 11 f lh l" .------. 1h1•y·re hard tu hu~. hut. ,1 nd • high s t,1 nd• rd cil mu11 c l.e nith Sllll 1n \fonthec,tr, In a.n ••" li1n1h1p Hlghlights of thur pu"-~11 when plug21ng 1111' •• r, • US U:111 \' m('l n .a rt-pl)rt P"'>lt'n Iota! 1po1 were the Hughes drum , , mmt-rn•t )limmlr k nurn} hy-elf'ctwn cand1 ( ,,,, f )/,,,/ / h m 1/4,ol • : y . <,;,,,, . ;;, f A;QM f N.AI It BIG 124 I Blodwyn Pig want to make MANF and enjoy good music ~ BACK T'S lmponlble 10 categorise " I'm not reaU1 hun -up on I the rl'UH1c coming rrom 8lod• the Idea or havln~ a !'ngle In wyn Pia, the Nnd rormed only ro1.1r months ago by Mlc:lc Abra ::::.~har:e al~~~~~t. _.;:._~~:.ryul~0~~ WITH ham1 after he /eh Jethl"O Tull. sidered it as a slngli:i but the And that suiu, Nick and th• company thought It was a good othe.r membt'rs of the highly ide;a $0 we said DK. I would rated group-multi instTumenllll- like to SN th• album a•t in the 1st .J&t'k Lanc,aster, dr11mmer charu though." tlon 81r9 and bassist Andy Pyle - for they don't want to be class.d ., ii blUC!I band. " I le.Jl .Jethro Tull when, tht:y Better were In thal trarislUon period, I had different Ideas so I s.t down to get mysolf together. I What sort of reaction have was wrlllng IOngs and for 111 Blodwyn Pig bun getting during week after I leH I rail dejected the p.ist ro1.1r month$? "The re A but aftu ll'lat I was sure I'd action is gellln9 batter all the dont' the right thins. time. In fact it', on the point of being incradible. " We played Liverpool Uni- 11u•sfty last night and lhey went Concerts mad. They had Lis back for four encores. The unlvenitles and ell.lbs an our best scel'lo. Some " I dan't like this c.uegor ballrooms we go down well but lslng or things. Some PC"Ople in not as well as the unlvorslties. list on calhng us Mick Abra On stag1,1 Mick jokes and hut1's • lodwyn Pig or Mick chats with the audience. Is thl5 BAND Abraham's blui:!s band, Blodwyn a planned policy, an added P ig. h's just Blodwyn Pig. entertainment? "Tho ulUm.Jiltt! aim of th11 band was lo bt!come soclally and " When life pla)', ' he e•• EM;~~:, :~~~ 10:~e: musically happy I believe that plain,d, •• it's got to be 100 from "one extreme to an a pood social scene helps tha per cent dead serlo1.1s but that's by music. Our aim is making good no nason why we shouldn't other," ls the latest adven music .and enjoying ,t trt!• malo:e Jokes and become II part ture of Manfred Mann and mendously. of I.hem as much as they want Mike Hugg, the two " Eventually I'd llkt! to add to become a parl o, us. ALAN brass to the band It could be dominant members of the .lln f"ight o, nine piece ro, sl&ge Jong - standing Manfred work and even bigger If we do Mann pop group, concerts at placn like the Private WALSH Albert Hall. Manfred and Mike have " we·v, used "me brass on "I'm not after this st.al" formed the group for club to say that what we will be ou, nnt album ' A Head Rings mystique sort thing. Jt"s be dates out of .11 desire to "play Out• which comes out at the or presenting with Emanon will come a bit r,f a joke reall)', some music to an audience not be commercial pop music. that it can be palatable to an Some of the kids have i.ot their again." And not just the We will be trying to play audiencie. ow" private thing, thoy think commercial music that keeps "We want to play the :~;,i~~ a~~:,s:~F} :::;~a:~t~~ yo11 are the- g!"•atest even If things which are as far apart " IL's .Jack lancaJter. We used thl! Manfred Mann name in as a thing by Coltrane and the things we like, but we also 11n ol9ht-lr;ick milchlne. He you know yo1.1"ve not played that Woll. the pop chart. But a far wider country blues of someone like wani to communicate. This 11 isn't going to be an introvert ri~~!s a.!~n:roll~ ~n ~~:~:":n:•h•~ •• One thing I am pleased reaching spectrum of musical Leadbelly, while Mike has uu!d baritone on the album. about now though Is that at sounds and idens, from free written some very pretty band. We want people to " We-'rt rel111aslng a single least they·ni llstening to good jaz1-influenced pieces to songs. enjoy what we are doin,g from the album as well. It's m1.1sic. Even if the ltlds have gentle little songs in a There's no enjoyment m callod • Oe;i,r Jill ' and u·s a this $t.l!" lhil'lg they are headng Leonard Cohen manner. " But there's no real musi playing to wooden audiences, bhlH type or b.lUad. It's a very good music .. the-re are some cal type to it. We are just or have them saying that the slrY1pl111 and str.ilght fol"Ward 9reat bands around.-ROYSTON Manfred and Mike sat in going to play what we want tl!inq, 11ot too comple•. IELDRIDGIE' . their manager-cum-puhlicists to, that's all. b~rie~~ting band was much .------office this week and talked to "And I'd like to stress that " The Manfred Mann group MM about the group which we don't think that the band has achieved a sort of false many people think will really is necessarily going to be a reputation for being 'good be the Manfred Mann formula tremendously world-shattenng musicians.' I say false because BOB AND EARL re-incarnate, They are wrong thing at the outset We are when people say to me: 'Oh, "The music will veer from doing some gigs before an Whatever the mood you're good musicians ' I say one extreme to another," said audience because we feel that ' How do you know? You'vie in Blind Date on Page 16 the familiar sharp, penetrating that's the way to get the band never really heard us play.' Manfred. "I don't like to together as a uni! to work it " I think that this group has ofthe music, categorise music, but it's fair in and package it properly so the potentiality to be a good band, but what I don't want is for people to assume it's Hofner~ the soul of fg);;.& a~d bs~egn~~ix~~~{h~n~: a year playing for buttons before someone notices them the sound and says they are good. "But we have a ' uame' and peopJe may expect some thing sensational straight off. They may get it from us, hut they may not. We have to face up to the fact that we might not be that good to start off with.'' Emanon - the name comes from a Diu.y Gillespie tune. - features a basic five-piece f;~;ln>,co~~~!inAu~i fei:t:r~~ piano, vcls), Craig Collinge (drs), Steve York (bass and harmonica) and Bernie Livings (alto. flt) from the Mike Westbrook Band. This basic unit will be augmented by five players from the Breed - Ditvid Coxhill (bar), Sonny Corbett (tpt) and Phil Kenzie, David Potter and Jeff Driscoll (tnrs). CEASED "When the Manfred Mann ~;~~~s. ~~h~erd th";:k~ shi!::: iiaid Manfred, " the time eventually came when Mike and I wanted to play again. But we didn·t want to do the commedciaJ • Dao Wah Diddy • things of the group. THE MUSIC OF REVOLUTIONARY BLACK "And we didn't want to form a new band under the AMERICA. SIX SPECIALLY IMPORTED Manfred Mann n11me bacause that would have meanl we Hofner give- •,,ou so many diHen:nt choices - every one a qualit)' ALBUMS THAT "SAY IT LOUD"! Wlluld have been getting the instrument at a realistic price. same old audiences as before. BST 84301 ~ ELEGA~,f SOUL 'THREE SOUNDS' " I'm not ,Putting down the BST 842l/ ~- SEfffNADF TO ,~ SOUL ;;ISTE:k 'HORACE SILVER ' rest of the people In Manfred Mann, but we wanted tc1 r------, BST 842~2 ~ SLUW DRAG 'DONALD BYRD ' choose musicians we wanted I Mease send detatl.s of Hofnc:-r Cuitar rt) llt!' I happ hn di~; With a ran11ly_ I l'\h,;k,u I) can't affnrd In turn d• 11, 11 work any mort' and I n""" d of a Int of non-Jan_ work "Th.- ja11 J?.l~S work irrl'i;!Ularly, Onr l"''i•t·k I d nont". the Of"'(\ I MIJ,Chl d, h'n The} an• the th1nJs I "nj • be-.t I 1\way1 frtl ~lall'd and ht'ller aftf'r pla) 1ng 1u1 •• Bui nnw I at.~o d,, a f1• th 1 \ftl..,. " • m,-..nc- sessions and thm&J hke lb.: H " I I I ;1• 1ln"nf\h11::1l t,:t sec Radin Orrhrstra \ll('• t m, ..,h,z r.11m .. .1nd Westy " If work really 1"' alati: I ,tun, 11 "" •h" 1a11 ,.,l'n, somet1mt'" ,:o 11n th" road n al r · n vlt'&r .,1 pultin,r. with a band. hut rull1r I h.al this. I prefer to stay el h "W ,h'.~~, : ,,;•.~:;f'Oh~n I h1:l~~li~~ and work m town ,I I can. ;a, "• '•" 1 0 jOUt::1~L•:.~sdor! k~h• ' 1mp~~v,~ 1-lon that tht 1tan •re •II p,r,onol frl•nd1 •nd, on the Uren1th of • halt-hour Inter• admits PET CLARK vlu,, give • det,11ted analy1l1 ~!r l:~ tt!J~:fcl:~!. •nd ch,rac- Such a ploy 11 Jkll not on for Potuli:i Clark. On the co-stars with P• ler O'Toole. She 1mall. And the grut thing Is could do about It and rela11. 1tr1nglh of two lnlen,lcw, f wlll be back In October to mm to be •bl• to use It 10 that " This Isn't really a mu1lc,1I pronoun,, hor both chon11lng • TV 1pocl• I ro, th• aac 1nd maybo you leave 10melhlng and it Is becoming less or a anrt ballllno Ju1t •• yo1,1 begin to give her own on,-woman behind." musical as the cutting goes 10 ro,m pro-conceived ldo;n of show at the Roy• I Albtrt Holl Petul• •dmlts that she on, Few of the songs aro per· how 1ho think,, she wlll con1a on October 17-hcr fint In• " lo,thl " uielng herself on formed on the scroen, but they up with •n ullorly unexpected are l•ld over or under scenes. 11;s:r1t ;::~:_ranee In rltaln Olml or TV and " never " plays •n•wcr to qu11t1on1 r0 • her own record, ror pleasure. That's what I've been doing In Pren11d to cite one slngle or London this tlmo and It's very A complox ponon, and one " It wlll ba th on -woman who deHn't tempo, hor • • album track which utlsrted tricky, doing a song that 11 1how I hove been doing In her, 1he reluct,1ntly agre111d that literally lald In between dia- opinion, becau,, they might bo America thote last row years," bad ror bu•lnan " Eluslva autterfl)' " had said logue." • she said. "I've been • eying what she wanted to ,..,. at the Petula WH • child stn In no, •s far as Britain wot con· time. ftlm.li but uys that all thoy 0 1 In her v111ry oarly teens her taught her waro bad habits. ~l~~i::• !:~u!:s ::t•~O d/•ri: 1lnglna seemed to havo quite a CONFUSED but now I wlll be here For the J•n lnnci.nce. !:cu!~!cla,I I have run out or Sha agre111d: "I suppose It wa, the thing It the time that " In • way I am very un "I've sung 11II over I.he WH sllghtly outside the pop CONTROL prore11lon,1," she ••Y•· " 1 world In the lost rew y• ars and thing, Pqgy Lee WH my Idol don't know any of tho right I admit I have dodged Eng• when everybody else was mad '" I think I learned more from peopla ,111d I ort,n don't say 1•nd. You m•Y not undenlilnd, about Judy Garland. Jan Is tho right thlng1. When I go singing which at le.1st glv11 you but I reel lhat singing In • rl• really the basis of all our • sense or timing," she said. on 1tago I h•ve no Idea what lain Is like singing to your own music." I •m going to uy. So pooplo "And you c•n't help learning r.amlly. And I'd rather ting to Pressed to name a singer she If you are working with some who Judg1 mo •s • pop singer S,000 strangen th•n to 20 of admired today, she came up 1om1thne, get confu,ed one llko Pater O'Toole. Ha my own family. It'• quite a with: " I think Dionne W•r• work• lllce a madman on every " I Jun don't He ,1ny point hang-up I've 9ot, wick Is a terribly subtle singer body's role as his -n, and In getting up lhcra and slngl"g " No, It's not a fear of crlll• •nd she 11 90 consistent, A lot this is tho way It shauld bo. a string or pop Hng1. It's • cbm-you h• vt that wherever of people occasionally do a Just as I know ex,ctly what 1on10 of communication you are." marvellou1 performance, but I 1;an do with my volco, Peter b,twuin them •nd me which she Is always good. She Is my hos perfect control or voice, mattan I am not an ambitious sort or singer-I like to keep a face, body, hand1, It's • vary, person but I bellevo that 1r little under the maximum. vary comple11 thing •nd some• TOUCHES Maybe It's something to do thing you J11.1il have to learn. ;:~ !~~u,:lnlryto todo d!oj1ot!~lf. with my upbrlriglng but I " I c•n sec the t.!1Tlbl111 mis• • ut then my Id•• of whet th•t ~:~•tem~~,:~al "!~p~l!~~~;stops- 1.oillkes I made when I st.arted 1omethlng 11, Isn't always the Potula's attitude to her own on the film. In r,ct, at the ,,me •• other pt>ople'1 " work It complex. After • year working on the beginning, I didn't know If I " Singing Is not rC!ally a pro• Chips fllm, Petula admits that could do It at all. I think I fC!sslonal thlllg, to me," she sht fJnd1 lhe endless waiting was better at tho end er the explains. " It Is something around on film ,els something film. SHOW 11 of a drag, " Now there Is a posslblllty :e~lcr r!~r,~= ~t'sm~otd~:~\ry ~;~ " I don't llke filming because of a picture that I very much portanl, It's Important to ba • I'm uud to TY or live per w•nt to da next Spring, It will P• lule WH In Brltlln thl1 good surgeon or something form,1llces where you arc work• not be a muslcal and I would WHk finishing WOl'k on her really worthwhlle-not singing. Ing to a deadline," she s.ay1. have a vel'y modern role, set new film, • muslcal version of But I believe you havll to use " It took me a few weeks to In San Fr•nclsco." - aoa C.oodbya Mr Chips, In Which she what talent you h•ve, h-ever realise there w,11 nothing I DAWBARN. lf~t- \tL-\.1HIIO'r \.1.\KfoR, Ma v 17. 1969 Mr Garner and his new Brass Bed FELDMAN : nostalgic interlude I- RROLL GARNER arrived de:allng with a hundred and doing Dnd tried to pla) 1ri London on Tuesday, some players somethm& he wantf'd to hear, l.ul 1,1, t'ek, but not to appea r " As far as m)' little alhuni that would inspire him, m,t in puhlic 1s concernf'd, I tried to keep what I wanled to hf'ar m Krupa' the orchestral p3rl simpl" bu1 The 'Kid Ht" had complet"d TV and there. So I learned to feed tnncnt auignmen'.s on tht" still something that ja,..z him. That's how I le11rnr-d that < nntmt"nl 1ll Munich on musicians could feel. It was a Mnnda~· and was here parll}' feedin.a; thmM,, you under "'" And there is an art to on holiday, partly lo talk to stand? The patterns, the compina Like they say Basit' \.'!GM and make a hrnadca'-l phrases. it's all simple but ls onr of the hf'st compers 1n IIP rt"ltHn~d to the State'! on they're ahle to fe~I it the world, and Duke can comes back Thund.1) "My arranaements ain't f:~~: too, if he isn't ff'f'llng 1,i aniwt•r ({, the que-st1nn. that hot but I got cats that much jazz as he would wish BACK IN those good ~Id M l:\r1t1sh concerts this can make them sound good 11 0 .. But if I played Jl7Z all the tl,:~;. B~ht'"tt~ 1~<:ne ~~I l~~ m . 11w p1anist Hid only You know, Bernie Glow mi~;Jiou~ o~f th! ~~f! ~m~!; swinging days when tne time _ just because I had to Bntam" It "It didn't turn 0UI the all them guysU and concert in Duke's honour jitterbl!gs were still cuttin~ play jn:r - I guess I priute 'f'isit When Victor went to tJw way it wu munt to " and Garner ltauahlcd loudly and at the Whit" House on April a rut,:: to the strains of wouldn'I like that," he says St_ate~ fou rteen yean •It>, bt that v.·as "kind of a pnvatt> shook my hand at this point 29. Garner said he was DEnny Goodman, the MM frankly. Joined Woody Htrm1n le visit" in his way. He hkcs to make a He'd already played me part delighted for Ellington and A dedicated famlly man, change now and agam, but ran banner headiines about nine month,i on v1hf'S · Tht: 1 1 of the LP, commenting un could think of no s im ilar a seven-year-old drun1 Vic tor will often turn down I returned to England for lw ~hat qualification is very things which caught his atten 1rthute jobs in order to spend time Ho~~ a"n J t:1k:~e ab::t~uir. important prodif!Y months before rf'lurnin~ land, franr~ amd Germany tion and following the turns with h is wife, Marilyn, and On his new album, ff'atur of the music with a wide On this Ellropean trip. The yur was 1941, and the :-~~. fo r lnothtr alt \l\lt"r drink'<, Garner ordt'r1na Gamer used the accom• three children They ar~ < ,,1ntr"au mg the Brass Bed, he employs repertoire of ,munds and MM paused in its patr1ot1c Joshua (7), Jake (4), and drums, boss, bon1os and expressions panying instrumentation of efforts on behalf of thf" " I then Ith for th" Caau H has a ne'"" LP out 1n the Trevor (3) to Join Buddy De FraArQ conga as basic accompaniment So far as I undt:rstand it. musicians in the Forces 1<1 " Miles Davis did a record 1 States on MGM. Titled " Up he sketched out the arrange ~:!\a~~~~d !~ndce h~:~~ '6~e hail the arrival of a Kid ing of • piece I wrote and ~;~ufcr:: t~:r~r~:;ne~I•~:: In Erroll's Room," II was :ut ~~gt~ine1it~~ fiv~0~~~ks 1:;; ments al the keyboard and his He believes that he's getting Krupa reu,rdt'd. Just over a year aao trumpets, trombones, rttds ideas were then executed by the sound he's been lookinR named after Joshua," say:= when I . heard a rtcord Cl'ftr to, He was, of course, Victor Victor proudly and 11 tus first alhum release and tuba the orchestrator, Don Sebes Feldman - the London boy t~e radio I had made ••tll In quite a Jona while And ht ky who emigrated to the States Musically and .socially, Jimmy Deuchar and Derd: hH nothing planned yet to The point Is that this septet "When Jose Mangual joined 11 used most sparingly and The cats referred to were, me I told him to concentratt tn 1955. Victor is very we:11 adJusted to Humble called Pub en.,, lollo"' 11 the American scene. ling •u That i:iostal&ic int,,,. accord1n1 to tbe pianist's on the swmg beats so he Victor returned this month ·• I don't aim to flood the ~-r!~dit5ot~m~ c?~~w t\j~~H: won't be clashing with the Musically, he ff'els there IS Jude helped bn&hten the f< ur instructions. Atsuredly they jor o visit to his family in days' tnp market They aot so many don't get in his way but Don Butterfield (tuba). Wayne bass and drums. That's my Britain - his first trip here: m a more relaxed atmosphere records out each month, how simply punctuate his playing Andre and Jimmy Cleveland whole idea ln havina Latin four ye:ars, And he talked to than In Britain. "But when I " I arrived 1n Loa Ana;tl~ are the deejays going to listen and provid" a background of (tmbs), Pepper Adams (bari) i;ercuuton, So that when we the MM during a taxi trip to come over here," he says, " I w.ith very little money," 11~'3 to them? But wh"n I'm back I instrumental colour and Jerome Richardson (tnr, de play bossas of whatever, a Jav On One show find I enjoy it very much." He Victor ruefully "Only a1>ow must think up somethln,11: 1 " Sometimes a piano player flute) you have a r~I Latin beat. attributes the relaxation an 500 dollars I did some Prf"\I f'l,e." And when the jazz numbers Now based In Los Angele:s, will record with a big band or After a sip of his Cointreau, Victor plays for about seven America in part to the bad g,g.s - strip Joinla Ind No British release hu been Erroll settled back to explain como! up, you hear the dlf congenial climate - particu places like that Then I fflldt maybe a string orchestra and ftrence months in the year with the •cheduled for the LP and I 11 will smother him. He may further his conception of a Red Skelton Show - both larly In California albums with. Lero) Vinnepr ukN1 Wh) be playing 1reat and the band background " I've got it so that I don't with the David Rose Orches But he is not too happy Frank Rosolmo. Harold Lant "It's something we're in may be ~ooking, but perhaps "That'& all it was. j ... st a t,ave lO strURRle II I'm doing tra and with a jau line-u p with the political scene. " I Carl Perkins and Stan bvey• the proce.11 or workm& out tt's too bag. You've aot to give feeding thin&, I had the band a shout chorus, then drop comprising Ray Brown (bass), could go on for hours aboul Victor 1till ret11ns his now, Martha Glaser produced m to one or the other comping behind me, like when down to a whisper, the bongos Hert, Ellis (guitar) and Frankie this," says Victor reflectively. British natlnnalit)'. If fie 1t for my compan}. We do the " Often the brass, or I'm compin& behind an artist come nght down with me." Capp (drums) " I've been on peace marches becomes an Amerlc11n cililf" whole package and lf'ate it to strings, comina throuah arf" I learned a lot about that Gamer had to leave now to He also does a lot of film m San Francisco. And my i: will be for on" ru,on nn!y' 1omwne. I don't know yet over-shadowln& what he's years ago behind artists who record a late-night spot for sesa1on work. He played on wife took part in one m To c-nable him to have a uy who'll put 1t out here." doina. That's not right, m my would come Into Pittsburgh, BBC radio. I aaid I'd enjoyed the soundtrack of Harlow, has Century city when Johnson however small - 1n Int A 1010 pian11t ror many view, because when you hear and working with musicians the talk and he said: "Goody, recorded Quincy Jones scores, visited Los Angeles. runnine of h111 adopted roun• yean, Garner works almost • piano concerto, the orches 1n New York when I moved ,11:oody, goody." and did the Daktv.ri TV serib. " I've been to Russia, and I try. 0 tra don't get in the pianist's there Like many dedicated JIU· wouldn't want to live there. !~7t~~: ~nhic~ :~l~~e•:r h1~ way. It's purposely arranged " When r played In aroups I MAX JONES men, Victor doesn't alwaya. America Is much better for me LAURIE HENSHAW improvisations without 1eumi; I.hat they don't - and you're llste:ned to what the horn was get the freedom to play as - thou,gh there are stilJ SAMPLE COLOSSEUM WITH TF 1029 WALKING IN THE PARK 8/W THOSE ABOUT TO DIE ... THEIR FIRST SINGLE ... I I I I ~ I ... HISE MAN IS ONE OF THE BEST I DRUMMERS IN THE COUNTRY AND HAS PLAYED WITH EVERY KIND OF COM I BINATION FROM THE NEW YORK ]All 1-- ORCH[STRA TO JOHN MA YALL'S BLUESBIUAKERS. TH!:. APRANGFMLNT<, AIU CLFVF~. l Hfl., A TT ACK THRILLIN WHAT Is Humble Pie? At thls &lven moment in time It doesn't actually exist. All of the four-plece group, al ready surrounded by the bother that so frequently clouds the pop industry, are on holiday. How to Steve Marriott and Jerry Shirley are in lh1u and Peter Fran:ipton . and Gre~ Ridley are 1n Ma1orca Mighty cook up S10ce lhe announcement of the formation of the ,croup, Lhere have bteen mia:htv rumb Hnas from thou who still claim a aay in Peter Framp ton·s career In the complex pop industry hfe Isn't always a simple quHtion of 1rooplnlil, on sta,te a Humble and be1n,t screamed at. or evtn ~ettma a nice band to .-ether to play music Whatever tnnsplrl!I from tht' le&al • sprcl.s of the case, musically the ,i::roup have al ready "JilOt themselvu to- 1ether.'' in the rather poverty strickf'n lanitua,:e of the day Th e problems Pie aurroundinR 'th e estahllahmt"nt of the ,troup are vaat BY CHRIS WELCH Like Stevie Mar• riott leaving the Small Faces and decidedly embarrassed hit isn't relevant to what we and plaon& thdr future in There were quarrels and are doing. We're all ,:oing to Je<•pardy Like Peter Framp finally Peter decided to leave give fair quarter in writing ton . qulttin~ the Herd . and without any c:lear idea of and performin,: pl~ClnJ: their fu~Urf' 1n l~P what to do next He just "Thi~ music: will be a little ardv. Not deliherately. of wanted out blues inOuenced I suppose. but rourse He was a fine iuitarlst and It's not ,:oinit to be a blues Sa} s Steve: ·• My Quit tin,: singer Yet his reputation band. You could say 'enter 1s the best thing for them and rested purely on be1n1t a rave taining music:: in depth.' We for me. It will Jive both of us teen idol want to make really Rood rrefl!om." 1n 1967, it was ROint to be albums and c:oncentnte on Says Peter: "I . hope the fun to be a pop idol By 1968 conc:erts rather than ,:ig.s.'' Herd Jet some hlls without he was worn out, physically A considerable help to them and mentally. .. form your is tenorlst and nute player me, I really do.'' own group,'' I sult,Rested. Lyn Dobson who has played That was already his half• in many kinds of scene from formed Intention Jazz to pop. He is on their Mystery During the summer. H the first LP "As Safe As Vester• result of meeting the Facu day Is·• and his extra ability Humble Pie be,tan their ex• on gigs, Peter became friendly as a sitar player will be ln 11tence In a rui of rumour with Steve who undentood valuahle nn conc:erts and mystery. his situation and helpNI him LHt summer Peter con find 1ome musicians. fided that he wanted to leave The rumoun were that they Surges the Herd The ,:roup had a were planning a group to• coui>'e or hits after much .hard 11:ether, before they have even decided themselves. Between them, Humble Pie work by or,:anl!.t and sm,Rer can muster ,:ultars a-plenty Andy Bown .tnd their man The musicians to back Peter were found-Jerry Shirley, from Steve, Peter and Jerry, aaers Ken Howard and Alan who knew Steve from the plus tablas, harrnonlc:a, harp. Blaiklev Apostolic Intervention - an sfc:hord, or&an, trnor and flute But there wer~ preuures Immediate group, and GreJ and a variety of perc:ussion. bearinsz d•lWn c,n them. There Ridley, the bassist whu quit The titles on the album are wa~ a ,:reat age ,UP between " Desperation,'' " Alabama the member, of the Herd ;.~~r 1~thMI:1ri~1t1t ts;ejO~~ '69," " I'll Go Alone,'' " Stick Whcm Peter heJ:,an to .:et much Shift.'' • As Safe As Yester• of the attention and screams as T~·=JI Faces had been ROlnR day ls," "A Nifty Little Num he be,tan to feel almost .:ullt'I' 1hrou1th a weird period Al• ber Like You,'' "What You thou,:h most would only Will,'' " Bultermilk Boy,'' accept them as a "teenl'boP •· Growinl CI o s er," and per ·• group, 1n fact the Faces "Sana!" were liked on a much wider Several of t.he son,u, writ ten by John Kay, Sleve, sc~:~ir album "Ogden's Nut Pt:ter and one " Growing Gone Flake" in the revolu Closer" by Ian Mclagan, tlonary round cover, wu. a could make •in,:lea. bi~ seller and )ilreeted with 1 critical approval co~~:ry~~~!~dr•n\~m~i:" ~f "Alabama '69" to the instru• Meet the wild one. She's got split-second action mental surges of power that crop up In numbers like and a rich power-house sound to match. Solution "Nifty.'' When their sound hlta the Try her gently or play tough - she's the easy one! The songwritln.1t learn of puhl1c:, quite a few people will Ronnie Lane and Steve Mar he- tatlng humble pit' Quality through and through. nott often came up with fin~ material and " Lazy Sunday' Adjustable bridge, rosewood fingerboard and was a 1ood straiaht pop tune and cllcellent production SPECIAL multi-coloured inlaid soundhole. But rifts grew belwHn the strong-willed Steve and tht' rttt nf the FICH, _ and rhe-1, pt'rform~nces de1enorated, by £28.17.0• for the EKO Model 1780 all acc-ounts. And no follow• MICROPHONE up records wert' for1hcnm1n,:. (or buy anothn brlllld at ITl1iu riv priu!) The test solution to all prohlems 1et"med a cle•n t,late. and thH hu bf-en the 12-string vcnion 1793 - £35.5.0• aim of Humble P,e SUPPLEMENT One of the first aims 1s to l'nsu~ ~u•l pubh(llY for all &KO mem~n: of t.hr •roup Peter GUITARS and Steve don'! want to bt STARTS ON tulo atau c•f th• plKI' Say1 Grt-1: .. We'n all Write for EKO 1edct to: 1o,na ro t,,r equal in the group -not St"• Marr1ntt and PAGE 18 lloNP- l/111•,·iH lloN, Menia,. Co...... Pet~r trampton and two back Ina mutlclans Th• pop star JS/J40...... lt-'i ...... A slow movement TIIEDLDES towards rock for PAGE Doctor K's band Will a British style evolve ? 'ftU TIIIOU•l. W•lh a,nlth MM~ w .. 1111. " thu , ... , ..... l 1• ••• t111ew1l'I b1\k ,. NM .... ,'\ . ,.._,, t\A'WC' 1h11, o.111eu •"111 ~l,dit IM•t&f!1-I t11,,U, lt1t> Jeh .. o ..... _., • IUh • oll111d IOHN MAYALL: Simple policy-blues without b,shing. The stnnxe thins •bot.ti "'' ,.,,, •• _,, ' I thl111i.- I have, 1 1 1 0 0 , ... alf May 30th TOWN HALL BIRMINGHAM May 31st CITY HALL NEWCASTLE June 1st PALACE THEATRE MANCHESTER June 3rd COLSTON HALL BRISTOL June 5th GUILDHALL PORTSMOUTH June 6th ~~itL ALBERT LONDON A PANARIVER PRESENTATION jl\11111" jll'II w,,ltl'! \1i1,1n 1" 1n1rud1" \l"n b,..r,1rn" th tn111r rr-u,11l I r••• n,,., r~m.-rnl, .. r wh .. 1 lt1llr-;I lf,1d Ptiltt °'11m11f'f nifl11 '• l".,.1111 11,rnm lh • lilthl-, •k11! 11 1 A treat to see t,,~hl1,11 IIIIJ.lf UAYf(j· " I hn R_.._, m, mlwr" (0f'fl'l) 11 IU j ll r, 11 I f\111, .. J rm ~7;.,,J~h~''' 11:l!n f,1i!,"~t; 111rr"1 !JV~ Ml{hll,-1 Aldtt-iJ prothH 11011 w,-. all Ujfd t this a success ,,..,. 1up.-r lhi!'n J)l"NTANGl.t:: "Once I Had A Sweetheart" (Big T). Whenever I hear 1 i:~~~1hi-~, ~~!~,nl•lii ..:,~~ !hi, µr 'I'm fed up with TONY WILSON- --- .introcluces ~.:-=...... the Berries tag' says Jefferson TH• '' n " l•bel and Tears •!'Id t1ottiln1, I Blood, Sweat 11 '"• .. ,,,.. , ,,.... . ti•• leffl lh•l f•(•I at1 den't think I WNhl Chuc,( Winfield (tnJmpe·U. •riht Wh• f••ve, • have mad• any A CERT AIN amount of IUOO•h•I ,,..up Le ffl • r • r•~rt11 ••• I e1ttNr1t .,, • Ml• don't thlnlt UI • c;om controversy has been !;':1 p~;nsr~:i~veisy!!rs'~ r•r••r 11·, • ,,..,. p•ny weuld have let stirred up recently Philadelphia From tec.hnkal l•n, that m•1t1 a,. ... . college. he went to the famo.us 11'11 n,.d lllifflcult ._ "h had ta mall• about jazz-influenced Ju111iard ~hool of Mu.11c. It lhl• r.r •" I.he New York, where he gamed th•t•••n:•m• 1nat1y •"ti •ff.cit •"• Ul'leUnt 9' plu11 ll pop and it has centred their NI• c;ha,iu• had radl•. bachelor's and ,nHter'• Th• way•n "'•I fffl al around the second de1rttt In music Btfore u~;:.-m a',•d .J~ft ~=: th• mMnent 11, Jf It Blood Swea t and Tears 10in1n1 Blrx>d. Sweat and ~" ••·••cld1t' • Ir· Tears. Chu~k blew with rla1, " ,aid J•ff•rMn :;::;~ It•:' ~~ album. than a ltldi In Ula variiOus croups and worked at Wh••· .. C• lours Of Thi1 excellent LP wa "i sesswn mus,C.an H)' L•v• ·• ,nlu• tl JEFFERSON tnth, but I'm wor ried aNul whue It enthusiastically received by Twenty•two-yf'lr-old trom• lh• "11p 30 IHI ..- Rocldn' wlll 1•.,. now . I'm •••It. "If th• r, the pop 1cene and hailed u bonist Jerry Hyn,a.n was canl 1llp1 d••n Ill • l ..nd ttlal It lot r.n the dlar'- -, an exc iting, progres• ive set working ,n a book lhap and !:!~!• I lhtn• thl1 wlU b• lh• or reco rdin21 while some playing, pert-time wllh a .. jAzz-t"ock ·• &f'OOP 1II New " I Jutl wl1h th•y wouldn't " The PAblem "·· 11 tJie jazz critic, have treated i1 • York befon he was ap ltup u1ln1 U. It's terrlbl• . I rall w•up_ , ..,,. don't , .. 11 .. a little more off -handedly. wanted w much w l•l awa)' proached to j01n Blood, Sweat ~::J•"1n It J:. W cl!~~~• :'..':; Ukt • pelronlsing uncle, and Tears :r:_"" :b-.'it!dd it.art alr•1h, but niallH nan leH haw hanl It II they patted their e•citable W l • t • fallow up. ••••• 1•t nephew, the pop world, on the Trumpeter Lou11 SOloff took • rew thlnt• In ml,id but •• head and H id "Ah yes, but up the inJ:trumfflt at the a ge Uft'l really chooH ltatwaan It'• been done before, you of ten a fter studying piano u,am at tha moment. know. And anyway whit ha• for ft.,-e years. He went on to Ju 1Jbard for 11x years From th~pa:~ne~.'!~'~h!o J~~~~t there he continued h is studie s -~~;v• ,:!••~.,~~-~. lhl:.:~~~! BLOOD, SWEAT AND TEARS: the definitions are becoming finer at the Ea strn11n SchOitff of PMPle ..... ,d lh•m ••• varlely ~•no~~~le,bu:f w~~rh~~!• ~~~= Music, Rocheste.r. New York, progreH lve element.a of pop where he obtained a bachelor's " I'm 1t.lrtln1 work later lhl1 as it continues to assimilate :~"•r,~«?.-::~::11: th•,~:1.':~~\i;.11 month, Cabanit I• lha aim at - the term 11 used loosely and added to the aroup ager for many years I.err •• - ah, d••r, • 1cau•r• and for categorisation pur. Trumpeter Randy Brecker, ex• Fred LiP5ius, another New from other musical forms." 1~ft~f:~. ~~e;es::~~i~ith t; rnard e••n lhou• h lt't net, ~::. "':rr':"~t.r:.. ~i:"c~b':«:~· po1es only - like Ten Years Clark Terry Big Band and Yorker, a 25 year• old, pb.ys Texas-born bass player, Jim number of jazz groups before " They'r• pnbably thlnltlfll After, Jon Hl1ern1n'.s Colo•· Booker T. and the M.G.'1 alto su: and piano. Fred Fielder, worked with the joinin& Blood. Swe.at and 'h•'• r,.m the Re-cltln' • •rrles, =~~~u,= ::;1:_~•-~ • taw add Mothers of Invention and h•'• •Id hat ' but I'm not •Id aeum, Blood Sweat and Tears aideman. Jerry Weiss (tpt) Tears. hat My ldM1 ara •• youn1 •• " I've ••t • ba"d &e1alhar. and Electric Flag, the who worked with the Maynard f~C:~f~ M~~ 1n~eArt H~~~ Buffalo Springfield. At 21 be Theu then are the musi It's a alx-pleu - e,wan, bH-. definitions are becoming finer. Ferguson orche.t.ra, trombon carried on 5tudying at the la one of the younJ,esl in the douf.lllftl cians who form Blood. Sweat •~r1~! -:":,~-:~:: dr.,ms, ... with ftute, i.t Dlck Halligan, who had Berklee School or Music, band. Kis first mus1a! ltssons ~::boa-Z11i~••••- trumpet and tr• mbene - which " Youns jazz musicians are and Tea.rs. They come from ••••Y• Wafll IMd rn•rda •••n not really creatln& anything been leadin1 hil own trio on Boat.on. were from his father "who If they'ro flOt flaCHHrlly r•m• sheultl t•t ttulte • nice """d· different musical backgrounds new," admit.s Blood Sweat The sroups guitarist and 1 but what is interestina is thait morclal. and Tear, drummer Bobby ~~n ,::J:-a~o J~!~in'L,:fu'.!: si.ncer is Steve Katz, 23, and !:k~re~ ... T!ot~ ar ~e n1:; " If I h • •r a r•cord that•• the majority of them ~ve Colomby," and }lz7 today ~u already a workins jlzzm.an. was born in .Brooklyn. He cUrect.iona or pop muaic, Jim bad a atrong: formal mustc:al ..t hit all •v•r It,. Ir 11'1 pu,u:hJ reached • point cA dimlnuibing This aggreg1Uon 1ttra.cted began slngin& at weddinp ..ys, " the tttnd today iS away •"d cemmer ;\ & ,\ \ Rec orcb lirnitPd Music HousP, 12 Nrn,clm L,111e, Lo11do11, N.W JO; AM' ~ P11e 1$--MELODY MAKER, MI.Y 17, 1969 The problems SO YOU had Floyd doing BOB AND EARL val spot at t Citisen1· C Bingo Sessio he's ever done. A great auntie. HE MOTHERS OF IN record of mixing it Did you know VENTION: " Brown T INA SIMONE: "I what is c.lled WITHOUT in any way Shoes Don't Make It " ground " _grou (from the Verve LP NLoves You Poray" wtshlna to 1,t Involved In (Polydor). No, dear. 1t do the curft'nl coolroversy over "Mothennanla" SVLP they are- ra1lw whdher jau and proares- 9239). Bob: •• I Loves You Poray " -it's Nina. It wu a biJ What does it n 1hl'e- PoP a.re now so close Earl: it's not my thing, t t<>aethtt that tech Is bor smash back home but J Andrew 01dh.a don't like it at all . o.o rowina from the other, l can don't know how it will that an rep<>r1 Chai Ten Ytars Arttr we have to listen to it group is one all the way through? do here. It was released are I HUit troubled about way back around '60 or had a hit s1 appeartns on the Newport The heat's broken Who but I think i is it, Herman? Oh! The '62. Ja~J~~ta~~r~~{'" Atltr U.rl: It sounds • bit empt)' one of hil htt Mothers. No, I'm sorry ye3, dear he's a tht ftsllwal lhtlt, we art I don't like it with just that piano lourin1 with • pubat from now man the ftttlnl for about ten conorts - Just u, and all th.? IMMY RUFFIN: •• Don't ROOK BENTON, ttst will bt J•u mu.slclana. J Let Him Take Your Love From Me" (from B "Touch 'Em With the Tamla Motown LP Love" (Atlantic). Look, ducks, w •• RulT'n Ready " STML Earl: It's pretty n,ce, it hu go and play a nice feeling and tht: "P,nonally, I don't partJ 11106). or Jimmy Yo 'Jeat was nice. I kinda tularly llke dolnr II. I don't Bob: It's Jimmy Ruffin on and leave me like it but it didn't tear koow wh•ther wt wlU aet a Motown. I don't particu latest releas rock audl.nce or a Ja.n audl me to pieces. Who was •nc-e. And wlll the Jau fans larly like this track but Deviants' Fan obJf'Ct to us? Mind you It's I'm quite sure he .has it? Brook Benton - zine for und dlfftl'flll In America from httt. really. I haven't heard some more outas1ghl Oh well. I can They are more broedrnlndtd tunes on the album-in anything of his for a and seem to think prosre,1lwe long time. n O pea c rock It aDltd to )au. I can't fact, I'm positive. we've talked U)' I really a1ree with them.. F.arl: I didn't like that tune Underground Bui tiwy have mixed the two either really, but there'll ILLY LEE RILEY: thln1s SUttflsfully' al the FIJI. B 0 Going Back To those underg ...... be some great ones papers - it' " But when one there, too. I'm very par Memphis,. (Stax). who have t poup mixes 1M tial to Motown Bob: I don't dig it. I really two It doNll't CHIC CHURCHILL previews don't. Who was thal') but can't nally work. I was through the wery disappointed Lewis. I wouldn't have sound like Bob Dylan No I haven't heard or Ten Years After at the IGHTEOUS BROTH known by his voice. Bob: A lot of his tunes are hi~. No dear. 1 don wbtn I dW Blood 0 Sweat And Tan R ERS: Your'e My nice but I didn't like this Earl: I normally like all they use dir oa stqe. A.ad Newport Jazz Festival Soul And Inspiration " HE AD-LIBS: " Giving one. I'd never have the Stax things but I don't know there an people (from " Greatest Hits lP T Up " (Deep Soul). gues5ed who 1t was. His don't like that. may have a ~: 1::."tt.9::8 thlnp, but Volume Two" on Verve Bob (after two seconds): voice is different. No, auntie, 1 SVLP 9240). WMn ha aoe, Into ~"'J an pretty much the same the difference ud trylq to Great record, g re a t OHNNY WINTER: the Kinks everywhere." pick you up. Earl: It's a very, very good 11 Rollin' And TumbUn'" =:, ~ ~ ~~I! .. everything. It's already ERRILEE RUSH : J ground gro Alter such a tour, do the " or coune It somttJmes: sound. I like their sing (Liberty). a big smash in t.he 11 Your Loving Eyes cause they The IJ'OUP l'K'f:fldy ntumed lf'OUP ftlld It an aatl-climu to h.apc,en1 here, but the bl1 dif ing very much, especi M Bob: I think it will be a l'rom an American trip on be back In Brita.In!' ference 11 that 1n America be States, it's very big in Are Blind " (Bell). in a lyric wllkh, u Is nuaoand, Uley ally Bill's voice. He's deed back home. It's hit here. I don't like 1t "Nol this time.," IIIYJ mia:ht pull a IUD out It you Bob: I like that. The voice ban a 10 badt at him. made two or three The Ad-Libs. Excellent. but for some reason I =:u':n ':':::fL arouad JO,oeo Chic. "We have this concert sounds like Dusty tour with Jethro Tull and " Oddly enoup the placea singles that l really like. A very good tune. think it will sell here .. lbt' £ul Cout Is now there ls a bl1 compedtJve when •• Ulou1ht there mJaht It's a great tune from Earl: J dig it. If it gets the Springfield but not the Not a big 1mash but I wbtN It II al,,. dabna Chic. lblna bettnffl us that alway, be trouble, Ike South Caro very good artists . plays here I think it overall sound Who's think it'll sell. .. Th• WNI Couc lt tO blut. brtn&s OUI the besl In us. lina ud HOUiton, Texa1, we that girl, Jackie ' ney tt'II you yo11 went OTtr didn't have any al all. It's could be a big hit. Earl: It's psychtdelic. I lf'HI wlM• tbe rt1c1lon hat places llke New York and Los TERRY LEE LEWIS: Earl: Jackie De Shannon. don't like it either...... -pued with An1elt1 where you 1et the 0 No, I'm not ,ure. Who i, Thrill .., Release Me " (from OWMON BURKE: the E.ut CouL I tuppoH tbey trouble - possibly because it? Merrilee Rush, she Uvt IHn II all bef'o~. kid.I with lon1 hair have bHn the Mercury LP " She S "Proud Mary" (BeU) • IM ROSE: " Roanoke " causlna trouble themselwes. SUU Comes Round To records for Bell, doesn't (CBS). Oh .. And anyway our bJatst Earl: Solomon, yeah . T she? I thought it sound thrill wu 1tJU the nl1ht we .. And I must say a aood Love What's 1.e11 or very good. It has a Bob: The voice really topped the blll at the Marquee word for the American police. ed familiar CLEM CANP8EL Me" (20147 SMCL). sounds familiar. I kinda mld1t. Not THE Same for the flnt time." J WU arrtsled 1n lo• An1elt1 country and western in Bob: I don't know who like it, it should go well U,1 OTHIII Cle Uke most 1roup1, Chic for falll111 to pay a flne for fluence but it still has But on, cl,iy _.., dltc:oncerted at the way Jaywalklna. They were very this is but I think It's a that beat. I think it will TIS REDDING: "I both in the States and qu•llflntlon ms ,. Actually, M'v• said In the thtlr Ion• hair drew luulll 1n polite about II and treated me very poor arrangement be very big here. (Both here. and Cl1n "F• past that American audlnus American slree:lJ. utremely well. OCan't Turn You Campbell, llny, u of a very big tune. I were so much more demon• " You , people shoutJn1 sing along with the re Loose" (Atlantic). 2l-yur-old ,,.. , atntlve. But we have since alter you,"1 1he takl. "There'• don't think it will do cord). Yeah, very good. OE SOUTH: "Leanln" from L .A., WIit 7 Work Earl: It's Otis - my fav THE star man o that well in the States J On You" (Capitol). "• Is da1hin9 !'a~=e~atln '~:'·a:! p~::r~ "When you think of what or how it will do here. ourite. He's one of my Earl: Thar, not Joe Souih. WHrlng • hug h~r~· .::i·,~:::":on OB DYLAN: "I Threw courag••us 1mll IN>uad to tound better lban fliht or, If you are with a thty hne to do In • day's favourite artists He was is it? We do his ·• Gameai 7N In Brttaln. When you take slri, prelendlni be can't tell work with maybe people Earl: It's a very country B It All Away" (CBS). co" Wllh , .... and western influenced one of the great soul People Play •• IJl our acr th1 probl11111 of th.,·•::.•.,;I:;••.:,•_.,_.. _""_'_• .•.•d_i.n_ce_, ______,hootJng at them, it's not 1ur- Earl: It doesn't move me. singers. He almost re tooether 1 tune and I think people "\Vho is it? Bob Dylan and that's a good num • 7 Cf:• JA~~ will buy it in the States. vived soul in America. ber but he's come down ti\~:: ,r.•u:.,!~ ::u:~:,. ~me~o:• no, he doesn't move me He has that raw soul. h•v• • record r BARN Who is it? Jerry Lee either. It doesn't even with this one It's a big t&n& &nd •eni I've bought everything pl1y1t1 to u,, pr comedown. lion lloublt•! ProdutllOIIS prmnt The tragic story Dickie Pride NO ONE wanls to die. But arter Dickie was one of his brightest meant he got a certain amount the Blblkal three score years hopes. or money each week, plus "He was a natural entertatn. This wu very nre ln those and ten have run their aUoted Larry Parnes Is now II seml clothes and tnvellln& expenses. er - a big Joker on and off days. But he ,..ui, «>uld stop • span, It mlaht be assumed that TIM reUred " from the show business "1 then put him out on one stage. He was full of fun."' show. Death could be accepled with scene. His only forthcomln& ven or two tours to gain experience. equanimity. Then thlnas, traalcaUy, started "Dlcklt'• ,.,... was border- ture ln this field Is plans to pre- Then laclt Goot! leatured him to 10 wrona ror Dlcltle. In& 011 vory bll ~ •• In 1161. But when a young Ure Is cut sent a new West Fnd musical on the Oh Boy! 1V aeries. Jaclt Good, the man who did n,.,, ht lell air. short _ and near the peak or • ln about six or nlne months' HOLLIER so much lo put pop '"' Brit- " Dickie bad • natural the Very promlslnc career - It Is par time. " Like me, Jack Good thought ls.h map, went on record u uy. voice, It wu Ill • contrived Ucularly sad. Espec:lally at tht But Larry spoke about the Dlcltle had a tremendous laltnL Ing: " • • • the !act tbal voice. Ht wa • ••tura1 attenuated a1e or one score brilliance of Dickie when he re He put him '"' his show prac ""'"1ns llnaer llcally every other week, Dickie Is one or tht - talalt- _ rathtr 11 ,,.. Sh,atn, •• years and seven. called thls week how he was ed young 1Jnprs In the Andy WOUaml Ill AMORY Pop ,tnaer Dick.le Pride was Introduced to him by planllt " By this time, thlnss were coua- aatura1 llna· try, en." just 27 when he died. And Russ Conway. really h.apptnlng for Dlcltle. Ht .. death resultina rrom addiction Reports have It that Dlcltlt made I record for EMI. It was " Here ror once Is a boy - Ajlart r,om • llllloros. Laaa • to dniis ,, w11 the verdict fol was sln&lng In an Old Kent Road called • Primrose Lant ' llld IOI -.aUy touJd -• lbt arada u and his LP, ~ a111a1ta ID KANE lowing an Inquest at Croydon pub al the lime. RtOtcis Larry: lnlo the hit parade." ltl all-round ant-er. U you clutlttl • llollJ -,y,• • Don't W,;monHall two weeks 110. "ActuaUy, I think It WH I pub This record reached the 21 don't believe me, hoer hlo LP Malte Mt 1,ofl I'll,,• • Sll(lpla• 5' Si London W19mort WI Thousands who rec.all his tx· cm Tootlns Broadway, 'Pride Without Pnjudloo •. Ht Alld SIWln'." "~laua C-• lhurtday May 11 I 30 spot In the charts, bul thouah huberanl sl}'lt or 1Jn1ln1 moum .. I had known R1111 for some It was quite a success rrom the - clllrly •ltla his -tenq,o. an,1 " MWaJa111 OIL rarles lnlo -'tttl !Mey 11'&"55' the loss ol Dlddt. And none dme, and he beatd me to come vlewpolnl or a YOWlpter Wbo a hal• ,Ml 1'at Dleldn ... Off1t1 01 !351141 than the man who or 01 734 !941 mon 10 and - 1h11 boy.· - lremend WU already llllkJna a bis (m. Adda Larry ..... "Wha mothar ...... - helped put him 011 the road to ously lmJ)ANed, 111d I a•lted pact. It WU OIi (IOflOU( a-• i.1aa1 lllce lhls II "NIN, ll'a a If dNal ...., la ...... _ simlom - Larry Pames. Russ wluil arnnatmenl he had ltlCOI that Dicltle made his Illa· "Ylas ...._ 1'1111 boJ eM11t1 11111 by. Ill d ... -, • Pamea wa1 the lmpre111rto In mlnd. Bui Rua only wanletl pet lm_.t,,n '"' the publlc, hava .... I bis. i11111•r. ~ ....,_.i • ~ fl•i II, whose lmpreulve sllble o1 pop t,, belp him. ' You Ip him up.' • " He had IIO lllUdi •lrff, ... bot1J •Id II. Derw.i& ~'!' ~ ,ur, •I one limo Included heulcl. btltwayto_lt_r.,i.., ...... ,....., .. 11111,111- ...... ,.., Tommy Slttle, Marty Wilde, • Wei~ I did fust that. I pva him a Jlllllnlltaad aalary, '11111 "' lteap .., """•" .. Lanai ...... - Bllly Fury ltld loo -• And ...... ::-.:.-.:-:..:,: .... I I MEWDY MAKER, Ml}' 17, J~i---P&1• 17 BOB DAWBARN ON THE UNDERGROUND next week SO YOU hid the Pink Floyd doin1 the inttr vii spot .at the Senior Citiun, 01 Ponr BiftCO Senion tonl1ht, r dont A lrtat Look, dear-the next '""tit. lhd ,ou know lht'I,' Uf' guide ~IMONF: .. , -,;hat 1s Cj!JINJ an "und"" You Poro .. aM1nt.l "' ,troup? r~ No, dear. ,t d~n·1 mf'ln 1t1ty art r11lw1y porttf"I. to a What does tt mean" Well. time that nice John .-,ndttw Uldha.m hH uiJ 1hit an under-around sroup la one that h11!1n't swinging haJ I hi! amale y ·t - l~I I th,nk II Wtll'!I, JU'\l ODO of h11 hlllt Jokes, Peel is on the radio you Yn, dtar, h~·~ • VtP,' runm· summer m,n Bf'NTON: in MM's ch "Em With PEACE (Atlantlt). • LOM. ducks, why don·t you make sure and have a listen r~uy n1ct-, tt ho go and play your "Bell feeling and tht ll you'd stop counlinR thou music Of Jimmy Younit: .. album IJ nict- 1 kinda Jlround exists, you old get more underground ground fans at the Of course, in the States - and !cue mt lo read the stitches n moment and but it didn't t&r 8.11! that that, can you? moment. where, as we know, they l1ttst rt-I ue of the listen I'll tl'II you all pieces. Who WH Where can you hear under But there's a fair amount are all incredibly back Dcvi1nti;' Fan Club Maga about tt It must exist, even the k Renton - major record companies ground live? going on in the provinces. ward - the Underground festivals iine for unJtr 12's. Undcrsrc.1und mtans thal I havt>n't heard are starting underground Well, it's a bit difficult right groups draw thou.sands of the mu11cians have a Why ll that? Well, dear, I Oh wt•II, I Clln stt I'll act labels. No dear, they now. You see Middle people to their concerts. I of hls for a mesu1e they want to ,tel suppoae they are all too no ptace until aren·t doing it 1u1t ror Earth aren't doing any far more than the 10- •cross. They make the busy in LOndon being we'vt talkN 1t out. the love or it, they are thing. frightfully trendy. called popular grwpa. round-up music bC'C.Ause they want Undrraround pop is hkt hoping to make big fat Yes, love, I know it'• a bit LEE to make it, not Ju~t The people in the provinces thOff undtr,round news profits. because their r«ording are all terribly frustrated confu1lng - I don't p,1pers - it's for people FORGE understand any of it mAnaaer thinks it might How can it be underground because they aren't in who have things to say mys:e.Jf. mAke a single that would if it is making a big fat There are thos.e free con London being frightfully but can't retlly IIY ll sell ten million. profit? Drink up you trendy 10 they go to Now, Just finish cn,cbellng through 1he mass mtdla. certs in the parks. No, cocoa and stop bringing dear, I don't undentand underaround clubs u a that picture of lovely No dHr, I don't mean that me down, you old witch. why people put them on protest. John Peel on your cush• ion and then it's time for they use dirty words. I EXIST Look, dear, next time that when there i1 no money Particularly thote blues don't bed. don't lrnow though, you nice John Peel i1 on in it - but then every clubs where they feel ma)' hive a point there. Yes, deer, some ot them do Radio One you have a body doun't forge they can identify with all Frank Zappa and the No, auntM!, I wouldn't call tell ten m11Uon t,ut you're listen. He practically in Grandad'1 signature on th01e singers moaning Mothera Of Invention will W I NT£• ! the Kinks an under• to his penaion book like about shelling black-eyed be here soon, and they miss -l MELODY MAKER MICROPHONE 1 SPECIAL WITH THE advanced ,. music of bands like Jon Hiseman's Colos Don't forget seum featuring a wide range of instru ments, proper micro phoning b e c o m e s the cotton vitally important. Jon's line-up includes tenor and soprano saxophones wool and spares! played by Dick Heckstall Smith, electric organ "Dick uses a ' bug ' micro really strongly object to (Dave Greenslade), guitar phone for his saxophones (James Litherland) and the sound of drums com and he uses them acous ing through a P.A. bas!I (Tony Reeves). tically as well so he can The band aim at a wide use ordinary microphone " You spend years tuning range of dynamics, con technique. your drums to get a good trolled volume, and a sound then ruin it with ·• We have six microphones distortion." close knit sound as well and three spares. On the as showcasing individual road people tend to drop Does Jon ever use mikes on talents. them, tread on them or his bass drums? pour beer over them, so " Perish the thought! If you Travel spares are import.anti" try to mike bass drums " I have found when you get a fearful noise. COLOSSEUM: wide range of dynamic and close kn it sound making announcement$ Drums can sound delici A good microphone set-up and the speakers are at ous. Why wreck the ia essential to the success either end of the stage it sound? of performances from is often difficult to hear their point of view as yourself and the tendency well as the audience's is to speak too close to Deep earpoint as they travel the microphone. Treat your mikes round the country and " So we have taped cotton " In the studios, of course, abroad. wool pads to the micro I use one mike on each Says Jon: "We use AKG phone so you cannot get bass drum and one mike Austrian microphones closer than half an inch. equidistant from the rim which stand up to travel " On milting the drums, nor of the snare drum and and hard wear. They are mally l like to set the the first deep tom tom. I of low impedence stepped drum level as the level of have another mike above just like gold up to high impedence the band. 1f the drum the drum drum. through a transformer to mer can't be heard, then " I use a mike on the hi-hat the amplifiers. We don't the band is too loud. and others on the cym AS ANYONE who hu Het1 ing into a mike to see if get much feedback once " In a big hall, I use one bals and furthest deep the B• m>n Knights wUI it is • I ive • or tapping it. the balances are set. mike on the drums. I tom tom." know, their act ls •s We never do this. It smooth as a car sales looks bad to test your man's patter. And a good equipment on stage in deal funnier. full view of an audience. And not the least of those " We make sure our mikes assets that win bursts of and amplifying equip palm-skinning applause ment are in good order from appreciative audi by treating them like ences is the skill with gold. which the Barron Knights handle their microphone NEUMANN equipment on stage. Treat • No tangled leads or tapping to see if their equipment " Microphones are the most is " 1ive " for these boys. important thing in the Barron Knights' act; if fet condenser microphones anything goes wrong Patient you're in dead trouble. " We treat our mikes with Their fast-moving routine kid gloves - the same goes without a hitch with all our equipment. merely because they All mikes, leads and spend patient hours on couplings are checked rehearsal - in which once a week by our road The U87i their use of microphones manager. plays a prominent part. " We've just got a new road Says Duke D'Mond: "We manager, and his first job switchable ~ 00 use four mikes - all of is to look after the mikes. * O the hand variety that can 10dB attenuator be taken off their stands. * There are no permanent Check rumble filter connections. * " For most numben, we use "This is even more essen 200 ohm or ohm three mikes on echo, but tia1 if a group - like us * 50 - is trave1ting around all for certain parts of the impedence act where we're all talk the time. However care fully you handle them ing and gagging we tum changes around. And we man is aoina to move to mikes do get dropped. ~ internal or external off the echo. move the mikes about * " Unlike most groups, th~ you have to check them. "We have a bloke behind from place to place. powering stage who control, the Barron Knights move " And we take our echo echo. He takes his cues " So that this goes off around all over the place. unit around in a big box mains, battery, or phantom from a chart - like a 1moothly, we rehearse 1. may be on the extreme lined with cotton fibre. * over and over again. right at one moment. and lighting chart. We never take any powering " We don't use the mikes ::~ next on the utreme chance,, With it. Echo when we are rehearsing. •• The lame With all our * 3-pin XLR connector First of all, we work out "It may •eem critical to equipment. After all, tt•• where each member will s• y 10, but we hate to see P&rt of our living. The "I'd like to put the public be moving 10. It's n.ther members of aroups blow- ~°:~_..or our trade, as it straight on this question like plotting a game of of echo. Some think chess. you're cheating if you use Send for free illustrated catalogue to sole echo. But we use it T•y ./P.A./RADIO /RECORDING STUDIOS merely to help get the Care United Kingdom Agents: aound we achieve on records. "We take great care to see " Contrary to some be-liefs., that the leads will not bt echo doesn't really help crouina over u we move AKG you in the way people around. We like to move POPULAR MICROPHONE F. W. 0. BAUCH LIMITED think. Any mistakes - as quickly and neaUy as THE and they're ' doubled up' pouible. Holbrook House, Cockfosters, Herts. as 11 were "The pl•cina of the mike, " None of the boys stick to on ltqe from one Tel. 01-440 3277 (PBX) one mike; they move Ol(Jment to the next 11 from one lo the other all Ju•t u Important u the time U the IC't worlllna out whore ..i, MHODY MAKFR, May 17, 195q_Pakr !CJ DAZlLING American singer Marian Mont• gomery gaily admits she's n o technical expert on micro phones. ~ul 1hP nrtainlv knows testing ... v. hat sht> waf'lts ·\lo ht-n sh sU.nch hefnn- a mike- on a cahJret '-how or m ,11. rad,~ or T\' studio · Tht- most important thm..: 1s to he ahle to he-tr vour self," ,ay.., Marian .. So rn.n:,, club owners fail testing ... tn undl'rstand the needs of .J!Til?.H~ and musicians They pay more. attention to the decor or a room than to th, microphones and ampltficat1on system • You could say the same thmR about pianos. too. one two You'd be surprised how many are out of tune "But from their own point of_ view, it's obviously three v,.·1sf'r to consider such matters if they want to get the best from an Entertainer- whose mam objective, of course. 1s to pull in as many people as possible and put on a good show four, " But so many club owners GOI seem to get their priori tie;s wrong "The Hungry 1, m San Fran BOOKS cisco, for ex THE MICROPHONE GUIDE ample, started by John Borwlck. Jdentl• out with a fies the various micro. Common sense phone types and shows 1omewhat stark how to make the best re type of decor, • cordings of speech and but it became music In different sur• succes5ful pri- I n roundlngs. Focal Press, marily because 7s 6d. of the quality front of FROM MICROPHONE TO of the sound EAR. Complete survey of system" the tectmlque of sound re Like sr, many cording and reproduction, discussing the entire American chain from mike to loud• singers, Marian a microphone speaker. Phillps Technical has an impres• Library, 27s 6d. s1ve mike technique, but newcomers, 1t is that they but I guess these come your hands up to the sky Hl•FI YEAR BOOK, edited she is not overtly pre lE:nd to neglect light and under the headmg of pop -but you've always got by Miles Henslow. Valu• occupied with this as shade. groups. to consider that you are able technical articles, with namet and addres such " BrEathmg can also be too "Cleo Laine has a great holding on to a mike, It can be a bit of a scari(y ses of microphone. ampll• audible at times, though, microphone technique. tier, Upe recorder and of course, you may use She aftcn uses a lot of ing thing at times. other sound reproduction LOUD this for special effects breathing, but this is a equipment manufacturers. But sometimes 1 found feature of htr style. She together with prices and 'I had no formal training," that the sound of breath is a fantastic performer SCARED d escrlptions of their pro she admits She developed ing offended me when I "And so are Georgia Brown "Then, with a boom mike, ducts. Miles Henslow her style by the employ heard myself doing it. But and Eydie Gorme. But you get scared to turn Year Books Ltd, 15s. ment of what she terms I do wish I could yell a these are all top artists, away from it too much. "common sense.'' bit nt times," laughs and you can add your Or if it's too high, you • I knew 1t was a mi!iitake Marum own names may be holding your to sing too loud." she "Real artists at light and head up so high you reel soys " If there are any shade are the Holhes and you are arching your f111lings with comparative Simon and Garfunkel LEAD back. But probably I'm more aware of this than " Another girl with a great the audience technique is Vikki Carr "The cordless radio type She can cry any time she mikes ~ive you a lot or You can tell wants to." freedom, and I feel that And which type of mike these offer a lot of scope dot.s Marian prefer to -particularly in TV pro a true professional work to? ductions where members "There are disadvantages of groups may be spread about the trailing lead on out in different parts of a hand-held mike," says the studio yet be able to byhis Marian. " Sometimes you achieve a nood blend of Shure microphone may feel like throwinp; sound" appeared ,t B,tley How they keep the stars happy at Batley MARSHALL MICROPHONE (3700 HI-Z) LOUIS ARMSTRONG. Shhle)' ·• I'm J,tlad ynu hk, 11." was " We th1m found that due 10 ~ 0 ~:~:t•c:,he i:::,:lorsn::ds~ ~~~P~=r~ry 5~ 1!fi~d l~r;se~~-~ !~: ~~~rd'in:"1o:J~u:~c\~J Here's the mike to make ·em yipe! Dynamic. En1e1bert Humpudlnck, H, was referrin,: tn th, main an echo that c• uud a sound Morec,mbe and Wise, Roy ampliflcr whirh has 110 out del• y nf • spht second or Cardioid. Directional. Created by Marshall to I Orblf.on, Genr Pllnry, put of 240 walls, with pro !O 10 certarn parts nf 1hr l.,, ~ Frankie Vaughan, Ire • vi.o;ion ftlr lwt1vr micro club meet the exacting requirements demanded when The rntcr1a,nt:r who has built up a reputahon 1• not iom~ to nsk few of the International phont: <:hanneh,, of v.hich •· Arter c.on!1dtrahlt c.xptn dt stars who have 1raced th• ,i:x arc normally ust"d mentm11:, we srilved thu one using high quality amplification. In other words by imnit •n inf('nor microphone. He puts h11 I rust in Shure an h " We have found that we o.rc ~!~!tyof famt'd Batley 1 1 k~¥1-$ that his performan(t w,ll ~ pcrlrctly pro1ectcd wh~tever hr d~b. v.·orkin11, th.: amplifier tr1 th, ;~on~! ~~ p~~e·~~tefn,~ictht: . . when you really want to influence audiences acou,tic condition,. Mor: profes11onal enll"rt.11nen use S_hurt'. t an With artitts of th11 cahhrc 11 limit of it!'. capacily;• he lLllumn 1'"pt-akers. frt-drng with your sound - this is the mike to use. eny other make of m1crophonr would be suicidal to ho~ s• Ld '1h1s can he- com them ,ntn thi.: ceihn1 .and to ,:et away with ,nrerior parrd 1n runnm,: a molnt ba1 spHkrrs at the back Model3700t33.120 (-.<~,.,_,,,,_, Take a Shurf' Urn'l,r,here or Un1dyne C\.l1crophom: to your ne,;t microphon.. and 1mphlln· c.ar 11•1 '1Ut, which can't hP nu~ Ill I C' e . The t'lectrical princ-1ple involved m the CON DENSER MICROPHONE is that or a capacitor with its capacitors being varied by one of the two plates in the form of a thin stretched metal diaphragm moving clo1t-r to and further away from the static plate. A D.C voltage 1s applied to this capacitor (rondenser) and tht' varying reactancf' •. resulting from one of the two plates. moving wuh the 1ound wave, an AC vollltge, •• 11.lpttlffl(\Osed on the D.C I Th11 ii lht htg.he1t quality PHILIPS SOUND DIVISION rrncrophone type •Ylil abl• today. It hlll a JIG PYE TVT LIMITED Addhtsfor,e Road W1tybrtdge, Su,-,.y lr,quoru:y •- ,> Ttltphone Wtvt>rtdgt,.5511 Tale, LondonH2319 hlpl OlllpuL n fl IUlftt11 '""" - MflOD'I' MAKf-R 1"1\ 17, PIM- P1,1 .ll Another Davis milestone/ Duke's tenors ,n tandem/ vintage De Paris 011 k l"n ,,n. Sid C llh ll ill nd tht> 1mmtn1r J1mt>s r John 1u,n C.ood tttou1h th• ,n ml MILES MllU DAVIS • F1ll•s D• 1( 11l "'a"I••• -•· fr•l:>n 81,,n 01, T s,I C-,.. '.1--'.1•!• 10). ~t,t, Mo N~vrrthr lrss ••ch track 1n ,,...-,; (bl F•IIH O,c:, k.11 nwn its own w ay 11 :a JOY Sidnr , ,,o ~,. 111\odaomo,w, e Mob" DrPan, w11 a rrmukabh• t:r teas uss 11. rrumpe( pl ave,r Ht" h~d qu:t -,1 - Dev,, Ip! I Woynt' • 111111t ed styli" and a prr Shorter ll'VI H• rl»• Ho"cock c- uss1v e- form of attac-k It 1'1'),; •If"< fll, onctl, ·•" C.utu tord li' red on th• corn} ac T•"Y w,n,omi f dn,) bl Chick C111 t'• ,~c,lo n t1mrs , hut al c,t hera ,t swung Ho"cock. D•v• HoUo"d ,r and bc,undl'd aloii1 c-u rrym1 p.a-:H Carte, all hr fnre C'ln • wave of JU1 1rl)" He had a virllt' 1onr and JI SIDM fY O.PARIS, "OfPgrh superh hah11 of wh1pp1n 1 . 1.11.1 Di11it'." Everyboch L-,,C" s M -, thr rxc1trmtnl 1n th• tin.it bars of a numlx'r Hr w as e:1 ~n IOJOuw{:;';~.So_.:rvT~i'; Jg:, incrrd1hly mt'lod1 c playrr When Yo u Wore A Tulrp No 2 (h) ' W•o•y Blue\ (b). M oo~ Pete Weldin& in a h>nR ntlk Mo'rch (bl, Ponomo (b) ; Plt"OlC" ra.mbles on • hoot the rt>lat ior. Don't Tolk About Mc ~n of this New Yc,rk D1-<1rland to I'm Gone 4bl. A Good Mon I\ Nrw Orlrans jan and ho• ,1 Hord To F,n,d fbl llue "'ote is a sort n( mc,dem1srd ' ~•luS~~~t',. De PoliJ (Ip!!, V,c e~tension. It sound, tn me Oickt" " IO " tlmbl. f d Holl (Cit!, like II lot of good mus1c1ans c•! Jomn P . Joh1110" (P"OL J lfflm J the samr •ae aroup 3nd :\tylt-s. Arthur Shlrl.- y 101n, Joh" Sim having • damned loorl blow mo"' tbo~~l 4Sid Collt" tt ldrSI. 'i;r 2;,d~:: •~:;o;.o,k .Uptl, Jimmy Arch1y flmbl, Dffler S,meo" !tlf/. Robert G rttn j= t, l~~~•,t• r lun~bo~~; s'::ft~ Certainly the l '}44 track• Jq:·, 1. New York have littlr to do w1lh Ne..., Orleans - thrrr's a N ew York Di;,,,1 e\and amb1encf' TH:eni-: ;~s~h~: ;fe~ about them which h as son1 e• took place seven years 0 apart. Unfortunately we g1~~~on •~i~rd! of !~: P•;~o~ k" have only two tracks by However, who cares" Put on the first group and seven these sides and hear superb by the second. musicians at thr hriaht ur On "Nowhere," for in there have been many half 0 stance, after the openln& duet, forgotten and best forgotten ~~~~ett :ri .P.\f .~:eo::; Ashby takes off flrst. Gon attempts over the years. Match Simeon. Dickenson and James salves comes in after Sir Trumpeter Gale's pedigree, p and tho pusbln1 drlYin&, Charle-s' solo. The arrange 1 ment is by Kenny Graham, therefore, seems a rather The 19-4-4 tracks are by far C:rummln1 of Catlett. It'• mar~ unusual one for a man who the better. Look at the vellous music and a ftne trt· comPoser or •• Swallowln1." personnel. Besides leader ~:er:ucc~tlldeer~ s ~;~ek i fafi~J: ~~~ OeParla. - ~: ~~u:hertaA~ht~~ St:~ DtPar1s there', Ed Hall, Vic t~~,. Gonulv• on pltar (a ,:.nn~'=ipb~~:e = T~- r------ On rlaht lrafnlna for thJs mnc11,, :=:r.• ":e Q;:,gi:: Inc of voices and lnstnune11ta "M1dnlaht Sun," the order la In one of the most nfnablna seulon added LPa In some time. P~:~ J::;,-.• " Some of the music. ~· 1 ::a t~!nce~u:~ :treRa1:!'r r~ly -~~vi1;°i~ifue~w i;; ensemble and an extra and Arrican traditions, a fteld heated solo VOIC('. Of the two supportln& teams I pre_fer the which Max Roach and his first. partly because n llfu ;i~;eer::~se;~~~n ea:::i~ more con1l8l1i"ntly and also ally on "The Rain." the bec.ause Jimmy Jann cre• lH melodic solos or extreme eleven-voice choir 1ltem• tea delicacy. with the marvellous rhythm Thi!I was not • sensational section which gives the whole meetin& of the tenon:, but al~a~n':"~~ f~e I imprH1ive enoua:h; and they t~h~f~~ had nevt'r been heard to1ether atmosphere reminds stronaly on record before. It wH of the Spanish march moments from the famous Milea Davia Paul'• studio debut on 1uitar, Gil Evans rollaborationa, and too. - MAX JON[S. 0 0 rr~~~::i~~lo G~hicbr ~i.:1ie1! thr sombre intensity of Mile• at has ttnest. EDDIE " Rain" has such direct 1 :r:i:~~n1t~~nlb~ Jo.~:eai:i: to her own simple auitar GALE accompaniment brushed •aide ~Y the powerful volcea and lDDll GALI: "Git.It• Mnlc." 1rre~alible rhythm. The Ro,n, Fulton Sh•t; A Gale and tenoritt Lyle are ~I~ fine aololsts with the trum- [i.t~~E.Ji.i:~r ~r'e! ,._.. ftp11, 1...- LyS. Unr, f!~~1:: ;:':!~ ::~e: flt}. J• HII le-••• .,_ .. R-'41 {bc»wst, IUdteftl H•dlett, rJit~n-:n •::!,~e m~w~ n-•• H..... • ldt1). pk,a 1 i• hit contemporarl• befon p,ec• chotr 107,. THE integration of voices 1 with • ja:u ensemble mix~~re ~: v~~ e!~~a= has tested the mu1lc'1 dant blowln1 from 1- combo Fuzz ... that aJvea lhi1 aet III lrre sl1tlble 1ppeal that many a (Jf;~~:~n m~ • ridah l&a• 41nf T""• =•~.=:::/: U.1 T: 01-• t ...... ,. (11) (1'razy! SUNDAY (II) ,.11 a• J : Jm U•ll•tleil gr1i.r... it'.:'4~l;, '.:.:i•... ~ ..,. T.U NJ: Jua. I.ZJ AJ: • ~::..q-.;~~:~--.::ii 81: Nib b"•'• • • H4 • caa.n,, uca,K s.••r>• lllew.11.llllaatll: ....••4 ., •·• 81: JUI I• .... (Peler CIQIH, lrta• l.eMM, ...., Jua •• W.C..,4s tH••••>· G,.._), t.JI U: ...... • rw. •• m: Jaa ,._,,a...,. MONDAY (It) ~~;-1!:!~"irl : -•,:; ~: .!-': l; i\ ~-=-: ,~.; ... 1'1rll. U.JI T : P9e aU ....,. H.JI • 1 K•rt ...~ Jaa. U.I T: 1111 • wa•• ••4 Jhn NaH (UINl•rc•rn•O. U.U :i,;-~-1:.: ,.;...~ ~~ a111 1.-.,a114Jaa T1 ... ••· ...... U. All • a..c.sat. .._.... (N..- IATVRDAY (ll) ,.1 lffl J~ PtMh ...... I.I.I~ a"' N: ~ .la• ~= C."'•" = U.I ... IJ: Jen ltlCIM'II a. TU-MY(•> J.la111J.._TPM• ._ !;:.-="".::.~:t' !: Iii,• H2. I!!' laN ..... la ~·::.f:----.=•~ie~-.u~·= ~:-;'Ii£'~ =• rtl' };' Jeno: U.~ ~ =-~UI U1 .... Pih lal. U.M T c.n,..,._adGel T9 .... .Ian..nhY..,...•• U .JI T, ~;;I.,'-:"... "1='·"1 .... Pa ~ ELOD'i' ~AKER Ma\. 17 1%9 Nostalgic gems NEW POP LPs from the early STEPPENWULF: "At Your (States~! r ~~:h~lf,, \1~:['>'~ played It full volume fa: citement •nd violence abound, and an.,.·hoody wh1 giants of jazz reels any commun1cat1nn from modern rock will find a message from Steppenwolf. the group named arter the MORE JAZZ RECORDS famous work by the German author Herman Hesse They contributed 11Jme of the music \10~~:-;r1::.~. ;:"~':rN! for the film Candy which must have been one of the first ,. Y... 11 jar, Woll hive ffla ll )' ef U.. IH fH a11 THAT TODDLIN movies to use modern rock •s TOWN CHICAGO {19i.-2t) a buic score Quite what the (Parl•ptt..._ PMC 19n) . • ut II birthday pnrty scene is all 1'•• tl•n· t, f ft lhem Fea t11 ruS about is a b1t moot, but ff 11 111•••t11 U11 1- •Iorio-. lit• means they ha'lle been formed ,..,<• nlUII< 1re the .,.. .. pt ef Ne .. r,u • nu,iu . S al s . a year, th~y deserve three W•••ff (J, n1 n1y Lord). • 1,d rousing chttrs They are NC,(1,11.1,. ( J M Venu u , Edd ie exciting and well worth L..11111 J ;"'"'>' McP1rt11 ft d investigating Ge11e K"'p•) . M rff Moh (lhd THREE. DOG NIGHT: :«'::''·c~',".~ T•u::•ch-:;l : (Statesid e Dunhlll). A sen• 1arGe11 ) a11d • ult Fr••m•n sationall y good programme (Fl-,.tl O"• rl•11 ) A,non• U!• Je,-UI all,ndo11 ef I.ha reu• h from a vocal trio al most in ,.,, u·• dy u,r1,. Mund• e,,._ the Blood, Sweat & Tears p..,, ... dNadflll 1lrf1e VIK,II class in terms of the number sr-,t, ...... 11., •nd paper 111d of succeues they notch up in c•..,11. <•"'• t•on• ol j.ln from each department. Singing: U,e ,._,., T••1arda 11 , • ud powerful, beaulifol, skill ed, Fr••m••• M,N Male •11d Te1 MAY 31st ISSUE ~~~;:: ·:. JH!,~' ~0 ::,:11 .~~ "f'rt>n,y." Owing to Whitsun press arrangements TIM HARDIN 4 (MGM. Vern Foncut). Recorded copy for the above issue is required by w:~,~vf: 1~ 1er~lk -.:it ~~ on thlt album. lntolead or hla YAu•I aultar 1crompanlmn1., Hardin 11 backed by •ultar, harmonica. piano, Na1 Ind drum, on a not P1rllcuJa,1y Thursday, May 22nd m.emor•bt, HL of eonp that !~~~~';! '?r:-t,::W!~!"pH::: On To 4 Drnm" ot "Thi MF.LUDY MAKfR, M•> 17, J~b!f.-Pa, .. 23 John Lennon/Yoko Ono: 'Life with the Lions: (Zapple 01) Unfinished Music No. 2.' r,------,I'm interested in 'Zapple'. I'd like to know I where my nearest stockist is. Also, could you please let me know what you'll be up I to next before you get up to it. I Name ...... - .. . Address ...... ~ 'Electronic Sounds.' "IIKt' 2-4-MEl ODY MAKER Ma:y I 7 1969 ~ TWO-PAGE FOCUS ·ON FOLK SPECIAL ND so ends an era, A with the news that the Young Tradition are to break up this autumn. Peter Bel So ends an era lamy, Heather Wood and Royston Wood announced after their return from their most recent and most successful American Young Tra_dition tour this week that after a farewell tour of their favourite clubs and cities they will finish up in Sep tember, possibly with split in Autumn a London concert. Heather is to emi~rate to choruses made up of USA, where she has a job thing to go by, he has an accompanied by a me dieval band, others solo, ascending and desc-~adlns in Israel Young's "Folk important new future fifths and ninths:, S~er.,. lore Centre " in New waiting for him. and one rather unfunny York waiting for her. "blues" by Peter, com like Louis Killen and Royston intends to con In fact. the Young Tradition plete with scratchy sur Frankie Armstrong added centrate upon record pro have never been more face noise, has proved a something of thf' duction and composition successful. So why break good selling formula. But Coppers, the SuSSe...'- - he is studying with up? it also indicated the family whose church~ Dolly Collins and already Some of the clues can be divisions within the glee singing became the has one commission fo r a found in their last and group that have been rage for a while. piece for wind band, commercially most suc coming to the surface Nor was it any mo~ Only Peter will sold ier on cessful album, "Gal more and more when .. tradition.a I ., tba:n lhfo as a solo artist, and if the leries." Although it puz they have been friends. four boys with a guHar Indications of his recent zled some of the critics, "Lots of people misunder and~banjo style- ,..hich it second solo album for the diversity of that stood Galleries," says supplanted as a ,,ogue. Transatlantic are any- record with some tracks Royston. " We weren't The Coppers, lhou,:h charting any way forward " trnditional" in tht!- for the folk scene. We sense that they wen not were merely indicating originally part of any BY KARL DALLAS reviva~ nuiy in facl ~ ~~:reva1~ty t~: t~!~fid:: only a short by-wa) In Peter's blues - for like the history or British many folk people he traditional muS:,C, for started singing American. there are fC'\\-· e,oide-nce-s " But w hen we fi nished the of this sort of harmonis album we realised that ing outside the nineteenth w hat we had done was to ce ntury. MELODY MAKER and discover that there was This doesn't mean it didn't no way forward - for exist - fn roma n times • us as a group, at least." w riter commented upon BRITISH MONOMARKS " Royston found the ar the ability of the Ct'lts ranged medieval bits the to sing in parts - but it most satisfying," recalls does me.an that the Peter, "But in my success of the polypho announce a special postal service for opinion they are the least nic' approach to chorus successful part of the singing lay in its imme record. I decided that If diate appeal Co its au we couldn't do that sort dience rather than tn any of thing well then there dusty academic Justifica• was no point in doing it tlons. al all." This approach to the musk. MUSICIANS WHO TRAVEL Financial problems have with the intermingling or added their toll, too, the three separate me.lod), YT admit quite frankly. lines m.lher than the "The thing Is that the blending of all thNr club scene isn't large voices which was the GROUPS, FAN-CLUBS enough to support a group harmonic leguy or tbe unless they have other Weavt>rS and the Spin~ YOU CAN HAVE YOUR OWN PERMANENT sources of income from ners, had a power that 1V and big concerts.·• spoke diredl\ to says Peter. "It's still audiences in the" same PRIVATE POST BOX flourishing, and the gooc! way as the music of the clubs are better than Beatles and the Rolltna ever. In fact one of the Stones was comptete-)y AND TELEPHONE MESSAGE SERVICE reasons why groups like upsetting the canons of us find it hard to make a pop. living ls because there Is so much good resident If the folk revival is pan of singing in the clubs." popular music - which Your MAIL forw8rded to you DAILY- mail also forwarded tlo meet you as you travel within the U.K. and abroad. in purist folk.Jore- terms Note· You can change your forwarding instructions as often a1~ you require, notifying us by telephone, letter or cable. In fact, every time the it actually ls - this could members of a club lift TELEPHONE MESSAGES and TELEGRAMS will be phoned or cabled to you if urgent. be • blghly slgnllk:a• I their voices in a chorus move. For If the harsh i. e . by using this special post and message service you will not have to keep everyone advised of your movements but they the memories of this era, beautiful sounds of Peter, the short sweet life of the Heather and Royston will still be able to contact you quickly via the British Monomark post office. Mail iJnd messagt.s can also be telephoned for at Young Tndllion and the Monomark offices in High Holborn, London. W C.1 . we-re to be the tllflueace their predecessors, the that C2J'ried pop out of ANNUAL SUBSCRIPTION to a Box Number: £5.5 .0 tor Personal use (this works out at only 2/- per week). £15. 15.0 tor Watersons, will be re vived. the sell«f•tlna clldlOS Groups or Companies. (Postages and telephone costs are invoiced periodically at 1 d. per item collected; 2d. per item of feedback and the o.-er Contrary to aeneral belief forwarded; Telephone messages 6d.) reliance on the Marshall it was neither of the two amplification system. rd groups who first started be wronc to ha'Ve talkeid the expJoraUon into dis about their break-up as ~------~------sonant harmonies and an end. polYPhonles, lt was Ewan An encl of an era for die APPLICATION FORM FOR A PRIVATE BOX Maccou and A. L Lloyd, folk TeVl\lal lt may be, back In the earliest days. But fOI' pop It could M • Th11 form .. obsoh.rtely cunf1denti1I Thc, addreu of a Bo,: Holder II never reve.iled wrthout h11 pnor p11m1 H 1on with their sea shanty new beglMfn& NAME ...... COUNTRY ALBUMS Prese nt ADDRESS .... ,., .. CONWAY TWITTY: ''Next In Line " (MCA) Former Rocker Conway Twitty bas now 01tabllshocl ...... Phone No: .. himself • s one of the Ameri can country market's top (Rem'1fl1ber you c• n change your forwmding instructions es olOm as you require) performon. Twitty s1np well and Is backed by his group, the Lonely Blue At present. should we FORWARD or HOLD your mall? ...... Boys. Tltlea Include "Next In Line," Merle lla&&aNh At present. should messages and te leg rams be phoned, cabled or posted to you, or will you telephone us for messages? ~::~• 1:~1;:i:O:'d 1=: Blues:• A very loocl album and soHd country t.hf'OUl:b- Post your applicntion form and remittance to: out. PAIVA' I BOX APP LICATIONS, M ELODY MAKER / MONOMARKS, 161 FLEET STREET, LONDON , EC 4 tLLSIDERS: "Loavlna Ch1qu1Js ar d Po11ef Orders m oJde pto,yable 10 MELODY MAKER H u ..rpoot" (RCA-Vlc lor), T"!I Brlllah couatry lmmed1<..1feiy your apphcat1 on form 1s re ce ive d , Bnt1sh Monomarks will send you your REGISTRATION CARD, and the tele r;:up, tho HQlslders borit ph 'lot' numbftr to use for m essages. You c-c1n commence using the service 1mmed1ot~ly you are given your Box Number. If you d ro lr.Jvelhng a 1 the moment thon yo u can telephone for confirmation of your Box Number con:::!i =.: • wry ffl that Incl .... ~ 1 ! r... ~ ~r ~--.i T- Paton's • On~ Ml I flO'r' MAK FR, Ma', 17, l 'll,'1 l'•i• JO, TWO-PAGE FOCUS ON FOLK S:P~ . .-- ······F::o·,K:·:···FeRU'ivf 111111111 fr 111 j 111jifjI1'i'1111111 ,i i111111111111 U11111111111 n'ri 111111111 111I I I ii1111i 1111 ir'I TUH0AY cont THURSDAY SATURDAY cont. CAM DEN ftll:I NCI! fl:STIVAL Tour offers A~li EM ILY H OU SI AT ooc;HOUSE , c,r, h• H"'NTAL ..-i=Al T H 1 RUST ,u• I SAT ! UN"' 71 h KE NTIS H TOWN N 1111'. \i, f-11 ""''' f>o1I R d MIKE & CLAIR MILNER AL STEWART JACK & MARGARET n 111 I\, ~ ,h,.p I I! SHIRLEY COLLINS KING AT FOX . ISUNC.TOM GAN N ,l KEVIN SHEILS SINGALONC. WITH THE fUC TRUST CAREY A/CHARO OIGAN tF CE0RCE DEACON flood in for ROC.l!A HO '!iS ·k Colin S1ncl o1 tr MICHAEL ,O OJtTER BOB LOCKYER BLACK DU LL,' 11 1..:I Ht ,cl 110 .\ )'i II~ 1 • oH l~S ION F R fE li,M "'"ulhlf,01' :\.U ,. k1" 11> lhl TIM HART & MAOOY PRIOR t:~, ';: .~~ '"" \!" ,.• ' ; CLIFF AUNGIER TEARY & CHAIS ,11, I 1l1hh t CAM DEN FESTIVAL THE 0 •~~:''~tu~HEATO• IGERRY .,LC)CKRAN L .-l l ,r l h • Jorn rn y .,ir, Jt" o Dorita Pepe th• C.lt I u h l r11in.c '"' J. Arm• lh 1 ,n , h I till! '\ .\\ ... ,nt,: Wdll,UT ""Ii( SI' II 11- r I I de I I ROY CAMERON FOLLOWING THEIR successful Yarnell prc.!t•' nl songs ALEX CAMPBELL I COVENFOLK , • .,.~ • & J' Ir Royal Albert Hall concert recently, ~h":e:,~;:y \~ :~,u Dorita y Pepe have been offered c:!~;::~·:t ti:1 , ,!Hr~ CAPS~fN M/;RC ELLINGTON Sta nford Folk Clu b, c o T ct ,riul: c,u , f\u~d lours of New Zealand, Australia Brighton, on May 18. DIGANCE T HE LC S pr. , n" T H C a nd Scandanavia. In June the Latin '"rR'ICHA·;o S INC.EltS CLU• TOP }O /r,;111 F OLK CENTRf.. FULHA M 1 ,·1111._ lo11up atc-11rdt 1n1,, Ame rican folk duo Oy out lo Hol Dar~: ~~~~ " c:~~ras~rn~~lt~ BOB AXFORD d•l1 ,..11 b\ .l,11111 1",,11lk1l"r arid ALEX CAMPBELL land for radio, television and con• 0 t1r111n l'Hr,,,n U NION TAVE RN ROD H A MIL T ON A N DY DORITA Y PEPE : finishing t heir LP . Tee-Pee Records and will FOLK CENTRE, HAMMERSMITH )J l ltJ)1,,i1•~ W1<11 c;/1, Stir.-!. u(I THREE HORS l!'SHOlil r IJ.: r 1 COUNU T MUSIC lNTlll'IISU the label. This month he SHEP HERO, JILL DARBY . rr111t H ,,,11, ,-;rro•••l ... , H. 1 album fo r Pye Records, .. , w ,It- , O:,ll in~ R .. .- d ' mm, 'UddlP \ ,1r,•t I 11, ,Jr l,1u·rfn1ol visits Norway where his '-HP• t ,J.tl "1n JOE l'ALMER Tuht· p n •• nt~ this la test one being R ,11· 1· 11 ,r"llrl J'.:irk l 11b 1· " Dave Travis Country" llltr"dth• PETE STANLEY TOP AMERICAN COUNTRY STARS DIRECT FROM NASHVllll made up of Aritentinian album Is In the chart. He MARIA GREY CO LLEGE folk songs. On Saturday, 11111 ,, \I. it , n -1 R d 11 rrh SWEENEYS MEN BRIAN COLBEY tours with American 111 ... , HICK DEVIN ;.ind '"·"1' m,,r, ind ,-nur r,mrt THE •XtLES Dorita Y Pepe a ppear In country artists Nat Stu• PETE FOSTER WILLIE NELSON concert at the Winter TlltOUBADOUII, 111 ll .!Ii' lll fJ ckey, WHIie Nelson and fl· ., mpl<" • ll, WHITE BEAR. 1\11'1:·-I, R, d .,fl Gardens, Bournemouth Johnny Da rrell a t the end NAT STUCKEY a nd on May 24 a t the HOUNSLOW IRISH COUNTRY FOU R WEDNESDAY of May, prior to visiting ALE X ATTERS ON CHAS UPTON ALAN Albert Hall, Stirling, as J e rsey for an appearance WALTHA MSTOW ASSEMBLY HALL JOHNNY DARRELL part of the S tirling Arts HOWARD AND RES I DENT!. E NGLISH F OLK CATMEIUNC I pm BAL TBAAIN OOWNHAMWAY al the folk club there. ~ I! Festiva l. 110.,,. nh:, tn Httiml V Cll. I THE YOUNG CLIFFORD Wl!OGll UaY Ian McCa nn appears at the • Leon Rosselson has resign P,ETER CLARK (& Falt:NOS) PHIL IRADY & THE RANCHERS FRIDAY ed from the Songwriter's Fox, Islington on May 27 TRADITION DAVE TRAVIS & THE WICHITA LINEMEN and Jackie and Bridie on l'LUS SU,.l'OI TING C.11:0UPS AND Guild after what he feels AT COUSINS, 4(1 r,r(' _, ~lr•l t AUD I ENC I=- "ARTIC.IPATION GEORGE R OBEY 1•1rl,, An,-rt"' JOHNNY REAGAN & THE TUMBLEWEEDS has been a gesture of June 3 a'i part or the f l!i 11 J! m U lt. L AIIICE CAR PA•K Ss IN DAVE ALLAN IRIAN CHALKER support for the present club's rect'nlly In• A OVA NC E. k ON DC10111 TEL 01· augurated Tuesday nlM;hl ALEX CAMPBELL sn -SS44 MURF & SHAGGIS f,... d,,..., f", '"" hat! h..:·, f, .. 8v 1.,, Greek government In the ))111 \d"" 1,,r, 6 I h Win a __ Pod,ogrv"' and l I' Record, Guild's distribution or a sessions. The club contin , ,m, , .. riv ,n,l brmir. ,u,1r I 7 .,0 p.,.. te MJ4nlpt Tic:k•t:11 only 11 • --h press release concerning ues on Thurlldays with a THURSDAY, MAY 22nd a Song Olympiad In singers night each week ···oiz "oisiEv"··· IOHN MARTYN led by Carey Robert'i and CUMBERLAND SUITE, IELLE VUE, MANCHESTER Athe ns In June. 90UNOS G• E EN FOLK CLUB, 1• .. tku-. 11 .. , M,,rd ti ,na U d Colin Sinclair. Amon" WIZZ JONES Sp. Tn '" !'1 l'.nk Tavun Bound, 11 \)nl lK."'• ,,,.,.i N ~ ,,. ,..__ ,,_ H- & A.dd,..,.. oh~ OallOf' '>• G r rn R d NI I laK'l'h ~ W-• , ....11r ,.._ M.dioel, .N_..,_, ~• A.rvoft p•to - 11P fer NANPSTIIAD SWIii CLU• S.-,t COoolllrt "'- f-.,,_ 6' w.i ...gi_, Id S.O ..... ~!atlpo" Ttl Ille Fox are Nl1el Denver JOHN McCAltTNEY 061 dO ms Protest -r THE JOHNSTONS and John FDNIIM:n. SUNDAY, MAY 25th JOHN SCOTT •OLW CDU• l•• I Says Leon, .. I wrote lo the The Johnatona play tho SAM MITCHELL IIAtL.. '1' MOTal., DAIITFe• D GAY TOWER IALLROOM, I .. MINGHAM AND GUUTI Holy ~ Follc Clu~ ncKm A, DOOi: Gulld lo protest on the h N".- Hor r twc- H, lh '-1 Nr YETTIES MONDAY, MAY 26th grounds that this Implied on May 21 . The followta1 ff •.-.P,.l••d Tu be- R.-•ld • n• CIIAYFOLK support for a regime that week Pele Ryder and the LYCEUM BALLROOM, STRAND, LONDON SOUTHIRN IIAN• LIWS! ! Jaiclt TICKITI A1 DOOi: wa, persecuUn1 Its own Tinkers auest and &be O'Uat•r11, ~r>u l h (ltktn!l"n soncwrtten.'' The music Noel Murphy Experience PENTANGLE F. •1·, W•)' 21 Abo Rlt h•rd featurina Dave .. TM Sain ie-on rrr1 lOnll h t. 7.J0 pm U11•nC'• Whn, H .rl Guy , SIR JOHN CASS COLLEGE or Mlkls Theodorakls for PMILMA• NeNIC IIALL J: •• II Iii lit •UI Full. Instance, has been ban Boot " Johnson, banJo LIVE• POOL JEWRY srun, ALDGATE, E.C.3 Tlt',tla 1a 7, Id , .. ns 611 l.h TOW•• HOTIL. opj';111 ltr Wal ned in Greece, The reply playrr and ace footballer lrum bn, offlt-r O 1 70 l71t lh•rnllo• C'l'Plral Sl atn,n Hu• !i;t Friday, May 23rd, I p.m. wH play there a week later. JOHNSTONS from the Guild th• l RALPH McTELL lh-.1d.-nt JIM N cCANN Its memben liked con TH• l.nL•• S , C-uu n1 r, c:1 u b In Concert A new club opened In !i:l'r d l• P l•r .-dw r u ....m .. n t tells, did well from them, South WHt London nouuaDUR,t.. that the Guild was non• recently at the Surrey JILL DARBY political and did not Tavern, Trinity Road. '>ATURDAY ROY HARPER inquire Into the activities and SWl7, and the residents " ANGLUI," TEDDINGTON : o( governm•nts. Adds are the Duned1ln, and ThuUdl'tln,r J ,uu• II . lhl' MOt,DAY Leon, " There may be John and Steven Dorr. HEATHS!DERS! AT CATFORD IIIIING SUN other members of the AL STEWART THE YETTIES iRIi- • rwr werd Guild In the folk world CEILIDH AT THE HOUSE 81 tn adwonco, from Social Secretury, 12/. a t dOOt"" Guests 7 0 11 JO who would support the .~J ~~,~~:::, LAN:ffl Ttw Vi n PLEASE COME EARi Y position I have taken up The Jan Campbell Group JOHN PEARSE a nd would like to make a re the ma.In auests al THE JOURNEYMEN COME ALL YE •ome sort of protest. CHAIRMAN- R.-a1dwn11 V•• IT'F STIIPN• ltl a Personall)I, reslgnina SurbllOn and Klnpton IIOG• II SUTCUFF• ROYAL FESTIVAL HALL rm folk club on June 11 . TONY FOXWORTHY from tM Guild.'' Fath,ollll -1Ma"'°IJ'9' k>MC>.nND" Cl'f Other pests tcheduled 8;,if nd R ..rr.- hrnvnl t ,11 INFl• LD FOLK CLU• Me, One for tht' Guinness Book 1'.harr Hnuq, 2 1h Jrnl Pk Rrt TIie H..... ' " · •ah, 11. • wftehl •OT OUUT AND YK U"::.~r:::: IN AHOCIATION WITH Include Nisei Denver 10,uJ"n l'fW t htlellllC.U... Of Records: Nigel Denver (May 21 ), Dave Waite DAV£ NEAD IHt week set up th• COUSINS, 411 C,n ' stn, I 7 11 H,T llltADFl LD ...... ,. May MIi SATURDAY, 24th MAY, 1969, • t I.DD and Marian Sepl (28) II p m • wurld record for non-5l0p and Db Di.lay (June 4). folk 1ln1ln1 at th• LamP1laH Club, Allhing Derek Sarjeant, resident at RALPH McTELL PENTANGLE t o n • Northumberland, the club, t, buoy with hi. MIKE COOPER (M_,. JANICK. ,otMri1 :-..::;:CO.I. , JACQUI MdHII when, without a break, trio, now booldna ...... lJ,.J he performed contln throu1h lhe Sandy Glen uoualy for 12 hours 18 non Aa~ney. and tour SWEENEYS MEN Tl PRESS DATES. Every effort will be mode to include clo,sified advertisements rocoivod after 10 a.m . on the Ftlday pr • viou, lo w ..k of JJ UUrnlr on CLASSIFIED A DVERT ISEMENTS BROUGHT INTO TH E OFFICE WILL BE ACCEPTED UP TO AND NO LATER THAN S p .m. ON THE MONDAY PREVIOUS TO DAY OF PUBLICATION ALL CLASSIFIED ADVERTISING MUST BE PREPAID 111 1 11 1 Th• Jlubl1Jh•r1 r1la,n ,,,_ righl lo ,,1111, or w,thdr,:,w odv,rrl,,m.,,11 a, 1h11,r di cr,1,1.m, 4hh011gh •~•f1 f11r• J1 lrrh11 Ill 1;1~olr/ mi.lu~•f, 1111,y u,11 r.nl r•1po,111l,hf fot , ,.,,.,,,/ m 1 " •', • t1 SPECIAL NOTICES per MUSICIANS WANTED 1/· word J/4 1p1i1r word A •AND, l'I C-nalr, Band. Thi CLARINET/SAX ror Bll:lr kdlcr PIAN IST, DOUBLING VUl.'11111 , ACKHOWL• DGID H th• botll Rd. P"' wnrd II nd r, f t h f' t lh ll:llh Royal L1n• It.nndt1n •r1.1A.-Tf>d Tt1y l<1r Ol 1157 IYOJI MAIRANTI' P OITAL Mlninwm 2/8d. ,r,.,., h.c11. • at'~nt·\rtt tor Ill wood 27111 · ~~:~·;.~1•11:t~o~•''~~.\ l~~~k 11~~: c oua• s tor P L• CTJIUM nnd 1 t11l\r. : n~ll'l1!~620J FINO• JI ITYL• GUITA A, 1,,r111••t ALTO/TINOJI rHtr ('I.I 4MII 7~~u:l~~~,-,i.i ~!'.~c!~' :~~.. 6~· coaN ET AND CL AftlNET 1 111 11 P IANISTS, DRUMMERS, O RGA N• 11cli11ct1on M 11.1U11u In 11tot'II AM PLIP II D YIOL IN l'll"r 1 IST5, T AIOS, ETC., Wt:(!k,•nd Par1lenlar11 · IVOII MAI.ANTI nu11 !:=:,:~ f, h·:~,:Pt~1•1'ra1.~:.. ~ I: :t:~t~:~ (t~-~~1 t~) .°."..Ao~ MUIIC• NTJII, 511 IUthhom• Plnt't!. C' .. ttt•rlc k f:unp Vurk.a ' · · - Plea,l• contact Cu111uln W. loun11:(l work ; l,ondon 11rea - " 8andwri11:o1n, " 47.l IJ4t.O or 412 l,ondon. Wl.l•- JAJI '" AN~-~?:~~o;i:i n'd'',.!'i::a1~r:.'t;' t~fLk~~i. :~t..f~G~~'.r Mullc, SIJ06. w~:u 1 PIANIST S, DUOS, lrl/111 l'lnd o il - -~~~ 1""y lor. 01 ·~7 l?«II ro ~•?w1n~ ou 1i1~l~~mt>~~; of ftu :~~• other IYPl'I of nrU111c1 fir{' ur BANDS 1 1,1tntly rl'qulrt'd tor our mull'knl r•q 11 1r r d O ~ ~;t~~•; <1~1~i"." ~1\r:~rt[,~ ~;~,\J"~\~~lttilf' ~l~n!:;ll!~~ml~•\~i supply 5l'rYICt . Wl' hnYl' well puld I/• ,,,,, word Jobi (ll'<'r nnt' thouund \'{'OU('JI A ,'8 Lli 11rc11mp\111llt'U i~·:~':: . ~l~r r~ h:.~ h - Tl' Ol ~i~,t'~,. ~l~~:k~~~n ,i:,c '~~"~~~ su11pllt•cl l'ILCh W(!t'k. only llri;t HV111lltl}lt• - /1711 4:142 ATTRACTIVIII GIRL i.: 11 1t :1 r 1,1 \II rnn·t- 'lf'lr'" l'ni;cul(l'Jllt'O!. pl~n~1• cl1111~ musll'hrn11 ni•cd ripply. - ••• UIJ .. nd ,tu thh. -ummc,r Up wrlw 10. Randm11111,•r Rnvmond 72:l 4440. 24 hour Sl'rvl1•p "' I-" . o-,fl •ut•.i l1< nh,uh1lf"ll' rn_.,, W.111t, Th,, (Jui:1•n'" own lhi,-1or11, PIANISTS FOR SOUTH LONDON l!I ll;illl • li•H I T I r.rnq• l Ntd !I MIHl."i.lh•ld CAllll) Uc-ktlt•ld, wc,•kcnd Jo11n1,w Wtll'k , To)'l rfltl•ff, t,,r,111rut r1un W\ lh l}o v HI S Ulll\'X, Wh\J WIii 1,,, pklt~•·d IU - Cluymun'11, RIS ~~II tdny). ''""P•i 111 flf t-!> 1·11 1, lt· noi b n r1 ri,rwnrd ch'!llll• 10 yo11 F11rml'r PIANISTS, START WORK THIS k•fH a ,"l'h"11•·" th11,•, drum,. m l.' m bt•r,. o r 11 .M Fnrn•~ wHh COMING WlifiKE ND . WIU,• choh.'l' ,,u, I\ 1·h111<,· lur 111mpu-. !1111 n nn1.~knl <'J:Pl"rll'llC'' nri• 111~0 ln fl[ \11un111• work, J,!'I llli,thlK WCl'kly , .u,d •d\,·nlun - J'l l'lillll' rin)I vltotl lo ;ipply All urn11.11. N{lw, lnt'rctir.NI rnt('~ 1 - c 1nym11n'11, nlii1hopa,1111h• 11r,:i1 "1a~!s ";" DJt:::~•\u10,,n h:i r d c :!~r~~ERaru~~QUJl:\~o h~~inl::~~ (d11y) t1,,,11,i: •hvlhu, ,,,t nun for pro- Mu•t h ev1• pl'non11IHv • nd 11mh1 SHADOWS STYLI! d1umml'f, nd 1 1 1 1 1 '; .\~\• , . ~: i°u,,~t ki" ~f~lll u21H ~~rur~\'p~i~~\:J: ~{'k~t TJ1E~"j;ll or )~~~l ~::!~ ~ ~~ r~~?1~ r:~\uW~1!:~~~: ·· ~ n11 1 '-. \\ , , k,· mJ., 1 Mr WHlk,•r. DRUMMER, \lrg1•nl . l:,.!il11hll•l11d Surr,•y nr<·.i. 1.:luh w,,rk 11~111\ubl c, u,s aAS'5 GUITAR, for r , •!i l • \J,i l'l<"l,dn,.~obl-;~1;:~:.~.~i~ET/J '. ._ ,..,i,, H A ND·C\JT ·' • ' Pl•I"'"'"" lrf>• I FAL -DANE PRODUCTIONS Mt1tu s.. :i. p.,.. ' 4 3 Alb• mo,le 5t. ~-•• G~d ,~1,do, • • London, W.1 '::;;r poc k•• lA Tel . 01-~29 3422 cu1, ... ,u , 11 1 k ., 00 otr a .. a ,..,..,11 prtt .,,, , !Crocl11p-t\c• !L,., H u ,..._,1 11, U .01 ARTISTS ll.l«- Wtf•fl'IOt• No • H,.. ob-WI ..,,,_...,, ' ""II.. Sc,,t,• ,.• ., ond p,,.. ,., , ..... ~:~ ...... _... .. , llec~ ,.., , ... '-",a, s. •• , . J.lln I G ·•In c.... I'"'• GROUPS WANTED llU.O · p I p '10 ", ,..,,,.., IMMEDIATI WOlltU IMI / h, <111d 6 .,..,.,l),lr pflt of,.,. ....w ...... ______IC• p,lc•ll• 110) AIMIAMR00, ,._ ••hr"'9• .,___,,...., 97'9 ,;,,,1101 to .t>G••• bul In Sud • 1plu ...... _,, Clllra. "-· 111 H.t..•a, ,10 ...,- ,,-.. "°'· O.,....,d 6 _..i...11tl1 lt/J tC. JIJk • c..-.- ...... , o 11111 IIJ96i u,.. ... • flQIIMANUIMINTIIIIIIICA,_. AYENGallOOn ~ , N• 77! !ilrllfd Oft th • .,..,.._1 ...... ,...... "'-""*" ...... ,,...... ~~ ... .._...... ,.,.,.. , w,tt, 1,d• ,1,ep •n4 pull ,.,_,, ,.., .a,.,.,_ 1.,.,1,o .,d -•• ~MIJ"" ftomo,v,,,od Exclusively engaged Summer Seeson -:;,..,6,,1!,a, ,,o °""""., ..,, "' '-r JOI , o • ._...., Paz-Espana Hotel. Torremolinoa, Spain 6 ,..rt,I, Pl" cf l•c 10 IC• P"0 Available September onwards for Society func t5 9 OJ trons. Hunt Balls, Dinner Dances, Exclusive Clubs, etc. WANTED Bntein's Premier Small Band Attraction Moil 01d1• or rc.H· 0 \ewit Ud MANAGER/ fDe pt NI M10), 12, 0 1 P•rtland <•ooo<> w, th AGENT Sf, LONDON. WIA, 2DL Mo"9)' Sola Representation ARTHUR RDWBERRY Mtk 9'1•• l".0 1! ••1 ol•o ..11r .c""• of i•pute, obl11 10 r,ro .. id• Par !,01,I. Blue, and iuu Orouµ, m Lamcote Park, Nottingham Road at 114 (d~boo!cn S1 lluH ll1n9 nll pnce bl'"Q, k•••· u, w•II 01 ,-,o G1;1 C.irl1 Of!J ["\,M Jockeyl Radchffa-on-Trent, Nottingham C•r,1n,orwt. lll!fiMl,;1 !iotulll .fA , Detoil9d <1ll•r1 to TOMOIIOW, 22 HALlWYLSffAHI 11u,,1NGHA,\,I ciho isl 176 Th• CH•I004, ZUIICH/ SWITZIILAND Telephone: Radchfflt-On-Trent 2641 M.01. SH,rf!f.10 MFLODY MAKFR, Mar 17, Hlfi9-Pai,· 27 TUITION 1'4 per won/ MOBIL£ DISCOTHEQUES PUBLIC NOTICES FO. THE FIRST TIME - A NA TIONAl A • ALLAO 11n ~11 ,., r • 1., r I 4 pt>r word DON PARTRIDGE Iii~ 1111 1 GET-TOGET~I Of JAU MUSICIAN!i, thtr, t Svnclay1 May 11th, 1.00 p .m. AUDIENCE COLLEGIATE THEATRE, GORDON ST., W .C. 1 !SATURDAYS 7 Sol e Rep RONDO PROMOTIONS i~zz JON Tick ..., 10 /- '"""GaAND CIN'ftAL POSTDS, 100 a-.. er-. M. i UNVERSITY I 7 kensi ngton Church Court, London, W 8 fl ,'! t 1 Ri ng Ton y Hodges ol 01-937-3793 COUEGE I HISEMAN'S SUMMHFIRD PAIK 1 171h MAY CHORDS CLUB DUDLfY to.AD, 11RM1NOKAM 16 COUNTRYaua MONDAY, MAT 26Mt, Of9, 1 ,._,., COLOSSEUM LYMINGTON I "''' "" SALENA JONES HANTS " SPICE" INDO-J AZZ FUSIONS ~ YES SOUTH COASTS & 7•h MAV JOHNNY HOWARD MAY lht ALEX WELSH TOP ClUIII 1 " £IRE DISCOTHEQUE GEORGE CHISHOLM BLOSSOM BAND TELEPHONE ILOSSOMTOES l'YMINGTONAII0 I APPARENT Every SaluNlay Night TEIRY LIGHTFOOT I LAUIA LIE a DANNY STRHT e TONY STEVEN JOHNNY LAMIE LLOD s.u. ew. kEN INGIAM w.,,.._, n'---"'-,(..... ~ t..M, W.tl 11 ·1161111 TOES :::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.-::.=.=.=.=.=.=.=.= JI,::======;::::..._;; ANDY HAMILTON ------£AGLE JAU IAND ...... _ ...... _.s o,.i,,...,..,. from the U.S.A. HEAVEN ,0... .. ,.-1s._.,__..._.,...... _., ..._--~-.-~...... ,--~~~--~'- NO IU MJ ... (SPARK) .._w.,,,.; HOWLIN WOLF S.-C4'Joc-...... o.-c...11 plu1 PHONE GOSPORT I 1 867185385 JOHN DUMMER'S BLUESBAND und STRAWBERRY lAlffORNi~ BALLROOM BABYLON THE JOHN DUMMER I . . , Th• Palytechnic. Litlle Titchfield Street, W.1 JAM Soturdoy, 17th Moy, 7.30 lo 11 30 BLU ES BAND atlenquwa1 Sole Rep: RONDO PROMOTIONS I HARMONY 011,:ford CirCl.01 Tub. Llcenied 8or 7 Kent,ngton Church Court londcl" w tl' fOIIRSA-Y T,d,~h 1n adv<,nt• 8/. At door IOI- Rr-.cJTCny l-l~rl,, ,r] ~,T 17~• GRASS -1141 I . MELODY \1AKER. M11 y 17, Hf69---,Pa&e 29 TUESDAY cont. BLUE!i AT THE ,1ED BULL ANGEL, ISLIN(;TON DHWIS FIELD J.B. 9D Werdour Str• London W .1 GEOA(;E," MORDEN YAltRA manguoo YARRA JAZZ:BAND Thur.day Moy 1Sth 17 JO. II 001 Mo,,cto, Mor 19th p l)10 3DJ SOUL NIGHT .at THE WHITE ,¥. TERRY REID ,¥. AUDITION NIGHT HART. Al"lhll 1111-:h ff ,,1d THE BOOCiALOO'- plu• ,\.H ~u•·~l1 •LEVIATHAN ~:~:..::t.-:.~=:. KtNCOLYER'SJAZZMEN FRIDAY cont. SUNDAY cont. ~,.day Moy 16th 7 _t>. I 00- W tt,k -1•1) FLAMINGO37 SURBITON, BOB • ARTER Or 1 .... A A*** A A* ••••• AT lJ WA.ROOUR STRUT W 1 tho·,lr/1 11·1lh Run '-lalh(•1',oo • •] JO- ~ GROOVESVILLE P1·11• r Km a: t...ur1- Munk and SiEP, ENwOiNF :.dot~» PICC:Ao'i1:i. v"s1x SI M ~ A\•l'mhly R,,om• 'I pm A , Btu.--,P,. , :3t :".:"*************f R ll)A~ty 16th 9 p"' _ 6 0 m WAICE ARM S (A 11), EPPIN G -¥- THE STEAMH A- ER ' ' .. ' '" J FROM SWITZERLANO MKK CHAMPION ~°.-_% A ~J-,_~irrtoR '>~\t tRl ~~~1;1•,11 rh,·1 ctn· llrni.Hl Jau 100 CLUB, O)(FORD STREET SHCIAl OUUT A,nMANCI ABRAHAMS' 0 JON HISEMAN'S MIKE CO OPER ,¥. KING CRIMSON J D-ANNE KELLY cr,o i JACK DUPRll '" TH1~'. '.~~( '•Hcg,;:•,:;~ (Ad•o~ T,d,,e h no"' lQOl•I -¥ BLODWYN PIG ,d THE U A IT\ TH[ ROYAL OAIC . '-I .1 ~ Clu b Ind th•lr friends Soh.orday. M,iy 17P 111l 1' JOI Tut1\•· 1 ~lrt·tl c; t: 1 "HIL SEA: COLOSSEUM (Folk b luu night, oh rully) -¥-THE GRAI L MEN, RAY WARLEIGH TERRY •PROCESSION Ill NILE'S GOODTIM BANDWAGON SHANNON . REG PETTIT, JAZZ AT THE "'1 ~D ~Hf BANDWAGON W tll APPEAR THE ORIGINAL EAST WEDNESDAY •PEGASUS 1 SIDE ..,..,, Mor 1• , P JO-II 011 • ~ STOMPERS. W,·mblt") SPIRIT Of :::-~~~:••···· ~~ O( ~r') ~ ~ 0c. PT~IS Nl~ i TORRINGTON r :~~ Hl(;H ROAD, NORTH FINC HLl!Y AL .. ERTDN JAZZ CLUB e 11 1,ry Wr dnt:~d;iy . OAWSON-C llt t CHTDN •:~~~:c' AN::~ING JOHN MORGAN DICK MORRISSEY JUMP BAND Alpt• rtnn Pa rk HUMPHREYLfflElTON *************** ,¥. SAM APPLE PIE AND HIS BAND SAT MAY l llh, • om 6 o m SATURDAY WITH THE ED FAULTLESS TRIO Hr.U•l W<- mblty RON GEESIN ~~::..• ttllt'""1r*UU•uu FANTASTIC BLACkBOTTOM BLACK BOTTOM STOMPEAS. oo 3h•d1os •• ·•«· • , ... _. M-. R« ...... STOMPERS . Gret-n Min Blill'k l11• ,1 lh Olf IU IO.idunen4Mewl,WI 01-437•7'1 5 Pr1va1t· fu n l"1 10 11 maRqu " • • "" '""' i i JOYCE BOND BLUES LOFT, NAG'S HEAD •LUESCEN~, 174 Ri ch SKIN i CHRIS BARBER'S : REVUE PIED BULL Lol'ldon Road, A&O Hl9h Wycombe ~ o~~l'~e~I ~~~~kr;~~'::ic~"" pro ud Ante!, lslln9lon HOWLIN ' WOLF ***. l~~.';.H.'?...... DON'T MISS THIS JOHN DUMMER, AND (;UESTS LOWELL FULSOM L::,.ALrtN~o!'noat i~~~ ond soy:n'~! -· "'" '""' GREAT EVENT QU•rll'l plUI BtJt!SU. BLUES POWER THEFRANKRtcom !:t*************2 STEVE MlllERS DELIVERY CROWN, CROWN ST., flEADING Don l b t> lilt TOIY J~h. S urrey, QUARTET M£Ni' ~~~[ ~.'i ~.tt.·;-c;~L~:f Pr l e Brown·~ B1 ttPred Orn1 and £VERY WEEK HCA.USE A.LL GIRLS m t oU LEVEE CAMP MOAN LIVERPOOL SCENE FRIC SIL~d Combt> and Guest .JOHN THOMAS THE TONY OXLEY fs:~t:r::~-r:.·~G :.~i·"t~i c1i:.:1 llavt" n , Hasting~ YARRA YARaA Ba nd Lord Napier, Thornton H1•111h. al!Kl QUINTET AND i ... ~~~ T~NJOY YOURS£LVES GENERAL ILFORO FELTHAM. " CRICKETERS," HAVELOCK Monday nli;:h1 CHEZ CHESTERMAN ,_, ..., 20,h TONI ROCKET DISCTET SAM APPLE PIE'S GOTHIC JA2ZIAND, E:irl of Cm,tarO. pie hurllng. Pale Grrl'n S1ndwlc-h. Cha rlnlt" Cro~, Road, SAVOY ( w:,~:;,~•::o, ) (ATfQRD JOANN&DAVEKEUY *****~***** l.lmo u, lnl" Lllfhhl ett- MONDAY W .C 1 SATURDAY, MAY 17th LEVEE CAMP MOAN S.:,\, .. LOUGH, STOCKWELL, NEW 5EDALl4, ' Holloway and FRIENDS THURSDAY Ca~tl" 1oppro,1tr Holloway ~ May 21st COAD~S HALL, SUNNJNGHILL Pri~nn) KEN COL YER'$ JAZZMEN ATTENTION ALBANIACS The ROYAL ~.S Club JIMMY SKIDMORE TO• Y JUG, Tolworth. 6urrry. NU"f UCIHSIO u.a ..... lDTAUllAH"f 1t~~i r~1mtn,tt'r BrldJi:c• 'Road, TuolPy Slrcet, S E.l. ,Hu.: THE PYRAMIDS SEAMEN, .. ETE KIN(; TERRY IE)(LEY. ~ack Prince SAVOY BROWN 0 Hottl Eric SIik EVERY SUNDAY THE ~::':S.,_~,_ '!:': ::::;s • LACK•~ STOM,ERS :=::;~rtf. REG "ETTlT, MART ,.,o.11 ·•o.""n1s.ar-,.w1 Brewery Tap_ Walth•m~tow ' IIRO CURTIS Quintel Greotn Man Bl1ekhnth Fret' ' FAN CUJBS CHAMPION JACK 1/4 per word STEVE MAXTED SHOW COOKS FERRY INN CASUALS Official Fan Club, DUPREE SPICE Angel Rd (NUt Clrc) Edmonton JOHN DUMMER WOLYEIIIHAMl"TON TECH ~-~i~·~~~~:'rc;.•yne, I Tallu I------• LUES• ANO CHICKEN SHACK TOFTS, ~E Gr111e Ci<'~;_N!!_Y STUDIO 51 .JO-ANN KELLY • DO • HALL Hill . s~~~ to"~~cl:~to~a~~~ Unl\tr , c bod 1:. a PANAMA LTD. t 3 4 per l1ne Appro• 17 l1tll'f\ •1\CI ~pace,s 10 th~ lmr 176~1hne JOHNNY SI.VO Appro• II le trrrs •nd \PIC1!'' lo th.- Im• l •"'r i:,,,d , J Appro 11 16 lrtt"ro. and SPKft HARRY BOARDMAN } f (> the ltne- f I O O pr, line App,oa. 12 I~''•" and ,pac.,. TERRY GOULD to rl ~ lmr App,n• 12 Ir-ti , ,. and ~c• MIKE CHAPMAN } IC> ,.,. 1,,._.. LI 5 0 P'' 1,..., ,, ' JACKSON C. FLAMINGO FOOTE CLASSIFIED for ADS Musical MJ~i;~i~rs of PAN Instruments ALL GOOD INSTRUMENTS WANTED FOR CASH 17 GOLDEN SC.•., W. l •un.w HU6UITAH Ltd FINOH 1/kJ••· ...... u.u,•1 tlSS BASSES MELODY MAKER di di f[NOlll .. lKfthf,C.,.i.m,.,_,., J.125 ,p«)ll:._1""'9NM,~1•,i- tlU II.AU WOODWIND Horm1117 Monie,•')' .,,tt, 0.-A,...,... PINOHT• t-1.. . Cn'-,lola:llt tllS W'll'MONll,.,.f/a.t,Ul•>iceJ t11S DRUMS OLDEN l ' 161-166 Fleet St, E.C.4 S.t..,.,. S• rlfl • 111 Chtriftff £6) p<,