Cantilena Records Catalog
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Boston Symphony Orchestra Concert Programs, Season 116, 1996
The security of a trust, Fidelity service and expertise. A CLcuwLc Composition A conductor and his orchestra — together, they perform masterpieces. Fidelity Now Fidelity Personal Trust Services Pergonal can help you achieve the same harmony for your trust portfolio of Trudt $400,000 or more. Serviced You'll receive superior trust services through a dedicated trust officer, with the added benefit of Fidelity s renowned money management expertise. And because Fidelity is the largest privately owned financial services firm in the nation, you can rest assured that we will be there for the long term. Call Fidelity Personal Trust Serviced at 1-800-854-2829. You'll applaud our efforts. Trust Services offered by Fidelity Management Trust Company For more information, visit a Fidelity Investor Center near you: Boston - Back Bay • Boston - Financial District • Braintree, MA • Burlington, MA Fidelity Investments 17598.001 This should not be considered an offer to provide trust services in every state. Trust services vary by state. To determine whether Fidelity may provide trust services in your state, please call Fidelity at 1-800-854-2829. Investor Centers are branches of Fidelity Brokerage Services, Inc. Member NYSE, SIPC. Seiji Ozawa, Music Director Bernard Haitink, Principal Guest Conductor One Hundred and Sixteenth Season, 1996-97 Trustees of the Boston Symphony Orchestra, Inc. R. Willis Leith, Jr., Chairman Nicholas T. Zervas, President Peter A. Brooke. Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Mrs. Edith L. Dabney, Vice-Chairman Ray Stata, Vice-Chairman Harvey Chet Krentzman, Vice-Chairman Harlan E. Anderson William M. Crozier, Jr. Julian T. -
2019 Round Top Music Festival
James Dick, Founder & Artistic Director 2019 Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE Bravo! We salute those who have provided generous gifts of $10,000 or more during the past year. These gifts reflect donations received as of May 19, 2019. ROUND TOP FESTIVAL INSTITUTE 49th SEASON PArtNER THE BURDINE JOHNSON FOUNDATION HERITAGE CIrcLE H-E-B, L .P. FOUNDERS The Brown Foundation Inc. The Clayton Fund The Estate of Norma Mary Webb BENEFACTORS The Mr. and Mrs. Joe W. Bratcher, Jr. Foundation James C. Dick Mark and Lee Ann Elvig Robert J. Kleberg, Jr. and Helen C. Kleberg Foundation Richard R. Royall V Rose P. VanArsdel SUSTAINERS Blue Bell Creameries, L.P. William, Helen and Georgina Hudspeth Nancy Dewell Braus Luther King Capital Management The Faith P. and Charles L. Bybee Foundation Paula and Kenneth Moerbe Malinda Croan Anna and Gene Oeding Mandy Dealey and Michael Kentor The Gilbert and Thyra Plass Arts Foundation Dickson-Allen Foundation Myra Stafford Pryor Charitable Trust June R. Dossat Dr. and Mrs. Rolland C. Reynolds and Yvonne Reynolds Dede Duson Jim Roy and Rex Watson Marilyn T. Gaddis Ph.D. and George C. Carruthers Tod and Paul Schenck Ann and Gordon Getty Foundation Texas Commission on the Arts Alice Taylor Gray Foundation Larry A. Uhlig George F. Henry Betty and Lloyd Van Horn Felicia and Craig Hester Lola Wright Foundation Joan and David Hilgers Industry State Bank • Fayetteville Bank • First National Bank of Bellville • Bank of Brenham • First National Bank of Shiner ® Bravo! Welcome to the 49th Round Top Music Festival ROUND TOP FESTIVAL INSTITUTE The sole endeavor of The James Dick Foundation for the Performing Arts To everything There is a season And a time to every purpose, under heaven A time to be born, a time to die A time to plant, a time to reap A time to laugh, a time to weep This season at Festival Hill has been an especially sad one with the loss of three of our beloved friends and family. -
Ear and There Monday, February 8, 2010
Earplay San Francisco Season Concerts 2010 Season Herbst Theatre, 7:30 PM Pre-concert talk 6:45 p.m. Earplay 25: Ear and there Monday, February 8, 2010 Bruce Christian Bennett , Sam Nichols, Kaija Saariaho Carlos Sanchez-Gutiérrez, Seymour Shifrin Earplay 25: Ear and There Earplay 25: Outside In Monday, March 22, 2010 February 8, 2010 Lori Dobbins, Michael Finnissy, Chris Trebue Moore Arnold Schoenberg, Judith Weir Earplay 25: Ports and Portals Monday, May 24, 2010 as part of the San Francisco International Arts Festival Jorge Liderman Hyo-shin NaWayne Peterson Tolga Yayalar earplay commission/world premiere Earplay commission West-Coast Premiere 2009 Winner, Earplay Donald Aird Memorial Composition Competition elcome to Earplay’s 25th San Francisco season. Our mission is to nurture new chamber music — W composition, performance, and audience —all vital components. Each concert features the renowned members of the Earplay ensemble performing as soloists and ensemble artists, along with special guests. Over twenty-five years, Earplay has made an enormous contribution to the bay area music community with new works commissioned each season. The Earplay ensemble has performed hundreds of works by more than two hundred Earplay 2010 composers including presenting more than one hundred world Donald Aird premieres. This season the ensemble continues exploring by performing works by composers new to Earplay. Memorial The 2010 season highlights the tremendous amount Composers Competition of innovation that happens here in the Bay Area. The season is a nexus of composers and performers adventuring into new Downloadable application at: musical realms. Most of the composers this season have strong www.earplay.org/competitions ties to the Bay Area — as home, a place of study or a place they create. -
LINER NOTES Recorded Anthology of American Music, Inc
FLUTES New World Records 80403 Works by ROBERT BEASER PAUL SCHOENFIELD JOSEPH SCHWANTNER In 1986, three composers and three flutists met in a novel commissioning project supported by a National Endowment Consortium Commissioning Grant. Flutists Ransom Wilson, Carol Wincenc, and Paula Robison, each a longtime supporter and performer of new music, asked Joseph Schwantner, Paul Schoenfield, and Robert Beaser to write new works for flute and orchestra. On this recording, each solo artist presents the orchestral work composed for him or her, as well as a flute and piano "encore" by the same composer. When Aftertones of Infinity, Joseph Schwantner's first professional composition for symphony orchestra, won the Pulitzer Prize in 1979, a world of new commissions opened up to him. Born in Chicago in 1943 and trained there at the American Conservatory and Northwestern University, Schwantner had been on the faculty of the Eastman School of Music since 1970. He then was composer-in-residence with the Saint Louis Symphony from 1982 to 1985. According to Schwantner, his piece A Play of Shadows represents "an attempt to mirror [Ransom Wilson's] dramatic and compelling musical personality." Schwantner's evocative titles--Music of Amber, Distant Runes and Incantations, and A Sudden Rainbow are some of his other instrumental works -indicate a creative approach grounded in poetic imagery. "Sanctuary.../ deep forests,/a play of shadows..." is the haiku-like beginning of a brief epigraph the composer wrote in the score of A Play of Shadows, and the music's blend of repose and airy brilliance capture this image in sound. -
Alumnews2007
C o l l e g e o f L e t t e r s & S c i e n c e U n i v e r s i t y D EPARTMENT o f o f C a l i f o r n i a B e r k e l e y MUSIC IN THIS ISSUE Alumni Newsletter S e p t e m b e r 2 0 0 7 1–2 Special Occasions Special Occasions CELEBRATIONS 2–4 Events, Visitors, Alumni n November 8, 2006, the department honored emeritus professor Andrew Imbrie in the year of his 85th birthday 4 Faculty Awards Owith a noon concert in Hertz Hall. Alumna Rae Imamura and world-famous Japanese pianist Aki Takahashi performed pieces by Imbrie, including the world premiere of a solo piano piece that 5–6 Faculty Update he wrote for his son, as well as compositions by former Imbrie Aki Takahashi performss in Hertz Hall student, alumna Hi Kyung Kim (professor of music at UC Santa to honor Andrew Imbrie. 7 Striggio Mass of 1567 Cruz), and composers Toru Takemitsu and Michio Mamiya, with whom Imbrie connected in “his Japan years.” The concert was followed by a lunch in Imbrie’s honor in Hertz Hall’s Green Room. 7–8 Retirements Andrew Imbrie was a distinguished and award-winning member of the Berkeley faculty from 1949 until his retirement in 1991. His works include five string quartets, three symphonies, numerous concerti, many works for chamber ensembles, solo instruments, piano, and chorus. His opera Angle of 8–9 In Memoriam Repose, based on Wallace Stegner’s book, was premeiered by the San Francisco Opera in 1976. -
View PDF Online
MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951. -
Here Center and Performed There for 20 Seasons
Merkin Hall at Kaufman Music Center Mindy Kaufman joined the New York Phil- music from Mozart concerti to Brazilian samba Sunday, November 17, 2019 at 8 pm harmonic in 1979 at age 22, after playing for worldwide. Paula Robison was a founding artist three years with the Rochester Philharmonic. She member of the Chamber Music Society of Lincoln graduated from the Eastman School of Music, where Center and performed there for 20 seasons. The New York Flute Club she studied with Walfrid Kujala, James Galway, She holds the Donna Hieken Flute Chair at New founded 1920 by Georges Barrère and Bonita Boyd. Ms. Kaufman has performed as England Conservatory. a soloist with the New York Philharmonic and for one season substituted as principal flute with the Nancy Toff is the author of The Development of Centennial Gala Concert Milwaukee Symphony. Ms. Kaufman has recorded the Modern Flute, The Flute Book, and Monarch more than 40 films. of the Flute: The Life of Georges Barrère, and was curator of the exhibition “Georges Barrère and the GEORGES BARRÈRE Nocturne (1913) Robert Langevin joined the New York Phil- Flute in America” at the New York Public Library (1876-1944) ROBERT LANGEVIN, flute harmonic as principal flute in 2001. He was for the Performing Arts, for which she wrote the BRYAN WAGORN, piano previously principal flute of the Pittsburgh Symphony catalog. She received the Dena Epstein Award Orchestra and taught at Duquesne University. for Archival and Library Research in American ELDIN BURTON Sonatina (1948) He served as associate principal of the Montreal Music from the Music Library Association and the (1913-1981) Allegretto grazioso Symphony Orchestra for 13 years and as a member National Flute Association’s 2012 Distinguished Andantino Sognando of Musica Camerata Montreal and l’Ensemble de Service Award. -
Program Notes
GENEVA CONCERTS presents Rochester Philharmonic Orchestra Pinchas Zukerman conductor and violin with Ariana Ghez, oboe Friday, March 9, 2007 ● 8:15 p.m. Smith Opera House 1 GENEVA CONCERTS, INC. 2006-2007 SEASON Friday, 29 September 2006, 8:15 p.m. State Street Ballet of Santa Barbara Carmen A passionate story of lust, treachery and fate, based on the fabled temptress of Seville, told in ballet and set to the music of Georges Bizet. Thursday, 2 November 2006, 8:15 p.m. Syracuse Symphony Orchestra Daniel Hege, conductor “Shakespeare in Music” Walton, Mendelssohn, Sibelius, Strauss Saturday, 20 January 2007, 8:15 p.m. Cantus One of America’s finest professional male vocal ensembles, Cantus’ repertoire spans many periods and genres including Gregorian chant, Renaissance motets, contemporary works, art songs, folk music, spirituals, and pop. Friday, 9 March 2007, 8:15 p.m. Rochester Philharmonic Orchestra Pinchas Zukerman, conductor and violin Ariana Ghez, oboe Bach, Stravinsky, Elgar Friday, 30 March 2007, 8:15 p.m. Hesperus “The Buxtehude Project” Saturday, 21 April 2007, 8:15 p.m. Syracuse Symphony Orchestra Ron Spigelman, conductor Allen Vizzutti, trumpet De Falla, Vizzutti, Bernstein, Copland Performed at the Smith Opera House, 82 Seneca Street, Geneva, NY These concerts are made possible, in part, with public funds from the New York State Council on the Arts, a state agency, and by a continuing subscription from Hobart and William Smith Colleges. 2 GENEVA CONCERTS, INC. Friday, March 9, 2007 • 8:15 p.m. Rochester Philharmonic Orchestra Pinchas Zukerman, conductor and violin Ariana Ghez, oboe Johann Sebastian Bach Concerto in C minor for Oboe, Violin, and String Orchestra, BWV 1060 I. -
The Recordings
Appendix: The Recordings These are the URLs of the original locations where I found the recordings used in this book. Those without a URL came from a cassette tape, LP or CD in my personal collection, or from now-defunct YouTube or Grooveshark web pages. I had many of the other recordings in my collection already, but searched for online sources to allow the reader to hear what I heard when writing the book. Naturally, these posted “videos” will disappear over time, although most of them then re- appear six months or a year later with a new URL. If you can’t find an alternate location, send me an e-mail and let me know. In the meantime, I have provided low-level mp3 files of the tracks that are not available or that I have modified in pitch or speed in private listening vaults where they can be heard. This way, the entire book can be verified by listening to the same re- cordings and works that I heard. For locations of these private sound vaults, please e-mail me and I will send you the links. They are not to be shared or downloaded, and the selections therein are only identified by their numbers from the complete list given below. Chapter I: 0001. Maple Leaf Rag (Joplin)/Scott Joplin, piano roll (1916) listen at: http://www.youtube.com/watch?v=9E5iehuiYdQ 0002. Charleston Rag (a.k.a. Echoes of Africa)(Blake)/Eubie Blake, piano (1969) listen at: https://www.youtube.com/watch?v=R7oQfRGUOnU 0003. Stars and Stripes Forever (John Philip Sousa, arr. -
Newsletter.05
College of L e t t e r s & S c i e n c e U n i v e r s i t y D EPARTMENT o f of California B e r k e l e y MUSIC IN THIS ISSUE Alumni Newsletter S e p t e m b e r 2 0 0 5 September 2005 D EAR A LUMNI AND F RIENDS , Note from the Chair reetings to all from the PEOPLE 1–3Update on the last 4 years GUniversity of California, ince the last newsletter, Wye Allanbrook Berkeley, Department of Music, Scompleted her term as department chair, Centenary Celebration this year celebrating our 100th having contributed enormous effort on 100 years of music at Cal birthday! (See article below.) behalf of the new Hargrove Music Library 1, 8–9 This newsletter has always Bonnie Wade building. For the past two years, she has Faculty News Creative accomplishments, been intended as an occasional publication been a Fellow at the National Humanities honors & awards, new to bring to you news of the department. Center in North Carolina. She returns to 4arrivals– Melford6 & Midiyanto For comprehensive details and regular teaching in the 2005–06 academic year. updates please visit our websites: http:// In fall 2003, Allanbrook was succeeded music.berkeley.edu (department); www. by Anthony Newcomb, who served as Gifts to the Department lib.berkeley.edu/MUSI (music library); and department chair for two years. After a 6 www.cnmat.berkeley.edu (Center for New long and distinguished career as teacher Music and Audio Technologies, CNMAT). -
View Complete C.V
MARK POPENEY 20 Butler St. (617) 228-2219 (office) [email protected] www.markpopeney.com Medford, MA 02155 (310) 895-8775 (cell) [email protected] EDUCATION University of Southern California, Doctor of Musical Arts, Composition, 2012 Minors: Theory and Analysis, Music Technology, Instrumental Conducting Pi Kappa Lambda National Music Honor Society University of California, Los Angeles, Master of Arts, Music Composition and Theory, 2007 University of California, Berkeley, Bachelor of Arts, Music, Political Science (double), 2004 COLLEGE AND UNIVERSITY TEACHING EXPERIENCE Bunker Hill Community College, Boston, MA (2015 – present) Associate Professor (2018-present), Assistant Professor (2015-2018), department chair • Music Theory and Aural Skills I/II • Introduction to Music Technology • Music Fundamentals (including • Advanced Music Production online and OER) • Popular Music Ensemble • Applied Music: Composition • additional history and general • Songwriting education music courses Cypress College, Cypress, CA (2013 – 2015) Adjunct Faculty • Theory II-IV, Musicianship II-IV • additional general education courses California State University, Los Angeles, Los Angeles, CA (2013) Lecturer • Contemporary Techniques • Musicianship V-VI University of Southern California, Los Angeles, CA (2011 – 2013) Adjunct Instructor (2012-2013) Teaching Assistant (2011-2012) • Theory (various), Orchestration • Aural Skills I,II University of California, Los Angeles, Los Angeles, CA (2006 – 2009) Teaching Associate • Music Theory I-VI SELECTED CONFERENCE AND -
Sample Instrumental Resume
Jane Smith, violin 111 East Avenue, #C ● Rochester NY 14604 (222) 555-1212 ● [email protected] ORCHESTRAL EXPERIENCE Rochester Philharmonic Orchestra, substitute Rochester, NY 2007 Lancaster Festival Orchestra and Chamber Orchestra Lancaster, OH 2007 Eastman Philharmonia, concertmaster Rochester, NY 2006-07 Aspen Chamber Orchestra Aspen, CO 2006-07 Eastman Dryden Orchestra, concertmaster Rochester, NY 2006 Eastman Graduate Chamber Orchestra, concertmaster Rochester, NY 2006-07 Heidelberg Schloss Spiele Orchestra Heidelberg, Germany 2005 Eastman Opera Theater Orchestra Rochester, NY 2004-05 Juilliard Pre-College Orchestra, assistant concertmaster New York, NY 1999-00 SOLO PERFORMANCES – with Orchestra Ridgewood Symphony Orchestra, Sandra Dackow conducting Ridgewood, NJ 2007 Juilliard Pre-College Orchestra, Ronald Braunstein conducting New York, NY 2000 Livingston Symphony Orchestra, Istvan Jaray conducting Livingston, NJ 2006 Sewanee Festival Orchestra, Americo Marino and Patrick Strub conducting Sewanee, TN 2005 CHAMBER MUSIC EXPERIENCE Eastman School of Music Rochester, NY 2003 – present Musica Nova: contemporary ensemble. Performances for Charles Wuorinen, Michael Daugherty, others. Intermusica: chamber ensemble. Performances with Julius Baker, others. Cleveland Quartet Seminar Rochester, NY 2006-07 Coaching with the Cleveland Quartet, John Graham and Catherine Tait. Performances in Kilbourn Hall and the Rochester Public Library. Juilliard Quartet Seminar New York, NY 2000 Coaching with the Juilliard String Quartet. Performance