DOCSLIB.ORG

Goldeneye (1995), Directed by Martin Campbell

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Goldeneye (1995), Directed by Martin Campbell Are We Boring You, Mr. Bond? Goldeneye (1995), Directed by Martin Campbell By Fearless Young Orphan For my friend Max, who convinced me to give it a try. Six long years have passed since the Bruiser starred in Licence to Kill, which much to my surprise was a standout Bond film. Now a lot of changes have taken place at MI:6, as there is a new M (Dame Judy Dench, who is marvelous in the part), a new Moneypenny (Samantha Bond, no relation – or so we’re told) and a different guy working the James Bond 007 position. That would be Remington Steele (Pierce Brosnan). He has a BMW. How very 1990s of him. Looking at Goldeneye as a whole, I found many outstanding aspects. I was most impressed by the casting. I’ve already mentioned Dame Judy Force-To-Be- Reckoned-With Dench, who gives Bond a nice telling-off right out of the cage. I believe she calls him a sexist, misogynistic dinosaur. Hahahahaha. That was funny. Moneypenny is tart and sexy. Q is the same old lovable Q and gets a wonderful scene in Q-Division, with much harrumphing and bluster over his beloved inventions. Outside of MI:6, Joe Don Baker (Mitchell!) returns as megalomaniac arms-dealer Brad Whitaker, though he’s pretending to be American agent Jack Wade. This is all the proof I need that James Bond is a cipher agent: he doesn’t even recognize the guy! Luckily the so-called Agent Jack Wade doesn’t pull any tricks. Possibly this is subject matter for the next film. Famke Janssen has long been a favorite actress of mine, running a close second to my girl-crush on Milla Jovovich. Famke is so cool it’s sick. In this movie, she is Xenia Onatopp (A+ for the name), a Russian pilot and assassin who is a really, really fun girl, and likes her sex more than a bit rough. Murderously rough, you might say. Ah, she and I, like peas in a pod. Our Bond girl is Natalya Simonova (Izabella Scorupco), a smart brave woman who unwittingly becomes a part of the film’s adventures by being the only survivor of a massacre at one of two satellite stations that control the top-secret Goldeneye thingamajig. We’ll discuss that momentarily. This is Natalya’s paragraph. She’s another great Bond girl, pretty as a cream puff and kind of a smartass, very capable. Plus she’s good with computers, or with whatever passed for computers back in 1995. It was like the dark ages, man. So she’s a bit nerdy, which wins my heart every time. Our supervillain is Alec Trevelyan, formerly a Double-O agent himself, who has turned traitor after faking his own murder ten years earlier on a mission with Bond. Yes, I know, the dates mess with the cipher-agent theory. I don’t care! Remember the Joe Don Baker thing? Anyhow, I was squealing like a little girl to find that Mr. Sean Bean himself, aka Boromir, aka the coolest guy in the Lord of the Rings movies, aka the avatar of the Boromir Fan Club, aka the star of the documentary How Boromir Faked His Own Death to Save Middle Earth directed by me and starring BOROMIR! . where was I? Right, yes, well Boromir plays Alec and he’s all messed up and scarred and crazy villainous. He plans to take over the Goldeneye satellites and use them to electromagnetically pulse the dickens out of the world. Sean Bean has had a long career of playing second bananas or villains and I really, really think it’s too bad that nobody has ever figured out what a great leading man he is. He’s starred in lots of British television, particularly the Sharpe series, and he can carry a movie. See him also 2005’s ultra-creepy psychological thriller The Dark (ooo scary!). Facebook told me that he’s soon to be starring in the HBO series Game of Thrones, which makes me happy as a clam. So that’s my petition on behalf of Sean Bean, and the reason why I was so delighted to see him here. Finally, a solemn moment of respect for the appearance of Gottfried John as Russian General Ourumov. In 1980, Gottfried John was one of the major stars of Berlin Alexanderplatz, that ponderous and dreadful mess I watched back in October (see the “Worst Thing I Have Ever Watched” page for my unenthusiastic synopses). He played Reinhart, a sweaty and twisted freak in what was already a sweaty and sad and endlessly long movie, and I had assumed—well, hadn’t everybody?—that the experience probably killed him and all others involved. But no! Here he is, fifteen years later, well enough to star in a James Bond movie. My goodness, I was so relieved. Just think! If one star made it out alive, others could have as well! There could be refugees from Berlin Alexanderplatz hiding in movies anywhere. It warms my Oh thank God! Gottfried John is alive and well! I was so heart. damn worried about him . Okay, so you can see that the casting really impressed me; it was the best thing about the film. Luckily, this great cast was also given a good script with which to work, their dialog interesting, appropriate, often witty and smarter than we can often expect out of these films. Plotwise, this wasn’t half-bad either, as things led coherently from the theft of an important U.S. Military helicopter, to a massacre at the first Russian satellite station, to the finding and rescue of Natalya, to the infiltration of the second satellite station, to the showdown at the second satellite station. Everything Bond does makes sense and I never got the feeling that he arrived somewhere for no good reason. There were some good stunts in this one, too, particularly a breathtaking bungee jump (by Bond, of course!) off the dizzying heights of a Russian dam, and a sensibly choreographed fistfight atop a gigantic satellite dish. But I have to admit I miss the action-film flair shown by John Glen in the last five films. There is a chase scene in Goldeneye in which Bond is actually driving a massive tank through the streets of Moscow (I’m assuming it’s Moscow, right?) running over cars and smashing statues and bridges and destroying everything in his path, heedless of civilians and any good Russian/English relations, no doubt, and I figure this should be thrilling to watch. Yet, I noticed my attention wandering. At the end it felt like nothing more than five minutes of a tank smashing things. There really was no tension in it; I feared for no one except the poor pedestrians. John Glen could direct action that generated an amazing amount of tension, considering the fact that we knew the hero could not be killed. Here in Goldeneye, the action feels jumbled and noisy, and isn’t very interesting. I nearly forgot to mention, Tina Turner sings the theme song! She sounds like a real badass, like she might She’s “on the top.” Get it? hang out with Xenia Onatopp. Good girlfriends there. As for the opening theme-song video, things have not changed or improved much in a long while. I hope those poor models were well-paid. Sigh. Okay, I’ve danced around the subject as long as I can. Now I have to deal with Remington Steele. First, a peace offering: I like Pierce Brosnan, always have. I think he’s a good actor with plenty of range; he can play funny, charming, evil, good, menacing, seductive, even not-terribly-bright, without any trouble. What bothered me was that he managed to leave every one of those traits behind and play the biggest empty space I have ever seen in a Bond movie. I swear, it was like there was nothing there. I think I understand what he was going for, or I really tried to understand it. Cool and ruthless, right? Only with a soft tormented underbelly of regret? Maybe? Or something like that? Well, maybe I didn’t understand. This is the first Bond movie I’ve seen where the movie carried on quite well without Bond; in fact it was better when the camera was pointing at anybody else. He’d walk into the picture and the film would lose a dimension. He’s Bond dark matter; he is . omigod . he is the Anti-Bond. Most of my friends know I’m a fan of Roger Ebert, who writes well about movies even when he’s brazenly disagreeing with me. Goldeneye calls to mind a comment Mr. Ebert made long ago, in a galaxy far, far away, about the strange flat interpretation of the characters in the infamous Star Wars prequels. Of Attack of the Clones, he said something I’ve never forgotten, which was “Actors speak more slowly than they might--flatly, factually, formally, as if reciting. Sometimes that reflects the ponderous load of the mythology they represent.” I love that turn of phrase: Ponderous load of the mythology. I’ll dare to repeat those words now, because I think they may summarize what was wrong with Remington Steele. He was trying to be all things Bond, without daring to infuse his Bond with any new personality traits (which the other Bond actors have done happily and successfully in my opinion). Thus, we were left with this Anti-Bond, who fits the description because he “likes Martinis” and “wrecks cars” and “digs chicks” but never reaches beyond it to become anything particularly memorable.
Load more

Recommended publications
  • James Bond a 50 The
    JAMES BOND: SIGNIFYING CHANGING IDENTITY THROUGH THE COLD WAR AND BEYOND By Christina A. Clopton Submitted to Central European University Department of International Relations and European Studies In partial fulfillment of the requirements for the Masters of Arts Supervisor: Professor Alexander Astrov CEU eTD Collection Budapest, Hungary 2014 Word Count: 12,928 Abstract The Constructivist paradigm of International Relations (IR) theory has provided for an ‘aesthetic turn’ in IR. This turn can be applied to popular culture in order to theorize about the international system. Using the case study of the James Bond film series, this paper investigates the continuing relevancy of the espionage series through the Cold War and beyond in order to reveal new information about the nature of the international political system. Using the concept of the ‘empty signifier,’ this work establishes the shifting identity of James Bond in relation to four thematic icons in the films: the villains, locations, women and technology and their relation to the international political setting over the last 50 years of the films. Bond’s changing identity throughout the series reveals an increasingly globalized society that gives prominence to David Chandler’s theory about ‘empire in denial,’ in which Western states are ever more reluctant to take responsibility for their intervention abroad. CEU eTD Collection i Acknowledgements I would like to extend my deepest gratitude to Professor Alexander Astrov for taking a chance with me on this project and guiding me through this difficult process. I would also like to acknowledge the constant support and encouragement from my IRES colleagues through the last year.
    [Show full text]
  • The Hero with Mad Skills James Bond and the World of Extreme Sports
    The Hero with Mad Skills James Bond and the World of Extreme Sports DAVID M. PEGRAM In the 2007 Matchstick Productions film, Seven Sunny Days, professional skier and BASE jumper Shane McConke created a near shot!" -shot remake of the #ames Bond ski chase from The Spy Who Loved Me $%&77'( )he original featured stuntman +ick S l,ester $as #ames Bond' skiin* off the top of Mount Asgard, in Canada, to -hat appears to "e certain death( But, in the midst of freefall, S l,ester kicks off his skis and then opens a .nion #ack parachute, in -hat has become one of the /most iconic” scenes in the cinematic histor of #ames Bond $Aja Cho-dhur 1td( in Murph 20%2'( In Seven Sunny Days, McConke 3s jump is more darin*( As he flies off the ed*e of the cliff $shot in 4or-a , rather than Canada', he completes three full somersaults in midair before deplo in* his chute, in a demonstration of ho- far e5treme sports had come in the thirt ears since the S l,ester3s jump( )he recreation of S l,ester3s stunt -as McConke 3s homage to the cinematic moment that inspired him the most6 /)hat -as the coolest stunt I3d e,er seen,0 he recalled, creditin* S l,ester3s jump for *i,in* him the idea to sk di,e and BASE jump in the first place $McConkey 20%2'( )hat a #ames Bond film should ha,e such an influence on a skiin* /legend0 $Ble,ins 200&' su**ests, perhaps, a si*nificant connection "et-een the Bond franchise and the -orld of extreme sports.
    [Show full text]
  • John Caglione, Jr
    JOHN CAGLIONE, JR. Make-Up Designer IATSE 798 and 706 FILM BROKEN CITY Personal Make-Up Artist to Russell Crowe Director: Allen Hughes PHIL SPECTOR Personal Make-Up Artist to Al Pacino Director: David Mamet TOWER HEIST Department Head Director: Brett Ratner ON THE ROAD Special Make-Up Effects Director: Walter Salles Cast: Viggo Mortensen THE SMURFS Department Head Director: Raja Gosnell YOU DON’T KNOW JACK Personal Make-Up Artist to Al Pacino Director: Barry Levinson Nominee: Emmy Award for Outstanding Make-Up for a Miniseries or Movie SALT Department Head Director: Philip Noyce STATE OF PLAY Personal Make-Up Artist to Russell Crowe Director: Kevin Macdonald THE DARK KNIGHT Personal Make-Up Artist to Heath Ledger Director: Christopher Nolan Nominee: Academy Award for Best Achievement in Make-Up Nominee: Saturn Award for Best Make-Up 3:10 TO YUMA Personal Make-Up Artist to Russell Crowe Director: James Mangold AMERICAN GANGSTER Personal Make-Up Artist to Russell Crowe Director: Ridley Scott THE DEPARTED Department Head Make-Up and Department Head Effects Make-Up Director: Martin Scorsese Cast: Vera Farmiga, Ray Winstone, Kristen Dalton TENDERNESS Department Head Director: John Polson Cast: Russell Crowe, Laura Dern, Jon Foster, Tonya Clarke THE MILTON AGENCY John Caglione, Jr. 6715 Hollywood Blvd #206, Los Angeles, CA 90028 Make-Up Telephone: 323.466.4441 Facsimile: 323.460.4442 IATSE 798 & 706 [email protected] www.miltonagency.com Page 1 of 4 MY SUPER EX-GIRLFRIEND Department Head Director: Ivan Reitman Cast: Luke Wilson, Anna
    [Show full text]
  • Things Are Not Enough Bond, Stiegler, and Technics
    Things Are Not Enough Bond, Stiegler, and Technics CLAUS-ULRICH VIOL Discussions of Bond’s relationship with technology frequently centre around the objects he uses, the things he has at his disposal: what make is the car, what products have been placed in the flm, are the flm’s technical inventions realistic, visionary even !his can be observed in cinema foyers, fan circles, the media, as well as academia. #$en these discussions take an admiring turn, with commentators daz%led by the technological foresight of the flmic ideas; ' quite ofen too, especially in academic circles, views tend to be critical, connecting Bond’s technological overkill to some compensatory need in the character, seeing the technological objects as (props) that would and should not have to be ' *ee, for instance, publications like The Science of James Bond by Gresh and ,einberg -.//01, who set out to provide an “informative look at the real2world achievements and brilliant imaginations) behind the Bond gadgets, asking how realistic or “fant2 astic) the adventures and the equipment are and promising to thus probe into (the limits of science, the laws of nature and the future of technology” -back cover1" 3arker’s similar Death Rays, Jet Packs, Stunts and Supercars -.//41 includes discussions of the physics behind the action scenes -like stunts and chases1, but there remains a heavy preponderance of (ama%ing devices), (gadgets and gi%mos), “incredible cars), (reactors) and (guns) -v2vi1" ,eb pages and articles about (Bond Gadgets that 5ave Become 6eal), “Bond Gadgets 7ou 8an 9ctually Buy”, “Bond Gadgets that 8ould ,ork in 6eal :ife) and the like are legion.
    [Show full text]
  • Spectre, Connoting a Denied That This Was a Reference to the Earlier Films
    Key Terms and Consider INTERTEXTUALITY Consider NARRATIVE conventions The white tuxedo intertextually references earlier Bond Behind Bond, image of a man wearing a skeleton mask and films (previous Bonds, including Roger Moore, have worn bone design on his jacket. Skeleton has connotations of Central image, protag- the white tuxedo, however this poster specifically refer- death and danger and the mask is covering up someone’s onist, hero, villain, title, ences Sean Connery in Goldfinger), providing a sense of identity, someone who wishes to remain hidden, someone star appeal, credit block, familiarity, nostalgia and pleasure to fans who recognise lurking in the shadows. It is quite easy to guess that this char- frame, enigma codes, the link. acter would be Propp’s villain and his mask that is reminis- signify, Long shot, facial Bond films have often deliberately referenced earlier films cent of such holidays as Halloween or Day of the Dead means expression, body lan- in the franchise, for example the ‘Bond girl’ emerging he is Bond’s antagonist and no doubt wants to kill him. This guage, colour, enigma from the sea (Ursula Andress in Dr No and Halle Berry in acts as an enigma code for theaudience as we want to find codes. Die Another Day). Daniel Craig also emerged from the sea out who this character is and why he wants Bond. The skele- in Casino Royale, his first outing as Bond, however it was ton also references the title of the film, Spectre, connoting a denied that this was a reference to the earlier films. ghostly, haunting presence from Bond’s past.
    [Show full text]
  • Sam Urdank, Resume JULY
    SAM URDANK Photographer 310- 877- 8319 www.samurdank.com BAD WORDS DIRECTOR: Jason Bateman CAST: Jason Bateman, Kathryn Hahn, Rohan Chand, Philip Baker Hall INDEPENDENT FILM Allison Janney, Ben Falcone, Steve Witting COFFEE TOWN DIRECTOR: Brad Campbell INDEPENDENT FILM CAST: Glenn Howerton, Steve Little, Ben Schwartz, Josh Groban Adrianne Palicki TAKEN 2 DIRECTOR: Olivier Megato TWENTIETH CENTURY FOX (L.A. 1st Unit) CAST: Liam Neeson, Maggie Grace,,Famke Janssen, THE APPARITION DIRECTOR: Todd Lincoln WARNER BRO. PICTURES (L.A. 1st Unit) CAST: Ashley Greene, Sebastian Stan, Tom Felton SYMPATHY FOR DELICIOUS DIRECTOR: Mark Ruffalo CORNER STORE ENTERTAINMENT CAST: Christopher Thornton, Mark Ruffalo, Juliette Lewis, Laura Linney, Orlando Bloom, Noah Emmerich, James Karen, John Caroll Lynch EXTRACT DIRECTOR: Mike Judge MIRAMAX FILMS CAST: Jason Bateman, Mila Kunis, Kristen Wiig, Ben Affleck, JK Simmons, Clifton Curtis THE INVENTION OF LYING DIRECTOR: Ricky Gervais & Matt Robinson WARNER BROS. PICTURES CAST: Ricky Gervais, Jennifer Garner, Rob Lowe, Lewis C.K., Tina Fey, Jeffrey Tambor Jonah Hill, Jason Batemann, Philip Seymore Hoffman, Edward Norton ROLE MODELS DIRECTOR: David Wain UNIVERSAL PICTURES CAST: Seann William Scott, Paul Rudd, Jane Lynch, Christopher Mintz-Plasse Bobb’e J. Thompson, Elizabeth Banks WITLESS PROTECTION DIRECTOR: Charles Robert Carner LIONSGATE CAST: Larry the Cable Guy, Ivana Milicevic, Yaphet Kotto, Peter Stomare, Jenny McCarthy, Joe Montegna, Eric Roberts DAYS OF WRATH DIRECTOR: Celia Fox FOXY FILMS/INDEPENDENT
    [Show full text]
  • Samson Agonistes Performed by Iain Glen and Cast 1 Introduction - on a Festival Day 8:55 2 Chorus 1: This, This Is He
    POETRY UNABRIDGED John Milton Samson Agonistes Performed by Iain Glen and cast 1 Introduction - On a Festival Day 8:55 2 Chorus 1: This, this is he... 3:19 3 Samson: I hear the sound of words... 2:16 4 Chorus 1: Tax not divine disposal, wisest Men... 1:45 5 Samson: That fault I take not on me... 2:03 6 Chorus 1: Thy words to my remembrance bring... 2:33 7 Manoa: Brethren and men of Dan, for such ye seem... 3:11 8 Samson: Appoint not heavenly disposition, Father... 2:56 9 Manoa: I cannot praise thy Marriage choices, Son... 3:36 10 Manoa: With cause this hope relieves thee... 4:22 11 Chorus 1: Desire of wine and all delicious drink... 4:05 12 Samson: O that torment should not be confin’d... 2:45 13 Chorus 3: Many are the sayings of the wise... 3:07 14 Chorus 3: But who is this, what thing of Sea or Land? 1:14 15 Dalila: With doubtful feet and wavering resolution... 2:05 16 Dalila: Yet hear me Samson; not that I endeavour... 6:47 17 Samson: I thought where all thy circling wiles would end... 7:32 2 18 Chorus 1: She’s gone, a manifest Serpent by her sting... 3:24 19 Samson: Fair days have oft contracted wind and rain. 0:48 20 Harapha: I come not Samson, to condole thy chance... 7:15 21 Samson: Among the Daughters of the Philistines... 3:15 22 Chorus 1: His Giantship is gone somewhat crestfall’n..
    [Show full text]
  • An Elegy to My Lord Hampstershire a View to a Kill (1985), Directed By
    An Elegy to My Lord Hampstershire A View to a Kill (1985), Directed by John Glen By Christina Harlin, your Fearless Young Orphan For my friend Max, who convinced me to give it a try. I know Roger Moore did more with his career than simply play James Bond. Nevertheless, one of the Bonds is who he’ll always be to me. Well, I admit, that’s really all I’ve seen him do, and in his own way, he did it perfectly well. He was lucky enough to be directed by both John Glen and Guy Hamilton in multiple Bond films. Roger Moore’s era as Bond produced some fine espionage movies– and some unforgettably silly ones – and, the thing about Bond movies is, those two things are not mutually exclusive. Especially not with Lord Hampstershire on board. I don’t want to get into a debate with myself (I am my most formidable debating opponent, impossible to argue with) about “who’s the better Bond” because to my mind, every Bond actor has managed to hit the right notes at some point (even the awful interpretation of Pierce Brosnan managed to impress once or twice). Remember (poor kids, how could you forget?) that I subscribe to the cipher-agent theory and think of Bond as only a professional title, so that despite some (lame!) evidence to the contrary, none of these guys are actually playing the same character. Roger Moore’s take on the playboy spy really emphasized the “playboy” and downplayed the “spy,” and for about half the time he was at the helm, he was intentionally playing the part for comedy.
    [Show full text]
  • Voice Training and the Royal National Theatre Rena Cook
    Spring 1999 165 Voice Training and the Royal National Theatre Rena Cook I stepped off the double-decker bus at Waterloo Station with my map in hand, walked several blocks and found the Old Vic quite easily. But the Royal National Theatre Studio, where the orientation was to take place, was nowhere in sight. "Next to the Old Vic," I had been told. With address and directions in my pocket, I surveyed the area as my internal compass spun out of control. After a brief moment of panic, I went to the box office and asked for help. "Out this door, two steps to your left and through the iron gate." I had traveled to London to participate in a course entitled "International Voice Intensive" with Patsy Rodenburg. As I walked up the steps of the studio on that chilly Sunday afternoon, with jet lag hanging heavily on my limbs, I had little idea that in my two weeks study I was about to experience a Zeitgeist of contemporary London theatre, training and practice. The focus was, of course, the voice work under the tutelage of master teacher Patsy Rodenburg, who currently heads the voice departments at the Royal National Theatre and Guildhall School of Music and Drama. In addition, the course participants were exposed to and interacted with some of the finest artists working in Western theatre today, including Trevor Nunn, Richard Eyre, and Judi Dench. Following each exhaustive day of study, workshop, and discussion, we attended theatre, viewing five of the six productions currently in repertory at the National.
    [Show full text]
  • Set Name Card Description Auto Mem #'D Base Set 1 Harold Sakata As Oddjob Base Set 2 Bert Kwouk As Mr
    Set Name Card Description Auto Mem #'d Base Set 1 Harold Sakata as Oddjob Base Set 2 Bert Kwouk as Mr. Ling Base Set 3 Andreas Wisniewski as Necros Base Set 4 Carmen Du Sautoy as Saida Base Set 5 John Rhys-Davies as General Leonid Pushkin Base Set 6 Andy Bradford as Agent 009 Base Set 7 Benicio Del Toro as Dario Base Set 8 Art Malik as Kamran Shah Base Set 9 Lola Larson as Bambi Base Set 10 Anthony Dawson as Professor Dent Base Set 11 Carole Ashby as Whistling Girl Base Set 12 Ricky Jay as Henry Gupta Base Set 13 Emily Bolton as Manuela Base Set 14 Rick Yune as Zao Base Set 15 John Terry as Felix Leiter Base Set 16 Joie Vejjajiva as Cha Base Set 17 Michael Madsen as Damian Falco Base Set 18 Colin Salmon as Charles Robinson Base Set 19 Teru Shimada as Mr. Osato Base Set 20 Pedro Armendariz as Ali Kerim Bey Base Set 21 Putter Smith as Mr. Kidd Base Set 22 Clifford Price as Bullion Base Set 23 Kristina Wayborn as Magda Base Set 24 Marne Maitland as Lazar Base Set 25 Andrew Scott as Max Denbigh Base Set 26 Charles Dance as Claus Base Set 27 Glenn Foster as Craig Mitchell Base Set 28 Julius Harris as Tee Hee Base Set 29 Marc Lawrence as Rodney Base Set 30 Geoffrey Holder as Baron Samedi Base Set 31 Lisa Guiraut as Gypsy Dancer Base Set 32 Alejandro Bracho as Perez Base Set 33 John Kitzmiller as Quarrel Base Set 34 Marguerite Lewars as Annabele Chung Base Set 35 Herve Villechaize as Nick Nack Base Set 36 Lois Chiles as Dr.
    [Show full text]
  • 1 Dr. No, 1962 #2 from Russia with Love, 1963
    1111//2277//22001155 LLiissttoof fAAlll lJJaammees sBBoonnd dMMoov viieess Search Site: Search Follow usus on on Twitter Like usus on on Facebook Lists Top 10s Characters Cast Gadgets Movies Quotes More List of All James Bond Movies The complete list of official James Bond films, made by EON Productions. Beginning with Sean Connery, and going through George Lazenby, Roger Moore, Timothy Dalton, Pierce Brosnan and Daniel Craig. Have you ever wondered how many James Bond movies there are? The new film, Spectre, will be released October 2015. #1 Dr. No, 1962 James Bond: Sean Connery Bond Girl: Honey Ryder Director: Terence Young Running Time: 110 Minutes Synopsis: Dr. No was the first 007 film produced by EON Productions. Bond is sent to Jamaica to investigate the death of MI6 agent John Strangways. He finds his way to Crab Key island, where the mysterious Dr. No awaits. ##22 From Russia With Love, 1963 James Bond: Sean Connery Bond Girl: Tatiana Romanova Director: Terence Young Running Time: 115 Minutes Synopsis: When MI6 gets a chance to get their hands on a Lektor decoder, Bond is sent to Turkey to seduce the beautiful Tatiana, and bring back the machine. With the help of Kerim Bey, Bond escapes on the Orient Express, but might not make it off alive. hhttttpp::////wwwwww..000077jjaammeess..ccoomm//aarrttiicclleess//lliisstt__ooff__jjaammeess__bboonndd__mmoovviieess..pphhpp 11//44 1111//2277//22001155 LLiissttoof fAAlll lJJaammees sBBoonnd dMMoov viieess #3 Goldfinger, 1964 James Bond: Sean Connery Bond Girl: Pussy Galore Director: Guy Hamilton Running Time: 110 Minutes Synopsis: The Bank of England has detected an unauthorized leakage of gold from the country, and Bond is sent to investigate.
    [Show full text]
  • A Queer Analysis of the James Bond Canon
    MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester A Dissertation Submitted to the Faculty of Dorothy F. Schmidt College of Arts and Letters In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy Florida Atlantic University Boca Raton, FL May 2019 Copyright 2019 by Grant C. Hester ii MALE BONDING: A QUEER ANALYSIS OF THE JAMES BOND CANON by Grant C. Hester This dissertation was prepared under the direction of the candidate's dissertation advisor, Dr. Jane Caputi, Center for Women, Gender, and Sexuality Studies, Communication, and Multimedia and has been approved by the members of his supervisory committee. It was submitted to the faculty of the Dorothy F. Schmidt College of Arts and Letters and was accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Khaled Sobhan, Ph.D. Interim Dean, Graduate College iii ACKNOWLEDGEMENTS I would like to express my sincere gratitude to Jane Caputi for guiding me through this process. She was truly there from this paper’s incubation as it was in her Sex, Violence, and Hollywood class where the idea that James Bond could be repressing his homosexuality first revealed itself to me. She encouraged the exploration and was an unbelievable sounding board every step to fruition. Stephen Charbonneau has also been an invaluable resource. Frankly, he changed the way I look at film. His door has always been open and he has given honest feedback and good advice. Oliver Buckton possesses a knowledge of James Bond that is unparalleled. I marvel at how he retains such information.
    [Show full text]