Wildaid 2014 Annual Report
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Stopping Poaching and Wildlife Trafficking Through Strengthened Laws and Improved Application
Stopping poaching and wildlife trafficking through strengthened laws and improved application Phase 1: An analysis of Criminal Justice Interventions across African Range States and Proposals for Action Initiating partners: Stop Ivory and the International Conservation Caucus Foundation (ICCF) Group Author: Shamini Jayanathan July 2016 Contents 1. LIST OF ACRONYMS ................................................................................. 2 2. INTRODUCTION ....................................................................................... 8 3. METHODOLOGY ...................................................................................... 9 4. EXECUTIVE SUMMARY........................................................................... 10 5. KENYA .................................................................................................... 24 6. KEY RECOMMENDATIONS ..................................................................... 27 7. UGANDA ................................................................................................ 29 8. KEY RECOMMENDATIONS ..................................................................... 31 9. GABON .................................................................................................. 33 10. KEY RECOMMENDATIONS ................................................................... 36 11. TANZANIA ............................................................................................ 37 12. KEY RECOMMENDATIONS .................................................................. -
Financial Investigations Into Wildlife Crime
FINANCIAL INVESTIGATIONS INTO WILDLIFE CRIME Produced by the ECOFEL The Egmont Group (EG) is a global organization of Financial Intelligence Units (FIUs). The Egmont Group Secretariat (EGS) is based in Canada and provides strategic, administrative, and other support to the overall activities of the Egmont Group, the Egmont Committee, the Working Groups as well as the Regional Groups. The Egmont Centre of FIU Excellence and Leadership (ECOFEL), active since April 2018, is an operational arm of the EG and is fully integrated into the EGS in Canada. The ECOFEL is mandated to develop and deliver capacity building and technical assistance projects and programs related to the development and enhancement of FIU capabilities, excellence and leadership. ECOFEL IS FUNDED THROUGH THE FINANCIAL CONTRIBUTIONS OF UKAID AND SWISS CONFEDERATION This publication is subject to copyright. No part of this publication may be reproduced by any process without prior written permission and consent from the Egmont Group Secretariat. Request for permission to reproduce all or part of this publication should be made to: THE EGMONT GROUP SECRETARIAT Tel: +1-416-355-5670 Fax: +1-416-929-0619 E-mail: [email protected] Copyright © 2020 by the Egmont Group of Financial Intelligence Units ECOFEL 1 Table of Contents List of Acronyms ..................................................................................................................... 5 Executive Summary ............................................................................................................... -
Movie Tv Sho Audio Radio
70 FILM REVIEWS MOVIES 71 NEW MOVIES ONBOARD 72 MOVIES TV SHOWS 74 TV SHOWS AUDIO Entertainment 76 AUDIO/RADIO RADIO © 2018 20TH CENTURY FOX. ALL RIGHTS RESERVED. BAD TIMES AT THE EL ROYALE FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE THREE MOVIES. THE INCREDIBLES Is The Incredibles the best animated movie ever? Yes. Yes, it is. It’s hilariously funny, exciting, moving and visually beautiful. A family of superheroes have to live in witness protection as normal people because superheroes have been deemed a menace to society. Naturally, Mr Incredible hates his boring life as an insurance salesman and his goingplacesmagazine.com children have to hide their superhero skills. But when an opportunity for a return to the old life comes knocking, Mr Incredible puts his entire family at risk, which sounds like a job LOGAN for Elastigirl. Is Logan the best superhero movie ever? EDGE OF TOMORROW Probably. A thunderous Hugh Jackman Because it was made all the way back in Is Edge of Tomorrow the best science fiction | 70 is Wolverine one last time as he plays a 2004, the animation for The Incredibles may movie ever? Maybe not, but it’s definitely | January 2019 January | reluctant father figure to the stunningly not seem quite as plush as, say, Zootopia, the best science fiction movie starring Tom intense young actress Dafne Keen. On a but director Brad Bird (who made his name Cruise, and when it comes to big-budget desperate journey from Mexico to the far with The Simpsons) created such a complete action Hollywood movies, nobody delivers north, the pair are perfectly matched as universe that you instantly forget. -
Cineasia Attendee
HONG KONG CONVENTION & EXHIBITION CENTRE 6-8 DECEMBER 2016 | CINEASIA.COM /CINEASIAEXPO @CINEASIAHK PRESENTING SPONSOR: 2016 ATTENDEE BROCHURE THE ASIAN MARKETPLACE 4 of the T OP TEN The box office in the biggest Asian INTERNATIONAL BOX markets, namely China, Japan, India, OFFICE MARKETS South Korea, Taiwan and Indonesia totaled ARE IN ASIA: $10.5 billion in 2015, just behind the $11.8 CHINA, JAPAN, INDIA, billion achieved in the US and Canada. & SOUTH KOREA WHAT THIS MEANS FOR YOU The Asia-Pacific market continues to be one of the most exciting territories in the world for the movie exhibition business, both for its astonishingly rapid growth and for the high presentation standards of its cinemas. Only at CineAsia will attendees get the chance to hear about the current trends and new state-of-the-art technologies. Nowhere else in Asia can you accomplish as much in a short period of time to sustain, and help grow, your business in the year to come. Join your cinema exhibition, distribution, and motion picture industry colleagues to network; and see product presentations and screenings of major Hollywood films soon to be released in Asia. Attendees will also get the opportunity to visit the Trade Show where you will find the latest equipment, products, and technologies to help make your theatre a must-attend destination. WHY OVER LEARN ABOUT THE LATEST TECHNOLOGICAL ADVANCES AND 1,000 NEWEST TRENDS IN CINEMA ATTENDEES GAIN WITH INSIGHT INTO THE ISSUES FACING THE INDUSTRY 600 FIND TRADE SHOW OUT HOW TO MAKE YOUR THEATRE MORE PROFITABLE EXHIBITORS NETWORK WITH INDUSTRY PEERS TO FORM LASTING BUSINESS RELATIONSHIPS DISCOVER NEW CONTENT, PRODUCTS, SERVICES, TECHNOLOGIES, AND CONCESSIONS AT THE TRADE SHOW TO ENHANCE THE MOVIE-GOING EXPERIENCE SEE PRODUCT PRESENTATIONS AND SCREENINGS FROM MAJOR HOLLYWOOD STUDIOS HONOR THOSE WHO HAVE MADE NOTABLE CONTRIBUTIONS IN THE INDUSTRY DURING THE AWARDS CEREMONY CLICK TO: #CINEASIA REGISTER BOOK HOTEL CONNECT FOLLOW LIKE NETWORK. -
“Power Femininity” and Popular Women's Magazines in China
International Journal of Communication 10(2016), 2831–2852 1932–8036/20160005 “Power Femininity” and Popular Women’s Magazines in China EVA CHEN National Chengchi University, Taiwan Western women’s glossy magazines (“glossies”) have made increasing inroads in the Chinese market and advocate a “power femininity,” which celebrates women’s assertive individualism and power as consumerist agency. While this power femininity has global neoliberal resonances, it also taps into the unique postsocialist Chinese context, where the liberation of individual desires, including the material and the sexual, is linked with a strongly felt need to undo a past socialist wrong that repressed people and deprived them of what should be an inalienable human right. This concept departs from the caregiving, self-sacrificial, and family-oriented “natural femininity” promoted in local women’s magazines in terms of aspiration, assertiveness, and a nativist-versus- international divide, yet ultimately both the Western and local women’s magazines are united by a shared stress on the need to cultivate a distinct Chineseness in the feminine ideal and to position women’s magazines as an integral part of the Chinese nationalist project of modernization and progress. Keywords: Chinese femininity, Chineseness, neoliberalism, women’s magazines Contemporary women’s magazines in China are no longer politicized Party tools of the socialist era and instead are market driven and highly popular among women from all walks of life. Since China’s 2001 accession to the World Trade -
SYMPOSIUM on COMBATING WILDLIFE CRIME Securing Enforcement, Ensuring Justice, and Upholding the Rule of Law the Proceedings
SYMPOSIUM ON COMBATING WILDLIFE CRIME Securing Enforcement, Ensuring Justice, and Upholding the Rule of Law The Proceedings Editors Kala K. Mulqueeny Francesse Joy J. Cordon SYMPOSIUM ON COMBATING WILDLIFE CRIME Securing Enforcement, Ensuring Justice, and Upholding the Rule of Law The Proceedings Editors Kala K. Mulqueeny Francesse Joy J. Cordon © 2014 Asian Development Bank All rights reserved. Published in 2014. Printed in the Philippines. ISBN 978-92-9254-791-2 (Print), 978-92-9254-792-9 (e-ISBN) Publication Stock No. RPT146586-3 Cataloging-In-Publication Data Mulqueeny, Kala K. and Francesse Joy J. Cordon, eds. Symposium on combating wildlife crime: Securing enforcement, ensuring justice, and upholding the rule of law. The proceedings. Mandaluyong City, Philippines: Asian Development Bank, 2014. 1. Environmental enforcement. 2. Wildlife crimes. 3. Law enforcement agencies. 4. Environmental jurisprudence. 5. Courts. 6. Rule of law. 7. Convention on International Trade in Endangered Species of Wild Fauna and Flora. I. Asian Development Bank. The views expressed in this publication are those of the authors and do not necessarily reflect the views and policies of the Asian Development Bank (ADB) or its Board of Governors or the governments they represent. ADB does not guarantee the accuracy of the data included in this publication and accepts no responsibility for any consequence of their use. By making any designation of or reference to a particular territory or geographic area, or by using the term “country” in this document, ADB does not intend to make any judgments as to the legal or other status of any territory or area. ADB encourages printing or copying information exclusively for personal and noncommercial use with proper acknowledgment of ADB. -
Scaling Efforts to Counter- Wildlife Trafficking Through Legislative Reforms
SCALING EFFORTS TO COUNTER- WILDLIFE TRAFFICKING THROUGH LEGISLATIVE REFORMS A SELECTION OF BEST PRACTICES – KEY PROVISIONS, KEY INNOVATIONS AND MODEL PROVISIONS Copyright © United States Agency for International Development (USAID) and the ASEAN Inter- Parliamentary Assembly (AIPA), January 2019. Cover photos: Salvatore Amato/USAID Wildlife Asia, Freeland Foundation and Department of National Parks, Wildlife and Plant Conservation USAID WILDLIFE ASIA The USAID Wildlife Asia works to address wildlife trafficking as a transnational crime. The project aims to reduce consumer demand for wildlife parts and products, strengthen law enforcement, enhance legal and political commitment, and support regional collaboration to reduce wildlife crime in Southeast Asia, particularly Cambodia, China, Laos, Thailand and Vietnam. USAID Wildlife Asia focuses on four species: elephant, rhinoceros, tiger and pangolin. For more information, please visit www.usaidwildlifeasia.org This monograph was prepared for USAID Wildlife Asia activity’s Objective 3, which aims to increase the political will of decision-makers and the commitment of focal countries to countering wildlife crime, including through national legislative, policy, and regulatory reform. This monograph was created as a generic guide for policymakers in CWT legislation review and policy analyses, inspired by USAID Wildlife Asia’s Thailand CWT legislative frameworks and policy reform recommendations package developed for the Royal Thai Government and the ASEAN Inter-Parliamentary Assembly. ACKNOWLEDGEMENTS This monograph is authored by Ms. Sallie Yang, USAID Wildlife Asia’s Legal Specialist. It would not have been possible without the technical contributions of several institutions and individuals, including Mr. Isra Sunthornvut, Secretary General of the ASEAN Inter-Parliamentary Assembly, and Mr. Brian Gonzales, Partnership Specialist and Objective 3 Lead of USAID Wildlife Asia, who provided invaluable insights. -
2016 Annual Report 4 at a Glance
2 OUR VISION WildAid’s mission is to end the illegal wildlife trade in our lifetimes. While most wildlife conservation groups focus on scientific studies and anti-poaching efforts, we work to reduce global consumption of wildlife products and to increase local support for conservation efforts. Teaming up with celebrity ambassadors and using the same techniques as high-end advertisers, WildAid creates aspirational and exciting conservation campaigns that are seen by hundreds of millions of people every year. We also collaborate with government and NGO partners to secure marine protected areas, such as the Galapagos Islands in Ecuador and Palau’s Northern Reefs, from threats such as illegal fishing. With a comprehensive management approach and the use of innovative technologies, we deliver cost-effective enforcement to key marine reserves around the world. At the invitation of the Chinese government, we are now using our communications model to encourage behavior change to reduce climate change. Our campaigns encourage lower carbon transport and food choices. TO LEARN MORE, VISIT WILDAID.ORG Cover: Sunda pangolin (©Paul Hilton) Inside cover: School of mobula rays (©Shawn Heinrichs) 3 FROM THE CEO 2016 was another year of incredible progress for WildAid. It often takes several years for us and other independent researchers to be able to document the fruits of our efforts, and last year we saw some massive results from previous years of work. These results prove that our model is replicable, cost-effective and an essential part of conservation success. For me personally, it was amazing to return to the Galapagos Islands after a six-year absence. -
Waiting Alone (2004) Was His First Feature Film
搞笑网 Waiting Alone 独自等待 Dúzì děngdài Dayyan Eng 伍仕贤 (Wu Shixian), 2004 107 min Stars: Xia Yu 厦雨, Li Bingbing 李冰冰, Gong Beibi 龚蓓苾 Best First Feature (Beijing FF), Official Selection (Tokyo International FF; Thessaloniki IFF; Hawaii IFF). Best Actor (Beijing FF). Set among Beijing’s affluent and energetic youth culture, this exuberant romantic comedy follows a young man in his mid-20s, a partner in an antique shop and aspiring writer, who finds himself smitten by a young actress who seems to be the woman of his dreams, but is giving him ambiguous signals about her feelings toward him. At the same time he remains deaf to the potential of his ‘buddy’ relationship with the sister of his best guy friend. As he attempts to win over his dream woman, he battles with his own (often adolescent) insecurities, reels from the consequences of his own ineptness, and follows (or not) the advice of his close circle of friends. What might at first appear to be just another boy-gets-girl plot is saved by some unexpected (but credible) twists and turns in the story line, the completely engaging performance of Xia Yu in the lead role, and an entirely satisfying but unconventional ending. Made for millennials by one of their own—a ‘cross-cultural kid’ without nationalistic or political baggage—director Dayyan Eng rides the wave of China’s official embrace of cinema as pure entertainment. As of 2017, Waiting Alone remained the highest rated romantic comedy by Chinese audiences and critics, and a continuing favorite of Chinese millennials (八零后 Balinghou). -
Negotiating Transnational Collaborations with the Chinese Film Industry
University of Wollongong Research Online University of Wollongong Thesis Collection 2017+ University of Wollongong Thesis Collections 2019 Negotiating Transnational Collaborations with the Chinese Film Industry Kai Ruo Soh University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses1 University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Soh, Kai Ruo, Negotiating Transnational Collaborations with the Chinese Film Industry, Doctor of Philosophy thesis, School of the Arts, English and Media, University of Wollongong, 2019. -
DOSSIER DE PRESSE 2Ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节
DOSSIER DE PRESSE 2ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节 FCCF : L’EVENEMENT INCONTOURNABLE DU CINEMA CHINOIS EN FRANCE Organisé par l’Administration d’Etat de la Radiodiffusion, du Cinéma et de la Télévision de Chine ( SARFT ) et son Bureau du Film, le Ministère de la Culture de Chine , l’Ambassade de Chine en France et le Centre Culturel de Chine à Paris, ainsi qu’avec le précieux soutien du Groupe Pathé et de son co-Président Jérôme Seydoux , le Festival du Cinéma Chinois en France (FCCF) a pour objectifs de : Faire découvrir toute la diversité du cinéma chinois au public français Le FCCF a pour but de faire connaître en France le formidable essor du cinéma chinois d’aujourd’hui (fin 2010 à 2012) et à travers lui, la richesse et la complexité de cette Chine en pleine mutation. Le public pourra découvrir une programmation riche et diversifiée : blockbusters, films d’auteur, comédies romantiques, mélodrames, films d’action et d’animation. Elle comprendra 10 films de fiction inédits en France , dont des œuvres réalisés par John Woo , Jackie Chan , Zhang Yimou ou Gu Changwei ; interprétés aussi bien par des acteurs inconnus en France que par les stars internationales telles Gong Li, Zhang Ziyi, Tony Leung, Michelle Yeoh ou Jackie Chan. La sélection sera également composée de 4 films d’animation produits par les Studios de Shanghai , notamment la version en 3D du « Roi Singe », adaptée à partir de la version originale de 1965 de Wan Laiming , chef d’œuvre de l’animation mondiale . Promouvoir les échanges cinématographiques et les projets franco-chinois Créé suite à la signature de l’accord de coproduction cinématographique franco-chinois en avril 2010 (à l’occasion du voyage officiel du Président de la République française en Chine), le FCCF a pour vocation de renforcer les partenariats et les collaborations dans les domaines du cinéma et de l’audiovisuel. -
White Horse Legend Gallops Into the Present on Talent Show
16 | Friday, May 7, 2021 HONG KONG EDITION | CHINA DAILY LIFE Still images (from left) of the espionage film Cliff Walkers featuring Liu Haocun, Zhu Yawen, Qin Hailu and Zhang Yi, who play four Communist Party agents. PHOTOS PROVIDED TO CHINA DAILY License to thrill Director and master storyteller conquers new genres as he continues to entertain audiences, Xu Fan reports. t the age of 71, Zhang international distribution. Yimou still relishes the Alex Yeung, vice-chairman of “lights, camera, action” Emperor Motion Pictures and the moment of his work. The movie’s co-executive producer, iconicA master of China’s celebrated recalls that his father Albert Yeung fifth-generation directors still met with director Zhang for the first enjoys his packed schedule, which time in June 2018. demands creativity and productiv- “They hit it off immediately. They ity. soon agreed to collaborate on a Five months after One Second, con- quality film that makes people shout sidered the auteur’s love letter to cine- ‘bravo’. In the same year, we further ma, received widespread acclaim, his developed this film and production latest offering Cliff Walkers hit local kicked off in 2019,” recalls Alex theaters on April 30 as one of 12 new Yeung. movie releases. On May 3, it deposed Datong in Shanxi province dou- My Love as the top grossing movie in bles as old-time Harbin, with recon- the country. structions of buildings and streets, In more good news for his diehard while snowy scenes were shot in fans, they will not have to wait too Xuexiang, or Snow Town, in Hei- long to enjoy the renowned film- longjiang province.