DOSSIER DE PRESSE 2Ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节

Total Page:16

File Type:pdf, Size:1020Kb

DOSSIER DE PRESSE 2Ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节 DOSSIER DE PRESSE 2ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节 FCCF : L’EVENEMENT INCONTOURNABLE DU CINEMA CHINOIS EN FRANCE Organisé par l’Administration d’Etat de la Radiodiffusion, du Cinéma et de la Télévision de Chine ( SARFT ) et son Bureau du Film, le Ministère de la Culture de Chine , l’Ambassade de Chine en France et le Centre Culturel de Chine à Paris, ainsi qu’avec le précieux soutien du Groupe Pathé et de son co-Président Jérôme Seydoux , le Festival du Cinéma Chinois en France (FCCF) a pour objectifs de : Faire découvrir toute la diversité du cinéma chinois au public français Le FCCF a pour but de faire connaître en France le formidable essor du cinéma chinois d’aujourd’hui (fin 2010 à 2012) et à travers lui, la richesse et la complexité de cette Chine en pleine mutation. Le public pourra découvrir une programmation riche et diversifiée : blockbusters, films d’auteur, comédies romantiques, mélodrames, films d’action et d’animation. Elle comprendra 10 films de fiction inédits en France , dont des œuvres réalisés par John Woo , Jackie Chan , Zhang Yimou ou Gu Changwei ; interprétés aussi bien par des acteurs inconnus en France que par les stars internationales telles Gong Li, Zhang Ziyi, Tony Leung, Michelle Yeoh ou Jackie Chan. La sélection sera également composée de 4 films d’animation produits par les Studios de Shanghai , notamment la version en 3D du « Roi Singe », adaptée à partir de la version originale de 1965 de Wan Laiming , chef d’œuvre de l’animation mondiale . Promouvoir les échanges cinématographiques et les projets franco-chinois Créé suite à la signature de l’accord de coproduction cinématographique franco-chinois en avril 2010 (à l’occasion du voyage officiel du Président de la République française en Chine), le FCCF a pour vocation de renforcer les partenariats et les collaborations dans les domaines du cinéma et de l’audiovisuel. Suite au succès des premières rencontres en 2011, les deuxièmes rencontres cinématographiques franco- chinoises, présidées par Eric Garandeau , Président du CNC, se tiendront le 17 Mai 2012 à Cannes. Elles bénéficieront du concours de la SARFT, du CNC, d’Unifrance, de la Commission Nationale du Film France , et réuniront de nombreux professionnels de nos deux pays. 2 2ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节 PESONNALITES DU FESTIVAL Invités d’Honneur : Alain Delon & Gong Li Ambassadrice : Anne Fontaine Alain Delon et Gong Li sont les Invités d’Honneur de cette 2ème édition du FCCF. Présidé conjointement par Jérôme Seydoux , co-Président du Groupe Pathé, et Yin Fu , Directeur du Centre Culturel de Chine à Paris, le FCCF a pour Président d’Honneur Tong Gang , Directeur du Bureau du Film de la SARFT et pour Ambassadrice la réalisatrice Anne Fontaine . Durant tout le festival, le public pourra rencontrer également des équipes de film, notamment le réalisateur Gu Changwei (« L’amour éternel » « 最爱 ») . ORGANISATION GENERALE DU FESTIVAL Co - Présidents : Jérôme Seydoux, co-Président du Groupe Pathé Yin Fu, Directeur du Centre Culturel de Chine à Paris Président d’Honneur : Tong Gang, Directeur du Bureau du Film de la SARFT Secrétaire Général : Shen Zhongwen, Directeur Adjoint du Centre Culturel de Chine à Paris Délégué Général : Jean Chrétien Sibertin-Blanc Sélection films: Noel Garino Contacts Presse Attaché presse du Festival François Vila 10, rue d’Uzès, 75002 Paris 01 53 40 89 97 – 06 08 78 68 10 [email protected] Centre Culturel de Chine à Paris Léa Wu 1 boulevard de la Tour Maubourg, 75007 Paris 01 53 59 59 20 [email protected] Site officiel : www.festivalducinemachinois.com 3 2ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节 LES DATES CLES La seconde édition du FCCF se tiendra du 14 mai au 12 juin 2012 , à Paris, Lyon, Marseille, Cannes, Strasbourg, Biarritz et La Réunion. Paris - du 14 au 22 mai au Gaumont Champs Elysées Inauguration Elle se tiendra le lundi 14 mai 2012 , au Gaumont Marignan en présence des co-Présidents : Jérôme Seydoux et Yin Fu ; du Vice Ministre de la SARFT : Zhang Pimin ; des deux Invités d’Honneur : Alain Delon et Gong Li ; de l’ensemble des personnalités chinoises et françaises, des organisateurs, des professionnels du cinéma, de nombreux VIP ainsi que des médias français, chinois et internationaux. Projection du film « Ce que pensent les femmes », de Chen Daming, interprété par Gong Li et Andy Lau . Grand succès lors de sa sortie en Chine 2011. - du 23 au 29 mai à L’Action Christine Autres Villes Cannes Rencontres cinématographiques franco - chinoises - le 17 mai 2012, aux Pavillons d’Unifrance et de la Commission Nationale du Film de France. - du 8 au 11 juin à Les Arcades Strasbourg ::: du 6 prolongation jusqu’au 27 juin à L’Odyssée Marseille : du 7 au 12 juin à Le Prado Biarritz : du 9 au 12 juin à Le Royal Lyon : du 11 au 12 juin à Pathé Bellecourt ; prolongation à Bron du 13 au 14 juin aux Alizés La Réunion : du 30 mai au 12 juin, Cinepalmes à Sainte Marie, Le Plaza à Saint Denis, Grand Ecran à Saint Gilles et Rex à Saint Pierre Toutes les dates de projections et de rencontres avec des équipes de film seront référencées sur le site officiel : www.festivalducinemachinois.com 4 2ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节 INVITES D’HONNEUR FRANCAIS Alain Delon C'est en 1957 qu'Alain Delon tourne «Quand la femme s'en mêle», sous la direction d'Yves Allégret qui marque le début d'une carrière longue de 87 films, sous l'égide des plus grands metteurs en scène, d'Antonioni à Melville, en passant par Visconti, Clément, Verneuil, Malle, Losey ... Il accède au rang de star du cinéma en 1960, sous la direction de René Clément, avec «Plein Soleil», suivi en 1961 de «Rocco et ses frères», de Visconti qui remporte le Prix Spécial du Jury au Festival de Venise. Entre 1962 et 1963 trois des films dans lesquels il tourne se voient décerner les plus hautes récompenses: «L'Eclipse» d'Antonioni, le Prix Spécial du Jury au Festival de Cannes, «Le Guépard» de Visconti obtient la Palme d'Or de ce même festival, l’année suivante, «Mélodie en sous-sol», sous la direction de Verneuil, Golden Globe du meilleur film en langue étrangère. Après la production en 1964 de «L'insoumis», Alain Delon s'engage dès 1968 de manière intensive dans cette activité, produisant 26 films: de «Jeff», fin 1968, à «Dancing machine» en 1990, en passant par «Borsalino», «Deux hommes dans la ville», «Le Gitan» réalisé par J. Giovanni, «Comme un boomerang» dont il co-écrit le scénario avec J. Giovanni. C’est en 1985 qu’Alain Delon reçoit le « César » du meilleur acteur pour son film « Notre Histoire » sous la direction de Bertrand Blier. Bien qu'ayant annoncé qu'il mettait un terme à sa carrière cinématographique, il accepte, en 1999, de figurer dans le film de Bertrand Blier, «les Acteurs», dans le cours duquel il rend hommage à Gabin, Ventura, Bourvil, Montand, Signoret et de Funès. En 2001, Alain Delon renoue avec la télévision pour la trilogie de Jean Claude Izzo, «Fabio Montale» pour TF1, puis, en 2003, avec l'adaptation du roman de Kessel «Le Lion». C'est en octobre 2004 qu'il retrouve la scène dans «Les Montagnes Russes», une pièce de Eric Assous, avec Astrid Veillon. En été 2006 il tourne dans "Astérix aux Jeux Olympiques", de Frédéric Forestier dans lequel il incarne Jules César. 5 2ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节 INVITE D’HONNEUR CHINOIS Gong Li Gong Li est une actrice chinoise réputée sur la scène internationale. Elle est la première star chinoise égérie de L’Oréal ; honorée Chevalier de la Légion d’Honneur ; élue parmi les cinquante plus belles femmes au monde par le magasine « People » ; prix spécial du Festival des films du monde de Montréal, invitée d’honneur du cinquante-et-unième Festival de Cannes ; membre du comité des Oscars ; président du Jury du cinquantième Festival international du film de Berlin ; président du jury du cinquante-neuvième Festival international du film de Venise et du seizième Festival international du film de Tokyo. En 1985, elle intègre le département Interprétation de l’Académie centrale des arts dramatiques. Lors de sa deuxième année, elle collabore pour la première fois avec Zhang Yimou dans le rôle de Jiu Er du « Sorgho rouge ». Le succès du film la rend immédiatement célèbre. En 1988, avec le rôle de la nurse dans « Opération Jaguar », elle est primée meilleure actrice à la douzième édition de la Médaille des Cent fleurs. De 1989 à 1990, Gong Li collabore à nouveau avec Zhang Yimou pour : « Judou » et « Épouses et concubines », qui lui valent les éloges du public chinois et international. En 1992, son rôle dans « Qiu Ju », réalisé par Zhang Yimou, lui permet de confirmer sa position de star du cinéma à l’International. Elle est non seulement honorée des médailles du Coq d’or et des Cent fleurs, mais elle est aussi primée meilleure actrice au quarante-neuvième Festival international du film de Venise : c’est la première fois qu’une actrice de Chine remporte un prix international. Par la suite, elle collabore avec d’autres réalisateurs pour : « Adieu ma concubine », « La peintre », « Temptress Moon ». En 2006, sa carrière artistique atteint d’autres sommets, elle commence à travailler avec les plus grands réalisateurs de Hollywood : « Memoirs of a Geisha », « Hannibal Lecter – Les origines du mal», « Shanghai », « Miami Vice ». 6 2ème EDITION FESTIVAL DU CINEMA CHINOIS EN FRANCE 第二届法国中国电影节 EQUIPES DE FILM Des acteurs et réalisateurs chinois seront présents également pendant la durée du FCCF. Gu Changwei Gu Changwei, est une figure du cinéma chinois, il est considéré comme le meilleur directeur de la photographie chinois de ces 2 dernières décennies.
Recommended publications
  • Movie Tv Sho Audio Radio
    70 FILM REVIEWS MOVIES 71 NEW MOVIES ONBOARD 72 MOVIES TV SHOWS 74 TV SHOWS AUDIO Entertainment 76 AUDIO/RADIO RADIO © 2018 20TH CENTURY FOX. ALL RIGHTS RESERVED. BAD TIMES AT THE EL ROYALE FILM REVIEWS WANT HELP WITH WHAT TO WATCH THIS MONTH? FILMMAKER AND DIRECTOR KAM RASLAN MAKES THE CASE FOR THESE THREE MOVIES. THE INCREDIBLES Is The Incredibles the best animated movie ever? Yes. Yes, it is. It’s hilariously funny, exciting, moving and visually beautiful. A family of superheroes have to live in witness protection as normal people because superheroes have been deemed a menace to society. Naturally, Mr Incredible hates his boring life as an insurance salesman and his goingplacesmagazine.com children have to hide their superhero skills. But when an opportunity for a return to the old life comes knocking, Mr Incredible puts his entire family at risk, which sounds like a job LOGAN for Elastigirl. Is Logan the best superhero movie ever? EDGE OF TOMORROW Probably. A thunderous Hugh Jackman Because it was made all the way back in Is Edge of Tomorrow the best science fiction | 70 is Wolverine one last time as he plays a 2004, the animation for The Incredibles may movie ever? Maybe not, but it’s definitely | January 2019 January | reluctant father figure to the stunningly not seem quite as plush as, say, Zootopia, the best science fiction movie starring Tom intense young actress Dafne Keen. On a but director Brad Bird (who made his name Cruise, and when it comes to big-budget desperate journey from Mexico to the far with The Simpsons) created such a complete action Hollywood movies, nobody delivers north, the pair are perfectly matched as universe that you instantly forget.
    [Show full text]
  • Bibliography
    BIBLIOGRAPHY An Jingfu (1994) The Pain of a Half Taoist: Taoist Principles, Chinese Landscape Painting, and King of the Children . In Linda C. Ehrlich and David Desser (eds.). Cinematic Landscapes: Observations on the Visual Arts and Cinema of China and Japan . Austin: University of Texas Press, 117–25. Anderson, Marston (1990) The Limits of Realism: Chinese Fiction in the Revolutionary Period . Berkeley: University of California Press. Anon (1937) “Yueyu pian zhengming yundong” [“Jyutpin zingming wandung” or Cantonese fi lm rectifi cation movement]. Lingxing [ Ling Sing ] 7, no. 15 (June 27, 1937): no page. Appelo, Tim (2014) ‘Wong Kar Wai Says His 108-Minute “The Grandmaster” Is Not “A Watered-Down Version”’, The Hollywood Reporter (6 January), http:// www.hollywoodreporter.com/news/wong-kar-wai-says-his-668633 . Aristotle (1996) Poetics , trans. Malcolm Heath (London: Penguin Books). Arroyo, José (2000) Introduction by José Arroyo (ed.) Action/Spectacle: A Sight and Sound Reader (London: BFI Publishing), vii-xv. Astruc, Alexandre (2009) ‘The Birth of a New Avant-Garde: La Caméra-Stylo ’ in Peter Graham with Ginette Vincendeau (eds.) The French New Wave: Critical Landmarks (London: BFI and Palgrave Macmillan), 31–7. Bao, Weihong (2015) Fiery Cinema: The Emergence of an Affective Medium in China, 1915–1945 (Minneapolis: University of Minnesota Press). Barthes, Roland (1968a) Elements of Semiology (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1968b) Writing Degree Zero (trans. Annette Lavers and Colin Smith). New York: Hill and Wang. Barthes, Roland (1972) Mythologies (trans. Annette Lavers), New York: Hill and Wang. © The Editor(s) (if applicable) and The Author(s) 2016 203 G.
    [Show full text]
  • FOR IMMEDIATE RELEASE Media Contact: Nicole Bae Asian Cinevision [email protected] Asian American International Film
    FOR IMMEDIATE RELEASE Media contact: Nicole Bae Asian CineVision [email protected] Asian American International Film Festival 2016 Presents a fantastic group of Chinese and Chinese American Films NEW YORK - Like years prior, AAIFF 2016 will be featuring a plethora of Chinese and Chinese American films from both young and experienced filmmakers and actors. This year, the Centerpiece presentation of A TALE OF THREE CITIES, Closing Night presentation FRONT COVER, as well as narrative features IN THE ROOM and documentaries like BREATHIN: THE EDDY ZHENG STORY. AAIFF is also proud to present ten short films with Chinese directors, actors, and settings that are in every shorts programs, which represents both the complexity and variety of Chinese and Chinese American artists and stories. FEATURE FILMS A TALE OF THREE CITIES Based on the true story of Jackie Chan’s parents and brought to the screen by two of Asia’s biggest stars, Sean Lau (MY NAME IS FAME, LIFE WITHOUT PRINCIPLE, OVERHEARD 3) and Tang Wei (LUST, CAUTION; FINDING MR. RIGHT; THE GOLDEN ERA; BLACKHAT), director Mabel Cheung tells a story about love that reflects a generation’s strength in a time of despair, and a country’s hope for a brighter future. FRONT COVER AAIFF 2016 will be closing with FRONT COVER, which tells the story of Ryan Fu, a gay Chinese American who rejects his Asian heritage and has learnt to suppress it to climb up the social ladder. Through talent and hard work, he has attained his dream job as an assistant to a celebrity fashion stylist, Francesca.
    [Show full text]
  • Cineasia Attendee
    HONG KONG CONVENTION & EXHIBITION CENTRE 6-8 DECEMBER 2016 | CINEASIA.COM /CINEASIAEXPO @CINEASIAHK PRESENTING SPONSOR: 2016 ATTENDEE BROCHURE THE ASIAN MARKETPLACE 4 of the T OP TEN The box office in the biggest Asian INTERNATIONAL BOX markets, namely China, Japan, India, OFFICE MARKETS South Korea, Taiwan and Indonesia totaled ARE IN ASIA: $10.5 billion in 2015, just behind the $11.8 CHINA, JAPAN, INDIA, billion achieved in the US and Canada. & SOUTH KOREA WHAT THIS MEANS FOR YOU The Asia-Pacific market continues to be one of the most exciting territories in the world for the movie exhibition business, both for its astonishingly rapid growth and for the high presentation standards of its cinemas. Only at CineAsia will attendees get the chance to hear about the current trends and new state-of-the-art technologies. Nowhere else in Asia can you accomplish as much in a short period of time to sustain, and help grow, your business in the year to come. Join your cinema exhibition, distribution, and motion picture industry colleagues to network; and see product presentations and screenings of major Hollywood films soon to be released in Asia. Attendees will also get the opportunity to visit the Trade Show where you will find the latest equipment, products, and technologies to help make your theatre a must-attend destination. WHY OVER LEARN ABOUT THE LATEST TECHNOLOGICAL ADVANCES AND 1,000 NEWEST TRENDS IN CINEMA ATTENDEES GAIN WITH INSIGHT INTO THE ISSUES FACING THE INDUSTRY 600 FIND TRADE SHOW OUT HOW TO MAKE YOUR THEATRE MORE PROFITABLE EXHIBITORS NETWORK WITH INDUSTRY PEERS TO FORM LASTING BUSINESS RELATIONSHIPS DISCOVER NEW CONTENT, PRODUCTS, SERVICES, TECHNOLOGIES, AND CONCESSIONS AT THE TRADE SHOW TO ENHANCE THE MOVIE-GOING EXPERIENCE SEE PRODUCT PRESENTATIONS AND SCREENINGS FROM MAJOR HOLLYWOOD STUDIOS HONOR THOSE WHO HAVE MADE NOTABLE CONTRIBUTIONS IN THE INDUSTRY DURING THE AWARDS CEREMONY CLICK TO: #CINEASIA REGISTER BOOK HOTEL CONNECT FOLLOW LIKE NETWORK.
    [Show full text]
  • Download the Press Kit Here
    SSFL PK.V1 – 2016 OCT 1 OF 34 JASMINE A SHANGHAI STREET FILMS PRODUCTION PRODUCED, WRITTEN, & DIRECTED BY DAX PHELAN STARRING JASON TOBIN, EUGENIA YUAN, GLEN CHIN, SARAH LIAN, & BYRON MANN PRODUCED BY STRATTON LEOPOLD, ERIC M. KLEIN, JASON TOBIN, JENNIFER THYM, CHRIS CHAN LEE, MARTIN STRACHAN, GUY LIVNEH PRESS KIT – OCTOBER 17 , 2016 (ver. 1) SSFL PK.V1 – 2016 OCT 2 OF 34 TAGLINE He loved her. LOGLINE JASMINE is a mind-bending psychologicAl thriller About A mAn who’s struggling to come to terms with his grief neArly A yeAr After his wife’s unsolved murder. SHORT SYNOPSIS JASMINE is a mind-bending psychologicAl thriller About A mAn, LeonArd To (JAson Tobin), who’s struggling to come to terms with his grief neArly A yeAr After his wife’s unsolved murder. Hoping to move on with his life, LeonArd reconnects with GrAce (Eugenia YuAn), A womAn from his pAst, And his outlook begins to brighten. But, when A visit to the site of his wife’s murder leAds him to A mysterious interloper (Byron MAnn) who he believes is her killer, LeonArd decides to tAke justice into his own hands And things tAke A stArtling turn towArd the unexpected. LONG SYNOPSIS LeonArd To (JAson Tobin, “Better Luck Tomorrow”) is A mAn who’s struggling to come to terms with the unsolved murder of his beloved wife, JAsmine (GrAce Huang, “OverheArd,” “Cold WAr,” “The MAn With The Iron Fists”). NeArly A yeAr After JAsmine’s deAth, LeonArd returns home to Hong Kong, determined to move on with his life once And for All.
    [Show full text]
  • “Power Femininity” and Popular Women's Magazines in China
    International Journal of Communication 10(2016), 2831–2852 1932–8036/20160005 “Power Femininity” and Popular Women’s Magazines in China EVA CHEN National Chengchi University, Taiwan Western women’s glossy magazines (“glossies”) have made increasing inroads in the Chinese market and advocate a “power femininity,” which celebrates women’s assertive individualism and power as consumerist agency. While this power femininity has global neoliberal resonances, it also taps into the unique postsocialist Chinese context, where the liberation of individual desires, including the material and the sexual, is linked with a strongly felt need to undo a past socialist wrong that repressed people and deprived them of what should be an inalienable human right. This concept departs from the caregiving, self-sacrificial, and family-oriented “natural femininity” promoted in local women’s magazines in terms of aspiration, assertiveness, and a nativist-versus- international divide, yet ultimately both the Western and local women’s magazines are united by a shared stress on the need to cultivate a distinct Chineseness in the feminine ideal and to position women’s magazines as an integral part of the Chinese nationalist project of modernization and progress. Keywords: Chinese femininity, Chineseness, neoliberalism, women’s magazines Contemporary women’s magazines in China are no longer politicized Party tools of the socialist era and instead are market driven and highly popular among women from all walks of life. Since China’s 2001 accession to the World Trade
    [Show full text]
  • CHINA DAILY for Chinese and Global Markets
    OLD MOBILES CHANCE RELATIONS LOTUS FROM SPACE Outlining the high stakes Flower seeds made Showroom opening to attract > p13 in future China-US ties a tour beyond Earth buyers of hand-assembled cars > ACROSS AMERICA, PAGE 2 > CHINA, PAGE 7 WEDNESDAY, June 19, 2013 chinadailyusa.com $1 The ‘Long March’ to Tinseltown By LIU WEI in shanghai “It is a long way to go,” he [email protected] says, “but I believe as the Chi- nese = lm market keeps growing The next Kung Fu Panda so fast, it is totally possible that will be the brainchild of both Chinese capital will hold shares American and Chinese film- in the major six Hollywood stu- makers and production will dios. It is just a matter of time.” start in August, says Peter Li, China’s Wanda Cultural managing director of China Group is one of the pioneers Media Capital, co-investor of in this process. In 2012 Wanda Oriental DreamWorks, a joint acquired AMC, the second venture with DreamWorks largest theater chain in North Animation. America, for $2.6 billion. CMC co-founded Oriental What Ye Ning, the group’s DreamWorks in 2012 with vice-president, has learned DreamWorks, Shanghai Media from the following integration Group and Shanghai Alliance is, = rst of all, trust and respect. Investment, with the aim of “The managing team of CHARACTER BUILDING producing and distributing ani- AMC was worried that we mated and live-action content would send a group of yellow PHOTO BY SUN CHENBEI / CHINA DAILY for Chinese and global markets. faces to replace them,” Ye says, From le : Li Xiaolin, president
    [Show full text]
  • List of Action Films of the 2010S - Wikipedia, the Free Encyclopedia
    List of action films of the 2010s - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/List_of_action_films_of_the_2010s List of action films of the 2010s From Wikipedia, the free encyclopedia This is an incomplete list, which may never be able to satisfy particular standards for completeness. You can help by expanding it (//en.wikipedia.org /w/index.php?title=List_of_action_films_of_the_2010s&action=edit) with reliably sourced entries. This is chronological list of action films originally released in the 2010s. Often there may be considerable overlap particularly between action and other genres (including, horror, comedy, and science fiction films); the list should attempt to document films which are more closely related to action, even if it bends genres. Title Director Cast Country Sub-Genre/Notes 2010 13 Assassins Takashi Miike Koji Yakusho, Takayuki Yamada, Yusuke Iseya Martial Arts[1] 14 Blades Daniel Lee Donnie Yen, Vicky Zhao, Wu Chun Martial Arts[2] The A-Team Joe Carnahan Liam Neeson, Bradley Cooper, Quinton Jackson [3] Alien vs Ninja Seiji Chiba Masanori Mimoto, Mika Hijii, Shuji Kashiwabara [4][5] Bad Blood Dennis Law Simon Yam, Bernice Liu, Andy On [6] Sorapong Chatree, Supaksorn Chaimongkol, Kiattisak Bangkok Knockout Panna Rittikrai, Morakot Kaewthanee [7] Udomnak Blades of Blood Lee Joon-ik Cha Seung-won, Hwang Jung-min, Baek Sung-hyun [8] The Book of Eli Albert Hughes, Allen Hughes Denzel Washington, Gary Oldman, Mila Kunis [9] The Bounty Hunter Andy Tennant Jennifer Aniston, Gerard Butler, Giovanni Perez Action comedy[10] The Butcher, the Chef and the Wuershan Masanobu Ando, Kitty Zhang, You Benchang [11] Swordsman Centurion Neil Marshall Michael Fassbender, Olga Kurylenko, Dominic West [12] City Under Siege Benny Chan [13] The Crazies Breck Eisner Timothy Olyphant, Radha Mitchell, Danielle Panabaker Action thriller[14] Date Night Shawn Levy Steve Carell, Tina Fey, Mark Wahlberg Action comedy[15] The Expendables Sylvester Stallone Sylvester Stallone, Jason Statham, Jet Li [16] Faster George Tillman, Jr.
    [Show full text]
  • You Have to Overcome Your Fears, Simply by Taking a Risk
    Wardrobe by Gieves & Hawkes Navy wool flannel three-piece suit, blue denim shirt, navy and grey stripe wool and silk melange tie Makeup Monida Tse Hair Jun Ho @ Suave Location East Hotel, Hong Kong A TALE OF THREE CITIES DOUBLE BILL plungethe One of Hong Kong’s most versatile and celebrated actors, Sean Lau Ching-wan returns to the big screen in period romance drama A Tale of Three Cities. He talks to Arthur Tam about those who made Hong Kong great, the evolution of the film industry and why he’s been jumping into freezing lakes. Photography by Calvin Sit ough, tough and charming are just a few words to describe You have to Sean Lau Ching-wan. With over 30 years of experience in overcome R the movie industry and over 100 films to his name, Lau your fears, sits in the company of other legendary figures such as Tony Leung Chiu- simply by wai and Maggie Cheung Man-yuk s who got their break as actors on taking a risk television station TVB, before dominating the big screen. ▶ CALVIN SIT CALVIN 20 timeout.com.hk timeout.com.hk 21 1508007_T04 21/08/2015_PDF1.4_upload Wardrobe by Gieves & Hawkes Plum textured wool jacket, plum textured wool waistcoat, brown wool slim fit chinos, burgundy long sleeve cotton shirt and burgundy silk tie Although best known for staring in a string of gritty action-thrillers for totemic director Johnnie To – few actors can claim a better run of films than Too Many Ways to be Number One (1997), A Hero Never Dies (1998) and Running Out of Time (1999) – Lau is no one-dimensional, copy-and-paste star.
    [Show full text]
  • Wildaid 2014 Annual Report
    PAGE!2 OUR VISION WildAid’s mission is to end the illegal wildlife trade in our lifetimes. While most wildlife conservation groups focus on scientifc studies and protecting animals from poaching, WildAid works to reduce global consumption of wildlife products. Our primary strategy is mass media campaigning to reduce demand for these products with our slogan: “When the Buying Stops, the Killing Can Too.” Using the same tech- niques as high-end advertisers, we want to make conserva- tion aspirational and exciting. We also help to protect marine reserves, such as the Galápagos Islands in Ecuador and Misool Eco Resort in Indonesia, to safeguard sharks, mantas and other marine wildlife from direct threats such as overfishing. With a comprehensive management approach and appropriate technologies, WildAid delivers cost-efective enforcement to secure marine sanctuaries. PAGE!3 LETTER FROM THE FOUNDER In 2014, WildAid’s long-running shark fn campaign in China achieved widespread acclaim and recognition after a 50 to 70 percent reported decline in shark fn sales. This was the conclusion of multiple sources, from shark fn traders, to independent online and restaurant surveys, to media investigations from CNN, the Washington Post, the People’s Daily and CCTV, as well as government statistics. Vendors reported a 50 percent decrease in prices over the previous two years. Meanwhile, 85 percent of consumers surveyed online said they had given up shark fn soup in the past three years, with two-thirds citing public awareness campaigns as a main reason for ending their shark fn consumption. In Indonesia, fshermen reported it was no longer worth targeting sharks.
    [Show full text]
  • Please Click Here to Download
    No.1 October 2019 EDITORS-IN-CHIEF Tobias BIANCONE, GONG Baorong EDITORIAL BOARD MEMBERS (in alphabetical order by Pinyin of last name) Tobias BIANCONE, Georges BANU, Christian BIET, Marvin CARLSON, CHEN Jun, CHEN Shixiong, DING Luonan, Erika FISCHER-LICHTE, FU Qiumin, GONG Baorong, HE Chengzhou, HUANG Changyong, Hans-Georg KNOPP, HU Zhiyi, LI Ruru, LI Wei, LIU Qing, LIU Siyuan, Patrice PAVIS, Richard SCHECHNER, SHEN Lin, Kalina STEFANOVA, SUN Huizhu, WANG Yun, XIE Wei, YANG Yang, YE Changhai, YU Jianchun. EDITORS WU Aili, CHEN Zhongwen, CHEN Ying, CAI Yan CHINESE TO ENGLISH TRANSLATORS HE Xuehan, LAN Xiaolan, TANG Jia, TANG Yuanmei, YAN Puxi ENGLISH CORRECTORS LIANG Chaoqun, HUANG Guoqi, TONG Rongtian, XIONG Lingling,LIAN Youping PROOFREADERS ZHANG Qing, GUI Han DESIGNER SHAO Min CONTACT TA The Center Of International Theater Studies-S CAI Yan: [email protected] CHEN Ying: [email protected] CONTENTS I 1 No.1 CONTENTS October 2019 PREFACE 2 Empowering and Promoting Chinese Performing Arts Culture / TOBIAS BIANCONE 4 Let’s Bridge the Culture Divide with Theatre / GONG BAORONG STUDIES ON MEI LANFANG 8 On the Subjectivity of Theoretical Construction of Xiqu— Starting from Doubt on “Mei Lanfang’s Performing System” / CHEN SHIXIONG 18 The Worldwide Significance of Mei Lanfang’s Performing Art / ZOU YUANJIANG 31 Mei Lanfang, Cheng Yanqiu, Qi Rushan and Early Xiqu Directors / FU QIUMIN 46 Return to Silence at the Golden Age—Discussion on the Gains and Losses of Mei Lanfang’s Red Chamber / WANG YONGEN HISTORY AND ARTISTS OF XIQU 61 The Formation
    [Show full text]
  • Product Guide
    AFM PRODUCTPRODUCTwww.thebusinessoffilmdaily.comGUIDEGUIDE AFM AT YOUR FINGERTIPS – THE PDA CULTURE IS HAPPENING! THE FUTURE US NOW SOURCE - SELECT - DOWNLOAD©ONLY WHAT YOU NEED! WHEN YOU NEED IT! GET IT! SEND IT! FILE IT!© DO YOUR PART TO COMBAT GLOBAL WARMING In 1983 The Business of Film innovated the concept of The PRODUCT GUIDE. • In 1990 we innovated and introduced 10 days before the major2010 markets the Pre-Market PRODUCT GUIDE that synced to the first generation of PDA’s - Information On The Go. • 2010: The Internet has rapidly changed the way the film business is conducted worldwide. BUYERS are buying for multiple platforms and need an ever wider selection of Product. R-W-C-B to be launched at AFM 2010 is created and designed specifically for BUYERS & ACQUISITION Executives to Source that needed Product. • The AFM 2010 PRODUCT GUIDE SEARCH is published below by regions Europe – North America - Rest Of The World, (alphabetically by company). • The Unabridged Comprehensive PRODUCT GUIDE SEARCH contains over 3000 titles from 190 countries available to download to your PDA/iPhone/iPad@ http://www.thebusinessoffilm.com/AFM2010ProductGuide/Europe.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/NorthAmerica.doc http://www.thebusinessoffilm.com/AFM2010ProductGuide/RestWorld.doc The Business of Film Daily OnLine Editions AFM. To better access filmed entertainment product@AFM. This PRODUCT GUIDE SEARCH is divided into three territories: Europe- North Amerca and the Rest of the World Territory:EUROPEDiaries”), Ruta Gedmintas, Oliver
    [Show full text]