SSFL PK.V1 – 2016 OCT 1 OF 34

JASMINE

A SHANGHAI STREET PRODUCTION

PRODUCED, WRITTEN, & DIRECTED BY DAX PHELAN

STARRING , EUGENIA YUAN, GLEN CHIN, SARAH LIAN, & BYRON MANN

PRODUCED BY STRATTON LEOPOLD, ERIC M. KLEIN, JASON TOBIN, JENNIFER THYM, CHRIS CHAN LEE, MARTIN STRACHAN, GUY LIVNEH

PRESS KIT – OCTOBER 17 , 2016 (ver. 1)

SSFL PK.V1 – 2016 OCT 2 OF 34 TAGLINE

He loved her.

LOGLINE

JASMINE is a mind-bending psychological thriller about a man who’s struggling to come to terms with his grief nearly a year after his wife’s unsolved murder.

SHORT SYNOPSIS

JASMINE is a mind-bending psychological thriller about a man, Leonard To (Jason Tobin), who’s struggling to come to terms with his grief nearly a year after his wife’s unsolved murder. Hoping to move on with his life, Leonard reconnects with Grace (Eugenia Yuan), a woman from his past, and his outlook begins to brighten. But, when a visit to the site of his wife’s murder leads him to a mysterious interloper (Byron Mann) who he believes is her killer, Leonard decides to take justice into his own hands and things take a startling turn toward the unexpected.

LONG SYNOPSIS

Leonard To (Jason Tobin, “”) is a man who’s struggling to come to terms with the unsolved murder of his beloved wife, Jasmine (Grace Huang, “Overheard,” “Cold War,” “The Man With The Iron Fists”).

Nearly a year after Jasmine’s death, Leonard returns home to , determined to move on with his life once and for all. He searches for a new job, attends grief support group meetings, and reconnects with Grace (Hong Kong Award-winner Eugenia Yuan, “Revenge of the Green Dragons,” “Crouching Tiger, Hidden Dragon II: The Sword of Destiny”), a woman from his past.

Although Jasmine’s murder continues to remain unsolved and the Hong Kong police seem to have given up, a fact that prevents Leonard from attaining the closure for which he so desperately yearns, he does manage to slowly but surely start life anew.

Then, while leaving flowers at the scene of his wife’s murder on the first anniversary of her death, Leonard happens to cross paths with a man (Byron Mann, “The Man With The Iron Fists”) who he suspects to be his wife’s killer. From that moment on, Leonard makes it his mission in life to investigate this person of interest on his own, in the hope that he can link him to the murder.

However, after Leonard does so and the police fail to arrest the man, Leonard realizes that the only way for him to stop his own fiery downward spiral and move on with his life once and for all is to take matters into his own hands – a course of action that culminates in a shocking and unforgettable final revelation, which audiences will be discussing long after they’ve left the theater.

SSFL PK.V1 – 2016 OCT 3 OF 34 DIRECTOR’S STATEMENT

I first realized that I wanted to become a screenwriter in college in 1994. In fact, I went to the American Film Institute and got my Master’s in Screenwriting in 2000. However, like a lot of aspiring screenwriters, I had to work a day job to pay the bills and write during nights and weekends. Fortunately, my day job was working with some of the finest screenwriters in as the Creative Executive for veteran producer Mace Neufeld (“No Way Out,” “The Hunt for Red October,” “The Equalizer”). In 2003, I finally sold a script of my own and became a full-time screenwriter. My dream had come true.

Then, over the next couple of years, I realized that one can make a lot of money writing scripts that never get made. Initially, this didn’t bother me. But, as time went by, I became frustrated. I was getting older. My mother was terminally ill. People back home would ask, “So, when are we going to see something you’ve written?” I grew tired of explaining how the development process works or, in many cases, doesn’t work. I wanted to be a filmmaker again, like I’d been in college. More than that, I wanted to do the kind of film that would allow me to recharge my creative batteries by exploring character, ambiguity, silence, improvisation, contradiction, etc., in a way that isn’t encouraged in mainstream filmmaking. I wanted to get lost a little, try things, make bold choices, challenge myself, and challenge the audience. I wanted to do something different. Something special. Something personal.

I met Jason Tobin for the first time while working on a writing assignment in Hong Kong and a little voice in my head said, “This is the guy.” It’s a funny thing, that little voice. I hadn’t seen Jason’s work before that, but I knew he was the right person to play this character I wanted to explore, even if I didn’t fully know who that character was yet. When I returned to the States, I saw “Better Luck Tomorrow” and realized what everyone else already seemed to know: This guy is fantastic. The little voice was clearly onto something. So, when Jason was shooting “The Feast and The Furious” in Los Angeles a few months later, we met up for lunch down off Sawtelle and I delivered my pitch: “I want to do a character-driven film in Hong Kong. We’ll come up with the story together. I’ll write the script. You’ll play the lead. I’ll direct. And we’ll shoot it on the streets of Hong Kong.” Jason agreed.

I’ve always been fascinated by our very human ability to believe things that aren’t true. Inspired by the works of Paul Schrader (“Taxi Driver,” “Affliction”), I searched for a metaphor through which I could explore this theme and arrived at the idea of an unreliable narrator in the form of a husband who is struggling to come to terms with his grief following the murder of his wife.

I asked my old friend, veteran producer Stratton Leopold, to help Jason and me and he came aboard as a producer. Anyway, I wrote the script and put up the seed money myself, confident that, once others knew I had money in the film, they’d be more willing to part with theirs. It worked and everything grew from there. We shot the film over 21 days in Hong Kong.

Post-production, however, took a bit longer. In fact, I’m often asked why it took so long for me to finish the film. The answer is really twofold. One, when we shot the film, we hadn’t raised all of the money we needed yet. However, we did have enough money to shoot and a window of opportunity when all of the actors would be available, so we just took the plunge – all the while hoping that we could raise the money for post-production later. Two, not long after my editor, Chris Chan Lee, and I finished a cut we were happy with, I lost three members of my family very unexpectedly in the span

SSFL PK.V1 – 2016 OCT 4 OF 34 of 9 months. I was overwhelmed with grief and felt like I was losing my mind, which is ironic because of its similarity to the protagonist’s situation in the film. Anyway, I couldn’t work on the film. I just couldn’t. Life imitating art and all that. It still hurts as I write this. I then spent some time working on other films in which I wasn’t so emotionally invested.

When I finally came up for air, I re-watched the film and that little voice in my head said, “Something just isn’t right.” I told Chris that I wanted to throw the cut out completely and start from scratch, which is a pretty crazy thing to do. To Chris’ credit, he defended all of the hard work we’d done on the cut and, then, agreed to go down the rabbit hole with me. Anyway, once we finished the new cut, we found the completion funds right away. There is no question in my mind now that the final film is the best version of what was shot and, more importantly, the little voice went away. “Jasmine” is dedicated to my mother.

-Dax Phelan

SSFL PK.V1 – 2016 OCT 5 OF 34 DIRECTOR, ACTOR, AND PRODUCER QUOTES

“I’m excited to announce the completion of ‘Jasmine,’ a film that pulls off that rare feat of offering wide commercial appeal while remaining true to its artistic integrity,” said producer-writer-director Dax Phelan. “I’ve always wanted to tell a deceptively complex story that begins with a small spark and slowly grows into a raging inferno while rewarding first-time audiences and repeat viewers alike. I’m so grateful to my incredibly talented cast and crew who helped make it a reality. I can’t wait for audiences around the world to see it.”

“Jasmine” is Dax Phelan’s directorial debut. Phelan is currently co-producing Orson Welles’ final film, “The Other Side of the Wind,” with Filip Rymsza (“Valley of the Gods”) and Frank Marshall (“Jurassic World”) and adapting Neil White’s memoir, “In the Sanctuary of Outcasts,” for veteran producer Stratton Leopold (“Mission: Impossible III”). Phelan recently served as the executive producer on Anja Marquardt’s “She’s Lost Control” with Academy Award-nominee Oren Moverman, which won the CICAE prize for best film in the Forum section at the 2014 Berlinale, has played to sold-out audiences at SXSW and New Directors/New Films, and was nominated for two Film Independent Spirit Awards: Best First Feature and Best First Screenplay. Phelan was previously the Creative Executive for veteran producer Mace Neufeld at and Pictures Entertainment on projects like “The General’s Daughter” and “The Sum of All Fears.”

“‘Jasmine’ is a powerful passion project that speaks to anyone who has ever loved and anyone who has ever suffered,” said actor and producer Jason Tobin. “The result is a touching, chilling, and ultimately mind-blowing feature film that will creep into the hearts and minds of moviegoers worldwide and stay there. This isn’t one of those films you forget about five minutes after you’ve left the theater.”

I was anxious to participate in ‘Jasmine’ because I’ve long been a fan of Dax’s writing and the story reminded me of American classics such as Martin Scorsese’s ‘Taxi Driver,’” said actor Byron Mann. “It’s an edgy psychological thriller set in one of the most exciting cities in the world, Hong Kong. I have no doubt that with the raw, powerful acting and the nuanced directing in this film, audiences will be rewarded with an edge-of-their-seat ride throughout this film, culminating in one of the most shocking film endings in recent memory.”

SSFL PK.V1 – 2016 OCT 6 OF 34 KEY CAST

Actor: Actor: Jason Tobin Byron Mann

Character: Character: Leonard To The Suspect

Actor: Actor: Eugenia Yuan Glen Chin

Character: Character: Grace Wang Doctor Wu

Actor: Actor: Sarah Lian Grace Huang (cameo) Character: Anna Z Character: Jasmine To

SSFL PK.V1 – 2016 OCT 7 OF 34 KEY CREATIVE

Dax Phelan Director, Producer, Screenwriter, Co-Story Jason Tobin Actor, Producer, Co-Story Stratton Leopold Producer Eric M. Klein Producer Jennifer Thym Producer Chris Chan Lee Film Editor, Producer Martin Strachan Producer Guy Livneh Director of Photography, Producer Shie Rozow Music By Sean Fernald Music Supervisor Nicole Watson Executive Producer Jon Anderson Executive Producer Terence E. Groves Executive Producer

SSFL PK.V1 – 2016 OCT 8 OF 34 KEY CAST BIOGRAPHIES

Jason Tobin (Leonard To) – Producer / Story By

Credited in Chinese as To Jun Wai, Jason Tobin is a British-Chinese film and television actor. He was born in Hong Kong where he attended the King George V School in Kowloon, Hong Kong; he is of mixed parentage, being half English and half Chinese. Shyness kept him out of school drama productions and it wasn’t until the age of eighteen while living in Asia, and ready to return to the UK to study law at university, that he realized his dream to become an actor. Tobin has appeared in over twenty films and also in several television productions. He also stars as the main character Eddy Tsai in the Asian American “serial killer” film, “#1 Serial Killer,” directed by Stanley Yung, Koji Steven Sakai, and produced by . The film also stars Eugenia Yuan and . For his performance in the film, Tobin won a “Breakout Performance for an Actor” award at the 2013 Los Angeles Asian Pacific Film Festival. Tobin lives in Mongkok, Hong Kong and in .

Byron Mann (The Suspect)

Byron Mann began his career starring with Jean-Claude Van Damme and the late Raul Julia in Universal’s “Streetfighter,” followed with the cult actioner “Crying Freeman,” directed by Christophe Gans (“Silent Hill”). He furthered his career in the action genre by starring in “Invincible,” produced by Mel Gibson and . The action in “Invincible” was directed by Hong Kong director Tony Ching Siu-Tung (“Hero,” “House of Flying Daggers”), and Mann again worked with Ching on Sony’s “Belly of the Beast.”

Intertwined with the action genre are noted dramatic turns in MGM’s “Red Corner,” starring opposite Richard Gere and directed by Jon Avnet; New Line’s “The Corruptor,” opposite Chow Yun-Fat and Mark Wahlberg, directed by James Foley; Sony’s “Sniper 3,” opposite Tom Berenger; and James Cameron’s cult television series “Dark Angel,” with Jessica Alba.

In 2005, Mann headlined the award-winning CBC/Star Movies drama, “Dragon Boys,” alongside Hong Kong’s (“Infernal Affairs”). Mann was nominate for Best Male Actor in the 2007 Gemini Awards for his role in “Dragon Boys.” Mann’s works also include comedic turns in “Shanghai Kiss”

SSFL PK.V1 – 2016 OCT 9 OF 34 with Kelly Hu (“The Scorpion King”), and in “Blonde and Blonder, with Pamela Anderson and Denise Richards.

In 2009, Mann starred as an ER physician in HBO Canada’s “Bloodletting & Miraculous Cures,” based on the Giller Prize-winning book by Weinstein Books.

Mann kicked off 2011 with Universal’s “The Man With The Iron Fists,” starring as the main villain opposite Russell Crowe and Lucy . This period picture was directed by RZA and produced by RZA, Eli Roth (“Hostel”), Marc Abraham (“Air Force One”), and Bill Kong (“Crouching Tiger, Hidden Dragon”). Later that year, Mann co-starred in the Hong Kong cop thriller, “Cold War,” playing an ex- cop who becomes involved in a hostage situation that rapidly spirals out of control. “Cold War” stars Tony Leung Ka Fai, , and , and was also produced by Bill Kong.

In 2012, Mann joined CW’s breakout hit series, “Arrow,” playing an enigmatic man who has a complex connection to the title character Oliver Queen/Arrow. In 2013, Mann re-joined Kong again in the big-screen remake of legendary Chinese hero Fei Hong in “Rise of the Legend,” playing one of the film’s arch villains. “Legend” debuted across China in November of 2014. In 2014, Mann co-starred in the action picture, “Absolution,” with Vinnie Jones, playing a triad enforcer who brings down a mob kingpin in Russia.

In 2015, Mann starred with Brad Pitt, Christian Bale, Ryan Gosling, and Steve Carrell in Adam McKay’s Oscar-winning “The Big Short.”

Mann grew up in Hong Kong and studied at UCLA, graduating magna cum laude in Philosophy. He lives in Los Angeles, , and Hong Kong.

Eugenia Yuan (Grace Wang)

U.S.-born Eugenia Yuan is the daughter of martial arts expert and Hong Kong movie legend Pei-pei Cheng. Yuan began her career not as an actress, but as a champion rhythmic gymnast for the U.S. Olympic Team. Switching careers from athlete to on-screen ingénue, Eugenia made her screen debut co-starring with her mother in the martial arts film, “Flying Dragon, Leaping Tiger,” drawing the attention of movie executives from around the world.

She made her U.S. debut in the film, “Charlotte Sometimes,” and, as the film garnered multiple Independent Spirit Award nominations, Yuan’s performance was publicly championed by film critic Roger Ebert. Eugenia then returned to Hong Kong to star in the anthology feature “Three… Extemes 2,” a collection of three dramatic films by top Asian directors. For her Peter Chan-directed performance, she nabbed Hong Kong’s prestigious Golden Horse Award (the Hong Kong Academy

SSFL PK.V1 – 2016 OCT 10 OF 34 Award). Following this award-winning performance, Doug Liman hand-picked Yuan for the title role of the cult hit mockumentary, “Mail Order Wife.” Her vivid and real performance raised controversy over whether the film was actually a documentary. She later returned to the U.S., making memorable turns in John Dahl’s “The Great Raid” and the Steven Spielberg-produced and Rob Marshall-directed “Memoirs of a Geisha.”

Eugenia has been involved in many independent films that include the Gotham Award-winning “Choking Man.” She co-starred with Hong Kong icon Tony Leung Ka Fai in the thriller, “The Drummer.” Most recently she appeared in the Martin Scorsese-produced and Andrew Lau-directed “Revenge of the Green Dragons” and ’s “Crouching Tiger, Hidden Dragon: The Sword of Destiny.” Eugenia currently lives and works in Los Angeles, and her production company, Cinehous, has produced two features, “Strangers,” and the recently completed “Section of Sky.” She plans to continue to create independent material while also acting in studio-based projects.

Glen Chin (Doctor Wu)

Born in San Francisco, , Glen Chin is a critically acclaimed Chinese-American actor, who has starred in over 100 films and TV shows in both the U.S. and abroad, including “Natural Born Killers,” “50 First Dates,” and “Seinfeld.” In 2002, Chin was nominated for Best Actor for his role in ’s “Hollywood Hong Kong” at the Golden Horse Film Festival (the Asian Academy Awards). He lives with his wife, producer Roberta Chow, in Hong Kong and, between roles, teaches acting and musical theater.

Sarah Lian (Anna Z)

Sarah Lian was born in Taiping, , . She lived in California, Hong Kong, and before her family settled in Vancouver, where she mainly grew up. After completing high school in Vancouver, she went on to Toronto’s for her Fashion Communications degree.

In 2008, while revisiting her roots in Malaysia, Sarah clinched the coveted title as FHM Malaysia’s Sexiest Woman of the Year. Also, her phenomenal rise as a household name was established in

SSFL PK.V1 – 2016 OCT 11 OF 34 hosting popular television programs for ’s Gua.com.my and then 8TV and NTV7 networks. During 2010 she adroitly steered 3 programs at the same time. Sarah was hosting the hour-long magazine talk show, Hitz Radar, the award-winning Shout Awards 2010, and co- hosting ESPN Star Sport’s Xtra Time. Her recognizable presence in film, television, radio, and new media platforms of the Malaysian entertainment industry testifies to her innate intelligence, high energy, and professionalism.

Earlier in 2007 in Canada, Sarah’s professional acting career was launched with her first credit as the Hot Asian Girl in “American Pie Presents Beta House.” After moving to Asia and becoming renowned as a television host in 2009, she performed in the “15Malaysia” project and had a cameo as miss Chic- Kut-The in award-winning director Seng Tat Liew’s comedic short film, “Halal.”

This led to her next role as the wealthy fashion heiress Lilly Lee in “Mister French Taste” (2010), a cross-cultural comedy web series.

In 2011, Sarah returned to Toronto to re-focus on her first love: acting. She honed her skills with courses at The Second City for improvisational comedy and other film and television classes. Very soon she was on the radar of casting directors in North America. She booked a role as the edgy hacker, Blue, in CSI-creator Anthony E. Zuiker’s new crime film, “Cybergeddon.” Next, she landed a recurring role in the French-Canadian spy series, “XIII: The Series,” as the love interest of Stuart Townsend. Being multi-lingual, Sarah was perfect for this role, which demanded conversing in English and Mandarin. Shortly after, she also landed a role on “Covert Affairs” and worked alongside Piper Perabo.

Sarah’s face has graced numerous magazine covers, including FHM, Men’s Health, Shape, and Glam. Her media presence has been applauded in various local magazines, web-portals, and newspaper dailies. She was involved in many print and television advertisement campaigns in North America and Asia, appearing in ads for Adidas, Budweiser, Kraft, Tic Tac, Cadbury, McCafe, and the Niagara Tourism Board.

Sarah continues to blaze and exhilarating trail as a true professional artiste. She is a resident of Toronto.

Grace Huang (Jasmine To)

Born in Taiwan to parent and brought up in Sydney, Australia, Grace Huang is best known for her role as the Gemini Female in the RZA-directed martial arts film, “The Man With The Iron Fists.” Huang also starred as Mei Chen in the pilot for the 2013 CBS TV Series, “Intelligence.” Huang also played May in the Hong Kong action film, “Cold War,” starring Aaron Kwok, Andy Lau, and Tony Leung SSFL PK.V1 – 2016 OCT 12 OF 34 Ka Fai. Huang also starred as Bunny in the Hong Kong comedy-romance film, “Love in Space,” and as Jenny in the Felix Chong and Alan Mak-directed Hong Kong action film, “Overheard,” alongside , Michael Wong, and Sean Lau.

Huang has also won a “Best Actress” award at the HollyShorts Film Festival for her portrayal of the character, Ava Chen, in Jennifer Thym’s vampire-and-angel action short film, “Bloodtraffick.” Huang also played the title role in Dax Phelan’s Hong Kong-set psychological thriller, “Jasmine,” in which she stars alongside Jason Tobin, Eugenia Yuan, Sarah Lian, and Byron Mann.

Huang also stars as a love interest to Sean Faris in the 2013 film, “Lost for Words,” directed by Stanley J. Orzel (creative consultant for Zhang Yimou films such as “House of Flying Daggers” and “Hero”) and also starring Will Yun Lee, Terence Yin, and Jennifer Birmingham (married to Will Yun Lee).

Huang has also starred as a lead character in the Taiwanese Golden Bell Award-winning television drama, “Friends,” has appeared in print and TV ad campaigns for Vidal Sassoon, Neutrogena, Canon, HSBC, and the Australian Tourism Board, and has also been featured on the covers of magazines such as Vogue, Harper’s Bazaar, FHM, Oyster, Elle, and Marie Claire.

SSFL PK.V1 – 2016 OCT 13 OF 34 AWARDS AND NOMINATIONS

Los Angeles Asian Pacific Film Festival: Winner – Best Narrative Feature (Dax Phelan) Winner – Best Actor (Jason Tobin) Winner – Best Cinematography (Guy Livneh) Winner – Best Editing (Chris Chan Lee) Winner – Best Sound Design (Lisa K. Fowle)

Action On Film International Film Festival: Nominee – Best Actor (Jason Tobin) Nominee – Best Art Direction (Suki Lui) Winner – Honorable Mention Award – Best Sound Design (Lisa K. Fowle)

Anchorage International Film Festival Winner – Honorable Mention Award – Best Narrative Feature (Dax Phelan)

Kansas International Film Festival: Winner – 4th Place – Best Narrative Feature Audience Award (Dax Phelan)

St. Louis International Film Festival: Nominee – Audience Choice for Best Feature (Dax Phelan) Nominee – Best International Feature (Dax Phelan)

Canada International Film Festival: Winner – Award of Excellence – Best First-Time Filmmaker (Dax Phelan)

Green Bay Film Festival: Winner – 3rd Place – Best Narrative Feature (Dax Phelan)

Pasadena International Film Festival: Winner – Best Director (Dax Phelan)

CAAMFest: Nominee – Best Narrative Feature (Dax Phelan)

Rincón International Film Festival: Winner – Excellence Award – Narrative Feature (Dax Phelan)

Sehsüchte International Film Festival: Nominee – Best Narrative Feature (Dax Phelan)

High Desert International Film Festival: Nominee – Best Narrative Feature (Dax Phelan)

Mexico International Film Festival: Winner – Best Director (Dax Phelan)

SSFL PK.V1 – 2016 OCT 14 OF 34 Chandler International Film Festival: Winner – Best Narrative Feature (Dax Phelan) Winner – Best Director (Dax Phelan) Winner – Best Actor (Jason Tobin) Winner – Best Screenplay (Dax Phelan)

Amarcord Film Festival: Winner – Best Supporting Actress (Eugenia Yuan) Winner – Best Sound (Erick Jolley) Winner – Best Trailer (Chancler Haynes, Edy Enriquez)

Macon Film Festival: Winner – Best Narrative Feature (Dax Phelan)

Chautauqua International Film Festival: Winner – Best Thriller (Dax Phelan) Winner – Best Actor (Jason Tobin) Winner – Best Screenplay (Dax Phelan)

Blue Whiskey Independent Film Festival: Winner – Best Sound (Lisa K. Fowle, Erick Jolley) Nominee – Best Narrative Feature (Dax Phelan)

Miami Independent Film Festival: Winner – Honorable Mention – Best Narrative Feature (Dax Phelan)

Cebu International Film Festival: Nominee – Best Narrative Feature (Dax Phelan) Nominee – Best Director (Dax Phelan) Nominee – Best Cinematography (Guy Livneh)

Knoxville Film Festival: Winner – Second Place – Best Narrative Feature (Dax Phelan)

Hudson Valley International Film Festival: Nominee – Best Cinematography (Guy Livneh) Nominee – Best Actress (Eugenia Yuan) Nominee – Best Supporting Actor (Byron Mann)

Massachusetts Independent Film Festival: Nominee – Best Director (Dax Phelan) Nominee – Best Actor (Jason Tobin) Nominee –Best Cinematography (Guy Livneh) Nominee – Best Editing (Chris Chan Lee) Nominee – Best Screenplay (Dax Phelan)

SSFL PK.V1 – 2016 OCT 15 OF 34 Cyprus International Film Festival: Winner – Best Editing (Chris Chan Lee) Nominee – Best Narrative Feature (Dax Phelan)

DC Chinese Film Festival: Nominee – Best Narrative Feature (Dax Phelan)

Sydney World Film Festival: Winner – Best Narrative Feature (Dax Phelan)

Auckland International Film Festival: Winner – Best Actor (Jason Tobin)

Los Angeles Independent Film Festival: Winner – Best Narrative Feature (Dax Phelan) Winner – Best Director (Dax Phelan) Winner – Best Actor (Jason Tobin) Winner – Best Supporting Actor (Byron Mann) Winner – Best Supporting Actress (Sarah Lian) Winner – Best Screenplay (Dax Phelan) Winner – Best Cinematography (Guy Livneh) Winner – Best Editing (Chris Chan Lee) Winner – Best Score (Shie Rozow) Winner – Best Sound Design (Lisa K. Fowle, Erick Jolley)

Glendale International Film Festival: Winner – Best International Feature (Dax Phelan) Winner – Best Director – International Feature (Dax Phelan) Winner – Best Actor – International Feature (Jason Tobin) Winner – Best Actress – International Feature (Eugenia Yuan) Nominee – Best Screenplay (Dax Phelan) Nominee – Best Cinematography (Guy Livneh) Nominee – Best Editing (Chris Chan Lee) Nominee – Best Sound (Erick Jolley, Lisa K. Fowle) Nominee – Best Make Up (Hiromi Nakashima) Nominee – Best Trailer (Chancler Haynes, Edy Enriquez)

Joshua Tree International Film Festival: Nominee – Outstanding Feature (Dax Phelan) – results pending Nominee – Outstanding Director (Dax Phelan) – results pending Nominee – Outstanding Male Lead (Jason Tobin) – results pending Nominee – Outstanding Female Lead (Eugenia Yuan) – results pending

SSFL PK.V1 – 2016 OCT 16 OF 34 QUOTES IN THE MEDIA

“Classically executed” -Screen International

“It is a very dark and very clever thriller…very twisty, turny. Jason Tobin puts in a harrowing performance.”

“It’s like a cross between David Fincher and David Lynch.” -Hong Kong Radio

"Jasmine cultivates a nicely sophisticated genre look...Jason Tobin delivers an edgy, taut performance in the main role with action star Byron Mann as his nemesis.” -

“Script, acting, and cutting conspire to keep you pinned to your chair…Phelan achieves a lasting sense of intrigue that goes with you as you leave the theatre…the puzzle will sit uneasily for days…beckons re-watching.” -TwitchFilm

"Jasmine succeeds admirably as a pitch-black depiction of sorrow's crushing power over the mind. When the film's final twist arrives, it violently realigns everything that has gone before.”

“Jasmine's story contains traces of Hitchcock's features (especially Vertigo and Frenzy), but its look is more directly indebted to Michael Mann.” -St. Louis Magazine

“A believable and surprising portrait of a descent into madness." - Dallas Magazine

"Jasmine is a dark, tightly disciplined thriller, occupying the space where film noir and existential angst overlap."

"Jasmine is definitely what you would call a slow-burner. It is also a 'big twist' kind of film, springing a third act revelation that will radically alter the audience’s perception of everything that preceded it. You can never re-watch Jasmine with the same mindset, but it would be interesting to revisit each scene in a different light." -Joe Bendel, J.B. Spins

SSFL PK.V1 – 2016 OCT 17 OF 34 PRESS REVIEWS

‘Jasmine’: Hong Kong Review By Deborah Young, The Hollywood Reporter April 7th, 2015

http://www.hollywoodreporter.com/review/jasmine-hong-kong-review-786894

Review: JASMINE, A Claustrophobic Twilight Zone Of Revenge By Ezra Emerson, ScreenAnarchy (originally published: TwitchFilm) April 25th, 2015

http://screenanarchy.com/2015/04/review-jasmine-a-claustrophobic-twilight-zone-of- revenge.html

Jasmine at SLIFF 2015: A Hong Kong Noir About Mourning and Madness By Andrew Wyatt, St. Louis Magazine November 7th, 2015

https://www.stlmag.com/arts/movie-reviews/jasmine-at-sliff-2015-a-hong-kong-noir-about- mourning-and-ma

2015 Dallas International Film Festival Preview By Jason Heid, D Magazine April 9th, 2015

http://www.dmagazine.com/arts-entertainment/2015/04/2015-dallas-international-film- festival-preview

Glamour and Mystery in Jasmine’s Hong Kong By Dan Akira, Crimson Kimono March 30th, 2016

http://crimsonkimono.com/tag/dax-phelan

AAIFF ’15: Jasmine By Joe Bendel, J.B. Spins July 27th, 2015

http://jbspins.blogspot.com/2015/07/aaiff-15-jasmine.html

SSFL PK.V1 – 2016 OCT 18 OF 34 FESTIVALS ATTENDED

Hong Kong International Film Festival Knoxville Film Festival (World Premiere) Hudson Valley International Film Festival

Massachusetts Independent Film Festival Dallas International Film Festival Film Fest 52 (U.S. Premiere)

Cyprus International Film Festival The Los Angeles Asian Pacific Film Festival Joshua Tree International Film Festival (L.A. Premiere) Silk Screen Asian American Film Festival

DC Chinese Film Festival Asian American International Film Festival Los Angeles Independent Film Festival (NYC Premiere)

Amazon Underground Film Festival Glendale International Film Festival Sacramento Asian Pacific Film Festival Laughlin International Film Festival Action On Film International Film Festival Orlando Film Festival Savannah Film Festival The Richard Harris International Film Festival Kansas International Film Festival Berkeley Film Festival Saint Louis International Film Festival River’s Edge International Film Festival Philadelphia Asian American Film Festival New Haven International Film Festival Anchorage International Film Festival Red Rock Film Festival Bahamas International Film Festival Auckland International Film Festival Green Bay Film Festival Chinese American Film Festival Pasadena International Film Festival BLOW-UP - Chicago International Arthouse CAAMFest Film Festival Dingle International Film Festival Canada International Film Festival Palm Beach International Film Festival Rincon International Film Festival Sehsuchte International Film Festival Cordoba International Film Festival Julien Dubuque International Film Festival Mexico International Film Festival High Desert International Film Festival Chandler International Film Festival Chautauqua International Film Festival Amarcord Arthouse Film Festival Macon Film Festival Miami Independent Film Festival Blue Whiskey Independent Film Festival Kiwi International Film Festival Cebu International Film Festival Sydney World Film Festival

SSFL PK.V1 – 2016 OCT 19 OF 34 KEY PRODUCTION BIOS

Dax Phelan – Director / Screenwriter / Producer In 1995, while enrolled in Southern Methodist University’s Pre-Med program, Dax Phelan decided to double-major in Cinema and English Literature (with a Creative Writing Specialization) instead – after seeing Lodge Kerrigan’s “Clean, Shaven” at the USA Film Festival. Over the next three years, Phelan penned seven feature-length screenplays, in addition to writing, producing, and directing half a dozen short films, including “Lake of Fire” (1996), a film about living with mental illness, “Crash Where You Land” (1997), a documentary about homeless teens living on the streets of New Orleans’ French Quarter, and “Slice of Life” (1997), a personal film made possible after Phelan’s screenplay was awarded the Student Filmmakers’ Association’s annual grant.

After graduating, Phelan moved to Los Angeles, in order to pursue an MFA in Screenwriting at the prestigious American Film Institute where he was awarded the American Express Scholarship in the name of Academy Award-winner Helen Hunt (“As Good As It Gets”). For the next two years, Phelan studied under the likes of Academy Award-winner Frank Pierson (screenwriter: “Dog Day Afternoon,” “Cool Hand Luke,” et al.), Academy Award-winner Seth Winston (screenwriter/director: “Session Man”), and Gill Dennis (screenwriter: “Walk The Line”). Concurrently, Phelan was selected to work as a development intern for veteran producer Mace Neufeld (“The Omen,” “No Way Out,” “The Hunt for Red October,” et al.) at Paramount Pictures.

In 2000, when Phelan graduated from AFI, Neufeld immediately hired him as his Story Editor under his new “first look” deal with Entertainment. In 2001, Neufeld promoted Phelan to the position of Creative Executive, charging him with the task of working closely with some of Hollywood’s finest screenwriters, in order to develop new projects. During his tenure at Mace Neufeld Productions, Phelan worked on such projects as “The Sum of All Fears,” “Man on Fire,” “Invictus,” and “Argo,” to name just a few. Then, in 2003, producer Susanna Jolly optioned Phelan’s horror screenplay, “The Keep.” As the demand for his own writing services grew, Phelan amicably parted ways with his MNP family and quickly sold three scripts back to back. Phelan’s absence from the Sony lot would prove to be short-lived, however, when Neufeld brought him back to work on a remake of Laurence Harvey’s “A Dandy in Aspic” and a big-screen adaptation of the ‘80s TV classic, “The Equalizer.”

Over the years, Phelan has partnered with his former AFI instructor, Seth Winston, on the love story, “If Only,” penned the action-thriller, “A Show of Force,” for actor-producer Byron Mann (“The Big Short,” “The Man With The Iron Fists”), collaborated with Glen Chin and Roberta Chow on the comedies, “The Girlfriend Experience” and “Laughing Buddha,” adapted the WWII epic drama, “Charlie Two Shoes,” for producer Stratton Leopold (“The Wolf Man,” “Mission: Impossible III”), and sold the TV pitch, “At Your Service,” to CBS/Paramount.

In 2013, Phelan returned to his independent film roots, associate producing the Bret Easton Ellis- penned “The Canyons” for director Paul Schrader (“American Gigolo”). In 2014, together with Academy Award-nominee Oren Moverman (“The Messenger,” “Rampart”), Phelan executive produced Anja Marquardt’s “She’s Lost Control,” which won the CICAE Art Cinema Award and played to sold-out audiences at Berlinale, SXSW, and New Directors/New Films. The film was nominated for two Independent Spirit Awards: Best First Feature and Best Screenplay.

SSFL PK.V1 – 2016 OCT 20 OF 34 Phelan is currently adapting Neil White’s memoir, “In the Sanctuary of Outcasts,” for producer Stratton Leopold, co-producing Orson Welles’ final film, “The Other Side of the Wind,” with Frank Marshall (“Sully”), executive producing “Little Hard,” the directorial debut of Bel Powley (“The Diary of a Teenage Girl”), and scouting locations for “Kirkwood,” a Polanski-esque thriller he wrote and will direct next year as his follow-up to “Jasmine.” He is repped by Robert Lazar at The Shuman Company and Robert Szymanski at Eclipse Law Corp, and divides his time between Los Angeles, New York, and Hong Kong.

Stratton Leopold – Producer Stratton Leopold is an international film producer and business owner who has filmed in much of the USA and the world, including England, Spain, Italy, Central America, the Philippines, Australia, Canada, and China. His lengthy resume includes a number of multiple award-winning films and he has acted as producer, executive producer, or co-producer and has overseen the production of many films, including “Mission: Impossible III,” “Paycheck,” “The Wolf Man,” “Parker,” “The Sum of All Fears,” “Bless the Child,” “The General’s Daughter,” “Born Yesterday,” “Bound by Honor,” “The Big One,” “The Rose and the Jackal,” and “The Adventures of Baron Munchausen.” He also served as production manager on “Tango and Cash” and “The Mosquito Coast,” among many others.

Eric M. Klein – Producer Eric M. Klein (PGA) has been actively earning credits on filmed entertainment for over 25 years. “Jasmine” marks his ninth feature film as a Producer. Past titles include: “Happy Hour,” “American Reunion,” “The Young Unknowns,” “Bury the Evidence,” “The Deep and Dreamless Sleep,” “Sam’s Lake,” and “Jane Doe.” Prior to their releases, his titles garnered many Opening Nights, Awards, and Mentions. US Official Selections include: SXSW, AFI, Seattle, Austin, Atlanta, Newport Beach, Mill Valley, Sonoma Valley, Tribeca First Look, and the Prism Awards. International Official Selections include: Goteborg, Dublin, Verona, Seoul, Toronto, Hong Kong, Bangkok, Paris, Avignon, and Oldenburg. Eric is a vastly experienced Post Producer with over 50 feature credits and as many Episodes of Television as either a DI/Color Producer and Sound Supervisor, with the reputation of running both – simultaneously. His earlier years on set as a Key, Best Boy, and Dolly Grip offered opportunities to work with some of favorite independent directors and cinematographers, including Hal Hartley, Nancy Savoca, Julie Taymor, Abel Ferrara, Julian Schnabel, Tom DiCillo, Harris Savides, and Robert Yeoman.

Jennifer Thym – Producer Jen Thym is an award-winning American director based in Hong Kong. Her debut project, the ground- breaking fantasy web series "LUMINA", garnered an impressive eleven nominations and wins, including a Streamy Awards nomination and a Webby Awards Official Honoree distinction. She next tried her hand at producing, bringing to life the critically acclaimed independent feature film “Jasmine”, directed by Dax Phelan and starring Jason Tobin, Eugenia Yuan and Byron Mann. She returned to the web series format by directing the cross-cultural hit comedy series "Mister French Taste" starring Olivier Malet, Osric Chau and Sarah Lian. The show has won 7 awards, and has amassed over 1.5 million views. Her most recent directorial project, the supernatural action short “Bloodtraffick” starring fast-rising Asian Australian actress Grace Huang and Kirt Kishita, has screened at 23 festivals and netted another eight awards and one nomination for the shelf, including Best Short, Best Actress & the Stiletto Award for Excellence in Directing, Cinematography and Original Screenplay. Jen is currently serving as the Co-Chair of USA Girl Scouts - Hong Kong.

SSFL PK.V1 – 2016 OCT 21 OF 34 Chris Chan Lee – Film Editor / Producer Chris Chan lee (also credited as Chris “Bia” Lee) (born in San Francisco, California) is an Asian American filmmaker. After graduating from the USC School of Cinematic Arts in Los Angeles, California, Lee wrote/directed “Yellow,” an independently financed feature film about the harrowing grad night of eight Korean-American teens in Los Angeles that culminates in a violent crime that will forever change their lives. “Yellow” was invited to over a dozen film festivals, including the Slamdance Dramatic Competition 1998, International 1998, and the Los Angeles Film Festival 1997. The film won the 1999 Golden Ring Award for Best Asian American Independent Film.

“Yellow” received a U.S. theatrical release by Phaedra Cinema (now Pathfinder Pictures) and worldwide sales by Cinema Arts. It garnered high critical praise throughout the nation from publications such as the Chicago Sun-Times (Roger Ebert), the , New York Daily News, and the Village Voice.

In 2002, Chris completed a one-year stint in Singapore directing television at MediaCorp Studios for an English-language primetime TV series.

In 2003, Lee was selected as one of three filmmakers for the Fast Track program sponsored by Filmmaker Magazine and the IFP Los Angeles Film Festival for his film, Undoing. The movie stars , , Kelly Hu, and Leonardo Nam. The film is a character-driven neo-noir story set in Los Angeles. It premiered at the Los Angeles Film Festival in July 2006.

Lee has also directed music videos for Asian American artists Seam and Mountain Brothers (such as “Galaxies: The Next Level”), which have aired on NTV, MTV, BET, and more outlets. Lee has also directed the most recent music video featuring a reunion of the Mountain Brothers on CHOPS or Scott “Chops” Jung’s “Strength In Numbers” project, for a track entitled “Keep On” featuring vocals from Los Angeles-based artist Ann One. Lee is considered to be a pioneer in making films about .

Guy Livneh – Director of Photography / Producer Guy Livneh was born in London, England. He is an alumnus and adjunct faculty of the American Film Institute. Livneh has photographed feature films and documentaries, advertising campaigns and music videos. He has received critical acclaim and industry accolades for his cinematography, including a Golden Lens Award for Best Cinematography in a music video. His other notable work includes shooting the opening sequence of the Academy Award-winning film, “Monster,” directed by Patty Jenkins.

Nicole Watson – Executive Producer Actress, Producer and Humanitarian, Nicole was born in Vancouver, Canada and grew up in the small town of Castlegar, British Columbia. Both of Nicole's parents immigrated to Canada as children, her mother from Glasgow Scotland and her father from Cambridge England. Nicole was discovered at the age of 14 by model scouts and represented by Elite Model Management and Ford Models throughout her career. It was when she returned from a contract in Hong Kong, and cast in numerous commercials and television work, that she realized her passion for acting. Nicole continued to gain experience performing in independent films and training as an actor while living and working abroad in Australia, Asia and Mexico. She is now based in Los Angeles where she continues her training in

SSFL PK.V1 – 2016 OCT 22 OF 34 Meisner and Chekhov technique. Nicole is fluent in French, has studied in Belgium, and majored in fine arts at the Emily Carr Institute of Art and Design, as well as continued studies in non-profit fund- raising and management at the British Columbia Institute of Technology.

Jon Anderson – Executive Producer Jon Anderson, owner-operator of Blak Dot Productions, is originally from Wichita, Kansas, and now resides between his homes in Park City, Utah, Baja California, Mexico, and Orange County, California. Jon retired as a lawyer in 2013 as a partner in the international law firm of Latham & Watkins. During his long career, Jon saw his firm grow from 90 to more than 2,100 lawyers and the number of offices grow from two (both in California) to more than 30 offices around the world today. Although recently retired from the practice of law and now investing in and producing film and television, Jon continues to teach trial advocacy and has coached mock trial teams through the Constitutional Rights Foundation.

Away from work, Jon has always been an action adventure enthusiast and an avid skier and off-road racer, and he loves to travel. He continues to participate, along with several of his sons, in some of the world’s most challenging off-road races, including the legendary Baja 1000 in Mexico and the Mint 400 in Nevada. Jon has raced motorcycles and race trucks, winning many individual races and a season championship in the Southern Nevada Off Road championship series. These races are truly “off the grid” and have presented challenges and opportunities to solve seemingly insurmountable problems – skills that Jon is now applying to his new role as a Producer of Film, Television, and New Media in projects that are taking him around the world.

Terence E. Groves – Executive Producer Terence E. Groves and his partner, Christian Saap, founded Maximfilms, a boutique film finance company, in 2008. Working side by side with filmmakers at every stage of the process, Groves tailors the latest financial packages to meet filmmakers’ financing requirements. “We love nothing more than working with world-class filmmakers on prestigious projects with commercial potential,” Groves says. “Sooner or later, everyone needs a little help getting across the line and we like to help shoulder the financial burden, thereby allowing the filmmakers to concentrate on what they do best with as few compromises as possible.” Groves is currently working on Dax Phelan’s award-winning feature directorial debut, “JASMINE,” Orson Welles’ long-awaited final film, “The Other Side of the Wind,” with producer Frank Marshall ("Jurassic World"), a film adaptation of Len Kloosman’s novel, “Task Force Retriever: Out of Angola,” and Phelan’s sophomore feature, “Kirkwood,” which is currently in development. He divides his time between Sydney and Los Angeles.

Sean Fernald – Music Supervisor Sean Fernald has over 10 years of major record label experience with MCA Records, Virgin Records, Capitol Records, and Sony Music, specializing in visual marketing, music video (production and promotion), and music licensing and clearance for film, television, and other media.

Sean has produced the horror-fantasy film, “Red Velvet” (2009), and is preparing “Lucio” (2014), a true story based on the life of a humble bricklayer who took Citibank for millions and walked.

Sean is a voting member of both N.A.R.A.S. (National Association of Recording Arts and Sciences) and the Guild of Music Supervisors.

SSFL PK.V1 – 2016 OCT 23 OF 34 Shie Rozow – Original Music Born in Israel, composer and music editor Shie Rozow has taken a different path than most, leading him to work on major international blockbusters including “Avengers: Age of Ultron,” “Hustle & Flow,” and “2 Fast 2 Furious.”

After completing Berklee’s four-year program in just five semesters (“being broke is a great incentive,” he explained), Shie graduated and moved to Los Angeles. His tenacity would earn him a job as Composer, Music Supervisor, and Music Editor at Alan Ett Music Group (now called The Music Collective). In the years he worked there, Shie was responsible for over 650 hours of television music for series including “Intimate Portrait,” “Biography,” “History’s Mysteries,” and “Modern Marvels.” He also wrote music for the in-house music library.

The fighting spirit instilled in him from a young age, Shie’s parents forced him to take piano lessons as a kid – and he hated it! “I didn’t want anyone else to tell me how to do it,” he would later comment. When he was ready – and on his own terms – Shie hopped back on the bench, sat at the piano and wrote his first song. From that moment on, he taught himself how to play by ear. He spent every non- school moment thinking about music and hounded his father to buy him a synthesizer, getting very interested in the concept of creating and manipulating sounds.

While in boarding school, Shie’s teacher overheard him playing his synth in his room and encouraged him to join the band. Even though he couldn’t read or write music, Shie agreed and joined the band. In addition to performing, he was asked to arrange songs for the band – yet still was not able to read or write music! After high school and his obligatory military service in Israel, Shie attended Rimon School of Jazz and Contemporary Music.

It was there that he met several American professors who were auditioning performers to award scholarships to study at Berklee School of Music. Though not a proficient performer himself, Shie convinced them to give him a chance as a composer and his persistence paid off when he was awarded a partial scholarship.

Shie left Alan Ett Music Group to go freelance. He later became music editor Richard Ford’s assistant, helping on such films as “Training Day” and “About Schmidt,” eventually becoming an in-demand music editor himself on films including “Charlie and the Chocolate Factory,” “The Kingdom,” and “Hustle & Flow.” As a music editor, Shie has earned 13 Golden Reel Award nominations, including two wins (“Chicago” and “IMAX: Deep Sea”).

Though his career in music editing was taking off, Shie continued to write music, often adding additional music for movies or TV (including the hit series “Desperate Housewives”), writing for music libraries, for documentary and feature film productions. His scoring credits include the direct to DVD film “Ballistica,” the documentary “Dear Mr. President,” and the award-winning indie feature “JASMINE.”

Guided by his inner voice, Shie was inspired to write and record music this time for himself. The album, Musical Fantasy, was released by 4Tay Records on May 20, 2016 and includes Expedition for String Quartet, which received its debut performance by The Lyris Quartet at a concert for the Contemporary Performance Collective and its New York premiere by the Amernet Quartet.

SSFL PK.V1 – 2016 OCT 24 OF 34 MAIN TITLE SEQUENCE SHANGHAI STREET FILMS PRESENTS

IN ASSOCIATION WITH BLAK DOT PRODUCTIONS RIPPED PICTURES DEFECTOR FILMS ROCKGINGER MAXIMFILMS

A FILM BY DAX PHELAN

JASMINE

MAIN ON END TITLE SEQUENCE

PRODUCED, WRITTEN, & DIRECTED BY DAX PHELAN

STORY BY DAX PHELAN & JASON TOBIN

PRODUCED BY STRATTON LEOPOLD ERIC M. KLEIN JASON TOBIN

PRODUCED BY JENNIFER THYM CHRIS CHAN LEE

PRODUCED BY MARTIN STRACHAN GUY LIVNEH

EXECUTIVE PRODUCERS NICOLE WATSON JON ANDERSON TERENCE E. GROVES

ASSOCIATE PRODUCERS MICHAEL ALTON II BILL McMAHON, JR. CHARLES MAXWELL CHANEL ELLE NGUYEN

SSFL PK.V1 – 2016 OCT 25 OF 34 MATTHIAS HENDRICHS KENT PIERSON DAVID TSUBOI JAMES SU JOSH RIDGWAY

DIRECTOR OF PHOTOGRAPHY GUY LIVNEH

FILM EDITING BY CHRIS CHAN LEE

MUSIC BY SHIE ROZOW

MUSIC SUPERVISOR SEAN FERNALD

JASON TOBIN

EUGENIA YUAN

GLEN CHIN

WITH SARAH LIAN

AND BYRON MANN

“JASMINE”

END TITLE SEQUENCES (ROLL-UP)

CAST (IN ORDER OF APPEARANCE)

LEONARD TO / STANLEY WANG JASON TOBIN BRISBANE MAN MALCOLM WILLIAMSON BRISBANE WOMAN JO JO RICHARDSON HOSTEL MANAGER GURDEV “DAVID” SINGH HOSTEL DESK CLERK GURJH KAUR OFFICE WORKER ROB LOK HOWARD SHAW ADRIAN HALKES SUPPORT GROUP MEMBER BARRY O’RORKE SUPPORT GROUP MEMBER ROBERTA CHIN GRACE WANG EUGENIA YUAN JASMINE TO GRACE HUANG

SSFL PK.V1 – 2016 OCT 26 OF 34 SUPPORT GROUP MEMBER KATE SULLIVAN SUPPORT GROUP MEMBER HARRY DU YOUNG SPOTTER GORUNG GOKUL DEALER SUMAN DOCTOR WU GLEN CHIN SUPPORT GROUP MEMBER JAMES M. CROCKETT TIARE CUSTOMER TINA STRANGE FLOWER VENDOR SO THE SUSPECT / LEONARD TO BYRON MANN WAITER NICKY LAI KA LEUNG NIGHTCLUB MODEL CARA G MCILROY NIGHTCLUB MODEL WENDY LAM WAI HING MAN ON LIFT BERTON CHANG MAID JINTA DETECTIVE INSPECTOR TSANG NORMAN YUNG PLAINCLOTHES DETECTIVE JACHINSON W. CHAN ANNA Z SARAH LIAN CASTING ASSISTANT JAANA ALLAS SUSHI CHEF BILLY CHEON YUE LAU SUSHI WAITRESS HIROMI NAKASHIMA SECURITY GUARD HENRY HO MAN ON CELL PHONE AT BUS STOP ERIC K. LAU

EXTRAS

ANDREW NG JENNIFER THYM SUKI LUI SIU FUNG HIROMI NAKASHIMA TANG WAI YAN JOE FIORELLO NICKY LAI KA LEUNG ALICE CHAN JACKIE CHOW MICHAL GARCIA MATTHIAS HENDRICHS LAU CHUNG YEE AMY AL LEUNG KATJA SOKDOWSKI PAUL LUXENBERG TANG HO KWING DOMINIKA ZYBKO EZRA EMERSON DAVID YUNG HO KIM ZACHARY WYLDE STARK GULLIVER GREIG

SSFL PK.V1 – 2016 OCT 27 OF 34 LOCATION MANAGER LINDSAY ROBERTSON

ART DIRECTOR SUKI LUI SIU FUNG ART ASSISTANT TANG WAI YAN

WARDROBE JANE WONG ASSISTANT WARDROBE XIXI WONG

MAKE-UP HIROMI NAKASHIMA

DRIVERS AH LAM AH MAN AH YUNG AH CHONG

COMPANY SECRETARY ERIC LEE, JINETIC CONSULTANTS LIMITED

ACCOUNTING, TAXATION AND AUDITING SERVICES VINCI TAM, JBL & CO.

STILL PHOTOGRAPHER BERTON CHANG

PRODUCTION ASSISTANTS JAANA ALLAS MICHAEL LIANG SAM AU KATHY WONG MARC OBERDORFER

POST-PRODUCTION SUPERVISORS CHRIS CHAN LEE EDY ENRIQUEZ

ASSISTANT EDITOR BRIAN WESSEL TRAILER EDITORS CHRIS CHAN LEE CHANCLER V. HAYNES

POST-PRODUCTION FINISHING SERVICES PROVIDED BY DIGITAL POST SERVICES

EXECUTIVE POST PRODUCER RYAN NOTO TECHNICAL SUPERVISOR MIKE DILLARD CLIENT SERVICES SUPERVISOR JULIA HODES

DIGITAL INTERMEDIATE COLOR BY DIGITAL POST SERVICES DI COLORIST TOBY MARTISIUS

SSFL PK.V1 – 2016 OCT 28 OF 34 DI PRODUCER ERIC M. KLEIN DI SUPERVISOR JEAN-PAUL DEMARS CONFORM EDITORS JAMES BRILL IGOR LIPSKI

SOUND RE-RECORDING BY DIGITAL POST SERVICES RE-RECORDING MIXER ERICK JOLLEY SOUND DESIGNERS LISA K. FOWLE ERICK JOLLEY SOUND SUPERVISOR ERIC M. KLEIN

ADR AND FOLEY RECORDED BY DIGITAL POST SERVICES SUPERVISING SOUND EDITOR ERICK JOLLEY ADR SUPERVISOR & RECORDIST MARTIN QUINONES DIALOGUE EDITOR ERIC ROMERO ADR EDITOR MARTIN QUINONES FOLEY RECORDIST ASHU BONI FOLEY ARTIST STEVEN WALTER SOUND EDITORS PETER MULLEN ASHU BONI RYAN VILLARREAL SOUND STAGE SCHEDULER IRIS POSADA

ADDITIONAL ADR RECORDING CHRISTOPHER HIGGS (MALAYSIA)

ADDITIONAL SOUND EFFECTS MARTIN CHAPPELL (HONG KONG)

BACKGROUND DRONES ERICK JOLLEY ADDITIONAL SOUND EDITING BY CHRIS CHAN LEE

ADDITIONAL VOICES YOSHI ANDO SOHEE PARK ADAM H. STEWART ATSUKO KOHATA LISA K. FOWLE BYRON MANN TIMOTHY C. BURNS JOANN S. KIM EUGENIA YUAN

ELECTRIC CELLO JEN KUHN

MUSIC SCORING MIXER NOAH SCOT SNYDER SCORE MIXED AT JIVE TURKEY STUDIO

SSFL PK.V1 – 2016 OCT 29 OF 34 SOURCE MUSIC EDITORS CHRIS CHAN LEE LISA K. FOWLE ERICK JOLLEY

VISUAL EFFECTS BY TOBY MARTISIUS

POSTER DESIGN BY ERIC SKILLMAN

PUBLICIST LON HABER, LON HABER & CO.

PRODUCTION LEGAL SERVICES BY BRANDON A. BLAKE, BLAKE & WANG P.A.

PRODUCTION INSURANCE SERVICES BY TUI INSURANCE CONSULTANTS LTD.

MUSIC

“XTAZY” “AIN’T NOTHIN’” WRITTEN AND PERFORMED BY HERMAN WRITTEN AND PERFORMED BY HERMAN BEEFTINK PUBLISHED BY WEASELDOG MUSIC BEEFTINK PUBLISHED BY WEASELDOG MUSIC (BMI) COURTESY OF ELITE SOURCE MUSIC (BMI) COURTESY OF ELITE SOURCE MUSIC

“POOLSIDE” “NORTHERN SKY” WRITTEN BY JEAN PHILIPPE VALASTRO WRITTEN BY DALMA BERGER (ARTISJ), (SACEM) PUBLISHED BY JRT MUSIC (BMI) GABRIEL MASUREL (SACEM), PERFORMED BY THE MUSIC COLLECTIVE JOHANNES HARALD OIERRE REGNIER (SACEM) COURTESY OF OPUS 1 MUSIC PUBLISHED BY MUSIQUE & MUSIC (SACEM) COURTESY OF OPUS 1 MUSIC “ALL IT TAKES” WRITTEN AND PERFORMED BY HERMAN “MAMA SAID” (DBM TJP DOUT REDNECK BEEFTINK PUBLISHED BY WEASELDOG MUSIC LOVERS) WRITTEN BY ERIC BENJAMIN TURNER (BMI) COURTESY OF ELITE SOURCE MUSIC (BMI), JERRY L. DIXON (BMI), TONY J. PASKO (BMI) PUBLISHED BY DIRTY JACK MUSIC (BMI) “ABOVE ALL” PERFORMED BY BUILD DESTROY MUSIC WRITTEN BY ANTON BASS (BMI), DAN SAENZ COURTESY OF OPUS 1 MUSIC (ASCAP), RON REESER (ASCAP), SYLVIA TOSUN (BMI) PUBLISHED BY DAN SAENZ MUSIC “CAN’T RUN AWAY” (ASCAP) GLOBAL FREQUENCY PUBLISHING WRITTEN AND PERFORMED BY HERMAN (BMI), RON REESER MUSIC (ASCAP), SEA TO BEEFTINK PUBLISHED BY WEASELDOG MUSIC SUN (ASCAP) PERFORMED BY SYLVIA TOSUN (BMI) COURTESY OF ELITE SOURCE MUSIC COURTESY OF OPUS 1 MUSIC

SSFL PK.V1 – 2016 OCT 30 OF 34 “WHERE I FLY” “LOST” WRITTEN BY JAMIE PELLINGTON (BMI), TRINO WRITTEN BY ELENA VLADIMIROVNA MADRIZ (BMI) PUBLISHED BY SUITE 170 MUSIC BUSHMANOVA (ASCAP) PUBLISHED BY 12711 PUBLISHING (BMI) PERFORMED BY JAMIE MUSIC PUBLISHING (ASCAP) PELLINGTON COURTESY OF OPUS 1 MUSIC PERFORMED BY DEMONA MORTISS COURTESY OF OPUS 1 MUSIC “TRIP HOP WAY” WRITTEN BY DALMA BERGER (ARTISJ), “STILLNESS” GABRIEL MASUREL (SACEM), WRITTEN BY EVELJNE PEDROLI (SIAE) JOHANNES HARALD OIERRE REGNIER (SACEM) PUBLISHED BY ORLA SNC (SIAE) PUBLISHED BY MUSIQUE & MUSIC (SACEM) PERFORMED BY THE MUSIC COLLECTIVE PERFORMED BY THE MUSIC COLLECTIVE COURTESY OF OPUS 1 MUSIC COURTESY OF OPUS 1 MUSIC “MY SPECIAL ANGEL” “WIND OF CHANGE” WRITTEN BY JIMMY DUNCAN WRITTEN BY BILL LOOSE (BMI) PUBLISHED BY WARNER TAMERLANE PUBLISHED BY AMPHONIC MUSIC LTD (PRS) PUBLISHING CORP (BMI) BY ARRANGEMENT PERFORMED BY THE MUSIC COLLECTIVE WITH WARNER CHAPPELL PERFORMED BY COURTESY OF OPUS 1 MUSIC JOHNNY MAESTRO AND THE CRESTS COURTESY OF COED RECORDS

SPECIAL THANKS

LOIS AND JOE PHELAN RYAN PATTERSON SETH WINSTON PHILIP LEE ANTHONY L. TOBIN QUENTIN LEE HELEN PIERSON DANA SULCESKI CAVALIERO LODGE KERRIGAN JACQUELINE LIU PENNY WAI STANLEY YUNG SETH PIERSON ADRIAN HALKES LODGE KERRIGAN PAUL SCHRADER PENNY WAI KOJI STEVEN SAKAI SETH PIERSON CHRIS CUNNYNGHAM DANIEL WU BRET EASTON ELLIS MICHELLE TOBIN GLEN AND ROBERTA CHIN SHARON PIERSON COLLIN STUTZ LLOYD CHAO BRAXTON POPE DAVE KEBO EZRA EMERSON NANCY PHELAN AND LINDA HARRIS ANJA MARQUARDT ERIC STARK THE AMERICAN FILM INSTITUTE ELIZABETH CHEUNG JIMMY TSAI HEE JUNG NA ROBERT LAZAR MACE NEUFELD JOE PETRICCA JEAN HUANG MARY LEOPOLD ROBERT M. SZYMANSKI PETER LOEHR FRANK PIERSON JEANNE HARTMAN EMILY TING

SSFL PK.V1 – 2016 OCT 31 OF 34 ALEX NEYMARK ALESSIA ROSSO GILL DENNIS RICK WORLAND MYE HOANG SCOTT CHOPS JUNG TREY DOHENY RANDI SALMON CARL COLPAERT JOHN CARSTARPHEN PATRICK LEE TAKA ARAI KIARA C. JONES LEO FERNANDEZ MICHAEL FISCHLER MARSHALL TERRY STEPHEN WANG DESIRAE KARMAZIN PATRICK AND NATALIE BRANDT WOLFGANG NICOL RENE LEDA LESLIE RICHARDSON RAFFI KAMALIAN GILLIAN SAND COLIN AND MICHELE BICKLEY ANA MARIE RAMOS ANDREW OOL JAMES LENTZSCH JOHN LUO, MD DON CRUZ SNOW BICKLEY RUSSELL STEINBERG KIT HUI LAUREN HADAWAY SPENCER DOUGLASS MICHAEL KRASSNER JESSICA SHERMAN-PRINCE WEI-SAN HSU LEE METZGER RAY CARNEY JANELLE ZAI DI FDO AMANDA LAURELL TONY AND MYLENE GUMBINER LYDIA MAR PAULINE CHEUNG KANANI YOUNG GUILLERMO CARRACEDO CANDICE MOORE CELINE GUMBINER MOMOKO CHENG JOHN SADSAD MIKE LEEDER TERENCE E. GROVES GAELLE GOGNAU KOERCKEL MARTIN CHAPPELL JUJU CHAN CEIRI TORJUSSEN JANE WONG THOM BARRY CHUNG C. TSANG SAM KWOK STEPHANIE FODOR RINI YUN KEAGY SIMON YIN DANIELLE TRIMARCO JAYSON LI MONICA LO ANNMARIE LEUNG CHOCO DESMOND SO CECILIA WONG BRIAN YANG TOM BYWATERS ANDREW LANG MICHAEL KANG CHAN YEE HA CAROLYN

RED CAMERAS COURTESY OF MATTHEW CHAVEZ AND ERIC STARK

RICKY LAU, HANG WAN CINEMATIC EQUIPMENT RENTAL LTD. JOHNNY TSANG, HANG WAN CINEMATIC EQUIPMENT RENTAL LTD.

MERCEDES-BENZ COURTESY OF MICHAEL LEUNG, ZUNG FU COMPANY LTD.

SSFL PK.V1 – 2016 OCT 32 OF 34 SHOT ON LOCATION IN HONG KONG

LOCATIONS KINDLY PROVIDED BY

SHAW STUDIOS SWIRE PROPERTIES LTD. CASTELO CONCEPTS -- WAYNE PARFITT, MALCOLM WILLIAMSON, AND ALISTAIR TILEY JOSEFINA BERGSTEN, PATRICK DEAN, AND KATIE LOWE CHI RESIDENCES – PILAR MORAIS ROXIE (BUZZ CONCEPTS) THE CAT STREET GALLERY – MANDY D’ABO PAUL ROBINSON M1NT H.K. LTD. YOUNG SAMUEL CHAMBERS (‘YSC’) LTD. – CLAIRE GARNER, JOJO TSUI TIARE BOUTIQUE FREE MARKET, KENNEDY TOWN CAVE STUDIOS – DAISY CHEN MR. SO, THE FLOWER MAN FRITES, THE BELGIAN BEER HOUSE LTD. ASHOKA HOSTEL – GURDEV SINGH EQUALITY INTERNATIONAL LTD. LINQ WINE BAR AND LOUNGE – HEM GURUNG LANGHAM PLACE MONSTER SUSHI SENSE OF TOUCH KWALITY NORTH & SOUTH INDIAN FOOD

WITH SPECIAL THANKS TO:

DON TAYLOR FION TSE LINDSEY MCALISTER NICOLE GARNAUT FILM SERVICES OFFICE, HONG KONG THE AGRICULTURE, FISHERIES AND CONSERVATION DEPARTMENT OF HKSAR HONG KONG POLICE FORCE – POLICE PUBLIC RELATIONS BRANCH

NO ANIMALS WERE HARMED IN THE MAKING OF THIS MOTION PICTURE.

SSFL PK.V1 – 2016 OCT 33 OF 34

THE CHARACTERS AND EVENTS DEPICTED IN THIS MOTION PICTURE ARE FICTITIOUS. ANY SIMILARITY TO ACTUAL PERSONS OR EVENTS IS COINCIDENTAL AND UNINTENTIONAL. THIS MOTION PICTURE IS PROTECTED UNDER THE COPYRIGHT LAWS OF THE OF AMERICA AND OTHER COUNTRIES. ANY UNAUTHORIZED EXHIBITION, DISTRIBUTION, REPRODUCTION OR USE OF ALL OR ANY PART OF THIS MOTION PICTURE WILL RESULT IN CIVIL LIABILITY AND CRIMINAL PROSECUTION IN ACCORDANCE WITH APPLICABLE LAWS.

SHANGHAI STREET FILMS LIMITED IS THE AUTHOR OF THIS MOTION PICTURE FOR THE PURPOSE OF COPYRIGHT AND OTHER LAWS.

COPYRIGHT 2015 SHANGHAI STREET FILMS LIMITED. ALL RIGHTS RESERVED.

TECHNICAL SPECIFICATIONS

4K Original Capture (RED)

Digitally Mastered: HIGH DEFINITION o HARD DRIVE: MAC Formatted o CODEC: Apple ProRes HQ 422 o FILE SIZE: 100.11 GB o PICTURE: 1920x1080p, 16:9 (2.35), Letterboxed o SOUND: 5.1 & 2.0 Mix (48kHz, 24-bit) o TOTAL RUNNING TIME: 79:13 o LANGUAGE: English & minimal Cantonese (forced narrative subtitled)

Digitally Mastered: 2K (DCP / DCI) o HARD DRIVE: CRU Linux (Ext2-j/Ext3) o CODEC: J2K DCP - Interop o FILE SIZE: 34.6 GB o PICTURE: 2048x858 o SOUND: 5.1 Mix (48kHz, 24-bit) o TOTAL RUNNING TIME: 79:13 o LANGUAGE: English & minimal Cantonese (forced narrative subtitled)

SSFL PK.V1 – 2016 OCT 34 OF 34