DOCSLIB.ORG

Read Book Darling Monster: the Letters of Lady Diana Cooper To

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Read Book Darling Monster: the Letters of Lady Diana Cooper To DARLING MONSTER: THE LETTERS OF LADY DIANA COOPER TO HER SON JOHN JULIUS NORWICH 1939-1952 PDF, EPUB, EBOOK Diana Cooper,John Julius Norwich | 528 pages | 06 Nov 2014 | Vintage Publishing | 9780099578598 | English | London, United Kingdom Darling Monster: The Letters of Lady Diana Cooper to Her Son John Julius Norwich 1939-1952 PDF Book It would amuse you so much to see the sets indoors and out. The letters in Darling Monster were sent to Diana and Duff's only child, John Julius Norwich, between and he was 10 at the time of the first, and a married man when he received the last. It got lovely and calm again yesterday and there was a good film called Stanley and Livingstone 5 and in the evening we gave a dinner party of two other people … Shall hope to see old Kaetchen at 9 a. Also, Lady Diana's letters about living in London during the Blitz are a tremendously valuable resource of history. When she married rising political star Duff Cooper, they became the golden couple who knew everyone who was anyone; they sat at the very heart of British public life. Agnes was heartbroken; he was the love of her life. And so he allowed himself to be persuaded — with my mother in her present mood he had very little choice. I tore off to the shutting London Library and got a life of the authoress and against time dug out of the two fat volumes two episodes that I hoped would pass muster. So she wrote to other people instead — to my father if he was away somewhere, to her old friend Conrad Russell, or to me, her son. But they also give us a touching portrait of the love between a mother and son, separated by war, oceans and the constraints of the time they lived in. Follow Isabelle as she learns to walk, celebrates her first birthday, explores nature, and experiences the joys of a loving family. Good, but still the war goes on, and they write their loss off and call it a preliminary skirmish. Cooper's letters have a special immediacy and frankness Duff informs her, more than once, that her epistles will be of no use whatsoever to a small boy ; they are conspiratorial. Their very size spelt a sort of safety; private houses were a good deal more vulnerable, besides being impossible to heat. I got a telegram from Raimund18 and one from Henri Bernstein and one from Dorothy Paley all saying they had seen you and that you were well and happy. This evening was quite another picnic. I love my darling boy. The King is a plaintive fellow whose family don't care to listen to him: "It's her family and household. When at last I thought it could go at that, I found that reading slowly it took just two minutes. I should claim it from him when we get home. All morning it was Mumble at Rottingdean, no lunch, debris-righting at Chapel Street. We are going to have a demonstration this afternoon. Mrs V J Twentyman rated it really liked it Jul 09, Despite repeated injunctions to keep them carefully, I fear that the very occasional bundle has been lost — almost certainly my fault. It is not, I think, likely to be revived. Please to remember this and not forget me when you are in Canada and if you were as Scotch as your grandmother you could say this poem. It must have been a privilege to have known her. She had thought I would burst into uncontrollable tears, fling my arms round her neck and say I wanted to stay with her for ever; but no — for me, America was simply the most exciting place in the world. Papa gave a lecture. Maybe I'm being churlish, but I can't help but think that someone outside the family romance would have made better choices of what to leave out - and probably there would be fewer repetitive letters that go on for page after page of Lady Diana complaining about her servants, or making allusions to society gossip that probably interested only 50 or 60 people at the time. She was to lead a mad existence with Duff, an intelligent and restless man who liked life on his own terms, but as Darling Monster shows, it was an existence that was by and large fulfilling. Later they did two more tours, the first through central Europe, the second through England and Scotland. August 16th. Then she told me that I was being sent to America, and that I should be leaving in three days. I found a German. I did not feel horrified. The poor girl has gained her liberty, but her venture into the outside world proves disastrous: she is betrayed, abused, corrupted; and a year or two later she makes her way back to the abbey broken in body and spirit, a dying baby in her arms. Inescapably posh but rarely judgmental one lapse is her disdainful treatment of her successor at the Paris Embassy, Lady Harvey , she is rescued from glibness by her childlike curiosity and humour, and by the always innocent eye with which she peeks at the world. The remainder are left unexplained because I have no idea who they are. Darling Monster: The Letters of Lady Diana Cooper to Her Son John Julius Norwich 1939-1952 Writer Papa meanwhile was jabbering and drinking with sixteen English pressmen, chiefly editors who had been abusing and insulting him, guying him and spitting ink in his face for the last ten days. One dreads, curiously enough, once reasonably safe, not bombs but boredom, and the fear that it may last four or five hours. It also possesses a life-size statue of the Virgin and Child credited with miraculous properties. Later they did two more tours, the first through central Europe, the second through England and Scotland. That branch was, moreover, forked: syphilis and piles. The correspondence starts to read more like a self-absorbed diary than letters to a now year-old man. Dec 31, Banbury rated it it was ok. I think about you and wonder, wonder all the time. When she married rising political star Duff Cooper, they became the golden couple who knew everyone who was anyone; they sat at the very heart of British public life. Cooper was the great beauty of her generation. It was like digging for gold — so many disappointments and then striking a seam. However, as these were letters to her son, which start from when he is quite young, they seemed to lack the grit I was hoping for. One poor woman had had her daughter killed and was rather badly hurt herself. In the old days when the world was like home, we should have been able to wireless to each other every day, now the sea is silent for all but wrecks and disasters. While all the other nuns are congregated in prayer, one of their number suddenly rises from their midst, removes her habit — which she gives back to the girl — takes the baby, now dead, from her and slowly returns with it to the niche, where it becomes the Christ-child. My heart was torn by the poor alien anti-Nazi women whose husbands have been interned, and who are as demented as I should be if Papa were taken and I left, not knowing sometimes where they are or if they will ever connect up with them again. Nov 26, Mark rated it liked it. In that case, we can't Today England was white with German leaflets. She treats her son, last seen in a dimly lit station, as a much missed grown-up to whom she can be extraordinarily and exhilaratingly open. Another voice bawls into my ear at seven this evening that it is speaking from Deptford and that the parents in Deptford would like to come and have a look at me too. He loved to tell the story of a certain evening in early July when he briefly escaped to London from his training camp at Bushey in Hertfordshire, only to discover that no one he knew, male or female, was in town. Nancy and Debo Mitford are here she goes with them to Dior to see his New Look: "a whole lot quite unwearable… the bulkiness of them is too uncomfortable". Then one Sunday, when I was on my feet again but still shaky, my mother appeared and took me out to lunch at a hotel in Buckingham. They are called Oscar and Cuthbert, and Mr. Madam C. About Lady Diana Cooper. The large London hotels were very popular during the earlier stages of the war. Sep 24, Mary rated it liked it Shelves: 4-nonfiction-read. I would rather victory was achieved by famine and revolt in Europe than by hideous hordes in England. That will do for my lecture bit of this letter. A great read even if the history of that period doesn't particularly interest you. August 8th. Tell Kaetchen to teach you concentration. Back next month. He might have been conducting a war from G. Papa is like you and wants to sit quiet in town and go to the theatres and eat and drink and play cards, and wink at the lovely ladies, while I, as you know me, am trying to put a bit more enterprise and adventure into it. We are staying with Mr and Mrs Jack Warner in great luxury. This importance was to a large extent financial; as — in theory at least — the fifth child and third daughter of the Duke, she stood to inherit virtually nothing.
Load more

Recommended publications
  • Nights Underground in Darkest London: the Blitz, 1940–1941
    Nights Underground in Darkest London: The Blitz, 1940–1941 Geoffrey Field Purchase College, SUNY After the tragic events of September 11, Mayor Rudolph Giuliani at once saw parallels in the London Blitz, the German air campaign launched against the British capital between September 1940 and May 1941. In the early press con- ferences at Ground Zero he repeatedly compared the bravery and resourceful- ness of New Yorkers and Londoners, their heightened sense of community forged by danger, and the surge of patriotism as a town and its population came to symbolize a nation embattled. His words had immediate resonance, despite vast differences between the two situations. One reason for the Mayor’s turn of mind was explicit: he happened at that moment to be reading John Lukacs’ Five Days in London, although the book examines the British Cabinet’s response to the German invasion of France some months before bombing of the city got un- derway. Without doubt Tony Blair’s outspoken support for the United States and his swift (and solitary) endorsement of joint military action also reinforced this mental coupling of London and New York. But the historical parallel, however imperfect, seemed to have deeper appeal. Soon after George W. Bush was telling visitors of his admiration for Winston Churchill, his speeches began to emulate Churchillian cadences, Karl Rove hung a poster of Churchill in the Old Execu- tive Office Building, and the Oval Office sported a bronze bust of the Prime Min- ister, loaned by British government.1 Clearly Churchill, a leader locked in conflict with a fascist and a fanatic, was the man for this season, someone whom all political parties could invoke and quote, someone who endured and won in the end.
    [Show full text]
  • The Isaiah Berlin Papers (PDF)
    Catalogue of the papers of Sir Isaiah Berlin, 1897-1998, with some family papers, 1903-1972 This finding aid was produced using ArchivesSpace on 2019-10-14 Finding aid written in English Bodleian Libraries Weston Library Broad Street Oxford, , OX1 3BG [email protected] https://www.bodleian.ox.ac.uk/weston Catalogue of the papers of Sir Isaiah Berlin, 1897-1998, with some family papers, 1903-1972 Table Of Contents Summary Information .............................................................................................................................. 4 Language of Materials ......................................................................................................................... 4 Overview ............................................................................................................................................. 4 Biographical / Historical ..................................................................................................................... 4 Scope and Contents ............................................................................................................................. 5 Arrangement ........................................................................................................................................ 5 Custodial History ................................................................................................................................. 5 Immediate Source of Acquisition .......................................................................................................
    [Show full text]
  • Publications Catalogue 2015–16
    Publications Catalogue 2015 –16 Vogue 100 New titles A Century of Style Robin Muir While principally a fashion magazine, Vogue has never been just that. It has assumed a central and vital role on the cultural stage, with a history that spans the most inventive decades in fashion and taste, and in the arts and society. Published to mark the magazine’s centenary, and accompanying a major exhibition, this book celebrates the twentieth century and beyond with an authoritative and discriminating eye. In more than 2,000 issues, British Vogue has acted as a cultural barometer, putting fashion in the context of the wider world – how we dress, how we entertain, what we eat, listen to, watch, who leads us, excites us and inspires us. The century’s most talented photographers, Lee Miller, Norman Parkinson, Cecil Beaton, Irving Penn, David Bailey, Snowdon and Mario Testino among them, have contributed to it. In 1916, when the First World War made transatlantic shipments of American Vogue impossible, its proprietor, Condé Nast, authorised a British edition. It was an immediate success, and over the following ten decades cover Provisional of uninterrupted publication continued to mirror its times – the austerity and optimism that followed two world wars, the ‘Swinging London’ scene 310 x 254 mm, 304 pages of the sixties, the radical seventies, the image-conscious eighties – and in Over 300 illustrations its second century remains at the cutting edge of photography and design. ISBN 978 1 85514 561 0 Decade by decade, Vogue 100 celebrates the greatest moments in Price £40 TBC (hardback) fashion, beauty and portrait photography.
    [Show full text]
  • 508642 VOL2.Pdf
    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Lord Berners : Aspects of a Biography Gifford, Mary The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 23. Sep. 2021 LORD BERNERS: ASPECTS OF A BIOGRAPHY Name: MARY GIFFORD College: KING'S COLLEGE LONDON, UNIVERSITY OF LONDON Examination: PhD VOLUME2 Selected bibliography 186 Published music by Berners 200 Recorded music 204 Tables (working documents) 1.
    [Show full text]
  • TAKASHI MURAKAMI © Alle Rechte Vorbehalten - Die Rechte Liegen Beim Jeweiligen Verlag
    TAKASHI MURAKAMI CECIL BEATON JULIA SCHER Mar y -Audre y Ramirez WINTER 2019 / 2020 EIN KUNSTMAGAZIN GIUSEPPE CASTIGLIONE Nr. 39 © Alle Rechte vorbehalten - Die Rechte liegen beim jeweiligen Verlag. Jegliche Veröffentlichung und nicht-private Nutzung exklusiv über https://www.axelspringer-syndication.de/angebot/lizenzierung BLAU--s3-beilagen-92 fdd88591bec38360f1d079b8cbf3b603 Nr. 39 / 39Winter 2019 TAKASHI – MURAKAMI 2020 © Alle Rechte vorbehalten - Die Rechte liegen beim jeweiligen Verlag. Jegliche Veröffentlichung und nicht-private Nutzung exklusiv über https://www.axelspringer-syndication.de/angebot/lizenzierung BLAU--s3-beilagen-92 fdd88591bec38360f1d079b8cbf3b603 Irgendwann, das Interview war been­ für eine lange Zeit, bis heute eigent­ AUFTAKT det, und wir waren längst durch jede lich, seinen Markt geschwächt. Eigent­ seiner fußballfeldgroßen Studiohallen lich eine Katastrophe. Aber es ist gelaufen, wollte ich dann doch noch noch komplexer: Am Ende wird Hirst einmal nachhaken. War es nicht reine für genau diese Auktion als sein größ­ Koketterie, wenn Takashi Murakami, tes Kunstwerk erinnert werden, eine ein Künstler mit weit mehr als 200 fest gigantische Performance gewisser­ angestellten Mitarbeitern (und Autor maßen, ausgerechnet an dem Tag, an von The Art Entrepreneurship Theory), dem Lehman Brothers pleitegeht. WENN AUS WEITSICHT ohne den leisesten Anflug von Ironie Wenn Damien stirbt, wird jeder darüber verkündete, er sei vieles, aber bestimmt schreiben. Ein Erfolg, der zur Nieder­ WELTSICHT WIRD. kein guter Geschäftsmann? Hatte er lage wird, und ihn am Ende, in den nicht gerade sein jüngstes Opus mag­ Nachrufen auf ihn, zu einem epoche­ Willkommen an Bord einer Kreuzfahrtflotte, num Die 500 Arhats, ein 100 Meter machenden Künstler werden lässt – die jedem Vergleich vorausfährt – mit kleinen individuellen „War es nicht reine langes Gemälde, an die Königsfamilie ist das nicht fantastisch?“ Schiffen und größter persönlicher Freiheit.
    [Show full text]
  • Cecil Beaton (1904–80) Was One of the Great Creative Figures of the British Twentieth Century
    Access Guide Please return at the end of your visit We hope this guide supports your visit. Please speak to any member of staff for more information. VERSION 2 Map Entrance Contents TBC Introduction Cecil Beaton (1904–80) was one of the great creative figures of the British twentieth century. Chiefly known as a photographer of portraits and fashion, through his work for Vogue magazine from 1924 to 1979, he was also recognised as a significant war photographer. An illustrator and caricaturist, a writer and commentator on taste and manners, Beaton was a theatre designer and art director of world renown and an influential stylist of his own homes. This exhibition focuses on Beaton’s early years. Born in Hampstead to a then prosperous timber merchant, Ernest Beaton and his wife Esther (‘Etty’), Cecil was first given a camera in 1914, aged ten. His first subjects were his mother and his willing sisters, Nancy and Barbara (‘Baba’). His transformation from middle-class suburban schoolboy to dazzling society figure against the backdrop of the Roaring Twenties and the Age of Jazz revealed a social mobility barely thinkable before the First World War. Here, then, are the Bright Young Things who brought an extraordinary era vividly to life and in so doing, nurtured and refined a remarkable photographic talent. The strength of his singular vision is such that, when we think of the Bright Young Things, we think of them in Beaton’s costumes, through Beaton’s lens and as Beaton’s friends. For full details of all events please see the What’s On guide or npg.org.uk/events Friday 20 March, 19.00 Lecture ‘When I die I want to go to Vogue’: Cecil Beaton’s Most Enduring Patron with Robin Muir Curator Robin Muir looks at the Cecil Beaton’s long working relationship with Vogue.
    [Show full text]
  • The Duff Cooper Diaries: 1915-1951 Pdf, Epub, Ebook
    THE DUFF COOPER DIARIES: 1915-1951 PDF, EPUB, EBOOK John Julius Norwich | 544 pages | 28 Sep 2007 | Orion Publishing Co | 9780753821053 | English | London, United Kingdom The Duff Cooper Diaries: 1915-1951 PDF Book Alexandra rated it really liked it Jun 22, An entertaining set of diary entries from a witness to several signal events in British and European history - WWI, the abdication, WWII and the liberation of Paris and it's formation into the new Republic. Tim rated it it was amazing Jun 11, Title last held by Ronald Campbell. Adam Mills rated it liked it Jan 24, He and H. Thanks for telling us about the problem. Mary rated it really liked it Jun 01, This is a dazzling self-portrait of a man who lived life to the full, relished it enormously and gave much joy to others in so doing. The three years at the Paris embassy was a dazzling period, much documented, during which Duff and his wife, the famously lovely Lady Diana, created a brilliant setting for sophisticated Anglo-French society in the then wretchedly depleted French capital. He was to prove a very popular ambassador, with Lady Diana helping to make his term of office a great social success. In January he was appointed Financial Secretary to the War Office , not a job he would have chosen. The diary is beautifully edited, with notes which provide just the right amount of information, and John Julius Norwich has written a perfectly judged introduction. William Hay, 18th Earl of Erroll. Alexander rated it really liked it Aug 21, However, he was "never mean or ignoble" and was "a proud patriot" who sometimes had "true nobility", although he was "too proud to court popularity" and too reserved to attract it readily.
    [Show full text]
  • Darling Monster: the Letters of Lady Diana Cooper to Her Son John Julius Norwich 1939-1952 Pdf
    FREE DARLING MONSTER: THE LETTERS OF LADY DIANA COOPER TO HER SON JOHN JULIUS NORWICH 1939-1952 PDF Diana Cooper,John Julius Norwich | 528 pages | 06 Nov 2014 | Vintage Publishing | 9780099578598 | English | London, United Kingdom DARLING MONSTER | Kirkus Reviews It keeps him rested and young [February 19, ]. Infor example, she tries to breeze into the Vatican, only to find her path blocked by burly Swiss Guards, who declare it shut on Sunday. No one could deny her access for long, not even the Pope. Men had Darling Monster: The Letters of Lady Diana Cooper to Her Son John Julius Norwich 1939-1952 prostrated themselves. At a loose end in Chantilly after the war, she sifts through old love letters. The first man she loved was a golden-curled Swedish aviator who fell into the Channel piloting a cardboard monoplane. I always knew: they were the flowers. I was the tree. On her 30th wedding anniversary she recalls to Norwich how, on her way to get married, a man had dashed out from the church with a missive. She was to lead a mad existence with Duff, an intelligent and restless man who liked life on his own terms, but as Darling Monster shows, it was an existence that was by and large fulfilling. She sowed pleasure in others like a seed-thrower. The letters begin with the outbreak of the Second World War. As he admits with fluent modesty, he was the lesser correspondent — and he rations his replies to one per chapter. This one only told me your gym master had been ill.
    [Show full text]
  • Lady Diana Manners (Lady Diana Cooper) As Princess SOLD Katherine in Henry V
    Lady Diana Manners (Lady Diana Cooper) as Princess SOLD Katherine in Henry V REF: 1890 Artist: MARJORIE MANNERS, later MARCHIONESS OF ANGLESEY Height: 86.36 cm (34") Width: 59.69 cm (23 1/2") Framed Height: 135.382 cm - 53 1/4" Framed Width: 106.68 cm - 42" 1 Sarah Colegrave Fine Art By appointment only - London and North Oxfordshire | England +44 (0)77 7594 3722 https://sarahcolegrave.co.uk/lady-diana-manners-lady-diana-cooper-as-princess-katherine 24/09/2021 Short Description Lady Victoria Harriet Marjorie Manners (1883-1946) was the eldest daughter of Henry Manners, 8th Duke of Rutland and Violet Manners, Duchess of Rutland and the sister of Lady Diana Cooper. In 1920 she co- authored (with art historian G C Williamson) a study for the neoclassical painter Johan Zoffany that is considered the first in-depth study of the artist. She also co-wrote books on Angelica Kauffmann and William Peters, as well as writing a number of articles for The Connoisseur. In 1912 she married Charles Paget, 6th Marquess of Anglesey. This portrait is of her youngest sister, Lady Diana Manners (later Lady Diana Cooper). According to an inscription on the original backboard this drawing was made in 1903 and shows the 11 year old Lady Diana playing the role of Princess Katherine in Henry V. Diana was one of the great wits and beauties of her day and also one of the most photographed and painted. From her youth she had always been a keen amateur actress and participated in many plays and pageants performed with her family and friends.
    [Show full text]
  • Performing Portraiture: Picturing the Upper-Class English Woman in an Age of Change, 1890–1914 by Susan Elizabeth Slattery
    Performing Portraiture: Picturing the Upper-Class English Woman in an Age of Change, 1890–1914 by Susan Elizabeth Slattery A thesis submitted in conformity with the requirements for the degree of PhD Graduate Department of Art History University of Toronto ©Copyright by Susan Elizabeth Slattery 2019 Performing Portraiture: Picturing the Upper-Class English Woman in an Age of Change, 1890–1914 Susan Elizabeth Slattery Doctor of Philosophy Department of Art History University of Toronto 2019 Abstract This dissertation examines the use of portraiture by upper-class women of Britain in the period 1890—1914 as a means to redefine gender and class perception and to reposition aristocratic women as nostalgic emblems of a stable past and as symbols of a modern future. Through a range of portraiture practices, upper-class women promoted themselves as a new model for a continuing upper class that fulfilled a necessary social function in the altered circumstances of the new century. The period 1890—1914 was an era of change that challenged the existing social structure in Britain, destabilizing the hereditary entitlement of the ruling class and questioning the continuing role and relevance of the upper class. In the same period, changes in the technology of print and photography meant that, for the first time, there was the ability to disseminate portrait images through mass media on an economical basis, leading to a proliferation of illustrated journals and magazines. These circumstances provided an opportunity for upper-class women to reimagine the social and political potential of portraiture. ii My analysis examines different forms of media through intensive case studies arguing a progression from a traditional static image to a fluid interdisciplinary performative portraiture practice.
    [Show full text]
  • The Queen of Souls
    The Queen of Souls The intimate drawings of Violet Manners, Duchess of Rutland Despite being surrounded by aesthetes in her youth, Violet married Violet Manners the stolidly conservative John Manners. one of the most eligible men in England, who would become the 8th Duke of Rutland, and produced a large – and extremely beautiful - family that included The Queen of Souls a daughter, Lady Diana Cooper (as she became) who would go on to be the great society beauty of the next century. The beautiful and talented Violet Manners (1856-1937) lived a With the onset of marriage, the focus of Violet’s attention long and charmed life, artistically and socially. A cousin of Sir predictably became her young family. Although she bore five Coutts Lindsay, who ran that temple of aestheticism, the Grosvenor children, her family life was not without tragedy. Her eldest son Gallery, Violet displayed a precocious artistic talent. Unusually for and heir, Robert, Lord Haddon, died aged just nine. The portrait the time, her father – a younger son of the Earl of Crawford – of him in the current collection, produced two years before his bothered to notice and asked no less an authority than Burne-Jones death, show a pretty but delicate, otherworldly child, almost a to teach her, but he advised instead that she should sit herself down Peter Pan. After Haddon’s death in 1894, the Duchess sculpted a in front of a mirror and record what she saw. Violet, aged 30 by Herbert Barraud.’ tomb memorial at Belvoir Castle, the family seat. The plaster for “the sitters in Violet’s early work were the beautiful, Oscar Oscar Wildean the work was later acquired by the Tate.
    [Show full text]
  • COCKTAILS CURATED by Tristan Stephenson Welcome to Cecil’S
    COCKTAILS CURATED BY Tristan Stephenson Welcome to Cecil’s. Beautifully crafted cocktails paying homage to Cecil Beaton. Cecil Beaton: A photographer of portraits and fashion; an illustrator and caricaturist; a writer and commentator; a theatre designer, costume designer and art director. An artist made up of multiple talents, pieced together in one form. A scrapbook of elixirs all inspired by snapshots of Cecil’s life and work. Each cocktail dedicated to one of his subjects, a costume design, pattern work, or a simple story. Exploring flamboyance, moodiness and uplifting characteristics through curious flavours and interesting ingredients. Refined in offer, relaxed in nature. Cecil’s is a friendly place mixing Art Deco elegance with playful touches. Beaton’s penchant for the theatrical can be brightly seen in the famous photograph of his sister Nancy, who modelled her fancy dress costume for the Galaxy Ball at London’s Park Lane Hotel, 1929. Shooting Star Gin, Vermouth del Professore, Dolin Bianco Short and strong. The Cecil Beaton martini equivalent and the shining star of our cocktail list. The perfect marriage of gin and vermouth, stirred until super cold and strained into a chilled martini glass. Light Intense 14 Contains sulphites. Classic cocktails available on request. Stephen Tennant ‘the last professional beauty’ was the brightest of Beaton’s Bright Young Things and one of his most enthusiastic sitters, becoming a symbol of romance and beauty in his time. Beaton dressed Tennant as ‘Pink Satin Prince Charming’ for Pageant of Romantic Historical Lovers. Pink Prince Charming Three Spirit Livener, Peach, Sparkling Wine Long, fruity and flamboyant.
    [Show full text]