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Title Spons Agency Bureau No Pub Date Contract Note
DOCUMENT LIZSUME ED 071' C87 82 015 524 TITLE Project Musics Reader 2,Motion in the Heavens. .INSTITUTION Harvard Univ., Cambridge,Mass. Harvard Project _Physics. SPONS AGENCY Office of Education (DREW), Washington, D.C.,Bureau of Research. BUREAU NO BK-5-1038 PUB DATE 68 CONTRACT 08C-5-10-058 NOTE 233p.; Authorized InterimVersion EDRS PRICE MF -$0.65 HC-89.87 _DESCRIPTORS Astronomy; Instructional Materials;.*Motion; *Physics; Science, Fiction;. Science Materials; _Secondary Grades; *Secondary School Science; *Space; *Supplementary Reading Materials IDENTIFIER'S Harvard Project Physics ABSTRACT As a supplement to.Projpct Physics Unit 2, specially, selected articles are presented in this reader for student browsing. _Eight excerpts are given under headings:,the starry messenger, Newton_. And the principia, an appreciation of the earth, space the unconquerable, Is there intelligent life beyond the earth3,11 the life story of a galaxy, expansion of the universe, and Dyson sphere. Seven book passages. are included under. the, headings of the black cloud, roll call, a night at the observatory, Repler's celestial music, universal gravitation, a table of stars within twenty-two light years that could have habitable planets, and three poetic _fragments about astronomy. The remaining articles includea preface to the books of the ,revolutions, Kepler, Kepler on. Mars, laws of ..motion and proposition one,, garden of Epicurus, a search for life on earth at Kilometer resolution, the. boy who redeemed his father's _name, great comet of 1965, gravity experiments, unidentified flying objects, and negative mass. Illustrations for explanationpurposes . are provided. The work of Harvard. Project Physics has been .financially supported by: the Carnegie Corporation of New York, the Ford. -
ORDOVICIAN to RECENT Edited by Claus Nielsen & Gilbert P
b r y o z o a : ORDOVICIAN TO RECENT Edited by Claus Nielsen & Gilbert P. Larwood BRYOZOA: ORDOVICIAN TO RECENT EDITED BY CLAUS NIELSEN & GILBERT P. LARWOOD Papers presented at the 6th International Conference on Bryozoa Vienna 1983 OLSEN & OLSEN, FREDENSBORG 1985 International Bryozoology Association dedicates this volume to the memory of MARCEL PRENANT in recognition o f the importance of his studies on Bryozoa Bryozoa: Ordovician to Recent is published by Olsen & Olsen, Helstedsvej 10, DK-3480 Fredensborg, Denmark Copyright © Olsen & Olsen 1985 ISBN 87-85215-13-9 The Proceedings of previous International Bryozoology Association conferences are published in volumes of papers as follows: Annoscia, E. (ed.) 1968. Proceedings of the First International Conference on Bryozoa. - Atti. Soc. ital. Sci. nat. 108: 4-377. Larwood, G.P. (cd.) 1973. Living and Fossil Bryozoa — Recent Advances in Research. — Academic Press (London). 634 pp. Pouyet, S. (ed.) 1975. Brvozoa 1974. Proc. 3rd Conf. I.B.A. - Docums Lab. Geol. Fac. Sci. Lvon, H.S. 3:1-690. Larwood, G.P. & M.B. Abbott (eds) 1979. Advances in Bryozoology. - Systematics Association, Spec. 13: 1-639. Academic Press (London). Larwood, G. P. «S- C. Nielsen (eds) 1981. Recent and Fossil Bryozoa. - Olsen & Olsen, Fredensborg, Denmark. 334 pp. Printed by Olsen £? Olsen CONTENTS Preface........................................................................................................................... viii Annoscia, Enrico: Bryozoan studies in Italy in the last decade: 1973 to 1982........ 1 Bigey, Françoise P.: Biogeography of Devonian Bryozoa ...................................... 9 Bizzarini, Fabrizio & Giampietro Braga: Braiesopora voigti n. gen. n.sp. (cyclo- stome bryozoan) in the S. Cassiano Formation in the Eastern Alps ( Italy).......... 25 Boardman, Richards. -
Tinteros De Bronce Romanos De Augusta Emerita ; Roman Bronze
Archivo Español de Arqueología 2019, 92, págs. 251-269 ISSN: 0066 6742 https://doi.org/10.3989/aespa.092.019.014 Tinteros de bronce romanos de Augusta Emerita Roman bronze inkpots from Augusta Emerita Javier Alonso1 Biblioteca Pública del Estado (Ciudad Real) Rafael Sabio González2 Museo Nacional de Arte Romano de Mérida José Manuel Jerez Linde3 Investigador independiente RESUMEN 1. INTRODUCCIÓN Estudio de tinteros de bronce recuperados en el yacimiento de Augusta Emerita. Se definen las partes de un tintero, En el transcurso de la revisión de materiales de diferentes tipologías, las medidas de volumen, se relacionan las época romana que se está llevando a cabo en el yaci- representaciones iconográficas de instrumentos de escritura con miento de Augusta Emerita, hemos podido reunir los hallazgos en depósitos funerarios, los usos de otros objetos una nada desdeñable colección de tinteros de bronce y componentes que implicaba escribir con tinteros y se analiza procedentes de las últimas intervenciones arqueoló- la relación de los tinteros con los depósitos funerarios y la posible identificación de quienes se enterraron con estos objetos. gicas, caso del Consorcio de la Ciudad de Mérida (CCMM), como también de los almacenes del Museo SUMMARY Nacional de Arte Romano (MNAR) y que se encua- dran dentro de los estudios que realizamos sobre la This article examines Roman metal inkwells found at cultura escrita en la capital de la Lusitania (Alonso Augusta Emerita. Along with the presentation of a typology, the y Velázquez 2010: 167-187; Sabio y Alonso 2012: parts of an inkwell are defined and volume measures are 1001-1023; Alonso 2013: 213-226; Alonso y Sabio analyzed. -
U Tech Glossary
URGLOSSARY used without permission revised the Ides of March 2014 glos·sa·ry Pronunciation: primarystressglässchwaremacron, -ri also primarystressglodots- Function: noun Inflected Form(s): -es Etymology: Medieval Latin glossarium, from Latin glossa difficult word requiring explanation + -arium -ary : a collection of textual glosses <an edition of Shakespeare with a good glossary> or of terms limited to a special area of knowledge <a glossary of technical terms> or usage <a glossary of dialectal words> Merriam Webster Unabridged tangent, adj. and n. [ad. L. tangens, tangent-em, pr. pple. of tangĕre to touch; used by Th. Fincke, 1583, as n. in sense = L. līnea tangens tangent or touching line. In F. tangent, -e adj., tangente n. (Geom.), Ger. tangente n.] c. In general use, chiefly fig. from b, esp. in phrases (off) at, in, upon a tangent, ie off or away with sudden divergence, from the course or direction previously followed; abruptly from one course of action, subject, thought, etc, to another. (http://dictionary.oed.com) As in off on a tangent. “Practice, repetition, and repetition of the repeated with ever increasing intensity are…the way.” Zen in the Art of Archery by Eugen Herrigel. For many terms, this glossary contains definitions from multiple sources, each with their own nuance, each authors variation emphasized. Reading the repeated definitions, with their slight variations, helps create a fuller, more overall understanding of the meaning of these terms. The etymology of the entries reinforces and may repeat the repetitions. Wax on, wax off. Sand da floor. For sometime, when I encounter a term I don’t understand (and there are very many), I have been looking them up in the oed and copying the definition into a Word document. -
EMBA Profiles Class of September 2019
EMBA Profiles Class of September 2019 EMBA S19 CLASS PROFILES B Carrie Bach is the Group Manshuk Bekbolat is Director of Development Accounting Manager with and Foundations for responsibility for all Centura Health, the accounting tasks for the largest healthcare Belgian & Dutch entities. provider in the state of This includes full Colorado, a subsidiary of ownership of balance Carrie Bach Common Spirit Health, Manshuk Bekbolat sheet & general ledger American the largest nonprofit Kazakh accounting activities, healthcare system in the including review of BS Group Director of United States. Carrie is Russian,Turkish,Other reconciliations. Development and the head of philanthropy Foundations, Centura for several prominent Accounting Manager, Health, USA Denver-area hospitals LHH, The Netherlands and is responsible for Sector: Nonprofit finding innovative ways to Sector: Outplacement Healthcare connect corporate and Services & HR hospital goals with Consulting (Career philanthropic strategy to Transition, Leadership create a healthier Development, Executive Colorado. Coaching) Mark Burges Watson is the CEO of Haitong International (UK) Ltd, responsible for all aspects of the day to day management of the firm, including regulatory, legal and compliance oversight Mark Burges Watson as well as recruitment British and representation. Haitong International is Italian the HK based subsidiary of China's second largest CEO, Haitong Securities firm. The International (UK) Ltd, UK business in the UK includes Equities, FICC Sector: Financial and ECM/M&A advisory. Services Mark was formerly the CEO & Co-Founder of Tokyo-listed 'Japaninvest group plc' which was acquired by Haitong International in 2015. EMBA S19 CLASS PROFILES C D Sasha Collington founded Caroline Dyott manages Midnight Circus Films in all Donmar Warehouse 2014 to produce the theatre productions, with feature film, Love Type D. -
Transcripcio I Transliteracio Dels Noms Dels Principals Vasos Grecs
TRANSCRIPCIO I TRANSLITERACIO DELS NOMS DELS PRINCIPALS VASOS GRECS Joan Alberich i Montserrat Ros ABSTRACT The aim of this paper is to give some rules to specialists in order to dis- tinguish between the transliteration of ancient Greek words in the Latin alphabet and their transcription in Catalan. The authors present un alphabetical list of the names of various Greek vases in their original lan- guage, in their transliterated graphy, in their Latin form and in their Ca- talan transcriution. Molt sovint trobem en textos de tota mena mots provinents del grec clhssic grafiats de tal manera que criden l'atenció del lector per la seva forma exbtica i estranya i que, altrament, no reflecteixen amb prou nitidesa la grafia original grega. Generalment, són formes híbrides que responen a una confusió entre el que seria la transliteració i la transcripció d'aquests mots; perb de vegades presenten alteracions més greus per haver seguit rnimbticament i acritica la grafia corresponent en una llengua forastera sense tenir prou en compte ni la llengua de partida, el grec, ni la personali- tat llatina de la llengua d'arribada, el catalh. Per a evitar tals barreges, cal que tinguem una idea ben clara dels criteris diferents que regeixen la trans- literació i la transcripció dels mots. Quan no podem reproduir els mots grecs amb els carhcters originals, o bé no és el nostre interks de fer-ho, i no volem recórrer a la traducció, la transliteració pot ésser un carn' a seguir. L'avantatge principal de la trans- literació és la reducció de les despeses que suposen els canvis tipogrhfics en un mateix text. -
全文本) Acceptance for Registration (Full Version)
公報編號 Journal No.: 694 公布日期 Publication Date: 22-07-2016 分項名稱 Section Name: 接納註冊 (全文本) Acceptance for Registration (Full Version) 香港特別行政區政府知識產權署商標註冊處 Trade Marks Registry, Intellectual Property Department The Government of the Hong Kong Special Administrative Region 接納註冊 (全文本) 商標註冊處處長已根據《商標條例》(第 559 章)第 42 條,接納下列商標的註冊申請。現根據《商標條 例》第 43 條及《商標規則》(第 559 章附屬法例)第 15 條,公布申請的詳情。 根據《商標條例》第 44 條及《商標規則》第 16 條,任何人擬就下列商標的註冊提出反對,須在本公告 公布日期起計的三個月內,採用表格第 T6 號提交反對通知。(例如,若果公布日期爲 2003 年 4 月 4 日,則該三個月的最後一日爲 2003 年 7 月 3 日。)反對通知須載有反對理由的陳述及《商標規則》第 16(2)條所提述的事宜。反對人須在提交反對通知的同時,將該通知的副本送交有關申請人。 有關商標註冊處處長根據商標條例(第 43 章)第 13 條/商標條例(第 559 章)附表 5 第 10 條所接納的註冊申 請,請到 http://www.gld.gov.hk/cgi-bin/gld/egazette/index.cgi?lang=c&agree=0 檢視電子憲報。 ACCEPTANCE FOR REGISTRATION (FULL VERSION) The Registrar of Trade Marks has accepted the following trade marks for registration under section 42 of the Trade Marks Ordinance (Cap. 559). Under section 43 of the Trade Marks Ordinance and rule 15 of the Trade Marks Rules (Cap. 559 sub. leg.), the particulars of the applications are published. Under section 44 of the Trade Marks Ordinance and rule 16 of the Trade Marks Rules, any person who wishes to oppose the registration of any of these marks shall, within the 3-month period beginning on the date of this publication, file a notice of opposition on Form T6. (For example, if the publication date is 4 April 2003, the last day of the 3-month period is 3 July 2003.) The notice of opposition shall include a statement of the grounds of opposition and the matters referred to in rule 16(2). -
Copyright by Thomas James Bolt 2019
Copyright by Thomas James Bolt 2019 The Dissertation Committee for Thomas James Bolt Certifies that this is the approved version of the following Dissertation: Delusions of Grandeur: Humor, Genre, and Aesthetics in the Poetry of Statius Committee: Pramit Chaudhuri, Supervisor Neil Coffee Ayelet Haimson Lushkov Alison Keith Andrew Riggsby Delusions of Grandeur: Humor, Genre, and Aesthetics in the Poetry of Statius by Thomas James Bolt Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2019 Dedication To my parents Acknowledgements I have been fortunate enough to have received support from many sources to whom I am forever grateful. First thanks must go to my supervisor, Pramit Chaudhuri. His patience, guidance, and keen eye for detail have been essential for the successful completion of this project. Each word in this dissertation has benefitted from his thoughtful consideration. He has consistently challenged me to think about literature in more creative and deeper ways, and this dissertation — to say nothing of my scholarly perspective as a whole — is much the better for it. I also thank Ayelet Haimson Lushkov. Apart from her characteristically insightful commentary on this project, I will always be thankful that she took me under her wing while I was a first-year graduate student and assured me that it was, in fact, okay to become a Latinist. Andrew Riggsby, Alison Keith, and Neil Coffee provided invaluable insights and feedback on this project. -
Initiation Àlapapyrologie Documentaire
UNIVERSITÉ DE LIÈGE INITIATION À LA PAPYROLOGIE DOCUMENTAIRE NOTES DU COURS DE JEAN A. STRAUS Sixième édition revue Sixième tirage complété ANNÉE UNIVERSITAIRE 2013 - 2014 1 AVERTISSEMENT Ces notes sont un support de cours destiné aux étudiants. Elle ne peuvent se com- prendre pleinement que comme accompagnement du cours oral. Elles sont complétées lors des exercices pratiques qui se font tout au long de l'année et qui constituent la partie la plus importante du cours. Certains aspects de ces notes, obscurs ou même apparemment erronés, ne s'éclairent ou ne se «corrigent» qu'à la lumière de ces exercices. L'auteur saura donc gré à l'utilisateur de cette brochure de toujours garder ces remarques à l'esprit au cours de la lecture. Par ailleurs, il tient à manifester un sentiment de profonde gratitude envers les auteurs de la Bibliographie papyrologique de l'Association Égyptologique Reine Élisabeth sans lesquels ces notes ne pourraient être tenues à jour aussi promptement. 2 PREMIÈRE PARTIE : INTRODUCTION CHAPITRE PREMIER LE PAPYRUS DANS L'ANTIQUITÉ § 1. – La plante Le papyrus (Cyperus papyrus L. ; ἡ πάπυροϲ, hè papuros ; ἡ βύβλοϲ, hè bu- blos ; βίβλοϲ, biblos) est une plante qui croît dans des lieux marécageux, humides et chauds. Elle présente une tige de section triangulaire qui mesure de deux à trois mè- tres, mais peut atteindre une hauteur de cinq mètres. Elle se termine par une ombelle décorative de grand diamètre. L'étymologie du mot πάπυροϲ se trouve sans doute dans l'égyptien p3-pr, vocalisé /pa-pōr/, qui signifie « celui de la maison », « celui du domaine (royal) » dans le sens de « la plante de l'administration » (J. -
As Produções Cerâmicas De Imitação Na Hispania
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repositorio Institucional de la Universidad de Alicante MONOGRAFIAS EX OFFICINA HISPANA II AS PRODUÇÕES CERÂMICAS DE IMITAÇÃO NA HISPANIA R. MORAIS, A. FERNÁNDEZ e M. J. SOUSA Editores Científicos 2014 TOMO I Imagem de capa: Cerâmica pintada Alto-Imperial (Bracara Augusta) Design capa: Júlia Andrade Editores científicos: Rui Morais Adolfo Fernández Maria José Sousa Edita: Faculdade de Letras da Universidade do Porto (FLUP) Via Panorâmica, s/n – 4150-564 Porto www.letras.up.pt | [email protected] EX OFFICINA HISPANA Sociedad de Estudios de la Cerámica Antigua en Hispania (SECAH) Aptdo. 33 – 28680 San Martín de Valdeiglesias (Madrid) www.exofficinahispana.org | [email protected] © Faculdade de Letras da Universidade do Porto (FLUP) © Sociedad de Estudios de la Cerámica Antigua en Hispania (SECAH) © De cada artigo o seu autor Paginação, Impressão e Acabamento: Sersilito-Empresa Gráfica, Lda. www.sersilito.pt | [email protected] ISBN Serviço de Publicações da Faculdade de Letras da Universidade do Porto: 978-989-8648-34-1 (tomo 1) 978-989-8648-35-8 (tomo 2) ISBN SECAH: 978-84-617-2889-3 (obra completa) 978-84-617-3016-2 (tomo 1) 978-84-617-3017-9 (tomo 2) Depósito Legal: 384049/14 ÍNDICE TOMO I Introdução . 9 Rui Morais, Adolfo Fernández e Maria José Sousa Conferências Vasos e vasilhame em Plínio o Naturalista . 15 Francisco de Oliveira Vasos, bilhas, ânforas e potes: utensílios cerâmicos como adereço e como cenário no Satyricon de Petrónio e no Asinus Aureus de Apuleio . -
Global Space, Sailor Practice, and Bureaucratic Archives in the Sixteenth-Century Spanish Maritime Empire
The Dissertation Committee for Brian Patrick Jones Certifes that this is the approved version of the following dissertation: Making the Ocean: Global Space, Sailor Practice, and Bureaucratic Archives in the Sixteenth-Century Spanish Maritime Empire Committee: __________________________________ Jorge Cañizares-Esguerra, Supervisor __________________________________ Susan Deans-Smith __________________________________ Bruce Hunt __________________________________ Neil Kamil __________________________________ María M. Portuondo Making the Ocean: Global Space, Sailor Practice, and Bureaucratic Archives in the Sixteenth-Century Spanish Maritime Empire by Brian Patrick Jones, B.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December 2014 Acknowledgements I would like to thank my supervisor Jorge Cañizares for his support of this project and for his challenging feedback that has made this project a better project and me a better historian. Thanks also to the other members of my dissertation committee—Susan Deans-Smith, Bruce Hunt, Neil Kamil, and María Portuondo—for sharing their time and insights with me on this project. In addition to those I have already mentioned, I have had the privilege of being exposed to a variety of different perspectives on history in the classroom, including in particular my classes with Abigail Lustig, Robert Olwell, Jim Sidbury, and Ann Twinam. I also appreciate the friendships and intellectual partnerships I have made with my colleagues in the history department at UT. Michael Schmidt has been a stimulating partner in countless conversations regarding far-ranging topics affecting our work and otherwise. -
Dallo Scavo Alla Esposizione
Storia di un reperto archeologico Dott.ssa Martellucci Sabrina 1 Come si sceglie un sito? Le Fonti : storiche; geografiche; Studio cartografiche; Approfondimento Probabile scelta fotografiche; del sito Iconografiche. Dott.ssa Martellucci Sabrina 2 Ma cosa è uno scavo archeologico? Lo scavo è la tecnica meglio conosciuta e più comunemente usata nell'ambito dell„archeologia Dott.ssa Martellucci Sabrina 3 Come si classificano gli scavi? scavi di ricerca scavi di scavi emergenza programmati Dott.ssa Martellucci Sabrina 4 Per scavi di ricerca si intendono quelli condotti principalmente da istituzioni universitarie con l'obiettivo esplicito di migliorare le conoscenze relative ad una certa epoca o ad una determinata area geografica; Dott.ssa Martellucci Sabrina 5 Per scavi programmati Si intende quelli finalizzati alla conoscenza di un sito minacciato (per l'espansione edilizia o per la realizzazione di reti infrastrutturali); Dott.ssa Martellucci Sabrina 6 Per scavi di emergenza si intende invece quelli finalizzati alla documentazione di resti emersi improvvisamente nel corso di lavori di altro genere. Dott.ssa Martellucci Sabrina 7 Lo scavo comporta inizialmente la rimozione del suolo superficiale se necessario con mezzi meccanici, anche se ne è consigliabile la rimozione a mano Dott.ssa Martellucci Sabrina 8 La formazione delle unità stratigrafiche a - situazione di partenza b - azione umana di asporto di materiale: scavo di due fosse di fondazione c - azioni umane di accumulo di materiale d - evento del crollo e - deposito alluvionale o lento accumulo di materiale portato dal vento Dott.ssa Martellucci Sabrina 9 A seconda che siano effetto di un evento naturale o di un'azione umana, le unità stratigrafiche si possono intanto suddividere in: "artificiali" (deposito di immondizia, costruzione di un muro, scavo di un fossato).