2016 URCA Emerging Scholar Participant Abstracts
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Gilmore Girls Movie List
Gilmore Girls Movie List 2 Fast 2 Furious Anywhere But Here Boy in the Plastic 2000 Year Old Apocalypse Now Bubble, The Man, The Arctic Flight Brazil 2001: A Space Armageddon Breakfast at Odyssey Arrival of a Train, Tiffany's 40 Year Old Virgin, The Breakfast Club, The Arthur The 8 Mile Attack of the 50 Breakin' 2: Electric A.I. Artificial Foot Women Boogaloo Intelligence Austin Powers: The Breaking Away A Beautiful Mind Spy Who Shagged Brian's Song A Brief History of Me Bride of Chucky Time Auto Focus Bridge on the River A Nightmare on Elm Autumn in New Kwai, The Street York Bridges of Madison A Room with a Babe County, The View Babe: Pig in the Bright Eyes A Star Is Born City Bring Me the Head A Streetcar Named Back to the Future of Alfredo Garcia Desire Bad Seed, The Bringing Up Baby A Woman Under Bambi Broadcast News The Influence Banger Sisters, The Broadway Danny Ace Ventura: Pet Barbarella Rose Detective Basic Instinct Brokeback Alice Doesn't Live Beaches Mountain Here Anymore Beethoven Brown Bunny, The Alice In Ben-Hur Bugsy Wonderland Being There Bugsy Malone Alive Bend It Like Bull Durham All About Eve Beckham Bullets Over All in the Family Benji Broadway All the President's Better Off Dead… Butch Cassidy and Men Beverly Hills Cop the Sundance Kid Almost Famous Bewitched BUtterfield 8 American Gigolo Big One, The Bye Bye Birdie American Splendor Blades of Glory Cabaret Amityville Horror, Blow Cabin Boy The Blue Crush Caged Heat An Affair to Blue -
Western Outlaws and Angels
‘SAND DOLLAR COVE’ Cast Bios CHAD MICHAEL MURRAY (Brody) – Chad Michael Murray first rose to prominence with fan favorite roles on the Warner Bros. dramas “Dawson’s Creek” and “Gilmore Girls.” He became a household name with his leading role as Lucas Scott in the massive Warner Bros. television hit “One Tree Hill” from 2003-2012, during which he won three Teen Choice Awards. He showcased his talents as a leading actor playing the outcast-turned-cool-kid throughout his near-decade run. He took position behind the camera as well, both writing and directing an episode of the series. Murray is currently in production on the action-thriller Killing Field, starring as Eric, a man whose life on his serene farm is interrupted when a cop and a pair of dangerous criminals shows up. Bruce Willis, Kate Katzman, Donna D’errico, Swen Temmel, and Zack Ward also star. Murray most recently wrapped production on Ted Bundy: American Boogeyman, starring as America’s most infamous serial killer. The film is slated for theatrical release in August 2021 through Fathom Events. He will also be seen in the upcoming “The Fortress” and “The Fortress 2,” also starring Bruce Willis as well as Jesse Metcalfe. Recently, he starred in the television movies “Colors of Love” and “Too Close for Christmas,” both opposite Jessica Lowndes. Murray has also starred in Lionsgate’s 2020 action film “Survive the Night” alongside Bruce Willis; the Hallmark Channel original movie “Write Before Christmas,” alongside Torrey DeVitto; seasons three and four of the hit teen drama “Riverdale,” in which he played an enigmatic cult leader; and as Atticus Virtue in the family sci-fi thriller Max Winslow and the House of Secrets, which told the story of five teenagers who competed to win a mansion owned by entrepreneur and scientist, Virtue. -
WHAM Buys Local Channel
Report Information from ProQuest March 01 2014 11:31 Table of contents 1. WHAM buys local channel Bibliography Document 1 of 1 WHAM buys local channel Author: Chao, Mary ProQuest document link Abstract: Mary Chao Staff writer The parent company of WHAM-TV (Channel 13) has acquired the local CW affiliate, which airs shows such as Girlfriends, Everybody Hates Chris, Smallville and Gilmore Girls. Full text: Mary Chao Staff writer The parent company of WHAM-TV (Channel 13) has acquired the local CW affiliate, which airs shows such as Girlfriends, Everybody Hates Chris, Smallville and Gilmore Girls. The CW affiliate, WRWB (cable Channel 16), had been a joint venture of Time Warner Cable and Warner Brothers. Now it will be operated by Clear Channel Television's WHAM and will be renamed CW-WHAM, said Chuck Samuels, vice president and general manager of Channel 13, who will head both stations. Terms of the deal were not disclosed. The CW was created when Warner Brothers merged with UPN, taking the "C" from CBS, which owned UPN, and the "W" from Warner. The Rochester station will remain on cable Channel 16 and will also be available as WHAM-DT on digital channel 13.2. Samuels said the station will complement Channel 13. "The CW has a very different target audience," he said. "While most networks such as ABC target (ages) 18 to 49, the CW targets 18 to 34, even 12 to 34." The CW will help WHAM's already established news brand by reaching out to younger audiences, Samuels said. WRWB's operations in downtown Rochester will be consolidated into WHAM's facilities in Henrietta. -
Cast Bios Lea Thompson
‘TIES THAT BIND’ CAST BIOS LEA THOMPSON (Cathy Davis) – Lea Thompson is best known for her roles in the Steven Spielberg and Robert Zemeckis “Back to the Future” feature film franchise and as the title character in the now-syndicated TV comedy “Caroline in the City,” for which she won TV Guide and People’s Choice Awards. A native of Minnesota, Thompson began her career as a professional ballet dancer and performed in more than 45 ballets with the Minnesota Dance Theatre. After apprenticing with the Pennsylvania Ballet, she moved to New York at the age of 20 to pursue an acting career. She was first featured in a supporting role in the motion picture “Jaws 3-D,” which was followed by a starring role opposite Tom Cruise in “All the Right Moves.” Additional film credits include “Article 99,” “Casual Sex?,” John Hughes’ “Some Kind of Wonderful,” “Dennis the Menace,” “Red Dawn,” “The Wizard of Loneliness,” “Howard the Duck,” “The Wild Life,” “Space Camp,” “The Beverly Hillbillies,” “The Little Rascals,” “The Unknown Cyclist,” “Fish Don’t Blink,” “Come Away Home” and the upcoming “Senior Skip Day” with Norm MacDonald. Thompson’s television credits include a guest-starring role on “Law & Order: SVU,” the series “For the People,” the miniseries “A Will of Their Own,” and the original movies “The Right to Remain Silent,” “The Unspoken Truth,” “The Substitute Wife,” “Montana,” “Stolen Babies” and “Nightbreaker,” for which she received a CableACE nomination. She is currently filming a mini-series for Hallmark, “Final Approach,” in which she stars with Dean Cain, Anthony Michael Hall and Ernie Hudson. -
DGA's 2014-2015 Episodic Television Diversity Report Reveals
FOR IMMEDIATE RELEASE CONTACT: Lily Bedrossian August 25, 2015 (310) 289-5334 DGA’s 2014-2015 Episodic Television Diversity Report Reveals: Employer Hiring of Women Directors Shows Modest Improvement; Women and Minorities Continue to be Excluded In First-Time Hiring LOS ANGELES – The Directors Guild of America today released its annual report analyzing the ethnicity and gender of directors hired to direct primetime episodic television across broadcast, basic cable, premium cable, and high budget original content series made for the Internet. More than 3,900 episodes produced in the 2014- 2015 network television season and the 2014 cable television season from more than 270 scripted series were analyzed. The breakdown of those episodes by the gender and ethnicity of directors is as follows: Women directed 16% of all episodes, an increase from 14% the prior year. Minorities (male and female) directed 18% of all episodes, representing a 1% decrease over the prior year. Positive Trends The pie is getting bigger: There were 3,910 episodes in the 2014-2015 season -- a 10% increase in total episodes over the prior season’s 3,562 episodes. With that expansion came more directing jobs for women, who directed 620 total episodes representing a 22% year-over-year growth rate (women directed 509 episodes in the prior season), more than twice the 10% growth rate of total episodes. Additionally, the total number of individual women directors employed in episodic television grew 16% to 150 (up from 129 in the 2013-14 season). The DGA’s “Best Of” list – shows that hired women and minorities to direct at least 40% of episodes – increased 16% to 57 series (from 49 series in the 2013-14 season period). -
SAFER at HOME in Select Theaters, VOD & Digital on February 26, 2021
SAFER AT HOME In Select Theaters, VOD & Digital on February 26, 2021 DIRECTED BY Will Wernick WRITTEN BY Will Wernick, Lia Bozonelis PRODUCED BY Will Wernick, John Ierardi, Bo Youngblood, Lia Bozonelis (Co-Producer), Jason Phillips (Co-Producer) STARRING Jocelyn Hudon, Emma Lahana, Alisa Allapach, Adwin Brown, Dan J. Johnson, Michael Kupisk, Daniel Robaire RUN TIME: 82 mins DISTRIBUTED BY: Vertical Entertainment For additional information please contact: LA Daniel Coffey – [email protected] Emily Maroon – [email protected] NY Susan Engel – [email protected] Danielle Borelli – [email protected] ABOUT THE FILM Synopsis Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside. Director’s Statement Making Safer at Home was challenging. Not just because of the technical hurdles the pandemic mandated, but because of the strange new features life had taken on in those early months of the pandemic. I found myself having unusual conversations, and realizations about myself and friends — things that only this type of stress could bring out. I noticed people making major, sometimes life changing decisions, quickly. Brake-ups, pregnancies, divorces, fights-- this instigated them all. Almost everyone I knew was caught in an indefinite cycle of every day feeling the same. And then we started working on this film. Safer at Home plays out essentially in real time, and shows what a long period of lockdown could do to a group of friends. -
Universidade Federal Da Bahia Tal Mãe, Tal Filha?
UNIVERSIDADE FEDERAL DA BAHIA FACULDADE DE COMUNICAÇÃO DANIELE MARQUES LIMA TAL MÃE, TAL FILHA? A REPRESENTAÇÃO DAS MULHERES EM GILMORE GIRLS Salvador 2018 DANIELE MARQUES LIMA TAL MÃE, TAL FILHA? A REPRESENTAÇÃO DAS MULHERES EM GILMORE GIRLS Trabalho de conclusão de curso de graduação em Comunicação com Habilitação em Jornalismo, Faculdade de Comunicação, Universidade Federal da Bahia, como requisito parcial para obtenção de grau de Bacharel em Comunicação. Orientadora: Prof. Dr. Marcelo Rodrigues Souza Ribeiro Salvador 2018 DANIELE MARQUES LIMA TAL MAL, TAL FILHA? A REPRESENTAÇÃO DAS MULHERES EM GILMORE GIRLS Monografia apresentada como requisito parcial para obtenção do grau de Bacharel em Comunicação, Faculdade de Comunicação, da Universidade Federal da Bahia. Aprovada em 20 de fevereiro de 2018. Marcelo R. S. Ribeiro – Orientador _______________________________________________ Doutor em Arte e Cultura Visual pela Faculdade de Artes Visuais da Universidade Federal de Goiás (UFG) Mestre em Antropologia Social pela Universidade Federal de Santa Catarina (UFSC) Universidade Federal da Bahia Marcelo Monteiro Costa _______________________________________________________ Mestre em Comunicação pela Universidade Federal de Pernambuco (UFPE) Universidade Federal da Bahia Valéria Maria Sampaio Vilas Bôas Araújo _________________________________________ Mestre em Comunicação e Cultura Contemporânea pela Universidade Federal da Bahia (UFBA) Universidade Federal da Bahia AGRADECIMENTOS Ao contrário do que pensei, fazer meu segundo Trabalho de Conclusão de Curso não foi fácil. Graduei-me em 2014 em Produção em Comunicação e Cultura, também pela Universidade Federal da Bahia (UFBA) e, de lá para cá, decidi me aventurar em mais uma graduação. Deu vontade de desistir, medo e até mesmo raiva. Então, diferente do que fiz no meu primeiro TCC, agradeço a mim pelo trabalho desempenhado e pela paciência. -
Production Biographies
PRODUCTION BIOGRAPHIES MIKE O’MALLEY (Executive Producer & Showrunner, Writer- 201, 207, 210) Truly a multi-hyphenate, Mike O’Malley got his start in front of the camera hosting Nickelodeon’s “Get the Picture” and the iconic game show “Guts”. His success continued in television with standout roles in “Yes Dear”, “My Name Is Earl”, “My Own Worst Enemy”, “Justified”, and his Emmy®-nominated, groundbreaking performance as ‘Burt Hummel’ on the hit show “Glee”. Mike’s feature work includes roles in Eat Pray Love, Cedar Rapids, Leatherheads, Meet Dave, 28 Days, and the upcoming Untitled Concussion Project starring Will Smith which will be released Christmas 2015. Also an accomplished writer, Mike wrote and produced the independent feature Certainty which he adapted from his own play. In television, Mike has served as a Consulting Producer on “Shameless” and is in his second season as creator and Executive Producer of “Survivor’s Remorse” for Starz. LEBRON JAMES (Executive Producer) LeBron James is widely considered one of the greatest athletes of his generation. James’ extraordinary basketball skills and dedication to the game have won him the admiration of fans across the globe, and have made him an international icon. Prior to the 2014-2015 season, James returned to his hometown in Ohio and rejoined the Cleveland Cavaliers in their mission to bring a championship to the community he grew up in. James had previously spent seven seasons in Cleveland after being drafted out of high school by his hometown team with the first overall pick in the 2003 NBA Draft. James led the Cavaliers to five straight NBA playoff appearances and earned six All-Star selections during his first stint in Cleveland. -
Black & White / Color
THE INDEPENDENT TO UNCOVER NEWSPAPER SERVING THE TRUTH NOTRE DAME AND AND REPORT SAINT Mary’s IT ACCURATELY VOLUME 46, ISSUE 11 | TUESDAY, SEPTEMBER 4, 2012| NDSMCOBSERVER.COM International students adjust to life at Notre Dame American college life offers new experiences, challenges By NICOLE MICHELS Multaputri said. “It opened my desire to come here.” News Writer eyes to the tight community Though she plans on working that the University has to offer, in the U.S. immediately after For most Notre Dame stu- and I am grateful to be a part of graduation, Multaputri said she dents, leaving home for it.” plans on eventually ending up college means adjusting to in- Multaputri said she had al- back in Indonesia. dependent living, a Midwestern ways had a desire to study away “I have never put much twang and colder weather. For from home. thought on what I am go- about 900 international stu- “I had always known I was ing to do after I graduate, but dents, however, the transition going to pursue my educa- most probably I will stay for a is far more abrupt. tion somewhere else outside few years to find some work- Freshman Rena Multaputri Indonesia because my family ing experience and then go said the close-knit community had always put importance on back to Indonesia after that,” at Notre Dame made leaving education for both me and my Multaputri said. Photo courtesy of Laura Derth Indonesia more manageable. sister,” Multaputri said. “After I Sophomore Pedro Suarez, International upperclassmen pose as they prepare to welcome freshmen arriving from abroad in August. -
Last Two Defendents Testify by Vasuki Rao Managing Editor
Volume 146 • Issue 5 Serving San Jose State University since 1934 Th ursday, February 11, 2016 GGilmorei l m o r e GirlsG i r l s What is the true meaning Womenʼs basketball steals A&E P4: Lukeʼs Diner back in business OPINION P5: of Valentineʼs Day? SPORTS P6: the lead against UNLV HOMES ARISING TRIAL DAY EIGHT Last two defendents testify By Vasuki Rao Managing editor Colin Warren and Joseph before going to his room Bomgardner, two of three to watch a movie. former SJSU students When the fi sh incident charged with a misdemeanor happened, some of the girls hate crime, took the witness living on the same fl oor put stand Wednesday. a note that said the fi sh was First to take the stand going to be fl ushed. Warren was Warren, who was said he initially thought roommates with Logan Williams helped the girls Beaschler in 2013 when steal the fi sh, but aft er the incident happened in further clarifi cation, he Quincy Bouldin | Spartan Daily Campus Village C. Beaschler now knows that Williams took the stand Tuesday. had no involvement. Construction is scheduled to conclude July 11 in preperation for the opening of the new freshman Warren described himself Th e fi sh was returned dorms that are located on the east side of campus in between the Aquatic Center and CVC. as mostly uninvolved in aft er the building’s resident the controversial u-lock advisor became involved. incident. He was present Aft er the fi rst u-lock Campus Village 2 on when Beaschler and incident, Warren says he another roommate talked walked into the suite one about putting the u-lock day and saw Beachler trying schedule for Fall semester around the victim’s, to remove the closet door’s Donald Williams Jr., neck. -
The Paley Center for Media to Host Its Tenth Annual Paleyfest Fall Tv Previews, September 8-13 in Beverly Hills
THE PALEY CENTER FOR MEDIA TO HOST ITS TENTH ANNUAL PALEYFEST FALL TV PREVIEWS, SEPTEMBER 8-13 IN BEVERLY HILLS The 2016 Schedule Features Screenings, Panel Events and Insider Looks with The Casts and Creative Teams from Upcoming ABC, CBS, THE CW, EL REY, FOX, and NBC Fall Series Initial Talent Lineup Includes: Sterling K. Brown, Mark Paul Gosselaar Katy Mixon, Mandy Moore, Dermot Mulroney, Piper Perabo, Milo Ventimiglia, Damon Wayans, Sr., and more Hulu Returns as the Official Media Sponsor of The Paley Center for Media; Citi Returns as the Official Card Beverly Hills, CA, July 25, 2016 – The Paley Center for Media’s annual celebration of the Fall TV season, the PaleyFest Fall TV Previews, will take place September 8-13, 2016, at the Center’s Los Angeles location (465 N. Beverly Drive, Beverly Hills, CA 90210). Celebrating its tenth anniversary this year, PaleyFest Fall TV Previews is a week-long festival featuring the biggest stars of Fall TV’s most anticipated new series. Fans enjoy premiere screenings and panel conversations with the stars, all in the elegant West Coast Paley Center. Over the last decade, the PaleyFest Fall TV Previews have brought fans some of the hottest shows including Scandal, Black-ish, Arrow, and Jane The Virgin, to name just a few. “PaleyFest Fall TV Previews offers TV enthusiasts a chance to view highly anticipated fall programs through premiere screenings and exclusive conversations with TV’s most-talked about stars and creators,” said Maureen J. Reidy, President and CEO of The Paley Center for Media. “The Paley Center’s public programs allow fans access to never-before-seen content in an intimate and exciting way, and we couldn’t be more thrilled to present our tenth annual line-up.” Hulu will exclusively stream a selection of clips and the full-length discussions throughout the festival hosted on hulu.com/paleyfest in late September. -
Branding the Family Drama: Genre Formations and Critical Perspectives on Gilmore Girls Amanda Keeler Marquette University, [email protected]
Marquette University e-Publications@Marquette College of Communication Faculty Research and Communication, College of Publications 1-1-2010 Branding the Family Drama: Genre Formations and Critical Perspectives on Gilmore Girls Amanda Keeler Marquette University, [email protected] Published version. "Branding the Family Drama: Genre Formations and Critical Perspectives on Gilmore Girls," in Screwball Television: Critical Perspectives on Gilmore Girls. Eds. David Scott Diffrient and David Lavery. Syracuse: Syracuse University Press, 2010: 19-35. Publisher Link. © 2010 Syracuse University Press. Used with permission. Branding the Family Drama Genre Formations and Critica[ Perspectives on Gilmore Girls AMANDA R. KEELER Before its debut on October 5, 2000, Gilmore Girls had already made television history. According to an article published in American Demo graphics that year, Gilmore Girls was the "first advertiser advocated show" funded by the Family Friendly Programming Forum (FFPF), a group consisting of major U.S. corporations, who offered up a mil lion dollars to "fund 'family-friendly' script development at the WB," the network that in 2006 partnered with UPN to become the CW ("Television" 2000). Taking into consideration other family-friendly dramatic television series aimed at multigenerational audiences on the CW, such as 7th Heaven (1996-2007) and Everwood (2002-6), one might ask how a program about a single, never-married mom (until the final season), raising her daughter, could constitute family-friendly fare. What particular elements of this Amy Sherman-Palladino cre ation led the FFPF to fund its development? And is "family friendly" a viable genre label? In the context of television programming and criti cism, does genre even matter anymore, considering the hybrid nature of most contemporary series? In this chapter I will investigare what critics have written about Gilmore Girls and how the show has been linked to similar programs in terms of genre classification.