DOCSLIB.ORG

American Audio Prose Library Records (CA6585)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
American Audio Prose Library Records (CA6585) PRELIMINARY INVENTORY ACCESSION CA6585 AMERICAN AUDIO PROSE LIBRARY RECORDS This collection is available at The State Historical Society of Missouri, Research Center- Columbia. If you would like more information, please contact us at [email protected]. Dates: 1979-2016 Creator: American Audio Prose Library Collection Size: 91.25 cubic feet (includes 716 audio tapes, 591 audio cassettes, 91 DAT tapes, 30 CDs, 17 computer discs, 2 mini cassettes, 2 mini discs), 3 oversize items, 51.4 MB of digital files Introduction Addition of master and edited audio recordings, administrative files, business correspondence, financial records, grant files, writer files, and miscellaneous material. Donor Information The collection was donated to the University of Missouri by Kay Bonetti Callison on 9 November 2020. An addition was made by Kay Callison on 17 December 2020. Note: For additional material, please see the American Audio Prose Library (C3851). Box List Box 1 Production Traxx Margaret Walker (1 a.t.) Richard Currey (2 a.t.) Jane Phillips (3 a.t.) Jamaica Kincaid (4 a.t.) Margaret Walker (3 a.t.) Box 2 Production Traxx Doctorow (1 a.t.) Achebe/Hershey/Caputo (1 a.t.) O’Hehir (1 a.t.) M. Robertson/O’Hehir (1 a.t.) Grau/Sanchez (1 a.t.) Sanchez (1 a.t.) Spencer (7 a.t.) Box 3 Production Traxx Music Trax (1 a.t.) Amy Hempel (5 a.t.) James Crumley (7 a.t.) THE STATE HISTORICAL SOCIETY OF MISSOURI MANUSCRIPT COLLECTION 12/18/2020 ACCESSION CA6585 AMERICAN AUDIO PROSE LIBRARY RECORDS Box 4 Production Traxx 10th Series Promo (1 a.t.) Intros/Outros/Misc. (6 a.t.) Bradley/Hempel/Crumley (1 a.t.) Bradley/Hempel (1 a.t.) David Bradley (6 a.t.) Box 5 Production Traxx Intros/Outros/Music (11 a.t.) Annie Dillard (2 a.t.) Box 6 Production Traxx Andrei Condescru (2 a.t.) C. Hudson-Weems (2 a.t.) Helen Barolini—Dream Book (1 a.t.) Intro/Outros/Music/Promos (9 a.t.) Box 7 Production Traxx Intros/Outros (4 a.t.) Larry Brown Radio (5 a.t.) Butler Radio (2 a.t.) Hagedorn Radio (2 a.t.) Box 8 Production Traxx Tess Gallagher (2 a.t.) Dogeaters (2 a.t.) Cathryn Alpert (9 a.t.) Box 9 Production Traxx Hagedorn (3 a.t.) Tess Gallagher (5 a.t.) Paulette Jiles (5 a.t.) Box 10 Production Traxx Love (2 a.t.) Gladys Swan (6 a.t.) Mario Vargas Llosa (5 a.t.) Page 2 of 20 ACCESSION CA6585 AMERICAN AUDIO PROSE LIBRARY RECORDS Box 11 Production Traxx Misc. Intros/Outros (12 a.t.) R.O. Butler (2 a.t.) A Good Scent (1 a.t.) Mr. Green (1 a.t.) Fairy Tale (1 a.t.) The Trip Back (1 a.t.) Box 12 Production Traxx Taylor/Crumley/Bradley/Misc. Outs (13 a.t.) Box 13 Production Traxx Misc. Outtakes and Edits (13 a.t.) Box 14 Production Traxx Misc. Outtakes and Edits (11 a.t.) Different Voices Misc. (3 a.t.) Donald Barthleme: Stories, April 1977 (1 a.t.) Ken Kesey, 1978 (1 a.t.) Bob Schacochis interview, Nov. 1986 (1 a.t.) Poetry Program, Jan. 8, 1974 (1 a.t.) Box 15 Different Voices Literature and the Urban Experience (4 a.t.) Walter Bargen, Nov. 26, 1989 (1 a.t.) Jo Sapp, June 2, 1989 (2 a.t.) Amy Hempel (1 a.t.) Tribute to Tom McAfee, Sept. 16, 1982 (1 a.t.) David St. John (1 a.t.) Bob Thompson (2 a.t.) Paulette Jiles (1 a.t.) Greg Michaelson (1 a.t.) Mitch Jayne, Feb. 6, 1990 (1 a.t.) Betty Carter (1 a.t.) Fuentes and Puig interviews (1 a.t.) Roger Youngblood (2 a.t.) Box 16 Different Voices Schedules, manuscripts, notes, etc. Page 3 of 20 ACCESSION CA6585 AMERICAN AUDIO PROSE LIBRARY RECORDS Misc. audio (31 a.c., 3 DATs) Box 17 Different Voices Cleanth Brooks (2 a.t.) A Moveable Feast (2 a.t.) David St. John (1 a.t.) Joan Uinge (1 a.t.) Ken Kesey (1 a.t.) Literature and the Urban Experience (4 a.t.) Master audio recordings (interviews and readings) Walter Abish (2 a.t.) Chinua Achebe (4 a.t.) Alice Adams (2 a.t.) Box 18 Master audio recordings (interviews and readings) Cathryn Alpert (3 a.t.) Rudolfo Anaya (2 a.t.) Margaret Atwood (2 a.t.) James Baldwin (2 a.t.) Sheila Ballantyne (2 a.t.) Toni Cade Bambara (2 a.t.) Box 19 Master audio recordings (interviews and readings) Russell Banks (3 a.t.) Helen Barolini (3 a.t.) Ann Beattie (2 a.t.) Roy Blount Jr. (2 a.t.) Kay Boyle (2 a.t.) David Bradley (1 a.t.) Box 20 Master audio recordings (interviews and readings) David Bradley (3 a.t.) Larry Brown (4 a.t.) Rosellen Brown (2 a.t.) Eric Bogosian (4 a.t.) Box 21 Master audio recordings (interviews and readings) Eric Bogosian (1 a.t.) R.O. Butler (5 a.t.) Erskine Caldwell (2 a.t.) Hortense Calisher (2 a.t.) Page 4 of 20 ACCESSION CA6585 AMERICAN AUDIO PROSE LIBRARY RECORDS Philip Caputo (3 a.t.) Box 22 Master audio recordings (interviews and readings) Philip Caputo (1 a.t.) Raymond Carver (2 a.t.) R.V. Cassvill (2 a.t.) Jerome Charyn (2 a.t.) Kelly Cherry (1 a.t.) Jack Conroy (2 a.t.) Robert Coover (2 a.t.) Mark Costello (1 a.t.) Box 23 Master audio recordings (interviews and readings) Mark Costello (1 a.t.) Harry Crews (2 a.t.) James Crumley (1 a.t.) Richard Currey (2 a.t.) Cecil Dawkins (2 a.t.) Robb Dew (2 a.t.) Annie Dillard (2 a.t.) E.L. Doctorow (1 a.t) Box 24 Master audio recordings (interviews and readings) E.L. Doctorow (1 a.t.) Andre Dubus (3 a.t.) Stanley Elkin (2 a.t.) Louise Erdrich (3 a.t.) Richard Ford (3 a.t.) Paula Fox (1 a.t.) Box 25 Master audio recordings (interviews and readings) Paula Fox (1 a.t.) Tess Gallagher (4 a.t.) Ernest Gaines (2 a.t.) George Garrett (3 a.t.) William Gass (3 a.t.) Box 26 Master audio recordings (interviews and readings) Ellen Gilchrist (2 a.t.) Gail Godwin (2 a.t.) Joe Gores (2 a.t.) Page 5 of 20 ACCESSION CA6585 AMERICAN AUDIO PROSE LIBRARY RECORDS William Goyen (2 a.t.) Shirley Ann Grau (3 a.t.) Doris Grumbach (2 a.t.) Box 27 Master audio recordings (interviews and readings) Doris Grumbach (2 a.t.) Charles Gusewell (2 a.t.) J. Hagedorn (3 a.t.) James B. Hall (3 a.t.) Mark Harris (3 a.t.) Box 28 Master audio recordings (interviews and readings) Mark Harris (1 a.t.) Jim Harrison (2 a.t.) Larry Heineman (3 a.t.) Amy Hempel (4 a.t.) Laura Hendrie (2 a.t.) John Hersey (1 a.t.) Box 29 Master audio recordings (interviews and readings) John Hersey (2 a.t.) James Leo Herthly (2 a.t.) Josephine Humphreys (3 a.t.) Paulette Jiles (3 a.t.) Diane Johnson (2 a.t.) William Kennedy (1 a.t.) Box 30 Master audio recordings (interviews and readings) William Kenney (3 a.t.) Jamaica Kinkaid (2 a.t.) Maxine Hong Kingston (2 a.t.) Zane Kokter (2 a.t.) Seymour Krim (3 a.t.) Janet Lewis (1 a.t.) Box 31 Master audio recordings (interviews and readings) Janet Lewis (1 a.t.) Barry Lopez (2 a.t.) Alison Lurie (2 a.t.) Norman Maclean (3 a.t.) Norman Mailer (1 a.t.) Page 6 of 20 ACCESSION CA6585 AMERICAN AUDIO PROSE LIBRARY RECORDS Paule Marshall (3 a.t.) Peter Matthiessen (1 a.t.) Box 32 Master audio recordings (interviews and readings) Peter Matthiessen (2 a.t.) Bobbie Ann Mason (2 a.t.) William Maxwell (5 a.t.) Tom McAfee (2 a.t.) Thomas McGuane (2 a.t.) Box 33 Master audio recordings (interviews and readings) Thomas McGuane (1 a.t.) Larry McMurtry (1 a.t.) Jim McKinley (2 a.t.) William Least Heat-Moon (2 a.t.) N. Scott Momaday (3 a.t.) Speer Morgan (2 a.t.) Toni Morrison (2 a.t.) Box 34 Master audio recordings (interviews and readings) Toni Morrison (1 a.t.) Alice Munro (3 a.t.) Gloria Naylor (3 a.t.) Phyllis Naylor (3 a.t.) Huynh, Quang Nhuong (3 a.t.) Box 35 Master audio recordings (interviews and readings) Huynh Quang Nhuong (1 a.t.) John Nichols (2 a.t.) Diana O’Hehir (2 a.t.) Tillie Olsen (2 a.t.) Michael Ondaatje (4 a.t.) Cynthia Ozick (2 a.t.) Box 36 Master audio recordings (interviews and readings) Cynthia Ozick (2 a.t.) Grace Paley (2 a.t.) Jayne Anne Phillips (3 a.t.) Marge Piercy (2 a.t.) Reynolds Price (4 a.t.) Page 7 of 20 ACCESSION CA6585 AMERICAN AUDIO PROSE LIBRARY RECORDS Box 37 Master audio recordings (interviews and readings) Marilynne Robinson (4 a.t.) Thomas Sanchez (3 a.t.) May Sarton (2 a.t.) Glenn Savan (3 a.t.) John Sayles (1 a.t.) Box 38 Master audio recordings (interviews and readings) John Sayles (2 a.t.) Mary Lee Settle (3 a.t.) Bob Shacochis (2 a.t.) Ntozake Shange (3 a.t.) Mona Simpson (3 a.t.) Box 39 Master audio recordings (interviews and readings) Elizabeth Spencer (6 a.t.) Wallace Stegner (3 a.t.) Robert Stone (3 a.t.) Gladys Swan (1 a.t.) Box 40 Master audio recordings (interviews and readings) Gladys Swan (3 a.t.) Michael Thelwell (3 a.t.) Scott Turow (4 a.t.) Mario Vargas Lllosa (3 a.t.) Box 41 Master audio recordings (interviews and readings) David Wagoner (3 a.t.) Alice Walker (2 a.t.) Margaret Walker (4 a.t.) Frank Waters (2 a.t.) James Welch (2 a.t.) Box 42 Master audio recordings (interviews and readings) James Welch (1 a.t.) Edmund White (3 a.t.) John Edgar Wideman (4 a.t.) John A.
Load more

Recommended publications
  • Donahue Poetry Collection Prints 2013.004
    Donahue Poetry Collection Prints 2013.004 Quantity: 3 record boxes, 2 flat boxes Access: Open to research Acquisition: Various dates. See Administrative Note. Processed by: Abigail Stambach, June 2013. Revised April 2015 and May 2015 Administrative Note: The prints found in this collection were bought with funds from the Carol Ann Donahue Memorial Poetry endowment. They were purchased at various times since the 1970s and are cataloged individually. In May 2013, it was transferred to the Sage Colleges Archives and Special Collections. At this time, the collection was rehoused in new archival boxes and folders. The collection is arranged in call number order. Box and Folder Listing: Box Folder Folder Contents Number Number Control Folder 1 1 ML410 .S196 C9: Sports et divertissements by Erik Satie 1 2 N620 G8: Word and Image [Exhibition] December 1965, Solomon R. Guggenheim Museum 1 3 N6494 .D3 H8: Dada Manifesto 1949 by Richard Huelsenbeck 1 4 N6769 .G3 A32: Kingling by Ian Gardner 1 5 N7153 .T45 A3 1978X: Drummer by Andre Thomkins 1 6 NC790 .B3: Landscape of St. Ives, Huntingdonshire by Stephen Bann 1 7 NC1820 .R6: Robert Bly Poetry Reading, Unicorn Bookshop, Friday, April 21, 8pm 1 8 NC1850 .P28 P3 V.1: PN2 Experiment 1 9 NC1850 .P28 P3 V.2: PN2 Experiment 1 10 NC1850 .P28 P3 V.4: PN2 Experiment 1 11 NC1850 .P28 P3 V.5: PN2 Experiment 1 12 NC1850 .P28 P3 V.6: PN2 Experiment 1 13 NC1850 .P28 P3 V.7: PN2 Experiment 1 14 NC1850 .P28 P3 V.9: PN2 Experiment 1 15 NC1850 .P28 P3 V.10: PN2 Experiment 1 16 NC1850 .P28 P3 V.12: PN2 Experiment 1 17 NC1850 .P28 P3 V.13: PN2 Experiment 1 18 NC1860 .N4: Peace Post Card no.
    [Show full text]
  • La Rassegna Stampa Dioblique Giugno 2014
    La rassegna stampa diOblique giugno 2014 Per gentile concessione della casa editrice Elliot, pubblichiamo un estratto da Le sultane, il nuovo romanzo di Marilù Oliva in libreria dal 9 luglio Mentre Mafalda lava i piatti rimescolandoli nello così alto. Capisci, mamma? Il limite del colesterolo stesso brodo aggregato di acqua fredda e quattro goc- totale è 200. A papà ne hanno trovato 380». ce di detersivo, Ugo, seduto al tavolo, sta tentando di «È rischioso?». decodifi care per lei l’esito degli ultimi esami epatici «Sì. Papà non dovrebbe mangiare burro, salame, su- del padre: «Mamma, non vanno bene». Sventola i ghi unti come ragù pesante…». fogli, continuando a fi ssarli. Mafalda rifl ette. Non può essere colpa del suo ragù: «Perché?». Lei interrompe lo sciabordio delle brac- ora che suo marito sta perdendo la cognizione delle cia, si asciuga con uno straccio sporco mentre si av- misure e delle porzioni, lei se ne approfi tta: il suo vicina al fi glio, che la guarda come se volesse incol- piatto tracima di carne e sugo, mentre quello del parla. «Il colesterolo di papà è alle stelle». marito si riduce a un primo quasi in bianco, appena «Cosa signifi ca?». schizzato di condimento. Lui sfoglia i documenti e intanto passa un aereo bas- «Mamma, papà le mangia, le uova?». so che copre la sua risposta: «Signifi ca che bisogna Porca miseria, le uova; Mafalda non ci aveva pensato. adeguarli ai parametri». Certo che le mangia. Nella misura di due uova al gior- «Cosa?». Il rombo dell’aereo si dissolve. no, in tutte le salse: frittata, alla coque, occhio di bue.
    [Show full text]
  • Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K
    Writers Chimamanda Ngozi Adichie Monica Ali Isabel Allende Martin Amis Kurt Andersen K. A. Applegate Jeffrey Archer Diana Athill Paul Auster Wasi Ahmed Victoria Aveyard Kevin Baker Mark Allen Baker Nicholson Baker Iain Banks Russell Banks Julian Barnes Andrea Barrett Max Barry Sebastian Barry Louis Bayard Peter Behrens Elizabeth Berg Wendell Berry Maeve Binchy Dustin Lance Black Holly Black Amy Bloom Chris Bohjalian Roberto Bolano S. J. Bolton William Boyd T. C. Boyle John Boyne Paula Brackston Adam Braver Libba Bray Alan Brennert Andre Brink Max Brooks Dan Brown Don Brown www.downloadexcelfiles.com Christopher Buckley John Burdett James Lee Burke Augusten Burroughs A. S. Byatt Bhalchandra Nemade Peter Cameron W. Bruce Cameron Jacqueline Carey Peter Carey Ron Carlson Stephen L. Carter Eleanor Catton Michael Chabon Diane Chamberlain Jung Chang Kate Christensen Dan Chaon Kelly Cherry Tracy Chevalier Noam Chomsky Tom Clancy Cassandra Clare Susanna Clarke Chris Cleave Ernest Cline Harlan Coben Paulo Coelho J. M. Coetzee Eoin Colfer Suzanne Collins Michael Connelly Pat Conroy Claire Cook Bernard Cornwell Douglas Coupland Michael Cox Jim Crace Michael Crichton Justin Cronin John Crowley Clive Cussler Fred D'Aguiar www.downloadexcelfiles.com Sandra Dallas Edwidge Danticat Kathryn Davis Richard Dawkins Jonathan Dee Frank Delaney Charles de Lint Tatiana de Rosnay Kiran Desai Pete Dexter Anita Diamant Junot Diaz Chitra Banerjee Divakaruni E. L. Doctorow Ivan Doig Stephen R. Donaldson Sara Donati Jennifer Donnelly Emma Donoghue Keith Donohue Roddy Doyle Margaret Drabble Dinesh D'Souza John Dufresne Sarah Dunant Helen Dunmore Mark Dunn James Dashner Elisabetta Dami Jennifer Egan Dave Eggers Tan Twan Eng Louise Erdrich Eugene Dubois Diana Evans Percival Everett J.
    [Show full text]
  • Fools Crow, James Welch
    by James Welch Model Teaching Unit English Language Arts Secondary Level with Montana Common Core Standards Written by Dorothea M. Susag Published by the Montana Office of Public Instruction 2010 Revised 2014 Indian Education for All opi.mt.gov Cover: #955-523, Putting up Tepee poles, Blackfeet Indians [no date]; Photograph courtesy of the Montana Historical Society Research Center Photograph Archives, Helena, MT. by James Welch Model Teaching Unit English Language Arts Secondary Level with Montana Common Core Standards Written by Dorothea M. Susag Published by the Montana Ofce of Public Instruction 2010 Revised 2014 Indian Education for All opi.mt.gov #X1937.01.03, Elk Head Kills a Buffalo Horse Stolen From the Whites, Graphite on paper, 1883-1885; digital image courtesy of the Montana Historical Society, Helena, MT. Anchor Text Welch, James. Fools Crow. New York: Viking/Penguin, 1986. Highly Recommended Teacher Companion Text Goebel, Bruce A. Reading Native American Literature: A Teacher’s Guide. National Council of Teachers of English, 2004. Fast Facts Genre Historical Fiction Suggested Grade Level Grades 9-12 Tribes Blackfeet (Pikuni), Crow Place North and South-central Montana territory Time 1869-1870 Overview Length of Time: To make full use of accompanying non-fiction texts and opportunities for activities that meet the Common Core Standards, Fools Crow is best taught as a four-to-five week English unit—and history if possible-- with Title I support for students who have difficulty reading. Teaching and Learning Objectives: Through reading Fools Crow and participating in this unit, students can develop lasting understandings such as these: a.
    [Show full text]
  • Urging All of Us to Open Our Minds and Hearts So That We Can Know Beyond
    CHAPTER 1 HOLISTIC READING We have left the land and embarked. We have burned our bridges behind us- indeed we have gone farther and destroyed the land behind us. Now, little ship, look out! Beside you is the ocean: to be sure, it does not always roar, and at times it lies spread out like silk and gold and reveries of graciousness. But hours will come when you realize that it is infinite and that there is nothing more awesome than infinity... Oh, the poor bird that felt free now strikes the walls of this cage! Woe, when you feel homesick for the land as if it had offered more freedom- and there is no longer any ―land.‖ - Nietzsche Each man‘s life represents a road toward himself, an attempt at such a road, the intimation of a path. No man has ever been entirely and completely himself. Yet each one strives to become that- one in an awkward, the other in a more intelligent way, each as best he can. Each man carries the vestiges of his birth- the slime and eggshells of his primeval past-… to the end of his days... Each represents a gamble on the part of nature in creation of the human. We all share the same origin, our mothers; all of us come in at the same door. But each of us- experiments of the depths- strives toward his own destiny. We can understand one another; but each is able to interpret himself alone. – Herman Hesse 1 In this chapter I suggest a new method of reading, which I call “holistic reading.” Building on the spiritual model of the Self offered by Jiddu Krishnamurti and the psychological model of “self” offered by Dr.
    [Show full text]
  • Literary Miscellany
    Literary Miscellany Including Recent Acquisitions. Catalogue 286 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.reeseco.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. Institutional billing requirements may, as always, be accommodated upon request.
    [Show full text]
  • Download Article (PDF)
    Advances in Social Science, Education and Humanities Research, volume 289 5th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2018) A Review of Paul Auster Studies* Long Shi Qingwei Zhu College of Foreign Language College of Foreign Language Pingdingshan University Pingdingshan University Pingdingshan, China Pingdingshan, China Abstract—Paul Benjamin Auster is a famous contemporary Médaille Grand Vermeil de la Ville de Paris in 2010, American writer. His works have won recognition from all IMPAC Award Longlist for Man in the Dark in 2010, over the world. So far, the Critical Community contributes IMPAC Award long list for Invisible in 2011, IMPAC different criticism to his works from varied perspectives in the Award long list for Sunset Park in 2012, NYC Literary West and China. This paper tries to make a review of Paul Honors for Fiction in 2012. Auster studies, pointing out the achievement which has been made and others need to be made. II. A REVIEW OF PAUL AUSTER‘S LITERARY CREATION Keywords—a review; Paul Auster; studies In 1982, Paul Auster published The Invention of Solitude which reflected a literary mind that was to be reckoned with. I. INTRODUCTION It consists of two sections. Portrait of an Invisible Man, the first part, is mainly about his childhood in which there is an Paul Benjamin Auster (born February 3, 1947) is a absence of fatherly love and care. His memory of his growth talented contemporary American writer with great is full of lack of fatherly attention: ―for the first years of my abundance of voluminous works.
    [Show full text]
  • Vita I. Academic/Professional
    VITA I. ACADEMIC/PROFESSIONAL BACKGROUND A. Name Title Mark Bayless Busby, Professor of English B. Educational Background (Years, Degrees, Universities, Majors, Thesis/Dissertation) August 1977 Ph.D. University of Colorado, Boulder Dissertation: “The Merging Adam-Christ Figure in Contemporary American Fiction” Director: James K. Folsom January 1969 M.A. Texas A&M University-Commerce Thesis: “Recent Trends in Marxist Literary Theory” Director: Thomas A. Perry May 1967 B.A. Texas A&M University-Commerce Majors: English and Speech C. University Experience (Dates, Positions, Universities,) Sept. 1994-Present Professor of English, Texas State University, San Marcos, TX August 1991-Sept. 1994 Associate Professor of English, Texas State University, San Marcos, TX August 2002-2012 Director, Southwest Regional Humanities Center, Texas State University, San Marcos, TX August 1991-2012 Director, Center for the Study of the Southwest, Texas State University, San Marcos, TX August 1983-July 1991 Associate Professor of English, Texas A&M University, College Station, TX August 1977-Aug. 1983 Assistant Professor of English, Texas A&M University, College Station, TX August 1972-May 1977 Instructor of English, University of Colorado, Boulder, CO June-August 1974, 1975 Instructor of English, Black Education Program, University of Colorado, Boulder, CO September 1970-June 1972 Associate Faculty Instructor of English, Indiana-Purdue University, Indianapolis, IN D. Relevant Professional Experience (Dates, Position, Entity,) September 1970-Dec. 1971 Communicative Arts Instructor, U.S. Army Adjutant General School, Fort Harrison, IN September 1967-May 1969 Teaching Assistant in English, Texas A&M University-Commerce, TX II. TEACHING A. Teaching Honors and Awards: 2012 Named Alpha Chi Favorite Professor, Texas State University 2008- Named Jerome H.
    [Show full text]
  • BTC Catalog 172.Pdf
    Between the Covers Rare Books, Inc. ~ Catalog 172 ~ First Books & Before 112 Nicholson Rd., Gloucester City NJ 08030 ~ (856) 456-8008 ~ [email protected] Terms of Sale: Images are not to scale. All books are returnable within ten days if returned in the same condition as sent. Books may be reserved by telephone, fax, or email. All items subject to prior sale. Payment should accompany order if you are unknown to us. Customers known to us will be invoiced with payment due in 30 days. Payment schedule may be adjusted for larger purchases. Institutions will be billed to meet their requirements. We accept checks, VISA, MASTERCARD, AMERICAN EXPRESS, DISCOVER, and PayPal. Gift certificates available. Domestic orders from this catalog will be shipped gratis via UPS Ground or USPS Priority Mail; expedited and overseas orders will be sent at cost. All items insured. NJ residents please add 7% sales tax. Member ABAA, ILAB. Artwork by Tom Bloom. © 2011 Between the Covers Rare Books, Inc. www.betweenthecovers.com After 171 catalogs, we’ve finally gotten around to a staple of the same). This is not one of them, nor does it pretend to be. bookselling industry, the “First Books” catalog. But we decided to give Rather, it is an assemblage of current inventory with an eye toward it a new twist... examining the question, “Where does an author’s career begin?” In the The collecting sub-genre of authors’ first books, a time-honored following pages we have tried to juxtapose first books with more obscure tradition, is complicated by taxonomic problems – what constitutes an (and usually very inexpensive), pre-first book material.
    [Show full text]
  • The Art of Hybridization-James Welch's Fools Crow
    The Art of Hybridization-James Welch's Fools Crow Hans Bak University of Nijmegen Recent Native American fiction has yielded a particularly hybrid mode of realism, one fluid and flexible enough to accommodate elements from tribal lore and, in varying modes and degrees, an awareness of the epis- temological dilemmas of postmodernism. The injection of tribal ele- ments-shamanism, spirits, witchcraft, charms, love medicines-together with the use of a non-Western (cyclical rather than linear) concept of time, for example, help to account for the vaunted "magical" realism in the work of Louise Erdrich (Love Medicine and Tracks) or the radically subversive and unambiguously postmodernist revision of American history and Western myth in Gerald Vizenor's The Heirs of Columbus. As critics have recurrently suggested, Native American fiction which seeks to connect itself to the oral tradition of tribal narrative (as Vizenor in his use of trickster myths and the "stories in the blood") more natu- rally accommodates itself to a postmodernist approach to fiction than to a traditional realistic one.1 The oral tradition, then, might be seen as by nature antithetical to realism. As Paula Gunn Allen has also noted, for the contemporary Native writer loyalty to the oral tradition has been "a major force in Indian resistance" to the dominant culture. By fostering an awareness of tribal identity, spiritual traditions, and connection to the 1 See, for example, Paula Gunn Allen, The Sacred Hoop: Recovering the Feminine in American Indian Traditions (Boston: Beacon Press, 1986), Brian Swann and Arnold Krupat, eds., Recovering the Word: Essays on Native American Literature (Berkeley: University of California Press, 1987), and Gerald Vizenor, Narrative Chance: Postmodern Discourse on Native American Indian Literatures (Albuquerque: University of New Mexico Press, 1989).
    [Show full text]
  • Identity and Women Poets of the Black Atlantic
    IDENTITY AND WOMEN POETS OF THE BLACK ATLANTIC: MUSICALITY, HISTORY, AND HOME KAREN ELIZABETH CONCANNON SUBMITTED IN ACCORDANCE WITH THE REQUIREMENTS FOR THE DEGREE OF DOCTOR IN PHILOSOPHY UNIVERSITY OF LEEDS SCHOOL OF ENGLISH SEPTEMBER 2014 i The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. The right of Karen E. Concannon to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs, and Patents Act 1988. © 2014 The University of Leeds and K. E. Concannon ii ACKNOWLEDGEMENTS I am grateful for the wisdom and assistance of Dr Andrew Warnes and Dr John Whale. They saw a potential in me from the start, and it has been with their patience, guidance, and eye-opening suggestions that this project has come to fruition. I thank Dr John McLeod and Dr Sharon Monteith for their close reading and constructive insights into the direction of my research. I am more than appreciative of Jackie Kay, whose generosity of time and spirit transcends the page to interpersonal connection. With this work, I honour Dr Harold Fein, who has always been a champion of my education. I am indebted to Laura Faile, whose loving friendship and joy in the literary arts have been for me a lifelong cornerstone. To Robert, Paula, and David Ohler, in each of my endeavours, I carry the love of our family with me like a ladder, bringing all things into reach.
    [Show full text]
  • A Dictionary of Literary and Thematic Terms, Second Edition
    A DICTIONARY OF Literary and Thematic Terms Second Edition EDWARD QUINN A Dictionary of Literary and Thematic Terms, Second Edition Copyright © 2006 by Edward Quinn All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Facts On File, Inc. An imprint of Infobase Publishing 132 West 31st Street New York NY 10001 Library of Congress Cataloging-in-Publication Data Quinn, Edward, 1932– A dictionary of literary and thematic terms / Edward Quinn—2nd ed. p. cm. Includes index. ISBN 0-8160-6243-9 (hc : alk. paper) 1. Criticism—Terminology. 2. Literature— Terminology. 3. Literature, Comparative—Themes, motives, etc.—Terminology. 4. English language—Terms and phrases. 5. Literary form—Terminology. I. Title. PN44.5.Q56 2006 803—dc22 2005029826 Facts On File books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions or sales promotions. Please call our Special Sales Department in New York at (212) 967-8800 or (800) 322-8755. You can fi nd Facts On File on the World Wide Web at http://www.factsonfi le.com Text design by Sandra Watanabe Cover design by Cathy Rincon Printed in the United States of America MP FOF 10 9 8 7 6 5 4 3 2 1 This book is printed on acid-free paper. Contents Preface v Literary and Thematic Terms 1 Index 453 Preface This book offers the student or general reader a guide through the thicket of liter- ary terms.
    [Show full text]