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The American Film Musical and the Place(Less)Ness of Entertainment: Cabaret’S “International Sensation” and American Identity in Crisis
humanities Article The American Film Musical and the Place(less)ness of Entertainment: Cabaret’s “International Sensation” and American Identity in Crisis Florian Zitzelsberger English and American Literary Studies, Universität Passau, 94032 Passau, Germany; fl[email protected] Received: 20 March 2019; Accepted: 14 May 2019; Published: 19 May 2019 Abstract: This article looks at cosmopolitanism in the American film musical through the lens of the genre’s self-reflexivity. By incorporating musical numbers into its narrative, the musical mirrors the entertainment industry mise en abyme, and establishes an intrinsic link to America through the act of (cultural) performance. Drawing on Mikhail Bakhtin’s notion of the chronotope and its recent application to the genre of the musical, I read the implicitly spatial backstage/stage duality overlaying narrative and number—the musical’s dual registers—as a means of challenging representations of Americanness, nationhood, and belonging. The incongruities arising from the segmentation into dual registers, realms complying with their own rules, destabilize the narrative structure of the musical and, as such, put the semantic differences between narrative and number into critical focus. A close reading of the 1972 film Cabaret, whose narrative is set in 1931 Berlin, shows that the cosmopolitanism of the American film musical lies in this juxtaposition of non-American and American (at least connotatively) spaces and the self-reflexive interweaving of their associated registers and narrative levels. If metalepsis designates the transgression of (onto)logically separate syntactic units of film, then it also symbolically constitutes a transgression and rejection of national boundaries. In the case of Cabaret, such incongruities and transgressions eventually undermine the notion of a stable American identity, exposing the American Dream as an illusion produced by the inherent heteronormativity of the entertainment industry. -
At Play Fall-Winter 03.Qxd
representing the american theatre by publishing and licensing the works of new and established playwrights JacquesBrelisAliveandWell Polly Pen on Writing Musicals Cowgirls’ Mary Murfitt Issue 9, Fall/Winter 2003 MUSICALS INTERVIEW WITH A BAT BOY Director of Professional Rights Robert Vaughan and Director of Publications Michael Fellmeth met with Bat Boy in the Palm Court of the Plaza Hotel in Manhattan to talk about growing up in a cave in Hope Falls, West Virginia, Bat Boy: The Musical, and his rise to global celebrity as the lead in a hit show about his own life. The pointy- eared, fanged star arrived with an entourage of bodyguards, personal assistants, agent, lawyer and publi- cist. Bat Boy, immaculately clad in Savile Row, seemed only vaguely aware of their presence. He greeted us warmly, sat down, lit a miniature cigar and ordered a bloody mary. continued on next page FELLMETH. Let me begin by saying how taken I EDGAR. Ahhh, Jenna. Jenna the Menace, that lips” motion.) Perhaps we’d best not discuss Dr. am with your voice, Bat Boy. Did you have any was my pet name for her. She was such a terror. Parker. That is a difficult subject for me. formal training? The media had it all wrong, though. It was she FELLMETH. Understandably so. A father who BAT BOY. Please don’t call me Bat Boy. My name who took to following me. After I finally got a abandoned you in infancy to be raised by bats is Edgar. restraining order she went on that binge in Texas and then — as if that weren’t enough — tried to FELLMETH. -
Ald. Michael Murphy Chair, Milwaukee Arts Board
Department of City Development 809 North Broadway, Milwaukee, WI 53202 (414) 286-5794 Fax (414) 286-5467 Tom Barrett, Mayor Ald. Michael Murphy, Chair www.milwaukee.gov/MAB Contact: Ald. Michael Murphy Chair, Milwaukee Arts Board (414) 286-2074 For Immediate Release City of Milwaukee Arts Board awards $238,000 to 35 arts organizations Summer arts programs for youth, free performances of Shakespeare’s Much Ado About Nothing, and a series of cross-neighborhood dinners in connection with the classic American play Our Town are among 35 projects awarded funding recently by the City of Milwaukee Arts Board. At its May meeting the MAB considered the recommendations of an eight-member citizen review panel and voted to award $238,000 in grants ranging from $3,500 to $7,000. MAB grants require a dollar-for-dollar cash match from other sources, and the combined budgets of the 35 selected projects this year is more than $3.48 million. There were a total of 41 eligible requests from Milwaukee nonprofit arts organizations to fund art, music, dance, arts education and other projects. “I’m always impressed by the quality work our local arts community puts forth,” said Ald. Michael Murphy, Milwaukee Arts Board Chair. “We’re pleased to be able to support their efforts.” This year marks the 27th annual grant awards. Since 1991, the Milwaukee Arts Board has awarded more than $4.95 million to 127 different organizations. Grantees will be honored by Mayor Tom Barrett, Ald. Murphy and others at a 4:30 p.m. reception June 12 at the Marcus Center for the Performing Arts followed by an awards program and celebration at 5 p.m. -
Large-Print-Mag-Nov-19.Pdf
CHAPTER 11.19 ART Garth Evans But, Hands Have Eyes: Six decades of sculpture Until 26.01.20 ‘But, Hands Have Eyes’ is a solo exhibition featuring six decades of sculpture. Alongside works produced in the UK in the 1960s and 70s, Evans also presents a body of work for their UK premiere, that he has produced in the United States since his move there in 1981. The work of Garth Evans is integral to the history of British sculpture. Experimenting with the potential of scale, weight, medium and form, Evans’ work comprises both a formal and conceptual approach. He is always interested in interrogating established boundaries and, as a result, his sculptures are made from a diverse range of materials including ceramics, steel, leather and fibreglass. Evans states that many of his works, even when most abstract, are “triggers for, and containers of, particular identifiable memories”. Ultimately, Garth Evans’ works are ambiguous, multi-faceted and completely original. Talks at 4 16.11.19 FREE Are you interested in finding out a little bit more about our latest exhibition? Then why not join us for a free and informal guided tour! Our ‘Talks at 4’ are led by our wonderful gallery assistants and are a great way to delve a little deeper into our current exhibition by Garth Evans and his approach to his work. No two talks are the same so come along and be a part of the conversation. Art in the Bar Jon Pountney Waiting For The Light Until 14.02.20 ‘Waiting for the Light’ is a body of photographic works that capture a particular type of light; a harsh, acutely angled low sunlight that gives the scenes in Jon Pountney’s images a somewhat surreal and melancholy feel. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
UWM Libraries Digital Collections
OCTOBER/NOVEMBER 1996 COMPLIMENTARY VOLUME 1 1, ISSUE 1 CASTS OF CONTENTS CHARACTER ;Sfe5 m wm ::ft|f liiiiiiii! isiSiiiaiia ^m W 5S** m till ®m ililii*****"" . .•li.'-ftiiiill '"* •'• : "*"****> €15116 "^""^^feiSS?**! *£& Robert Cottingham, Art (detail), 1992. MAM, Landfall Press Archive, Gift of Jack Lemon. An Exhibition Featuring the Work of Former Artists-in-Residence in the FEHTU RES John Michael Kohler Arts Center's Arts/Industry Program at Kohler Co. Reflections on the Milwaukee Art Museum 12 September 29,1996 - January 5,1997 Photographs by Francis Ford 14 A Tale of Two Cities: Milwaukee vs. Milwaukee 16 TRE' ARENZ • LAWRENCE ARGENT • NANCY DWYER It Could Have Been a Parking Lot 17 PETER FLANARY • LESLIE FRY • MICHAEL GARR Beyond Bovines 18 MARTHA GLOWACKI • RONALD GONZALEZ INDIRA FREITAS JOHNSON • KEN LITTLE A Fine Line 19 EVA MELAS • CINDI MORRISON • JOEL OTTERSON Reflections on the Haggerty Museum of Art 20 CAROLYN OTTMERS • ALBERT PFARR • PAUL SEBBEN Fixing The Leaks 21 BUSTER SIMPSON • JANET WILLIAMS • ANDY YODER Essay/Steven Foster/Studies 22 OPENING CELEBRATION DEPARTMENTS Friday, October 4,1996 • 5:30-8:30 p.m. Refreshments • Music by The Mosleys Plexus/Reflexus 4 Free Admission Grants/Opportunities 6 Post Facto 24 Concurrent Exhibitions Calendar/Out There 28 Anna Torma: Notes and Visions Madison/Chicago 33 Kate Moran: Nine Dolls Full of Color Who Understand Touch through October 27 Rudy Rotter: Mahogany to Mink November 3, 1996 - February 2, 1997 ON THE COVER Opening and Exhibition Preview Front: David Schweitzer, Director, 1986. Photograph by Francis Ford. with Rudy Rotter and Guest Curator Debra Brehmer Back: Les Petite Bon-Bon, 1971. -
A List of Influential Native Americans
Tuesday, 4.21.15 ON THE WEB: www.yankton.net views VIEWS PAGE: [email protected] PAGE 4 PRESS&DAKOTAN The Press Dakotan THE DAKOTAS’ OLDEST NEWSPAPER | FOUndED 1861 Yankton Media, Inc., 319 Walnut St., Yankton, SD 57078 CONTACT US OPINION PHONE: (605) 665-7811 (800) 743-2968 Oklahoma City In NEWS FAX: (605) 665-1721 ADVERTISING FAX: (605) 665-0288 A Post-9/11 Age WEBSITE: www.yankton.net erhaps the obsessive nature of our post-9/11 universe can best be ––––– illustrated by how much attention that we, as a nation, generally SUBSCRIPTIONS/ DIDN’T devote to the 20th anniversary of the Oklahoma City bomb- CIRCULATION ing this past weekend. PTo be sure, there was attention paid to that terrible event back in Extension 104 [email protected] 1995, when 168 people, including 19 children, were killed and more than CLASSIFIED ADS 600 were injured in a shocking act of domestic terrorism. Up until 9/11, Extension 108 this event was the single deadliest terrorist attack on U.S. soil, and it was [email protected] treated as such when it happened. But judging from the general national conversation, the anniversary NEWS DEPT. seemed more like a recollection of echoes from a long-ago time that only The Rez Of The Story Extension 114 moderately resonates today. [email protected] This isn’t true, of course, but we have changed a lot since that awful SPORTS DEPT. morning 20 years ago. And amid those momentous changes— and after all Extension 106 the grieving we have endured from other events and other re-alterations of [email protected] our thinking — it may be somewhat understandable that we see Oklahoma A List Of Influential ADVERTISING DEPT. -
The National Bank of Indianapolis Summer Nights Film Series Returns to Newfields 6/4 Tickets Go on Sale May 21 for Members, May 28 for Public
FOR IMMEDIATE RELEASE Images available upon request. The National Bank of Indianapolis Summer Nights Film Series returns to Newfields 6/4 Tickets go on sale May 21 for members, May 28 for public INDIANAPOLIS, May 17, 2021–The beloved summer tradition, The National Bank of Indianapolis Summer Nights Film Series returns to Newfields on Fridays and select Saturdays this June, July and August. Over the summer, 14 films will be shown —everything from classic black-and-white films to modern blockbusters. “Supporting the Summer Nights Film Series is a way for us to give back to our city, and to support our community in an engaging and meaningful way,” said Ann Merkel, senior vice president and chief market development officer at The National Bank of Indianapolis. “We dedicate our resources to activities that create a stronger community and enhance the quality of life for all who live here. We are pleased to be celebrating 10 years as the title sponsor of this beloved program.” New this year and to maintain a safe social distance and reduced capacity in The Amphitheater, Summer Nights tickets will be sold as boxed seating that can accommodate one to four individuals. Each box will be seven feet by eight feet and be spaced six feet apart from others. For everyone’s health and safety, the boxes will be sold at a fixed price with a maximum of four tickets. Tickets go on sale for members on May 21 at 11 a.m. and for the public on May 28 at 11 a.m. Ticket boxes of four are $36 for members and $48 for public. -
CV George Every 1St AD
GEORGE EVERY, 1ST A.D. Full Member of the British AD Guild for Films & Commercials CURRICULUM VITAE Diary Service : EXEC Management Mob : +44 (0)7515 385 491 Tel 01753 646 677 [email protected] [email protected] RESUME I have been a 1st AD for 22 years. I have wide experience in features, tv drama and commercials. My credits as a key 1st include features for Oscar winners James Ivory, Norman Jewison, Kevin Macdonald, Régis Wargnier, Florian Zeller and Graham Moore as well as Oscar nominated Tran Anh Hung. I have worked with a large number of A-list talent and have extensive experience of working abroad, including the Far East, South America, Africa, and all over Europe. I was based in Paris for 15 years and speak bilingual French. I returned to London in 2007. FILM & TV DRAMA CREDITS as 1st AD Year Film Format Director 2021 The Son (See Saw Films) Feature Florian Zeller Cast : Hugh Jackman, Laura Dern, Vanessa Kirby, Zen Macgrath Wraps 1st October 2021 Living (Number 9 Films) Feature Oliver Hermanus Cast : Bill Nighy, Aimee Lou Wood, Alex Sharp Period : 1950s. Location : London 2021 The Outfit (FilmNation) Feature Graham Moore Cast : Sir Mark Rylance, Sir Simon Russell Beale, Johnny Flynn, Dylan O’Brien Period : 1950s. Location : Studio,London 2020 My Name is Lizzie (Story Films) TV Drama Niall MacCormick 4-part mini series for Channel 4 Cast : Niamh Algar, Harry Treadaway, Sion Daniel Young Period : 1990s. Location : London 2019 The Father (Trademark Films) Feature Florian Zeller Cast : Sir Anthony Hopkins, Olivia Colman, Rufus Sewell, Olivia Williams, Mark Gatiss. -
Ald. Michael Murphy Chair, Milwaukee Arts Board
Department of City Development 809 North Broadway, Milwaukee, WI 53202 (414) 286-5794 Fax (414) 286-5467 Tom Barrett, Mayor Ald. Michael Murphy, Chair www.milwaukee.gov/MAB Contact: Ald. Michael Murphy Chair, Milwaukee Arts Board (414) 286-2074 For Immediate Release City of Milwaukee Arts Board announces 2016 Artists of the Year and Friends of the Arts Awards Della Wells and Dasha Kelly have been named 2016 Artists of the Year, the City of Milwaukee Arts Board announced recently. Thallis Hoyt Drake and Andy Nunemaker were named 2016 Friends of the Arts. They will be honored Tuesday, June 14 at a 4:30 p.m. reception in the atrium of the Marcus Center for the Performing Arts followed by an awards program and celebration at 5 p.m. Representatives of 33 city-based arts organizations who received arts board grants will also be honored. “We’re glad to shine a light on these four individuals, who have contributed so much to our entire community,” said Ald. Michael Murphy, who chairs the Milwaukee Arts Board. Della Wells is a self-taught artist who began drawing and painting in earnest at the age of 42. Her work ranges from collage and pastels to quilting. Her creative process stems from her personal experiences embellished through the art of storytelling. In 2011, an award winning play inspired by her life, '' Don't Tell Me I Can't Fly'', premiered in Milwaukee. The play was commissioned by First Stage children’s theater and written by Y York. She illustrated a children's book, "Electric Angel" by Nanci Mortimer, to be released by Wooden Nickel Press in late June. -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Editorial and Design Principles in Precursors Of
PRECURSORS TO THE RISE OF ENGLISH WORLD ATLASES; Theatres, Atlases, Cosmographies, Geographies, and Sets of Maps Dalia Varanka, Research Geographer U.S. Geological Survey 1400 Independence Road Rolla, Mo 65401 Tel. 573.308.3897 Email [email protected] Acnowledgement: This paper is based on doctoral dissertation research formulated under the supervision of J.B. Harley. The dissertation work was supported in part by a grant from the National Science Foundation and with fellowships from the John Carter Brown Library, Brown University; the Hermon Dunlap Smith Center for the History of Cartography, The Newberry Library; and the Graduate College of the University of Wisconsin-Milwaukee. The context of the rise of world atlases in England suggests that they were tied to wider scholarly and social issues covering the period of roughly 1630 through 1730. This short history discusses the cosmographical background and Continental foundations of the rise of world atlases in England, and a survey of relevant English precursors to those atlases. A risk exists of rooting definitions of atlases firmly in cartography, subsuming other defining concepts, such as scientific philosophy and social values. An alternative way to look at atlases is that they are part of the larger corpus of their other contemporary works. The word ‘atlas’ was applied to only a part of our extant corpus of bound or unbound collections of maps of the world made in late seventeenth- century England. A more frequent term is "set of maps," (or Tabularum Geographicarum). ‘Geography’ is also used. Bound sets of maps, which are called Atlas Factice, are almost never called atlases by their makers or producers.