Sample page from Pianos Inside Out. Copyright © 2013 Mario Igrec. 509

Appendix C Selected Bibliography

Books, Articles, Videos, Badura-Skoda, Eva. “Prolegomena to a History of the Viennese Fortepiano.” Israel Studies in Musicology 2, 1980. Available at Online Resources http://books.google.com. Baldassin, Rick, RPT. “Formulas for Inharmonicity.” Piano Technicians Journal, July 1988, pp. 16–19. Allen, Frederick. “Steinway.” American Heritage of Invention and Baldassin, Rick, RPT. “Inharmonicity and Inharmonicity Formu- Technology (I & T), Volume 9/Number 2, Fall 1993, p. 34. las.” Piano Technicians Journal, December 1988, pp. 18–25. [ISSN: 0896-7296] Baldassin, Rick, RPT. On Pitch: The Integration and Equation of American Association of Museums. Code of Ethics for Museums. Aural and Electronic Tuning Techniques, revised ed. Salt Lake Available at http://www.aam-us.org/museumresources/ethics/ City, UT: Rick Baldassin, 2007. coe.cfm. Baldassin, Rick, RPT. “Raising Pitch.” Piano Technicians Journal, American Institute for Conservation. Code of Ethics and Guide- June 1989, pp. 24–25. lines for Practice. Available by searching “Code of ethics” at [sic] http://www.conservation-us.org. Baldwin. “Downbearing with the Accu-just System.” Techni- cal Service Note, no date. Currently available from the CAUT American Steel & Wire Co., Editors of. Piano Tone Building. library at http://my.ptg.org (search “Accujust”). [1919] Vestal, New York: Vestal Press, 1985. [Transcripts of Technicians’ Conferences 1916–1918] Barclay, R.L., ed. The Care of Historic Musical Instruments. Ot- tawa, ON, Canada: Canadian Conservation Institute, 1997. Askenfelt, Anders, ed. Five Lectures on the Acoustics of the Piano. Available at http://cimcim.icom.museum/iht/. Stockholm: Royal Swedish Academy of Music, 1990. Available at http://www.speech.kth.se/music/ 5_lectures/. [Seminal text Barclay, R.L., ed. Recommendations for the Conservation of Musi- on piano design] cal Instruments: an Annotated Bibliography. CIMCIM, 1993. Available at http://www.music.ed.ac.uk/euchmi/cimcim/ Askill, John. Physics of Musical Sounds. New York: Van Nostrand, iwt1.html. 1979. Barron, James. Piano: the making of a Steinway concert grand. Atkinson, Rick. “Pianomorte.” The New York Times, 9 August New York: Times Books, 2006. 1993, sec. A, p. 10. [Closing of the Bechstein factory] Bartholomew, Wilmer T. Acoustics of Music. New York: Prentice Backus, J. The Acoustical Foundations of Music. New York: Hall, 1942. Norton, 1969. Basalla, George. The Evolution of Technology. Cambridge: Cam- Bechstein piano case numbers. http://webvoice.blogspot.com/ bridge University Press, 1988. Excerpts available at bechstein/case-number.htm. http://books.google.com. Badura-Skoda, Eva. “The Anton Walter fortepiano—Mozart’s be- Bavington, Peter. Clavichord Tuning and Maintenance, 2nd ed. loved concert instrument. A response to Michael Latcham.” London: Keyword Press, 2010. Early Music, Vol. 28 No. 3, August 2000, pp. 469–473. http://em.oxfordjournals.org/content/XXVIII/3/469.extract. Beethoven, Ludwig van. Klaviersonaten, Band I. Urtext. Munich: G. Henle Verlag, 1980. 510 Bibliography Sample page from Pianos Inside Out. Copyright © 2013 Mario Igrec.

Behm, Chuck. “Small Shop—Big Results: A Field Test of Brushed- Cobble, Thomas, RPT. “A First Look at Steingraeber’s Phoenix on Finishes.” Piano Technicians Journal, May 2009, pp. 14–17. Bridge Agraffes.” Piano Technicians Journal, November 2009, Benade, Arthur H. Fundamentals of Musical Acoustics, 2nd ed. pp. 22–23. New York: Dover, 1990. Cole, Michael. “The Pantalon - and what it tells us.” In Thomas Berner, A., J. H. van der Meer, G. Thibault, and N. Brommelle. Steiner, ed., Instruments à claviers - expressivité et flexibilité so- Preservation and Restoration of Musical Instruments: provi- nore. pp. 63–88. sional recommendations. London: International Council of Mu- Cole, Michael. The Pianoforte in the Classical Era. Oxford: Claren- seums, 1967. don Press, 1998. Biemiller, Lawrence. “Notes From Academe.” The Chronicle of Cole, Michael. Square Pianos. Website. Higher Education, March 9 1994, sec. A, p. 47. [Restoration of http://www.squarepianos.com/. historical pianos by Edward Swenson] Cole, Michael. “The Twelve Apostles? An Inquiry into the Ori- Bird, Lonnie. “Resawing on the Bandsaw.” Fine Woodworking, gins of the English Pianoforte.” Early Keyboard Journal, Vol. 18, January/February 2007, pp. 38–42. 2000, pp. 9–52. Birkett, Stephen. “Static and Dynamic Balancing of a Piano Key.” Campbell, Murray and Clive Greated. The Musician’s Guide to Available at http://www.fortepianos.com/piano%20action.htm. Acoustics. London: J.M. Dent & Sons Ltd., 1987. [Exhaustive Bishop, John and Graham Barker. Piano Manual. Sparkford, Yeo- survey in theory of sound and acoustics of musical instru- vil, Somerset, United Kingdom: Haynes Publishing, 2009. ments] [Buying, maintaining, repairing, regulating, and tuning a piano Canadian Association for Conservation of Cultural Property and for pianists and piano owners] the Canadian Association of Professional Conservators. Code Blackham, Donnell E. “The Physics of the Piano.” Scientific of Ethics and Guidance for Practice, 3rd ed. Ottawa, ON, Can- American, December 1965. [also available in The Physics of ada: CAC & CAPC, 2000. Available at http://www.cac-accr.ca/ Music, San Francisco: W. H. Freeman and Company, 1978, and pdf/ecode.pdf. in Earle Kent, Musical Acoustics, Stroudsburg, PA: Dowden, Capleton, Brian. Theory and Practice of Piano Tuning. Malvern, Hutchinson & Ross, Inc., 1977.] United Kingdon: Amarilli Books, 2007. Bolduc, André and Christian. “Repairing a Bass Bridge Leaving Chapin, Miles & Rodica Prato. 88 Keys: The Making of a Steinway Treble Strings Installed,” Europiano, Issue 3, 2010, pp. 40–50. Piano. New York: Clarkson Potter, 1997. Bolduc. See “Pianos Bolduc.” Chang, Chuan C. Fundamentals of Piano Practice. Self-published, Bowman, Keith, RPT. “Tuning Lever Design & Maintenance.” 2009. Available from http://www.pianopractice.org. [Part 2 con- 3-part series. Piano Technicians Journal, January 2001, pp. 29– tains instructions on tuning and minor repairs] 32; February 2001, pp. 16–19; April 2001, pp. 18–23. Christiana, Asa. “Shop Vacuums.” Fine Woodworking, Tools & Boyce, David. David Boyce Piano Services. Website at Shops issue, 2012, pp. 70–74. http://www.davidboyce.co.uk. [Well-illustrated repair and resto- Clinkscale, Martha Novak. Makers of the Piano 1700 – 1820. ration procedures, information on birdcage pianos, rarely en- Oxford: Oxford University Press, 1993. Available in database countered designs] form at http://earlypianos.org/. [List of piano makers] Bozarth, George and Stephen Brady, RPT. “Johannes Brahms “Clothes Moths: Integrated Pest Management in the Home.” Pest and His Pianos.” Piano Technicians Journal, July 2000, pp. 42– Notes. Publication 7435. University of California Division of 55. Agriculture and Natural Resources, December 2000. Available Brady, Stephen H., RPT. Under the Lid: The Art & Craft of the at http://www.ipm.ucdavis.edu/PMG/PESTNOTES/pn7435.html. Concert Piano Technician. Seattle: Byzantium Books, 2008. Closson, Ernest. History of the Piano. 2nd ed. Trans. Delano Brady, Stephen H., RPT. A Piano Technician’s Guide to Field Re- Ames. London: Paul Elek, 1974. pairs, 2nd ed. Kansas City: Piano Technicians Guild, 2008. Cohen, H. F. Quantifying Music: The Science of Music and the First Available for purchase at http://www.ptg.org. Stage of the Scientific Revolution, 1580–1650. Dordrecht, Hol- Brady, Steve, RPT. “Piano Plate Breakage: A Case Study.” Piano land: D. Reidel Publishing Co., 1984. [History of tuning theo- Technicians Journal, November 2000, pp. 26–27. ries and practices] Brekne, Richard, RPT. “Of Touchweight and Ratios or, The Bal- Crawford, Matthew B. Shop Class as Soulcraft: An Inquiry into the Value of Work. New York: The Penguin Press, 2009. ance of the Action.” Available at http://home.broadpark.no/ ~rbrekne/referhtml/touchweight.html. Crombie, David. Piano: Evolution, Design and Performance. New Bressette-Mills, Jack, RPT. “The Thoughtful Technician, Part 4.” York: Barnes & Noble, 2000. Piano Technicians Journal, September 2002, pp. 32–34. Cushing Smith, Mary, ed., Jim Ellis, RPT, and James Arledge, Briggs, G. A. Pianos, Pianists, and Sonics. Idle, U.K.: Wharfedale RPT. “False Beats,” Q&A Roundtable, Piano Technicians Jour- Wireless Works, 1951. nal, December 2005, pp. 12-–14. Bunger [Evans], Richard. The Well-Prepared Piano, 2nd Ameri- Davies, Clair. The Trigger Point Therapy Workbook, 2nd ed. Oak- can ed. San Pedro, CA: Litoral Arts Press, 1981. [A guide to land, CA: New Harbinger Publications, Inc., 2004. [Addressing “prepared piano”] pain by massaging muscular “trigger points”] Busby, Jim, RPT and John Dewey. “Aluminum Screw Hole Re- Davis, Bob, RPT and Dale Erwin, RPT. “Everyday Voicing.” 7-part pairs,” Piano Technicians Journal, September 2007, p. 10. series. Piano Technicians Journal, May 2003, July to October 2003, December 2003, January 2004. Cantrell, Norman, RPT. “Of Mice and Men and Pianos: A Look at Hantavirus in Relation to Piano Technicians.” Piano Techni- Dewey, John A. “Steinway Action-Rail Replacement.” Piano Tech- cians Journal, May 1997, pp. 22–23. nicians Journal, October 2006, pp. 20–21. Sample page from Pianos Inside Out. Copyright © 2013 Mario Igrec. Books, Articles, Videos, Online Resources 511

Dietz, Franz Rudolf. Das Intonieren von Flügeln/Grand Voicing. Fine, Larry. Acoustic & Digital Piano Buyer. Palm Springs, CA: Frankfurt, Germany: Das Musikinstrument, 1968. Brookside Press, published semiannually. Free version is Dietz, Franz Rudolf. Steinway Regulation/Das Regulieren von available at http://www.pianobuyer.com. Flügeln bei Steinway. Frankfurt, Germany: Das Musikinstru- Fine, Larry. The Piano Book, 4th ed. Boston, MA: Brookside ment, 1981. ISBN 3-920112-16-4. Press, 2001. [Consumer guide for buying new and used Dolge, Alfred. Men Who Have Made Piano History. Vestal, New pianos] York: The Vestal Press, 1980. Originally published as Pianos Flexner, Bob. Understanding Wood Finishing: How to Select and and Their Makers, Vol. II. Covina, CA: Covina Publishing Co., Apply the Right Finish, 2nd ed. East Petersburg, PA: Fox Chapel 1913. Publishing (American Woodworker series), 2010. Dolge, Alfred. Pianos and Their Makers. Covina, CA: Covina Pub- Fostle, D.W. The Steinway Saga: An American Dynasty. New York: lishing Co., 1911. Available at http://www.archive.org. Scribner, 1995. Dornberg, John. “Beyond Perfect Pitch: How Ernst Kochsiek Frisch Walter. Brahms and His World. Princeton, NJ: Princeton Makes Great Pianists Sound Their Best.” Connoisseur, October University Press, 2009. 1986, p. 151. Funke, Otto. Das Intonieren von Pianos und Flügeln. Frankfurt, Dornfeld, Bruce, RPT. “Replacing Young Chang Growing Action Germany: Das Musikinstrument, 1977. ISBN 3-920112-60-1. Brackets.” Piano Technicians Journal, August 2009, pp. 26–27. [Essay on tone regulating] Dresdner, Michael. “Flow Chart Part 3: Sealers and Pore Fillers.” Funke, Otto. The Piano and How to Care for it. Trans. C.H. Woodworker’s Journal, June 2008. Available at http:// Wehlau. Frankfurt, Germany: Das Musikinstrument, 1961. www.woodworkersjournal.com. [Practical aspects of piano care and maintenance] Dubal, David. The Art of the Piano: Its Performers, Literature, and Gaines, James R., ed. The Lives of the Piano. New York: Holt, Recordings, 3rd ed. Pompton Plains, NJ: Amadeus Press, 2004. Rinehart & Winston, 1981. [Essays] [CD of rare piano recordings included] Galembo, Alexander. “Perception of Musical Instrument by Per- Dufau, P.A.(Pierre Armand), Paul Emile Benaimé, and M. Tahan. former and Listener.” From the 2001 conference Human Super- Claude Montal, facteur de pianos (aveugle); sa vie et ses vision and Control in Engineering and Music. Available at travaux. Paris: Didot Frères, Fils et Cie, 1857. Available at http://www.engineeringandmusic.de/individu/galealex/ http://digital.lib.uiowa.edu. Galambo-Paper.html. Duffin, Ross W. How Equal Temperament Ruined Harmony (and Galembo, A., Askenfelt, A., Cuddy, L. L., & Russo, F. A. “Percep- Why You Should Care). New York: W.W. Norton, 2007. tual significance of inharmonicity and spectral envelope in the Eder, Alan, RPT. Non-Traditional Piano Use. Valencia, CA: Califor- piano bass range.” Acta Acustica, 90, 2004, pp. 528–536. nia Institute of the Arts, 1994. DVD. To order, contact Alan Available from http://digitalcommons.ryerson.ca/cgi/ viewcontent.cgi?article=1005&context=psych. Eder at [email protected]. Ehrlich, Cyril. The Piano, A History, 2nd ed. Oxford: Clarendon Gallaway, Kent, RPT. “Epoxy Pinblock Consolidation in an Up- Press, 1990. [Contains a list of piano makers since 1851 in right Piano: A Report.” Piano Technicians Journal, July 2010, Appendix I] p. 12. Eigeldinger, Jean-Jacques. “Chopin and Pleyel.” Clavier Compan- Gazette musicale de Paris. Paris: Gazette musicale de Paris, 1834, 1835. See also “Revue et gazette musicale de Paris.” Available ion, May/June 2010, Vol. 2 No. 3. Available at http://www. at http://www.archive.org. claviercompanion.com/may-june-2010/chopin-and-pleyel/. Ellis, Jim, RPT. “An Analysis of a Broken Plate.” Piano Techni- Good, Edwin M. Giraffes, Black Dragons, and Other Pianos, 2nd cians Journal, November 2000, pp. 28–32. ed. Stanford, CA: Stanford University Press, 2001. Emerson George F., RPT, Keith Bowman, RPT, Mike Carraher, Goold, Madeline. Mr. Langshaw’s Square Piano: The Story of the RPT. Hailun Piano Service Manual. Richland, WA: Hailun USA, First Pianos and How They Caused a Cultural Revolution. London: Corvo, 2008. 2011. Available at http://www.hailun-pianos.com. Engelbrecht, Jüri, Avo Mägi, and Anatoli Stulov. “Grand Piano Granholm, John, RPT, ed. “Impact Tuning Levers and Ergonom- Manufacturing in Estonia: the Problem of Piano Scaling.” Proc. ics.” Piano Technicians Journal, January 2008, pp. 10–12. Estonian Acad. Sci. Engin., 1999, v.5, N.2, pp. 155–167. Available [Interview with Dean Reyburn] at http://www.cs.ioc.ee/~stulov/Engart.pdf. Gravagne, Nick, RPT. “Bearing on the Old Soundboard.” Piano Eschete, Ken, RPT. “Epoxy Consolidation: An Alternative Technicians Journal, November 1988, pp. 19–21. Method for Restoring Piano Pinblocks.” Piano Technicians Gravagne, Nick, RPT. “Downbearing: An Introduction.” Piano Journal, April 2009, pp. 22–25. Technicians Journal, February 1988, pp. 23–24. Fandrich, Darrell, RPT. “Riblet Update,” Tips, Tools & Tech- Gravagne, Nick, RPT. “Elements of Quality Soundboard Con- niques, Piano Technicians Journal, November 2007, pp. 8–9. struction.” Piano Technicians Journal, November 1987, Fandrich, Delwin, RPT. “Are Soundboards All They’re Cracked pp. 23–25. Up To Be?” Piano Quarterly, Summer 1992, p. 63. Gravagne, Nick, RPT. “How Much Crown Should There Be?” Fandrich, Delwin, RPT. “The Designer’s Notebook: Last Resort Piano Technicians Journal, April 1987, pp. 23–26. Soundboard Repairs.” 4-part series. Piano Technicians Journal, Gravagne, Nick, RPT. “Lowering the Plate: Part One.” Piano Tech- June 2002, pp. 19–22, July 2002, pp. 19–22, August 2002, pp. 18– nicians Journal, April 1989, pp. 28–31. 21, September 2002, pp. 28–30. Gravagne, Nick, RPT. “Plate Lowering: Part Two.” Piano Techni- Fandrich, Delwin, RPT. “Running out of the Good Stuff.” Piano cians Journal, May 1989, pp. 27–30. Technicians Journal, November 2011, pp. 14–18. 512 Bibliography Sample page from Pianos Inside Out. Copyright © 2013 Mario Igrec.

Gravagne, Nick, RPT. Downbearing and Bridge Notching Video. Honor of H. Wiley Hitchcock. Ann Arbor, MI: The University of DVD. Available from http://www.gravagne.com. Michigan Press, 1990, pp. 132–153. Available from http:// Gravagne, Nick, RPT. Soundboard Installation Video. DVD. Avail- americanhistory.si.edu/steinwaydiary/resources/. able from http://www.gravagne.com. Hoover, Cynthia Adams. “The Steinways and Their Pianos in the Grossbach, Jan. “Repairs to Matt Finishes.” Europiano, Issue 2, Nineteenth Century.” Journal of the American Musical Instru- 2012, pp. 31–37. ment Society, Vol. VII, 1981, pp. 47–89. Available from http://americanhistory.si.edu/steinwaydiary/resources/. Grove Music Online. http://www.oxfordmusiconline.com. Hopfner, Rudolf. Meisterwerke der Sammlung alter Musikinstru- Grover, David S. The Piano: Its Story From Zither to Grand. New mente: Kurzführer durch das Kunsthistorische Museum. Vienna, York: Scribner’s Sons, 1978. Austria: Kunsthistorisches Museum Wien, 2010. [CD included] Grijalva, Robert, RPT. “Introduction to the Treble Resonator.” Huber, Alfons, ed. Das österreichische Cembalo: 600 Jahre Cem- Piano Technicians Journal, October 2006, pp. 16–18. balobau in Österreich. Tutzing, Germany: Hans Schneider, Hall, Donald E. Musical Acoustics: An Introduction. Belmont, CA: 2001. Wadsworth Publishing Co., 1980. [A thorough, well-illustrated Huggins, David, RPT. “Affordable Vertical Touchweight Refine- textbook] ment.” Piano Technicians Journal, June 2012, pp. 28–31. Hansing, Siegfried. The Pianoforte And Its Acoustic Properties. Hughes, David G., RPT. “A Modern Approach to Piano Restora- Nabu Press, 2010. ISBN 978-1146325493. [A reprint of an early tion.” Piano Technicians Journal, October 2012, pp. 18–20. 20th century classic on piano acoustics] Hunt, Newton J. The Piano Technicians Guide. Dallas, TX: Self- Harding, Rosamond E. M. The Pianoforte: its history traced to the published, 1985. Newton Hunt, 3253 Lockmoor, Dallas, TX Great Industrial Exhibition, 1851, 2nd ed. Old Woking, England: 75220, USA. Tel: (214) 352-6846. [Estimated times for piano Gresham Books, 1978. [History of pianoforte to 1851] servicing and rebuilding] Harrison, Sidney. Grand Piano. London: Faber and Faber, 1976. Instruments pour demain: conservation & restauration des instru- [History of pianos, piano makers, and pianists] ments de musique: 9es journees d’etudes de la Section francaise Helmholtz, Hermann von. On the Sensations of Tone as a Physio- de l’institut international de conservation, Limoges 15–16 juin logical Basis for the Theory of Music. (1863) 2nd English trans- 2000. Champs-Sur-Marne: SFIIC, 2000. lation by Alexander J. Ellis. New York: Dover, 1954. Isacoff, Stuart. A Natural History of the Piano: The Instrument, the Herzog, H. K., ed. Europe Piano Atlas, 5th ed. Frankfurt, Ger- Music, the Musicians—from Mozart to Modern Jazz and Every- many: Das Musikinstrument, 1981. ISBN 3-920112-46-6 [Lists of thing in Between. New York: Alfred Knopf, 2011. serial numbers and years of manufacture for most popular Isacoff, Stuart. Temperament: The Idea That Solved Music’s Great- brands of pianos] est Riddle. New York: Alfred Knopf, 2001. Hickey, Jeffrey T., RPT. “Broken Agraffe Removal with Jim Johnson, Jim, RPT. “Impact Tuning Hammers.” Q&A. Piano Tech- Schmitt, RPT.” A document from a meeting of the Portland nicians Journal, January 1996, pp. 12, 14. Chapter of PTG, August 2012. Search for “Agraffe class” at Johnson, Roland. “Choosing a Compressor.” Fine Woodworking, http://my.ptg.org. Also printed in the Portland Soundboard newsletter. July/August 2003, pp. 50–53. Hildebrandt, Dieter. Pianoforte: A Social History of the Piano. Johnson, Roland. “Plumbing a Shop for Air.” Fine Woodworking, London: Hutchinson: 1988. Tools & Shops issue, 2002, pp. 51–53. Hipkins, Alfred J. A Description and History of the Pianoforte. Lon- Jorgensen, Owen. Tuning the Historical Temperaments by Ear. Marquette, MI: The Northern Michigan University Press, 1977. don: Novello, 1896. Available from http://www.archive.org. Hirschkorn, Martin. “Dynamic Model of a Piano Action Mecha- Jorgensen, Owen, RPT. “The Well-tempered Clavier.” 6-part se- nisms.” MAS Degree Thesis. University of Waterloo, Ontario, ries. Piano Technicians Journal, August 2003 to January, 2004. Canada, 2004. Junghanns, Herbert. Der Piano- und Flügelbau, 7th ed. Frankfurt, Hirschkorn, Martin, John McPhee, and Stephen Birkett. “Dy- Germany: Bochinsky, 1991. namic Modelling and Experimental Testing of a Piano Action Katalog der Sammlung alter Musikinstrumente, 1. Teil: Saitenkla- Mechanism.” ASME Journal of Computational and Nonlinear viere. Vienna, Austria: Kunsthistorisches Museum, 1966. Dynamics, Vol. 1, 2006, pp. 47–55. Kawai Grand Piano Regulation Manual. Ver. 1.5. Shigeru Kawai Hirschkorn, Martin, Stephen Birkett, and John McPhee. “Kine- Piano Laboratory, Kazuo Goka, supervisor, June 20, 2012. matic Model of a Piano Action Mechanism.” Proceedings of the Available from http://www.kawaius-tsd.com/ (click Acoustic 19th Canadian Congress of Applied Mechanics (CANCAM 2003), Downloads). Calgary, Canada, June 1–6, 2003. Available at Kehl, Roy F. and David R. Kirkland. The Official Guide to Stein- http://www.fortepianos.com/piano%20action.htm. way Pianos. Milwaukee, WI: Amadeus Press (Hal Leonard Hirt, Franz Josef. Stringed Keyboard Instruments 1440–1880. Corp.), 2011. Boston, MA: Boston Book and Art Shop, 1968. Keller, James M. “Bechstein on the Brink.” Piano & Keyboard, Hoadley, R. Bruce. Understanding Wood: A Craftsman’s Guide to November/December 1993, No. 165, p. 15. Wood Technology, 2nd ed. Newtown, CT: The Taunton Press, Kennedy, K. T. Piano Action, Repairs, and Maintenance. London: 2000. Kaye & Ward, 1979. Hohf, Bob, RPT. “Bechstein Pinblocks: Part III.” Piano Techni- Kent, Earle L., ed. Musical Acoustics: Piano and Wind Instruments. cians Journal, March 1997, pp. 18–23. Stroudsburg, PA: Dowden, Hutchinson & Ross, Inc., 1977. Hoover, Cynthia Adams. “The Great Piano War of the 1870s.” [A compilation of several excellent papers with editor’s From A Celebration of American Music: Words and Music in comments] Sample page from Pianos Inside Out. Copyright © 2013 Mario Igrec. Books, Articles, Videos, Online Resources 513

Kern, Evan J. Harpsichord: Design and Construction. New York: Mattheson, Johann. Vollkommener Capellmeister. Hamburg: Van Nostrand Reinhold Co., 1980. Christian Herold, 1739. Available at http://books.google.com. Kirsten, Shirley. “How Could This Happen to My Piano?” Matthias, Max. Steinway Service Manual. Frankfurt, Germany: The Piano Quarterly No. 146. Bochinsky, 1990. Klaus, Sabine. “German Square and Harp-Shaped Pianos with Maunder, Richard. “Mozart’s Keyboard Instruments.” Early Stossmechanik in American Collections: Distinguishing Char- Music, Vol. 20 No. 2, May, 1992, pp. 207–219. acteristics of Regional Types in the Eighteenth and Early Nine- Maunder, Richard. “Mozart’s Walter fortepiano.” Early Music, teenth Centuries.” Journal of the American Musical Instrument Vol. 29 No. 4, November 2001, p. 669. See http://em. Society, Vol. XXVII, 2001, pp. 120–182. oxfordjournals.org/content/XXIX/4/669.extract. Knize, Perri. Grand Obsession. New York: Scribner, 2008. [Memoir McFerrin, W. V. The Piano: Its Acoustics. Boston, MA: Tuners Sup- about searching for the original beauty in a new Grotrian- ply Co., 1972. [Acoustics, mechanics, and mathematics of the Steinweg piano] piano—vector forces, piano wire, inharmonicity, downbearing Korty, John, director. Miracle in a Box: a Piano Reborn. DVD. of strings, piano scale, and more] Available from http://www.miracleinabox.com. Meyer, Jürgen. Akustik und musikalische Aufführungspraxis. Koster, John. “Among Mozart’s sprättischen Clavier: a Panda- Frankfurt am Main: Verlag das Musikinstrument, 1972. [Acous- leon-Clavecin by Frantz Jacob Spath, Regensburg, 1767?” Early tics of musical instruments, room acoustics, directional char- Keyboard Journal, Vols. 25/26, 2010, pp. 153–223. acteristics of sound in musical instruments, includes musical Koster, John. “Some Remarks on the Relationship Between Or- examples] gan and Stringed-Keyboard Instrument Making,” Early Key- Michel, N. E. Historical Pianos, Harpsichords, and Clavichords. board Journal, Vol. 18, 2000, pp. 95–137. Pico Rivera, CA: Self-published, 1963. [Photos of keyboard in- Kottick, Edward L., The Harpsichord Owner’s Guide. Chapel Hill, struments] NC: University of North Carolina Press, 1987. [Harpsichord Michel, N. E. Old Pianos. Rivera, CA: Self-published, 1954. maintenance and repair] Miller, Franklin, Jr. “A Proposed Loading of Piano Strings for Im- Kunz, Johannes. Bösendorfer: Eine Lebende Legende. Vienna, proved Tone.” The Journal of the Acoustical Society of Amer- Austria: Molden Verlag, 2002. ica, Vol. 21, No. 4, July 1949, pp. 318–322. Available from Kushner, Michael. “Paternalism and the Skilled Worker: The Rise http://asadl.org/jasa/. of Unionism at Steinway & Sons.” MA Thesis, Dept. of History, Mohr, Franz. My Life with the Great Pianists. Grand Rapids, MI: Columbia University, 1987. Baker Book House, 1992. Laible, Ulrich. Fachkunde Klavierbau, 3rd ed. Bergkirchen: Edi- Montal, Claude. L’Art d’accorder soi-mème son piano: d’après une tion Bochinsky, 2000. méthode sure, simple et facile, déduite des principes exacts de Largo, Key. “The Talk of the Town.” The New Yorker, February 22, l’acoustique et de l’harmonie, 3rd ed. Paris: Published by au- 1993, Vol. 41, No. 2, p. 41. [Removing ivory from a 1920 Érard thor, 1865. http://www.archive.org/details/ grand to meet the U.S. import regulations.] lartdaccordersoi00mont. Laurence, Alastair. Five London Piano Makers: Brinsmead, Montal, Claude. L’Art d’accorder soi-mème son piano: d’après une Challen, Collard, Danemann, Welmar. London: Keyword Press, méthode sure, simple et facile, déduite des principes exacts de 2010. ISBN 978-0-9555590-1-3. l’acoustique et de l’harmonie, 1st ed. Paris: J. Meissonnier, 1836. http://books.google.com. Lenehan, Michael. “Building Steinway Grand Piano K 2571: The Quality of the Instrument.” The Atlantic Monthly, 1982. Montanari Giuliana. “Bartolomeo Cristofori: A List and Historical Survey of His Instruments.” Early Music XIX, p. 383. Leonard, George. Mastery: The Keys to Long-Term Success and Fulfillment. New York: Dutton, 1991. Music Trade Review: Music Industry Magazine. http://mtr.arcade-museum.com/. Levitan, Daniel. The Craft of Piano Tuning. New York: The Sound- Musselwhite, James. The Art of Compromise: Aural Piano Tuning. board Press, 2011. http://www.soundboardpress.com. Self-published, 2004. Available for purchase at Levitan, Dan, RPT. “Cyanoacrylate Angst.” Piano Technicians https://www.createspace.com/3759944. Journal, August 2003, pp. 30–31. Nelson, Trevor, RPT. “The State of Piano Manufacturing and Pi- Levitan, Daniel. The Levitan Professional Tuning Lever. Video. ano Technology in Japan.” Piano Technicians Journal, January http://vimeo.com/37869859. 2012, pp. 22–25. Lieberman, Richard K. Steinway & Sons. New Haven, CT: Yale Neuhaus, Heinrich. The Art of Piano Playing. Trans. K.A. 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Oorebeek, André. The Voice of the Piano. Nanaimo, BC, Canada: Ratcliffe, Ronald. Steinway. San Francisco, CA: Chronicle Books, Crescendo Publications, 2009. http://www. 1989. thevoiceofthepiano.com. [Voicing. DVD included.] Ramon, Alba and Asami Inouye. “Piano Tone Color and Touch: Palmieri, Robert, ed. Encyclopedia of Keyboard Instruments: the A Controversy Compromised.” The Piano Quarterly, Fall 1979, Piano, 2nd ed. New York: Routledge, 2003. p. 36. Pfeiffer, Walter. The Piano Hammer. Trans. Jim Engelhardt. Reblitz, Arthur A. Piano Servicing, Tuning, and Rebuilding. 2nd Frankfurt-am-Main, Germany: Das Musikinstrument, 1978. ed. Vestal, New York: The Vestal Press, 1993. ISBN 3-920112-61-X. “Recreating the Famed Mason & Hamlin Piano.” Music Trades Pfeiffer, Walter. The Piano Key and Whippen. Trans. Jim Engel- Magazine, October 1990. Reprint available from Mason & hardt. Frankfurt-am-Main, Germany: Das Musikinstrument, Hamlin, 35 Duncan Street, Haverhill, MA 01830. 1967. Reibeholz, Lutz. Das Regulieren von Steinway & Sons Klavier- Phillips, Ruth. “Finish Touch-up and Repair.” 4-part series. Piano mechaniken and deren Reparatur. Frankfurt, Germany: Das Technicians Journal, January 2003, pp. 20–24 (part 1: polyester Musikinstrument, 1981. ISBN 3-920112-81-4. repair); February 2003, pp 24–29 (part 2: polyester repair, con- Restle, Konstantin. Faszination Klavier: 300 Jahre Pianofortebau tinued); March 2003, pp. 28–29 (part 3: “Business Aspects of in Deutschland. München, London, New York: Prestel, 2005. Finishing & Repair”); May 2003, pp. 20–24 (part 4: “Lacquer ISBN 3-7913-2308-3. Touch-up”). Revenko-Jones, Paul, RPT. “The Mysterious Agraffe.” Piano Tech- Piano Technicians Guild. Guidelines for Effective Institutional Pi- nicians Journal, February 2005, pp. 18–21; March 2005, pp. 18– ano Maintenance, 2nd ed. Kansas City, KS: Piano Technicians 21. Guild, 2004. Available at http://www.ptg.org. Revue et gazette musicale de Paris. Paris: Gazette musicale de Pianos Bolduc. Bridge Cap Replacement (Without Removing the Paris, 1835–1880. See also “Gazette musicale de Paris.” Avail- Plate), 2010. DVD. Available from www.pianobolduc.com and able at http://www.archive.org. Pianotek. Richmond, Barbara, RPT, et al. “Voicing the Soundboard with Pianos Bolduc. Full-fit Grand Pinblock Replacement, 2010. DVD. Weights and Riblets.” Piano Technicians Journal, August 2007, Available from www.pianobolduc.com and Pianotek. pp. 26–30. Pianos Bolduc. Installation of the Grand Pre-Crowned Sound- Roberts, Dave. “Calculating Technician.” 20-part series. Piano board, 2010. 2 DVDs. Available from www.pianobolduc.com and Technicians Journal, September 1979 to April 1981. Pianotek. Roberts, Dave. The Calculating Technician. Kansas City, KS: Piano Pierce, Bob. Pierce Piano Atlas. 10th ed. Long Beach, CA: Self- Technician’s Guild. published, 1997. Roell, Craig H. The Piano in America, 1890–1940. Chapel Hill, NC: Pierce, John R. 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Scott, Steve. “Dust Collection Demystified: Tips for choosing and niques, Lausanne 2002. Bern, Switzerland: Peter Lang, 2004. configuring a system to fit your needs.” Fine Woodworking, ISBN 3-03910-244-3. Excerpts available at http://books.google. Tools & Shops issue, 2007, pp. 52–57. com. Seidl, Helmut. Frequenztafeln Cent-Hertz. Frankfurt am Main: Steinway & Sons. World-Wide Technical Reference Guide. Long Verlag Das Musikinstrument, 1970. [Conversion tables Island City, NY: Steinway & Sons, 2007. [Reference guide for between Hertz and cents] servicing New York and Hamburg Steinway, Boston, and Essex Shead, Herbert, A. The Anatomy of the Piano. Old Woking, Sur- pianos—available from Steinway & Sons Parts Department] rey, England: Unwin Brothers Ltd (The Gresham Press), 1978. Steinway, Theodore E. People and Pianos: A Pictorial History of Shepherd, Stephen A. Hide Glue: Historical & Practical Applica- Steinway & Sons, 3rd ed. Pompton Plains, NJ: Amadeus Press tions. Salt Lake City, UT: Full Chisel, 2009. Available from (Classical Music Today), 2005. http://www.pianofortesupply.com/books/. “Steinway’s Landmark 500,00th Piano.” Music Trades Magazine, Shepherd, Stephen A. Shellac, Linseed Oil, & Paint: Traditional October 1988. 19th Century Woodwork Finishes. Full Chisel, 2011. Available Stulov, Anatoli. “Experimental and Computational Studies of Pi- from http://www.pianofortesupply.com/books/. ano Hammers.” Acta Acustica united with Acustica, 2005, Shull, Bill, RPT. “Restorative Conservation in PIano Rebuilding.” Vol. 91, No. 6, pp. 1086–1097. Available at http://www.ioc.ee/ Piano Technicians Journal, September 2012, pp. 18-21. ~stulov/PUB.htm. Singer, Aaron. Labor Management Relations at Steinway & Sons Sturm, Fred, RPT. “An A-centered Temperament Sequence.” 1853–1896. New York: Garland Publishing, Inc., 1986. Piano Technicians Journal, October 2005, pp. 17–19. ISBN 0-8240-8371-7. Sturm, Fred, RPT. “A Clear and Practical Introduction to Temper- Smit, Christopher. The Piano Deconstructed. Website. ament History.” 9-part series. Piano Technicians Journal, May to September 2010, November 2010 to February 2011. http://www.piano.christophersmit.com/index.html. Smith, Eric. Pianos in Practice. London: Scolar Press, 1978. Sturm, Fred, RPT. “The Invention of the Sostenuto Pedal.” Piano Technicians Journal, December 2011, pp. 24–26. Snelson, Richard Oliver. “A Double-Safe Engineered Plate Re- pair.” Piano Technicians Journal, November 2000, pp. 38–40. Sturm, Fred, RPT. “Removing Lacquer from Hammers.” Piano Technicians Journal, June 2009, p. 36. Spaethling, Robert, ed. Mozart’s Letters, Mozart’s Life. New York: W.W. Norton, 2000. Sumner, Leslie. The Pianoforte. New York: St. Martin’s Press, 1966. 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Varazdin, Croatia: Varazdinske barokne veceri, Stanwood, David, RPT. “Looking at Grand Pianos Through the Gradski muzej Varazdin, Muzej za umjetnost i obrt, 2007. Eyes of the New Touchweight Metrology.” Vineyard Haven, MA: Stanwood Piano Innovations, 2000. Available at Tasciotti, Lou. “The Technician’s View: Piano Rebuilding.” The Piano Quarterly No. 152. http://www.stanwoodpiano.com/PTGMarch00.pdf. Stanwood, David, RPT. “Mastering Friction with the Balance Taylor, S. K., ed. The Musician’s Piano Atlas. Macclesfield, En- Weight System.” Piano Technicians Journal, November 1990, gland: Omicron, 1981. pp. 16–18. Also available at http://www.stanwoodpiano.com/ Tittle, Martin. “Amplifying the Kenzoid: Part 3—Voicing.” The BWsys.pdf. Piano Quarterly, Summer 1979, p. 42. Stanwood, David, RPT. “The New Touchweight Metrology.” Piano Todd, Larry R., ed. Nineteenth-Century Piano Music, 2nd ed. New Technicians Journal, June 1996, pp. 16–18. 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White, William B. Piano Tuning and Allied Arts, 5th ed. Boston, The Galpin Society Journal MA: Tuners Supply Co., 1950. http://www.galpinsociety.org/journal.htm White, William B. Theory and Practice of Piano Construction. New [History of musical instruments] York: Dover, 1975. [Originally published as Theory and Prac- International Piano Magazine tice of Pianoforte Building. New York: E.L. Bill, publisher, 1906] http://www.rhinegold.co.uk/magazines/international_piano/ ISBN 0-486231-39-9. Also available via amazon.com. The William Steinway Diary, 1861–1896. Smithsonian website. Journal of the American Musical Instrument Society http://americanhistory.si.edu/steinwaydiary. http://www.amis.org/publications/journal Wythe, Deborah. “Conrad Graf, 1782–1851: Imperial Royal Court Keyboard Perspectives fortepiano maker in Vienna.” Ph. D. Thesis, New York Univer- http://westfield.org/publications/kp4/ sity, 1990. [A periodical by Westfield Center, dedicated to performance Wood, Alexander. The Physics of Music, 7th ed. Westport, CT: practice and keyboard instrument building in historical styles] Greenwood Press, Publishers, 1980 [7th ed originally pub- Piano Technicians Journal lished by Chapman and Hall, Ltd. in 1975] [Theory] http://www.ptg.org/journal.php Wood Handbook: Wood as an Engineering Material. Madison, WI: Archives in digital format are available for purchase from the U.S. Department of Agriculture, Forest Service, Forest Prod- Piano Technicians Guild ucts Laboratory, 2010. http://www.fpl.fs.fed.us/documnts/ Popular Woodworking Magazine fplgtr/fpl_gtr190.pdf. http://www.popularwoodworking.com Yeager, Michael. “A Letter to the Editor.” Museum of the American WoodMagazine.com Piano Newsletter, 211 West 58th Street, New York, NY 10019, http://www.woodmagazine.com October–December 1991, p. 7. [Response to an article regard- Woodworkers Journal ing warranty policies on Steinway soundboards with cracks http://www.woodworkersjournal.com and pressure ridges.] Young, R.W. “Inharmonicity of Piano Strings.” Acoustica 4, 1954, p. 259. Online Groups and Forums Young, Robert W. “Inharmonicity of Plain Wire Piano Strings.” The Journal of the Acoustical Society of America, Vol. 24 No. 3, Note: May 1952, pp. 267–273. Available from http://asadl.org/jasa/. The following are several popular user groups and forums dedicated to piano technology. Search the web to get an up-to- Young, Wilford, RPT. “Welding Cracked Plates: A Proven date list. Method.” Piano Technicians Journal, November, 2000, pp. 34– 36. CAUT at PTG. “College And University Technicians forum. Accessible through http://my.ptg.org. ® Piano rebuilders on LinkedIn . http://www.linkedin.com/groups? Journals gid=2365009&trk=hb_side_g. Pianotech at PTG. Accessible through http://my.ptg.org. Early Keyboard Journal Pianotech on Google Groups. http://groups.google.com/group/ http://www.ekjournal.org pianotech. [Topics related to keyboard instruments until about 1850] Piano Tuners & Technicians on LinkedIn. http://www.linkedin. Europiano Magazine com/groups?gid=1592467&trk=hb_side_g. http://www.ppvmedien.de Piano World. http://www.pianoworld.com.