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Special Appearances by Dr. Angela Davis, Haim, Saweetie, Elaine Welteroth, and More Added to the Recording Academy®'S Women in the Mix® Grammy® Week Event
SPECIAL APPEARANCES BY DR. ANGELA DAVIS, HAIM, SAWEETIE, ELAINE WELTEROTH, AND MORE ADDED TO THE RECORDING ACADEMY®'S WOMEN IN THE MIX® GRAMMY® WEEK EVENT WHO: Joining the previously announced lineup for the Recording Academy®'s virtual Women In The Mix® event are Terri Lyne Carrington, current GRAMMY® -nominated artist; Lanre Gaba, General Manager/Senior Vice President of Urban A&R, Atlantic Records; IV Jay, singer/songwriter; Emily Lazar, current three-time GRAMMY-nominated mastering engineer; Joanie Leeds, current GRAMMY-nominated artist; Saweetie, rapper and songwriter; and Elaine Welteroth, journalist and New York Times best-selling author. Viewers can also expect special appearances by Dr. Angela Davis and current two-time GRAMMY nominees HAIM. Previously announced participants include Christine Albert, Chair Emeritus, Recording Academy Board of Trustees; Ingrid Andress, current three-time GRAMMY-nominated singer/songwriter; Denisia "Blu June" Andrews (Nova Wav), current three-time GRAMMY- nominated songwriter; Valeisha Butterfield Jones, Chief Diversity, Equity & Inclusion Officer, Recording Academy; Brittany "Chi" Coney (Nova Wav), current three-time GRAMMY- nominated songwriter; Rocsi Diaz, television personality; Maureen Droney, Senior Managing Director, Recording Academy Producers & Engineers Wing®; Chloe Flower, classical pianist & composer; Tera Healy, Senior Director, East Region, Recording Academy; Tammy Hurt, Vice Chair, Recording Academy Board of Trustees; Leslie Ann Jones, five-time GRAMMY-winning engineer and Recording -
Album Story | You Mix Me All Up! XDD Summer Love 2011 | TIGER M 2
Album Available ((Free)) On: http://www.tigerm.net Album Story | You Mix Me All Up! XDD Summer Love 2011 | TIGER M 2 An Introduction (( You Mix Me All Up! XDD Summer Love 2011 )) This album honestly began because of a “mistake” that I made while looking for a song on the hard drive of Rushuna-Haruhi: The Success Machine. (My Hewlett-Packard m7170n Media Center Desktop PC ^_^) Between 2002 when I first began Darton College and 2005 when I departed Darton College and began creating the original music album “It’s Go Time Baby, Your Place Is The Dance Floor!” (prior to “DJ Edition”) I had begun accumulating and ordering music on the family computer. (prior to departing my birth home.) There was a folder that I had named “Dealing With Music” which is where I placed all new music that I put onto the family computer. (Rushuna-Haruhi: The Success Machine is not the home family computer. Keep reading. ^_^) Even music that existed initially only on physical CDs that I had purchased (this was before YouTube or Google if you can imagine it…) – when the music was ripped from CDs and placed onto the computer hard drive – the songs went into this folder inside of their own sub-folder which usually contained the name of the album. thanks to the invention of USB external Hard drives, any computer that I have ever had the pleasure of owning or utilizing has had the ability to have this folder. Rushuna-Haruhi: The Success Machine (my very first computer ever purchased in my name) – was the first of my computers to take on and “inherent” this file folder full of music. -
Pure Magazine
PURE MAGAZINOctobeEr 2017 Jack O’Rourke Talks Music, Electric Picnic, Father John Misty and more… The Evolution Of A Modern Gentleman Jimmy Star chats with Hollywood actor... Sean Kanan Sony’s VR capabilities establishes them as serious contenders in the Virtual Reality headset war! Eli Lieb Talks Music, Creating & Happiness… Featured Artist Dionne Warwick Marilyn Manson Cheap Trick Otherkin Eileen Shapiro chats with award winning artist Emma Langford about her Debut + much more EalbumM, tour neMws plus mAore - T urLn to pAage 16 >N> GFORD @PureMzine Pure M Magazine ISSUE 22 Mesmerising WWW.PUREMZINE.COM forty seven Editor in Chief Trevor Padraig [email protected] and a half Editorial Paddy Dunne [email protected] minutes... Sarah Swinburne [email protected] Shane O’ Rielly [email protected] Marilyn Manson Heaven Upside Down Contributors Dave Simpson Eileen Shapiro Jimmy Star Garrett Browne lt-rock icon Marilyn Manson is back “Say10” showcases a captivatingly creepy Danielle Holian brandishing a brand new album coalescence of hauntingly hushed verses and Simone Smith entitled Heaven Upside Down. fantastically fierce choruses next as it Irvin Gamede ATackling themes such as sex, romance, saunters unsettlingly towards the violence and politics, the highly-anticipated comparatively cool and catchy “Kill4Me”. Front Cover - Ken Coleman sequel to 2015’s The Pale Emperor features This is succeeded by the seductively ten typically tumultuous tracks for fans to psychedelic “Saturnalia”, the dreamy yet www.artofkencoleman.com feast upon. energetic delivery of which ensures it stays It’s introduced through the sinister static entrancing until “Je$u$ Cri$i$” arrives to of “Revelation #12” before a brilliantly rivet with its raucous refrain and rebellious bracing riff begins to blare out beneath a instrumentation. -
International Dinner Celebrates Latin American Culture Come to the Event
VOLUME82, ISSUE9 “EDUCATIONFOR SERVICE” MARCH31,2004 E New members Knitting fad join board hits campus. of trustees. See Page 4. u N I V E K S I T Y 0 F 1 N D I A N A P 0 I, I S See Page 3. 1400 EASTHANNA AVENUE INDIANAPOLIS, IN 46227 H 2004 PRESIDENTIAL CAMPAIGN Woodrow Wilson scholar speaks on presidential campaign “The election will be very close. or Shearer thinks the Democrats will something will happen that will tip it,“ iicknowledgc that there are dangerous Shearer predicted. people, but they will question Bush for Shearer feels that voter turnout among attaching Saddam Hussein and Iraq even college students will increase from though they were not part of the Al- previous elections because many people Qaeda connection. are very concerned with the current state “I alwap hope with a program like of the nation. this that we help them (students and Ayres said he has not seen a high level pub1ic)thinkabotit issuesandmake better ofpolitical interest around the university, judgments.” Anderson said. “The idea is but he feels that will increase during the not to tell the students or public what to few months before the election. be. but just to expose them to ideas. I “In general, I think there’s some hope students m,ould go away thinking There’s not a lot. I about what they heard.” don’t see a lot of knowledge. I see a fair Anderson :ind Ayres hope the amount of knowledge about Indiana and university \+ill continue its connection what’s here,” Ayres said. -
Ilu Ustrat Io Nbyrobertmaes Ta S • Rmm Il Lu Strat Io N
JESUS SHAPED HOLES IN OUR HEARTS SINCE 1992 ILUUSTRATION BY ROBERT MAESTAS • RMMILLUSTRATION.PROSITE.COM VOLUME 23 | ISSUE 43 | OCTOBER 23-29, 2014 | FREE [2] OCTOBER 23-29 , 2014 WEEKLY ALIBI WEEKLY ALIBI OCTOBER 23-29 , 2014 [3] [4] OCTOBER 23-29 , 2014 WEEKLY ALIBI alibi VOLUME 23 | ISSUE 43 | OCTOBER 23-29 , 2014 EDITORIAL MANAGING EDITOR/MUSIC EDITOR: Samantha Anne Carrillo (ext. 243) [email protected] FILM EDITOR: Devin D. O’Leary (ext. 230) [email protected] FOOD EDITOR/FEATURES EDITOR : Ty Bannerman (ext. 260) [email protected] ARTS & LIT EDITOR/ WEB EDITOR : Lisa Barrow (ext. 267) [email protected] CALENDARS EDITOR/COPY EDITOR: Mark Lopez (ext. 239) [email protected] CONTRIBUTING WRITERS: Cecil Adams, Steven Robert Allen, Captain America, Gustavo Arellano, Rob Brezsny, Shawna Brown, Suzanne Buck, Eric Castillo, David Correia, Erik Gamlem, Gail Guengerich, Nora Hickey, Zachary Kluckman, Kristi D. Lawrence, Ari LeVaux, Mark Lopez, August March, Genevieve Mueller, Amelia Olson, Geoffrey Plant, Benjamin Radford, Jeremy Shattuck, Mike Smith, M. Brianna Stallings, M.J. Wilde, Holly von Winckel PRODUCTION ART DIRECTOR: Jesse Schulz (ext. 229) [email protected] PRODUCTION MANAGER : Archie Archuleta (ext. 240) [email protected] GRAPHIC DESIGNER: Tasha Lujan (ext. 254) [email protected] STAFF PHOTOGRAPHER: Eric Williams [email protected] CONTRIBUTING ARTISTS: Ben Adams, Cutty Bage, ¡Brapola!, Michael Ellis, Stacy Hawkinson, KAZ, Robert Maestas, Julia Minamata, Tom Nayder, Ryan North, Jesse Phillips, Brian Steinhoff SALES SALES DIRECTOR: John Hankinson (ext. 265) [email protected] SENIOR DISPLAY ACCOUNT EXECUTIVE: Sarah Bonneau (ext. 235) [email protected] ACCOUNT EXECUTIVES: Valerie Hollingsworth (ext. 263) [email protected] Chelsea Kibbee (ext. -
The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap
Open Cultural Studies 2018; 2: 122–135 Research Article Adam de Paor-Evans* The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap https://doi.org/10.1515/culture-2018-0012 Received January 27, 2018; accepted June 2, 2018 Abstract: In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and socio- political presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society. Keywords: dromosphere, dromology, Afrofuturism, electro-rap, thirdspace, fantasy, Newcleus, Strange U Introduction During the mid-1970s, the language of New York City’s pioneering hip hop practitioners brought them fame amongst their peers, yet the methods of its musical production brought heavy criticism from established musicians. -
Anglophone Music As Poetry
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Croatian Digital Thesis Repository University of Rijeka Faculty of Humanities and Social Sciences in Rijeka Department of English Matea Lacmanović: Anglophone Music as Poetry Mentor: Lovorka Gruić Grmuša, PhD Rijeka, July 2015 1 Abstract Literature as a whole is usually divided into poetry, prose and drama (Solar 2006: 154) with fairly clear boundaries between them. When it comes to their subdivision and definition of specific literature and art type, the boundaries become unclear and many questions arise. One of the most difficult questions to answer is what poetry is and which criteria must be met in order for some work to be classified as poetry. It is known that authors such as Shakespeare, Byron, Cummings or Angelou are poets and their work is interpreted as poetry. However, can the circle of poetry and art be expanded to similar forms such as contemporary music? That is the topic of this thesis – analysis, explanation and specific examples of modern song lyrics which can be viewed as poetry and something more valuable in the art context than it actually is due to the commercialization of music. With songs performed by Tupac, Garbage, Leonard Cohen, Bill Withers and various artists who belong to different music genres and eras, poetry is broadened and upgraded to the 21st century level. Key words: Anglophone music, music, poetry, lyrics, analysis, literature, art, contemporary, modern, intermediation, authorship 2 Table of Contents Abstract -
The BG News January 28, 2010
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 1-28-2010 The BG News January 28, 2010 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News January 28, 2010" (2010). BG News (Student Newspaper). 8191. https://scholarworks.bgsu.edu/bg-news/8191 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. SEE WHAT WWW.BGVEIWS.COM HAS TO OFFER I* BLOGS I PHOTOS I VIDEOS I MORE ESTABLISHED'1920 A daily independent student press serving THE BG NEWS the campus and surrounding community Thursday January 28,2010 Volume 104. Issue 89 www BG VIEWS COM Ice cream stores thrive Local businesses offer plenty of options for those with ice cream cravings, even in the winter | Pag« $ £NOCH WU IHE BG NEWS Avoid the vast OBAMA: President Obama speaks on jobs and the state of the economy at Loiain County Community College. The President also toured EMC Precision Machining and the wasteland Wind Turbine Manufacturing and Fab Lab at Lorain County Community College on his known as TV visit. Forum editor Kyle Schmidlin feels that Obama declares today's television land- scape is grim, offering only mindless enter- 1 don't quit' in his tainment | Page 4 Reality TV State of the Union dominates By Jennifer Loven lus package passed last February. -
Sfjazz Education Become a Member Tickets About Sfjazz
TICKETS TICKETS ON SALE 2|28 • 11AM • MEMBERS SFJAZZ Afro-Latin Jazz guest instructors OKAN 3|6 • 11AM • PUBLIC EDUCATION FREE SUMMER WORKSHOPS BART These workshops for advanced middle and high school WEB Civic Center Station GOUGH FRANKLIN VAN POLK LARKIN HYDE jazz musicians focus on theory, improvisation, audition SFJAZZ.org (SFJAZZ is only a NESS ST ST ST skills, and more. Sign-ups open May 1. 10 minute walk from ST DIGITAL LAB INTENSIVES PHONE Civic Center BART.) ST AVE • 12-4PM 7|11 THEORY & SIGHT-READING MUNI ST 8 Learn music and audio production in our state-of-the-art Public 866.920.5299 GROVE TH ST Digital Lab! We off er dynamic programs for older teens 7|19 AFRO-LATIN JAZZ W/ SPECIAL GUESTS OKAN • 1:30-4:30PM Members 415.788.7353 Metro: Van Ness or ST Civic Center Stations HAYES 9 and adults in songwriting, arranging, production, record- 7|25 IMPROVISATION W/ JEANNE GEIGER • 10AM-2PM TH Bus: 5, 5R, 6, 7X, 21, ST ing, mixing, and more. Our low student-teacher ratio and IN PERSON FELL ST 10 8|1 AUDITION SKILLS • 10AM-2PM 47, 49, 7, 7R, 90 TH the latest in gear and software make our intensives the 201 Franklin Street (at Fell), San Francisco ST OAK ST 11 summer destination for digital music. Each series contains PARKING TH 4 SFJAZZ.ORG/EDUCATION ST twenty hours of instruction Performing Arts ST Garage Members $300 | Public $360 Civic Center Garage MARKET SUMMER INTERNSHIPS California Parking ENSEMBLES & MORE Place 2 Park For detailed directions, please visit 511.org 6|23-27 INTRO TO MUSIC PRODUCTION • 1-5PM SFJAZZ’s passionate interns are indispensable to achieving Douglas Parking Auditions for the Fall 2020 Monday Night Band take our goals as an organization. -
Metric Ambiguity and Flow in Rap Music: a Corpus-Assisted Study of Outkast’S “Mainstream” (1996)
Metric Ambiguity and Flow in Rap Music: A Corpus-Assisted Study of Outkast’s “Mainstream” (1996) MITCHELL OHRINER[1] University of Denver ABSTRACT: Recent years have seen the rise of musical corpus studies, primarily detailing harmonic tendencies of tonal music. This article extends this scholarship by addressing a new genre (rap music) and a new parameter of focus (rhythm). More specifically, I use corpus methods to investigate the relation between metric ambivalence in the instrumental parts of a rap track (i.e., the beat) and an emcee’s rap delivery (i.e., the flow). Unlike virtually every other rap track, the instrumental tracks of Outkast’s “Mainstream” (1996) simultaneously afford hearing both a four-beat and a three-beat metric cycle. Because three-beat durations between rhymes, phrase endings, and reiterated rhythmic patterns are rare in rap music, an abundance of them within a verse of “Mainstream” suggests that an emcee highlights the three-beat cycle, especially if that emcee is not prone to such durations more generally. Through the construction of three corpora, one representative of the genre as a whole, and two that are artist specific, I show how the emcee T-Mo Goodie’s expressive practice highlights the rare three-beat affordances of the track. Submitted 2015 July 15; accepted 2015 December 15. KEYWORDS: corpus studies, rap music, flow, T-Mo Goodie, Outkast THIS article uses methods of corpus studies to address questions of creative practice in rap music, specifically how the material of the rapping voice—what emcees, hip-hop heads, and scholars call “the flow”—relates to the material of the previously recorded instrumental tracks collectively known as the beat. -
John Clark Brian Charette Finn Von Eyben Gil Evans
NOVEMBER 2016—ISSUE 175 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM JOHN BRIAN FINN GIL CLARK CHARETTE VON EYBEN EVANS Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East NOVEMBER 2016—ISSUE 175 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : John Clark 6 by anders griffen [email protected] Andrey Henkin: [email protected] Artist Feature : Brian Charette 7 by ken dryden General Inquiries: [email protected] On The Cover : Maria Schneider 8 by john pietaro Advertising: [email protected] Encore : Finn Von Eyben by clifford allen Calendar: 10 [email protected] VOXNews: Lest We Forget : Gil Evans 10 by eric wendell [email protected] LAbel Spotlight : Setola di Maiale by ken waxman US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or VOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Festival Report Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Fred Bouchard, CD Reviews Stuart Broomer, Thomas Conrad, 14 Ken Dryden, Donald Elfman, Philip Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, Miscellany 33 Alex Henderson, Marcia Hillman, Terrell Holmes, Robert Iannapollo, Suzanne Lorge, Marc Medwin, Event Calendar 34 Ken Micallef, Russ Musto, John Pietaro, Joel Roberts, John Sharpe, Elliott Simon, Andrew Vélez, Ken Waxman Contributing Writers Robert Bush, Laurel Gross, George Kanzler, Matthew Kassel, Mark Keresman It is fascinating that two disparate American events both take place in November with Election Contributing Photographers Day and Thanksgiving. -
Community Services Report 2011-2012
Community Services Report 2011-2012 1 2 MISSION 2 INTRODUCTION 3-8 PROGRAMS AND IMPACT 8-9 COMMUNITY FEEDBACK 9-12 FUNDRAISING INITIATIVES 12 FINANCES AND SUPPORTERS 13 CONTACT AND CONNECT MISSION MusiCares provides a safety net of critical assistance for music people in times of need. MusiCares’ services and resources cover a wide range of financial, medical and personal emergencies, and each case is treated with integrity and confidentiality. MusiCares also focuses the resources and attention of the music industry on human service issues that directly impact the health and welfare of the music community. 2 Over the past fiscal year, MusiCares served its largest number of clients to date providing more than $3 million in aid to approximately 3,000 clients. INTRODUCTION The Recording Academy established MusiCares in 1989 to provide the music community with a lifesaving safety net in times of need. We experience a great demand for the range of services we provide — from emergency financial assistance to addiction recovery resources, and this past year has been no exception. It is our ability to meet these increasing needs that speaks to the inherent generosity of music makers, from major artists to young industry professionals. As you read our stories from the past fiscal year (Aug. 1 – July 31), please take a moment to reflect on the generosity of the exceptional supporters of MusiCares, and consider making a gift to help our ongoing work to provide a safety net of services for music people in need. musicares.org • musicares.org • musicares.org • musicares.org • musicares.org • musicares.org • musicares.org • musicares.com • musicares.com • musicares.com • musicares.com • musicares.com PROGRAMS AND IMPACT ince its inception, MusiCares has developed into a premier support system for music people by providing innovative programs and services designed to meet the specific needs of its constituents.