New York University Bulletin 2004–2006
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
New York University Bulletin
New York University Bulletin Steinhardt School of Culture, Education and Human Development New York University Washington Square New York, New York 10003 NOTICES About this Bulletin The policies, requirements, course offerings, schedules, activities, tuition, fees, and calendar of the school and its departments and programs set forth in this bulletin are subject to change without notice at any time at the sole discretion of the administration. Such changes may be of any nature, including, but not limited to, the elimination of the school or college, programs, classes, or activities; the relocation of or modification of the content of any of the foregoing; and the cancellation of scheduled classes or other academic activities. Payment of tuition or attendance at any classes shall constitute a student’s acceptance of the administration ‘s rights as set forth herein. Fieldwork Placement Advisory Be advised that fieldwork placement facilities that provide training required for your program degree, and agencies that issue licenses for practice in your field of study, each may require you to undergo general and criminal background checks, the results of which the facility or agency must find accept able before it will allow you to train at its facility or issue you a license. You should inform yourself of offenses or other facts that may prevent you from obtaining a license to practice in your field of study. NYU Steinhardt will not be responsible if you are unable to complete program requirements or cannot obtain a license to practice in your field because of the results of such background checks. Some fieldwork placement facilities in your field of study may not be available to you in some states due to local legal prohibitions. -
0 0 0 0 Acasa Program Final For
PROGRAM ABSTRACTS FOR THE 15TH TRIENNIAL SYMPOSIUM ON AFRICAN ART Africa and Its Diasporas in the Market Place: Cultural Resources and the Global Economy The core theme of the 2011 ACASA symposium, proposed by Pamela Allara, examines the current status of Africa’s cultural resources and the influence—for good or ill—of market forces both inside and outside the continent. As nation states decline in influence and power, and corporations, private patrons and foundations increasingly determine the kinds of cultural production that will be supported, how is African art being reinterpreted and by whom? Are artists and scholars able to successfully articulate their own intellectual and cultural values in this climate? Is there anything we can do to address the situation? WEDNESDAY, MARCH 23, 2O11, MUSEUM PROGRAM All Museum Program panels are in the Lenart Auditorium, Fowler Museum at UCLA Welcoming Remarks (8:30). Jean Borgatti, Steven Nelson, and Marla C. Berns PANEL I (8:45–10:45) Contemporary Art Sans Frontières. Chairs: Barbara Thompson, Stanford University, and Gemma Rodrigues, Fowler Museum at UCLA Contemporary African art is a phenomenon that transcends and complicates traditional curatorial categories and disciplinary boundaries. These overlaps have at times excluded contemporary African art from exhibitions and collections and, at other times, transformed its research and display into a contested terrain. At a moment when many museums with so‐called ethnographic collections are expanding their chronological reach by teasing out connections between traditional and contemporary artistic production, many museums of Euro‐American contemporary art are extending their geographic reach by globalizing their curatorial vision. -
Units and Magnitudes (Lecture Notes)
physics 8.701 topic 2 Frank Wilczek Units and Magnitudes (lecture notes) This lecture has two parts. The first part is mainly a practical guide to the measurement units that dominate the particle physics literature, and culture. The second part is a quasi-philosophical discussion of deep issues around unit systems, including a comparison of atomic, particle ("strong") and Planck units. For a more extended, profound treatment of the second part issues, see arxiv.org/pdf/0708.4361v1.pdf . Because special relativity and quantum mechanics permeate modern particle physics, it is useful to employ units so that c = ħ = 1. In other words, we report velocities as multiples the speed of light c, and actions (or equivalently angular momenta) as multiples of the rationalized Planck's constant ħ, which is the original Planck constant h divided by 2π. 27 August 2013 physics 8.701 topic 2 Frank Wilczek In classical physics one usually keeps separate units for mass, length and time. I invite you to think about why! (I'll give you my take on it later.) To bring out the "dimensional" features of particle physics units without excess baggage, it is helpful to keep track of powers of mass M, length L, and time T without regard to magnitudes, in the form When these are both set equal to 1, the M, L, T system collapses to just one independent dimension. So we can - and usually do - consider everything as having the units of some power of mass. Thus for energy we have while for momentum 27 August 2013 physics 8.701 topic 2 Frank Wilczek and for length so that energy and momentum have the units of mass, while length has the units of inverse mass. -
The Mystery of Gravitation and the Elementary Graviton Loop Tony Bermanseder
The Mystery of Gravitation and the Elementary Graviton Loop Tony Bermanseder [email protected] This message shall address the mystery of gravitation and will prove to be a pertinent cornerstone for terrestrial scientists, who are searching for the unification physics in regards to their cosmologies. This message so requires familiarity with technical nomenclature, but I shall attempt to simplify sufficiently for all interested parties to follow the outlines. 1. Classically metric Newtonian-Einsteinian Gravitation and the Barycentre! 2. Quantum Gravitation and the Alpha-Force - Why two mass-charges attract each other! 3. Gauge-Vortex Gravitons in Modular String-Duality! 4. The Positronium Exemplar! 1. Classically metric Newtonian-Einsteinian Gravitation and the Barycentre! Most of you are know of gravity as the long-range force {F G}, given by Isaac Newton as the interaction between two masses {m 1,2 }, separated by a distance R and in the formula: 2 {F G =G.m 1.m 2/R } and where G is Newton's Gravitational Constant, presently measured as -11 -10 about 6.674x10 G-units and maximized in Planck- or string units as G o=1.111..x10 G-units. The masses m 1,2 are then used as 'point-masses', meaning that the mass of an object can be thought of as being centrally 'concentrated' as a 'centre of mass' and/or as a 'centre of gravity'. 24 For example, the mass of the earth is about m 1=6x10 kg and the mass of the sun is about 30 m2=2x10 kg and so as 'point-masses' the earth and the sun orbit or revolve about each other with a centre of mass or BARYCENTRE within the sun, but displaced towards the line connecting the two bodies. -
Credit Exclusions, Repeatability, Concentration Exclusions
Credit Exclusions, Repeatability, Concentration Exclusions 311 CAAS 311 CAAS 103. First Year Social Science Seminar. 247(448) / Hist. 247. Africa Since 1850. (Cross-Area Courses). May not be included in a concentration plan. (African Studies). 311 CAAS 311 CAAS 104. First Year Humanities Seminar. 274 / Engl. 274. Introduction to Afro-American Literature. (Cross-Area Courses). May not be included in a concentration plan. (African-American Studies). 311 CAAS 311 CAAS 108 / Hist. of Art 108. Introduction to African Art. 303 / Soc. 303. Race and Ethnic Relations. (African Studies). May not be included in a concentration plan. (African-American Studies). 311 CAAS 311 CAAS 111. Introduction to Africa and Its Diaspora. 321 / Soc. 323. African American Social Thought. May not be included in a concentration plan. (African-American Studies). 311 CAAS 311 CAAS 200(105). Introduction to African Studies. 322 / NR&E 335. Introduction to Environmental Politics: Race, Class, and Gender. (African Studies). (Cross-Area Courses). 311 CAAS 311 CAAS 201(100). Introduction to Afro-American Studies. 325. Afro-American Social Institutions. (African-American Studies). (African-American Studies). 311 CAAS 311 CAAS 202(200). Introduction to Afro-Caribbean Studies. 326. The Black American Family. (Afro-Caribbean Studies). (African-American Studies). 311 CAAS 311 CAAS 203. Issues in Afro-American Development. 327 / Psych. 315. Psychological Aspects of the Black Experience. (African-American Studies). (African-American Studies). 311 CAAS 311 CAAS 204. Cultural History of Afro-America. 329. African American Leadership. (African-American Studies). (African-American Studies). 311 CAAS 311 CAAS 205. Introduction to Black Cultural Arts and Performance. 330. African Leaders. May be elected for credit twice. -
Industry Guide Focus Asia & Ttb / April 29Th - May 3Rd Ideazione E Realizzazione Organization
INDUSTRY GUIDE FOCUS ASIA & TTB / APRIL 29TH - MAY 3RD IDEAZIONE E REALIZZAZIONE ORGANIZATION CON / WITH CON IL CONTRIBUTO DI / WITH THE SUPPORT OF IN COLLABORAZIONE CON / IN COLLABORATION WITH CON LA PARTECIPAZIONE DI / WITH THE PARTICIPATION OF CON IL PATROCINIO DI / UNDER THE PATRONAGE OF FOCUS ASIA CON IL SUPPORTO DI/WITH THE SUPPORT OF IN COLLABORAZIONE CON/WITH COLLABORATION WITH INTERNATIONAL PARTNERS PROJECT MARKET PARTNERS TIES THAT BIND CON IL SUPPORTO DI/WITH THE SUPPORT OF CAMPUS CON LA PARTECIPAZIONE DI/WITH THE PARTICIPATION OF MAIN SPONSORS OFFICIAL SPONSORS FESTIVAL PARTNERS TECHNICAL PARTNERS ® MAIN MEDIA PARTNERS MEDIA PARTNERS CON / WITH FOCUS ASIA April 30/May 2, 2019 – Udine After the big success of the last edition, the Far East Film Festival is thrilled to welcome to Udine more than 200 international industry professionals taking part in FOCUS ASIA 2019! This year again, the programme will include a large number of events meant to foster professional and artistic exchanges between Asia and Europe. The All Genres Project Market will present 15 exciting projects in development coming from 10 different countries. The final line up will feature a large variety of genres and a great diversity of profiles of directors and producers, proving one of the main goals of the platform: to explore both the present and future generation of filmmakers from both continents. For the first time the market will include a Chinese focus, exposing 6 titles coming from China, Hong Kong and Taiwan. Thanks to the partnership with Trieste Science+Fiction Festival and European Film Promotion, Focus Asia 2019 will host the section Get Ready for Cannes offering to 12 international sales agents the chance to introduce their most recent line up to more than 40 buyers from Asia, Europe and North America. -
Download Full-Text
International Journal of Theoretical and Mathematical Physics 2021, 11(1): 29-59 DOI: 10.5923/j.ijtmp.20211101.03 Measurement Quantization Describes the Physical Constants Jody A. Geiger 1Department of Research, Informativity Institute, Chicago, IL, USA Abstract It has been a long-standing goal in physics to present a physical model that may be used to describe and correlate the physical constants. We demonstrate, this is achieved by describing phenomena in terms of Planck Units and introducing a new concept, counts of Planck Units. Thus, we express the existing laws of classical mechanics in terms of units and counts of units to demonstrate that the physical constants may be expressed using only these terms. But this is not just a nomenclature substitution. With this approach we demonstrate that the constants and the laws of nature may be described with just the count terms or just the dimensional unit terms. Moreover, we demonstrate that there are three frames of reference important to observation. And with these principles we resolve the relation of the physical constants. And we resolve the SI values for the physical constants. Notably, we resolve the relation between gravitation and electromagnetism. Keywords Measurement Quantization, Physical Constants, Unification, Fine Structure Constant, Electric Constant, Magnetic Constant, Planck’s Constant, Gravitational Constant, Elementary Charge ground state orbital a0 and mass of an electron me – both 1. Introduction measures from the 2018 CODATA – we resolve fundamental length l . And we continue with the resolution of We present expressions, their calculation and the f the gravitational constant G, Planck’s reduced constant ħ corresponding CODATA [1,2] values in Table 1. -
Premendra Mazumder– in Conversation with Aruna Vasudev
E-CineIndia April-June 2020 ISSN: 2582-2500 Interview Premendra Mazumder In Conversation with Aruna Vasudev FIPRESCI-India felicitated its founder Ms. Aruna 1957 or 58. I was just out of college. Then my par- Vasudev on 2nd March 2020 at 12th Bengaluru In- ents moved to New York. And with my little experi- ternational Film Festival. On 6th March she was hon- ence with TV, I became very much interested in it. So, oured with the 1st Vijaya Mulay Memorial Lifetime when we went to New York, I said this is what I want Achievement Award by the 15th International Film to learn. I got a little job first. And I did do some work. Festival of Thrissur. On 12th March, this interview And then I joined the course at New York University. was recorded at Thrissur! It was on radio, film and television and each student had to do work in all three. So, when someone else Premendra: This is a big opportunity for the E-CineIn- was making a film you had to be the editor – or some- dia, the quarterly film journal of the FIPRESCI-India, thing in the production. When you were doing a radio to talk to you to know the history of this organization programme someone had to do editing or recording and your contributions for the promotion and devel- or something, with you. You had to do everything in opment of Asian cinema. FIPRESCI-India is basical- every field. So, then in that course, one day I had to ly your child. -
The Monopolar Quantum Relativistic Electron an Extension of the Standard Model and Quantum Field Theory
The Monopolar Quantum Relativistic Electron An extension of the standard model and quantum field theory http://www.feynmanlectures.caltech.edu/II_28.html Abstract: Despite the experimental success of the quantum theory and the extension of classical physics in quantum field theory and relativity in special and general application; a synthesis between the classical approach based on Euclidean and Riemann geometries with that of 'modern' theoretical physics based on statistical energy and frequency distributions remains to be a field of active research for the global theoretical and experimental physics community. In this paper a particular attempt for unification shall be indicated in the proposal of a third kind of relativity in a geometric form of quantum relativity, which utilizes the string modular duality of a higher dimensional energy spectrum based on a physics of wormholes directly related to a cosmogony preceding the cosmologies of the thermodynamic universe from inflaton to instanton. In this way, the quantum theory of the microcosm of the outer and inner atom becomes subject to conformal transformations to and from the instanton of a quantum big bang or qbb and therefore enabling a description of the macrocosm of general relativity in terms of the modular T-duality of 11-dimensional supermembrane theory and so incorporating quantum gravity as a geometrical effect of energy transformations at the wormhole scale. Using the linked Feynman lecture at Caltech as a background for the quantum relative approach; this paper shall focus on the way the classical electron with a stipulated electromagnetic mass as a function of its spacial extent exposes the difficulty encountered by quantum field theories to model nature as mathematical point-particles without spacial extent. -
Cine-Ethiopia: the History and Politics of Film in the Horn of Africa Published by Michigan University Press DOI: 10.14321/J.Ctv1fxmf1
This is the version of the chapter accepted for publication in Cine-Ethiopia: The History and Politics of Film in the Horn of Africa published by Michigan University Press DOI: 10.14321/j.ctv1fxmf1 Accepted version downloaded from SOAS Research Online: http://eprints.soas.ac.uk/32029 CINE-ETHIOPIA THE HISTORY AND POLITICS OF FILM IN THE HORN OF AFRICA Edited by Michael W. Thomas, Alessandro Jedlowski & Aboneh Ashagrie Table of contents INTRODUCTION Introducing the Context and Specificities of Film History in the Horn of Africa, Alessandro Jedlowski, Michael W. Thomas & Aboneh Ashagrie CHAPTER 1 From የሰይጣን ቤት (Yeseytan Bet – “Devil’s House”) to 7D: Mapping Cinema’s Multidimensional Manifestations in Ethiopia from its Inception to Contemporary Developments, Michael W. Thomas CHAPTER 2 Fascist Imperial Cinema: An Account of Imaginary Places, Giuseppe Fidotta CHAPTER 3 The Revolution has been Televised: Fact, Fiction and Spectacle in the 1970s and 80s, Kate Cowcher CHAPTER 4 “The dead speaking to the living”: Religio-cultural Symbolisms in the Amharic Films of Haile Gerima, Tekletsadik Belachew CHAPTER 5 Whether to Laugh or to Cry? Explorations of Genre in Amharic Fiction Feature Films, Michael W. Thomas 2 CHAPTER 6 Women’s Participation in Ethiopian Cinema, Eyerusalem Kassahun CHAPTER 7 The New Frontiers of Ethiopian Television Industry: TV Serials and Sitcoms, Bitania Taddesse CHAPTER 8 Migration in Ethiopian Films, at Home and Abroad, Alessandro Jedlowski CHAPTER 9 A Wide People with a Small Screen: Oromo Cinema at Home and in Diaspora, Teferi Nigussie Tafa and Steven W. Thomas CHAPTER 10 Eritrean Films between Forced Migration and Desire of Elsewhere, Osvaldo Costantini and Aurora Massa CHAPTER 11 Somali Cinema: A Brief History between Italian Colonization, Diaspora and the New Idea of Nation, Daniele Comberiati INTERVIEWS Debebe Eshetu (actor and director), interviewed by Aboneh Ashagrie Behailu Wassie (scriptwriter and director), interviewed by Michael W. -
History Sydney Film Festival
HISTORY OF THE SYDNEY FILM FESTIVAL 1954 - 1983 PAULINE WEBBER MASTER of ARTS FACULTY OF HUMANITIES AND SOCIAL SCIENCES 2005 For John and David ACKNOWLEDGEMENTS I would like to thank David Donaldson, Valwyn Wishart, John Baxter, Dorothy Shoemark, Tony Buckley, David Stratton and many others involved in the SFF during its formative years who gave generously of their time and knowledge during the preparation of this thesis. I am especially grateful to Trish McPherson, who entrusted me with the SFF memorabilia of her late husband, Ian McPherson. Thanks also to my supervisor, Professor Elizabeth Jacka, for her enthusiasm and support, and to Associate Professor Paul Ashton and Raya Massie who undertook to read the final draft and who offered invaluable advice. TABLE OF CONTENTS Table of Abbreviations i Sydney Film Festival: A Chronology 1954-1983 ii Abstract vi Introduction 1 An International Context; A Local Context Chapter One Art Form of a Generation: The Early Years 1954-1961 18 Reinventing Australia: 1946-1954; Connections and Divisions; Olinda 1952; From Concept to Reality; The First Festival; The Festival Takes Shape; Is it Here? Does it Look like Arriving?; Here to Stay; From Crisis to Cohesion Chapter Two Expansion and Consolidation: 1962-1975 57 Coming of Age; The Times They Are A-Changin’: 1962-1967; The Proliferation of Unacceptable Thoughts; Communal Rapture: The Start of the Stratton Era; The Anxious Years: 1968-1972; Throwing Down the Gauntlet; Going Global; The Festival at the Top of its Form; The Best and the Most Interesting; A Rising Clamour to be Seen and Heard Chapter Three Beguiling Times: The SFF and Australian Cinema 121 The Old and the New; The Film Buffs, the Festival People, the Trendies, the Underground; The Short Film Awards; A Thrilling New Wave: The Film Revival and After Chapter Four Change and New Directions: 1976-1983 149 A Lean Operation; Some of the People, Some of the Time; Backing Winners; Old Problems, New pressures; A Sort of Terrible Regression; The Last of the Stratton Years; 1983; 1984: Brave New World. -
Should Physical Laws Be Unit-Invariant?
Should physical laws be unit-invariant? 1. Introduction In a paper published in this journal in 2015, Sally Riordan reviews a recent debate about whether fundamental constants are really “constant”, or whether they may change over cosmological timescales. Her context is the impending redefinition of the kilogram and other units in terms of fundamental constants – a practice which is seen as more “objective” than defining units in terms of human artefacts. She focusses on one particular constant, the fine structure constant (α), for which some evidence of such a variation has been reported. Although α is not one of the fundamental constants involved in the proposed redefinitions, it is linked to some which are, so that there is a clear cause for concern. One of the authors she references is Michael Duff, who presents an argument supporting his assertion that dimensionless constants are more fundamental than dimensioned ones; this argument employs various systems of so-called “natural units”. [see Riordan (2015); Duff (2004)] An interesting feature of this discussion is that not only Riordan herself, but all the papers she cites, use a formula for α that is valid only in certain systems of units, and would not feature in a modern physics textbook. This violates another aspect of objectivity – namely, the idea that our physical laws should be expressed in such a way that they are independent of the particular units we choose to use; they should be unit-invariant. In this paper I investigate the place of unit-invariance in the history of physics, together with its converse, unit-dependence, which we will find is a common feature of some branches of physics, despite the fact that, as I will show in an analysis of Duff’s argument, unit-dependent formulae can lead to erroneous conclusions.