Conference Presentations
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2004 February
February 2004 Games and Entertainment Megan Morrone Today you can use the same machine to organize your finances, create a presentation for your boss, and defend the Earth from flesh-eating aliens. But let’s be honest: Even with the crazy advances in software, organizing your finances and creating a presentation for your boss are still not half as much fun as defending the Earth from flesh-eating aliens.That’s why we’ve devoted the entire month of February to the noble pursuit of games and entertainment for PCs, Macs, game consoles, and PDAs. I know what you’re thinking.You’re thinking that you can skip right over this chapter because you’re not a gamer. Gamers are all sweaty, pimpled, 16-year-old boys who lock themselves in their basements sustained only by complex carbohydrates and Mountain Dew for days on end, right? Wrong.Video games aren’t just for young boys anymore. Saying you don’t like video games is like saying you don’t like ice cream or cheese or television or fun.Are you trying to tell me that you don’t like fun? If you watch The Screen Savers,you know that each member of our little TV family has a uniquely different interest in games. Morgan loves a good frag fest, whereas Martin’s tastes tend toward the bizarre (think frogs in blenders or cow tossing.) Kevin knows how to throw a cutting-edge LAN party,while Joshua and Roger like to kick back with old-school retro game emulators. I like to download free and simple low-res games that you can play on even the dinkiest PC, whereas Patrick prefers to build and rebuild the perfect system for the ultimate gaming experience (see February 13).And leave it to Leo to discover the most unique new gaming experience for the consummate early adopter (see February 1). -
Ontic Communities
Ontic Communities: Speculative Fiction, Ontology, and the Digital Design Community A Dissertation Submitted to the Faculty of Drexel University by James W. Malazita in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2014 ii © Copyright 2014 James W. Malazita. All Rights Reserved. iii Table of Contents Introduction:........................................................................................................................ 1 Chapter 1: Communities of Practice, Who and What:...................................................... 45 Chapter 2: Ontology and Epistemology:........................................................................... 93 Chapter 3: Speculative Reality:....................................................................................... 144 Conclusion:....................................................................................................................... 190 Works Cited:.....................................................................................................................192 iv List of Tables 1. Analysis of Speakers and Article Content of Wired .............................................................8 2. Analysis of Ontic Talk in Wired...................................................................................... ..109 v List of Figures 1. The Subject-Object Split in Social Scientific Thinking...............................................................27 2. A Screen Shot of Cipher Prime's Auditorium ............................................................................52 -
Linux Journal 23 FOSS Project Spotlight: Nitrux, a Linux Distribution with a Focus on Appimages and Atomic Upgrades by Nitrux Latinoamerican S.C
ModSecurity Globbing Edit PDFs and nginx and Regex with Xournal Since 1994: The original magazine of the Linux community Linux Gaming A Talk with Linux Game Developers | Review: Thrones of Britannia Two Portable DIY Retro Console Projects | Survey of Native Linux Games TASBot the Linux-Powered Robot Plays Games for Charity ISSUE 290 | SEPTEMBER 2018 www.linuxjournal.com SEPTEMBER 2018 CONTENTS ISSUE 290 86 DEEP DIVE: Gaming 87 Crossing Platforms: a Talk with the Developers Building Games for Linux By K.G. Orphanides Games for Linux are booming like never before. The revolution comes courtesy of cross-platform dev tools, passionate programmers and community support. 105 Would You Like to Play a Linux Game? By Marcel Gagné A look at several games native to Linux. 117 Meet TASBot, a Linux-Powered Robot Playing Video Games for Charity By Allan Cecil Can a Linux-powered robot play video games faster than you? Only if he . takes a hint from piano rolls...and the game for Linux in November 2016. Enix. Feral Interactive released and published by Square , developed by Eidos Montréal doesn’t desync. 135 Review: Thrones Shroud of the Avatar Shroud of Britannia Deus Ex: Mankind Divided By Marcel Gagné from from A look at the recent game from the Total War series on the Linux desktop Image from Portalarium’s Portalarium’s Image from thanks to Steam and Feral Interactive. Cover image 2 | September 2018 | http://www.linuxjournal.com CONTENTS 6 Letters UPFRONT 14 Clearing Out /boot By Adam McPartlan 17 VCs Are Investing Big into a New Cryptocurrency: Introducing Handshake By Petros Koutoupis 20 Edit PDFs with Xournal By Kyle Rankin 22 Patreon and Linux Journal 23 FOSS Project Spotlight: Nitrux, a Linux Distribution with a Focus on AppImages and Atomic Upgrades By Nitrux Latinoamerican S.C. -
ESPORTS a Guide for Public Libraries
ESPORTS A Guide for Public Libraries 1 Contents Introduction…………….….……….………….…………3 Esports 101….……….….……….………….….….…….4 What Are Esports? Why Are Esports a Good Fit for Libraries? Esports & the Public Library……….…….…….………6 Making a Library Team Other Ways Libraries Can Interact with Video Games Partnerships….……………..…….……………….….….9 Local Partners North America Scholastic Esports Federation Technical Requirements…….………..….……….……10 Creating Internet Videos….…………….……….……12 Recording Editing Uploading IP & Privacy Considerations…………….…………….15 IP Considerations for Video Sharing Privacy A Note on ESRB Ratings Glossary………….……….……….……….……………18 Acknowledgements…….……….………..……………28 Further Reading….….……….…..………….……….…29 URLs……..……….….….……….……………………….30 2 Introduction In September 2019, Pottsboro Area Library in Pottsboro, TX, began an esports program funded by a IMLS grant. With ten new gaming computers and a vastly improved internet connection, Pottsboro Library has acted as a staging location for an esports team in association with Pottsboro High School, opening new hours on Saturdays for the team to practice in private. This collaboration also includes the esports club of nearby Austin College, whose students serve as mentors for the library’s club, and the North America Scholastic Esports Federation (NASEF), which has provided information and assistance in setting up the team to play in its high school league. In addition to being used by the team, four of the gaming computers are open for public use, which has attracted younger patrons to the library and provides new options for children and young adults in an area where internet access is otherwise extremely limited. This guide is intended for public libraries that are interested in esports or video games for any reason—to increase participation of young adults in library programming, to encourage technological skills and literacy, to provide a space for young people to gather and practice teamwork, etc. -
Teachers Course Description
Teachers Stephanie Boluk Patrick LeMieux Associate Professor Assistant Professor English, Cinema and Digital Media Cinema and Digital Media University of California, Davis University of California, Davis [email protected] [email protected] http://stephanieboluk.com http://patrick-lemieux.com Course Description Rather than treat “videogames and culture” as two distinct categories that play off one another, in this large lecture and in discussion sections we will examine the community histories and material practices that have evolved alongside videogames as a mass medium, cultural commodity, and digital technology. We will challenge the seemingly self-evident differences between play and production, leisure and labor, form and function, and freedom and control through a quarter-long investigation of the concept of “metagaming.” Metagames are the games we play in, on, around, and through videogames. From the most complex player practices to the simple decision to press start, just as there are no videogames without culture, there are no games without metagames. And although the term “metagame” has a long history–from Cold War mind games in the 1940s to countercultural role-playing games in the 1970s to collectable card games in the 1990s–the concept has taken on renewed importance and political urgency with the rise of social media, streaming video, and sharing services in the twenty-first century. From speedrunning The Legend of Zelda to making a living playing League of Legends and from modding miniature computers in Minecraft to laundering money through Team Fortress 2, in this class we will document and theorize histories of play through the concept of metagaming and a rigorous engagement with academic disciplines such as media studies, games studies, software studies, platform studies, and code studies. -
Second Annual SXSW Gaming Awards Announces Top Winners in 21 Categories
Second Annual SXSW Gaming Awards Announces Top Winners in 21 Categories Dragon Age: Inquisition takes home Game of the Year followed by three award wins for Middle- earth: Shadow of Mordor AUSTIN, Texas (Mar. 14, 2015) — South by Southwest (SXSW) Gaming today announced the winners of the second-annual SXSW Gaming Awards – part of the SXSW Gaming Expo – presented by iam8bit, Logitech, Porter Novelli, Twitch and Wikia. Austin City Limits Live at The Moody Theater hosted the ceremony which was co-emceed by actress and comedian Janet Varney and popular YouTube personality Markiplier. In all, 21 awards were handed out, with Dragon Age: Inquisition taking the top honor as Game of the Year. Middle-earth: Shadow of Mordor followed with three award wins, including Excellence in Gameplay and Excellence in Animation. Speedrunners was chosen by gamers on the show floor to take home the Gamer’s Voice Award, beating out 29 other games showcased in the SXSW Gaming Indie Corner. To be considered for the Gamer’s Voice Award, games must have had less than $1 million in funding; a working and playable demo; and be released by the end of 2015 or shortly thereafter. “We’re ecstatic to see the gaming industry and gamers alike embrace the SXSW Gaming Awards,” said Justin Burnham, SXSW Gaming Project Manager. “Our awards bring together the voice of gamers everywhere with those of industry experts to decide the best of the best. Congrats to the team behind Dragon Age: Inquisition for its Game of the Year win and to the rest of this year’s winners for making 2014 another stellar year for gaming!” The submission process opened in August 2014 through the official Gaming Awards page and closed in December. -
Text Begins by Discussing Spe Beginnings on Edrunningspeeddemosarchive.Com As a Community
Re-curating the Accident: Speedrunning as Community and Practice Rainforest Scully-Blaker A Thesis in The Department of Communication Studies Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts (Media Studies) at Concordia University Montreal, Quebec, Canada September 2016 © Rainforest Scully-Blaker, 2016 Scully-Blaker iii Abstract Re-curating the Accident: Speedrunning as Community and Practice Rainforest Scully-Blaker This thesis is concerned with speedrunning, the practice of completing a video game as quickly as possible without the use of cheats or cheat devices as well as the community of players that unite around this sort of play. As video games become increasingly ubiquitous in popular media and culture, the project of accounting for and analysing how people interact with these pieces of software becomes more relevant than ever before. As such, this thesis emerges as an initiatory treatment of a relatively niche segment of game culture that has gone underrepresented in extant game and media scholarship. The text begins by discussing spe beginnings on edrunningSpeedDemosArchive.com as a community. and By examiningchronicling its the growth communitys with the emergence of contemporary content hosting sites like YouTube and Twitch, this thesis presents speedrunning as a collaborative and fast-growing community of practice made up of players who revel in playing games quickly. From there, an analysis of space and speed, both natural and virtual, is undertaken with a view to understanding how speedrunning as a practice relates to games as narrative spaces. Discussions of rule systems in games and within the speedrunning community itself follow. -
Instr Uc Tion Booklet
SHN-IB-EUR-USA INSTRUCTION BOOKLET DEVELOPED BY GRIMORIO OF GAMES & PUBLISHED BY JANDUSOFT Super Hyperactive Ninja is a fast-paced hyper-caffeinated action-platformer in 2D, designed with those who want a real tough challenge and speedrunners in mind. Recover the stolen coffee before you fall asleep! Use the power of caffeine to enter Hyperactive Mode, to run faster and kill enemies, but use it wisely! Your energy is limited, and must be recharged with the coffees you find in the levels. If you run out of caffeine, its GAME OVER! Race against your cruelest enemy: SLUMBER! 2 SUMMARY PAG 4 CONTROLS PAG 10 ABOUT THIS GAME PAG 11 MAIN MENU PAG 12 OPTIONS PAG 14 LEVEL SELECTOR PAG 15 SHOP PAG 16 CHARACTER SELECT PAG 18 CHARACTERS PAG 24 ITEMS PAG 26 BASIC ACTIONS PAG 30 ENEMIES PAG 33 GAME TIPS PAG 34 NOTES 3 CONTROLS - XBOX ONE Super Hyperactive Ninja for PC is compatible with Xbox One and Xbox 360 Controllers. L BUTTON R BUTTON L TRIGGER R TRIGGER LEFT STICK A / B / X / Y D PAD RIGHT STICK VIEW MENU 4 HOW TO PLAY These are the controls of the game: ICON BUTTON ACTION ICON BUTTON ACTION A BUTTON Jump L TRIGGER (Hold) Item Selection Menu Y BUTTON R BUTTON LEFT STICK Move character B BUTTON Use object RIGHT STICK Fast item change X BUTTON L BUTTON MENU BUTTON Pause R TRIGGER (Hold) Hyperactive MENU BUTTON (at the same time) Mode + VIEW BUTTON Quick restart 5 CONTROLS - PLAYSTATION 4 Super Hyperactive Ninja for PC is compatible with PS4 Dual Shock 4 controllers when launched from Steam. -
Undervattensmusik I Plattformsspel
Örebro universitet Musikhögskolan Program ___________________________________________________________________________ Undervattensmusik i plattformsspel En djupdykning i musikaliskt gestaltande av en undervattensmiljö ___________________________________________________________________________ Kurs: Musikalisk gestaltning, Musikproduktion, Självständigt arbete Vårterminen 2017 Författare: Andreas Palm ABSTRACT Författare: Andreas Palm Handledare: Peter Fogel & Simon Schierup Titel: Undervattensmusik i plattformsspel: En djupdykning i musikaliskt gestaltande av en undervattensmiljö Title in English: Underwater music in platform games: A deep look into visualizing an underwater environment with music Undervattensbanor i tv-spel har kommit att förknippas med förändring, på grund av att banorna introducerar ny spelmekanik såväl som nya fiender och ett lägre tempo. Detta har fått kompositörer att anpassa musiken till förändringarna och i sinom tid skapat en gren inom tv- spelsmusiken som bygger på atmosfär och känsla. Jag har alltid varit fascinerad av undervattensmusik och hur den gestaltas och ville utforska min process när jag komponerade musik avsedd för tv-spel på temat under vatten. För att hitta rätt ljud och känsla använde jag mig av det analytiska verktyget spectromorphology som hjälper en att identifiera vad ett ljud beskriver/symboliserar individuellt och i en kontext. Jag använde mig även av konnotationer till ordet vatten till att grunda mina gestaltande beslut på, och analyserade populär undervattensmusik för att se vad som var talande för miljön i den. Resultatet blev ett undervatten-tema som jag tyckte fångade känslan av att vara under vatten på grund av noggrant utvalda ljud och anpassning till begrepp och termer ur spectromorphology. Jag fick en djupare förståelse för hur jag produktionsmässigt skapar en känsla av att vara under vatten, vilka ljudtekniska verktyg som är viktiga och vad de ger för betydelse. -
Une Étude De L'impact Des Jeux Vidéo Sur L'identité De Joueurs Franco-Ontarie
Titre courant : « JE JOUE, DONC JE SUIS » Une étude de l’impact des jeux vidéo sur l’identité de joueurs franco-ontariens Geoffroy Legault-Thivierge Thèse présentée à la Faculté des études supérieures et postdoctorales de l’Université d’Ottawa dans le cadre du programme de maîtrise en communication pour l’obtention du grade Maîtrise en Arts (M.A) Sous la direction de Philippe Ross, Ph. D Mots-clés : apprentissage, acculturation, sondage, entrevue, Franco-ontariens Département de communication Université d’Ottawa © Geoffroy Legault-Thivierge, Ottawa, Canada, 2016 On my business card, I am a corporate president. In my mind, I am a game developer. But in my heart, I am a gamer. – Satoru Iwata (1959-2015) ii SOMMAIRE Le jeu vidéo, de par sa popularité impressionnante et relativement récente, nécessite que l’on s’attarde à une analyse de ses impacts potentiels sur ses adeptes. Média largement prédominé par l’anglais, son impact sur l’identité de Franco-ontariens se révèle particulièrement pertinent étant donné la situation linguistique minoritaire de ces joueurs. Cette identité, bien qu’en harmonie avec les jeux vidéo, pourrait-elle entrer en conflit avec la langue de ces mêmes jeux? Dans cette étude, on cherche à étudier l’impact des jeux vidéo (considérés ici comme supports d’apprentissage à l’anglais) sous la forme d’apprentissage de la langue et d’acculturation (c.-à-d. l’ouverture d’esprit face à une autre culture et le délaissement de l’identité francophone). S’inscrivant dans un cadre théorique de sociologie des usages, cette étude s’attarde aux pratiques actuelles de 33 joueurs franco-ontariens, soit les activités et comportements des joueurs, par l’entremise d’un sondage (méthode quantitative) et d’entrevues semi-dirigées (méthode qualitative). -
Schedule. May 15, 2014 Schedule. May 16, 2014
SCHEDULE. MAY 15, 2014 Conference Hall Tolstoy Hall Pushkin Hall Chekhov Hall Keynote: “Sincere Game Design" Simultanious translation of all sessions in Conference and Tolstoy Halls is provided Technology & Development 10:00 - 11:00 Rami Ismail, Vlambeer Art & Animation Game Design Production “Preproduction of art in Zeptolab games" “Unity 5 - What News is There For You" Games & Indies 11:00 - 11:30 Alexey Atomsky, Zeptolab Oleg Pridiuk, Unity “Interactive Installations: Massively Marketing Single-player Offline Games" Unity@DevGAMM “The Power of the Facebook Platform for “Game cinematics. Money waste or Valentin Simonov, Interactive Lab 11:30 – 12:00 Gaming Developers" important part of success?" Julia Ognieva, Facebook Vitalijus Zukas, OKTA Speed Game Dating First Stream “Ten Key Steps to a Successful Release “Manifesto of computer game writers" 12:00 – 12:30 Partnership" Nikolay Dybovskiy, Ice-Pick Lodge “Think in other way? Good luck then!" Ted Ursu, Funtomic Maria Kochakova, Message Quest Anton Volkov, AlternativaPlatform “Creation of graphics for Maze and “Finding AwayJS" 12:30 – 13:00 5734L3R" Rob Bateman, Away3D Stanislav Baturin, Indie Developer 13:00 – 15:00 Lunch Lunch Lunch Lunch “Game design. “Overcome the bottleneck of HTML5 Discussion Panel: “Postmortem Sheep Happens" 15:00 – 15:30 Problem – solution" mobile game performance" Elena Stolbova, LingPlay Alexey Davydov, Flazm.com David Goemans, BoosterMedia Speed Game Dating Anton Karlov, Indie Developer Second Stream “Road To Japan - How To Do Marketing of Vladimir Kovtun, -
The Cambridge Companion to Video Game Music Edited by Melanie Fritsch , Tim Summers Frontmatter More Information
Cambridge University Press 978-1-108-47302-6 — The Cambridge Companion to Video Game Music Edited by Melanie Fritsch , Tim Summers Frontmatter More Information The Cambridge Companion to Video Game Music Video game music has been permeating popular culture for over forty years. Now, reaching billions of listeners, game music encompasses a diverse spectrum of musical materials and practices. This book provides a comprehensive, up-to-date survey of video game music by a diverse group of scholars and industry professionals. The chapters and summaries consolidate existing knowledge and present tools for readers to engage with the music in new ways. Many popular games are analyzed, including Super Mario Galaxy, Bastion, The Last of Us, Kentucky Route Zero and the Katamari, Gran Turismo and Tales series. Topics include chiptunes, compositional processes, localization, history and game music concerts. The book also engages with other disciplines such as psychology, music analysis, business strategy and critical theory, and will prove an equally valuable resource for readers active in the industry, composers or designers, and music students and scholars. melanie fritsch is Junior Professor in Media and Cultural Studies with a focus on Game Studies and related fields at Heinrich Heine University Düsseldorf. She is the author of Performing Bytes: Musikperformances der Computerspielkultur (2018). tim summers is Lecturer in Music at Royal Holloway, University of London. He is the author of Understanding Video Game Music (Cambridge, 2016) and The Legend