A Study of the Sociolinguistic Discourse on Bakhtin and Language
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Chaosmosis : an Ethico-Aesthetic Paradigm I Felix Guattari ; Translated by Paul Bains and Julian Pefanis
Chaosmosis an ethico-aesthetic paradigm Felix Guattari translated by Paul Bains and Julian Pefanis INDIANA UNIVERSITY PRESS BLOOMINGTON & INDIANAPOLIS English translation© 1995, Power Institute, Paul Bains, and Julian Pefanis Chaosmosis was originally published in French as Chaosmose. © 1992, Editions Galilee All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses' Resolutions on Permissions constitutes the only exception to this prohibition. The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI Z39 .48-1984. Manufactured in the United States of America Library of Congress Cataloging-in-Publication Data Guattari, Felix. [Chaosmose. English] Chaosmosis : an ethico-aesthetic paradigm I Felix Guattari ; translated by Paul Bains and Julian Pefanis. p. cm. Includes bibliographical references. ISBN 0-253-32945-0 (alk. paper). - ISBN 0-253-21004-6 (pbk. : alk. paper) 1. Psychoanalysis-Philosophy. 2. Subjectivity. I. Title. BFl 75.G81313 1995' 95-31403 194-dc20 1 2 3 4 5 00 99 98 97 96 95 On the planking, on the ship's bulwarks, on the sea, with the course of the sun through the sky and the ship, an unreadable and wrenching script takes shape, takes shape and destroys itself at the same slow pace - shadows, spines, shafts of broken light refocused in the angles, the triangles of a fleeting geometry that yields to the shadow of the ocean waves. -
Matthew Rolston.Pages
!1 Talking Heads "by Matthew Rolston If masks are, as Spanish philosopher and poet George Santayana wrote in the early 1920s, “arrested expressions and admirable echoes of feeling” then the Vent Haven Museum in Fort Mitchell, Kentucky, must contain one of the world’s more unique and evocative collections. It is a place like no other. After discovering Vent Haven through an article by Edward Rothstein that appeared in the New York Times in June 2009, I became deeply intrigued by its inhabitants. I knew nothing of ventriloquism then, and still know very little, but I have learned of the poetry of these figures and the ways in which they were brought to life as an expression of their creators— the figure-makers and ventriloquists. " I began by approaching my subjects because of how they look, not necessarily because of their historic or cultural value.The faces that spoke to me most had expressions that I found enigmatic, pleading, Sphinx-like, hilarious, and disturbing—all at once. To me, the greatest portraits are mostly about finding a connection with the subject’s eyes. There’s an expression of yearning and desire in these eyes that I find disturbing. Matthew Rolston, Joe Flip, from the series “Talking Heads.” !2 Ventriloquism has ancient roots. Long before the music hall era, before vaudeville, radio, or television even existed, there was shamanism and there was ritual. When the shaman spoke to the tribe, channeling the voices of spirits—sometimes animist, sometimes divine —no doubt he or she used the same techniques as those used by modern ventriloquists. -
I COHESION in TRANSLATION
COHESION IN TRANSLATION: A CORPUS STUDY OF HUMAN- TRANSLATED, MACHINE-TRANSLATED, AND NON-TRANSLATED TEXTS (RUSSIAN INTO ENGLISH) A dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Tatyana Bystrova-McIntyre December, 2012 i © Copyright by Tatyana Bystrova-McIntyre 2012 All Rights Reserved ii Dissertation written by Tatyana Bystrova-McIntyre B.A., Tver State University, Russia, 1999 M.A., Kent State University, OH, 2004 M.A., Kent State University, OH, 2006 Ph.D., Kent State University, OH, 2012 APPROVED BY __________________________, Chair, Doctoral Dissertation Committee Brian J. Baer (advisor) __________________________, Members, Doctoral Dissertation Committee Gregory M. Shreve __________________________, Erik B. Angelone __________________________, Andrew S. Barnes __________________________, Mikhail Nesterenko ACCEPTED BY __________________________, Interim Chair, Modern and Classical Language Studies Keiran J. Dunne __________________________, Dean, College of Arts and Sciences Timothy Chandler iii TABLE OF CONTENTS LIST OF FIGURES ....................................................................................................... XIII LIST OF TABLES ........................................................................................................... XX DEDICATION ......................................................................................................... XXXVI ACKNOWLEDGEMENTS ................................................................................... -
Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives
literary.chronotope.book Page 3 Tuesday, May 4, 2010 5:47 PM BAKHTIN'S THEORY OF THE LITERARY CHRONOTOPE: REFLECTIONS, APPLICATIONS, PERSPECTIVES Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman & Bart Keunen (eds.) literary.chronotope.book Page 4 Tuesday, May 4, 2010 5:47 PM © Academia Press Eekhout 2 9000 Gent T. (+32) (0)9 233 80 88 F. (+32) (0)9 233 14 09 [email protected] www.academiapress.be The publications of Academia Press are distributed by: Belgium: J. Story-Scientia nv Wetenschappelijke Boekhandel Sint-Kwintensberg 87 B-9000 Gent T. 09 255 57 57 F. 09 233 14 09 [email protected] www.story.be The Netherlands: Ef & Ef Eind 36 NL-6017 BH Thorn T. 0475 561501 F. 0475 561660 Rest of the world: UPNE, Lebanon, New Hampshire, USA (www.upne.com) Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman & Bart Keunen (eds.) Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives Proceedings of the workshop entitled “Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives” (27-28 June 2008) supported by the Royal Flemish Academy for Sciences and the Arts. Gent, Academia Press, 2010, v + 213 pp. ISBN 978 90 382 1563 1 D/2010/4804/84 U 1414 Layout: proxess.be Cover: Steebz/KHUAN No part of this publication may be reproduced in print, by photocopy, microfilm or any other means, without the prior written permission of the publisher. literary.chronotope.book Page i Tuesday, May 4, 2010 5:47 PM I CONTENTS Preface . -
Characters in Bakhtin's Theory
Studies in 20th Century Literature Volume 9 Issue 1 Special Issue on Mikhail Bakhtin Article 5 9-1-1984 Characters in Bakhtin's Theory Anthony Wall Queen's University Follow this and additional works at: https://newprairiepress.org/sttcl Part of the Modern Literature Commons, and the Russian Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Wall, Anthony (1984) "Characters in Bakhtin's Theory," Studies in 20th Century Literature: Vol. 9: Iss. 1, Article 5. https://doi.org/10.4148/2334-4415.1151 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Characters in Bakhtin's Theory Abstract A common focus in many modern theories of literature is a reassessment of the traditional view of the character in a narrative text. The position that this article defends is that a revised conception is necessary for an understanding of the means by which dialogism is said to function in novelistic discourse. Revising the notion does not, however, involve discarding it outright as recent theories of the subject would have us do. Nor can we simply void it of all "psychological" content as suggested by many structuralist proposals. To retain Bakhtin's concept of the notion of character, we must understand the term "psychological" in the context of his early book on Freud. In artificially combining Bakhtin's isolated remarks on the literary character, we arrive at a view which postulates textualized voice-sources in the novel. -
Copenhagen Studies in Genre Vol
Roskilde University Genre and Adaptation in motion Svendsen, Erik Published in: Genre and ... Publication date: 2015 Document Version Publisher's PDF, also known as Version of record Citation for published version (APA): Svendsen, E. (2015). Genre and Adaptation in motion. In S. Auken, P. S. Lauridsen, & A. J. Rasmussen (Eds.), Genre and ... (pp. 221-250). ekbatana. Copenhagen Studies in Genre Vol. 2 General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain. • You may freely distribute the URL identifying the publication in the public portal. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 05. Oct. 2021 GENRE AND … Copenhagen Studies in Genre 2 Ekbátana Ed. Sune Auken, Palle Schantz Lauridsen, & Anders Juhl Rasmussen GENRE AND ... Copenhagen Studies in Genre 2 Edited by Sune Auken, Palle Schantz Lauridsen, & Anders Juhl Rasmussen Forlaget Ekbátana Genre and … Copenhagen Studies in Genre 2 © 2015 Ekbátana and the contributors Edited by Sune Auken, Palle Schantz Lauridsen, & Anders Juhl Rasmussen 1. edition ISBN 978-87-995899-5-1 Typeset in Times New Roman and Helvetica Cover Michael Guldbøg All chapters of this books has been sub- mitted to peer reviewed. -
What Literature Knows: Forays Into Literary Knowledge Production
Contributions to English 2 Contributions to English and American Literary Studies 2 and American Literary Studies 2 Antje Kley / Kai Merten (eds.) Antje Kley / Kai Merten (eds.) Kai Merten (eds.) Merten Kai / What Literature Knows This volume sheds light on the nexus between knowledge and literature. Arranged What Literature Knows historically, contributions address both popular and canonical English and Antje Kley US-American writing from the early modern period to the present. They focus on how historically specific texts engage with epistemological questions in relation to Forays into Literary Knowledge Production material and social forms as well as representation. The authors discuss literature as a culturally embedded form of knowledge production in its own right, which deploys narrative and poetic means of exploration to establish an independent and sometimes dissident archive. The worlds that imaginary texts project are shown to open up alternative perspectives to be reckoned with in the academic articulation and public discussion of issues in economics and the sciences, identity formation and wellbeing, legal rationale and political decision-making. What Literature Knows The Editors Antje Kley is professor of American Literary Studies at FAU Erlangen-Nürnberg, Germany. Her research interests focus on aesthetic forms and cultural functions of narrative, both autobiographical and fictional, in changing media environments between the eighteenth century and the present. Kai Merten is professor of British Literature at the University of Erfurt, Germany. His research focuses on contemporary poetry in English, Romantic culture in Britain as well as on questions of mediality in British literature and Postcolonial Studies. He is also the founder of the Erfurt Network on New Materialism. -
GENRE STUDIES in MASS MEDIA Art Silverblatt Is Professor of Communications and Journalism at Webster Univer- Sity, St
GENRE STUDIES IN MASS MEDIA Art Silverblatt is Professor of Communications and Journalism at Webster Univer- sity, St. Louis, Missouri. He earned his Ph.D. in 1980 from Michigan State University. He is the author of numerous books and articles, including Media Literacy: Keys to Interpreting Media Messages (1995, 2001), The Dictionary of Media Literacy (1997), Approaches to the Study of Media Literacy (M.E. Sharpe, 1999), and International Communications: A Media Literacy Approach (M.E. Sharpe, 2004). Silverblatt’s work has been translated into Japanese, Korean, Chinese, and German. GENRE STUDIES IN MASS MEDIA A HANDBOOK ART SILVERBLATT M.E.Sharpe Armonk, New York London, England Copyright © 2007 by M.E. Sharpe, Inc. All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher, M.E. Sharpe, Inc., 80 Business Park Drive, Armonk, New York 10504. Library of Congress Cataloging-in-Publication Data Silverblatt, Art. Genre studies in mass media : a handbook / Art Silverblatt. p. cm. Includes bibliographical references and index. ISBN: 978-0-7656-1669-2 (cloth : alk. paper) 1. Mass media genres. I. Title. P96.G455S57 2007 302.23—dc22 2006022316 Printed in the United States of America The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z 39.48-1984. ~ BM (c) 10 9 8 7 6 5 4 3 2 1 To my “first generation” of friends, who have been supportive for so long: Rick Rosenfeld, Linda Holtzman, Karen Techner, John Goldstein, Alan Osherow, and Gary Tobin. -
The Bakhtin Circle and Ancient Narrative
The limits of polyphony: Dostoevsky to Petronius MARIA PLAZA Stockholm University In times when a theorist grows as authoritative as the Russian thinker Mikh- ail Mikhailovich Bakhtin has grown today, his theories are sometimes hastily applied to more texts than they can usefully explain. While the rereading, and possibly reconception, of the Roman novel in the light of his ideas on the novelistic genre is certainly a most important and exciting project, there may be a risk of overstatement. My aim in this paper, therefore, is to suggest an answer to the question of whether Petronius’ Satyrica can be said to be a “polyphonic novel” in Bakhtin’s sense.1 The concept of “polyphony” is fully developed in Bakhtin’s book Prob- lems in Dostoevsky’s Poetics,2 although there are discussions of the related categories “dialogism” and “heteroglossia” in his important essays of the 1930’s.3 It should be noted, however, that “heteroglossia” is not equivalent to polyphony: it implies a diversity of speech styles in a language, some- times with the further requirement that the styles should reflect and inter- penetrate each other; while polyphony always requires an interpenetration of ————— 1 It is not my aim to offer an exhaustive analysis; rather, I hope to present some examples and general arguments for my suggested solution, in order to make a modest contribution to an ongoing debate about Bakhtin and the classics. 2 The first edition of this work, entitled Problemy tvorchestva Dostoevskogo [Problems of Dostoevsky’s creative art], appeared in 1929, and was a much narrower discussion than the influential second edition of 1963. -
Dialogic Pedagogy and Semiotic-Dialogic Inquiry Into Visual Literacies and Augmented Reality
ISSN: 2325-3290 (online) Dialogic pedagogy and semiotic-dialogic inquiry into visual literacies and augmented reality Zoe Hurley Zayed University, Dubai Abstract Technological determinism has been driving conceptions of technology enhanced learning for the last two decades at least. The abrupt shift to the emergency delivery of online courses during COVID-19 has accelerated big tech’s coup d’état of higher education, perhaps irrevocably. Yet, commercial technologies are not necessarily aligned with dialogic conceptions of learning while a technological transmission model negates learners’ input and interactions. Mikhail Bakhtin viewed words as the multivocal bridge to social thought. His theory of the polysemy of language, that has subsequently been termed dialogism, has strong correlations with the semiotic philosophy of American pragmatist Charles Sanders Peirce. Peirce’s semiotic philosophy of signs extends far beyond words, speech acts, linguistics, literary genres, and/or indeed human activity. This study traces links between Bakhtin’s dialogism with Peirce’s semiotics. Conceptual synthesis develops the semiotic-dialogic framework. Taking augmented reality as a theoretical case, inquiry illustrates that while technologies are subsuming traditional pedagogies, teachers and learners, this does not necessarily open dialogic learning. This is because technologies are never dialogic, in and of themselves, although semiotic learning always involves social actors’ interpretations of signs. Crucially, semiotic-dialogism generates theorising of the visual literacies required by learners to optimise technologies for dialogic learning. Key Words: Dialogism / signs / semiotics / questioning / opening / augmented reality / technologies Zoe Hurley (PhD, Lancaster University, UK) is the Assistant Dean for Student Affairs in the College of Communication and Media Sciences at Zayed University, Dubai, United Arab Emirates. -
Rhetorical Genre Studies: Key Concepts and Implications for Education
CORE Metadata, citation and similar papers at core.ac.uk Provided by Academic and Scholarly Repository of KUIS Rhetorical genre studies: Key concepts and implications for education 著者名(英) Dirk MacKenzie journal or 神田外語大学紀要 publication title volume 22 page range 175-198 year 2010-03 URL http://id.nii.ac.jp/1092/00000620/ asKUIS 著作権ポリシーを参照のこと Rhetorical genre studies: Key concepts and implications for education Dirk MacKenzie Abstract In this paper, I provide an overview of the theoretical roots and key concepts of UKHWRULFDOJHQUHVWXGLHV 5*6 DQGDWWHPSWWRGH¿QHUKHWRULFDOJHQUHWKHRU\,WKHQ discuss implications of rhetorical genre theory for education, with specific focus on: the acquisition process, explicit instruction, discourse community and audience, simulation and authenticity, genre-learning strategies as empowerment, and teacher UROH Introduction In the ‘80s and ‘90s, influenced by a range of theoretical developments related to language use, rhetoric and composition scholars in North America developed a new conceptual framework for genre that has revolutionized writing studies and HGXFDWLRQ5KHWRULFDOJHQUHVWXGLHV 5*6 $UWHPHYD )UHHGPDQ DVLW has come to be called, has given us a new lens, allowing us to see written (and oral) communication in a new way and leading to a deeper understanding of how the form RIRXUFRPPXQLFDWLRQVLVWLHGWRVRFLDOIXQFWLRQV7KHUHVXOWLQJJHQUHWKHRU\KDVKDG major implications for education, since learning to wield genres (especially written JHQUHV LVNH\WRDFDGHPLFVXFFHVV -RKQ6ZDOHV FDOOVJHQUHDQ³DWWUDFWLYH´ZRUGEXWD³IX]]\´FRQFHSW -
Grotesque Anatomies: Menippean Satire Since the Renaissance
Grotesque Anatomies Grotesque Anatomies: Menippean Satire since the Renaissance By David Musgrave Grotesque Anatomies: Menippean Satire since the Renaissance, by David Musgrave This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by David Musgrave All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5677-0, ISBN (13): 978-1-4438-5677-5 TABLE OF CONTENTS Preface ........................................................................................................ vi Chapter One ................................................................................................. 1 Introduction: Menippean Satire and the Grotesque Chapter Two .............................................................................................. 40 Grotesque Transformation in Salman Rushdie’s Midnight’s Children: The Nose in Menippean Satire Chapter Three ............................................................................................ 64 Grotesque Association in Thomas de Quincey’s Confessions of an English Opium Eater and Thomas Love Peacock’s Gryll Grange: Utterance, Surdity and the Ruminant Stomach Chapter Four .............................................................................................