The Tools of a Witch
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November Newsletter
November Newsletter Subscribe at http://witchsupercenter.com/Newsletter.htm In this Issue Important November Dates Witch SuperCenter November Sale Items Herb of the Month – Rosemary Stone of the Month – Amethyst Rune of the Month - Perthro Tarot Card of the Month – The Fool Correspondence of the Month – Herbs Spell of the Month – Gaia Healing Spell Important November Dates (All times are CDT/CST) November 6, 2:00 am – Daylight Savings Time Ends Remember to set your clocks back one hour. November 7 – Samhain Crossquarter Samhain Animals/Mythical Creatures – bats, cats, dogs, pooka, goblin,medusa, beansidhe, harpies Gemstones – black stones, jet, obsidian, onyx, carnelian Incense/Oil – frankincense, basil, yarrow, lilac, camphor, clove, wood rose, wormwood, myrrh, patchouli, apple, heliotrope, mint, nutmeg, sage, ylang-ylang Colors/Candles – black (ward off negativity), orange (good luck), indigo, homemade apple or mint scented herbal candles to light jack-o-lanterns or for altar candles Tools/Symbols/Decorations – black altar cloth, Halloween items, jack o’ lanterns, oak leaves, acorns, straw, balefire, besom, black cat, black crescent moon, cauldron, divination tools, grain, magic mirror, mask, bare branches, animal bones, hazelwood, pictures of ancestors Goddesses – The Crone, Hecate (Greek), Cerridwen (Welsh-Scottish), Arianrhod (Welsh), Caillech (Irish-Scottish), Baba Yaga (Russian), Al-Ilat (persian), Bast (Egyptian), Persephone (Greek), Hel (Norse), Kali(Hindu), all Death & Otherworld Goddesses Copyright © 2016 Witch SuperCenter -
An Ethnographic Inquiry of a Coven of Contemporary Witches James Albert Whyte Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1981 An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches James Albert Whyte Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Anthropology Commons, New Religious Movements Commons, and the Other Religion Commons Recommended Citation Whyte, James Albert, "An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches" (1981). Retrospective Theses and Dissertations. 16917. https://lib.dr.iastate.edu/rtd/16917 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An examen of Witches: An ethnographic inquiry of a coven of contemporary Witches by James Albert Whyte A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: Sociology and Anthropology Maj or: Anthropology Signatures have been redacted for privacy Iowa State University Ames, Iowa 1981 ii TABLE OF CONTENTS Page INTRODUCTION 1 WITCHCRAFT 10 WITCHES 23 AN EVENING WITH THE WITCHES 39 COVEN ORGANIZATION 55 STRESS AND TENSION IN THE SWORD COVEN 78 THE WITCHES' DANCE 92 LITERATURE CITED 105 1 INTRODUCTION The witch is a familiar figure in the popular Western imagination. From the wicked queen of Snow White to Star Wars' Yoda, witches and Witch like characters have been used to scare and entertain generations of young and old alike. -
The Witch-Cult in Western Europe, by Margaret Alice Murray This Ebook Is for the Use of Anyone Anywhere at No Cost and with Almost No Restrictions Whatsoever
20411-0 The Project Gutenberg EBook of The Witch-cult in Western Europe, by Margaret Alice Murray This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Witch-cult in Western Europe A Study in Anthropology Author: Margaret Alice Murray Release Date: January 22, 2007 [EBook #20411] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK THE WITCH-CULT IN WESTERN EUROPE *** Produced by Michael Ciesielski, Irma THE WITCH-CULT IN WESTERN EUROPE _A Study in Anthropology_ BY MARGARET ALICE MURRAY OXFORD AT THE CLARENDON PRESS 1921 Oxford University Press _London Edinburgh Glasgow Copenhagen New York Toronto Melbourne Cape Town Bombay Calcutta Madras Shanghai_ Humphrey Milford Publisher to the UNIVERSITY PREFACE The mass of existing material on this subject is so great that I have not attempted to make a survey of the whole of European 'Witchcraft', but have confined myself to an intensive study of the cult in Great Britain. In order, however, to obtain a clearer understanding of the ritual and beliefs I have had recourse to French and Flemish sources, as the cult appears to have been the same throughout Western Europe. The New England records are unfortunately not published _in extenso_; this is the more unfortunate as the extracts already given to the public occasionally throw light on some of the English practices. -
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hn hk io il sy SY ek eh hn hk io il sy SY ek eh hn hk io il sy SY ek eh hn hk io il sy SY ek eh hn hk io il sy SY ek eh hn hk io il sy SY ek eh SCHOLASTIC INC. Copyright © 2016 by Ed Masessa All rights reserved. Published by Scholastic Press, an imprint of Scholastic Inc., hn hk io il sy SY ek eh Pub lishers since 1920. scholastic, scholastic press, and associated logos are trade- hn hk io il sy SY ek eh marks and/or registered trademarks of Scholastic Inc. hn hk io il sy SY ek eh The publisher does not have any control over and does not assume any responsibility hn hk io il sy SY ek for author or third- party websites or their content. hn hk io il sy SY ek eh No part of this publication may be reproduced, stored in a retrieval system, or hn hk io il sy SY ek eh transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or other wise, without written permission of the publisher. For information regarding permission, write to Scholastic Inc., Attention: Permissions Department, 557 Broadway, New York, NY 10012. This book is a work of fiction. Names, characters, places, and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. Library of Congress Cataloging- in- Publication Data Names: Masessa, Ed, author. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
A Christian Psychologist Looks at the Da Vinci Code
A Christian Psychologist Looks at The Da Vinci Code April 2006 Stephen Farra, PhD, LP, Columbia International University For information about reprinting this article, please contact Dr. Farra at [email protected] Understanding the Agenda behind The Da Vinci Code A number of scholarly, thoughtful responses to The Da Vinci Code have already been produced by other members of the Christian community. These other responses, though, tend to concentrate on historical and factual errors, and the false conclusions these errors can produce. This response is different. While this response also highlights several historical/factual errors in the text of The Da Vinci Code, this response attempts to go to the conceptual and spiritual essence of the book. Instead of focusing on mistakes, and what is obviously distorted and deliberately left out, this response focuses on what is actually being presented and sold in the book. It is the thesis of this review that what is being presented and sold in The Da Vinci Code is Wicca – Neo-paganism, modern Witchcraft, “the Wiccan Way.” People need to make up their own minds on this important issue, however. A comparative chart, and numerous other quotations / examples are employed to present the evidence, and make the case. The Da Vinci Code is not just a novel. If that is all it was or is, there would be no need for the page boldly labeled "FACT” (all capital letters). The FACT page is page 1 in the book, the last printed page before the Prologue, the true beginning of the story. On the FACT page, the author(s) try to convince you that they have done a good job of researching and fairly representing both the Priory of Sion and Opus Dei, and then go on to boldly proclaim: "All descriptions of artwork, architecture, documents, and secret rituals in this novel are accurate." This "novel" is really a deconstructionist, post-modern attempt to re-write history, with a hidden agenda deeply embedded within the deconstructionist effort. -
Personas of Warzone
Personas of Warzone There are many personalities that have risen to the ranks of fame or notoriety, and many are included in existing armies. These few do not begin to scratch the surface of how many heroes and villains inhabit the Solar System, fighting in the various warzones across the planets. These steps will allow you to create your own characters to add your own individuality and narrative to your armies. 1. Name the Character 2. Select Character Type 3. Select Weapons 4. Select Additional Abilities Example: Lt. Butters starts out as a Capitol Airborne Cavalry for (+18) PTS. Air Cavalry are Level 1 so add (+30). He decides to swap out his M50 Assault rifle for an M606 LMG for (+10) PTS and his Air Cavalry Knife for a Punisher Shortsword (+10) PTS. He has also received extra training to be more vigilant, so he adds (+10) for Guardsman. His total points cost is 78. 1. Name the Character: The first thing you need to do is come up with a suitable heroic or villainous name for the new Character. This should reflect the theme and feel of the Mutant Chronicles universe! 2. Select Character Type: Start with a base squad All models lose “Type: Troop, Support, Monster, Small Base” and gain “Type: Character, Unique, Medium Base”. Models with larger bases in their entry keep the base size of that entry. All models come with the standard Equipment and Abilities listed in the corresponding squad entry, as well as appropriate Squad Options. Dark Legion Characters may choose up to 2 Dark Symmetry powers unless otherwise stated in the entry. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected]
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 11-14-2014 Surviving and Thriving in a Hostile Religious Culture Michelle Mitchell Florida International University, [email protected] DOI: 10.25148/etd.FI14110747 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the New Religious Movements Commons Recommended Citation Mitchell, Michelle, "Surviving and Thriving in a Hostile Religious Culture" (2014). FIU Electronic Theses and Dissertations. 1639. https://digitalcommons.fiu.edu/etd/1639 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. FLORIDA INTERNATIONAL UNIVERSITY Miami, Florida SURVIVING AND THRIVING IN A HOSTILE RELIGIOUS CULTURE: CASE STUDY OF A GARDNERIAN WICCAN COMMUNITY A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF ARTS in RELIGIOUS STUDIES by Michelle Irene Mitchell 2014 To: Interim Dean Michael R. Heithaus College of Arts and Sciences This thesis, written by Michelle Irene Mitchell, and entitled Surviving and Thriving in a Hostile Religious Culture: Case Study of a Gardnerian Wiccan Community, having been approved in respect to style and intellectual content, is referred to you for judgment. We have read this thesis and recommend that it be approved. _______________________________________ Lesley Northup _______________________________________ Dennis Wiedman _______________________________________ Whitney A. Bauman, Major Professor Date of Defense: November 14, 2014 The thesis of Michelle Irene Mitchell is approved. -
Episode #030 – the Inspiring Wendy Rule
“The Infinite and the Beyond” hosted by Chris Orapello Episode #030 – The Inspiring Wendy Rule 1 Episode #030 – The Inspiring Wendy Rule The Infinite and the Beyond An esoteric podcast for the introspective pagan mind hosted by Chris Orapello www.infinite-beyond.com Underline Theme: Awen and Inspiration Show Introduction MM, BB, 93, Hello and Welcome to the 30th Episode of “The Infinite and the Beyond,” an esoteric podcast for the introspective pagan mind. Where we explore a variety of topics which relate to life and one’s unique spiritual journey. I am your host Chris Orapello. Intro music by George Wood. In this episode… We speak with Australian Visionary Songstress Wendy Rule and get to enjoy some of her music. “Creator Destroyer” from her album The Wolf Sky “Guided by Venus” from her album Guided by Venus “My Sister the Moon” from her album Guided by Venus “The Wolf Sky (Live)” from her album Live at the Castle on the Hill “Circle Open (Live)” from her album Live at the Castle on the Hill We learn about the controversial, “King of the Witches,” Alex Sanders in A Corner in the Occult. In the spirit of creativity we learn about the Awen in The Essence of Magic, but first lets hear “Creator Destroyer” a haunting track by Wendy Rule. Featured Artist “Creator Destroyer” by Wendy Rule Interview Part 1 : Wendy Rule ➢ Wild, passionate and empowering, Australian Visionary Songstress Wendy Rule, weaves together music, mythology and ritual to take her audience on an otherworldly journey of depth and passion. Drawing on her deep love of Nature and lifelong fascination with the worlds of Faerie and Magic, Wendy’s songs combine irresistible melodies with rich aural textures and a rare personal honesty. -
The King of the Witches: the World of Alex Sanders
This torrent represents a w o rk of LOVE All texts so far gathered, as 'well as all future gatherings aim at e xposing interested students to occ u lt infonnation. Future re leases w ill include submissions fro m users like YOU. For some of us, the time has come to mobilize. If yo u h ave an interest in assisting in this process - w e all h ave strengths to b rin g to the tab le - please email occult.digital.mobilizationiGgmail.com Complacency serves the old gods, By the same author .itcbt~ The Grasshopper Boy i{iug of tbt : Zoo Without Bars The World of Alex Sanders JUNE JOHNS With photographs by JACK SMITH PETER DAVIES LONDON © 1969 byJuneJohns <toutents First published .1969 page Glossary viii Introduction I Chapters I. The Young Initiate 10 2. A Magic Childhood IS 3. The Haunted Hill 23 4. Call Down the Spirits 3° 5. Bewitched 36 6. The Devil to Pay 45 illustrations © 1969 byJack Smith 7. Time ofAtonement 53 8. In. Search ofAngels 64 9. The Unwelcome Apprentice 72 10. Relic of the Past 80 II. Witch Wedding 88 12. King ofthe Witches 96 13. Toil and Trouble l°S 14. Betrayal in the Coven II4 An Interview withAlex Sanders 120 Appendices A. The Book of Shadows 13° B. The Witches' Calendar 142 C. Initiation Ceremonies 145 D. The Magic ofMatter 152 Made and printed in Great Britain by Morrison and Gibb Limited; London and Edinburgh 3JIlustrations The illustrations appear between pages 56-57 and 72-73. Alex Sanders with his crystal Maxine blesses her athame Tarot cards The witches' circle . -
CLOSE ENOUGH a Thesis Presented to the Graduate Faculty of California State University, Hayward in Partial Fulfillment of the Re
CLOSE ENOUGH A Thesis Presented to the Graduate Faculty of California State University, Hayward In Partial Fulfillment of the Requirements for the Degree Master of Arts in Anthropology By Robert A. Blew May, 1992 Copyright © 1992 by Robert A. Blew ii CLOSE ENOUGH By Robert A. Blew Date: iii ACKNOWLEDGEMENTS It is impossible to thank everyone who helped with this paper, most of whom did not know they had done so. without their help and encouragement this paper would not have been possible: All those who attended the festivals sponsored by South Bay Circles and New Reformed Orthodox Order of the Golden Dawn (NROOGD), these past few years. Leigh Ann Hussey and D. Hudson Frew of the Covenant of the Goddess for their contributions to the original research. Carole Parker of South Bay Circles for technical editing. Carrie Wills and David Matsuda, fellow anthropology graduate students, for conducting the interviews and writing the essays that were the test of the hypothesis. Ellen Perlman, of the Pagan/Occult/Witchcraft Special Interest Group of Mensa, and Tom Johnson, of the Covenant of the Goddess, for being willing to be interviewed. Lastly, Valerie Voigt of the Pagan/Occult/Witchcraft Special Interest Group of Mensa, for laughing at something I said. iv Table of Contents I. Introduction.. .... .. .. 1 II. Fictional Narrative ................ 3 1. Communication............... 3 2. Projection .............. 8 3. Memory and Perception. 13 4. Rumor Theory .... ...• .. 16 5. Compounding and Elaboration .. ...•.. 22 6. Principle of Least Effort .. 24 III. Test of the Hypothesis ... .. 26 1. Collection Methodology .... .. 26 2. Context and Influences . .. 30 3.