Awards Evening Booklet 2012
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Alexandra Caulfield - Costume Designer
AMANDA McALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44(0)207 244 1159 www.ampmgt.com • e-mail: [email protected] ALEXANDRA CAULFIELD - COSTUME DESIGNER EMMY Award Nomination, BAFTA & RTS Nominations Best Costume Design www.alexandracaulfield.co.uk FEATURE CREDITS: PRISONERS OF PARADISE Director Mitch Jenkins Coming of age Love story set in 1925 Producers Jim Mooney, Mike Elliott colonial Mauritius Exec. Producers Alan Govinden, Maria J Govinden (Covid shoot) Production Co. AMG International Film / Sega Media Pty Ltd THE FLYING SCOTSMAN Director Douglas Mackinnon Bio Drama Producers Peter Broughan, Claire Chapman, Sara Giles Featuring Jonny Lee Miller, Stephen Berkoff, Brian Cox Production Co. ContentFilm / Scottish Screen / Scion Films / MGM BAFTA Nominated Scotland Award Best Film THE BEST MAN Director Stefan Schwartz Contemporary Comedy Drama Producer Neil Peplow Featuring Stuart Townsend, Amy Smart, Simon Callow Production Co. Endgame Ent. / Insider Films / Redbus Pictures SPARKLE Directors Tom Hunsinger, Neil Hunter Contemporary Comedy Drama Producers Martin Pope, Michael Rose Featuring Bob Hoskins, Stockard Channing, Anthony Head, Lesley Manville Production Co. Magic Light Pictures / Revolver Ent. / Vertigo Films BLACKBOOK (Prep only) Director Paul Verhoeven Period Drama Producer Teune Hilte Featuring Carice van Houten, Sebastian Koch Production Co. Fu Works CAPONE’S BOYS Director Richard Standeven Period Drama Producer Peter Barnes Featuring Marc Warren, Ralph Little, Richard Rowntree Production Co. Alchemy Films THE PAROLE OFFICER Director John Duigan Contemporary Crime Comedy Producer Duncan Kenworthy Featuring Steve Coogan, Omar Sharif, Jenny Agutter Production Co. DNA Films / Figment / Toledo / UK Film / Universal LIAM Director Stephen Frears Period Drama Producer Colin McKeown Featuring Ian Hart, Anne Reid Production Co. -
Matthew Kelly
Paddock Suite, The Courtyard, 55 Charterhouse Street, London, EC1M 6HA p: + 44 (0) 20 73360351 e: [email protected] Matthew Kelly Location: London Other: Equity Height: 6'5" (195cm) Eye Colour: Blue Weight: 15st. (95kg) Hair Length: Short Playing Age: 46 - 65 years Voice Quality: Deep Appearance: White Stage 2017, Stage, Cole Hawlings and Abner Brown, The Box of Delights, Wilton's Music Hall, Justin Audibert 2017, Stage, Ephraim, Desire Under The Elms, Crucible Theatre, Sam Yates 2016, Stage, Mr Bennett, Pride & Prejudice, Open Air Theatre Regents Park, Deborah Bruce 2016, Stage, Nellie, TOAST, UK Tour & 59E59, New York, Eleanor Rhode 2015, Stage, Corvino, Volpone, RSC, Trevor Nunn 2015, Stage, Mauruccio, Love's Sacrifice, RSC, Matthew Dunster 2015, Stage, Friar Jacomo, The Jew Of Malta, RSC, Justin Audibert 2014, Stage, Nellie, TOAST, Park Theatre, Eleanor Rhode 2014, Stage, Hermann, Kafka's Dick, Theatre Royal Bath, David Grindley 2014, Stage, Sir Toby Belch, Twelfth Night, Liverpool Everyman, Gemma Bodinetz 2013, Stage, Florian, To Sir, With Love, Royal & Derngate Northampton & UK Tour, Mark Babych 2013, Stage, Hector, The History Boys, Sheffield, Crucible, Michael Longhurst 2013, Stage, Michel, God of Carnage, Nuffield Theatre, Southampton, Patrick Sandford 2012, Stage, Dorn, The Seagull, Southwark Playhouse/Jagged Fence, Russell Bolam 2012, Stage, King Walter, Jack and the Beanstalk, Theatre Royal, Windsor 2012, Stage, Frank, Educating Rita, Menier Chocolate Factory & Theatre Royal, Bath, Tamara Harvey 2011, Stage, Dodge, Buried Child, -
Mckinney Macartney Management Ltd
McKinney Macartney Management Ltd MICK COULTER BSC - Director of Photography NASTY WOMEN (Feature Film) Director: Chris Addison. Producer: Roger Birnbaum and Rebel Wilson. Starring: Anne Hathaway and Rebel Wilson. Metro-Goldwyn-Mayer. SHETLAND (Series 4) Director: Rebecca Gatward. Producer: Eric Coulter. Starring: Douglas Henshall, Stephen Robertson and Alison O’Donnell. BBC Scotland. THE ESCAPE Director: Paul J. Franklin. Producers: Jessica Malik and Jessica Parker. Starring: Art Malik, Ben Miller and Olivia Williams. Parri Passu Films. BITCH aka SUKA Director: Krzysztof Lang. Producers: Wojciech Pałys and Mariusz Łukomski. Starring: Olga Bołądź, Piotr Adamczyk, Marieta Żukowska, Marcin Korcz Katarzyna Figura, Piotr Głowacki and Marian Dziędziel. Monolith Films. MALEFICENT (UK shoot) Director: Robert Stromberg. Producer: Don Hahn, Scott Michael Murray and Joe Roth. Starring: Angelina Jolie, Elle Fanning, Juno Temple, Sharito Copley and Imelda Staunton. Moving Picture Company / Walt Disney Pictures. SINGULARITY (UK shoot) Director: Roland Joffé. Producer: Paul Breuls, Guy Louthan and Ajey Jhankar. Starring Josh Hartnett, Bipasha Basu, Claire van der Boom, Billie Brown and James Mackay. Corsan NV. THE BANK JOB Director: Roger Donaldson. Producers: Steven Chasman and Charles Rosen. Starring: Jason Statham, Saffron Burrows, Stephen Campbell Moore and David Suchet. Skyline Productions. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 MICK COULTER Contd … 2 LOVE ACTUALLY Director: Richard Curtis. Producers: Duncan Kenworthy, Tim Bevan and Eric Fellner. Starring: Alan Rickman, Hugh Grant, Liam Neeson, Bill Nighy, Colin Firth Emma Thompson, Laura Linney, Martine McCutcheon and Rowan Atkinson. -
Smiles Better West of Minsk
REVIEW Frank Cottrell Boyce is on the scene of the third Merseyside Festival Of Comedy Smiles Better west of Minsk. And a queue is the best audience in the world. Everyone in a queue is bored, you need only tell the slightest knock-knock joke to be treated like a pro- phet of better days. But the people of this city have an even longer tradi- tion and culture of waiting around: wives waiting for their seafaring husbands to return; dockers waiting for their ship to come in; mer- chant seamen waiting to go home. And in the meantime, a few jokes and a few songs. Then of course there's the Irish connection. Now I'm not saying that Sterne, Swift and Wilde are in the same league as Chegwin, Tarbuck and As- key, but the prestige of verbal performance is a feature of Irish culture. All dominated cultures have their ways of reasserting pride. For the Irish in Britain it was the smart reply and this has stuck in Liverpool. Then there's Catholicism. Catholics are still not in the majority in Liverpool but all of Liverpool's key cultural figures have Catholic roots with the exception of Mrs Hemans (author of 'The Boy Stood On The Burning Deck') and Gladstone. Where the personal columns of left-wing magazines are filled with sensitive guys looking for mountain bikes or lesbian couples looking for sperm, the personal column of the Liverpool Echo is filled with thank-you letters to the Sacred Heart and to St Jude (one in today's is signed, 'Grateful Protestant'). -
Diocese to Inactive Catholics: 'You Can Always Come Home'
50¢ March 4, 2007 Volume 81, No. 9 www.diocesefwsb.org/TODAY Serving the Diocese of Fort Wayne-South Bend TTODAYODAY’’SS CCATHOLICATHOLIC Diocese to inactive Catholics: Looking for someplace ‘You can always come home’ new this BY DON CLEMMER spring break? Find some peace FORT WAYNE — “We announce today the begin- ning of a public effort to draw back to Christ and the in God’s kingdom church the many Catholics — and there are many — Pages 10-11 who have stopped the practice of their faith,” Bishop John M. D’Arcy announced at a Feb. 21 news con- ference at the Archbishop Noll Catholic Center in Fort Wayne. By making heavy use of the media, in what the bishop called a “full court press,” the dio- ‘We are daughters of cese hopes “to reach those who have forgotten about God and have placed him on the back burners of God, and inherently their life,” and “be a welcoming church to those who need us.” valuable and This initiative, made possible in part by a beautiful $60,000 grant from Our Sunday Visitor, is to be part of the celebration of the Sesquicentennial Jubilee because of that’ Year of the Diocese of Fort Wayne-South Bend. A similar news conference was held in South Bend on Edith Stein conference Feb. 26. hosted at Notre Dame Going into other details on the campaign, Bishop D’Arcy explained that he has asked every parish to Page 3 have a parish mission over a three-year period. He also noted that many fallen away Catholics feel a need to speak with someone, but also feel a need for anonymity. -
IN the UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT of TEXAS HOUSTON DIVISION ) in Re: ) Chapter 11 ) HORNBECK OFFSHORE SE
Case 20-32679 Document 119 Filed in TXSB on 05/26/20 Page 1 of 123 IN THE UNITED STATES BANKRUPTCY COURT SOUTHERN DISTRICT OF TEXAS HOUSTON DIVISION ) In re: ) Chapter 11 ) HORNBECK OFFSHORE SERVICES, INC., et al.,1 ) Case No. 20-32679 (DRJ) ) Debtors. ) (Jointly Administered) ) (Emergency Hearing Requested) CERTIFICATE OF SERVICE I, Clarissa D. Cu, depose and say that I am employed by Stretto, the claims and noticing agent for the Debtors in the above-captioned cases. On May 21, 2020, at my direction and under my supervision, employees of Stretto caused the following documents to be served via first-class mail on the service list attached hereto as Exhibit C, and via electronic mail on the service list attached hereto as Exhibit D: • Order (A) Authorizing the Debtors to (I) Pay Prepetition Wages, Salaries, Other Compensation, and Reimbursable Expenses and (II) Continue Employee Benefits Programs and (B) Granting Related Relief (Docket No. 79) • Order (A)(I) Restating and Enforcing the Worldwide Automatic Stay, Anti- Discrimination Provisions, and Ipso Facto Protections of the Bankruptcy Code, (II) Approving the Form and Manner of Notice and (B) Granting Related Relief (Docket No. 80) • Order (A) Authorizing the Debtors to (I) Honor and Incur Obligations Under Customer Contracts and (II) Obtain New Customer Contracts, and (B) Granting Related Relief (Docket No. 81) • Order (A) Authorizing the Payment of Certain Prepetition Taxes and Fees and (B) Granting Related Relief (Docket No. 82) • Order (A) Authorizing the Debtors to (I) Continue Insurance Coverage Entered Into Prepetition and Satisfy Prepetition Obligations Related Thereto, (II) Renew, Amend, Supplement, Extend, or Purchase Insurance Policies, (III) Continue the Surety Bond Program and (B) Granting Related Relief (Docket No. -
Here Would Be a Message from the Northern Athletics President
WELCOME MESSAGE Normally in this space there would be a message from the Northern Athletics President. Unfortunately that is not the case this year as our incumbent President, Dr Leo Carroll sadly passed away in June after a short illness. I would however like to pay tribute to him here by remembering what a devoted athletics fan he was. An accomplished athlete for Wirral AC in his youth, Leo went on to become Hon Secretary, Chairman and/or President of Wirral AC, Merseyside AA, Northern Athletics and the ECCA amongst many other roles. Leo became NA President in November 2015 and had carried out his duties presenting medals and meeting the athletes at all Championship events up to the Senior Championships in June when he was too ill to attend. He thoroughly enjoyed the tasks associated with the Presidency and would have had a great time this weekend as he was particularly involved with Endurance events both as an athlete and as a fan. Whilst you are enjoying the races today, please spare a moment to remember that without loyal servants like Leo Carroll voluntarily carrying out administrative, coaching and officiating tasks, sports events such as this one simply would not happen. Thanks to all you unsung heroes out there. On a lighter note I would like to wish all the competitors here this weekend the best of luck in achieving their goals at whatever level that may be. Have a great day TIMETABLE 11.30 Under 13 Boys 3 x 3000 metres 11.35 Under 13 Girls 3 x 3000 metres 12.15 Under 15 Boys 3 x 3000 metres 12.20 Under 15 Girls 3 x 3000 metres 13.00 Under 17 Men 3 x 3300 metres 13.05 Under 17 Women 3 x 3300 metres 14:00 Senior Men 6 x 6000 metres 14:05 Senior Women 4 x 6000 metres Presentations Presentations will be made as soon as possible after each race - listen to the P.A. -
The One-Line Review Roxy
Share Report Abuse Next Blog» Create Blog Sign In The One-Line Review A concise guide to the cinematic and televisual arts Search Roxy (2010) powered by Iain Stott USA Short Film Writer/Director/Cinematographer: Shirley Petchprapa A...B..C...D...E...F...G..H...I J...K...L..M...N...O...P..Q..R Cast: Damien Puckler, Roxy Puckler S...T...U..V...W..X...Y...Z There are echoes of J.D. Salinger’s A Perfect Day for Bananafish (1948) in Shirley Petchprapa’s intensely sensual and ethereally The Year in Film beautiful self-financed short film, which wallows in the poetry of the Play for Today (1970-1984) every day, finding the beauty in acts as simple as a man watching Obscure, Forgotten, Unloved television, running a bath, and even just cleaning his teeth, whilst his Beyond the Canon dog, Roxy – the film’s real star – lolls around with effortless elegance. The 50 Greatest Films Iain.Stott 1000 Essential Films Hidden Gems Films of the Decade Lists, Collections, Top Tens, Home Older Post etc The Large Association of Movie Blogs LABELS Adam Elliot (5) Alan Bennett (7) Alan Bleasdale (2) Alan Clarke (5) Alastair Sim (4) Alec Guinness (3) Alexander Mackendrick (1) Alfred Hitchcock (7) Algeria (1) Alison Steadman (5) Amy Adams (3) Andrew Dickson (3) Angus MacPhail (3) Animated Feature Documentary (1) Animated Feature Film (20) Animated Short Film (21) Animated Short Televsion Film (1) Anthony Dod Mantle (6) Apichatpong Weerasethakul (2) Argentina (10) Arthur Askey (3) Astaire and Rogers (2) Atom Egoyan (4) Audrey Hepburn (1) Australia (18) Austria (14) -
Job Description
Job Description Job title: Assistant Producer Reporting to: Managing Director, Theatre Royal Bath Productions Principal duties: To work with the Managing Director to develop and manage theatre production projects. In particular: 1. To research potential theatre production projects. 2. To liaise with agents about the availability/likely interest of their clients in theatre production projects. 3. To work with the General Manager on all physical aspects of theatre production. 4. To work alongside and manage freelance production staff i.e. company manager and casting directors. 5. To liaise with other producers and theatre managements. 6. To create co-production agreements with other theatre managements. 7. To negotiate deals with agents for the services of actors, understudies, directors, lighting designers, sound designers and other members of creative teams. 8. To draft contracts for the services of the above. 9. To negotiate rights agreements with literary agents. 10. To create and monitor budgets for theatrical productions. 11. To attend first days of rehearsals, run-throughs, previews and press nights and liaise as necessary with directors. 12. To create and maintain the creative team fee/royalties database. 13. To liaise with marketing and press consultants. 14. To process venue contracts. Assistant Producer - Person Specification Skills Essential . Computer literate - Microsoft Word & Excel packages . Accurate typing . Good telephone manner . Excellent communicator – written & oral Experience Essential Experience of working in an organisation with a team environment Desirable . Experience of working in an arts organisation Personal Qualities Essential . Organisational flair with the ability to prioritise workloads . Calm, patient and prepared to work for others . Ability to work swiftly and under pressure . -
Degree Congregations
The University of Manchester Degree Congregations JULY 2013 At The University of Manchester, we focus on making things happen , turning enthusiasm into achievement and ground-breaking theory into cutting-edge practice. Welcome from the President and Vice-Chancellor OUr newest gradUates today join a prestigioUs We encoUrage oUr stUdents to take charge hall of fame that inclUdes 25 Nobel Prize winners of their fUtUre, finding a voice and forming among oUr cUrrent and former staff and opinions, getting involved and meeting fresh I welcome yoU all – gradUands, family For those of yoU gradUating today, these stUdents, and a worldwide commUnity of more challenges, making the most of the mUltitUde members and friends – to The University of ceremonies mark not the end of yoUr than 240,000 alUmni who can be foUnd holding of resoUrces and opportUnities that we have Manchester for this degree congregation. relationship with the University bUt the start top positions in every imaginable field. to offer. of a new stage. It is my hope that the links This is a time of celebration for all of Us and I between the University and yoU will grow Over a distingUished history spanning more And we know, with their intelligence, inspiration very mUch hope that yoU find it an enjoyable ever stronger and I look forward to yoU than 180 years, oUr innovative minds have and ambition, oUr new gradUates will find they occasion. As each gradUand is presented for becoming an active member of the accomplished feats of global importance, have what it takes to make their fUtUre happen. -
The Quality of Mersey
September 1985 Marxism Today 43 ly in abeyance. One gets the feel of that in some of the accounts of designing paper THE QUALITY OF MERSEY backs in America in the 1940s when a lot of progressive writers and artists and pub lishers combined to get the best of the new Ian Williams fiction to a working class readership at the cheapest possible prices and with the best Is there a school of 'Liverpool Writers'? time, and employment in such conditions of innovative design. Do the Bleasdale's, Bainbridges, and Bea breeds a casual attitude both to propriety Of course there is no longer, if there ever tles have anything in common? Is it just and to property, in which Samuel Smiles' was, a unified 'reading public', and today accident of birth that connects Brookside 'Self Help' transmutes to 'Help Yourself. publishing is more constituency based - and Eddy Braben, Morecambe and Wise's Similarly, while the dominance of docks feminist, black, locally based - or commer scriptwriter, with Carla Lane or Willy and shipping produced a centralised and cially targetted: airport bookstall interna Russell. Do Alexei Sayle, Craig Charles, dangerously dependent economy, port tional espionage, railway bookstall ro Adrian Henri, Brian Patten and Roger work itself, with its myriad of occupational mance. Penguin's, now part of Pearson McGough share anything but the sound of divisions, produced a complex multi- pic, a multi-national publishing con an adenoidal cold? layered caste system complicated by divi glomerate, have become completely mar There are characteristics which disting sions between the various ethnic and reli ket-orientated. -
John Byrne's Scotland Paul Elliott, University of Worcester
Its Only Rock and Roll: John Byrne’s Scotland Paul Elliott, University of Worcester …I was brought up in Ferguslie Park housing scheme and found myself at the age of fourteen or so rejoicing in that fact and not really understanding why…Only later did I realise that I had been handed the greatest gift a budding painter/playwright could ever have…an enormous ‘treasure trove’ of language, oddballs, crooks, twisters, comics et al…into which I could dip a hand and pull out a mittful of gold dust. (Byrne 2014: 23) John Patrick Byrne was born six days into 1940 and grew up in the Ferguslie Park area of Glasgow. His father earned a living through a series of laboring and manual jobs and his mother was an usherette at the Moss Park Picture House. Byrne took to painting and drawing from an early age and recounts his mother stating that he began drawing in the pram as she wheeled him around the housing estate where they lived. As evidenced by the quote above, Byrne constantly drew on the people he met and saw in his early childhood for his art, and much of his later work can be seen to reflect this child-like vision of the world. When he was in his late childhood, Byrne’s mother was diagnosed with schizophrenia and taken to the Riccartsbar Mental Hospital in Paisley. This had an enormous impact on the young artist’s development and his creative output would be peppered with images of feminine abandonment and women with fragile mental states.