N A TIO NAL G ALL E R Y O F A R T

2015 ANNUAL REPORT ART & EDUCATION Board of Trustees Calvin Cafritz COMMITTEE Leo A. Daly III (as of September 30, 2015) Frederick W. Beinecke Chairman Louisa Duemling Earl A. Powell III Gregory W. Fazakerley Mitchell P. Rales Aaron Fleischman Sharon P. Rockefeller Juliet C. Folger David M. Rubenstein Marina Kellen French Andrew M. Saul Morton Funger Lenore Greenberg Rose Ellen Greene FINANCE COMMITTEE Frederic C. Hamilton Mitchell P. Rales Chairman Richard C. Hedreen Jacob J. Lew Teresa Heinz Secretary of the Treasury Helen Henderson Frederick W. Beinecke Betsy K. Karel Sharon P. Rockefeller Frederick W. Beinecke Sharon P. Rockefeller Linda H. Kaufman Chairman President David M. Rubenstein Mark J. Kington Andrew M. Saul Jo Carole Lauder David W. Laughlin AUDIT COMMITTEE LaSalle D. Leffall Jr. Andrew M. Saul Edward J. Mathias Chairman Robert B. Menschel Frederick W. Beinecke Diane A. Nixon Mitchell P. Rales John G. Pappajohn Sharon P. Rockefeller Sally E. Pingree David M. Rubenstein Tony Podesta Mitchell P. Rales David M. Rubenstein William A. Prezant TRUSTEES EMERITI Robert M. Rosenthal Julian Ganz, Jr. Roger W. Sant Alexander M. Laughlin B. Francis Saul II David O. Maxwell Thomas A. Saunders III Victoria P. Sant Fern M. Schad Leonard L. Silverstein Albert H. Small Michelle Smith EXECUTIVE OFFICERS Benjamin F. Stapleton Frederick W. Beinecke President Alexa Davidson Suskin Andrew M. Saul John G. Roberts Jr. Chief Justice of the Christopher V. Walker Earl A. Powell III Director Walker Franklin Kelly William L Walton Deputy Director and Chief Walter L. Weisman William W. McClure John R. West Treasurer Dian Woodner Darrell R. Willson HONORARY TRUSTEES’ Administrator COUNCIL Elizabeth A. Croog (as of September 30, 2015) Secretary and General Counsel Edwin L. Cox Elizabeth Cropper Julian Ganz, Jr. Dean, Center for Advanced Study in the Visual Arts Alexander M. Laughlin John F. Kerry Jacob J. Lew Secretary of State Secretary of the David O. Maxwell Treasury TRUSTEES’ COUNCIL Victoria P. Sant (as of September 30, 2015) John C. Whitehead † Vincent J. Buonanno John Wilmerding Chair Adrienne Arsht † Deceased Max N. Berry Diana Bracco Louise Bryson W. Russell G. Byers Jr.

David J. Skorton Secretary of the Smithsonian Institution

NATIONAL GALLERY OF ART

Washington, DC

Fiscal Year 2015

President’s Foreword

Fiscal year 2015 was a year of great anticipation for the trustees and I express our sincere appreciation to all of of Art as we looked forward to landmark our Trustees’ Council members for their dedicated service. events in 2016: the ’s seventy-fifth anniversary This year the Gallery mourned the loss of John and the reopening of the completely renovated galleries Whitehead, a very close friend. John’s extraordinary ser- in our East Building. We are pleased that the renovation vice to the Gallery extended for more than three decades. project is on budget and on schedule, and, even during He was a founding member of the Trustees’ Council, this ongoing construction, more than four million people beginning in 1982, and served as vice-chair of the Council have visited the Gallery this year. Many visitors have been from 1985 to 1988 and chair from 1989 to 1991. In 2005, attracted to the two exhibitions celebrating the twenty- he was named an Honorary Trustees’ Council member fifth anniversary of the founding of the Gallery’s photog- for life. John was a loyal friend whose generous bequest raphy : The Memory of Time: Contemporary represents a deep commitment to the Gallery’s mission. Photographs at the , Acquired with We also were saddened by the death of a founding the Alfred H. Moses and Fern M. Schad Fund and In Light of member of the Circle, Lili-Charlotte Sarnoff. Lolo was a the Past: Twenty-Five Years of Photography at the National generous patron of the Gallery, giving to our national Gallery of Art. collection a number of works including Bernardo The formation and superb development of the photog- Bellotto’s The Fortress of Königstein: Courtyard with raphy collection and program would not have been possi- the Magdalenenburg. ble without the strong support of loyal donors whose The critical support received from private donors has generosity has enabled the Gallery to mount one of the made a great contribution to our mission this year. We most active and acclaimed programs for photography in especially would like to thank Juliet and Lee Folger for the world. Equally important is the federal government’s their extraordinarily generous gifts through the Lee and steady support for the Gallery’s maintenance and opera- Juliet Folger Fund for the acquisition of two major works tions that preserves the unique quality of our buildings and of Dutch art: ’s Self-Portrait as a Lute them open and free to the public 363 days of each Player and Jacob Ochtervelt’s A Nurse and a Child in the year. On behalf of the trustees and staff, I would like to Foyer of an Elegant Townhouse. We are deeply grateful to extend our deep gratitude to the President and Congress for Clarice Smith, Michelle Smith, and Robert and Arlene their roles in upholding the singular compact that combines Kogod for their generous commitment to the Gallery’s public commitment and private philanthropy to make the future exhibitions program at the NGA Corcoran. An Gallery one of the world’s great national art galleries. anonymous friend provided generous support for the This year, it was our distinct pleasure to welcome David Gallery’s exhibition Power and Pathos: Bronze Sculpture of M. Rubenstein to the Board of Trustees. A philanthropist the Hellenistic World. We also would like to thank those and co-CEO of the Carlyle Group, David has been involved who made major commitments this year in support of with the Gallery since 2005. Victoria P. Sant became a privately funded programs for acquisitions, education, trustee emerita after serving on the board for fifteen and scholarly research: the Estate of William N. Cafritz, years, twelve of them as Gallery president. We are grateful the Estate of Robert W. Duemling, Bernard and Sarah for Vicki’s distinguished leadership, and we look forward Gewirz, Helen Porter and James T. Dyke, and the Robert to David’s expertise and help in guiding the Gallery into H. Smith Foundation. Our sincere appreciation the future. We are immensely grateful to David, Vicki and also goes to the Samuel H. Kress Foundation and The Roger Sant, and to Mitchell and Emily Rales for their major Andrew W. Mellon Foundation for their enduring support gifts in support of the East Building renovation project. of the Gallery’s scholarly mission through grants for con- The Trustees’ Council, a national advisory body to the servation, scholarly publications, and the Center for Board of Trustees, serves an invaluable role in providing Advanced Study in the Visual Arts. counsel to the trustees and support for the Gallery. We Special exhibitions thrived at the Gallery this year extend a warm welcome to five returning members of the thanks to the generosity of various foundations, corpora- Council: Max N. Berry, W. Russell G. Byers Jr., Fern M. tions, private individuals, and members of the Exhibition Schad, Michelle Smith, and Walter L. Weisman. My fellow Circle. Piero di Cosimo: The Poetry of in National Gallery of Art 5

Renaissance was sponsored by Sally Engelhard generosity. The Circle program provides annual unre- Pingree and the Charles Engelhard Foundation, with stricted funding for activities essential to the Gallery; we additional funds from the Exhibition Circle. Drawing in thank all of the members of the Circle for their dedica- Silver and Gold: Leonardo to Jasper Johns was made possi- tion. Gail Jacobs, chair of the Circle, deserves special ble by a generous gift in memory of Melvin R. Seiden, as thanks for her steadfast leadership. well as funds from the Exhibition Circle. In Light of the This year, numerous donors helped to secure the muse- Past was funded through the generous support of the um’s future by naming the Gallery as a beneficiary of Trellis Fund and Recent Acquisitions of Italian bequests, charitable gift annuities, charitable lead and Prints: Ideas Made Flesh with a grant from the Thaw remainder trusts, and other planned gifts. The Legacy Charitable Trust. We deeply appreciate the leadership Circle honors those who have included the Gallery in support from the Leonard and Elaine Silverstein Family their testamentary plans, and we thank our Legacy Circle Foundation for the exhibition : The members for their committed support. Painter’s Eye, which was also supported by the Robert and Our staff and volunteers are crucial in carrying out the Mercedes Eichholz Foundation and Count and Countess Gallery’s mission. My fellow trustees and I are grateful for de La Haye St. Hilaire. The trustees extend their thanks to their commitment and diligence and look forward to con- Helen Henderson and the HRH Foundation for their tinuing to work with them all. The Gallery’s seventy-fifth ongoing commitment to funding award-winning educa- anniversary year will showcase the Gallery and our mis- tional films about our special exhibitions, as well as sion to welcome and inspire visitors from the United EduChosun and Covana Contents for their respective States and around the world. We hope that you will visit contributions to the Gallery. We are particularly grateful often in our galleries or online during this truly memora- for commitments by two corporations for forthcoming ble year for the National Gallery of Art. Gallery exhibitions: Bank of America has sponsored Power and Pathos, its fifth international exhibition during the past ten years; and Altria Group has made a special commitment in celebration of the Gallery’s seventy-fifth anniversary with its sponsorship of Three Centuries of American Prints from the National Gallery of Art and Stuart Frederick W. Beinecke Davis: In Full Swing. We note with grateful appreciation that the Stuart Davis sponsorship is the company’s thir- teenth exhibition sponsorship! Our annual giving programs continued to provide cru- cial funding for a wide range of Gallery activities, for which we thank the participation of all of our members. In addition to the exhibitions I have described above, the Exhibition Circle supported as well Pleasure and Piety: The Art of Joachim Wtewael (1566–1638). We are grateful to all Exhibition Circle members for their support, which is so critical for our special exhibition program. Through their annual gifts, the Collectors Committee is an invaluable partner in building the Gallery’s holdings of modern and . At its annual meeting, the Collectors Committee acquired for the Gallery a unique work by Cecily Brown, Girl on a Swing. We are thankful to the Collectors Committee’s co-chairs, Kyle Krause and Denise Saul, for their leadership and to all Collectors Committee members for their contributions and continuing Director’s Statement

The founding story of the National Gallery of Art begins reinforcing for the new Roof Terrace has been installed with an act of extraordinary personal generosity. Andrew along with the openings to all three components W. Mellon, noting the lack of a national art gallery worthy of the new Tower level. The old skylight in the northeast of the nation’s capital, offered the people of the United tower was demolished, and installation began on a new States a framework for just such a museum: a superb skylight and public fire stairway. Additional work includ- collection and the funds to construct a building to house ed a new art and passenger elevator to connect all levels it. Since then, the Gallery has served a national role of the East Building, building systems improvements by preserving, , exhibiting, and fostering the including six new air handling units, and excavation for understanding of works of art at the highest possible an underground areaway to house the building’s emer- museum and scholarly standards. This mission and ded- gency generator. ication to excellence continued to guide the activities of The Gallery made several important acquisitions, all of fiscal year 2015. which embody the innovation, continuity, and renewal I join with Gallery President Frederick W. Beinecke in that characterize art history. George Caleb Bingham’s welcoming David M. Rubenstein as a trustee. David has The Jolly Flatboatmen (1846) is among the first distinctly been involved with the Gallery for more than a decade. American to capture the allure of Western expan- His generous gifts have supported a number of Gallery sion during the mid-nineteenth century. The American programs and the recent renovation of the East Building. masterpiece has had a regular presence at the Gallery since We thank Victoria P. Sant, who becomes trustee emerita, 1956, thanks to the generosity of its past owners, the Pell for her fifteen years of service on the board, twelve of family and Richard Manoogian. them also as Gallery president. We are excited to welcome The Collectors Committee with the generous support C. D. Dickerson III, our new curator and head of the depart- of several other donors enhanced the Gallery’s growing ment of sculpture and decorative arts. C. D. returns to the contemporary holdings with compelling works by three Gallery where he was a graduate curatorial intern and an important artists—Cecily Brown, Roni Horn, and Martha Ailsa Mellon Bruce Visiting Senior Fellow at our Center for Rosler—and the prolific, self-taught artist Joseph Yoakum. Advanced Study in the Visual Arts. He has a great familiar- We are very grateful to the Collectors Committee for ity with our collection and brings fresh insights to exhibi- their continued support of the Gallery’s collection of tions, acquisitions, and presentations of the art. . Last year a historic agreement between the Corcoran Other significant acquisitions include ’s Gallery of Art, the George Washington University, and Satan Defying the Powers of Heaven (c. 1800), purchased as the National Gallery of Art was finalized. During this fis- the Gift of Andrea Woodner; ’s Triumph cal year 5,674 works of art from the Corcoran Collection of Galatea (1592), acquired through the Ahmanson were accessioned into the Gallery’s collection and two Foundation Fund; and Margaret Bourke-White’s Fort Peck installations were presented: American Masterworks from , (1936), made possible through the Patrons’ the Corcoran, 1815–1940 and Focus on the Corcoran: Works Permanent Fund. We are delighted with the acquisition on Paper, 1860–1990. These newly accessioned objects will of key works by Jan Miense Molenaer, Arshile Gorky, and have an immediate impact across the Gallery’s collections Lewis Carroll. and will be particularly transformative for holdings of The Gallery is very grateful to its donors for their American art in all media. continuing generosity, which allows visitors—from every The Master Facilities Plan renovation continued in the corner of the globe—to view the permanent collection and East Building thanks to critical support of the Gallery’s special exhibitions. This year, we shared the brilliance operations by the President and Congress coupled with of the Renaissance’s most spellbinding storyteller with the ongoing generosity of many private donors. At the end audiences in Piero di Cosimo: The Poetry of Painting in of the fiscal year, the current phase of the East Building Renaissance Florence. This is the first time the Galleria degli renovation passed the fifty percent completion point. in Florence has co-organized a paintings exhibition The floors for the two new hexagonal Tower Galleries with another museum, and we look forward to many more have been inserted into the existing space and structural projects with our Italian partners. National Gallery of Art 7

Celebrating the Gallery’s photography collection, In more than 1,100, a number that has tripled in the last Light of the Past: Twenty-Five Years of Photography at the three years. National Gallery of Art included some of the most rare Furthering the Gallery’s mission to preserve works and compelling photographs ever created. It also hon- of art, painting conservators completed several critical ored the generous support of donors who have enabled projects this year including the treatment of Francisco the medium to achieve a place of prominence within the de Goya’s Thérèse Louise de Sureda, Jan van Huysum’s Gallery’s collection. Flowers in an Urn, and Vincent van Gogh’s Farmhouse We were delighted to present Drawing in Silver and in Provence. In preparation for the exhibition The Serial Gold: Leonardo to Jasper Johns in collaboration with the Impulse at Gemini G.E.L., paper conservators treated . Scholars, artists, and visitors were able Michael Heizer’s monumental print Scrap Metal Drypoint to discover the beauty of metalpoint, used by artists since #6, and the Gallery’s examined and the Renaissance to create magnificent and technically treated eight works by Robert Rauschenberg. The pho- accomplished drawings. tograph conservation department completed the fourth Joachim Wtewael was one of the most important Dutch year of its major research initiative with the sympo- artists at the turn of the seventeenth century, but unlike sium Platinum and Palladium Photographs: Technical and some of his contemporaries, he had not been the subject Aesthetic History, Chemistry, and Connoisseurship. of a solo exhibition. Pleasure and Piety: The Art of Joachim The second volume of Facture, the Gallery’s inter- Wtewael (1566–1638) sheds light on his artistic excellence, disciplinary biennial journal, was published this year. allowing Wtewael to reclaim his rightful place among the Featuring seven , the volume continues the dia- great masters of the Dutch Golden Age. Similarly, Gustave logue begun by the series’ inaugural issue (published in Caillebotte’s impressionist paintings were inaccessible for 2013) among art historians, scientists, and conservators almost a century, and they are still hard to come by in to provide new perspectives on well-known works of art public institutions. We were thrilled to present Gustave in the Gallery’s collection. Caillebotte: The Painter’s Eye and the accompanying publi- During fiscal year 2015, the Gallery welcomed more cation to a new generation of art lovers and those hungry than 4.1 million visitors, an increase of almost ten per- for another peek at his best works. cent from the prior year. The Gallery reached an even Outside of exhibitions, other Gallery departments col- wider audience through social media, with a sixty-three laborated to foster a deeper understanding of works of percent increase in Twitter followers and an eighty-three art in the collection. A new online guide to the Gallery’s percent increase in Facebook fans. The Gallery’s website Robert Frank Collection was released and provides access had almost six million visits, a number that continues to to more than 430 images of Frank’s photographs, contact grow each year. sheets, and work prints, many of which have never before These impressive accomplishments are made possible been reproduced. by the Gallery’s dedicated Board of Trustees and talent- The new NGAkids Art Zone application for iPads, ed staff. I join with Board President Frederick Beinecke encouraging exploration of portraiture, landscape, color in thanking them, along with the federal government, theory, and a freehand drawing module, was download- individual, foundation, and corporate donors, and many ed almost 175,000 times and awarded a 2015 Parents’ volunteers, for their continued support of the National Choice Silver Honor Award. Your Art, the Gallery’s Gallery of Art. application for adults available in five foreign languages, was downloaded almost 100,000 times. Through NGA Images, the Gallery’s online open access image reposi- tory, users downloaded more than 580,000 images this year. This year alone school tours served more than 25,000 students. Art Around the Corner, the multiple- Earl A. Powell III visit program for underserved public school children, their families, and teachers, reached an audience of

George Caleb Bingham The Jolly Flatboatmen — Patrons’ Permanent Fund Collecting

“Quickly acknowledged as an iconic frontier image, The Jolly Flatboatmen became widely known when more than ten thousand engravings of the work were distributed by the American Art Union.”

Paintings Two transformational works entered the Gallery’s collec- illustrate his forthcoming publication, God’s Trombones: tion of American paintings in 2015: The Jolly Flatboatmen Seven Negro Sermons in Verse. Douglas created eight imag- (1846) by George Caleb Bingham and The Judgment Day es that were immediately recognized as groundbreaking. (1939) by Aaron Douglas. Following the publication of God’s Trombones in 1927, Although born in rural Virginia, George Caleb Bingham Douglas began translating his illustrations into large oil spent his formative years in Franklin, Missouri, where he paintings. The Judgment Day, the last in the series, fea- became a close observer of commercial life on the tures a commanding Gabriel summoning the nations of . Primarily self-taught, he may have found the world to judgment. Recasting both the biblical narra- his vocation while still a boy when he assisted portrait tive and the visual vocabulary of art deco and synthetic painter Chester Harding with studio chores. Harding had cubism, Douglas created an image as racially impassioned come west to sketch legendary frontiersman Daniel as the sermons of the black preachers celebrated in God’s Boone and had stopped in Franklin seeking portrait com- Trombones. Recognized as one of the most innovative missions. Bingham would later study and work in American artists of the early twentieth century, Douglas Philadelphia, , and Washington, but he found is now represented in the Gallery’s collection by two works. his subject when he returned to the western frontier and Two outstanding works were added to the Gallery’s began to create images of Election Day shenanigans and collection of Dutch paintings this year, both of which were riverboat revelry. Among the most celebrated of these made possible through the continued generosity of the Lee works is The Jolly Flatboatmen. At the top of Bingham’s and Juliet Folger Fund: Jan Miense Molenaer’s Self-Portrait triangular composition is a colorfully clad boatman danc- as a Lute Player (c. 1635) and Jacob Ochtervelt’s A Nurse ing to the tune of a fiddler while a younger member of the and a Child in the Foyer of an Elegant Townhouse (1663). crew keeps time with a spoon and a frying pan. By the Self-Portrait as a Lute Player, which Jan Miense Molenaer time Bingham completed his painting, flatboats were painted in the mid-1630s, around the same time that he passing into history, soon to be replaced by the much married the painter , is one of the artist’s larger steamboats memorably described by Mark Twain. most engaging works. He sits at a table laid with sumptu- Quickly acknowledged as an iconic frontier image, The ous foods, drinking vessels, and smoking implements Jolly Flatboatmen became widely known when more than quietly tuning his lute. His furrowed brow and fixed gaze ten thousand engravings of the work were distributed by reflect the patience and steady hand needed to tune the the American Art Union. Purchased through the Patrons’ instrument, whose dulcet tones were difficult to main- Permanent Fund, The Jolly Flatboatmen joins two other tain. The activity was symbolically linked to notions of paintings by Bingham in the Gallery’s collection. conducting one’s life in a balanced and harmonious man- Aaron Douglas’s powerful sermon in paint, The ner. Significantly, he pays no attention to the nearby array Judgment Day, is an equally transformational work. Born of items that are associated with the temptation of and raised in the Midwest, Douglas arrived in Harlem in sensual pleasures. 1925 drawn by the cultural excitement that would later Jacob Ochtervelt’s A Nurse and a Child in the Foyer of an become known as the Harlem Renaissance. Encouraged Elegant Townhouse, signed and dated 1663, is without by mentors to study African art as well as European mod- doubt his finest painting. It depicts a nurse and her well- ernism, Douglas forged a new style that came to the atten- dressed young charge offering money to a beggar and his tion of critics when James Weldon Johnson, a celebrated family that have come to the front door. The beggar’s poet, scholar, and activist, asked the young artist to young mother holds a nursing infant while her son sets 12 Collecting

“Ochtervelt masterfully contrasts the privileged world of the patrician family with the uncertainties of the life of the poor…”

the white chalk cliffs of an island in the Baltic Sea, painted by the artist Georg Emil Libert. The dramatic topography, bright blue Danish sky, and the inclusion of small figures beholding the marvel- ous scene are characteristic of this rich moment in the history of land- scape painting. The Gallery also received an import- ant gift from the descendants of American impressionist painter . Eddy Cassatt (Edward Buchanan Cassatt) depicts the eldest son of Cassatt’s brother, Alexander. Although undated, the painting was probably executed during a visit that the artist made to Philadelphia in the summer of 1875. The inscription in the painting’s lower left corner, which reads “Eddy from Aunt Mary,” con- firms both the sitter’s identity and the artist’s affection for her nephew. Cassatt’s choice of subject may have been motivated by more than familial devotion, however. For this portrait, a five-year-old Eddy is shown dressed in a fanciful, historicizing Jacob Ochtervelt costume comprised of a suit of dark A Nurse and a Child red velvet with lace collar and cuffs, a in the Foyer of an wide red sash, and a velvet hat. In its Elegant Townhouse — formality and intentionally anachro- The Lee and Juliet nistic costuming, this portrait recalls Folger Fund both paintings, especially the portraits of the British painters his foot cautiously on the hall floor to charitable acts. Positioned in the Sir Thomas Lawrence and Thomas receive a coin from the child, whose background, the master and mistress Gainsborough, as well as modern squared collar and chain draped over of the house look on proudly at their society portraits of children. It is like- his shoulder identify him as a boy. son’s act of generosity. Ochtervelt ly that Cassatt aspired to establish a Ochtervelt masterfully contrasts the adds a bit of drama to the scene by reputation as a portraitist, and that privileged world of the patrician fam- including a bristling spaniel, standing this painting, which hung in her ily with the uncertainties of the life of at alert as this unknown beggar tenta- brother’s Haverford, Pennsylvania, the poor by differentiating the dark, tively enters into ’s space. home, was designed to show off her ragged clothing of the beggars with The Gallery’s collection of work to potential clients who might the splendidly dressed child standing nineteenth-century​​ European paint- be inclined to commission a similar in the elegant foyer of his home. ings was enhanced by the acquisition portrait during travels to . The Ochtervelt’s painting emphasizes the of View of Sommerspiret, the Cliffs of painting’s scale—it is by far the larg- importance the Dutch placed on Møn (1846), a pristine landscape of est work she produced during her National Gallery of Art 13

Cecily Brown Girl on a Swing — Gift of the Collectors Committee early career—underscores its ambi- the Gallery, becoming part of one of abstract expressionist painting by tious nature. the largest and most comprehensive Frank Lobdell, 27 May 1948, from This painting also displays what collections of Cassatt’s work and the by Mr. and Mrs. Gerald D. Kohs; a was to become a hallmark of Cassatt’s only example of her early style in the richly gestural painting by Oliver Lee art: her keen observation of and sen- Gallery’s holdings. Jackson, (5.21.95) (1995), sitivity in the depiction of children. Selected and acquired by the given by Wanda Malone Harrison and Cassatt’s portrait captures both the Collectors Committee, Cecily Brown’s Paul Carter Harrison; and four early awkwardness and boredom of her bravura painting Girl on a Swing figurative paintings (Apache Dancer, subject, standing is his finery and (2004) dates from a moment when Bubble Dancer, Circus Rider, and forced to hold still, while managing to the artist embraced landscape as Dancer in a Red Skirt) by Franz Kline convey the young boy’s innate charm. a way of introducing a new clarity of painted in 1940 for the Bleecker In this regard, Eddy Cassatt offers a space and stroke. This is the first Street Tavern, given by Dian Woodner. striking complement to the Gallery’s painting by the distinguished artist, Little Girl in a Blue Armchair. Painted whose style is at once deeply informed Sculptures just three years before Little Girl in a by abstract expressionism and highly Blue Armchair, it highlights the subtle original, to enter the collection. The Gallery’s collection of portrait but profound evolution in Cassatt’s Among the rich variety of other sculptures gained two examples of a work just prior to her involvement contemporary gifts this year, several relief profile of Benjamin Franklin, with the impressionist movement. stand out. An anonymous donor has one in patinated terracotta and one in In Eddy Cassatt, one sees both the given the Gallery its first paintings by bronze, from a 1777 model created in culmination of her early career and David Novros, an artist whose distinc- by his friend the Italian the first steps towards a new style tive sense of color and form yielded sculptor-​engraver Giovanni Battista of painting. some of the most important shaped Nini. This gift came from the estate of According to the family legend, canvases of the 1960s. Other high- the late Robert L. McNeil Jr., a long- fearing that his son might sell the paint- lights include: an impetuous painting time friend and supporter of the ing, Alexander Cassatt bequeathed the by Elizabeth Murray, Cloud 9 (2002), Gallery. The image of Franklin was the portrait to his granddaughter—Eddy’s part of a of works donated by most popular model among Nini’s daughter, Lois—instead with the strict Anne and Joel Ehrenkranz; a classic many sensitive profile portraits, read- instruction that she not sell it. It color-field painting by Paul Feeley, able as miniature reliefs or large med- remained in the possession of her Untitled (1962), given by Peter Soriano als. The appealing design is based on heirs, until it was offered as a gift to in honor of José Maria Soriano; an a sketch by Franklin’s English friend, 14 Collecting

the banker and member of Parliament with additional contributions from Julião Sarmento, Some Feeling of Thomas Walpole; the sculptor added several members, acquired Roni Threat, Some Sense of Menace (1998). a fur hat based on one worn by the Horn’s elegant glass sculpture French Enlightenment political philo­ Opposite of White, v. 2 (Large) (A) Drawings sopher Jean-Jacques Rousseau in a (2006–2007). This is the first sculp- portrait engraving. The Gallery ture by Horn to enter the Gallery’s Among the prime acquisitions of already owns an unpatinated terra­ collection. Other significant additions European old master drawings this cotta example of Nini’s Benjamin include: Kiki Smith’s diminutive year were two rare sheets by Gerrit Franklin, given by Dr. Stephen K. and bronze figure Seer (Alice II) (2005) van Honthorst, one of the few Janie Woo Scher. Comparing different and Fred Wilson’s blackly reflective Caravaggist painters who also made casts derived from a common model, glass sculpture Pssst! (2005), both drawings. Purchased by the Gallery with varied surfaces and handling of donated by Anne and Joel Ehrenkranz; through the Pepita Milmore Memorial details, the Gallery will learn more a delightful sculpture by Ree Morton, Fund, the two works are strikingly about the relationships between Beaux Chair (1975), given by Pam different in style and technique but hand-modeling and casting as well as Adler, Cynthia Carlson, and Barbara similar in subject matter—both show- the dissemination of private portraits Zucker; a lyrical painted bronze figure ing a satyr offering gifts of fruit to the of American patriots. by Manuel Neri, Annunciation No. 1 goddess Diana and her attendants. They In addition, the small bronze (2006), from the Manuel Neri Trust; were drawn at different times, and Mortar with Busts and Draped Venus and a small, engaging mixed-media their comparison highlights diverse Figures, probably French circa 1600, sculpture by Betye Saar, Twilight aspects of Honthorst’s draftsmanship. was donated by Faya Causey in mem- Awakening (1978), given by Francine A delicate sheet of studies of ory of Philip Conisbee. Farr in honor of Samella Lewis, with saints by the late fifteenth-century Important acquisitions of modern gratitude to Scripps College. Finally, Strassburg artist known as the Master sculpture also enhanced the Gallery’s Aaron I. Fleischman gave a mysterious of the Drapery Studies combines ele- collection. The Collectors Committee, and disturbing figurative sculpture by gance and humor and was purchased from a distinguished Dutch collection as the gift of Ladislaus and Beatrix von Hoffmann. A double-sided study sheet on blue paper by the Cremonese Renaissance painter Camillo Boccaccino shows many exploratory chalk stud- ies for a Virgin and Child, reminiscent of Leonardo da Vinci’s studies, and, on the back, a composition­ related to a surviving of Christ and the Woman in Adultery painted in 1540. This sheet, a wonderfully rich representation of Boccaccino’s draw- ing style, is the first work by the artist to enter the Gallery’s collection, pur- chased through the Ailsa Mellon Bruce Fund. A handsome red chalk study on blue paper, Head of a Young Man by Giovanni Battista Tiepolo, was given by Dian Woodner, adding further strength to the Gallery’s holdings of drawings by members of this crucial Roni Horn Opposite of White, eighteenth-century Venetian family. v. 2 (Large) (A) Also acquired by the Gallery courtesy — of Dian Woodner was a fine drawing Gift of the Collectors of The Virgin and Child Enthroned by Committee, Howard another Venetian artist, Giuseppe and Roberta Ahman- Bernardino Bison. A powerful sheet son, John and Mary depicting Satan Defying the Powers of Pappajohn, Denise Heaven by Anglo-Swiss painter Henry and Andrew Saul, Fuseli, an outstanding example of Constance R. the eerily disturbing depictions of Caplan, Lenore S. and Bernard A. Green- supernatural subjects for which berg Fund, Kyle J. Fuseli is best known, was purchased and Sharon Krause, as the gift of Andrea Woodner. A and Mitchell and more lyrical and tender Fuseli repre- Emily Rales senting An Intimate Concert was also National Gallery of Art 15

acquired through the William B. O’Neal Fund, greatly improving the Gallery’s representation of this fasci- nating draftsman’s work. A new departure for the Gallery was the acquisition of a complete souvenir album with sixty-five exquisite pen and ink views of Naples, Southern , and Sicily by Antonio Senape, dated 1848, purchased as the gift of Joan and David Maxwell. The Gallery’s collection of French drawings greatly benefited from the final gift of illustrated from the estate of Paul and Bunny Mellon, which included, most importantly, more than one hundred of Pierre Bonnard’s preparatory drawings and maquettes done between 1897 and 1900 for his illustrations to Parallèlement, the first great illustrated of the twentieth century. An attractive watercolor of a waterfall by Henri Harpignies was purchased as the gift of Diane A. Nixon, and a large and impressive chalk and gouache drawing of An Elegant Parisienne Henry Fuseli Satan Defying the Seated in a Café (c. 1895) by Maxime Powers of Heaven Dethomas was purchased through — the Alexander M. and Judith W. Purchased as the Gift Laughlin Fund. The Laughlins also of Andrea Woodner made possible the purchase of a dynamic watercolor from the 1840s by Gabriel Hippolyte Lebas, A Rocky Nude (1930), a masterwork in gouache the complete sets of Pietro Gaspari’s Seacoast in a Storm. Adding to the and collage in which Gorky grapples architectural fantasies, Dodici tavole comprehensive collection of works with Pablo Picasso’s analytic cubism; d’architettura (1771); Marco Pitteri’s by Edvard Munch that the Epstein George Grosz’s powerful 1932 collage, six scenes of in the lagoon, Family Collection has given to the The Case of the Iron Club or Crime Caccia in Valle (after ) Gallery through the years was the Does’nt Pay; and a so-called “psycho- (1763); and Giovanni Domenico latest donation of a brooding and analytic drawing” from 1939 or 1940 Tiepolo’s extensive series of sixty fan- mysterious drawing, Night at by Jackson Pollock, made while he tasy head studies, Raccolta di Teste Norstrand (1890). was undergoing analysis and, like (1773–1774). In addition, Francesco Among outstanding gifts of modern Gorky, grappling with Picasso. Fontebasso’s Varii baccanali et istorie drawings this year were two donated Through funds provided by the (1744) came as the gift of Karin by Helen Porter and James T. Dyke: a Collectors Committee, two drawings Wachtel in memory of her husband, so-called “automatic” drawing by the by the self-taught Chicago artist Cesare Morini. Giovanni Francesco surrealist André Masson, Le Lit Hanté Joseph Yoakum were acquired— Costa’s Temple of Juno and Jupiter (1942), which strengthens the visionary landscapes from the 1960s (1748), one of only two impressions Gallery’s small collection of surrealist and the first works by Yoakum to known, plus two landscapes from the drawings, and a groundbreaking 1958 enter the Gallery’s collection. mid-eighteenth century by Domenico drawing by Lee Bontecou done in Bernardo Zilotti were purchased as velvety-black soot. The latter is one of the gift of Matthew and Ann Nimetz. Prints and Illustrated Books the most compelling of the ten draw- Exceptionally fine, these acquisitions ings she made that year using this Through various funds, the Gallery fortify the Gallery’s position as the innovative technique. acquired a large and significant group nation’s foremost repository of Modern drawings purchased of eighteenth-century Venetian prints eighteenth-century Venetian prints. include four superb acquisitions from the well-known collection of Other significant acquisitions through the Ruth and Jacob Kainen the late Cesare Morini, a civil engi- include three superb sixteenth-century Memorial Fund: Ernst Ludwig neer in : four exceedingly rare Italian intaglios by Battista Angolo del Kirchner’s Two Nudes on a Bed (c. 1906), views of after Tiberio Majeroni Moro, purchased through the Ruth one of the most important of his ear- (1747); eight unique hand-colored and Jacob Kainen Memorial Fund; by liest surviving drawings; Arshile anamorphic images and a veduta by Orazio de Santis, purchased as the Gorky’s large-scale Standing Female Giovanni Francesco Costa (c. 1747); gift of Robert B. Loper; and by 16 Collecting

“…two drawings by the self-taught Chicago artist Joseph Yoakum were acquired—visionary landscapes from the 1960s and the first works by Yoakum to enter the Gallery’s collection.”

Several major early German illus- trated books were acquired for the collection. The famous Spiegel des menschlichen Lebens (Mirror of Human Life) (Augsburg, 1475/1476) published by Gunther Zainer with fifty-​seven woodcuts by the Zamorensis Master and the spirited Boccaccio Master was an anonymous gift. Georg Rüxner’s Thurnierbuch (Tournament Book) (Simmern, 1530) with 367 woodcuts, one of only four hand-colored copies, was a gift of Joseph S. Jenckes V. Also outstanding Joseph Yoakum were three nineteenth-century Briar Head mtn French volumes: a superb copy of of National Voyage pittoresque de Genève à Milan Park Range par le Simplon (Paris, 1811) with thirty-​ — five hand-colored aquatints by Gift of the Collectors Committee and the Gabriel Ludwig Lory and Mathias Donald and Nancy Gabriel Lory was an anonymous gift; de Laski Fund Roger Marx’s La Loïe Fuller (Evreux, 1904) with color gypsographs by Francesco Villamena, purchased as Pierre’s delightful Chinese masquer- Pierre Roche was purchased for the the gift of Jimmy and Jessica Younger. ade of French students in (1735) Virginia and Ira Jackson Collection; Adding to his works in the Gallery’s was purchased as the gift of Vincent and Gustave Flaubert’s Tentation de Millard Collection, a complete set of Buonanno. Kate Ganz generously Saint-Antoine (Paris, 1938, from twenty-one of Hans Vredeman de gave her collection of twelve Jean- blocks cut in 1896/1900), the third Vries’s first publication of mannerist Honoré Fragonard etchings from the series with twenty-three lithographs perspectives of towns, gardens, and early 1760s, which greatly enhanced by Odilon Redon, six original draw- buildings (1560) was acquired through the Gallery’s holdings. An anony- ings, and four original woodblocks, the Ailsa Mellon Bruce Fund. An out- mous gift made possible the acquisi- was given by Dian Woodner. Harry W. standing impression of Hendrick tion of Johann Christian Brand’s ele- Havemeyer made a gift of rare illus- Goltzius’s Triumph of Galatea (1592), gant etchings of Viennese types and trated volumes on the subject of the most famous interpretation of their trades (1775) and James Gillray’s America in the late eighteenth and Raphael’s great fresco, was purchased Midas (1797), a satire of William Pitt in early nineteenth century, in memory with funds from the Ahmanson an impression with brilliant contem- of his father, Horace Havemeyer, Foundation. One of Pietro Testa’s porary coloring. The Epstein Family including an unusually complete pre- most important plates, An Allegory of Collection continued their gifts of sentation copy with hand coloring of Painting (1644–1648), was purchased works by Munch, including the final the monumental five-volume series through the Bert Freidus Fund. A beau- state of his famous color lithograph, of charts and views, The Atlantic tiful impression of Jean-Baptiste-Marie Madonna (1895, printed in 1913/1914). Neptune (1780–1781). National Gallery of Art 17

The collection of modern and con- the Gallery break new ground by photographer to enter the collection. temporary prints was enhanced by a donating a collection of 176 under- Depicting the massive floodgates and remarkably diverse range of acquisi- ground comic books published piers for an elevated highway above tions, both gifts and purchases. The between 1964 and 1977. the spillway near the dam, as well as monoprint Dancing Girl (1912), a bra- two men who toil at its base, the pho- zen image by Georg Tappert, one of tograph presents both the wonders of Photographs the founding members of the twentieth-century technology and the New Secession, was acquired through This year the Gallery acquired almost precarious position of the worker in the Ruth and Jacob Kainen Memorial three hundred photographs through this new landscape. Edward Steichen’s Fund. Aaron I. Fleischman donated a gift and purchase, many donated in An Apple, A Boulder, A Mountain (1921), rare and beautiful lithograph by the honor of the twenty-fifth anniversary another key work added to the collec- French artist Robert Delaunay, Saint- of the photography program at the tion, demonstrates how a small object Séverin (1923/1925). Nelson Blitz Jr. Gallery. Foremost among those when seen in a new light can assume and Catherine Woodard made possi- donated to celebrate the anniversary the monumentality and significance ble the acquisition of Ernst Ludwig were forty-one photographs by of a much larger one. Steichen’s close- Kirchner’s evocative 1933 woodcut Robert Frank, including thirty-two up scrutiny of a natural form closely Nudes Dancing around a Shadow, one made in Wales in 1953, a gift of Betsy links this photograph with works by of only two impressions known. A Karel, along with five photographs other American modernist artists of mysterious 2010 print by Kara Walker, made in 1955 and published in Frank’s the 1920s, such as Georgia O’Keeffe. no world from the series An Unpeopled groundbreaking book The Americans Other important twentieth-century Land in Uncharted Waters, was and four pictures titled From the Bus, acquisitions include An Anaemic Little acquired through the Donald and New York made in 1958, gifts of Dr. J. Spinner in a New England Cotton Mill Nancy de Laski Fund. Three working Patrick and Patricia A. Kennedy. (North Pownal, ) (1910) by proof impressions of Richard These superb vintage prints, several Lewis Hine, acquired with the Pepita Diebenkorn’s sumptuous Green (1986) of which were included in his impor­ Milmore Memorial Fund, and were acquired through the Patrons’ tant 1962 retrospective exhibition at Sanctuary (1921), the first work by Anne Permanent Fund. The proofs—highly the , signifi- W. Brigman to enter the collection, distinctive for their extensive water- cantly enhance the Gallery’s stellar acquired through Robert Menschel and color and collage additions—were collection of Frank’s work. the Vital Projects Fund. Seven photo- augmented by a gift from Kathan Featured on the cover of the inau- graphs by Harry Callahan made Brown of three further artist’s work- gural issue of Life magazine in 1936, between 1947 and 1972, a gift of Susan ing proofs for Green, plus eight prints Margaret Bourke-White’s iconic Fort and Peter MacGill, and Diane Arbus’s and forty-seven proof impressions by Peck Dam, Montana is the first work Child with toy hand grenade, N.Y.C. twenty-four artists working at Crown by the important mid-century 1962 (1962), a gift of Jeffrey Fraenkel Point Press. A very significant gift from Gemini G.E.L. of 395 works by thirty-three artists includes prints by Robert Gober, Ann Hamilton, Jasper Johns, , Brice Marden, Elizabeth Murray, , Robert Rauschenberg, and . Among the seventy-four illustrated books from Paul Mellon’s collection of modern Livres de Peintres received this year were major works by Edouard Manet, Henri de Toulouse- Lautrec, and Pierre Bonnard; numer- ous important works by Pablo Picasso and Henri Matisse, including the lat- ter’s momentous Jazz (1947); and Alberto Giacometti’s Paris Sans Fin (1969). Many of these are special cop- ies with original drawings or unique dedication copies, and all are in superb condition as issued. Oskar Kokoschka’s first graphic work, Die Hendrick Goltzius Träumenden Knaben, with brilliant after Raphael color lithographs, was acquired in its The Triumph of rare 1908 first edition thanks to the Galatea fund for the Virginia and Ira Jackson — Collection. On a very different order, The Ahmanson Abigail and William Gerdts helped Foundation Fund 18 Collecting

“Featured on the cover of the inaugural issue of Life magazine in 1936, Margaret Bourke-White’s iconic Fort Peck Dam, Montana is the first work by the important mid-century photographer to enter the collection.”

and Alan Mark, were all given in photograph, was a gift of Carolyn work by the artist better known by his honor of the twenty-fifth anniversary Schwenker Brody in honor of the pen name of Lewis Carroll to enter of photography at the Gallery. twenty-fifth anniversary of photography the collection and the first to depict A stunning print of William Henry at the Gallery. Other exceptional the inspiration for his celebrated book Fox Talbot’s An Ancient Door, nineteenth-century photographs Alice’s Adventures in Wonderland, and Magdalen College, Oxford (1843), acquired include Charles Lutwidge Charles Marville’s Treasury of Reims made only four years after Talbot Dodgson’s Lorina and Alice Liddell in Cathedral (c. 1854) and Grotto in the had announced his invention of the Chinese Dress (1860), only the third Bois de Boulogne (1858–1860). Several acquisitions were the first by these artists to enter the collection of nineteenth-century photographs, among them Joseph Vigier’s Saint- Sauveur. Sentier du chaos conduisant à Gavarnie (Saint-Sauveur. The Path to Chaos Leading to Gavarnie) (1853), a gift of Hans P. Kraus Jr. in honor of the twenty-fifth​ anniversary of photogra- phy at the Gallery; an album of thirty-​ two photographs by Guillaume- Benjamin-Amant Duchenne (de Boulogne) from his influential publi- cation Mécanisme de la Physionomie Électro-Physiologie Photographique (1854–1855), acquired with the W. Bruce and Delaney H. Lundberg Fund, Eugene L. and Marie-Louise Garbáty Fund, Pepita Milmore Memorial Fund, and the Edward E. MacCrone Fund; and an album of watercolor and albumen print collag- es (1866–1877) compiled by Maria Harriet Elizabeth Cator. The collection of contemporary photographs was also greatly aug- mented with the donation from the Heather and Tony Podesta Collection Margaret of four photographs by Rineke Bourke-White Dijkstra, including her key early Self- Fort Peck Dam, Portrait, Marnixbad, , Montana — Netherlands, June 19, 1991 (1991); four- Patrons’ Permanent teen photographs from John Divola’s Fund Zuma series, a gift of Mark Ruwedel National Gallery of Art 19

Theodor de Bry Emblemata nobilitati et vvlgo scitv digna singulis historijs symbola adscripta & elega[n]tes versus historia[m] explica[n]tes — J. Paul Getty Fund in honor of Franklin Murphy and the Charina Endowment Fund; of Franklin Murphy: a 1593 edition Britain in 1855. Other notable albums Deborah Luster’s One Big Self: of Theodor de Bry’s emblem book include the honeymoon album of Mr. Prisoners of Louisiana (1998–2002), a and album amicorum Emblemata and Mrs. Harvey Ladew featuring steel cabinet with a lamp, two bound nobilitati (Frankfurt, 1593) as well as views from their yacht as it traversed volumes, and 249 gelatin silver prints a complete run of the photography the Atlantic and Mediterranean on aluminum, a gift of Julia J. Norrell journal Die Kunst in der Photographie (1901), a large folio of photos by in honor of Claude Simard; and Irving (Berlin, 1897–1908) edited by Franz Adolphe Braun of Mihaly Munkacsy’s Penn’s Mascara Wars (2001), a gift of Goerke. The journal is considered Christ before Pilate that includes a the Irving Penn Foundation, all an important influence on Alfred portrait of the artist (c. 1882), a port- donated in honor of the twenty-fifth Stieglitz’s Camera Work. The Nell and folio of platinum prints by Frederick anniversary of photography at the Robert Weidenhammer Fund made Evans of engravings by Edward Gallery. In addition, works by several possible the purchase of several titles Calvert (1925), and surveys of the cities new contemporary photographers including a previously unknown of Morelia, Merida, and Guanajuanto were added to the collection, includ- catalogue raisonné of the prints of by Enrique Cervantes (1930s). ing seven photographs by Ishiuchi Adriaen van Ostade, ‘t Werck complet Among the individual rare photo- Miyako acquired by the Alfred H. van den vermaarde schilder Adriaan graphs acquired are the of Moses and Fern M. Schad Fund and van Ostade, door hem selfs geinven- the cloister at Moissac by Jules the Charina Endowment Fund; teert en gest (Netherlands, c. 1764). Lapeyere (c. 1856), the Ecole des Mikhael Subotzky and Patrick The Grega and Leo A. Daly III Fund Beaux-Arts in Paris by Edouard Waterhouse’s Doors, Ponte City, for Architectural Books enabled the Baldus (late 1850s), the Ponte Johannesburg and Televisions, Ponte purchase of Eerste deel der bouw-kunst Scaligero in Verona by Maurizio Lotze City, Johannesburg (2008–2010), by Joost Vermaarsch (Leiden, 1667), (1860s), the demolished Judengasse acquired with the Alfred H. Moses a practical handbook of architectural in Frankfurt by T. J. H. Creifelds and Fern M. Schad Fund; and Martha orders and decoration based on the (1865), Sacre Coeur in Paris by Rosler’s Cleaning the Drapes from the precepts set forth by , Charles Marville (1870s), and a view series House Beautiful: Bringing the Vincenzo Scamozzi, and Giacomo of the demolished Madison Park War Home (1967–1972), a gift of the Barozzi da Vignola. Presbyterian Church by Jessie Tarbox Collectors Committee and the Pepita The Gallery also acquired several Beals (c. 1910). Albums and photo- Milmore Memorial Fund. rare albums this year. One of the most graphs capturing views of world important is one of four known cop- expositions in Dublin (1853), Paris Rare Books and Images ies containing seven albumen photo- (1855 and 1925), Philadelphia (1876), graphs by André-Adolphe-Eugène Mannheim (1907), and Antwerp This year the Library added 119 titles Disdéri commemorating a ball at the (1930) augmented the Gallery’s hold- to the rare book collection. Among of Versailles given by Napoleon ings in this category. these were two purchases supported III and Eugénie of France for Queen by the J. Paul Getty Fund in honor Victoria and Prince Albert of Great

Exhibiting

“ Gustave Caillebotte: The Painter’s Eye brought together fifty-five paintings of Paris and its environs by the artist… The entrance was designed to feature the iconic painting Paris Street, Rainy Day, placed on the axial view seen from the East Garden Court through a three-gallery enfilade.”

During fiscal year 2015 the Gallery presented a diverse an x-radiograph and schematic diagram of the sculp- selection of special exhibitions. Of the twenty exhibitions ture’s internal armature and shed light on his relation­ offered, six continued from the previous year: Andrew ship to his model, Marie van Goethem. Two special Wyeth: Looking Out, Looking In; Degas/Cassatt; ’s web features, Modeling Movement: Degas’s Dancer and Little Danaë from the Capodimonte Museum, Naples; Modern Dancer Aged Fourteen, further addressed Degas’s technique American Prints and Drawings from the Kainen Collection; and the career of his young model as well as the controversy From to Futurism: Italian Prints and Drawings, generated when the sculpture was first exhibited in 1881. 1800–1925; and Captain Linnaeus Tripe: Photographer of El Greco in the National Gallery of Art and Washington- India and Burma, 1852–1860. The Library presented four Area Collections: A 400th Anniversary Celebration contin- exhibitions of books and images from its collections. ued the focus on the permanent collection. The Gallery’s The year began with exhibitions drawn from the collection of seven paintings by El Greco is one of the Gallery’s permanent collection. A Subtle Beauty: Platinum largest in the United States. In honor of the 400th anni- Photographs from the Collection presented outstanding versary of the artist’s death, the Gallery supplemented photographs from the 1880s to the 1920s that revealed the its paintings with three borrowed from Dumbarton Oaks aesthetic qualities and delicate nuances made possible by and the Phillips Collection in Washington and the Walters the platinum process. Revered for its permanence and Art Museum in . The exhibition highlighted the subtle beauty, the platinum print played an important role artist’s dramatic use of elongated figures and ambiguous in establishing photography as a fine art during the late space to create expressive, spiritually transcendent works. nineteenth and early twentieth centuries. The Gallery’s In conjunction with the exhibition, the Gallery produced website featured a slide show of highlights from the exhi- a thirty-minute film, El Greco: An Artist’s Odyssey, made bition with explanatory captions. possible by the HRH Foundation and narrated by Adrien Although small in scale, the next exhibition of the year Brody. With new footage shot on location in Italy and had a large impact. Degas’s focused on Edgar , the film charted the artist’s career from its origins Degas’s groundbreaking sculpture of a young ballerina, in Byzantine icon painting to the late, visionary works that Little Dancer Aged Fourteen. Coinciding with the world pre- led Pablo Picasso and other twentieth-century artists to miere of the musical Little Dancer at the John F. Kennedy consider El Greco a prophet of . The film pre- Center for the Performing Arts, the exhibition explored miered at the Embassy of Spain in a program cosponsored Degas’s fascination with ballet and his experimental, by the Embassy of Greece and aired nationally on public modern approach to his work. One of the Gallery’s most television stations. popular works of art, the sculpture was presented in an The Gallery opened the first major retrospective exhibi- intimate gallery in the heart of the French permanent tion ever presented of paintings by the imaginative Italian collection galleries. Fourteen additional works from the Renaissance master Piero di Cosimo. The exhibition Piero Gallery’s collection, including a bronze study, another di Cosimo: The Poetry of Painting in Renaissance Florence wax dancer, and a painting and pastel from the Corcoran brought together forty-four paintings representing all Gallery of Art, surrounded Little Dancer Aged Fourteen. A facets of the artist’s career, including altarpieces that large banner featuring an image of the iconic statuette beck- still belong to the churches for which they were creat- oned visitors from the Sixth Street entrance portico. The ed. The exhibition design evoked the architectural style illustrated brochure and explanatory texts accompanying and utilized the rich and vibrant colors of Piero’s work the exhibition examined Degas’s working method through in the galleries. It also reunited several of his poetic 24 Exhibiting

Degas’s Little Dancer

El Greco in the National Gallery of Art and Washington- Area Collections: A 400th Anniversary Celebration

mythological scenes, often painted in details of the paintings Visitation with from the Corcoran Collection. pairs or in a series to adorn Florentine Saints Nicholas and Anthony Abbot and American Masterworks from the , but long since scattered from Liberation of to see the Corcoran, 1815–1940 featured twenty-​ their original homes. The exhibition inventive, often quirky iconographi- nine paintings and two sculptures. traveled to the Galleria degli Uffizi in cal details that contributed to Piero’s The celebrated works on view includ- Florence, where it was supplemented reputation as an eccentric artist. ed Frederic Edwin Church’s Niagara, with works by Piero’s contemporar- In late 2014 the Gallery assumed ’s The Last of the ies. A fully illustrated catalog accom- stewardship of the Corcoran Gallery Buffalo, ’s panied the exhibition. A Gallery web- of Art’s permanent collection. This Ruins of the , and one of site feature, Piero di Cosimo: A Closer gave the Gallery the opportunity to the most famous sculptures of the Look, allowed visitors to enlarge create two exhibitions of highlights nineteenth century, Hiram Powers’s National Gallery of Art 25

Piero di Cosimo: The Poetry of Painting in Renaissance Florence “The Gallery opened the first major retrospective exhibition ever presented of paintings by the imaginative Italian Renaissance master Piero di Cosimo. The exhibition… brought together forty-four paintings representing all facets of the artist’s career, including altarpieces that still belong to the churches for which they were created.”

The Greek Slave, which stood on a spe- institutions: the Gallery owns the por- through some one hundred of the cially designed faux travertine pedes- trait of the middle-aged king and bor- finest examples lent by and tal. Focus on the Corcoran: Works on rowed that of the young king from the collections in Europe and the United Paper, 1860–1990 included twenty-six Museum Plantin-Moretus in Antwerp, States. Since the , art- outstanding European and American Belgium, and the portrait of the old ists have used metalpoint to create drawings, watercolors, and prints, king from the many of the most beautiful and tech- from artists such as Jean-François in . Because the Gallery’s nically accomplished drawings ever Millet, , Winslow Homer, painting is part of the Chester Dale made. Interest in the medium peak- Marsden Hartley, Arthur Dove, Collection and therefore cannot be ed during the Renaissance when it William H. Johnson, and Betye Saar. lent, these three works could only be was embraced by Leonardo da Vinci, This year the Gallery had the rare reunited at the Gallery. The paintings Raphael, and Albrecht Dürer. Revived opportunity to reunite three paint- were hung sequentially in a day-lit in the nineteenth century, metalpoint ings by the Flemish master Peter Paul gallery, and care was taken to unify continues to be practiced today. The Rubens for the first time in more than the framing. The web feature pro- exhibition was arranged chronolog- 130 years in : The duced for the exhibition examined ically by school, ending with con- Three Magi Reunited. Rubens paint- the historical Magi, their changing temporary artists. Gallery walls were ed the biblical Magi around 1618 for personas over time, and the symbol- painted in soft, warm grays to accen- his close childhood friend Balthasar ism of their gifts as well as Rubens’s tuate the tones of the paper and lines. Moretus, who was head of the pres- use of both live models and other Six recto-verso drawings were mount- tigious Plantin Press, then the largest works of art to create his imaginary ed with custom frames and shown on press in Europe. Balthasar and his portraits of the three wise men. plinths, including the Gallery’s page two brothers, Gaspar and Melchior, The first comprehensive exhibition from ’s Libro de’ Disegni were named after the three Magi, on the evocative medium of metal- and two van Rijn draw- and thus these works had personal point, Drawing in Silver and Gold: ings. A technical case was included meaning for the patron. The paintings Leonardo to Jasper Johns illustrated with examples of bone ash, powdered are now owned by three different the art of drawing with a metal stylus , and samples of various 26 Exhibiting

American Masterworks from the Corcoran, 1815–1940 “In late 2014 the Gallery assumed stewardship of the Corcoran Gallery of Art’s permanent collection. This gave the Gallery the opportunity to create two exhibitions of highlights from the Corcoran Collection…including Frederic Edwin Church’s Niagara, Albert Bierstadt’s The Last of ​ the Buffalo,…and one of the most famous sculptures of the nineteenth century, Hiram Powers’s The Greek Slave…”

metal tools used to make marks. A collection possible. In Light of the Past: of the exhibition, accompanied by fully illustrated catalog accompanied Twenty-five Years of Photography at explanatory texts. the exhibition. A short film, made the National Gallery of Art included The series continued with The possible by the HRH Foundation, some 175 of the collection’s finest Memory of Time: Contemporary demonstrated the metalpoint tech- photographs. Arranged chronologi- Photographs at the National Gallery of nique, from the initial coating of the cally beginning with the invention Art, Acquired with the Alfred H. Moses paper with an abrasive surface to the of the photographic process in the and Fern M. Schad Fund. The gen- finished drawing, and made use of nineteenth century, the exhibition erous gift of funds by Ambassador selected works from the exhibition to included turn-of-the-century pictori- Alfred H. Moses and Ms. Fern M. illustrate the medium’s subtle effects. alist photographs, exceptional exam- Schad made this landmark project The film was shown within the exhi- ples of international modernism from possible. This exhibition explored the bition, in a Gallery theater, and on the 1920s and 1930s, and seminal complexity of the medium’s relation- the website as well as at the British mid-twentieth-century American ship to time, memory, and history Museum in , the other venue photographs as well as works from featuring recently acquired works for Drawing in Silver and Gold. the 1960s and 1970s that explore new made from the early 1990s to the The year 2015 marked the twenty-​ directions in color and conceptual present, including seventy-six works fifth anniversary of the department of art. The exhibition demonstrated the by twenty-six international artists photography at the Gallery. A series richness of the Gallery’s photogra- shown at the Gallery for the first time. of exhibitions was planned to cele- phy collection and the vitality of the The exhibition displayed works as brate the collection and the gener- medium as an art form. The website small as postcards and as tall as the ous donors who helped make this highlighted works from each section galleries themselves. This variety of National Gallery of Art 27

Drawing in Silver and Gold: Leonardo to Jasper Johns scale created a complex and visually Gustave Caillebotte: The Painter’s Eye a three-gallery enfilade. A fully illus- intriguing viewing experience. The brought together fifty-five paintings of trated catalog accompanied the exhi- principal themes of the exhibition Paris and its environs by the artist, bition, along with an illustrated bro- were presented in an extensive slide many of them from private collec- chure summarizing its major themes. show on the Gallery’s website. tions. As no major public repository On the Gallery’s website, Considering The exhibition Recent Acquisitions of of Gustave Caillebotte’s work exists, Caillebotte featured art historians’ Italian Renaissance Prints: Ideas Made the exhibition offered a rare oppor- personal reflections on selected Flesh explored the union of extraor- tunity to experience the art of one paintings by the artist. For the first dinary imagination with pioneering of the lesser-known impressionists. time at the Gallery, the exhibition execution in sixteenth-century Italian The first major retrospective in the audio guide was made available as an printmaking. This exhibition fea- United States devoted to Caillebotte application downloadable to visitors’ tured some thirty engravings, etch- in twenty years, the exhibition illumi- mobile devices. ings, woodcuts, and illustrated books nated his fascination with the contem­ The brilliantly colored and highly by or after the designs of celebrated porary lifestyle of the Parisian bour- sensual works by Utrecht master Renaissance artists. Acquired by the geoisie, from depictions of domestic Joachim Wtewael were shown in the Gallery in the last four years, the works life, portraits, and still lifes, to urban first monographic exhibition ever on view exemplified the extravagant street views and idyllic river scenes. organized for the artist. Pleasure and design prevalent in sixteenth-century The entrance was designed to feature Piety: The Art of Joachim Wtewael Italian prints, revealing the distinctive the iconic painting Paris Street, Rainy (1566–1638) included nearly fifty of visual appeal, even the sensuous form, Day, placed on the axial view seen his finest paintings on canvas, cop- their complex content could assume. from the East Garden Court through per, and panel, as well as selected 28 Exhibiting

In Light of the Past: Twenty-Five Years of Photography at the National Gallery of Art “The year 2015 marked the twenty-fifth anniversary of the department of photography at the Gallery. A series of exhibitions was planned to celebrate the collection and the generous donors who helped make this collection possible.”

drawings. The smallest works on cop- literary sources for both his biblical in the permanent collection. A spe- per were installed in refurbished, and mythological paintings. On the cial feature on the Gallery’s web- neoclassical bronze cases retrofitted Gallery’s website, Joachim Wtewael: site considered the woman’s possi- with state-of-the-art lighting, making A Closer Look explored the identity ble pregnancy, the identification of the extremely fine detail more visi- and meaning of figures and motifs the map behind her, the symbol- ble. Ranging from portraits and mor- that appear in the artist’s inventive ism of the pearls, and Vermeer’s use alizing biblical scenes to witty myth- compositions. A fully illustrated of color. It also included an infra- ological compositions, these works catalog accompanied the exhibition. red image that allowed viewers to underscore the artist’s reputation as The final exhibition of the year peer beneath the surface of the a remarkable storyteller. Wtewael celebrated the twentieth anniversa- painting to see how the artist was one of the most important Dutch ry of the Gallery’s landmark exhi- altered the composition during the artists at the turn of the seventeenth bition Johannes Vermeer. To mark creative process. century, but he has received much the occasion, the in The Gallery administered the loan less attention than many of his con- Amsterdam lent one of its great trea- of 1,206 works of art to 228 sites temporaries. This exhibition shed sures, Johannes Vermeer’s luminous during the year, including major light on his remarkable artistic talent, painting Woman in Blue Reading a loans of works from the Gallery’s allowing him to reclaim his rightful Letter. Last seen at the Gallery in collection, which were featured both place among the great masters of 1996, this recently restored master- domestically and internationally. the Dutch Golden Age. An illustrated piece was displayed in the Gallery’s Notably, 141 works on paper were brochure provided an overview of Dutch and Flemish cabinet galleries shown at the Museo Correr in the artist’s career and examined the alongside other works by Vermeer for the exhibition The Poetry of Light: National Gallery of Art 29

The Memory of Time: Contemporary Photographs at the National Gallery of Art, Acquired with the Alfred H. Moses and Fern M. Schad Fund

Recent Acquisitions of Italian Renaissance Prints: Ideas Made Flesh 30 Exhibiting

Gustave Caillebotte: The Painter’s Eye

Pleasure and Piety: The Art of Joachim Wtewael (1566–1638) “The brilliantly colored and highly sensual works by Utrecht master Joachim Wtewael were shown in the first monographic exhibition ever organized for the artist. Pleasure and Piety: The Art of Joachim Wtewael (1566–1638) included nearly fifty of his finest paintings on canvas, copper, and panel, as well as selected drawings.” National Gallery of Art 31

Vermeer’s “Woman in Blue Reading a Letter” from the Rijksmuseum

Venetian Drawings from the National this year including seven works by throughout the United States. Gallery of Art, Washington. Richard Tuttle to the Bowdoin College Highlights of these loans include During the East Building renova- Museum of Art in ; Joan Miró’s David Smith’s Circle I, Circle II, tion, many works have been made The Farm to the Albertina Museum; and Circle III to the Sterling and available to other museums, present- Yayoi Kusama’s Infinity Nets Yellow Francine Clark Art Institute in ing a unique opportunity to share to the Louisiana Museum of Modern Williamstown, ; László the Gallery’s celebrated collections Art; Marc Chagall’s Houses at Vitebsk to Moholy-Nagy’s Q and Z VII to the with art lovers around the country the Palazzo Reale in Milan; and Gustave Santa Barbara Museum of Art; one and the world. Barnett Newman’s Courbet’s The Stream (Le Ruisseau of Sol LeWitt’s large wall draw- Stations of the Cross was presented du Puits-Noir; vallée de la Loue), La ings to the Massachusetts Museum at the Miho Museum in Shiga, . Grotte de la Loue, and La Bretonnerie of Contemporary Art; and Thomas Fifty paintings and four graphics by in the Department of Indre to Cole’s Study for “Catskill Creek” to the the artist Mark Rothko were lent to the Fondation Beyeler in Switzerland. National Historic Site in the Museum of Fine Arts, , Six works by Albrecht Dürer, Catskill, New York. for their exhibition Mark Rothko. Giovanni Battista Tiepolo’s Madonna Twenty-one works from the Gallery’s of the Goldfinch, and Cosmè Tura’s collection of modern art were lent Madonna and Child in a Garden were to the Chrysler Museum of Art, in lent to the National Museum of Norfolk, Virginia. Women in the Arts in Washington, DC. The Gallery loaned numerous This year the Gallery loaned 747 works to a number of retrospectives works to museums and collections

Participants in the Sail into Seascapes family workshop, led by Gal- lery educator Dena Rapoport, discover the symbolism behind different weather conditions in Dutch seventeenth-century paintings. Sketching and conversation are encouraged in the Contextualizing Contemporary Sculpture Drawing Salon led by prac- ticing artists and museum educators. Educating

“…in the past year, the Gallery generated almost sixty-seven million impressions on social media through its more than 560,000 followers, becoming a part of people’s daily lives, no matter where they live in the world.”

The education division expanded outreach and offered week-long sessions to study and teaching unprecedented opportunities to engage vast new audi- strategies through hands-on learning experiences. Tours ences this year through digital media. Followers of the and gallery talks for adults offered by staff and docents Gallery’s Twitter feed increased by sixty-three percent, reached almost 50,000 people. Drawing Salon, a program while Facebook fans increased by eighty-three percent. that combines art history, studio practice, and conversa- The Gallery’s Instagram account now has more than tion in the galleries, continues to attract a younger and 45,000 followers. These figures actually represent a much more ethnically diverse audience. In an effort to serve larger audience; in the past year, the Gallery generated larger audiences during holiday weekends, the division almost sixty-seven million impressions on social media experimented with two new offerings. The Pop-Up Studio through its more than 560,000 followers, becoming a program gave visitors of all ages the opportunity for part of people’s daily lives, no matter where they live in hands-on art making inspired by sculpture in the East the world. For example, the division sponsored fifteen Building. The 3,500 program participants created their social media events during the year, from a horticulture own sculptures from wood, stone, and wire. The Fourth of takeover on Instagram to a Drawing Salon session that was July drew an enthusiastic audience for a packed schedule live tweeted. Together these events reached millions of of short talks on patriotic themes in the American galler- people. One participant on Twitter followed the Drawing ies. In another new enterprise, Gallery educators part- Salon prompts from afar throughout the entire event and nered with Harvard University’s Project Zero, Washington thanked the educators for reminding her how much she International School, and two other local museums to loved art. This year, the Gallery launched a new social contribute to the Children Are Citizens research project media initiative called Art A to Z, which examined a new examining learning in very young children. The project’s topic every two weeks across all social media channels. final presentation day was held at the Gallery. The posts have been enormously popular with the public, Tours in American Sign Language, voice interpreted for and various institutions from the J. Paul Getty Museum in hearing participants, continued, as did the program ASL Los Angeles to the Centre Pompidou in Paris have asked for Learners. In addition, a new prerecorded tour in ASL to partner with the Gallery on particular topics. A mobile-​ is now available for free loan at the Gallery and for free responsive website launched this year now allows educa- download from the Gallery’s website. Training of addi- tors to format web content to mobile devices. tional staff and docents in the intense verbal description The new NGAkids Art Zone application for iPads fea- technique, the presentation pedagogy for visitors with low tures activities that encourage exploration of portraiture, vision, has allowed the division to offer more Picture This landscape, still life, folk art, painting, ges- tours. Sixty-nine lecture programs, including six held in tural abstraction, color theory, and a freehand drawing the East Building Atrium and two at the John F. Kennedy module. The application has been downloaded almost Center for the Performing Arts, served almost 10,000 par- 175,000 times and was awarded a 2015 Parents’ Choice ticipants. Highlights included lectures by musician YoYo Silver Honor Award. Your Art, the Gallery’s application for Ma and artists Sally Mann and Carrie Mae Weems and two adults, has been translated into five foreign languages and study days honoring the Degas/Cassatt and the Captain downloaded almost 100,000 times. Linnaeus Tripe exhibitions. In total, through programs The Gallery offered all its traditional on-site programs and publications in-house, the Gallery reached almost during the fiscal year including school, family, and teach- 870,000 visitors to the museum. Sixty-two lecture audio er programs; tours for adults; auditorium lectures; and podcasts and nine videocasts were posted to the Gallery’s printed guides to the collections. School tours served website and reached almost 150,000 online users. To more than 25,000 students. Art Around the Corner, the schools across the nation, the division distributed approx- multiple-visit program for underserved public school imately 12,000 free posters of Joan Miró’s The Farm, children, their families, and teachers, reached an audi- which provided informative text in both English and ence of more than 1,100, a number that has tripled in the Spanish. In addition to adding information on more than last three years. The Summer Teacher Institute brought 200 objects to the website, the division published two teachers from across the country to the Gallery for two guides to the collection, The Sculpture Garden and Modern 36 Educating

Art in Brief. Education Resources, the Republic to present by Czech Music Fund, the Ann and Gordon Gallery’s free-loan outreach program composers in connection with the Getty Foundation, and Professor that consists of more than 140 teach- Embassy’s Mutual Inspirations Joseph L. Gastwirth all supported the ing packets, CDs, DVDs, and more Festival; with the Kirov Academy of music program. than 500 online resources, served Ballet, Washington, DC, in a presen- The Gallery’s film department about thirty-eight million people, tation of a nineteenth-century ballet continued to organize innovative including public television audiences. lesson; with the Delegation of the and culturally diverse retrospectives The Gallery’s website had almost six European Union to the United States throughout the year. These events million visits. to produce one concert in the Month encompassed a broad range of mov- of European Culture; with Washington ing image forms from experimental Performing Arts to present winners video, to classic narratives in origi- Concerts and Films of the 2015 Misbin Family Memorial nal 35mm format, to area premieres. This year the music department Chamber Music Competition and During the year, three hundred films began its seventy-third concert sea- the Feder String Competition; with were screened at venues through- son with Sunday afternoon concerts the Italian Cultural Institute of the out the Washington area, including twice a month, keeping the second Embassy of Italy to present concerts the National , American and fourth concerts every month in in honor of the Piero di Cosimo exhi- Film Institute, American University, the after-hours, evening time slot. bition; and with the Pavilion Café in Goethe-Institut, and the Embassy of The afternoon series led to higher the Sculpture Garden to present jazz France, as well as in the Gallery’s attendance and enabled museum​ brunch concerts. auditoria. After the reopening of the goers to enjoy music on Sunday Special concerts were presented in East Building auditorium, the major- afternoons while they were visiting honor of African American History ity of films were once again shown the Gallery. Month and Women’s History Month. in that space. The Gallery’s ongo- Six concerts were presented in The National Gallery of Art Orchestra ing membership in the International honor of Gallery exhibitions: two performed works by Richard Bales, Federation of Film Archives allowed events in honor of Degas’s Little the first director of music at the access to rare prints from archival Dancer, two concerts of Spanish Gallery, in honor of his 100th birthday. vaults around the world. Renaissance music in honor of El Nine concert reviews were included Highlights from the fall season Greco in the National Gallery of Art in various publications this year as included several series organized in and Washington-Area Collections: A well as a Washington Post feature arti- association with American University’s 400th Anniversary Celebration, one cle about the Gallery’s 66th American School of Communication, including concert of music by mid-twentieth-​ Music Festival. Fiscal year 2015 con- “Viewing ” and “Italy’s New century American composers in certs were produced with funds ,” screened in the Forman honor of Modern American Prints and bequeathed to the Gallery by William Theater on the school’s campus. The Drawings from the Kainen Collection, Nelson Cromwell and F. Lammot National Portrait Gallery served as and one concert of music by Italian Belin, with generous additional sup- the venue for the series “Morality and Renaissance composers in honor of port from the Billy Rose Foundation Beauty: Marco Bellocchio.” Piero di Cosimo: The Poetry of Painting and the Gottesman Fund in memory The highlight of the winter 2015 in Renaissance Florence. of Milton M. Gottesman. The Italian season was “Discovering Georgian The music department collaborated Institute of Culture of the Embassy Cinema,” a retrospective organized with the Embassy of the Czech of Italy, Randy Hostetler Living Room with at the Museum of Modern Art, Berkeley Art Museum, and Pacific Film . During the , German experimental film- maker Heinz Emigholz introduced his work in the series “Heinz Emigholz: Architectural Record,” and seven American experimental filmmakers came to the Gallery for the series “American Experiments in Narrative: 2000–2015.” During the summer, audiences flocked to see “Titanus Presents: A Family Chronicle of Italian Cinema” and “Maysles Films Inc.: Performing Vérité” featuring the work of the late Students experiment documentarian Al Maysles. Special with artists’ drawing events throughout the year includ- materials and tech- ed the quarterly program “American niques while closely Originals Now;” the premiere of the studying paintings restored print of James Baldwin: The by Sir Anthony van Dyck in the Teen Price of the Ticket; and silent film Studio series. ciné-concerts such as The Epic of National Gallery of Art 37

Gallery educator Lorena Baines employs intensive verbal description during a Picture This tour for low- vision visitors.

Everest (1924), restored by the British more than 2,000 images on-site and a self-portrait, Samuel F. B. Morse Film Institute. image specialists answered 877 refer- by Abraham Bogardus, and self- ence inquiries. ​portraits by Timothy O’Sullivan, Digitization of the department’s Frank Jay Haynes, and Lotte Jacobi. Resources for Scholarly Research holdings continued, with priority The Gallery Archives continued The Library added approximately being given to new rare acquisitions. its work to record the history of the 11,950 books and 1,265 auction cat- Nearly 1,200 scans were created Gallery and enhance public access to alogs to its holdings this year. The during the year. The Gallery joined records and information related to it reader services department answered Pharos, an international consortium and to the collection. The department 21,000 inquiries and welcomed more of fourteen photographic archives incorporated a number of new docu- than 3,000 visitors. The department founded with the goal of digitizing ments and collections into the archives. provided special tours for members and providing metadata for approx- Oral history interviews were con- of the Washington Rare Book Group, imately thirty-one million images of ducted with nine individuals, pro- Studio Pause, and the Potomac chap- art online. viding new insights on museum ter of the Guild of Book Workers, The department received several history from various points of view. as well as staff of the Smithsonian important gifts in 2015. The Institute The transition to an entirely digital Institution Archives and representa- of Fine Arts at records-keeping environment con- tives from Faber-Castell. Reference donated photographic archives assem- tinued as Gallery offices transferred librarians conducted orientations for bled by scholars Martin Weinberger significant records to the archives, a curatorial interns from the Hirshhorn and Henry Russell Hitchcock that majority in electronic form. Media Museum and Sculpture Garden, the complement earlier donations of the files, including video productions Smithsonian American Art Museum, Richard Offner Archive, a complete and audio recordings of past Gallery and seven university-affiliated groups set of the Bernard Berenson Villa events, also were added to archi- from throughout Washington, Virginia, I Tatti photo cards, and the insti- val holdings. Gallery Archives staff and Pennsylvania. Specialized ses- tute’s postcard collection. The Rudolf responded to some four hundred ref- sions were conducted in architec- Riefstahl Archive of photographs and erence inquiries providing essential ture for students from Georgetown notes compiled in the late 1920s to information on Gallery history, pro- University and in decorative arts early 1930s documents architecture grams, and activities for researchers for classes from the George Mason in Turkey, Syria, Lebanon, Jordan, and for the public. University/Smithsonian graduate pro- and Palestine. David Finn’s donation The Gallery Archives coordinated gram. The Library continues to wel- of his photographic archive greatly the move of significant art-related come fellows from Dumbarton Oaks enhanced the department’s hold- files from the Corcoran Gallery of Art and the Center for Hellenic Studies. ings on sculpture, and Peter Ralston offices and storage spaces to Gallery The department of image collec- donated twelve photographs of offices and prepared more than tions acquired approximately 165,000 Andrew and Jamie Wyeth. Other art- 10,000 Corcoran work-of-art folders images this year, including twenty-two ists’ portraits added to the collection for digitization. rare photographic albums, 1,469 rare include photographs of Eva Hesse Donations of new material photographs, 78,000 photographs, and Mel Edwards by Fred McDarrah, enhanced the Gallery’s archival hold- and 60,000 digital images. The Margaret Bourke-White by Richard A. ​ ings. Dorothy Vogel transferred pho- collection now holds nearly fifteen Greene, Eadweard Muybridge attribut- tographs and letters from artists and million images. Researchers viewed ed to Carleton Watkins but perhaps others in the art world relating to the 38 Educating

Vogels’ biography. The materials date Memorial Book Award for the first dig- directors. America’s National Gallery from the 1960s to the present and fur- ital catalog in the National Gallery of of Art, by Philip Kopper with the edi- ther strengthen the rich record of the Art Online Editions series. The prize, tors of the Gallery, will appear in the Vogels’ collecting. John Wilmerding given by the Art Libraries Society of fall of 2016, along with a new seventy-​ donated videotapes and documents North America (ARLIS), went to Arthur fifth anniversary logo system for print to augment the record of his Gallery Wheelock’s Dutch Paintings of the and digital use. service. Carol Clark transferred ten Seventeenth Century and marked the Nine book-length publications were cubic feet of Charles Parkhurst’s first time this major book award hon- produced this year: five exhibition papers relating to his experiences as ored an open access digital publication. catalogs, one , two a Monuments Fine Arts and Archives The preparation of a new guide- volumes for CASVA, and the second officer during World War II and as book, Highlights from the National volume of Facture, the biennial con- assistant director of the Gallery. Gallery of Art, is in the final layout servation journal. Reprints of In the Supported by a generous grant from stages. With the selection of some Darkroom and Gustave Caillebotte the Samuel H. Kress Foundation, work four hundred works, the texts came were also undertaken. The depart- continued on the Kress Collection together in a collective curatori- ment printed brochures for seven History and Conservation Database al effort. The new version, a highly exhibitions, including four brochures project. Digitization of legacy Kress visual volume that integrates works for Library shows; oversaw the edit- Collection archival files was complet- in all mediums, will be published ing, design, and production of two ed, and preparations were made to and distributed independently by the issues of the Gallery’s Bulletin; edit- digitize conservation documents. Gallery. The guidebook, along with ed and produced film for all wall The study room for European a new Map and Visitors Guide, will texts, signage, and labels; edited prints, drawings, and fine illustrated be available in five languages for the and designed film and music bro- books in the East Building hosted 1,231 reopening of the East Building galler- chures, events calendars, newslet- visitors. These included twenty-five ies in fall 2016. ters, and educational materials; and classes from eight universities and Reaffirming and broadening the edited all Gallery ephemera through- five schools. In addition, there were Gallery’s open access policies, the out the year. Gallery publications twenty lectures for special groups publishing office this year launched received five awards in addition to and seven tours for Gallery docents, a PDF Library in the publications the Wittenborn in 2015. interns, and new staff. The Gallery’s section of the Gallery’s website. own curators made seventeen of the Here visitors can browse, search, Imaging and Visual Services presentations. The study room for and download free digital backlist American prints and drawings hosted titles from the publications archive, The division of imaging and visual 804 visitors, including students in including approximately ninety out- services continued its essential work twenty-nine classes from ten univer- of-print exhibition and collection cat- documenting the Gallery’s collections sities and six schools. Additionally, alogs dating from the mid-1970s to the and promoting access to the highest curators gave twelve presentations for mid-2000s. quality, color-accurate digital images. visitors and staff. In fiscal year 2015 the publishing Master digital files were made for office advanced plans to help cele- 681 recent acquisitions, including The brate the Gallery’s seventy-fifth anni- Jolly Flatboatmen by George Caleb Publications versary with a major volume on the Bingham, The Judgment Day by Aaron A major highlight of the year was receiv- Gallery’s founding, history, and evo- Douglas, and An Apple, A Boulder, A ing the prestigious George Wittenborn lution under the leadership of its four Mountain by Edward Steichen.

Teachers investi- gate The Adoration of the Magi by Fra Angelico and Fra Filippo Lippi to develop teaching strategies related to lessons on perspective in the Summer Teacher Institute. National Gallery of Art 39

New photography was completed The division is nearing completion access to high-resolution images with- for many artworks in preparation for of a project to capture the Gallery’s out pre-registration. Throughout the Gallery exhibitions and publications, collection of Alfred Stieglitz photo- year, the division added more images such as the upcoming exhibition The graphs and create an online Stieglitz that are available for free download, Serial Impulse at Gemini G.E.L. and resource. Of the 1,714 total works in increasing the number to more than the publications The Altering Eye: the collection, 1,551 have been pho- 46,000 images. This year users down- Photographs from the National Gallery tographed. The division’s Rapid loaded more than 580,000 images, of Art and Highlights from the National Capture imaging project continued an increase of twenty-five percent Gallery of Art. The division posted with the digitization of 6,019 large from the prior year. Since the incep- 3,968 new and replacement images format prints, drawings, and photo- tion of NGA Images in March 2012, to the Gallery’s website. Using high- graphs from the Gallery’s collections. more than 1.5 million images have ly sophisticated imaging techniques, An update to NGA Images, the been downloaded. the division also created and posted Gallery’s online open access image online 257 ultra-resolution images, resource, was released and includes allowing the public to pan and zoom new features for filtering and sorting at extremely close detail. search results, download formats, and

Center for Advanced Study in the Visual Arts

The Center for Advanced Study in approaches, the Center hosted a con- The Center’s ongoing research the Visual Arts sponsors the study ference on the topic of “New Projects projects provide primary materials of the visual arts in each of its four in Digital Art History.” The Center for the field. The Malvasia project will program areas: fellowships, research, sponsored two study days in connec- make available a multivolume English publications, and scholarly meetings. tion with exhibitions at the Gallery: translation and new critical edition Members of the Center are selected A Robert H. Smith study day in asso- in Italian of Carlo Cesare Malvasia’s through a competitive process by the ciation with the exhibition Piero di Felsina pittrice (Bologna, 1678). Center’s Board of Advisors, with the Cosimo: The Poetry of Painting in Volume thirteen was copublished exception of the three professorial Renaissance Florence was preceded in 2013 by the Gallery and Harvey appointments (the Samuel H. Kress by a lecture by Dr. Alessandro Nova, Miller/Brepols Publishers and was professor, the Andrew W. Mellon director of the Kunsthistorisches presented at the Capitoline Museums, professor, and the Edmond J. Safra Institute in Florence, and the study Rome, and the Pinacoteca Nazionale, visiting professor), which are made at day on the topic of “The Relationship Bologna. The project is under the the invitation of the Gallery’s Board of Function and Technique in direction of Dean Elizabeth Cropper, of Trustees. Metalpoint Drawing,” supported by with Professor Lorenzo Pericolo of During its thirty-fifth academic year, the International Exhibitions Fund, the University of Warwick serving the Center welcomed fellows from was held in connection with the as editor of the critical edition and Australia, , China, Spain, the exhibition Drawing in Silver and Gold: project coordinator. Associate Dean United Kingdom, and the United Leonardo to Jasper Johns. A two-day Therese O’Malley is directing the States. The topics of their research symposium celebrated the centenary​ design of a digital database for the ranged from the decline of the Gothic of the publication of Heinrich History of Early American Landscape circa 1500 to painting and place in Wölfflin’s Kunstgeschichtliche Design project. This expands upon China during the mid-Ming period, Grundbegriffe. Kathleen A. Foster, the published volume Keywords in from tenderness in the Early Roman the Center’s thirteenth Edmond J. American Landscape Design (2010). Empire to costume in nineteenth-​ Safra visiting professor, initiated two Associate Dean Peter Lukehart and century art, from the art of Jusepe events during her residency. She led his team have been developing a geo- de Ribera to that of Albert Pinkham a two-day Edmond J. Safra Colloquy tagging feature that will allow place Ryder, and from visual culture in on the subject “American Watercolor names mentioned in documents in socialist Ethiopia to the function of Painting, 1850–1950” and presented the Accademia di San Luca database mirrors in Ancient Greece. a lecture entitled “Discovering the (www.nga.gov/casva/accademia) to In the program of scholarly meet- ‘American Medium.’” link to historic maps of Rome. The ings, the Center cosponsored, with The sixty-fourth A. W. Mellon Accademia database is also being the University of Maryland, the forty-​ Lectures in the Fine Arts were migrated to the Gallery’s new web- fifth Middle Atlantic Symposium delivered by Thomas Crow of the site platform. in the History of Art. This year’s Institute of Fine Arts, New York For more information on the biennial Wyeth Conference, sup- University on the topic “Restoration Center’s programs, see the com- ported by the Wyeth Foundation for as Event and Idea: Art in Europe, plete archive of its published annu- American Art, was dedicated to the 1814–1820.” These Mellon lectures al reports at www.nga.gov/content/ topic “Andrew Wyeth in Context: were made available for the first time ngaweb/research/casva/publications/ Contemporary Art and Scholarship.” via live stream on the Gallery’s web- center-report.html. A study day at the Brandywine River site, and audio and closed-​captioned Museum of Art followed. Testing new video podcasts soon followed.

Gallery textile con- servator Julia Burke examines the adhe- sives used in Robert Rauschenberg’s Preview in prepara- tion for the exhibition The Serial Impulse at Gemini G.E.L. Gallery painting conservator Dina Anchin restores Jan van Huysum’s Flowers in an Urn. Preserving

“More than 2,200 paintings were examined in preparation for outgoing loans, inclusion in Gallery exhibitions, and the transfer of works from the Corcoran Collection.”

The conservation division worked on several special technical and comparative analyses on bronze, wood, projects, including the second volume of Facture: Art in and ivory sculptures in the Robert H. Smith Collection. Context, the Gallery’s biennial journal on conservation These entries were published in a special supplement to research, and ConservationSpace, a multi-institutional The Burlington Magazine. project to develop document-management software for The painting conservation department completed conservators. The division co-organized a workshop at the thirty-three major treatments, twenty-nine minor treat- focused on building infrastructures ments, and eighty-five major examinations involving for the creation, storage, and access to digital assets. It x-radiography and infrared reflectography. More than also examined and provided recommendations for han- 2,200 paintings were examined in preparation for outgo- dling, storing, and moving thousands of objects from the ing loans, inclusion in Gallery exhibitions, and the transfer Corcoran Gallery of Art. of works from the Corcoran Collection. Notable paint- Object conservators completed six major treatments, ing conservation treatments this year included Piero di 144 minor treatments, thirty-seven major examinations, Cosimo’s great altarpiece The Visitation with Saint Nicholas and more than 960 minor examinations to prepare and Saint Anthony Abbot, Francisco de Goya’s Thérèse sculptures for loan, exhibition, and storage. Following Louise de Sureda, Hubert Robert’s The Ponte Salario, Jan five years of inaccessibility for conservation during the van Huysum’s Flowers in an Urn, Francis Picabia’s The East Building facade project, the long-awaited treatment Procession, Seville, Vincent van Gogh’s Farmhouse in and repatination of Knife Edge Mirror Two Piece by Henry Provence, and several oil sketches by Georges Seurat from Moore was completed. Other notable projects included the collection of Mr. and Mrs. Paul Mellon. stabilization and of fragile painted surfac- Additionally, the department continues to commit sig- es of Alexander Calder’s Blue Elephant with Red Ears, nificant time and resources to the Gallery’s systematic analytical examination of the terracotta relief Virgin catalog project. Several conservators are working closely and Child with Saint John by a follower of Andrea del with curators and catalog authors to resolve questions of Verrocchio to determine the extent of original paint and facture and condition, prepare technical entries, and edit establish treatment options, and construction of a new the scholarly essays for volumes devoted to thirteenth- sculpture, Glass Stratum by Robert Smithson. and fourteenth-century Italian paintings, sixteenth-century The majority of this year’s condition examinations, mate- Italian paintings, nineteenth-century French paintings, rials documentation, and packing consultations were relat- and American modernism. ed to works recently added to the collection. The depart- Research related to the Gallery’s paintings, artists’ mate- ment worked closely with rigging contractors and in-house rials and techniques, innovative approaches to treatment, colleagues during the complicated handling and transport and numerous publications and presentations also con- of twelve large-scale marble sculptures from the Corcoran. tinue to engage the staff and extend the Gallery’s mission. In the second volume of Facture, two essays investigat- Paper conservators completed twenty-four major treat- ed complex casting methods of bronze sculpture. One ments, ninety-five minor treatments, fifteen major exam- focused on Renaissance relief sculptures by Riccio, and inations, and 748 minor examinations. Matting-framing the second, a collaborative study on ’s life- specialists matted 688 prints, drawings, and photographs, time casts, highlighted the Simpson Collection. framed and unframed 941 artworks, prepared 128 custom Conservators, in collaboration with outside schol- housings, devised special mounts for eighty-eight art- ars, were instrumental in conducting comprehensive works, and built twenty-eight frames. 44 Preserving

“The scientific research department continues its support of conservation and preservation efforts as well as art history research through scientific analysis of works of art.”

Significant paper conservation Additionally, paper conservators held at the National Museum of the treatments included the bathing of perfected treatment methods, such American Indian. Gallery staff pre- Michael Heizer’s monumental print as the use of gels to remove discolor- sented six lectures at the two-day sym- Scrap Metal Drypoint #6 to remove ation from paper and the preparation posium and led workshops and tours disfiguring stains. The treatment of thin films of flocked cellulose to fill at the Gallery, Library of Congress, required six people to safely move paper and paint losses. Conservators and the Smithsonian Institution. the print in and out of the water bath. prepared a technical display for the The department secured grants Other important treatments involved Drawing in Silver and Gold: Leonardo to from the Irving Penn Foundation and the removal of a stiff paper backing Jasper Johns exhibition and contribut- the Samuel H. Kress Foundation to from Winslow Homer’s watercolor ed to the exhibition catalog. Framers support the publication of the sym- Blackboard, the concealing of a dark presented a talk at a symposium on posium proceedings, which will be mat burn on Jean-François Millet’s the display of books in exhibitions. published in 2016 by the American pastel and crayon drawing Falling The photograph conservation Institute for Conservation of Historic Leaves from the Corcoran Collection, department led the symposium and Artistic Works. Hosted by photo- and the cleaning of an engraving after Platinum and Palladium Photographs: graph conservators, a scholars’ study Frederic Edwin Church’s painting The Technical and Aesthetic History, day in conjunction with the exhibition Heart of the Andes. Chemistry, and Connoisseurship, Captain Linnaeus Tripe: Photographer

Reflectance imaging spectroscopy enables Gallery conservation sci- entists and paper conservators to map the blue in Pacino di Bonaguida’s Christ in Majesty with Twelve Apostles (green is azurite, blue is ultramarine, and red is ultrama- rine on azurite). National Gallery of Art 45

of India and Burma, 1852–1860 pre- sented the results of a collaborative study with scientists to elucidate ’s materials and work- ing methods. Eight major treatments, 343 minor treatments, and 1,250 condition exam- inations were performed for loans, collection maintenance, and three Gallery photography exhibitions. The complex and large-scale multi-​ media works in The Memory of Time: Contemporary Photographs at the National Gallery of Art, Acquired with the Alfred H. Moses and Fern M. Schad Fund and Celebrating Photography at the National Gallery of Art: Recent Gifts involved extensive collaboration with matter-framers, art handlers, and mount makers. The preventive conservation department completed nine major frame treatments, eighty-nine minor frame treatments, fifty-eight minor frame examinations, and 998 con- dition report examinations for exhibitions. In addition, twenty-six micro-climate packages were pro- duced for outgoing loans. Department conservators assisted with examina- tions, handling, display, and pack- A participant in the ing of many exhibitions. The year symposium Plati- began with de-installation and distri- num and Palladium bution of loans to Degas/Cassatt and Photographs: Techni- : Looking Out, Looking cal and Aesthetic His- tory, Chemistry, and In and the installation of seven exhi- Connoisseurship, led bitions, including Captain Linnaeus by the photograph Tripe, Piero di Cosimo: The Poetry of conservation and Painting in Renaissance Florence, and scientific research Gustave Caillebotte: The Painter’s Eye. departments, ex- Work continued on traveling exhi- plores the chemistry bitions associated with the closure of photography. of the East Building galleries, namely Intimate from the the reinstallation of the East Building department performed an initial set National Gallery of Art, The Poetry of galleries in 2016. of fifty-seven examinations on tapes- Light, and Mark Rothko. Preventive The textile conservation depart- tries, carpets, and textiles, in tandem conservation staff also organized an ment completed nine major exam- with Gallery curators from the depart- inter-divisional group to centralize and inations and treatments, fifteen ments of modern art and sculpture expedite material testing for products minor examinations, fifteen minor and decorative arts. used in the storage, display, and trans- treatments, and 186 condition exam- The scientific research department port of art. inations for exhibitions, loans, col- staff published twelve papers in sci- Frame conservators completed lection maintenance, and for the entific, conservation, and art history several major treatments includ- Corcoran Collection. The exam- publications, a result of successful ing three large-scale reproduction ination and treatment of Robert collaborations with colleagues within frames for Giorgio Vasari’s Saint Rauschenberg’s Hoarfrost Editions, the Gallery and throughout the world. Mark, Pieter Claesz’s Still Life with eight layered silk works incorporat- The department continues its sup- Peacock Pie, and Aaron Douglas’s The ing intricate methodologies and aver- port of conservation and preservation Judgment Day. Many antique frames eight feet by four feet, were efforts as well as art history research were treated in preparation for dis- completed for The Serial Impulse at through scientific analysis of works play or loan including the frame Gemini G.E.L. exhibition. of art. It received forty-eight requests for John Mix Stanley’s The Trapper’s During an overall conservation for scientific analysis of works of art, Cabin. Frame conservators also condition survey of the Corcoran many of which were associated with began work on eighteen frames for Collection, the textile conservation the research project on photographs. 46 Preserving

Gallery paper conservator Michelle Facini applies a weak bleach solution to Michael Heizer’s monumental print Scrap Metal Drypoint #6 to remove disfiguring stains.

Preventive con- servators Bethann Heinbaugh and James Gleason assemble a micro- climate package to protect Agnolo Bronzino’s The Holy Family during travel.

Members of the department were The long-term contributions of one Research on the development of invited to serve as keynote speakers member to the field were recognized sophisticated imaging techniques has at conferences and to participate in by a prestigious award from the added the capability for scanning workshops and courses. These includ- College Art Association. x-ray fluorescence analysis of works, ed training in use of instrumentation The department hosted several yielding maps of the distribution of to estimate fugacity of works, using graduate and undergraduate students elements and, by inference, pigments portable-imaging techniques off-site during the course of the year, offering throughout the work. Current work is and training users, leading workshops research opportunities and training in focused on improving data collection on mass spectrometry in cultural her- conservation science. and spectral modeling. Interactive reg- itage, and contributing to a sympo- The department maintains its lead- istered technical images for systemat- sium on Barnett Newman’s paintings. ership position in digital imaging. ic catalog projects have brought new National Gallery of Art 47

Senior object conservator Daphne Barbour examines the Florentine fifteenth-century sculpture Madonna and Child in prepa- ration for treatment. “Object conservators completed six major treatments, 144 minor treatments, thirty-seven major examinations, and more than 960 minor examinations to prepare sculptures for loan, exhibition, and storage.”

information to the scholarly and public The conservation administration on the database that holds a detailed communities. The department’s inves- department continues to refine the description of all 22,000 items cat- tigations on water-miscible oil paints, database for artists’ materials in the aloged to date. The history files will commercially available since the early Art Materials Collection and Study contain unique primary source infor- 1990s, have shown that identifying Center as well as completely over- mation gathered directly from company them in situ is a challenge. Preliminary hauling related product and technical owners and business records. data show that their curing does not literature. Reorganization of trade lit- occur at the same rate as traditional erature is being carried out in con- oils. This finding will help in the plan- junction with researching the history ning of long-term care for works with of art materials manufacturers. The contemporary oil paint. information gathered will be available

2015 Review 50

Treasurer’s Report

The Gallery maintained a strong financial position in the public markets during the last months of the fiscal fiscal year 2015 in spite of challenging market con- year led to a total investment return of minus 4.3 percent ditions that diminished the value of the investment for the portfolio excluding new gifts added and spending portfolio in the last few months of the year. This finan- withdrawn to support programs. Weakness in emerging cial strength was maintained through prudent manage- markets, commodities, and declines in U.S. and devel- ment of expenses, continued strong support of Congress oped international markets contributed the most to the and the Administration, and the generous assistance of negative return. These losses were partly mitigated by donors, corporate sponsors, and foundations that togeth- strong performance of private equity, venture capital, er resulted in a modest operating surplus. and real estate investments and buoyed by positive fixed The federal commitment to operate and maintain the income returns. The investment portfolio’s long-term Gallery originates in the 1937 Joint Resolution of Congress performance over the ten-year period totaled 5.7 percent, that accepted Andrew W. Mellon’s unprecedented gift exceeding the Gallery’s custom investable benchmark by to the nation of his art collection, the funds needed to 140 basis points. construct the West Building, and an endowment fund. The Gallery continued progress on the Master Facilities The Joint Resolution pledged that the United States would Plan, a comprehensive, long-term capital renewal pro- provide funds for the upkeep, administrative expenses, gram supported by federal appropriations that is designed and costs of operations, including the protection and care to address life safety and infrastructure improvements of the works of art given to the nation, so that the Gallery necessary to maintain and protect the Gallery’s build- would at all times be properly maintained and remain ings. In fiscal year 2015, investments in building renova- open to the public free of charge. tions and capitalized equipment totaled $36.5 million. The Gallery receives annual federal appropriations to Construction continued on the major fire, life safety, and support core programs and renovations of its buildings infrastructure improvements to the public areas of the as part of the budget approved by Congress and signed East Building and the privately funded gallery expansion by the President. Income from endowments as well as and rooftop sculpture terrace overlooking Pennsylvania gifts and grants designated by donors for other spe- Avenue. The new rooftop terrace will be flanked by two cific purposes supplement the federal appropriations. new galleries in the northeast and northwest towers of Endowment support for current expenditures is com- the East Building, adding more than 12,000 square feet puted under the Gallery’s spending policy and utilized in of art exhibition space. Construction is expected to be accordance with donor-imposed restrictions. The Gallery complete in the spring of 2016 followed by reinstallation is a nonprofit organization exempt from federal income and reopening of the galleries in the fall of 2016. taxes under the provisions of Section 501(c)(3) of the Internal Revenue Code. OPERATING RESULTS Implementation of the landmark agreement between the National Gallery of Art, the FINANCIAL POSITION The Gallery’s net assets totaled Corcoran Gallery of Art, and the George Washington $1.07 billion at September 30, 2015, a decrease of $50.8 University required a major effort by countless staff million or 4.5 percent from fiscal year 2014. This decrease throughout the Gallery and played a significant role in is primarily due to the decline of the Gallery’s investment the Gallery’s operations and fiscal year results. With portfolio, which ended the year at $759.7 million, a $57.7 the D.C. Superior Court’s decision in August 2014, the million decrease from the prior year. Broad declines in Gallery assumed responsibility for more than 17,000 National Gallery of Art 51

works of art from the Corcoran. The entire collection preparation for the reopening of the East Building public was evaluated, inventoried, packed, and relocated from galleries. Revenues from the Gallery shops totaled $8.6 the deteriorating Corcoran building on 17th Street NW million, a modest decrease of $170 thousand from the to Gallery facilities meeting strict environmental and prior year due to the closure of the East Building public security standards. More than 6,400 Corcoran artworks galleries during construction. have been accessioned into the Gallery’s collection since Fiscal year 2015 operating expenses totaled $150.2 the court decision. Many objects have already been con- million, increasing $7.3 million or 5.1 percent over the served and integrated into the public galleries making prior year, mainly from costs resulting from the transfer them available to the greatest extent possible for millions of the Corcoran Collection to the Gallery and increased of visitors. Staff members continue to work diligently to exhibition program expenses. Three major exhibitions integrate the accessioned works into the public galleries opened this year: Piero di Cosimo: The Poetry of Painting in and study areas. Renaissance Florence, Gustave Caillebotte: The Painter’s Eye, In fiscal year 2015, the Gallery ended the year with and Drawing in Silver and Gold: Leonardo to Jasper Johns. an unrestricted operating surplus of $4.3 million In addition to the major growth of the collection from before depreciation and amortization. Support and rev- the acquisition of Corcoran artworks and gifts of art from enue increased more than operating expenses leading generous benefactors, the collection was augmented by to an improvement of $2.4 million over the prior year several major purchases in fiscal year 2015 including operating result. George Caleb Bingham’s The Jolly Flatboatmen, Jacob Operating support and revenue totaled $154.5 million in Ochtervelt’s A Nurse and a Child in the Foyer of an Elegant fiscal 2015, increasing $9.7 million or 6.7 percent over fis- Townhouse, Aaron Douglas’s The Judgment Day, and Jan cal 2014. Federal support for operations totaled $117.2 mil- Miense Molenaer’s Self-Portrait as a Lute Player. lion, an increase of $7.6 million or 6.9 percent as a result of a 4.1 percent increase in all federal appropriations received and increased outlays from prior year obliga- AUDITORS’ REPORT AND FINANCIAL STATEMENTS tions. Funds appropriated under the Gallery’s investment Summarized financial information is shown on the fol- spending policy totaled $18.5 million, an increase of $2.2 lowing pages. The Gallery’s complete fiscal year 2015 million or 13.6 percent to support the transfer of artworks audited financial statements, related notes, and the from the Corcoran to the Gallery, among other activities. auditors’ reports thereon can be found on the Gallery’s Support from gifts and grants totaled $7.3 million, an website at www.nga.gov. The Gallery’s external auditors increase of $0.5 million over fiscal 2014. Gifts from gen- issued an unmodified opinion on the fiscal year 2015 erous individuals as well as corporations and foundations financial statements and did not identify any material played a major role in supporting the Gallery’s exhibition, weaknesses, significant deficiencies, or areas of noncom- education, and conservation programs in fiscal year 2015. pliance with laws and regulations. These increases in support were partly offset by declines in revenue from royalties, other income, and sales in the Gallery shops. Royalties and other income totaled $2.9 million, a decrease of $409 thousand from the prior year as contributions for one-time touring exhibitions of art displaced by the East Building construction project came to an end and artworks began to return to the Gallery in 52

FINANCIAL STATEMENTS

SUMMARIZED STATEMENTS OF FINANCIAL POSITION Years ended September 30, 2015 and 2014 (In thousands)

ASSETS 2015 2014

Cash and cash equivalents $ 60,101 $ 67,918 Pledges, accounts receivable, and other assets 14,205 19,343 Investments and trusts held by others 759,738 817,404 Property, plant, and equipment, net 310,886 288,983 Total assets $ 1,144,930 $ 1,193,648

LIABILITIES AND NET ASSETS

LIABILITIES:

Environmental liability $ 23,671 $ 23,782 Other liabilities 54,345 52,115 Total liabilities 78,016 75,897

NET ASSETS:

Unrestricted 499,780 502,257 Temporarily restricted 176,324 215,357 Permanently restricted 390,810 400,137 Total net assets 1,066,914 1,117,751

Total liabilities and net assets $ 1,144,930 $ 1,193,648

SUMMARIZED STATEMENT OF OPERATIONS Years ended September 30, 2015 and 2014 (In thousands)

UNRESTRICTED SUPPORT AND REVENUE 2015 2014

Federal appropriations $ 117,196 $ 109,600 Gifts and grants 7,256 6,786 Gallery shops sales, net 8,641 8,811 Spending policy appropriated for operations 18,455 16,252 Royalties and other income 2,929 3,338 Total support and revenue 154,477 144,787

UNRESTRICTED EXPENSES*

Collections 48,436 44,790 Special exhibitions 18,644 17,523 Education, Gallery shops, and public programs 39,969 38,952 Editorial and photography 6,184 6,081 General and administrative 32,905 31,457 Development 4,044 4,100 Total expenses 150,182 142,903

Change in net assets from operating activities $ 4,295 $ 1,884

*excluding depreciation and amortization National Gallery of Art 53

2015 UNRESTRICTED OPERATING SUPPORT AND REVENUE $154,477 (In thousands)

Royalties and other income

Spending policy appropriated 2% for operations 12%

Gallery shops sales, net 5% Gifts and grants 5%

76% Federal appropriations

2015 UNRESTRICTED OPERATING EXPENSES BEFORE DEPRECIATION AND AMORTIZATION $150,182 (In thousands)

Development

3%

General and administrative 22%

32% Collections

Editorial and photography 4%

12% Education, Gallery shops, 27% Special exhibitions and public programs 54

ACQUISITIONS

During fiscal year 2015 the National Gallery of Art accessioned 5,674 works press/2015/nga-corcoran-announcements.html. In fiscal years 2014 and 2015 of art from the Corcoran Gallery of Art. These works of art are in addition the Gallery accessioned a total of 6,430 works of art from the Corcoran to the works accessioned last fiscal year, which were listed in the fiscal year Collection including 469 paintings, 443 sculptures, 1,061 drawings, 2,387 2014 Annual Report. The full list of acquisitions from the Corcoran prints and illustrated books, and 1,883 photographs. The works listed Collection, since the court decision, is available in the Gallery’s February 5, below represent works outside the Corcoran Collection that were acquired 2015 press release, which can be accessed at www.nga.gov/content/ngaweb/ during fiscal year 2015.

PAINTINGS Libert, Georg Emil, Danish, Morton, Ree, American, 1936–1977 Baagöe, Carl Emil, Danish, 1820–1908 > Beaux Chair, 1975, oil on wood and 1829–1902 Bingham, George Caleb, American, > View of Sommerspiret, the Cliffs of enamel on celastic, 2015.22.1, Gift of > Shipping on the Oresund with 1811–1879 Møn, 1846, oil on canvas, mounted Pam Adler, Cynthia Carlson, and Helsingor and Kronborg in the > The Jolly Flatboatmen, 1846, oil on board, 2015.21.1, Pepita Milmore Barbara Zucker Distance, 1896, graphite with on canvas, 2015.18.1, Patrons’ Memorial Fund Neri, Manuel, American, born 1930 stumping and scratching out on Permanent Fund Lobdell, Frank, American, 1921–2013 > Annunciation No. 1, 2006, oil-based gray prepared paper, 2015.66.1, Brown, Cecily, British, born 1969 > 27 May 1948, 1948, oil-based pigments on bronze, 2014.129.1, Gift Ailsa Mellon Bruce Fund > Girl on a Swing, 2004, oil on linen, pigments on canvas, 2014.128.1, Gift of Manuel Neri Trust Bechtle, Robert, American, 2015.62.1, Gift of the Collectors of Mr. and Mrs. Gerald D. Kohs Nini, Giovanni Battista, Italian, born 1932 Committee Molenaer, Jan Miense, Dutch, 1717–1786 > and 20th Intersection, 2004, Cassatt, Mary, American, 1844–1926 c. 1610–1668 after Thomas Walpole, British, colored pencil and graphite on > Eddy Cassatt (Edward Buchanan > Self-Portrait as a Lute Player, c. 1635, 1755–1840 tracing paper, 2014.116.9, Gift of Cassatt), 1875, oil on canvas, oil on panel, 2015.20.1, The Lee and > Benjamin Franklin, 1706–1790, Kathan Brown 2015.41.1, Gift from the Family of Juliet Folger Fund Diplomat and Statesman, model Biennourry, Victor-François-Eloi, Col. Edward Buchanan Cassatt Murray, Elizabeth, American, 1777, terracotta French, 1823–1893 Douglas, Aaron, American, 1940–2007 after Giovanni Battista Nini, Italian, > The Mocking of Christ, 1852, black 1899–1979 > Cloud 9, 2002, oil on canvas, 1717–1786 chalk with white heightening on > The Judgment Day, 1939, oil on 2014.142.3, Gift of Anne and Joel > Benjamin Franklin, 1706–1790, two joined pieces of blue paper, tempered hardboard, 2014.135.1, Ehrenkranz Diplomat and Statesman, model 2015.81.1, Ailsa Mellon Bruce Fund Patrons’ Permanent Fund, The 1777, cast probably , Novros, David, American, born 1941 Bison, Giuseppe Bernardino, Avalon Fund bronze, 2015.29.1–2, The McNeil > Untitled, 1965, repainted 1986, Venetian, 1762–1844 Americana Collection Dufy, Raoul, French, 1877–1953 acrylic on canvas, 2014.141.1, > The Virgin and Child Enthroned, > The Regattas at Henley, 1937, oil Anonymous Gift Saar, Betye, American, born 1926 Adored by Saints, 1790s(?), pen and on canvas, 2014.18.61, Collection > Untitled, 1965–1967, acrylic on > Twilight Awakening, 1978, mixed brown ink with brown wash over of Mr. and Mrs. Paul Mellon canvas, 2014.141.2, Anonymous Gift media on printer’s wood block, graphite, 2015.56.1, Purchased as 2015.27.1, Gift of Francine Farr in the Gift of Dian Woodner Feeley, Paul, American, 1910–1966 Ochtervelt, Jacob van, Dutch, honor of Samella Lewis, with > Untitled, 1962, oil on canvas, 1634–1682 Boccaccino, Camillo, Italian, gratitude to Scripps College 2014.147.1, Gift of Peter Soriano > A Nurse and a Child in the Foyer of 1504–1546 in honor of José Maria Soriano an Elegant Townhouse, 1663, oil on Sarmento, Julião, Portuguese, > Studies for the Virgin and Child Forain, Jean-Louis, French, 1852–1931 canvas, 2015.68.1, The Lee and Juliet born 1948 (recto); Christ and the Woman Taken > The Races at Longchamp, c. 1891, oil Folger Fund > Some Feeling of Threat, Some Sense in Adultery (verso), c. 1532, black on canvas, 2014.18.62, Collection of Menace, 1998, resin, glass- chalk with white heightening on reinforced plastic, fabric, acrylic, blue paper, 2015.89.1.a, b, Ailsa of Mr. and Mrs. Paul Mellon SCULPTURES leather, and metal, 2014.143.1, Gift Mellon Bruce Fund Jackson, Oliver Lee, American, Aitken, Robert Ingersoll, American, of Aaron I. Fleischman born 1935 Bonnard, Pierre, French, 1867–1947 1878–1949 > Untitled (5.21.95), 1995, oil-based Smith, Kiki, American, born 1954 > Suite of Drawings for the Volume > Lambs Club War Memorial, c. 1920, pigments and oil-pastel on linen, > Seer (Alice II), 2005, cast iron, “Histoire du Poisson Scie et du bronze, 2014.132.1, Gift of Mathew 2015.2.1, Gift of Wanda Malone 2014.142.1, Gift of Anne and Joel Poisson Marteau,” 1960, suite of D. Wolf Harrison & Paul Carter Harrison Ehrenkranz thirty-nine drawings in pen and ink Collection French 17th Century, Probably Wilson, Fred, American, born 1954 and brush, 2014.112.3, Collection of > Mortar with Busts and Draped Venus Mr. and Mrs. Paul Mellon Kline, Franz, American, 1910–1962 > Pssst!, 2005, blown glass, 2014.142.2, Figures, c. 1600, bronze, 2014.160.1, > Apache Dancer (Bleecker Street Gift of Anne and Joel Ehrenkranz Bontecou, Lee, American, born 1931 Gift of Faya Causey in memory of Tavern Mural), 1940, oil on > Untitled, 1958, soot, 2015.1.1, Gift of Philip Conisbee canvasboard DRAWINGS Helen Porter and James T. Dyke > Bubble Dancer (Bleecker Street Horn, Roni, American, born 1955 Calandrucci, Giacinto, Italian, , Julius the Elder, German, Tavern Mural), 1940, oil on > Opposite of White, v. 2 (Large) (A), 1646–1707 1826–1874 canvasboard 2006–2007, solid cast black glass > The Spies Returning from Canaan, > Self-Portrait Working at a > Circus Rider (Bleecker Street Tavern with fire-polished top, 2015.63.1, Gift 1690s(?), pen and brown ink with Lithographic Press, 1847, graphite, Mural), 1940, oil on canvasboard of the Collectors Committee, blue over black chalk, squared for 2015.54.2, Ailsa Mellon Bruce Fund > Dancer in a Red Skirt (Fiesta) Howard and Roberta Ahmanson, transfer with red chalk, 2015.87.1, (Bleecker Street Tavern Mural), John and Mary Pappajohn, Denise Antonio da Sangallo, Circle of, William B. O’Neal Fund and Andrew Saul, Constance R. Italian, 1483–1546 1940, oil on canvas, 2014.145.1–4, Costa, Giovanni, Italian, 1826–1903 Caplan, Lenore S. and Bernard A. > An Imperial Tomb: Elevation and Woodner Collection, Gift of > Trees in the Roman Campagna, Greenberg Fund, Kyle J. and Sharon Ground Plan, c. 1530, pen and brown Dian Woodner 1850s, watercolor over graphite, Krause, and Mitchell and Emily Rales ink with wash over blind stylus, 2015.108.1, Ailsa Mellon Bruce Fund 2015.72.1, William B. O’Neal Fund National Gallery of Art 55

de Cointet, Guy, American, born watercolor, 2015.73.1, Ailsa Mellon Lanoüe, Félix-Hippolyte, French, pen and black ink and wash France, 1934–1983 Bruce Fund 1812–1872 > Lobdell Sketchbook, 2003–2005, > Remember the Stories about Strange Grosz, George, German, 1893–1959 > The Aqua Claudia in the Roman bound volume of one hundred and Little Men, 1971, black felt- pen > The Case of the Iron Club or Crime Campagna, c. 1840, pastel, seven drawings in various media > When Radar was New, 1971, black Does’nt Pay, 1932, collage with red 2014.167.1, Ailsa Mellon Bruce Fund > Lobdell Sketchbook, 1993–2000, felt-tip pen ink or paint, 2015.14.1, Ruth and Lawrence, Claude, American, bound volume of seventy drawings > The Signature of Mohammed, 1971, Jacob Kainen Memorial Acquisition born 1944 in various media, 2014.124.1–20, Gift black felt-tip pen and graphite, Fund > A Two Sunday Week, 2014, of the Frank Lobdell Trust 2014.120.1–3, Gift of Brian and Paula Harpignies, Henri-Joseph, French, acrylic paint Masson, André, French, 1896–1987 Ballo Dailey 1819–1916 > Stalk Talk, 2007, acrylic paint > Le Lit Hanté, 1942, pen and black Delaunay, Sonia, French, 1885–1979 > A Cascade in the Mountains, 1870s, > The Shift, 2002, acrylic paint ink with wash and watercolor, > Simultaneous Patterns for Cloth, watercolor over pen and black ink, > Proposal, 2007, acrylic paint 2015.26.1, Gift of Helen Porter and 1930s(?), watercolor on tracing 2015.82.1, Purchased as the Gift of > Fairgrounds, 1993, pastel, 2015.24.3– James T. Dyke paper, 2015.111.3, Ailsa Mellon Diane A. Nixon 7, Gift of Auldlyn Higgins Williams Master of the Drapery Studies, Bruce Fund and E. T. Williams Jr. in honor of Heilmann, Mary, American, German, active c. 1470–1500 Kathryn C. Chenault and Norma C. Dethomas, Maxime, French, born 1940 > Saint Christopher, Saint John the Barfield and in memory of their 1867–1929 > Undertow, 2006, pastel with Baptist, the Virgin and Child, and parents, Elaine Bridgette Hancock > An Elegant Parisiènne Seated in graphite, 2014.116.21, Gift of Christ Blessing (recto); Saint Agnes and Dr. Victor L. Hancock a Café, c. 1895, black chalk and Kathan Brown (verso) (after Martin Schongauer), gouache, 2015.53.1, Alexander M. Lebas, Gabriel Hippolyte, French, c. 1490, pen and brown ink, Hicks, Sheila, American, born 1934 and Judith W. Laughlin Fund 1812–1889 2015.98.2.a, b, Purchased as the > Pineapple Crossword Puzzle, 2014, > A Rocky Seacoast in a Storm, Gift of Ladislaus and Beatrix von Dial, Thornton Sr., American, fiber from pineapple plant, 1840s, watercolor with gouache Hoffmann born 1928 2014.133.1, Gift of Melvin Bedrick and gum arabic, 2015.111.1, > Almanac—Time for Things to Grow, > Embedded Thoughts, 2013, silk Munch, Edvard, Norwegian, Purchased as the Gift of Alexander 1992, watercolor and charcoal wrapped paper, wool, cotton, and 1863–1944 M. and Judith W. Laughlin > A Shadow of Life, 1994, charcoal, linen, 2014.134.1, Gift of Roy and > Night at Norstrand, 1890, gray wash 2015.24.1–2, Gift of Auldlyn Higgins Cecily Langdale Davis Lobdell, Frank, American, and black chalk, 2015.5.2, Gift of Williams and E. T. Williams Jr. in 1921–2013 The Epstein Family Collection Honthorst, Gerrit van, Dutch, honor of Dr. Kline Armond Price Jr. > Drawing IV, 1955, pen and black 1590–1656 Picart, Bernard, French, 1673–1733 and Hugh Bernard Price, and in ink and wash > Diana and Two Nymphs Receiving > Le Lutrin: A Night Scene with the memory of their parents, Charlotte > Drawing IV, 1958, graphite, black Gifts from a Satyr (recto); Decorative Wigmaker, Brontin, and Boirude, the Schuster Price and Dr. Kline ink, wash, and gouache Motifs with Garlands, 1620s, pen and Sacristan, Surprised by an Owl Flying Armond Price Sr. > Figure Drawing Series No. 12, 1963, brown ink over black chalk, Out of a Lectern, c. 1718, pen and pen and black ink and wash di Suvero, Mark, American, heightened with white, on brown black ink with gray wash, > Figure Drawing Series No. 31, 1963, born 1933 paper (recto); pen and brown ink heightened with white and ink and wash on calendered paper > Drawing for T’ang, 1977, graphite, with gray wash on brown paper indented for transfer with the verso > Figure Drawing Series No. 25, 1964, 2015.23.183, Gift of Gemini G.E.L. (verso) blackened, 2015.98.1, Ailsa Mellon black ink and wash on calendered and the Artist > Diana and Four Nymphs Receiving Bruce Fund paper Eliasson, Olafur, Danish, born 1967 Gifts from a Satyr, c. 1630, pen and Pollock, Jackson, American, > Figure Drawing Series No. 136, 1964, > Yellow to grey and grey to purple and black ink with gray wash over black 1912–1956 graphite and ink wash yellow to grey movie-grey to yellow chalk, heightened with white > Untitled, c. 1939–1940, graphite > Figure Drawing Series No. 11, 1965, and purple to grey and purple to gouache, on brown paper, and colored pencil, 2015.11.1, pen and black ink and wash on black and black to grey movie-purple 2015.69.1.a–b, 2, Pepita Milmore Ruth and Jacob Kainen Memorial calendered paper to grey and grey to yellow and purple Memorial Fund Acquisition Fund > Figure Drawing Series No. 21, 1965, to black movie, 2009, triptych of Hübner, Julius, German, 1806–1882 pen and black ink Puvis de Chavannes, Pierre, French, three watercolors with graphite on > Pauline, the Wife of the Artist, 1842, > Figure Drawing Series No. 11, 1824–1898 paper, 2014.150.5.a–c, Gift of The graphite with stumping, touched 1966, graphite > Standing Female Nude, c. 1879, black Heather and Tony Podesta Collection with pen and gray ink, on white > Figure Drawing Series No. 31, chalk with stumping on tracing Fuseli, Henry, Swiss, 1741–1825 prepared card, 2015.99.1, William 1966, graphite paper, squared for transfer, > Satan Defying the Powers of Heaven B. O’Neal Fund > Figure Drawing Series No. 29, 2015.56.2, Ailsa Mellon Bruce Fund (recto and verso), c. 1800, graphite, Isabey, Eugène, French, 1803–1886 1967, black ball-point pen, black Redon, Odilon, French, 1840–1916 black chalk, and gray wash, > A Coast Road with Cliffs in the ink, and wash > Saint Anthony and the Two 2015.10.1.a, b, Purchased as the Gift North of France, c. 1830, graphite > Figure Drawing Series No. 77, 1967, Temptresses of Andrea Woodner on buff paper, 2014.140.3, Gift of pen and black ink and wash > Young Man > An Intimate Concert, 1814, graphite, Andrew Robison > Figure Drawing Series No. 17, 1968, > The Queen of Sheba 2015.71.1, William B. O’Neal Fund pen and black ink Kirchner, Ernst Ludwig, German, > Apollonius > Figure Drawing Series No. 75, 1968, Gorky, Arshile, American, born 1880–1938 > The Shadow pen and black ink and wash Armenia, 1904–1948 > Two Nudes on a Bed (Isabella and a > The Devil, 1896–1900, brush and > Dance Drawing No. 3 (recto); Figure > Standing Female Nude, c. 1930, Younger Girl), c. 1906, brush and black ink, 2014.137.8–13, Woodner Study (verso), 1971, black ink gouache with collage on india ink on buff paper, 2014.173.1, Collection, Gift of Dian Woodner and gouache paperboard, 2015.77.1, Ruth Ruth and Jacob Kainen Memorial Roberts, Julie, Welsh, born 1963 > Figure Drawing Series No. 9, 1973, and Jacob Kainen Memorial Acquisition Fund > Jack # Annie Chapman green ball-point pen Acquisition Fund > Jack # Mary Kelly Langendijk, Dirk, Dutch, 1748–1805 > Figure Drawing Series No. 14, 1973, Götzloff, Carl Wilhelm, German, > Jack # Cathy Eddowes > Battle by a River, 1780, pen with pen and black and sepia ink and 1799–1866 > Jack # Mary Ann Nichols brown and black ink and gray wash, wash, and white gouache > A Temple Ruin in Agrigento, c. 1825, > Jack # Frances Coles (suspected victim) 2015.96.1, Ailsa Mellon Bruce Fund > Figure Drawing Series No. 31, 1974, 56 Acquisitions

> Jack # Martha Tabram Almond, Darren, British, born 1971 McGuire III and his parents, Elinor Bonnard, Pierre, French, 1867–1947, (suspected victim) > Fullmoon@Rwenzori: Mountains of Hackett McGuire and Robert and Henry de Montherlant (author), > Jack # Elizabeth Stride the Moon, 2010, color Grayson McGuire Jr. French, 1895–1972 > Jack # Alice McKenzie (suspected photogravures, 2014.116.2, 3, Bennett, William James, American, > La rédemption par les bêtes (Paris, victim), 2001, graphite, 2014.150.11, Gift of Kathan Brown born England, 1787–1844 1959), copy one of this special, 19–25, Gift of The Heather and Andersson, Mamma, Swedish, > Harvey’s Scenes of the Primitive unbound edition with twenty-two Tony Podesta Collection born 1962 Forest of America, at the Four lithographic illustrations Senape, Antonio, Italian, active > Room Under the Influence, 2008, Periods of the Year, Spring, Summer, accompanied by three suites of 1820–1849 softground etching, watercolor & Winter (after George thirty-nine lithographs: one suite > Souvenir Album with Views of Naples, graphite, and artist’s notations in Harvey), 1841, bound volume with printed in grey, one suite in pink, Southern Italy, and Sicily, 1848, graphite and black ink four hand-colored aquatints, and one suite in green album of sixty-five drawings in pen > Room Under the Influence, 2008, 2015.25.2.1–4, Gift of Harry W. > La rédemption par les bêtes (Paris, and black ink, 2015.86.1, Purchased color sugarlift aquatint, aquatint, Havemeyer in memory of his father, 1959), copy two of this special, as the Gift of Joan and David Maxwell and softground etching with brush Horace Havemeyer unbound edition with twenty-two lithographic illustrations Stella, Frank, American, born 1936 and black ink and artist’s notations Bergmüller, Johann Georg, German, accompanied by three suites of > Study for “Stacks Series,” 1971, five in black ink 1688–1762 thirty-nine lithographs: one suite graphite drawings, one with black > Room under the Influence, 2008, > Allegory of Winter with Diana the printed in grey, one suite in pink, felt-tip pen, and four on graph color spitbite aquatint, sugarlift Huntress, c. 1750, etching, 2015.96.2, and one suite in green paper, 2015.23.180, 186–189, Gift aquatint, aquatint, and softground Ailsa Mellon Bruce Fund etching with artist’s notations in > La rédemption par les bêtes (Paris, of Gemini G.E.L. and the Artist Bernard, Valère, French, 1880–1936 graphite and black ink, 2014.116.4–6, 1959), copy three of special, Thiersch, Ludwig, Gerrman, > Cauchemar, 1895, softground Gift of Kathan Brown unbound edition with twenty-one 1825–1909 etching and aquatint, 2014.170.1, lithographic illustrations Angolo del Moro, Battista, Italian, > The Waterfall at Tivoli with the Villa Ailsa Mellon Bruce Fund accompanied by three suites of c. 1515–1573 of Maecenas, 1851, graphite with Bleckner, Ross, American, thirty-nine lithographs: one suite > The Finding of Moses, 1540s, etching, white heightening on blue paper, born 1949 printed in grey, one suite in pink, 2014.172.1, Ruth and Jacob Kainen 2015.54.1, Ailsa Mellon Bruce Fund > Single Bird, 1999, color lithograph and one suite in green Memorial Acquisition Fund Tiepolo, Giovanni Battista, > Single Bird (State), 1999, color > Prospectus for La rédemption par les Venetian, 1696–1770 Appel, Kevin, American, born 1967 lithograph bêtes (Paris, 1960), two lithographic > Head of a Young Man in Profile, > Orange House, 2001, color > School (State), 1999, color lithograph illustrations, 2014.112.22.1–4, c. 1750s, red chalk with white screenprint, 2015.23.392, Gift of and screenprint, 2015.23.348–350, Collection of Mr. and Mrs. Paul Mellon Gemini G.E.L. and the Artist heightening on blue paper, Gift of Gemini G.E.L. and the Artist Bonnard, Pierre, French, 1867–1947, 2014.137.1, Woodner Collection, Appleby, Anne, American, Blooteling, Abraham, Dutch, and Paul Verlaine (author), French, Gift of Dian Woodner born 1954 1640–1690 1844–1896 Valerio, Théodore, French, > Verona Suite, 2003, color aquatint > Mr. Henricus van Born (after > Parallèlement (Paris, 1897 and 1900), 1819–1879 with collage Nicolaes Maes), c. 1685, mezzotint, bound proofs with sixty-four > Moustachioed Slav in Belgrade, 1854, > Verona Suite, 2003, color aquatint 2015.74.8, Purchased as the Gift of drawings in charcoal and two uncut watercolor over graphite, 2015.111.2, with collage, 2014.116.7–8, Gift of Lawence Lawver sheets of lithographs in pink and brown Kathan Brown > Parallèlement (Paris, 1900), bound Ailsa Mellon Bruce Fund Boissieu, Jean-Jacques de, French, volume with an extra set of proofs Wyld, William, British, 1806–1889 Baldessari, John, American, 1736–1810 behind the full illustrated text: 212 > The Duomo in Milan from a Side born 1931 > Old Gérard, Peasant from Chasselay, lithographs in rose sanguine; nine Street, c. 1834, watercolor, 2015.83.1, > For LACMA, 2007, color lithograph 1772, etching and roulette, wood-engraved ornaments after Ailsa Mellon Bruce Fund and screenprint, 2015.23.6, Gift of 2015.96.3, Katharine Shepard Fund Gemini G.E.L. and the Artist Bonnard; and two recto/verso Yoakum, Joseph, American, Bonnard, Pierre, French, 1867–1947, drawings loose in volume, one in Baldung Grien, Hans, German, 1890–1972 and Longus (author), Greek, active graphite, one in blue, black, and 1484/1485–1545, and Otto Brunfels > Briar Head mtn of National Park 3rd century red pencil (author), German, 1464–1534 Range, c. 1969, blue ball-point pen > Les Pastorales de Longus ou Daphnis > Parallèlement (Paris, 1897 and 1900), > Annotationes Othonis Brunfelsii…in and colored pencil et Chloe (Paris, 1902), bound volume bound proof with eight lithographs quatuor Euangelia & Acta > Mt Taum Sauk 1772 ft, c. 1965, blue with four original drawings in black and thirty-five drawings in blue Apostolorum… (Strasbourg, 1535), ball-point pen and colored pencil or blue pencil, 151 lithographs in the pencil and black charcoal, bound volume with one woodcut on brown paper, varnished, text, and four lithographic proofs 2014.112.34–36, Collection of Mr. and portrait of the author on the verso 2015.17.1–2, Collectors Committee without text Mrs. Paul Mellon of the title page, 2014.139.3, > Les Pastorales de Longus ou Daphnis Zielke, Julius, German, 1826–1907 Bonnard, Pierre, French, 1867–1947, Anonymous Gift et Chloe prospectus, 1902, one uncut > The Colosseum Seen from the and (author), Banfi, Gioacchino, Italian, 1851–1885 sheet from Daphnis et Chloe with Palatine Hill, 1860s(?), watercolor French, 1867–1939 > Seated Man in Sixteenth-Century three lithographs, 2014.112.14–15, and gouache over traces of > Sainte Monique (Paris, 1930), Costume, c. 1878, etching with Collection of Mr. and Mrs. Paul graphite, touched with gum arabic, unbound volume with 178 aquatint, 2015.79.2, Ailsa Mellon Mellon 2015.73.2, Ailsa Mellon Bruce Fund woodcuts, twenty-eight etchings Bruce Fund Bonnard, Pierre, French, 1867–1947, (two duplicate sets of fourteen), and PRINTS AND Bearden, Romare, American, and Octave Mirbeau (author), fifty-eight transfer lithographs (two ILLUSTRATED BOOKS 1911–1988 French, 1850–1917 duplicate sets of twenty-nine), > Three Women (Easter Sunday), 1979, > Dingo (Paris, 1924), unbound 2014.112.37, Collection of Mr. and Abts, Tomma, German, born 1967 color lithograph volume with etched ornaments Mrs. Paul Mellon > Untitled (Diagonals), 2009, color > Pilate, 1979, color lithograph, throughout and fourteen full-page Borofsky, Jonathan, American, aquatint and softground etching 2015.24.8–9, Gift of Auldlyn Higgins etched illustrations with drypoint, born 1942 with colored pencil and graphite, Williams and E. T. Williams Jr. in 2014.112.20, Collection of Mr. and > Man with a Briefcase at No. 3274691, 2014.116.1, Gift of Kathan Brown memory of Robert Grayson Mrs. Paul Mellon 1990, woodcut and collage on handmade paper National Gallery of Art 57

> Human Structure #1, 2006, volume with twenty-one prints Cage, John, American, 1912–1992 drypoint, 2015.79.1, Ailsa Mellon color screenprint including sixteen etchings with > Eninka, 1986, burned and smoked Bruce Fund > Human Structure #2, 2006, drypoint plus one content sheet paper, 2014.116.52, Gift of Kathan Denis, Maurice, French, 1870–1943, color screenprint with thumbnails of all; one color, Brown and André Gide (author), French, > Human Structure #3, 2006, mixed-media print on the cover; Celmins, Vija, American, born 1867–1951 color screenprint two relief prints; and one color Latvia, 1938 > Le Voyage d’Urien (Paris, 1893), > Male/Female, 2000, color frontispiece in etching with aquatint > Night Sky 2 (Reversed), 2003, color bound volume with one woodcut lithograph and screenprint and drypoint, 2014.112.10, Collection photogravure, aquatint, photo on title and thirty color lithographic > Male/Female, 2000, color of Mr. and Mrs. Paul Mellon etching, and drypoint illustrations, 2014.112.9, Collection lithograph and screenprint Braque, Georges, French, 1882– > Night Sky 3, 2003, photogravure, of Mr. and Mrs. Paul Mellon > Male/Female, 2000, color 1963, and Saint-John Perse (author), aquatint, and drypoint with Derain, André, French, 1880–1954, lithograph and screenprint French, 1887–1975 burnishing and Guillaume Apollinaire (author), > Male/Female, 2000, color > L’ordre des oiseaux (Paris, 1962), > Untitled (Web 4), 2002, French, 1880–1918 lithograph and screenprint bound volume with twelve color photogravure, aquatint, and > L’Enchanteur Pourrissant (Paris, > Male/Female, 2000, aquatints, 2014.112.24, Collection of drypoint with burnishing 1909), bound volume with twenty- color screenprint Mr. and Mrs. Paul Mellon > Untitled (Web 3), 2003, aquatint and nine woodcut illustrations including > Self Portrait, 2000, screenprint Braque, Georges, French, 1882– drypoint fifteen head-piece or tail-piece > Self Portrait (State), 2000, 1963, Francis Ponge (author), > Night Sky I (Reversed), 2003, color ornaments and fourteen half- or screenprint on gray paper French, 1899–1988, and Fernand photogravure, aquatint, photo full-page woodcuts, 2014.112.2, > Male/Female, 2000, color Mourlot (author), French, 1895–1988 etching, and drypoint, 2015.23.12–13, Collection of Mr. and Mrs. Paul Mellon lithograph and screenprint > Braque lithographe (Paris and Monte 327, 379, 380, Gift of Gemini G.E.L. > Male/Female, 2000, color Des Barres, Joseph Frederick Carlo, 1963), bound volume with and the Artist lithograph and screenprint Wallet, Swiss, born Montbéliard, two lithographs on the cover and Close, Chuck, American, born 1940 > Male/Female, 2000, color France, 1729–1824 frontispiece and one lithographic > John, 1972, color photo-etching lithograph and screenprint > The Atlantic Neptune (London, 1780– emblem on the title-page, > John, 1972, color photo-etching > Male/Female, 2000, color 1781), two bound folios containing 2014.112.4, Collection of Mr. and > John, 1972, color photo-etching lithograph and screenprint five volumes with 152 engraved Mrs. Paul Mellon > John, 1972, photo-etching > Male/Female, 2000, color naval charts or sets of views on 263 > John, 1972, color photo-etching screenprint, 2015.23.1, 7–9, 374–376, Brebiette, Pierre, French, folio sheets, many are hand- and etching 383–384, 396, 397, 410–414, Gift of 1598–c. 1650 colored, 2015.25.1.1–2, Gift of Harry > Self-Portrait, 2010, color Gemini G.E.L. and the Artist > Bacchanales, 1626, complete set of W. Havemeyer in memory of his twelve etchings, 2015.44.4–15, Ailsa photogravure with crayon additions father, Horace Havemeyer Bottani, Giovanni, Italian, 1725–1804 [working proof for unpublished print] Mellon Bruce Fund Diebenkorn, Richard, American, > The Virgin (after Giuseppe Bottani) > Self-Portrait, 2010, color Brinckmann, Philipp Hieronymus, 1922–1993 > The Virgin and Child photogravure [multi-inked working German, 1709–1761 > Green (working proof 2), 1986, > The Virgin and Sleeping Child (after proof for unpublished print], > A Road through the Woods, 1740, drypoint with gray wash and Giuseppe Bottani) 2014.116.12–16, 53–54, Gift of Kathan etching, 2015.74.1, Ailsa Mellon pasted-down elements > The Incredulity of Saint Thomas Brown (after Giuseppe Bottani), mid 18th Bruce Fund > Green (working proof 3), 1986, color Corinth, Lovis, German, 1858–1925 century, etchings with engraving, Briot, Isaac, French, 1585–1670 spitbite aquatint and drypoint > Elephant, 1917/1918, etching, 2015.4.3–6, Gift of James A. > Le portraict de tres-haut…Henry Le > Green (working proof 4), 1986, color 2014.138.1, Gift of Jutta Mosse in Bergquist, in honor of Andrew Grand, 1610, engraving, 2015.92.1, spitbite aquatint, soapground memory of Edith Steinfeld Cliffe Robison Ailsa Mellon Bruce Fund aquatint, and drypoint with pasted- Costa, Giovanni Francesco, down elements, 2014.115.1–3, Bottani, Giuseppe, Italian, 1717–1784 Brown, Brad, American, born 1964 Venetian, 1711–1773 Patrons’ Permanent Fund > Saint Joachim and the Infant Virgin Mary > Untitled 2, 1999, color spitbite and > Anamorphoses, c. 1747, set of eight > Green (working proof 1), 1986, > Saint Joseph and the Infant Jesus, sugarlift aquatint with hard and etchings hand-colored with drypoint mid 18th century, etchings with softground etching and drypoint watercolor and gouache > Green (working proof 6), 1986, color engraving, 2015.4.1, 2, Gift of James > Untitled 2, 1999, color spitbite and > Ruins by the Coast, etching, drypoint, etching, spitbite aquatint, A. Bergquist, in honor of Andrew sugarlift aquatint with hard and 2014.176.1–8, 9, New Century Fund and soapground aquatint Cliffe Robison softground etching and drypoint, > Templum Iunoni, ac Iovi Pavellennio, > Green (working proof 5), 1986, color 2014.116.10–11, Gift of Kathan Brown Brand, Johann Christian, Austrian, 1748, etching, 2015.55.1, Purchased soapground aquatint and spitbite 1722–1795, and Various Artists Brown, Cecily, British, born 1969 as the Gift of Matthew and Ann aquatint, 2014.116.55–57, Gift of > Zeichnungen nach dem gemeinen > Aujourd’hui Rose, 2005, lithograph Nimetz Kathan Brown Volke besonders Der Kaufruf in Wien, > Untitled, 2005, color lithograph, Cunningham, Richenda, British, > Untitled #2, 1993, lithograph 1775, complete set of forty etchings 2015.23.10–11, Gift of Gemini G.E.L. 1782–1855 > Untitled #5, 1993, lithograph with engraving, plus title page, and the Artist > A Swiss Cottage, c. 1825, lithograph > Untitled (from Club/Spade Group 2015.16.1–41, Purchased as the Gift of Burden, Chris, American, 1946–2015 on chine collé, 2014.140.1, Gift of ‘81–82), 1986, color lithograph, an Anonymous Donor > What Is A Family?, 2001, color Andrew Robison 2015.23.4–5, 198, Gift of Gemini Braque, Georges, French, 1882– lithograph and screenprint, G.E.L. and Artist David, Giovanni, Italian, 1743–1790 1963, and René Char (poet), French, 2015.23.387, Gift of Gemini G.E.L. > Exegi Monumentum, 1775, etching, Doetechum, Lucas van, Dutch, 1907–1988 and the Artist 2015.47.1, Ailsa Mellon Bruce Fund active 1554/1572; died before 1589, > Le soleil des eaux (Paris, 1949), Busse, Georg Heinrich, German, and Johannes van Doetechum, the unbound volume with four color Delaunay, Robert, French, 1885–1941 1810–1868 Elder, Dutch, died 1605 lithographic illustrations, 2014.112.5, > Saint-Séverin, 1923–1925, lithograph > Ovindoli negli Abruzzi, 1843, etching > Scenographiae, sive Perspectivae Collection of Mr. and Mrs. Paul Mellon in black and sepia, 2014.122.1, Gift of on chine collé [proof with etched (after Hans Vredeman de Vries), Aaron I. Fleischman Braque, Georges, French, 1882– remarques in the lower caption 1560, complete series of letterpress 1963, and Hesiod (poet), Greek, space], 2015.74.4, Ailsa Mellon dell’Orto, Uberto, Italian, 1848–1895 title page, engraved dedication, and active 750–650 BC Bruce Fund > The Harbor at Viareggio (La twenty etchings, 2015.64.1–22, Ailsa > Theogonie (Paris, 1955), bound Darsena), 1873/1874, etching and Mellon Bruce Fund 58 Acquisitions

Doig, Peter, Scottish, born 1959 > Provinciaux visitant les curiosités de Gillray, James, British, 1757–1815 > face…harry r., 2003, photogravure > Grand Riviere, 2002, color etching Paris, c. 1805 > Midas, Transmuting all, into Gold > face…kanae, 2003, photogravure and aquatint > Les Invisibles en tête-à-tête, c. 1805, Paper, 1797, etching with hand- > face…kirstin, 2003, photogravure > Grand Riviere, 2002, color etching etchings with publisher’s hand coloring in watercolor, 2015.49.1, > face…tom, 2003, photogravure and aquatint, 2014.116.17, 18, Gift of coloring in watercolor, 2015.49.2–4, Purchased as the Gift of an > face…taura 1, 2003, photogravure Kathan Brown Katharine Shepard Fund Anonymous Donor > face…emmett, 2003, photogravure Drevet, Pierre, French, 1663–1738 Fries, Pia, Swiss, born 1955 Ginsberg, Allen, American, > face…mr. innui, 2003, photogravure > Hyacinthe Rigaud (after Hyacinthe > Falc, 2007, photogravure [working 1926–1997 > wreathe, 2000, blind embossing, Rigaud), 1700, engraving, 2015.109.1, proof] > Untitled #1, 1996, lithograph and 2015.23.24–41, 407, Gift of Gemini Ailsa Mellon Bruce Fund > Falc, 2007, photogravure with screenprint G.E.L. and the Artist Dusart, Cornelis, Dutch, 1660–1704 collage, watercolor, and crayon > Untitled #3, 1996, color lithograph Hill, John, American, 1770–1850 > Victoria Publica, 1695, mezzotint, [working proof], 2014.116.19, 20, and screenprint > Picturesque Views of American 2014.166.1, Ailsa Mellon Bruce Fund Gift of Kathan Brown > Untitled #4, 1996, color lithograph Scenery (after Joshua Shaw), 1819– and screenprint 1821, bound volume with twenty Dutch 17th Century Gaillot, Bernard, French, 1780–1847 > Harry Smith’s Birthday Party, 1998, hand-colored aquatints, plus six > Memento Mori, c. 1680, mezzotint, > Boats on the Beach, 1824, lithograph, lithograph and screenprint, hand-colored aquatints from Robert 2015.74.3, Ailsa Mellon Bruce Fund 2014.140.2, Gift of Andrew Robison 2015.23.329, 332–333, 403, Gift of Havell Jr.’s (American, born Britain, Gallays, Pierre (publisher), French, Fontebasso, Francesco, Venetian, Gemini G.E.L. and the Artist 1793–1878) Views of India (after 1709–1769 c. 1677–1749 Gober, Robert, American, born 1954 James Baillie Fraser), 1824–1826, > Pope Gregory the Great and Saint > Death with Worldly Vanities, > Untitled, 1997, lithograph 2015.25.3, Gift of Harry W. Vitale Interceding for the Souls in 1700/1720, engraving, 2015.44.3, > Untitled, 2002, lithograph Havemeyer in memory of his father, Purgatory (after ), Ailsa Mellon Bruce Fund > Untitled, 2000, color lithograph Horace Havemeyer c. 1731, etching Gaspari, Pietro, Italian, 1720–1785, > Untitled, 2000, lithograph, Hockney, David, British, born 1937 > Varii baccanali et istorie, 1744, set of and Giuseppe Lante, Italian, 2015.23.22–23, 219–220, Gift of > Henry with Tulips, 1976, color seven etchings, 2014.117.1–8, Gift of born 1726 Gemini G.E.L. and the Artist lithographs [six trial proofs] Karin Wachtel in memory of her > Architectural Fantasies, 1771, > Sun, 1973, color lithographs [three husband, Cesare Morini bound volume with complete Goltzius, Hendrick, Dutch, 1558–1617 trial proofs], 2015.23.116–121, 176, > The Madonna and Child with Two set of frontispiece, text page, > Johan Gols [The Artist’s Father], 1578, 184–185, Gift of Gemini G.E.L. and Angels and Saints Scholastica, and twelve etchings engraving, 2015.74.10, Ruth and the Artist Benedict, Roch, Peter, Paul and > Aedium reliquiae, et antiquae Jacob Kainen Memorial Acquisition (after Sebastiano Ricci), c. Palaestrae pars, 1771, etching with Fund Jackson, Oliver Lee, American, 1740, etching, 2014.130.1, Gift of engraving, 2014.176.10, 12, New > The Triumph of Galatea (after born 1935 Andrée and Jonathan Bober Century Fund, Pepita Milmore Raphael), 1592, engraving, 2015.9.1, > Unique Intaglio I, 2012, aquatint with The Ahmanson Foundation graphite and embossing Fragonard, Jean-Honoré, French, Memorial Fund, and Florian Carr Fund > Unique Intaglio V, 2012, aquatint 1732–1806 Gaultier, Léonard, French, Goncourt, Jules de, French, with etching on chine collé, > Dance of the Satyrs, 1763 1561–1641 1830–1870 2014.123.1–2, Gift of the artist in > The of Cloelia (after Livio > Le Sacré Zodiaque, 1603, complete > Edmond dessinant, c. 1860s, etching honor of Alletrice L. Wells, Mary Mehus), 1763/1764 set of thirteen engravings, 2015.44.2– > Academy, c. 1860s, softground Nell Parks, and Daryl Jackson > The Two Prophets (after Annibale 14, Ailsa Mellon Bruce Fund etching and roulette, printed in red > (after Jean-Honoré Jacquemart, Jules-Ferdinand, Carracci), 1764 Gehry, Frank, Canadian, born 1929 Fragonard), 1864, etching on chine French, 1837–1880 > Angel Holding a Palm and a Crown > Chair 1 collé > Souvenirs de voyage, 1862, etching, (after ), 1763/1764 > Chair 2 > Mask of the Abbé Raynal (after 2015.102.1, Ailsa Mellon Bruce Fund > The Banquet of Antony and > House 1 Maurice-Quentin de La Tour), 1859, Cleopatra (after Giovanni Battista > IAC 1 Johns, Jasper, American, born 1930 etching and drypoint on blue paper, Tiepolo), 1763/1764 > House 2 > #6 (after ‘Untitled 1975’), 1976, fifteen 2014.169.2–5, Ailsa Mellon Bruce Fund > Mucius Scaevola (after Giovanni > House 3 lithographs [black elements #1–15] Battista Tiepolo), 1763/1764 > IAC 2 Guttenberg, Carl, German, 1743–1790 > #6 (after ‘Untitled 1975’), 1976, > Saint Mark (after Giovanni > Abu Dhabi, 2007, lithographs, > John Paul Jones, Commodore au lithograph [cancelled proof] Lanfranco), 1763/1764 2015.23.14–21, Gift of Gemini G.E.L. Service des États Unis de l’Amérique, > Periscope I (Element in Black 1), 1978, > Saint Luke (after Giovanni and the Artist 1780, engraving, 2015.29.3, The lithograph Lanfranco), 1763/1764 McNeil Americana Collection > Periscope I (Element in Color 2), 1978, German 16th Century and George > The Disciples at the Tomb (after color lithograph Rüxner (author), German, active Hall, John, British, 1739–1797 Jacopo ), 1764 > Periscope I (Progressive Proof I), 1500–1550 > William Penn’s Treaty with the > The Circumcision (after Jacopo 1978, lithograph > Thurnierbuch (Simmern, 1530), Indians, 1775, engraving, 2015.29.4, Tintoretto), 1763 > Periscope I (Trial Proof A), 1978, bound volume with an illuminated The McNeil Americana Collection > Saint Jerome (after Johann Liss), lithograph upper endpaper, one full-page Hamilton, Ann, American, born 1956 1763/1764 > Periscope II (Trial Proof A), 1978, woodcut on verso of title page and > face…harry p., 2003, photogravure > Saint Catherine of (after lithograph 367 woodcut illustrations, 2014.119.1, > face…carnegie, 2003, photogravure Mattia Preti), 1763/1764, etchings, > Periscope I (Element in Black 2–7), Gift of Joseph S. Jenckes V > face…mrs. innui, 2003, 2014.131.1–12, Gift of Kate Ganz 1978, six lithographs photogravure Giacometti, Alberto, Swiss, > Periscope I (Element in Color 3–7), French 18th Century > face…ann l., 2003, photogravure 1901–1966 1978, five color lithographs > A Fan with Classical Figures > face…susan, 2003, photogravure > Paris Sans Fin (Paris, 1969), > Periscope I (Progressive Proof II–VI), Processing to Apollo, c. 1795, etching > face…jessie 2, 2003, photogravure unbound volume with 150 1978, five lithographs and aquatint, printed in brown ink, > face…inigo, 2003, photogravure lithographs, 2014.112.8, Collection of > Periscope I (Trial Proof C, E, F), 1978, 2015.101.1, Katharine Shepard Fund > face…taura 2, 2003, photogravure Mr. and Mrs. Paul Mellon three lithographs French 19th Century > face…sean, 2003, photogravure > Periscope I (Cancellation Proof), > L’entrée au musée, 1808 > face…catherine, 2003, photogravure 1978, lithograph > face…bobby, 2003, photogravure National Gallery of Art 59

> Periscope II (Trial Proof C), 1978, > The Amazon, 2005, color lithograph Lichtenstein, Roy, American, volume with eight illustrations in lithograph, 2015.23.122–137, 150–175, > The Mississippi, 2005, color 1923–1997 etching and drypoint, 2014.112.7.1–8, Gift of Gemini G.E.L. and the Artist lithograph > ‘Paintings’ Series: Two Paintings, Collection of Mr. and Mrs. Paul Kager, Johann Matthias, German, > The Hudson, 2005, color lithograph 1984, lithograph with colored-pencil Mellon 1575–1634 > The Seine, 2005, color lithograph notations [proof], 2015.23.190, Gift Manet, Edouard, French, 1832–1883, > The Baptism of Christ, c. 1610?, > The Yangtze, 2005, color lithograph, of Gemini G.E.L. and (author), engraving, 2015.92.4, Ruth and 2015.23.42, 221–225, 236–280, Gift of > ‘Paintings’ Series: Two Paintings, American, 1809–1849 Jacob Kainen Memorial Acquisition Gemini G.E.L. and the Artist 1984, color lithograph [proof] > Le Corbeau (Paris, 1875), bound Fund Khedoori, Toba, American, > ‘Paintings’ Series: Two Paintings, volume with one original drawing 1984, lithograph [proof] Kelly, Ellsworth, American, born 1964 in black ink, illustrative ex libris, > ‘Paintings’ Series: Two Paintings, born 1923 > Untitled, 2006, etching, 2015.23.43, and eight full-page lithographs (two 1984, color lithograph [proof] > Red Curve, 2006, color lithograph Gift of Gemini G.E.L. and the Artist impressions of each of the four > Imperfect, 1987, color woodcut and > Blue Curve, 2000, color lithograph Kirchner, Ernst Ludwig, German, illustrations), 2014.112.27, Collection screenprint with collage [fifteen > Red Curve, 2000, color lithograph 1880–1938 of Mr. and Mrs. Paul Mellon proofs], 2015.23.190, 195–197, 202– > Green Curve, 2000, color lithograph > Nudes Dancing around a Shadow, Marchand, André, French, 1907– 216, Gift of Gemini and the Artist > Black Curve, 2000, lithograph 1933, woodcut, 2015.93.1, Purchased 1997, and Saint-John Perse (poet), > Purple Curve, 2000, color lithograph as the Gift of Nelson Blitz Jr. and Lobdell, Frank, American, 1921–2013 French, 1887–1975 > Untitled, 1996, color lithograph Catherine Woodard in Honor of > Monotype FL-74, 8.25.93–1 State I, > Amers (Paris, 1962), bound volume > Untitled, 1996, color lithograph Perri and Allison Blitz 1993, color monotype with color woodcut graphic devices > Monotype FL-75, 8.26.93 State III, > Untitled, 1997, lithograph Klinger, Max, German, 1857–1920 on cover and throughout text 1993, color monotype > Leaves, 1997, lithograph > Amor und Psyche (Nuremberg, > Vingt lithographies originales > San Francisco, 1946, lithograph > White Curve, 1998, color lithograph 1893/1907), two portfolios of the inspirées à André Marchand par le > San Francisco, 1947, lithograph > Red Curve, 1999, color lithograph same title, containing twenty-four thème d’Amers (Paris, 1961–1962), > Tyler No. 11.6.85 (A. P.), 1985, > Blue Curve, 1999, color lithograph etchings total, some with aquatint, unbound volume with twenty lithograph with crayon additions > Red/Yellow/Blue, 1999, color 2015.113.1–2, Ruth and Jacob Kainen lithographs, 2014.112.23, > Tyler No. 1 11.6.85 (10/20), 1985, lithograph Memorial Acquisition Fund 2014.112.40.1–20, Collection of Mr. > Blue/Yellow/Red, 2000, lithograph with paint and colored and Mrs. Paul Mellon Kokoschka, Oskar, Austrian, pencil color lithograph Marden, Brice, American, born 1938 1886–1980 > Tyler No. 3, 11.8.85 (18/20) (H. C. > Red/Yellow/Blue, 2000, > Greyer Muses (State), 1999, color > Die Träumenden Knaben (, 11.27.09), 1985, lithograph with paint color lithograph etching and lithograph 1908), bound volume with ten and crayon > Blue Curve (Black State), 2000, > Red Line Muses, 1999, color etching lithographic illustrations (eight in > Tyler No. 3, 11.8.85 (20/20), 1985, lithograph and lithograph color), 2015.106.1, Purchased for the lithograph > Red Curve (Black State), 2000, > Greyer Muses, 1999, color etching Virginia and Ira Jackson Collection > Tyler No. 4, 11.9.85 (6/20) (H. lithograph and lithograph Labruzzi, Carlo, Italian, 1748–1817 C.11.23.88), 1988, lithograph with > Red/Yellow/Blue, 2000, > Line Muses, 1999, color etching and > Figure fatte da cinque punti obbligati, paint and crayon color lithograph lithograph c. 1796, complete set of twelve > 10.3 EP No. 9, 11.21.81, 1981, etching, > Two Blacks and White, 2000, > Muses with Graphite, 1999, etchings and title page in sanguine, softground, and sugarlift aquatint lithograph lithograph with graphite 2014.171.1–13, Purchased as the Gift > Kelso No. 23, 6.27.89, 1989, etching > Blue/Black/Red/Green, 2001, > Beyond Eagles Mere, 1999, color of Jimmy and Jessica Younger, and aquatint color lithograph etching and lithograph Houston > Yale Portfolio, 1992, portfolio of five > Black, 2001, lithograph > Distant Muses, 2000, color screenprint intaglio prints with cover page and > Black, 2001, color lithograph Lasinio, Carlo, Italian, 1759–1838 > Eagles Mere Muses (State), 2002, text, 2014.124.21–36, Gift of the > Red, 2001, color lithograph > Babo Giorgio, c. 1790, etching and color etching and lithograph Frank Lobdell Trust > Purple, 2001, color lithograph roulette with hand coloring [proof], > L.A. Muses (Benefit), 1999, color > Green, 2001, color lithograph 2015.90.1, Ailsa Mellon Bruce Fund Lory, Gabriel Ludwig, Swiss, 1763– etching and lithograph > Diptych: Dark Blue/Dark Green, 1840, and Mathias Gabriel Lory, Lauwers, Nicolaes, Flemish, > Beyond Eagles Mere 2 (State), 2002, 2001, color lithograph on two sheets Swiss, 1784–1846 1600–1652 color etching and lithograph > Orange, 2001, color lithograph > Voyage pittoresque de Genève à Milan > Jupiter and Mercury Entertained by > Red Line Muses (State), 2002, color > Blue, 2001, color lithograph par le Simplon (Paris, 1811), bound Philemon and Baucis (after Jacob etching and lithograph > Dark Blue, 2001, color lithograph volume with thirty-five hand- Jordaens), 1640s, engraving, > Line Muses (State), 2002, color > Green Curve, 2002, color lithograph colored aquatints, 2014.139.1, 2015.92.2, Ailsa Mellon Bruce Fund etching and lithograph > Red, 2003, color lithograph Anonymous Gift > Richard’s Muse, 2002, color etching LeWitt, Sol, American, 1928–2007 > Blue, 2003, color lithograph Maillol, Aristide, French, 1861–1944, and lithograph, 2015.23.44, 226–231, > Curvy Brushstrokes I, 1997, sugarlift > Black, 2003, lithograph and Virgil (author), Italian, 70–19 B.C. 322, 334, 338–340, 386, Gift of aquatint > Purple, 2003, color lithograph > Les eglogues de Virgile (Weimar, Gemini G.E.L. and the Artist > Curvy Brushstrokes I, 1997, > Dark Purple, 2003, color lithograph 1926), folio of 129 woodcut sugarlift aquatint Masson, Antoine, French, 1636–1700 > Yellow, 2004, color lithograph illustrations consisting of three sets > Curvy Brushstrokes I, 1997, color > Marin Cureau de la Chambre (after > Sunflower I, 2004, lithograph of prints from forty-three blocks, sugarlift aquatint Pierre Mignard I), 1665, engraving > Sunflower II, 2004, lithograph the first set in black with text on > Color Grids (#43, Red Broken/Red with etching, 2015.94.1, Ailsa Mellon > Wild Grape Leaves I, 2004, uncut sheets, the second in black Broken), 1975, color etching Bruce Fund lithograph on individual sheets without text, > Color Grids (#6, Yellow Straight/Blue Matisse, Henri, French, 1869–1954 > Wild Grape Leaves II, 2004, and the third in bistre without text, Not-Straight), 1975, color etching > Cinquante dessins (Paris, 1920), lithograph 2014.112.33, Collection of Mr. and > Color Grids (#18, Blue Straight/Blue bound volume with one etching on > Daffodil, 2004, lithograph Mrs. Paul Mellon > Red, 2005, color lithograph Straight), 1975, color etching chine-collé and forty-nine Manet, Edouard, French, 1832–1883, > The Rhine, 2005, lithograph > Color Grids (#32, Red Not-Straight/ photomechanical reproductions and Charles Emile-Hortensius Cros > The Thames, 2005, color lithograph Blue Not-Straight), 1975, color > Jazz (Paris, 1947), unbound volume (author), French, 1842–1888 > The Nile, 2005, color lithograph etching, 2014.116.22–24, 43–46, Gift with complete set of twenty color of Kathan Brown > Le Fleuve (Paris, 1874), unbound 60 Acquisitions

stencils after collages and cut-outs Morley, Malcolm, American, > Holding Hands All Thumbs, 1998, and fingerprint additions [working by Matisse, facsimile covers and born England, 1931 color etching proof], 2014.116.31, Gift of Kathan text from artist’s handwritten > P-26 Pea Shooter, 2002, color > Verso Recto, 1996, etching Brown original, 2014.112.17, 18, Collection of lithograph and screenprint > Partial Truth, 1997, etching, Owens, Laura, American, born 1970 Mr. and Mrs. Paul Mellon > Fokker DVII, 2002, color lithograph 2015.23.54–63, 323–325, 335–336, > Untitled (LO 425), 2010, color Matisse, Henri, French, 1869–1954, and screenprint Gift of Gemini G.E.L. and the Artist softground etching, spitbite and Stéphane Mallarmé (author), > Fokker DVIII, 2002, color lithograph Neeffs, Jacobus, Flemish, 1610–1660 aquatint, and sugarlift aquatint French, 1842–1898 and screenprint or after > Untitled (LO 425), 2010, color > Poesies (Lausanne, 1932), unbound > Battle of Britain, 2002, color > A Satyr Visiting a Peasant Family softground etching, spitbite volume with twenty-seven etchings, lithograph and screenprint (after Jacob Jordaens), 1640s, aquatint, and sugarlift aquatint with 2014.112.16, Collection of Mr. and > Erotic Fruitos State B, 2003, intaglio engraving, 2015.92.3, Ailsa Mellon colored pencil additions and artist’s Mrs. Paul Mellon > Corsair F4U, 2002, color lithograph Bruce Fund notations, 2014.116.32–33, Gift of and screenprint Matisse, Henri, French, 1869–1954, Neri, Manuel, American, born 1930 Kathan Brown > Erotic Fruitos State A, 2003, color and Henry de Montherlant (author), > Café Cantante, 2007, bound volume Picasso, Pablo, Spanish, 1881–1973 intaglio, 2015.23.45–51, Gift of French, 1928–1959 with eight drawings in various > Eaux-Fortes originales pour des Gemini G.E.L. and the Artist > Pasiphae: Chant de Minos (Paris, media; five poems by Federico textes de Buffon (Paris, 1942), bound 1944), bound volume with linocut Munch, Edvard, Norwegian, García Lorca, 2014.127.1, Gift of volume with one drawing in black ornaments and devices throughout; 1863–1944 Manuel Neri Trust pen and ink; thirty-one aquatints > Madonna, 1895, printed in 1913/1914, thirty full-page linocuts in black Newsam, Albert, American, some with etching, drypoint, or color lithograph (eighteen within the text and twelve 1809–1864 engraving; and an additional suite > Alruner Frontispiece, 1892, bound at the end); and linocuts in > Ne-Sou-A Quoit, A Fox Chief (after of the same thirty-one prints, plus collotype, 2015.5.1, 3, Gift of The blue on the original front and back Charles Bird King), 1837, hand- “La puce” Epstein Family Collection covers, 2014.112.21, Collection of Mr. colored lithograph, 2014.168.1, > Vingt Poèmes de Gongora (Paris, and Mrs. Paul Mellon Murray, Elizabeth, American, Donald and Nancy de Laski Fund 1948), unbound volume with one 1940–2007 original drawing in ink on Matisse, Henri, French, 1869–1954, Nordström, Jockum, Swedish, > Fling, 1997, color lithograph and justification page and forty-one and Pierre Reverdy (author), born 1963 screenprint etchings and lift-ground aquatints, French, 1889–1960 > Back to the Land, 2008, color > Crossing: Ornithology, 1999, hand- 2014.112.25, 26, Collection of Mr. > Visages (Paris, 1946), unbound spitbite [working proof] colored three-dimensional print and Mrs. Paul Mellon volume with relief devices > Back to the Land, 2008, color > Knotting: Once in a While, 1999, throughout and fourteen spitbite and sugarlift aquatint Picasso, Pablo, Spanish, 1881–1973, hand-colored three-dimensional lithographs in brown, 2014.112.29, [working proof], 2014.116.26–27, and Aime Cesaire (author), French, print Collection of Mr. and Mrs. Paul Gift of Kathan Brown 1913–2008 Mellon > Deep Blue C, 2001, color lithograph > Corps perdu (Paris, 1950), unbound and screenprint Nothnagel, Johann Andreas Matisse, Henri, French, 1869–1954, volume with intaglio title on cover > Something, 2002, color lithograph Benjamin, German, 1729–1804 and Pierre Ronsard (author), made in drypoint with a nail, and > The Metropolitan Series, Sixth > Self-Portrait, c. 1770, etching, French, 1524–1585 thirty-one intaglio illustrations, Avenue, 2005, hand-colored three- 2015.74.7, Purchased as the Gift of > Florilege des amours de Ronsard 2014.112.6.1–31, Collection of Mr. and dimensional print Dewayne and Faith Perry (Paris, 1948), unbound volume with Mrs. Paul Mellon > Alta Vista, 2006, hand-painted Ofili, Chris, British, born 1968 128 lithographs, including two on Picasso, Pablo, Spanish, 1881–1973, three-dimensional print, 2015.23.52– > Habio Green, 2009, color aquatint the cover, one on the frontispiece, and Jose Delgado alias Pepe Illo 53, 115, 232–233, 402, Gift of Gemini with colored pencil and graphite twenty-seven full page, and ninety- (author), Spanish, 1754–1801 G.E.L. and the Artist > Habio Green, 2009, color spitbite eight within the text; all in sanguine > La Tauromaquia o arte de torear aquatint and aquatint except for one on the title-page in Nauman, Bruce, American, (Barcelona, 1959), unbound volume > Habio Green, 2009, color spitbite black, 2014.112.30, Collection of Mr. born 1941 with one drypoint on the cover; aquatint and aquatint with and Mrs. Paul Mellon > Infrared Outtakes: Cockeyed Lips, twenty-six liftground aquatints and 2006, color inkjet print watercolor and graphite, Mauroner, Fabio, Italian, 1884–1948 two additional aquatints included > Infrared Outtakes: Neck Pull, 2006, 2014.116.28–30, Gift of Kathan Brown > The Cemetery , 1906, etching, after the text block, 2014.112.11, color inkjet print Oldenburg, Claes, American, born 2015.3.1, Gift of Eric Denker in Collection of Mr. and Mrs. Paul Mellon > Infrared Outtakes: Hands Only, 2006, Sweden, 1929 memory of Juergen Schulz Picasso, Pablo, Spanish, 1881–1973, color inkjet print > Perfume Atomizer on a Pillow, 1997, and Max Jacob (author), French, Mehretu, Julie, American, born > Infrared Outtakes: Opened Eye, 2006, color lithograph with embossing 1876–1944 Ethiopia, 1970 color inkjet print > Soft Light Bulb-Day, 1997, lithograph > Saint Matorel (Paris, 1911), bound > Circulation, 2005, color etching with > Soft Ground Etching-Lavender, on chine collé volume with four etchings hand-worked embellishments in ink 2006, color etching > Soft Light Bulb-Night, 1997, > Le Siège de Jérusalem (Paris, 1914), [proof], 2014.116.25, Gift of Kathan > Soft Ground Etching-Yellow, 2007, lithograph on chine collé bound volume with three etchings Brown color etching > Perfume Atomizer on a Chair Leg, with drypoint, 2014.112.12, 13.1–3, Menzel, Adolph, German, 1815–1905 > Soft Ground Etching-Blue, 2007, 1995, color lithograph with Collection of Mr. and Mrs. Paul > Hamlet and Polonius, 1843/1847, color etching embossing Mellon etching and drypoint, 2014.169.1, > Soft Ground Etching-Green, 2007, > Perfume Atomizer on a Pillow on a Ailsa Mellon Bruce Fund color etching Chair Leg, 1995, lithograph with Picasso, Pablo, Spanish, 1881–1973, > Soft Ground Etching-Coral, 2007, and Prosper Mérimée (author), Molitor, Martin von, Austrian, embossing, 2015.23.321, 337, 404, color etching French, 1803–1870 1759–1812 408–409, Gift of Gemini G.E.L. and > Soft Ground Etching-Rose, 2007, > Carmen (Paris, 1949), unbound > Landscape with a Waterfall and a the Artist color etching volume with thirty-eight engraved Resting Family, c. 1790, etching on Oliveira, Nathan, American, > Verso Recto (State II), 1998, illustrations, 2014.112.19.1–38, chine collé, 2015.74.2, Ailsa Mellon 1928–2010 lithograph and screenprint Collection of Mr. and Mrs. Paul Bruce Fund > Torso I, 2004, color sugarlift and > Verso Recto (State I), 1998, lithograph Mellon spitbite aquatints, ball-point pen, and screenprint National Gallery of Art 61

Pierre, Jean-Baptiste-Marie, French, Rauschenberg, Robert, American, > Quattro Mani I, 1998 Rockburne, Dorothea, Canadian, 1713–1789 1925–2008 > Quattro Mani II, 1998 born 1932 > Mascarade Chinoise faite a Rome, > Quattro Mani II (State), 1998, > Quattro Mani III, 1998 > W.I.M.P. #2, 1999, color lithograph 1735, etching, 2015.88.1, Purchased screenprint > Quattro Mani Marrakech I, 2000 and screenprint as the Gift of Vincent J. Buonanno > Recourse (Speculations), 1995, > Quattro Mani Marrakech II, 2000 > W.I.M.P. #1, 1999, color lithograph Pissarro, Camille, French, 1830–1903 color screenprint > Mani Marrakech III, 2000 > Singularity, State, 1999, color > Vegetable Market at Pontoise, 1891, > Sublime (Speculations), 1995, > Quattro Mani Marrakech IV, 2000, lithograph etching, 2014.118.1, Gift of Mr. and color screenprint color screenprints, 2015.23.299–301, > W.I.M.P. #1 State II, 1999, color Mrs. Earl Hyde Jr. > Furnished (Speculations), 1996, 314–317, Gift of Gemini G.E.L. and lithograph screenprint the Artist > Singularity, 1999, color lithograph Pitteri, Marco Alvise, Italian, > Daze (Speculations), 1997, and screenprint, 2015.23.352, 394, 1702–1786 Redon, Odilon, French, 1840–1916, color screenprint 395, 400, 401, Gift of Gemini G.E.L. > La Caccia in valle (after Pietro and Gustave Flaubert (author), > Relic (Speculations), 1997, and the Artist Longhi), 1763, complete set of six French, 1821–1880 color screenprint engravings, 2014.176.14–19, New > La Tentation de Saint Antoine (Paris, Rosenquist, James, American, > Residence (Speculations), 1997, Century Fund, Pepita Milmore 1938), unbound volume with born 1933 color screenprint Memorial Fund, and Florian Carr twenty-three lithographic > Plume, 1982, etching and aquatint > Daydream (Speculations), 1997, Fund illustrations designed in 1896 and [progressive proof I] color screenprint fifteen in-text woodcuts from blocks > Plume, 1982, etching and aquatint Pittoni, Giovanni Battista, Italian, c. > Break (Speculations), 1997, cut in 1896/1900, 2014.137.2, [progressive proof II] 1520–1583 color screenprint Woodner Collection, Gift of Dian > Plume, 1982, color etching and > Colossaei. Ro. Prospectus (after > L.A. Uncovered #1, 1998, Woodner aquatint [progressive proof III] Hieronymus Cock), c. 1561, etching color screenprint Redon, Odilon, French, 1840–1916, > Plume, 1982, color etching and on blue paper, 2015.74.5, Ailsa > L.A. Uncovered #2, 1998, and Iwan Gilkin (poet), Belgian, aquatint [progressive proof IV] Mellon Bruce Fund color screenprint 1858–1924 > Fireworks for President Clinton, Pottorf, Darryl, American, > L.A. Uncovered #3, 1998, > Ténèbres (Brussels, 1892), bound 1996, color screenprint, 2015.23.191– born 1952 color screenprint volume with one lithographic 194, 391, Gift of Gemini G.E.L. and > Quattro Mani II (State), 1998, > L.A. Uncovered #4, 1998, frontispiece, 2014.137.3, Woodner the Artist screenprint color screenprint Collection, Gift of Dian Woodner Rothenberg, Susan, American, > Soak and Wet de Marra Kech, 2000, > L.A. Uncovered #5, 1998, born 1945 color screenprint with graphite color screenprint Regnault, Nicolas François, French, > Jims Splat, 2004, color lithograph > Quattro Mani III (State), 1998, > L.A. Uncovered #6, 1998, 1746–1810 > Spinning (State), 2005, lithograph color screenprint color screenprint > Soir > Uncorked, 2003, lithograph and > Quattro Mani IV (State), 1998, > L.A. Uncovered #8, 1998, > La Nuit, 1780s, etchings with screenprint on cork color screenprint color screenprint stipple, 2015.96.4, 5, Katharine > Slip, 2004, color lithograph > Truck Stop de Marra Kech, 2000, > L.A. Uncovered #9, 1998, Shepard Fund > Slip (State), 2004, color lithograph color screenprint with graphite color screenprint Reinhart, Johann Christian, on handmade gray paper > Star Born de Marra Kech, 2000, > L.A. Uncovered #10, 1998, German, 1761–1847 > Crying, 2003, color lithograph color screenprint with graphite color screenprint > Rovine cagionate in Tivoli, and screenprint > Over Easy de Marra Kech, 2000, > L.A. Uncovered #11, 1998, dall’escrescenza dell’Aniene, 1826, > Group, 2003, lithograph on gray paper color screenprint with graphite color screenprint etching, 2015.45.1, Ailsa Mellon > Uncorked (State), 2003, color > Quattro Mani I (State), 1998, > Quattro Mani I (State), 1998, Bruce Fund lithograph and screenprint on screenprint color screenprint Reni, Guido, Italian, 1575–1642 cork, 2015.23.64–65, 351, 369–370, > Horse Sense de Marra Kech, 2000, > Quattro Mani III (State), 1998, > A Girl with a Crucifix (after 377–378, 415, Gift of Gemini G.E.L. color screenprint with graphite color screenprint Parmigianino), c. 1598, etching, and the Artist > Quattro Mani IV (State), 1998, > Rose Bowl de Marra Kech, 2000, 2015.74.6, Ailsa Mellon Bruce Fund color screenprint with graphite, color screenprint Rouault, Georges, French, 1871–1958 Rethel, Alfred, German, 1816–1859 2015.23.235, 341, 381–382, 388–389, > Site, 2000, color screenprint > Cirque de l’etoile filante (Paris, 1938), > Der Tod als Erwürger (block cut by 393, 398–399, 405, Gift of Gemini > Reunion, 2000, color screenprint bound volume with seventy Gustav Richard Steinbrecher), 1851, G.E.L. and the Artist > Slink, 2000, twelve-color woodcut illustrations, seventeen screenprint wood engraving full-page color intaglio prints, with Price, Kenneth, American, > Next Room, 2000, color screenprint > Der Tod als Freund (block cut by an additional suite of the seventeen 1935–2012 > Winner Spinner, 2000, color Richard Julius Jungtow), 1851, wood intaglios in black > Chet screenprint engravings (one impression from > Cirque, 1930–1935, bound portfolio > Cup, 1991, fired and > Local Focus, 2000, color screenprint the first edition and two from later of sixty-eight aquatints for Cirque, glazed earthenware, 2015.23.2, 3, > Appointment, 2000, color editions), 2015.103.1–4, Ruth and of which fifty-one are in color, Gift of Gemini G.E.L. and the Artist screenprint Jacob Kainen Memorial Acquisition 2014.112.31.1–2, Collection of Mr. and Primavesi, Georg, German, > Flaps, 2000, color screenprint Fund Mrs. Paul Mellon 1774–1855 > Gossip, 2000, color screenprint Roche, Pierre, French, 1855–1922, Rouault, Georges, French, 1871– > Die Grosse Grotto auf dem > Wash (DNC Benefit Print), 2000, and Roger Marx (author), French, 1958, and André Saurès, French, Heidelberger Schlosse (after color screenprint 1859–1913 1868–1948 Peter Speeth) > Raffle, 2000, color screenprint > La Loïe Fuller (Evreux, 1904), > Cirque (Paris, 1933), bound volume > Die Grosse Halle auf dem > Ten Til Too, 2001, color screenprint, unbound volume with gypsograph with eleven etched illustrations, Heidelberger Schloss (after Peter 2015.23.234, 281–298, 302–313, 318– frontispiece and sixteen color thirteen color-etched illustrations Speeth), 1806, etchings with 320, Gift of Gemini G.E.L. and the gypsographs within the text; and nineteen woodcuts (some engraving, 2015.91.1, 2, Ruth Artist original engraved wrappers by photomechanically reproduced), and Jacob Kainen Memorial Rauschenberg, Robert, American, Roche, 2015.70.2, Purchased for the 2014.112.32, Collection of Mr. and Acquisition Fund 1925–2008, and Darryl Pottorf, Virginia and Ira Jackson Collection Mrs. Paul Mellon American, born 1952 62 Acquisitions

Ruscha, Ed, American, born 1937 > Between the Torus and the Sphere V, > Venice Notebook 2001, #15, 2002, > Delaware Crossing, 1971, color > Public Market, 2006, sugarlift flat 2006, etching etching lithograph [trial proof 4] bite with hardground etching on > O. C., 2006, etching > Venice Notebook 2001, #15 (State), > Delaware Crossing, 1971, color chine collé [working proof 8] > Parkett, 2005, photoetching 2002, etching lithograph [trial proof 5] > STICK UP…, 2007, color lithograph > , 1999, etching > Venice Notebook 2001, #16, 2002, > Delaware Crossing, 1971, color > LISTEN IF YOU EVER TELL…, 2007, > Extension #2, 2004, etching etching lithograph [trial proof 6] lithograph > Galilei (State), 2002, > Venice Notebook 2001, #18, 2003, > York Factory II, 1974, color > IF I WAS YOU…, 2007, color photogravure on chine collé etching screenprint on black paper [trial lithograph > Xavier, 2003, etching > Venice Notebook 2001, #19, 2003, proof 4] > A COLUMBIAN NECKLACE…, 2007, > Oteiza, 2003, etching etching > York Factory II, 1974, color color lithograph > of the Curve, 2003, etching > Screech, 1996, etching on handmade screenprint on black paper [trial > I HAVE NOT FORGOTTEN…, 2007, > Transversal #1, 2004, etching paper, 2015.23.71–114, 326, 328, 330– proof 3], 2015.23.138–143, 181–182, color lithograph > Trajectory #1, 2004, etching 331, 344–347, 353–368, 385, Gift of Gift of Gemini G.E.L. and the Artist > Bolt I, 1998, lithograph > Trajectory #2, 2004, etching Gemini G.E.L. and the Artist Stolker, Jan, Dutch, 1724–1785 > Bolt II, 1998, color lithograph > Extension #3, 2004, etching Signorini, Telemaco, Italian, > Kees van Overen, 1760s, etching, > Bolt III, 1998, color lithograph > Extension #1, 2004, etching 1835–1901 2015.44.1, Ailsa Mellon Bruce Fund > Pico and Sepulveda, 2001, color > Transversal #2, 2004, etching > The Coast of Elba, 1870?, etching Tappert, Georg, German, 1880–1957 screenprint > Transversal #3, 2004, etching [proof], 2015.48.1, Ailsa Mellon > Dancing Girl, 1912, color monotype > Bolt IV, 1998, color lithograph > , 2001, photogravure Bruce Fund on japan paper, 2015.46.1, Ruth and > Column with Speed Lines, 2003, > T. E. Double Causality, 2001, Sillman, Amy, American, born 1955 Jacob Kainen Memorial Acquisition color lithograph and screenprint, lithograph and etching > S & E, 2007, color sugarlift and Fund 2015.23.66–70, 342, 371–373, 390, > T. E. Rotate, 2001, lithograph spitbite aquatints with softground 406, Gift of Gemini G.E.L. and and etching Tasnière, Georges, French, 1632– etching [working proof 10] the Artist > Splines, 2000, lithograph and 1704, and Raffaele Soprani (author), > S & E, 2007, color sugarlift and etching Italian, 1612–1672 Sadeler I, Jan, Flemish, 1550–1600 spitbite aquatints with softground > T. E. Which Way Which Way, 2001, > Le vite de pittori, scoltori, et architetti > Seated on a Barrel between etching and crayon [working proof 12] lithograph and etching Genovesi (after Domenico Piola I) Amor and Music (after Joos van > Untitled, 2007, soapground and > Trajectory #3, 2004, etching (, 1674), bound volume with Winghe), c. 1590, engraving, spitbite aquatints with chalk, > Freddie King, 1999, etching engraved frontispiece and twenty- 2015.15.1, Ruth and Jacob Kainen crayon, and gouache [working > Venice Notebook 2001, #5, 2002, one engraved portraits, 2015.107.1, Memorial Acquisition Fund proof for unpublished print] etching William B. O’Neal Fund Saint-Mémin, Charles-Balthazar- > O & N, 2007, color sugarlift with > Between the Torus and the Sphere I, Testa, Pietro, Italian, 1612–1650 Julien-Févret de, French, 1770–1852 spitbite and green gouache 2006, etching > The Triumph of Painting on > Thomas Jefferson, 1804, engraving, > O & N, 2007, sugarlift aquatint with > Between the Torus and the Sphere II, , 1644/1648, etching, 2014.121.1, Gift of Nancy Voorhees scraping [working proof 10], 2006, etching 2015.43.1, Bert Freidus Fund 2014.116.47–51, Gift of Kathan Brown Santis, Orazio de, Italian, active > Between the Torus and the Sphere III, Thalmann, Max, German, 1568–1584 2006, etching Smith, Kiki, American, born 1954 1890–1944 > Holy Family with Saint Elizabeth and > Hair of the Dog, 1996, etching > Home, 2006, etching [working proof 1] > Der Dom: zehn holzschnitte, 1924, the Young John the Baptist (after > Clinton 96, 1996, etching > Home, 2006, etching and spitbite portfolio of ten woodcuts, Pompeo Cesura), 1568, engraving, > Rocker, 1996, etching aquatint [working proof 5] 2015.70.1.1–10, Ruth and Jacob 2015.13.1, Purchased as the Gift of > Foul Bite, 1996, etching > Home, 2006, color spitbite aquatint, Kainen Memorial Acquisition Fund Robert B. Loper > T. E. Sketch, 1999, etching aquatint, etching, softground Thiebaud, Wayne, American, Schiaminossi, Raffaello, Italian, > Venice Notebook 2001, #2, 2002, etching, and drypoint on chine born 1920 1572–1622 etching collé [working proof 11], 2014.116.35– > Park Place, 1995, etching with > Saint Mary Magdalene (after Lucas > Venice Notebook 2001, #14, 2002, 37, Gift of Kathan Brown drypoint van Leyden), 1605, etching, etching Staël, Nicolas de, French, 1914–1955, > Park Place, 1995, color etching with 2015.74.9, Purchased as the Gift of > Venice Notebook 2001, #17, 2002, and René Char (poet), French, drypoint Lawrence Lawver etching 1907–1988 > Venice Notebook 2001, #1, 2002, > River Edge, 1997, color etching and Serra, Richard, American, > Poèmes de René Char (Paris, 1952), etching aquatint, 2014.116.39–41, Gift of born 1939 unbound volume with fourteen > Venice Notebook 2001, #3, 2002, Kathan Brown > , 1999, etching woodcut illustrations, 2014.112.39, etching Thiele, Karl Friedrich, German, > Double Transversal, 2004, etching Collection of Mr. and Mrs. Paul > Venice Notebook 2001, #4, 2002, 1780–1836, and Ernst Theodor > Transversal #4, 2004, etching Mellon etching Amadeus Hoffman (author), > Transversal #5, 2004, etching Steir, Pat, American, born 1938 > Venice Notebook 2001, #6, 2002, German, 1776–1822 > Trajectory #4, 2004, etching > Kweilin Dreaming 51, 1989, color etching > Meister Floh. Ein Marchen in sieben > HBS, 2005, etching woodcut with hand-painting on silk > Venice Notebook 2001, #7, 2002, Abentheuern zweier Freunde > MOCA Print, 1999, etching mounted to paper etching (Frankfurt am Main, 1822), bound > Line Heat, 2000, etching > Kweilin Dreaming 88, 1998, color > Venice Notebook 2001, #8, 2002, volume with one color etching and > #1 T. E., 1999, etching woodcut with hand-painting and etching aquatint on the wrapper, 2015.65.1, > T. E. Vectors, 2000, lithograph and pen and ink on silk mounted to > Venice Notebook 2001, #9, 2002, William B. O’Neal Fund etching paper, 2014.116.38, 2014.144.1, Gift etching > B. B. King, 1999, etching of Kathan Brown Tiepolo, Giovanni Domenico, > Venice Notebook 2001, #10, 2002, > Bo Diddley, 1999, etching Venetian, 1727–1804 etching Stella, Frank, American, born 1936 > , 1999, etching > Raccolta di Teste, 1773–1774, bound > Venice Notebook 2001, #11, 2002, > Delaware Crossing, 1971, color > Al Green, 2000, etching volume with a complete set of sixty etching lithograph [trial proof 1] > Mojo, 1999, etching etchings, 2014.176.13, New Century > Venice Notebook 2001, #12, 2002, > Delaware Crossing, 1971, color > , 1999, etching Fund, Pepita Milmore Memorial etching lithograph [trial proof 2] > Between the Torus and the Sphere IV, Fund, and Florian Carr Fund > Venice Notebook 2001, #13, 2002, > Delaware Crossing, 1971, color 2006, etching etching lithograph [trial proof 3] National Gallery of Art 63

Toorop, Jan, Dutch, 1858–1928 Waters: no world, 2010, color cancelled drypoint plates, American 19th Century > Fisherman from Marken, 1896, etching, aquatint, sugarlift and 2015.23.144, 201, Gift of Gemini > Portrait of Two Girls, c. 1850, drypoint on tan japan paper, spitbite aquatints, and drypoint, G.E.L. and the Artist daguerreotype, 2015.34.1, Gift of 2015.85.1, Ailsa Mellon Bruce Fund 2015.42.1, Donald and Nancy de Johns, Jasper, American, born 1930 Dennis A. Waters, New Hampshire Toulouse-Lautrec, Henri de, Laski Fund > Four Panels from Untitled 1972, 1974, Arbus, Diane, American, 1923–1971 French, 1864–1901, and Jules Renard Wilson, Fred, American, born 1954 two embossing panels, 2015.23.145, > Child with toy hand grenade, N.Y.C. (author), French, 1864–1910 > Arise!, 2004, spitbite aquatint with Gift of Gemini G.E.L. and the Artist 1962, 1962, gelatin silver print, > Histoires naturelles (Paris, 1899), handwritten inscriptions in graphite Lichtenstein, Roy, American, printed 1972, 2014.148.1, Gift of bound volume with twenty-two [working proof 4], 2014.116.42, Gift 1923–1997 Jeffrey Fraenkel and Alan Mark, in lithographic illustrations and one of Kathan Brown > Morton A. Mort, 1980, Honor of the 25th Anniversary of original drawing in charcoal on Würth, Anton, German, born 1957 three woodblocks Photography at the National Gallery dedication page, 2014.112.28, > Dürer Practice, 2014, engraving, > Two Paintings, 1984, eleven mylars, of Art Collection of Mr. and Mrs. Paul Mellon 2015.40.1, Gift of C. G. Boerner four woodblocks, and three Bierstadt Brothers, American, Valesio, Dionigi, Italian, active The Zamorensis Master, aluminum lithograph plates 1819–1907 1737/1766, and Giovanni Antonio German (?), active 15th century, > Imperfect, 1987, two woodblocks, > Rapids and Cascades, Franconia Urbani, Italian, active 18th century the Boccaccio Master, German, 2015.23.147–149, 199–200, 217–218, Notch, N.H., 1860s, carte-de-visite > Vedute di Verona (after Tiberio active 15th century, and Rodericus Gift of Gemini G.E.L. and the Artist albumen print, 2015.97.2, Robert Majeroni), 1747, bound set of four Zamorensis (author), German, Oldenburg, Claes, American, born Menschel and the Vital Projects Fund etchings, 2014.176.11.a–d, New 1404–1470 Sweden, 1929 Bing, Ilse, American, born Century Fund, Pepita Milmore > Spiegel des menschlichen Lebens > Profile Airflow, 1968, miscellaneous Germany, 1899–1998 Memorial Fund, and Florian Carr (Augsburg, 1475/1476), bound related drawings, stencils, and notes > Ballet “L’Errante,” Paris, 1933, gelatin Fund volume with fifty-seven hand- > The Letter Q as Beach House with silver print, 2015.110.1, The Shlenker Various Artists colored woodcut illustrations with Sailboat, 1972, drawing on mylar Block Fund, R. K. Mellon Family > Les maitres de l’affiche (Paris, 1895– decorative borders drawn and and reduced photo Foundation, and the Pepita Milmore 1900), five bound volumes illuminated by hand, 2014.139.2, > The Letter Q as Beach House with Memorial Fund, in Honor of the containing a total of 240 Anonymous Gift Sailboat, 1972, reduced photo on 25th Anniversary of Photography at chromolithographs, 2014.112.1.1–5, Zilotti, Domenico Bernardo, Italian, mylar from drawing and trial proof, the National Gallery of Art Collection of Mr. and Mrs. Paul Mellon 1730–1795 2015.23.146, 177–178, Gift of Gemini Bonsall, Isaac H., American, Various Artists > Landscape with Shepherdess and G.E.L. and the Artist 1833–1909 > A Collection of Verve Magazines Herd at a Watering Hole Ruscha, Ed, American, born 1937 > Chattanooga, Tennessee, South End, (Paris, 1937–1958), twenty-seven > Rustic Village along a River with > Color Test Sheets, hand-drawn color c. 1864, albumen print, 2015.61.1, illustrated magazines, 2014.112.38.1– Travelers, 1760s(?), etchings, tests on two sheets of paper, stapled Pepita Milmore Memorial Fund 27, Collection of Mr. and Mrs. 2015.55.2, 3, Purchased as the Gift of together, 2015.23.179, Gift of Gemini Bourke-White, Margaret, American, Paul Mellon Matthew and Ann Nimetz G.E.L. and the Artist 1904–1971 Various Artists and Axel Leonhard Zingg, Adrian, Swiss, 1734–1816 > Fort Peck Dam, Montana, 1936, Klinckowström, American, born > Augustusburg Castle Seen from the PHOTOGRAPHS gelatin silver print, 2014.113.1, Stockholm, 1775–1837 River, 1790s, etching with brown Patrons’ Permanent Fund Álvarez Bravo, Lola, Mexican, > Atlas till Friherre Klinkowströms Bref wash, 2015.104.1, Ailsa Mellon 1907–2007 Brigman, Anne W., American, om de förenta staterna, 1819–1824, Bruce Fund > The Dream (Isabel Villaseñor), 1869–1950 bound album of sixteen maps and Tenacatita, Jalisco, 1941, gelatin > Sanctuary, 1921, silver print, illustrations in mixed techniques, TECHNICAL MATERIAL silver print, 2015.36.2, Gift of Sandra 2015.100.1, Robert Menschel and the some hand-colored, with two and David Berler, in Honor of the Vital Projects Fund engraved title-pages, 2015.25.4, Gift Aubert, Georges, French, 1886–1961 25th Anniversary of Photography at Callahan, Harry, American, 1912–1999 of Harry W. Havemeyer in memory > Saint Anthony and the Two the National Gallery of Art > Eleanor and Barbara, Chicago, 1953 of his father, Horace Havemeyer Temptresses (after Odilon Redon) > Young Man (after Odilon Redon) American 19th Century > Eleanor and Barbara, Lake Venetian 16th Century and Dante > The Queen of Sheba (after Odilon > Hingham, Massachusetts, c. 1848, , c. 1953 Alighieri (author), Italian, 1265–1321 Redon) daguerreotype, 2015.57.3, Pepita > Eleanor, Michigan, 1953 > La Comedia (Venice, 1544), bound > Apollonius (after Odilon Redon), Milmore Memorial Fund > Providence, 1965–1968 volume with three full-page wood- > Eleanor, Chicago, c. 1947 1896–1900, woodblocks, 2014.137.4–7, American 19th Century engraved illustrations and 101 > Cape Cod, 1972 Woodner Collection, Gift of Dian > Landscape, c. 1850, daguerreotype, wood-engraved vignettes, 2015.80.1, > Cape Cod, 1972, gelatin silver prints, Woodner 2015.57.2, Pepita Milmore William B. O’Neal Fund 2014.153.1–7, Gift of Susan and Peter González-Torres, Félix, American, Memorial Fund Verdier, François, French, 1651–1730 MacGill, in Honor of the 25th born Cuba, 1957–1996 > France Crowned with Victory by American 19th Century Anniversary of Photography at the > from Aparicion, 1991, offset Louis XIV, 1690s(?), etching [artist’s > Parade Marshal, Dayton, Ohio, 1846, National Gallery of Art lithograph from an unlimited stack working proof], 2015.109.2, Ailsa daguerreotype, 2015.57.1, Pepita of printed sheets Cator, Maria Harriet Elizabeth, Mellon Bruce Fund Milmore Memorial Fund > from Untitled, 1990, offset British, 1831–1881 American 19th Century Villamena, Francesco, Italian, lithograph from an unlimited stack > Cator Family Album, 1866–1877, > , c. 1850, 1566–1624 of printed sheets, 2015.28.1, bound volume of collages of daguerreotype, 2015.95.2, Clinton > Saint Francis Receiving the Stigmata 2015.30.1.a–b, Anonymous Gift watercolor and albumen prints, (after Federico Barocci), 1597, and Jean Wright Fund 2014.174.1, Pepita Milmore Memorial Heizer, Michael, American, engraving, 2015.84.1, Purchased as American 19th Century Fund born 1944 the Gift of Jimmy and Jessica > Portrait of Five Children, c. 1850, > Scrap Metal Drypoint #3, eight Chauvassaigne, Frank, French, born Younger, Houston daguerreotype, 2015.95.1, Clinton cancelled drypoint plates 1831, active 1860 and Jean Wright Fund Walker, Kara, American, born 1969 > Scrap Metal Drypoint #4, eleven > Landscape, 1858 > An Unpeopled Land in Uncharted > Landscape, 1858, salted paper 64 Acquisitions

prints, 2014.158.1–2, Gift of Charles Duchenne (de Boulogne), > Velero (Ship), 2010, gelatin silver > Tooth for an Eye: A Chorography of Isaacs and Carol Nigro Guillaume-Benjamin-Amant, print, thread, and pins, 2014.150.6–7, Violence in Orleans Parish #06–16, Close, Chuck, American, born 1940 French, 1806–1875 Gift of The Heather and Tony 2008–2011 > Brad, 2012 > Mécanisme de la Physionomie Podesta Collection > Tooth for an Eye: A Chorography of > Obama, 2013 Électro-Physiologie Photographique, Gursky, Andreas, German, Violence in Orleans Parish #06–22, > Obama 2, 2013, woodburytypes, 1854–1855, album of thirty-two born 1955 2008–2011, gelatin silver prints, 2015.39.1–3, Gift of and albumen prints, 2015.52.1–15, W. > Singapore II, 2000, chromogenic 2015.59.1–2, Alfred H. Moses and Two Palms, NY Bruce and Delaney H. Lundberg print, 2014.150.8, Gift of The Fern M. Schad Fund Fund, in Honor of the 25th > Tooth for an Eye: A Chorography of Cook, Mariana, American, born 1955 Heather and Tony Podesta Anniversary of Photography at the Violence in Orleans Parish #04–23, > Marguerite Yourcenar, 1983, gelatin Collection National Gallery of Art; 2015.52.16– 2008–2011 silver print, 2014.163.1, Gift of the Hine, Lewis, American, 1874–1940 22, Eugene L. and Marie-Louise > Tooth for an Eye: A Chorography of Artist > An Anaemic Little Spinner in a New Garbáty Fund; 2015.52.23–28, Pepita Violence in Orleans Parish #02–04, England Cotton Mill (North Pownal, Dashti, Gohar, Iranian, born 1980 Milmore Memorial Fund; 2015.52.29– 2008–2011, gelatin silver prints, Vermont), 1910, gelatin silver print, > , Untitled, 2014, portfolio of 32, Edward E. MacCrone Fund 2015.60.1–2, R. K. Mellon Family eight inkjet prints, 2015.38.1.1–8, Gift 2014.164.1, Pepita Milmore Frank, Robert, American, Foundation of Azita Bina and Elmar W. Seibel in Memorial Fund born Switzerland, 1924 Lynes, George Platt, American, memory of Thomas Klarner Hunter, Tom, British, born 1965 > Wales, 1953 1907–1955 > of the Party, 2000 Davidson, Bruce, American, > Wales, 1953 > Bernard Perlin, 1949, gelatin silver > The Way Home, 2000, silver dye born 1933 > Wales, 1953 print, 2015.8.1, Gift of the Estate of bleach prints, 2014.150.9–10, Gift of > East 100th Street, 1969, gelatin silver > Wales, 1953 Bernard Perlin print, 2015.36.1, Gift of Sandra and The Heather and Tony Podesta > Wales, 1953 Maloney, Joe, American, born 1949 David Berler Collection > Wales, 1953 > Joe Maloney/Dye Transfer, 1982, Ishiuchi Miyako, Japanese, Dijkstra, Rineke, Dutch, born 1959 > Wales, 1953 portfolio of ten dye imbibition born 1947 > Dubrovnik, Croatia, July 16, 1996, 1996 > Wales, 1953 prints, 2014.146.4.1–10, Gift of Susan > Mother’s #24, 2001 > Oostende, Belgium, August 7, 1992, > Wales, 1953 and Peter MacGill 1992, chromogenic prints, > Wales, 1953 > Mother’s #49, 2002, gelatin silver Marville, Charles, French, 1813–1879 2014.150.1–2, Gift of The Heather > Wales, 1953 prints, 2015.50.1–2, Alfred H. Moses > Grotto in the Bois de Boulogne, 1858– and Tony Podesta Collection > Wales, 1953 and Fern M. Schad Fund 1860, albumen print, 2014.111.1 > Self-Portrait, Marnixbad, > Wales, 1953 > Mother’s #40, 2002 > Treasury of Reims Cathedral, c. 1854, Amsterdam, Netherlands, June 19, > Wales, 1953 > Mother’s #39, 2002 salted paper print, 2014.175.1, Pepita 1991, 1991, chromogenic print, > Welsh Miners, 1953 > Mother’s #35, 2002 Milmore Memorial Fund printed 1999, 2014.150.3, Gift of The > Wales, 1953 > Mother’s #19, 2001 Heather and Tony Podesta > Wales, 1953 > Mother’s #43, 2001 chromogenic Meiselas, Susan, American, Collection, in Honor of the 25th > Wales, 1953 prints, 2015.50.3–7, Charina born 1948 Anniversary of Photography at the > Wales, 1953 Endowment Fund > The Life of an Image: “Molotov Man,” National Gallery of Art > Wales, 1953 Kasten, Barbara, American, 1979–2009, 2014, mixed media > Tiergarten Berlin, Germany, June 7, > Wales, 1953 born 1936 installation, 2015.12.1–17, Alfred H. 1998, 1998, chromogenic print, > Wales, 1953 > Amalgam, Untitled 79/19, 1979, Moses and Fern M. Schad Fund printed 2001, 2014.150.4, Gift of The > Wales, 1953 gelatin silver print with applied Nixon, Nicholas, American, Heather and Tony Podesta Collection > Wales, 1953 crayon, 2015.105.1, Charina born 1947 > Wales, 1953 Divola, John, American, born 1949 Endowment Fund > The Brown Sisters, Wellfleet, > Wales, 1953 > Zuma #1, 1977 Kertész, André, American, born Massachusetts, 2014, gelatin silver > Wales, 1953 > Zuma #12, 1977 Hungary, 1894–1985 print, 2015.58.1, Robert and > Wales, 1953 > Zuma #13, 1977 > André Kertész/Still Life, 1981, Elizabeth Fisher Fund > Caerau Coal Mine, Wales, 1953 > Zuma #14, 1978 portfolio of ten gelatin silver prints, Penn, Irving, American, 1917–2009 > Wales, 1953 > Zuma #19, 1978 2014.146.5.1–10, Gift of Susan and > Mascara Wars, 2001, chromogenic > Wales, 1953, gelatin silver prints, 2014. > Zuma #23, 1977 Peter MacGill print, 2015.37.1, Gift of The Irving 154.1–31, Gift of Betsy Karel, in Honor > Zuma #32, 1978 Penn Foundation, in Honor of the of the 25th Anniversary of Photography Kornbluh, Barry, American, born 1952 > Zuma #35, 1978 25th Anniversary of Photography at at the National Gallery of Art > Robert Frank in his Bleecker Street > Zuma #82, 1978 the National Gallery of Art > From the Bus, New York, 1958 Studio, New York, 1993, inkjet print, > Zuma #9, 1978, chromogenic prints, > From the Bus, New York, 1958 printed 2011, 2015.31.1, Gift of the Artist Rau, William H., American, 2014.125.1–10, Gift of Mark Ruwedel > From the Bus, New York, 1958 Krull, Germaine, French, 1897–1985 1855–1920 > Zuma #30, 1977 > From the Bus, New York, 1958 > Portrait d’une comédienne, Paris > Owasco Lake, Cascade > Zuma #37, 1977 > Bar, , 1955 (Portrait of an actress, Paris), 1930, > Bethlehem Island on the Lehigh > Zuma #60, 1978 > 4th of July, Jay, NY, 1954 gelatin silver print, 2015.51.1, R. K. > Owasco Lake, Ensenore Glen House > Zuma #21, 1977, chromogenic prints, > Parade—Hoboken, , 1955 Mellon Family Foundation > Bear Lake 2014.165.1–4, Charina Endowment > Political Rally—Chicago, 1955 > Owasco Lake, Casowasco Fund Luster, Deborah, American, > Salt Lake City, 1956, gelatin silver > South Bethlehem General Office Bldgs. born 1951 Dodgson, Charles Lutwidge (Lewis prints, 2014.155.1–9, Gift of Dr. J. > Coal Piers & Harbor North Fair Haven > One Big Self: Prisoners of Louisiana, Carroll), British, 1832–1898 Patrick and Patricia A. Kennedy, in > Glen Summit Hotel, c. 1895, albumen 1998–2002, 249 gelatin silver prints > Lorina and Alice Liddell in Chinese Honor of the 25th Anniversary of prints, 2015.112.1–8, Pepita Milmore on aluminum, steel cabinet with Dress, 1860, albumen print, Photography at the National Gallery Memorial Fund lamp, and two bound volumes, 2015.78.1, Pepita Milmore Memorial of Art 2014.177.1–252, Gift of Julia J. Norrell, Resnick, Marcia, American, Fund, Robert Menschel and the Garaicoa, Carlos, Cuban, born 1967 in Honor of Claude Simard and the born 1950 Vital Projects Fund, The Ahmanson > Untitled (Pier), 2002–2004, two 25th Anniversary of Photography at > She always read the endings of books Foundation, and New Century Fund gelatin silver prints, thread, and pins the National Gallery of Art before the beginnings, 1978 National Gallery of Art 65

> She would demurely sip cherry kool > Double Rembrandt (with steps), Vigier, Joseph, French, 1821–1894 aid from a wine glass and puff on 1987–1991 > Saint-Sauveur. Sentier du chaos bubble gum cigarettes, 1978, gelatin > Rose, 1982–1991, gelatin silver prints conduisant à Gavarnie (Saint- silver prints, 2014.178.1, 2014.179.1, and mixed media, 2014.146.1–3, Gift Sauveur. The Path to Chaos Leading Robert Menschel and the Vital of Susan and Peter MacGill to Gavarnie), 1853, salted paper Projects Fund Steichen, Edward, American, print, 2015.35.1, Gift of Hans P. Robert, Louis-Rémy, French, 1879–1973 Kraus Jr., in Honor of the 25th 1810–1882 > An Apple, A Boulder, A Mountain, Anniversary of Photography at the > Cascade at the Chateau de St. Cloud, 1921, platinum print, 2014.114.1, National Gallery of Art c. 1854, salted paper print, Patrons’ Permanent Fund Washington, Augustus, American, 2014.152.1, Gift of Alexander Novak > The Blue Sky—Dana Steichen, 1923, 1820/1821–1875 and Family palladium print, 2015.32.1, Gift of > Portrait of a Woman, c. 1850, Rosler, Martha, American, Howard Greenberg, in Honor of the daguerreotype, 2015.97.1, Robert born 1943 25th Anniversary of Photography at Menschel and the Vital Projects > Cleaning the Drapes, from the series the National Gallery of Art Fund House Beautiful: Bringing the War Strassheim, Angela, American, Weems, Carrie Mae, American, Home, 1967–1972, inkjet print, born 1969 born 1953 printed 2007, 2015.76.1, Gift of the > Untitled (Alicia in the Pool), 2006 > After Manet, 2002, chromogenic Collectors Committee and the > Untitled (Girls in a Pickup), 2006 print, printed 2015, 2015.75.1, Alfred Pepita Milmore Memorial Fund > Untitled (Hoola Hoop), 2006 H. Moses and Fern M. Schad Fund Salzmann, Auguste, French, > Untitled (Removing Makeup), 2006 Wessel, Henry, American, born 1942 1824–1872 > Untitled ( Room), 2006, > Real Estate Portfolio, 1990–1991, forty > Jerusalem. Épée de Godefroy de chromogenic prints, 2014.150.12–16, chromogenic prints, 2014.159.1.1–40, Bouillon (Jerusalem. The Sword of Gift of The Heather and Tony Gift of David Knaus, in Honor of the Godfroy of Bouillon), 1854, salted Podesta Collection 25th Anniversary of Photography at paper print, 2015.6.1, Gift of Charles Subotzky, Mikhael, South African, the National Gallery of Art Isaacs and Carol Nigro, in Honor of born 1981, and Patrick Waterhouse, Wilson, Jane, British, born 1967, and the 25th Anniversary of Photography British, born 1981 Louise Wilson, British, born 1967 at the National Gallery of Art > Doors, Ponte City, Johannesburg, > Stasi City, 1997, four laser discs, four Samaras, Lucas, American, born 2008–2010 betacam tapes, one VHS tape, Greece, 1936 > Televisions, Ponte City, 2014.150.18, Gift of The Heather and > Elinor Klein, 2009 Johannesburg, 2008–2010, light Tony Podesta Collection boxes with color transparencies, > Theo Boris, 2009 Wylie, William, American, born 1957 2015.67.1–2, Alfred H. Moses and > Pierre Alexandre de Looz, 2009 > Spring Flood Debris, East of Fort Fern M. Schad Fund > Brian Hastings, 2009 Collins, (Cache la Poudre > Paul Glimcher, 2009 Talbot, William Henry Fox, British, River), 1996, gelatin silver print, > Barbara Glimcher, 2009 1800–1877 printed 2009 > Woodson Merrell, 2009 > An Ancient Door, Magdalen College, > Rock Cut and Spillway, Cache la > Paul Pollard, 2010 Oxford, 1843, salted paper print, Poudre River, East of Fort Collins, > Lucas Janklow, 2009 2015.33.1, Gift of Carolyn Schwenker 1996, gelatin silver print, printed 1997 > Betsy Baker, 2009 Brody, in Honor of the 25th > Willows Along Cache la Poudre River, > Carol Kino, 2010 Anniversary of Photography at the Colorado, 1997, gelatin silver print, > Loris Gréaud, 2010 National Gallery of Art printed 2009 > Margery Reich, 2009 Tillmans, Wolfgang, German, > Cottonwood Bench Above River, > Kim Levin, 2010, inkjet prints, born 1968 Cache la Poudre River, 1996, gelatin 2014.149.1–14, Gift of Kimberly and > Total Solar Grid, 1998, silver print, printed 1999 John F. Zwetchkenbaum twenty-one chromogenic prints, > Winter, East of Fort Collins, Cache la Sheikh, Fazal, American, born 1965 2014.150.17, Gift of The Heather and Poudre River, 1998, gelatin silver print > Simpatia, 2001, twenty-two gelatin Tony Podesta Collection > Spring Flood, Cache la Poudre River, silver prints, 2014.156.1–22, Gift of Tribe, Mark, American, born 1966 Below I-25, 1996, gelatin silver print, Joseph M. Cohen Family Collection > Colusa, 2014, UV print on dibond, printed 1999 Siskind, Aaron, American, 1903–1991 2014.161.1, Anonymous Gift > Bellvue Dome Near LaPorte, Colorado (Cache la Poudre River), 1996, gelatin > Gloucester (Glove), 1944, gelatin Unknown 20th Century silver print, printed 2004 silver print, 2014.157.1, Gift of > Breadlines in Driving Storm, 1928, > Cottonwoods Along Cache la Poudre Norman S. and Carolyn K. Carr, in gelatin silver print, 2014.151.1, Gift of River, Colorado, 1995, gelatin silver Honor of the 25th Anniversary of Mary and Dan Solomon Photography at the National Gallery print, printed 2004 Unknown 20th Century of Art > Cottonwood Stump Along No. 3, > Charles Lindbergh and Marshal > Seaweed, 1949, gelatin silver print, Cache la Poudre River Near Greeley, Foch, 1927, gelatin silver print, 2015.7.1, Gift of James and Elise Colorado, 1996, gelatin silver print 2014.151.2, Gift of Mary and Dan Blair, in Honor of the 25th > Cottonwood Tree, Cache la Poudre Solomon Anniversary of Photography at the River, 1997, gelatin silver print, National Gallery of Art Unknown 20th Century printed 2000, 2014.162.1–10, Gift of > Lindbergh’s Arrival in Paris, 1927, Jeanne and Richard S. Press Starn, Doug, American, born 1961, gelatin silver print, 2014.151.3, Gift of and Mike Starn, American, born 1961 Mary and Dan Solomon > St. Michel Claw, 1985–1991 66

CHANGES OF ATTRIBUTION

The following changes of attribution 1939.1.258 1952.5.25 PAINTINGS are the result of scholarly research Portrait of a Venetian Gentleman Saint James Major utilizing the latest art historical 1937.1.1 Old: Giorgione and Titian, c. 1510 Old: Workshop of Simone Martini, investigations and scientific Madonna and Child on a Curved New: Cariani, c. 1510/1515 probably c. 1320 examinations. It is the policy of the Throne New: Simone Martini, c. 1315/1320 National Gallery of Art to publish Old: Byzantine 13th Century, 1950.11.1.a–c these changes regularly. The 13th century Old: Attributed to Martino di 1952.5.26 following changes of attribution New: Byzantine 13th Century Bartolomeo di Biagio, Madonna and Old: Workshop of Simone Martini, were proposed by Gallery curators (possibly from Constantinople), Child with Saint Peter and Saint Saint Thaddeus, probably c. 1320 and approved by the Gallery’s c. 1260/1280 Stephen, c. 1400 New: Simone Martini, Saint Judas Board of Trustees during fiscal year New: Martino di Bartolomeo, Saint Thaddeus, c. 1315/1320 2015. Each list is arranged in 1949.7.1 Peter, with Saint James Major [left alphabetical order according to Enthroned Madonna and Child panel], Madonna and Child, with the 1943.4.20 former attribution. Changes of title Old: Byzantine 13th Century, Blessing Christ [middle panel], Saint Catherine of Alexandria and/or date are included if they were 13th century Deacon Saint, with Saint Anthony Old: “Ugolino Lorenzetti,” a part of the attribution change. New: Byzantine 13th Century Abbot [right panel], c. 1415/1420 probably c. 1335 (possibly from Constantinople), New: Bartolomeo Bulgarini, c. 1250/1275 1939.1.131 c. 1335/1340 The Baptism of Christ 1952.5.60 Old: Master of the Life of Saint John SCULPTURES Old: Attributed to Cimabue, the Baptist, probably 1330/1340 1943.4.88 Madonna and Child with Saint New: Giovanni Baronzio, c. 1335 John the Baptist and Saint Peter, Philippe, Duc D’Orleans Old: Jacques Prou II, c. 1701 probably c. 1290 1943.4.45 New: Probably Lazzerini Workshop, New: Tuscan 13th Century, Madonna Old: Master of the Life of Saint John second half 19th century and Child with Saint John the Baptist, the Baptist, Madonna and Child with Saint Peter, and Two Angels, c. 1290 Angels, 1330/1340 1967.14.1 New: Giovanni Baronzio, Madonna Charles, Duc de Berry 1937.1.2.a–c and Child with Five Angels, c. 1335 Old: Follower of Cimabue, Christ Old: Jacques Prou II, unknown date New: Probably Lazzerini Workshop, between Saint Peter and Saint James 1952.5.68 second half 19th century Major, late 13th Century Old: Master of the Life of Saint John New: Grifo di Tancredi, Saint Peter the Baptist, Scene from the Life of [left panel], Christ Blessing [middle Saint John the Baptist, probably DRAWINGS panel], Saint James Major [right 1330/1340 1996.11.1 panel], c. 1310 New: Giovanni Baronzio, The Birth, Jupiter and Ganymede Above Naming, and Circumcision of Saint an Extensive Landscape 1961.9.2 John the Baptist, c. 1335 Old: Giorgione, or Possibly The Giulio Campagnola Old: Attributed to Bernardo 1952.5.18 New: Giovanni Bellini, or Daddi, c. 1335 Old: Orcagna and Jacopo di Cione, New: Bernardo Daddi, c. 1320/1325 Madonna and Child with Angels, before 1370 1990.10.6.a 1961.9.77 New: Jacopo di Cione, Madonna and A Kneeling Man Holding a Staff [recto] Old: Follower of Duccio di Child with God the Father Blessing and Old: Domenico Tintoretto Buoninsegna, Madonna and Angels, c. 1370/1375 New: Jacopo Tintoretto Child Enthroned with Angels, early 14th century 1952.5.87 PRINTS New: Master of Città di Castello, The Coronation of the Virgin Maestà (Madonna and Child with Old: Paolo Veneziano 1943.3.4818 Four Angels), c. 1290 New: Master of the Washington Two Nude Dancers in a Landscape Coronation Old: Erich Heckel New: Max Zachmann 1952.5.23 Saint Matthew Old: Workshop of Simone Martini, probably c. 1320 New: Simone Martini, c. 1315/1320

1952.5.24 Saint Simon Old: Workshop of Simone Martini, probably c. 1320 New: Simone Martini, c. 1315/1320 National Gallery of Art 67

EXHIBITIONS AND LOANS

During the fiscal year, 229 lenders Carlotta Owens and Charles February 6, 2015–May 3, 2015 Additional funding kindly given by from nineteen countries and thirty- Ritchie, curators Organized by the National Count and Countess de La Haye St. one states loaned 1,150 works of art to > From Neoclassicism to Futurism: Gallery of Art Hilaire twenty exhibitions. The Gallery also Italian Prints and Drawings, 1800–1925 Andrew Robison, curator Supported by an indemnity from worked on another thirty-three Continued from the previous > Peter Paul Rubens: The Three the Federal Council on the Arts and exhibitions that are scheduled to fiscal year to February 1, 2015 Magi Reunited the open in the next five years and Organized by the National March 22, 2015–July 5, 2015 > Pleasure and Piety: The Art of Joachim administered the tour of five Gallery of Art Organized by the National Wtewael (1566–1638) exhibitions. United States Government Jonathan Bober, curator Gallery of Art June 28, 2015–October 4, 2015 Indemnity was secured for four > Captain Linnaeus Tripe: Arthur Wheelock, curator Organized by the Centraal Museum exhibitions on view in fiscal year 2015, Photographer of India and Burma, > Drawing in Silver and Gold: Utrecht; the National Gallery of Art, resulting in savings of more than 1852–1860 Leonardo to Jasper Johns Washington; the Museum of Fine $1,359,427 in insurance premiums. Continued from the previous May 3, 2015–July 26, 2015 Arts, Houston; and the Sarah > Andrew Wyeth: Looking Out, fiscal year to January 4, 2015 Organized by the National Gallery Campbell Blaffer Foundation Looking In Organized by the National Gallery of Art, Washington, in association Arthur Wheelock, curator Continued from the previous fiscal of Art, Washington, and the with the British Museum, London Made possible by the Exhibition year to November 30, 2014 Metropolitan Museum of Art, New Stacey Sell and John Hand, curators Circle of the National Gallery of Art Organized by the National York, in association with the Made possible by a generous gift in Supported by an indemnity from Gallery of Art Victoria and Albert Museum, London memory of Melvin R. Seiden the Federal Council on the Arts and Nancy Anderson, curator Sarah Greenough and Roger Additional funding provided by the the Humanities Made possible by Altria Group Taylor, curators Exhibition Circle of the National > Vermeer’s “Woman in Blue Reading Supported by the Mr. and Mrs. Made possible by the Exhibition Gallery of Art a Letter” from the Rijksmuseum Raymond J. Horowitz Foundation Circle of the National Gallery of Art Supported by an indemnity from September 19, 2015–December 1, 2015 for the Arts > A Subtle Beauty: Platinum the Federal Council on the Arts and Organized by the National Additional funding provided by Photographs from the Collection the Humanities Gallery of Art the Exhibition Circle of the National October 5, 2014–January 4, 2015 > In Light of the Past: Twenty-Five Arthur Wheelock, curator Gallery of Art Organized by the National Years of Photography at the National > Degas/Cassatt Gallery of Art Gallery of Art LENDERS TO EXHIBITIONS Continued from the previous Andrea Nelson, curator May 3, 2015–July 26, 2015 Private Collections fiscal year to October 5, 2014 > Degas’s Little Dancer Organized by the National Mr. and Mrs. George Abrams Organized by the National October 5, 2014–February 8, 2015 Gallery of Art Mr. and Mrs. Leon D. Black Gallery of Art Organized by the National Sarah Greenough and Diane Mrs. Patricia M. Bolte Kimberly Jones, curator Gallery of Art Waggoner, curators Antonio Braganti Made possible by a generous grant Kimberly Jones, curator Made possible through the generous Dr. James D. Brodell from Booz Allen Hamilton Inc. in support of the Trellis Fund Ms. Antonina Cappel celebration of its 100th Anniversary > El Greco in the National Gallery of Art > The Memory of Time: Contemporary Mr. and Mrs. Bernard Carl Sponsored by the Robert and and Washington-Area Collections: A Photographs at the National Gallery Mr. and Mrs. Eric Chafe Mercedes Eichholz Foundation 400th Anniversary Celebration of Art, Acquired with the Alfred H. Dominique Chardeau Supported by an indemnity from November 2, 2014–February 16, 2015 Moses and Fern M. Schad Fund Jean Jacques Chardeau the Federal Council on the Arts and Organized by the National May 3, 2015–September 13, 2015 M. Gilles Chardeau the Humanities Gallery of Art David Brown, curator Organized by the National Olivier Chardeau > Titian’s Danaë from the Capodimonte Gallery of Art Patrick Chardeau > Piero di Cosimo: The Poetry of Museum, Naples Sarah Greenough and Andrea Mr. Steven Cohen Painting in Renaissance Florence Continued from the previous fiscal Nelson, curators Edwin L. Cox year to November 6, 2014 February 1, 2015–May 3, 2015 > Recent Acquisitions of Italian Edward B. du Pont Organized by the National Gallery Organized by the National Gallery Renaissance Prints: Ideas Made Flesh Bruno Eberli of Art and the Embassy of Italy, of Art, Washington, and the Galleria June 7, 2015–October 4, 2015 Bessie and C. Richard Epes Washington, together with the degli Uffizi, Superintendency of Organized by the National Ambassador and Mrs. William S. Capodimonte Museum, Naples, and for the City and Farish Gallery of Art the Superintendency of Cultural the Museums of Florence Collection of Sydney J. Freedberg Jonathan Bober, curator Heritage for the City and the Dennis Geronimus and Gretchen Capucine Gaillard Supported by a generous grant Museums of Naples and the Royal Hirschauer, curators Mr. and Mrs. Gordon P. Getty from the Thaw Charitable Trust Palace of Caserta to celebrate the Supported by Sally Engelhard Sibylle Guinard occasion of Italy’s Presidency of the Pingree and the Charles Engelhard > Gustave Caillebotte: The Painter’s Eye Frederic C. Hamilton Council of the European Union Foundation June 28, 2015–October 4, 2015 Dr. Margaret Harrington from July 1 through December 31, 2014 Additional funding provided by the Organized by the National Gallery Simone and Alan Hartman David Brown, curator Exhibition Circle of the National of Art, Washington, and the Kimbell Spencer Hays Generous support provided by Gallery of Art Art Museum, Fort Worth Hearn Family Trust INTESA SANPAOLO > American Masterworks from the Mary Morton, curator Mr. John D. Hervey Additional support provided by Corcoran, 1815–1940 Made possible through the Waring Hopkins Berlucchi and Ferrero February 6, 2015–May 3, 2015 leadership support of the Leonard Jasper Johns and Elaine Silverstein Family > Modern American Prints and Organized by the National Mr. Ted Koppel and Mrs. Grace Foundation Drawings from the Kainen Collection Gallery of Art Anne Dorney Koppel Generous support provided by the Continued from the previous fiscal Nancy Anderson and Sarah Mr. Bernard Kramarsky Robert and Mercedes Eichholz year to February 1, 2015 Cash, curators Mr. Henry R. Kravis Foundation Ms. Antonia Bissell Laird Organized by the National > Focus on the Corcoran: Works on Timothy and Melinda Larson Gallery of Art Paper, 1860–1990 Mr. Edward J. Lenkin 68 Exhibitions and Loans

Mr. Irvin Levy GREECE New Hampshire Mr. and Mrs. John Lowenthal Athens: Ephorate of Underwater Little Rock: The Arkansas Arts Center Manchester: Currier Museum of Art Mr. Stephen Mazoh Antiquities; National Archaeological California New Jersey James W. and Frances G. McGlothlin Museum Los Angeles: Gemini G.E.L.; The J. Newark: The Newark Museum Mrs. Elizabeth Lewis McLean Corinth: Archaeological Museum of Paul Getty Museum; Los Angeles Princeton: Princeton University Art Paul Montrone Corinth County Museum of Art Museum Iraklio: Herakleion Archaeological Ms. Gabriel Naughton San Francisco: Fine Arts Museums of Museum New York Mrs. Emily Rauh Pulitzer San Francisco, de Young, Legion of James Roberts-Wray Rhodes: Kalymnos Archaeological Honor Brooklyn: Museum Dr. Andrew Robison San Marino: The Huntington Library, Ithaca: Herbert F. Johnson Museum Mr. Marc Rosen and Ms. Susan Thessaloniki: Archaeological Art Collections, and Botanical of Art, Pinsky Museum of Thessaloniki Gardens New York: B. Kovner Collection; Hall Mr. and Mrs. Eric Sambol ITALY Connecticut Art Foundation; Howard Greenberg Gallery; Hans P. Kraus, Jr., Inc.; Mrs. George T. Scharffenberger Brindisi: Museo Provinciale Greenwich: CED Enterprises Lewis Collection; The Metropolitan Steven Scotford Francesco Ribezzo, Brindisi Hartford: Museum of Art; The Morgan Library Mr. and Mrs. Terry Stent Chieti: Museo Archeologicao Museum of Art & Museum; The Museum of Modern Debaja Stiftung Nazionale d’Abruzzo New Haven: Art Art; Pace/MacGill Gallery; Penn Prof. Filippo Todini Florence: Galleria degli Uffizi; MAN Gallery Foundation; Solomon R. Bruce E. Toll Florence Guggenheim Museum; The Assadour Westport: Michael Shapiro O. Tavitian Trust U/A dated October Mr. and Mrs. Eijk Van Otterloo Naples: MANN Photographs 28, 2004; Whitney Museum of Paul de Vilder Pompeii: Soprintendenza Speciale District of Columbia American Art Ms. Margaret G. Walker per i Beni Archeologici di Pompei, Washington: Dumbarton Oaks; Rochester: Memorial Art Gallery of Mr. William D. Weiss Ercolano e Stabia Hirshhorn Museum and Sculpture the University of Rochester Ms. Andrea Woodner Rome: Museo Nazionale Romano Garden; National Gallery of Art Utica: Munson-Williams-Proctor Arts Mrs. Andrew Wyeth Salerno: Museo Archeologico Library; Smithsonian American Art Institute James Browning Wyeth Provinciale di Salerno Museum; The Phillips Collection Ohio Public Collections JAPAN Florida Cincinnati: Cincinnati Art Museum Tokyo: Bridgestone Museum of Art West Palm Beach: Norton Gallery AUSTRIA Cleveland: The Cleveland Museum and School of Art Vienna: ; NETHERLANDS of Art; Beech Hedge LLC Antikensammlung Ephesos Museum Amsterdam: Broere Foundation; P. & Georgia Toledo: Toledo Museum of Art N. de Boer Foundation; Rijksmuseum; Columbus: The Columbus Museum BELGIUM Pennsylvania Rijksprentenkabinet, Rijksmuseum Brussels: David Levy Philadelphia: Pennsylvania Academy Haarlem: Teylers Museum CANADA Chicago: The Art Institute of of the Fine Arts; Philadelphia Rotterdam: Museum Boijmans Van Chicago; Terra Foundation for Museum of Art Montreal: Canadian Centre for Beuningen American Art Tennessee Architecture; Power Corporation The Hague: Royal Picture Gallery Indiana of Canada Art Collection Mauritshuis Memphis: J. R. Hyde III Family Foundation Ottawa: National Gallery of Canada Utrecht: Centraal Museum Bloomington: Indiana University Art Museum Texas FRANCE SPAIN Maryland Dallas: Beaune-la-Rolande: Commune de : Museo Nacional del Prado; Beaune-la-Rolande Museo Thyssen-Bornemisza Baltimore: The Baltimore Fort Worth: Kimbell Art Museum Grenoble: Musée de Grenoble Museum of Art SWITZERLAND Houston: The Menil Collection; Le Havre: Musée Malraux Massachusetts Sarah Campbell Blaffer Foundation Chêne-Bourg: Ojart Inc Montpellier: Musée Fabre Boston: Museum of Fine Arts, Boston Virginia Geneva: Petit Palais, Musée d’Art Paris: Agence France Museums; Moderne Genève Cambridge: Harvard Art Museums Norfolk: Chrysler Museum of Art Abu Dhabi; Bibliothèque Lausanne: Fondation de l’Hermitage Northampton: Smith College Richmond: Virginia Museum of Fine Arts Nationale de France; Kraemer Museum of Art Collection; Musée d’Orsay; Musée du Washington UNITED KINGDOM–ENGLAND Springfield: Museum of Fine Arts, Louvre; Musée du Petit Palais; Musée Bradford: National Media Museum Springfield Seattle: Seattle Art Museum Marmottan Monet; Musée national d’art moderne, Centre Georges London: The British Library; The Williamstown: Sterling and Francine Wisconsin Pompidou British Museum; Jean-Luc Baroni Clark Art Institute Madison: Chazen Museum of Art Ltd.; Her Majesty Queen Elizabeth II; Michigan GEORGIA The National Gallery; University : Milwaukee Art Museum Tbilisi: Georgian National Museum College, London; Johnny Van Detroit: The Detroit Institute of Arts VATICAN CITY Haeften Ltd.; Victoria and Albert GERMANY Vatican City: Musei Vaticani Museum Berlin: Galerie Michael Haas; : The Minneapolis UNITED KINGDOM– Staatliche Museen zu Berlin, Institute of Arts; Walker Art Center LENDERS OF WORKS Gemäldegalerie SCOTLAND Missouri DISPLAYED WITH THE Cologne: Wallraf-Richartz-Museum Edinburgh: National Galleries of Scotland Kansas City: The Nelson-Atkins NGA COLLECTION Frankfurt: Städelsches Kunstinstitut Museum of Art und Städtische Galerie UNITED STATES St. Louis: Art Museum Anonymous Karlsruhe: Staatliche Kunsthalle Nicolaes Pietersz Berchem Nebraska Karlsruhe >An Italianate Landscape with Figures Tucson: University of Arizona Lincoln: Sheldon Museum of Art, Potsdam: Hasso-Plattner-Institut Gerrit Adriaensz Berckheyde Museum of Art University of Nebraska-Lincoln >The Grote or St. Bavokerk in Haarlem Omaha: Joslyn Art Museum Gerard ter Borch the Younger >The pressing invitation to drink National Gallery of Art 69

German 18th Century >Study of an Elderly Woman in a Frederick William MacMonnies Vienna, Belvedere >Pair of Female Figures White Cap >Nathan Hale Looking at Monet: and Jacopo Jan Steen >Pan of Rohallion His Influence on Austrian Landscape >Venus and Cupid at the Forge of Vulcan >The Prayer Before the Meal Paul Manship Painting Jan van Goyen The Library of Congress >Actaeon October 23, 2014–February 8, 2015 >Peasants and a Soldier Conversing Unknown Artist >Atalanta Claude Monet Jan Davidsz de Heem > Hubbard and Broekman >Briseis >Cliffs at Pourville >Still Life with Fruit, Oysters, and Wine Reproduction of a Pascal Taksin >Flight of Europa BELGIUM Jan Miense Molenaer Harpsichord >Flight of Night Antwerp, Rubenshuis >Self-Portrait as a Lute Player >Oriental Dancer: Vase Musée du Louvre, Réunion des Peter Paul Rubens: The Family Portraits Charles Ethan Porter >Panther leaping at deer (Bronze Musées Nationaux, Paris April 1, 2015–June 30, 2015 >Cherries Relief from the New York Century Venetian 16th Century Sir Anthony van Dyck Philips Wouwerman Association Flower Boxes) >Boy on a Dolphin >Isabella Brant >Riders and Horses Resting by a River >Salome Brussels, BOZAR Center for Fine Arts National Museum of Health and Edward McCartan Collection of Roger Arvid Anderson Rubens and His Legacy Medicine, Institute of Pathology >Bacchus Possibly Germain Pilon September 25, 2014–January 4, 2015 Thomas Eakins >Nymph and Satyr >Veiled Mourner with Torch Circulated to: Royal Academy of Arts >Dr. John H. Brinton Elie Nadelman Ambassador Elizabeth Frawley Bagley January 24, 2015–April 10, 2015 Robert H. Smith >Classical Head Rembrandt van Rijn Sir Anthony van Dyck Manner of Pugin Augustus Saint-Gaudens >Portrait of an Old Man >A Genoese Noblewoman and Her Son >Marble Octagonal Pedestal (2 Works) >“The Puritan” (Deacon Samuel Chapin) Pieter Claesz Soutman and Sir Peter The Morris and Gwendolyn Cafritz >Samuel Gray Ward Smithsonian American Art Museum Paul Rubens Foundation >Robert Louis Stevenson Sir Anthony van Dyck >The Defeat of Sennacherib David Smith (square format) >Marchesa Elena Grimaldi-Cattaneo Antoine Watteau >Cubi XI >Robert Louis Stevenson French 13th Century >The March of Silenus [recto] (horizontal format) Calder Foundation >Vita Contemplativa >Victory/Peace CANADA Alexander Calder >Heraldic Panel >1 Red, 4 Black plus X White Calgary, Glenbow Museum >Bishop Blessing Vanishing Ice: Alpine and Polar >Tom’s NGA LOANS TO >Angel Holding a Cross and the Landscapes in Art, 1775–2012 >Cheval Rouge Crown of Thorns TEMPORARY EXHIBITIONS October 11, 2014–January 11, 2015 The Catholic University of America, Jan Anthonisz Ravesteyn The department of loans and the Circulated to: McMichael Canadian Oliveira Lima Library >Judith Langley National Lending Service Art Collection Frans Post Mrs. Frederick M. Stafford administered the loans of 1,206 January 31, 2015–April 26, 2015 >Brazilian Landscape, Probably works of art to 228 sites during fiscal Thomas Hart Benton Pernambuco >Landscape with Apollo and Mercury year 2015. This number includes the >Trail Riders* Cooper Hewitt, Smithsonian loan of 990 works to 165 temporary U.S. Department of the Interior, Hamilton, Art Gallery of Hamilton Design Museum exhibitions at 186 institutions and , Saint- The World is an Apple: The Still Lifes the extended loan of 201 Gallery Giovanni Domenico Tiepolo Gaudens National Historic Site, of Paul Cézanne >The Immaculate Conception works to 33 sites. Eleven works from Cornish, New Hampshire November 1, 2014–February 8, 2015 the Gallery’s collections were on Collection of Louis and Georges Augustus Saint-Gaudens Paul Cézanne short-term loan to the permanent de Ménil >Study Head of a Black Soldier >Vase of Flowers collections of seven museums. Anthony Caro (6 works) Montreal, Montreal Museum of Fine Arts *Works in National Lending Service >Prairie >Preliminary Sketch for Shaw German Expressionism and France: Fioratti Collection Memorial AUSTRALIA From Van Gogh and Gauguin to the Giovanni Minello >Shaw Memorial Sydney, Art Gallery of New South Wales Blue Rider >Early Study of the Allegorical Figure >Bust of a Woman Pop to Popism: Origins to New Wave October 6, 2014–January 25, 2015 for the Shaw Memorial 1955–1985 Collection of Paul Gauguin November 1, 2014–March 1, 2015 Foundation, Inc. Rose-Marie and Eijk van Otterloo >Haystacks in Brittany* Roy Lichtenstein Helen Frankenthaler Collection Edouard Vuillard >Look Mickey >Mountains and Sea Caesar van Everdingen >Woman in a Striped Dress >Bacchus and Bacchantes AUSTRIA Ernst Ludwig Kirchner Collection of the Artist >An Offering to Venus Kunsthaus Graz, >Dance Hall Bellevue [obverse] Jasper Johns Aert van der Neer Universalmuseum Joanneum >Between the Clock and the Bed Metamorphosis: The Studio of Rodin >A Snowy Winter Landscape Damage Control: Art and Destruction >Field Painting May 26, 2015–October 18, 2015 Esaias van de Velde I Since 1950 >No Auguste Rodin >An Elegant Company in a Garden November 14, 2014–February 15, 2015 >Target >The Sirens* The White House Vija Celmins >Dancers on a Plane Paul Cézanne >Tulip Car #1 Toronto, Art Gallery of Ontario Richard and Elaine Kaufman From Tierra Del Fuego to the Arctic: >Hamlet at Payannet, near Gardanne Vienna, Albertina Alberto Giacometti in the Americas (Hameau à Payannet près de Gardanne) Miró From Earth to Sky >Buste d’Annette IX June 20, 2015–September 20, 2015 >Houses on a Hill September 12, 2014–January 11, 2015 The Leiden Collection, New York Charles Sheeler Mr. and Mrs. Erving Wolf Joan Miró Jan Lievens >Classic Landscape Anna Hyatt Huntington >The Farm >Self-Portrait >Yawning Panther Camera Atomica Jan van Mieris Gaston Lachaise July 8, 2015–January 25, 2016 >A Traveler at Rest >Peacocks Robert Frank Rembrandt van Rijn >Hoover Dam, Nevada 70 Exhibitions and Loans

>Halifax Infirmary Wondrous Story: Schlemihl Wuppertal, Von der Heydt-Museum Richard Misrach >Hanging the Laundry out to Dry* Encounters the Little Gray Man on —Vater des >Princesses Against Plutonium, Claude Monet the Road) Impressionismus Nuclear Test Site, Nevada >The Artist’s Garden in (A >Peter Schlemihls wundersame October 12, 2014–February 22, 2015 DENMARK Corner of the Garden with Dahlias) Geschichte: Schlemihls Begegnung Camille Pissarro mit dem Schatten (Peter Schlemihl’s >Peasant Girl with a Straw Hat Humlebaek, Louisiana Museum of The Real Tudors Wondrous Story: Schlemihl’s >A Creek in St. Thomas (Virgin Islands)* Modern Art March 16, 2015–July 19, 2015 Yayoi Kusama: In Infinity Encounter with His Shadow) >Two Women Chatting by the Sea, Hans Holbein the Younger St. Thomas* September 17, 2015–January 24, 2016 >Edward VI as a Child Berlin, Staatliche Museen zu Berlin Botticelli Re-Imagined Yayoi Kusama French 16th Century ITALY >Infinity Nets Yellow >Prince Hercule-François, Duc d’Alençon September 24, 2015–January 24, 2016 Florence, Galleria degli Uffizi FRANCE Sandro Botticelli Piero di Cosimo: The Poetry of Fragonard in Love Paris, Foundation Louis Vuitton Pour >Portrait of a Youth Painting in Renaissance Florence September 16, 2015–January 24, 2016 la Creation Robert Rauschenberg June 22, 2015–September 27, 2015 Les Clefs d’une passion Jean-Honoré Fragonard >Swim/ROCI USA (Wax Fire Works) Piero di Cosimo >A Game of Hot Cockles March 30, 2015–July 6, 2015 Dresden, Staatliche Kunstsammlungen >Allegory >Love as Folly František Kupka Dresden >The Visitation with Saint Nicholas >Diana and Endymion* >Localization of Graphic Motifs II Dahl and Friedrich: Romantic and Saint Anthony Abbot Paris, Musée Jacquemart-André >The Nativity with the Infant Saint John Paris, Galerie Nationale du Jeu de Paume Landscapes Perugino: Raphael’s Master Velázquez February 6, 2015–May 17, 2015 Florence, Galleria dell’Accademia September 12, 2014–January 19, 2015 March 25, 2015–July 13, 2015 “The Popularity of the Primitives.” Pietro Perugino Circle of Diego Velázquez >View from Vaekero near Christiania Art Treasures from Italian >Madonna and Child Collections between 1700 and 1800 >Pope Innocent X Essen, Museum Folkwang Essen Toulouse, Musée des Augustins June 24, 2014–December 8, 2014 Paris, Galeries nationales du Grand Palais Monet, Gauguin, van Gogh... Benjamin-Constant and Orientalism Grifo di Tancredi Élisabeth-Louise Vigée le Brun Japanese Inspirations During the French Third Republic >Saint Peter [left panel] (1755–1842) September 27, 2014–January 18, 2015 October 4, 2014–January 4, 2015 >Christ Blessing [middle panel] September 21, 2015–January 11, 2016 Circulated to: Kunsthaus Zürich Circulated to: Montreal Museum of >Saint James Major [right panel] Élisabeth-Louise Vigée Le Brun February 20, 2015–May 10, 2015 Fine Arts >The Marquise de Pezay, and the Edgar Degas Milan, Palazzo Reale January 26, 2015–June 7, 2015 Marquise de Rougé with Her Sons >Before the Ballet Marc Chagall Retrospective Jean Joseph Alexis and Adrien Frankfurt, Städelsches Kunstinstitut September 1, 2014–January 31, 2015 >The Favorite of the Emir Circulated to: Musées royaux des Paris, Musée d’Orsay und Städtische Galerie GERMANY Beaux-Arts de Belgique Pierre Bonnard (1867–1947). Monet and the Birth of Berlin, Bauhaus-Archiv February 27, 2015–June 28, 2015 Painting Arcadia Impressionism Sensing the Future: Moholy-Nagy, Marc Chagall March 16, 2015–July 19, 2015 March 11, 2015–June 28, 2015 Media and the Arts, 1921–1946 >Houses at Vitebsk Circulated to: Instituto de Cultura, Claude Monet October 8, 2014–February 16, 2015 Fundación MAPFRE >Ships Riding on the Seine at Rouen Arte lombarda dai Visconti agli László Moholy-Nagy September 19, 2015–January 10, 2016 Berthe Morisot Sforza. Milano al centro dell’Europa. >Z VII Pierre Bonnard >The Harbor at Lorient March 12, 2015–June 28, 2015 >Nude in an Interior Berlin, Brücke-Museum Karlsruhe, Staatliche Kunsthalle Benedetto Briosco >Walking at the Lake, Bois de Boulogne Die Schlemihl-Mappen Zyklen (The Karlsruhe >Lodovico Sforza, Duke of Bari >Work Table Cycle of Schlemihl Portfolios) Edgar Degas. Classicism and Workshop of Benedetto Briosco August 1, 2014–November 16, 2014 Experimentation >Gian Galeazzo Maria Sforza, Duke Splendeurs et misères des Ernst Ludwig Kirchner November 8, 2014–February 15, 2015 of Milan courtisanes. Images del la >Peter Schlemihls wundersame Edgar Degas Bonino da Campione prostitution en France 1850–1910 Geschichte (Peter Schlemihl’s >Woman Reading (Liseuse) >Prudence September 21, 2015–January 20, 2016 Wondrous Story) (Title Page) >Alexander and Bucephalus Edouard Manet >Peter Schlemihls wundersame Leonardo, 1452–1519: The Design of >Plum Brandy Geschichte: Der Verkauf des Schattens Caroline Louise of Baden (1723–1783). the World >Masked Ball at the Opera* (Peter Schlemihl’s Wondrous Story: A collector of European standing April 15, 2015–July 19, 2015 Paris, Musée du Louvre The Sale of His Shadow) May 31, 2015–September 6, 2015 Lorenzo di Credi Poussin et la peinture religieuse >Peter Schlemihls wundersame Sir Anthony van Dyck >Madonna and Child with a March 30, 2015–June 29, 2015 Geschichte: Die Geliebte (Peter >Susanna Fourment and Her Pomegranate Nicolas Poussin Schlemihl’s Wondrous Story: Daughter Mannheim, Städtische Workshop of Andrea del Verrocchio >The Assumption of the Virgin The Beloved) Kunsthalle Mannheim >Alexander the Great Paris, Musée du Luxembourg >Peter Schlemihls wundersame Masterworks from the World are Rome, Scuderie del Quirinale Paul Durand-Ruel and Geschichte: Kämpfe. Qualen der Liebe Guests at our French Impressionist Hans Memling and Italy Impressionism (Peter Schlemihl’s Wondrous Story: Collection October 9, 2014–January 18, 2015 October 8, 2014–February 8, 2015 Battles. The Agonies of Love) September 26, 2014–January 18, 2015 Hans Memling Circulated to: National Gallery >Peter Schlemihls wundersame Edouard Manet >Madonna and Child with Angels Geschichte: Schlemihl in der March 4, 2015–May 31, 2015 >The Dead Toreador Matisse. Arabesque Einsamkeit des Zimmers (Peter Circulated to: Philadelphia Museum , Bayerisches Nationalmuseum March 4, 2015–June 21, 2015 Schlemihl’s Wondrous Story: of Art Bella Figura—Europäische Circulated to: Palazzo delle Schlemihl in the Solitude of His Room) June 18, 2015–September 13, 2015 Bronzekunst in Süddeutschland Esposizioni >Peter Schlemihls wundersame Auguste Renoir um 1600 March 19, 2015–June 21, 2015 Geschichte: Begegnung Schlemihls >The Dancer December 31, 2014–April 6, 2015 Henri Matisse mit dem grauen Männlein auf der Hubert Gerhard >Palm Leaf, Tangier Landstrasse (Peter Schlemihl’s >Neptune on a Dolphin National Gallery of Art 71

Turin, Galleria Civica d’Arte Moderna Girolamo da Treviso II >A Capriccio of Roman Ruins Gian Antonio Guardi e Contemporanea-Torino >The Triumph of Galatea >A Fortified Village along a River >Male Nude Roy Lichtenstein. Works on Paper Giovanni Battista Tiepolo >Fortifications Overlooking a Broad Giovanni Bellini, or Andrea September 26, 2014–January 1, 2015 >The Fall of the Rebel Angels River Landscape Mantegna Roy Lichtenstein >The Adoration of the Shepherds >Jupiter and Ganymede Above an >Shipboard Girl: Separation Drawing >A Venetian Lawyer at His Desk >The Mocking of Christ Extensive Landscape for Red >Classical Figures Gathered around Giovanni Battista Piazzetta Domenico Fossati >Shipboard Girl: Separation Drawing an Urn >Apollo, the Muses, and Mars: In >Campo San Zanipolo Decorated for for Yellow >Three Cherubs and a Beribboned Staff Praise of Tasso the Visit of Pius VI >Sunrise: Separation Drawing for Blue >The Meeting of Antony and Cleopatra >A Shepherd Family Resting Giovanni Bellini >Sunrise: Separation Drawing for Yellow >Saint Jerome in the Desert Listening >Saint Stephen >Saint Louis of Toulouse Holding a Staff >Study for left panel of “Cow Triptych to the Angels >A Young Man Embracing a Girl >Saint Louis of Toulouse Holding a Book (Cow Going Abstract)” >The Virgin and Child Adored by Studio of Francesco Squarcione Giovanni Antonio Pellegrini >Study for center panel of “Cow Bishops, Monks, and Women >Six Conversing Men and Ten >The Madonna and Child in Glory with Triptych (Cow Going Abstract)” >Head of a Magician Battling Nudes Saint Theodore and a Monastic Saint >Study for right panel of “Cow >A Seated Male Nude >God the Father and the Holy Spirit Alessandro Maganza Triptych (Cow Going Abstract)” >The Sacrifice of Iphigenia (recto)/ Pietro Antonio Novelli >A Compartmented Ceiling with >Studies for “Entablature” Study of a Male Nude (verso) >The Peep-Show Allegories and Myths >Study for “Girl with Beach Ball III” >A Moorish Nobleman >The Marriage of Europe and China Bernardo Bellotto >Study for “Expressionist Head” Paolo Farinati >Elisha Watching Elijah Ascend in the >A Capriccio of Palaces and a Loggia >Study for “Reflections: Nurse” >The Emperor Aulus Vitellius Fiery Chariot Facing a Classical Bridge >Study for “Fragmented Painting of >The Flaying of Marsyas >Head of a Man Looking Up Paul Troger Lemons and a Melon on a Table” Jacopo Tintoretto Giambattista Canal >River God >Untitled >A Striding Youth with His Arms >The Assumption of the Virgin Rudolf von Alt Venice, Museo Correr, Venice Raised, Seen from Behind Jacopo Ligozzi >The Piazza San Marco The Poetry of Light—La poesia della >A Kneeling Man Holding a Staff [recto] >Avarice Pietro Gonzaga luce: Venetian Drawings from the Battista Franco >A Marmot with a Branch of Plums >Fantasy of Magnificent Courtyards and National Gallery of Art >Spectators Amazed Maurice Brazil Prendergast Loggie with a Monumental Staircase December 5, 2014–March 15, 2015 Andrea Mantegna >Piazza San Marco >Stage Design of an Ancient Roman Domenico Campagnola >A Bird Perched on a Branch with Fruit >Caffè Florian in Venice Encampment by Night (recto) >Landscape with a Boy Gaspare Diziani Giuseppe Nogari Giuseppe Borsato >Saint Jerome Reading in the >The Fall of Phaeton >An Elderly Woman in a Striped Shawl >Architectural Fantasy of a Wilderness >The Sacrifice of Isaac Sebastiano del Piombo Magnificent Ancient Mausoleum >The Hermit Saints Paul and Anthony Giovanni Battista Piranesi >A Prophet Addressed by an Angel Ludwig Johann Passini Receiving Bread from a Dove >Grottesco with the Tomb of Nero Francesco Zuccarelli >Monks Buying Fish before the Portal >A Boy with a Lute >A Boy Smiling of the Madonna della Misericordia >Ascension Day Festival at Venice >A Man Leaning on a Structure >Mountain Landscape with Circle of Giorgione (Giulio >The “Giovedì Grasso” Festival before >Fantasy on a Magnificent Triumphal Washerwomen and a Fisherman Campagnola?) the Ducal Palace in Venice Artch Titian >A Village Nestled at the Foot of a >A Venetian Courtyard, in the >A Fantastic Vase >An Eagle Hill (recto) Procuratie Nuove >Fantasy of a Façade with Bizarre Veronese >A Complex of Rustic Houses Built Ornaments >Studies for Judith and Holofernes, Over Ruins >The Fortress of San Andrea from >The “Canopus” of the Villa Adriana David and Goliath, The Finding of Girolamo Romanino the Lagoon at Tivoli Moses, and Others [recto] >The Madonna and Child with Saints >An Elegantly Dressed Woman >Fantasy of a Magnificent Wall Francesco Fontebasso Francis and Anthony Abbot and a Donor Struggling with a Lion Monument >Apollo and Studies of the Artist’s Own Paduan, Circle of Andrea Riccio >An Elegant Couple, a Gooseboy, >A Magnificent Palatial Interior Hand [recto] >Studies for Small Bronzes with and a Gentleman [recto] >Scherzo with Antique Figures >Alexander the Great before the Corpse Classical Motifs >A Lagoon Capriccio with a Fortified >A Battle of Nude Men of Darius Carl Friedrich Heinrich Werner Tower Giovanni Domenico Tiepolo Vittore Carpaccio >The Portal of the Madonna della William Stanley Haseltine >The Prison Visit >The Madonna and Child with Saints Misericordia from the Canal >A Venetian Lagoon >Punchinello’s Farewell to Venice in a Landscape (Sacra Conversazione) Jacopo Palma il Giovane John Singer Sargent >God the Father Seated in Clouds >The Martyrdom of the Ten Thousand >The Conversion of Saint Paul; >A Bridge and Campanile, Venice Surrounded by Angels and Putti Antonio Zanchi >Gondola Moorings on the Grand Canal >Christ Leading Peter, James, and John >Presentation of the Virgin in the >The Coronation of the Virgin >A Corner of the Library in Venice to the High Mountain for the Temple [recto] >Christ Carried to the Tomb Transfiguration Sebastiano Ricci >Madonna and Child in Glory with >The Martyrdom of Saint Alexander >The Parting of Saints Peter and Paul >The Ecstasy of Saint Francis [recto] Saints John the Baptist, Stephen, of >God the Father and Angels Adoring and Lawrence Girolamo Muziano the Madonna and Child [recto] >A Hand Holding Empty Gloves Leandro Bassano >A Standing Man in Classical Drapery >Figures and Faces >A Man Lifting a Bundle Albrecht Dürer >The Presentation in the Temple >An Ornate Ceiling with an Allegory Carlo Innocenzo Carlone >An Oriental Ruler Seated on His Throne >Two Rampaging Elephants of Spring >The Apotheosis of Saint Euphemia Antonio Balestra Lodewyk Toeput >The Piazza of Saint Peter’s Seen Lorenzo Baldissera Tiepolo >The Madonna and Child in Glory >Summer Harvest in an Extensive through an of the Basilica >A Bearded Old Man Leaning His with Saints Gregory the Great and Landscape Giovanni Battista Crosato Head on His Hand Andrew Marco Ricci >The Triumph of Amphitrite Domenico Tintoretto >Venus as a Huntress Appearing to >A Stormy Landscape >Venetian Ships Attacking Aeneas and Achates >Saint Jerome Constantinople 72 Exhibitions and Loans

>Venetian Soldiers Attacking Barnett Newman >Untitled (Seagram Mural sketch)* Utrecht, Centraal Museum Constantinople (recto) >First Station >Untitled (Seagram Mural sketch)* Pleasure and Piety: The Art of Johann Carl Loth >Second Station >Untitled (Seagram Mural sketch)* Joachim Wtewael (1566–1638) >The Harpies Attacking Aeneas and >Third Station >Untitled* February 21, 2015–May 25, 2015 His Companions >Fourth Station >Untitled* Joachim Anthonisz Wtewael Edward Lear >Fifth Station >Phalanx of the Mind* >Moses Striking the Rock >Santa Maria della Salute, Venice, >Sixth Station >Aquatic Drama* >The Judgment of Paris at Sunset >Seventh Station >Personage Two* Attributed to Joachim Anthonisz Hans Rottenhammer >Eighth Station >Untitled* Wtewael >Rest on the Flight into Egypt >Ninth Station >Untitled (still life in front of window)* >Mercury and Argus James McNeill Whistler >Tenth Station >Street Scene* SPAIN >The Palace; white and pink >Eleventh Station >Untitled (man and two women in a Madrid, Instituto de Cultura, Lattanzio Gambara >Twelfth Station pastoral setting)* Fundación MAPFRE >Samson Destroying the Temple >Thirteenth Station >Untitled* Garry Winogrand Friedrich Nerly >Fourteenth Station >The Omen of the Eagle* March 3, 2015–May 3, 2015 >Costumed Revelers on a Venetian Canal >Be II >Antigone* Garry Winogrand Samuel Prout Tokyo, The Bunkamura Museum of Art >Underground Fantasy* >Los Angeles Airport >San Giorgio dei Greci, Seen from Visual Deception, II: into the Future >No. 2* >Girl in Elevator, New York an Arcade August 9, 2014–October 5, 2014 >No. 18* >Park Avenue, New York William Callow Circulated to: Hyogo Prefectural >No. 7* >Las Vegas >Corso Sant’ Anastasia with the >Untitled* Museum of Art Madrid, Museo Thyssen-Bornemisza Palazzo Maffei in Verona >No. 10* October 15, 2014–December 28, 2014 Raoul Dufy. Exterior to Interior Giovanni Badile >Untitled* Circulated to: Nagoya City Art Museum February 17, 2015–May 17, 2015 >Portrait of a Boy in Profile >No. 8* January 10, 2015–March 22, 2015 Raoul Dufy Eugène Louis Lami >No. 6 (?)* René Magritte >July 14 in Le Havre* >Masqueraders Boarding Gondolas >Untitled* >The Blank Signature* >Music and the Pink Violin* before a Venetian Palazzo Christoffel Pierson >No. 9* SWITZERLAND Raffaele Mainella >Niche with Falconry Gear >No. 7 [or] No. 11* >Venice with Fisherboys >No. 10* Basel, Fondation Beyeler Money and Beauty: Botticelli and the Jean-Honoré Fragonard >Untitled* Renaissance in Florence >The Mystic Marriage of Saint >No. 8* September 7, 2014–January 18, 2015 March 21, 2015–June 28, 2015 Catherine (after ) >Untitled* Gustave Courbet Attributed to Sandro Botticelli Giuseppe Bernardino Bison >Untitled (Harvard Mural sketch)* >The Stream (Le Ruisseau du Puits- >Madonna and Child with Angels >Capriccio of an Ancient Mausoleum >Untitled* Noir; vallée de la Loue) by a River Palazzo Ducale Tokyo, Mitsubishi Ichigokan Museum, >Untitled* >La Grotte de la Loue The National Art Center >Red Band* >La Bretonnerie in the Department Henri Rousseau Le Douanier: Le René Magritte: The Search for the >Untitled (Seagram Mural sketch)* of Indre* Douanier Rousseau. L’innocence Absolute >Untitled* Geneva, Musée Rath archaique March 25, 2015–June 29, 2015 >Untitled* Gustave Courbet. Les années suisses March 6, 2015–September 6, 2015 Circulated to: Municipal >Untitled* September 5, 2014–January 4, 2015 Prior-Hamblin School Museum of Art >Untitled* Gustave Courbet >Little Girl with Slate* July 11, 2015–October 12, 2015 >Untitled* >The Black Rocks at Trouville American 19th Century René Magritte >No. 5* >Lexington Battle Monument* Lausanne, Fondation de l’Hermitage >The Blank Signature* >Untitled* American 19th Century La peinture américaine: 1830–1900 >La condition humaine >Untitled* >Flowers and Fruit* June 27, 2014–October 26, 2014 LUXEMBOURG >Untitled* Amzi Emmons Zeliff William Michael Harnett Luxembourg-Kirchber, >Untitled* >The Barnyard* >My Gems Luxembourg—Musée d’Art Moderne >Untitled* Henri Rousseau Alexander Helwig Wyant Grand-Duc Jean >Untitled [recto] Hague only >Tropical Forest with Monkeys* >Peaceful Valley* Damage Control: Art and Destruction >Untitled Hague only Verona, Palazzo della Gran Guardia Since 1950 >Untitled Hague only >The Much Resounding Sea* Paolo Veronese. L’illusione della >Untitled Hague only July 12, 2014–October 12, 2014 John James Audubon realtà >Untitled Hague only Circulated to: Kunsthaus Graz, >Osprey and Weakfish July 5, 2014–October 5, 2014 Universalmuseum Joanneum >Untitled Hague only UNITED KINGDOM–ENGLAND Veronese November 4, 2014–February 15, 2015 >Untitled (vase of flowers) [recto] London, The British Museum >The Martyrdom and Last Vija Celmins Hague only Drawing in Silver and Gold: Communion of Saint Lucy >Tulip Car #1 >Untitled Hague only >Seated Woman Hague only Leonardo to Jasper Johns , Basilica Palladiana NETHERLANDS >Untitled Hague only September 10, 2015–December 6, 2015 Tutankhamen, , Van The Hague, Gemeentemuseum Den Haag >Untitled (Related to “Antigone”) Alphonse Legros Gogh. Evening and Nocturnals from Mark Rothko Hague only >Head of a Horse from the Ancient Egyptians to the 20th September 20, 2014–March 1, 2015 >Figure Composition with Grid [recto] Netherlandish 14th Century Century Circulated to: Hangaram Art Hague only >The Death of the Virgin December 24, 2014–June 2, 2015 Museum, Seoul Arts Center >Untitled Houston only Hans Holbein the Elder Mark Rothko March 21, 2015–June 28, 2015 >Untitled Houston only >Portrait of a Woman [recto] >Untitled* Circulated to: The Museum of Fine >Untitled (Brown and gray) Giorgio Vasari with drawings by JAPAN Arts, Houston Houston only , Botticelli, and Shiga, Miho Museum September 20, 2015–January 24, 2016 >Untitled (brown and gray) Raffaellino del Garbo Barnett Newman: Stations of the Cross Mark Rothko Houston only >Page from “Libro de’ Disegni” March 14, 2015–June 7, 2015 >Orange and Tan National Gallery of Art 73

London, National Portrait Gallery John James Audubon and the >Fifth Station Brice Marden Sargent: Portraits of Artists and Friends Tradition of the 19th-Century Artist >Sixth Station >Picasso’s Skull February 12, 2015–May 25, 2015 as Naturalist >Seventh Station Terry Winters Circulated to: The Metropolitan November 3, 2014–January 5, 2015 >Eighth Station >Graphics Tablet Museum of Art John James Audubon >Ninth Station Philip Guston June 30, 2015–October 4, 2015 >Osprey and Weakfish >Tenth Station >Courtroom John Singer Sargent California >Eleventh Station Mark Rothko >Marie Buloz Pailleron (Madame Los Angeles, The J. Paul Getty Museum >Twelfth Station >Untitled Édouard Pailleron) >Thirteenth Station Rubens and the Triumph of the Late Turner: Painting Set Free Eucharist >Fourteenth Station London, Royal Academy of Arts June 20, 2015–September 20, 2015 Giovanni Battista Moroni >Be II October 14, 2014–January 11, 2015 Joseph Mallord William Turner Clyfford Still October 25, 2014–January 25, 2015 Circulated to: The Museum of Fine >Approach to Venice Giovanni Battista Moroni Arts, Houston >PH-571 (1951-N) Santa Barbara, Santa Barbara >A Gentleman in Adoration before February 15, 2015–May 10, 2015 Joseph Cornell Museum of Art the Madonna Sir Peter Paul Rubens >Sand Fountain >Les Constellations Voisines du Pôle The Shape of Things to Come: London, Tate >The Meeting of Abraham and Josef Albers László Moholy-Nagy and the Late Turner: Painting Set Free Melchizedek >Study for Homage to the Square: Plasticity of Painting September 10, 2014–January 25, 2015 The Renaissance Workshop in Action: Light Rising July 5, 2015–September 27, 2015 Circulated to: The J. Paul Getty Museum Ad Reinhardt László Moholy-Nagy February 24, 2015–May 24, 2015 June 23, 2015–September 13, 2015 >Untitled (Yellow and White) >Q Circulated to: Fine Arts Museums of Andrea del Sarto >Untitled (Red and Gray) >Z VII San Francisco, de Young, Legion >Head of Saint John the Baptist Frank Stella Colorado of Honor Los Angeles, Los Angeles County >Chodorow II Denver, Denver Art Museum June 20, 2015–September 20, 2015 Museum of Art Agnes Martin Matisse and Friends: Selected Joseph Mallord William Turner Marsden Hartley: The German >Untitled #2 Masterworks from the National >Approach to Venice Paintings 1913–1915 Eric Fischl Gallery of Art London, The National Gallery August 3, 2014–November 30, 2014 >Saigon, Minnesota October 1, 2014–January 31, 2015 Rembrandt: The Final Years Marsden Hartley >Saigon, Minnesota [panel 2] Raoul Dufy October 15, 2014–January 18, 2015 >The Aero >Saigon, Minnesota [panel 3] >Regatta at Cowes Circulated to: Rijksmuseum >Saigon, Minnesota [panel 4] >Regatta at Henley* Noah Purifoy: Junk Dada February 12, 2015–May 17, 2015 Anthony Caro >July 14 in Le Havre* June 7, 2015–September 27, 2015 Rembrandt van Rijn >Table Piece LXX >The Beach at Sainte-Adresse Noah Purifoy >Self-Portrait Frank Stella Henri Matisse >Untitled (Assemblage) >Lucretia >Flin Flon IV >Still Life >Portrait of a Gentleman with a San Diego, San Diego Museum of Art Burgoyne Diller >Still Life with Sleeping Woman Tall Hat and Gloves The Art of Music >First Theme >Woman Seated in an Armchair >Portrait of a Lady with an September 26, 2015–February 7, 2016 Howard Hodgkin >Open Window, Collioure Ostrich-Feather Fan Thomas Wilmer Dewing >Souvenirs André Derain London, Whitechapel Gallery >Lady with a Lute David Salle >Mountains at Collioure* Richard Tuttle: The Weave of Jasper Johns >Coming and Going >View of the Thames* Textile Language >Dancers on a Plane Jasper Johns Albert Marquet >Perilous Night October 4, 2014–December 15, 2014 San Francisco, California Palace of the >Posters at Trouville Frank Stella Circulated to: The Fabric Workshop Legion of Honor, The Fine Arts Kees van Dongen >La scienza della fiacca (4x) and Museum, Philadelphia Museums of San Francisco >Saida William Baziotes May 14, 2015–August 23, 2015 Houghton Hall: Portrait of an English Maurice de Vlaminck >Desert Landscape Richard Tuttle Country House >Tugboat on the Seine, Chatou Bradley Walker Tomlin >4th Summer Wood Piece October 18, 2014–January 18, 2015 Georges Braque >Maneuver for Position >3rd Rope Piece Circulated to: Frist Center for the >The Port of La Ciotat Grace Hartigan UNITED KINGDOM– Visual Arts >Essex and Hester (Red) Working among Flowers: French Still SCOTLAND February 13, 2015–May 10, 2015 Hans Hofmann Life in the 19th Century Edinburgh, National Galleries Sir Anthony van Dyck >Autumn Gold July 19, 2015–October 11, 2015 of Scotland >Philip, Lord Wharton Jean Dubuffet Edouard Manet Une nouvelle lumière: les américains >La ronde des images >Flowers in a Crystal Vase face à l’impressionnisme >Portrait of a Young Man Roy Lichtenstein Paul Gauguin July 19, 2014–October 19, 2014 Circle of Diego Velázquez >Painting with Statue of Liberty >Still Life with Peonies Circulated to: Museo Thyssen- >Pope Innocent X Nancy Graves Connecticut Bornemisza Follower of Nicolas Poussin >Agualine November 4, 2014–February 1, 2015 >Nymphs Feeding the Child Jupiter Hartford, Wadsworth Atheneum James Rosenquist Mary Cassatt Museum of Art Modernism from the National >Spectator—Speed of Light Coney Island: Visions of an American >Children Playing on the Beach* Gallery of Art: The Robert & Jane Roy Lichtenstein Dreamland, 1861–2008 Dennis Miller Meyerhoff Collection >Entablature >Roadside Cottage January 31, 2015–May 31, 2015 June 7, 2014–October 12, 2014 Ellsworth Kelly Circulated to: San Diego Museum of Art UNITED STATES Barnett Newman >Orange Green July 11, 2015–October 11, 2015 Arkansas >First Station Robert Rauschenberg Robert Frank Bentonville, Crystal Bridges Museum >Second Station >Archive >Coney Island of American Art >Third Station >Fourth Station 74 Exhibitions and Loans

District of Columbia Pierre Bonnard Boston, Isabella Stewart Gardner Williamstown, Sterling and Francine Washington, Embassy of Italy >The Barge ‘St. Tropez’ in the Harbor Museum Clark Art Institute 450th Anniversary of the Birth of of Cannes From Donatello to Bernini: Italian David Smith: Raw Color Galileo Galilei Georgia Sculptors’ Drawings from the July 4, 2014–October 19, 2014 Renaissance to the October 1, 2014–December 12, 2014 Atlanta, High Museum of Art David Smith Ottavio Leoni Alex Katz, This is Now October 23, 2014–January 23, 2015 >Circle I >Galileo Galilei June 21, 2015–September 6, 2015 Italian 16th Century >Circle II Washington, Goethe Institut Alex Katz >Pietà >Circle III Italian 16th Century Berlin Wall >Swamp Maple (4:30) Make it New: Abstract Paintings from >Studies of a Male Torso October 15, 2014–December 15, 2015 Illinois the National Gallery of Art, 1950–1975 Benvenuto Cellini Jonathan Borofsky Chicago, The August 2, 2014–October 13, 2014 >A Satyr >Berlin Dream with Steel Window Rene Magritte 1926–1938 Morris Louis Alessandro Algardi Frame at 2978899 June 29, 2014–October 13, 2014 >Beta Kappa >Christ on the Cross Washington, National Museum of René Magritte Franz Kline Women in the Arts >La condition humaine Boston, Museum of Fine Arts >Four Square* Picturing Mary: Woman, Mother, Idea Goya: Order and Disorder Alma Thomas Ireland: Crossroads of Art and December 5, 2014–April 12, 2015 October 14, 2014–January 19, 2015 >Red Rose Cantata* Design, 1690–1840 Albrecht Dürer Francisco de Goya Jackson Pollock March 17, 2015–June 21, 2015 >The Birth of the Virgin >Victor Guye >Number 1, 1950 (Lavender Mist) Meindert Hobbema >The Annunciation >María Teresa de Borbón y Vallabriga, Larry Poons >A Wooded Landscape >The Circumcision later Condesa de Chinchón >Tristan da Cugna* >The Presentation of Christ in the Maine >Mendigos que se llevan solos en Jules Olitski Temple Brunswick, Bowdoin College Museum Bordeaux (Beggars Who Get about >Unlocked* >Christ Taking Leave from His Mother of Art on Their Own in Bordeaux) Helen Frankenthaler >The Assumption and Coronation of Richard Tuttle: A Print Retrospective Cambridge, Harvard Art Museums >Wales* the Virgin June 26, 2014–October 19, 2014 Mark Rothko’s Harvard Murals Mark Rothko Giovanni Battista Tiepolo Richard Tuttle November 16, 2014–July 26, 2015 >No. 1* >Madonna of the Goldfinch >Trans Asian Mark Rothko Barnett Newman Cosmè Tura >Herbert Vogel >Untitled (Harvard Mural sketch)* >Achilles >Madonna and Child in a Garden >Lobster >Untitled (Harvard Mural sketch)* Clyfford Still >Pants Washington, National Portrait Gallery >Untitled (Sketch for Harvard Mural) >PH-115 Face Value: Portraiture in the Age of >Edda Renouf >Untitled (Sketch for Harvard Mural) Kenneth Noland Abstraction >Shirt #2 >Untitled (Sketch for Harvard Mural) >Dawn’s Road Richard Tuttle and Mei-mei April 18, 2014–January 11, 2015 North Adams, Massachusetts Museum Ellsworth Kelly Berssenbrugge (author) Barkley Leonnard Hendricks of Contemporary Art >Tiger >Hiddenness >Sir Charles, Alias Willie Harris* Sol LeWitt: A Wall Drawing Philip Guston Jasper Johns Maryland Retrospective >Untitled >Skin with O’ Poem Annapolis, The Mitchell Gallery, St. November 14, 2008–November 14, 2033 Jean Dubuffet Richard Diebenkorn John’s College Sol LeWitt >Confiture matière-lumière >Seated Figure with Hat A Lineage of American Perceptual >Wall Drawing No. 681 C/A wall (Texturologie LIII) [Preserves of Painters Matter and Light (Texturology LIII)] Washington, The Phillips Collection divided vertically into four equal January 15, 2015–March 1, 2015 Cy Twombly Neo-impressionism and the Dream of squares separated and bordered by Rackstraw Downes >Untitled (Bolsena) Realities: Painting, Poetry, Music black bands. Within each square, >Bird’s Eye View of the New York Joan Mitchell September 27, 2014–January 11, 2015 bands in one of four directions, each Convention Center under >Piano mécanique Georges Seurat with color ink washes superimposed. Construction Richard Tuttle >Seascape at Port-en-Bessin, Salem, Peabody Essex Museum >Study for “U.S. Scrap Metal Gets >White Cotton Octagonal Normandy* Thomas Hart Benton and Hollywood Shipped for Reprocessing in South Robert Ryman Albert Dubois-Pillet June 6, 2015–September 7, 2015 East Asia, Jersey City” [recto] >Untitled >A River Landscape Thomas Hart Benton Gwen John Jo Baer Charles Angrand >Trail Riders* >The Convalescent >Horizontals Flanking (Small, >The Annunciation to the Shepherds >Rue Terre Neuve, Meudon Waltham, Rose Art Museum Thalo–Green Line) Florida John Altoon >Horizontals Flanking (Small, Easton, Academy Art Museum, Easton Gainesville, Samuel P. Harn Museum October 8, 2014–December 21, 2014 Thalo–Green Line) From Rubens to the Grand Tour of Art, University of Florida John Altoon Yayoi Kusama April 25, 2015–July 5, 2015 Monet and >Untitled >Infinity Nets Yellow Studio of Sir Peter Paul Rubens February 3, 2015–May 24, 2015 Jean Fautrier >Peter Paul Rubens Wellesley, Davis Museum and Circulated to: Hunter Museum of >Body and Soul Sir Peter Paul Rubens Cultural Center American Art Lee Bontecou >Agrippina and Germanicus The Krieg Cycle: Käthe Kollwitz and June 25, 2015–September 20, 2015 World War I >Untitled Massachusetts Claude Monet September 16, 2015–December 13, 2015 Robert Mangold Andover, Addison Gallery of American Art >Bridge at Argenteuil on a Gray Day Käthe Kollwitz >Yellow Wall (Section I + II) Alfred H. Maurer: At the Vanguard of St. Petersburg, Museum of Fine Arts >The Widow I (Die Witwe I) Marcel Broodthaers Modernism Monet to Matisse—On the French Coast >Self-Portrait (Selbstbildnis) >Panneau de Moules (Panel of Mussels) May 2, 2015–July 31, 2015 February 7, 2015–May 31, 2015 >The Survivors Al Held Alfred Maurer Raoul Dufy >Never Again War (Nie Wieder Krieg) >Black Angel >Young Woman in Kimono >The Basin at Deauville Mimmo Rotella >Muro Romano National Gallery of Art 75

Daniel Buren Mina Lowry >Tsagain Myo: View near the >Clement de Jonghe >White acrylic paint on white and blue >Whirligig Irrawadi River >Woman Sitting Half Dressed beside striped cloth >Toy Horse >Rangoon: View near the Lake a Stove Larry Zox Lucille Lacoursiere >Pugahm Myo: Carved Doorway in >Jacob Haaringh (Young Haaringh) >Decorah (Single Gemini Series) >Figurehead Courtyard of Shwe Zeegong Pagoda (Pieter Haaringh) Simon Hantaï Eric Mose >Rangoon: Near View of the Shwe Poughkeepsie, The Frances Lehman >Étude >Weather Vane Finial Dagon Pagoda Loeb Art Center, Vassar College Frederick Hammersley John Matulis >Amerapoora: Doorway of Pyathat on Imperial Augsburg: Renaissance >One, #8 >Muse with a Scroll East of Maha-too-lo-Bounghian Prints and Drawings, 1475–1540 Al Loving Lucille Chabot Kyoung September 19, 2014–December 14, 2014 >Brownie, Sunny, Dave, and Al >Gabriel Weather Vane >Amerapoora: South Ditch of the Leonhard Beck Jasper Johns Elizabeth Moutal City Wall >Execution of a Man at a Market-Place >Target >Seated Figure: “Liberty” >Amerapoora: Ouk Kyoung of a Town Sam Gilliam Howard Weld >Pugahm Myo: East Facade of >Saint Remigius >Hot Chord >Rooster Damayangyee Pagoda >Assembly of Four Kings, in the Lynda Benglis New York, Gagosian Gallery >Amerapoora: West Gate of the foreground Four Men >1st Wax Work In the Studio: Paintings Residency Enclosure >Tournament on the Occasion of the Van Gogh and Nature February 17, 2015–April 18, 2015 Van Gogh Festivity of the Marriage June 6, 2015–September 13, 2015 Frank Chauvassaigne May 11, 2015–August 16, 2015 >Saint Bilhelmus Vincent van Gogh >Nude Vincent van Gogh German 15th Century >Farmhouse in Provence Alphonse Le Blondel >Roses >Christ on the Cross with Pope Pius II >Décor d’atelier, nature morte German 15th Century >Green Wheat Fields, Auvers New York, The Morgan Library Irving Penn >Madonna in a Wreath of Roses Worcester, Worcester Art Museum & Museum >Rochas Mermaid Dress (Lisa German 15th Century Raphael Confronts Raphael? Théodore Rousseau: Landscape Fonssagrives-Penn), Paris >Madonna and Child in a Glory with January 15, 2015–September 30, 2015 Drawings and Oil Sketches from East an Indulgence and a Prayer Raphael New York, The Jewish Museum Coast Collections German 15th Century >The Small Cowper Madonna Helena Rubinstein: Beauty Is Power September 26, 2014–January 18, 2015 October 31, 2014–March 22, 2015 >Map of the World Minnesota Théodore Rousseau Circulated to: Boca Raton Museum German 15th Century Minneapolis, Walker Art Center >Sunset from the Forest of of Art >Franciscan, Pelbartus of Temesvar, International Pop Fontainebleau April 21, 2015–July 12, 2015 in a Garden April 11, 2015–September 6, 2015 New York, The Museum of Modern Art Roger de La Fresnaye Hans Burgkmair I Roy Lichtenstein Henri Matisse: The Cut-Outs >The Watering Can (Emblems: >Saint Valentine, Saint Stephen and >Look Mickey October 14, 2014–February 10, 2015 The Garden) Saint Maximilian Christo Henri Matisse >Samson and Delilah New York, The Metropolitan Museum >Package 1961 >Large Decoration with Masks >Joshua, David and Judas Maccabaeus of Art Missouri >Venus >Hector, Alexander and Julius Caesar The Painters of the Sistine Chapel St. Louis, The Pulitzer Foundation >Woman with Amphora and >Hester, Judith and Jael September 1, 2014–November 30, 2014 for the Arts Pomegranates >Lucretia, Veturia and Virginia Sandro Botticelli Calder Lightness New York, PaceWildenstein >Solomon’s Idolatry >The Adoration of the Magi May 1, 2015–September 12, 2015 Picasso & Jacqueline: The Artist and >Emperor Maximilian I Alexander Calder Erotic Gold: The Art and Life of His Muse >The Lovers Surprised by Death >Black, White, and Ten Red Bartholomäus Spranger October 30, 2014–January 10, 2015 >Bathsheba at Her Bath >Conrad Celtis New Hampshire November 3, 2014–February 1, 2015 Pablo Picasso >The Imperial Eagle Hanover, Hood Museum of Art, Martino Rota >Variation on Delacroix’s “Women >Mercury and Venus Dartmouth College >Emperor Maximillian II of Algiers”: I >The Battle of Witness: Art and Civil Rights in Giulio Clovio >Variation on Delacroix’s “Women >Battle of the Foot Soldiers with Lances the Sixties >The Lamentation of Algiers”: III >The Fight in the Forest August 30, 2014–December 14, 2014 >Variation on Delacroix’s “Women Portraits of Madame Cézanne >Pilgrims at a Wayside Shrine Circulated to: The Jack S. Blanton of Algiers”: IX November 17, 2014–March 15, 2015 >The Archbishop Blessing the Child Museum of Art, The University of >Variation on Delacroix’s “Women Paul Cézanne after the Baptism Texas at Austin of Algiers”: IV >The Little Bridge [recto] >Coat of Arms with a Single Eagle February 15, 2015–May 10, 2015 >Variation on Delacroix’s “Women >Cézanne Sketchbook >The Coat of Arms of Wigeleus von Norman Lewis of Algiers”: V Fröschel, Bishop of Passau >Untitled (Alabama) Captain Linnaeus Tripe: New York, Solomon R. Guggenheim Hans Burgkmair I, Erhard Ratdolt Photographer of India and Burma, Museum New York (publisher) 1852–1860 On Kawara—Silence Catskill, Thomas Cole National >Missal for Passau February 24, 2015–May 25, 2015 February 6, 2015–May 3, 2015 Historic Site Albrecht Dürer Circulated to: Victoria and Albert On Kawara Thomas Cole and Frederic Church >The Crucifixion called the Sword Museum >Title [left panel] April 30, 2014–November 2, 2014 Pommel of Maximilian June 24, 2015–October 11, 2015 >Title [center panel] Thomas Cole >Masquerade Dance with Torches Linnaeus Tripe >Title [right panel] >Study for “Catskill Creek” >The Triumphal Chariot of Maximilian >Tanjore: Great Pagoda, Entrance New York, Miriam and Ira D. Wallach I (The Great Triumphal Car) Cooperstown, Fenimore Art Museum, Looking Outwards Art Gallery, Columbia University >Emperor Maximilian I New York State Historical Association >Madura: The Vygay River, with Rembrandt’s Changing Impressions Daniel Hopfer Folk Art and American Modernism Causeway, across to Madura September 9, 2015–December 12, 2015 >Interior of the Church of Saint September 18, 2014–December 31, 2014 >Quarterdeck of HMS “Impregnable” Rembrandt van Rijn Katherine with Parable of the Circulated to: American Folk Art >Amerapoora: Toung-lay-lou-tiy Kyoung >Clement de Jonghe Pharisee and the Publican Museum >Tsagain Myo: Ruined Tazoung July 18, 2015–September 27, 2015 76 Exhibitions and Loans

>Girolamo da Siena Urs Graf I Circulated to: Reading Public Museum Andrea Spinelli >Kunz von der Rosen >The Madonna with Saint Ulrich and June 6, 2015–September 7, 2015 >Andrea Gritti, 1455–1538, Doge of >Saint George on Horseback Slaying Saint Afra [recto] Eric Hebborn (Watteau imitation) Venice 1523 [obverse] the Dragon Christoph Bockstorfer >Standing Young Man Leaning on Italian 15th Century >Emperor Charles V >Allegory of “Pride Goeth Before a Plinth >Saint Dominic >Emperor Maximilian I in the Guise Destruction...”: A Gentleman and a Eric Hebborn (Mantegna imitation) Italian 15th Century of Saint George Lady on Horseback >A Naked Warrior with One Foot on >Saint Thomas Aquinas >The Virgin and Child with Saint Anne >Emperors Charles V and Ferdinand I a Helmet Texas by a Portal >The Death of Virginia Pennsylvania Austin, The Jack S. Blanton Museum of >Ornament for Dagger Sheath Jorg Breu I Chadds Ford, Brandywine River Art, The University of Texas at Austin >Reliquary with Pietà >The Hay Harvest (June) Museum of Art From San Juan to Paris and Back: >Soldier Embracing a Woman >The Wine Harvest (September) Horace Pippin: The Way I See It Francisco Oller, His Caribbean, and >Three German Soldiers Armed with German 16th century (Augsburg) April 25, 2015–July 19, 2015 the Era of Impressionism Halberds >Portrait of a Man Wearing a Hat with Horace Pippin June 14, 2015–September 6, 2015 >Ornament with Sirens and Ornament a Medallion >Interior Camille Pissarro with Genius Hans Holbein the Elder Philadelphia, Pennsylvania Academy >A Creek in St. Thomas (Virgin Islands)* >Interior of the Church of Saint Maria >Portrait of a Woman [recto] of the Fine Arts >Two Women Chatting by the Sea, Magdalena with the Parable of the Swabian School The Artist’s Garden: American St. Thomas* Offering of the Widow >Study of a Knight in Armor, Holding Impressionism and the Garden Dallas, Dallas Museum of Art >Triumphal Altar with Stages in the a Halberd Movement, 1887–1920 Working among Flowers: French Still Life of Christ Francesco Petrarch (author) and February 12, 2015–May 10, 2015 Life in the 19th Century >The Crucified Christ in a Decorated Hans Weiditz, II (artist) Circulated to: Chrysler Museum of Art October 26, 2014–February 1, 2015 Niche >Von der Artzney bayder Glück (De June 13, 2015–September 19, 2015 Circulated to: Virginia Museum of >The Virgin Mary Taking Leave of Christ Remediis Utriusque Fortuna) (On the Mary Cassatt Fine Arts >Three German Soldiers Armed with Remedies of Good and Evil Fortune) >Gathering Fruit March 22, 2015–June 21, 2015 Halberds Augsburg 15th century (and Circulated to: Denver Art Museum Daniel Hopfer and Hieronymus Hopfer attributed to Hans Burgkmair?) Philadelphia, Philadelphia Museum July 19, 2015–October 11, 2015 >Emperor Charles V >Christ on the Cross with the Virgin of Art Edouard Manet >Emperor Charles V and Saint John Arshile Gorky—Joan Miró: A Dialogue >Flowers in a Crystal Vase Hieronymus Hopfer German 15th Century (Augsburg) October 4, 2013–November 14, 2014 Paul Gauguin >Erasmus of Rotterdam >Christ on the Cross with the Virgin Arshile Gorky >Still Life with Peonies >Leopold Dick and Saint John >Self-Portrait Hieronymus Hopfer after Giovanni Marcus Tullius Cicero (author), Hans >Still Life on the Table Fort Worth, Amon Carter Museum Battista Palumba Weiditz, II, Hans Burgkmair I >Portrait of Master Bill Navigating the West: George Caleb >Personification of Rome >Officia M.T.C. Bingham and the River Paul Strand: Photography and Film Hieronymus Hopfer after Andrea October 4, 2014–January 4, 2015 Water Mill, The Parrish Art Museum for the 20th Century Mantegna Circulated to: Saint Louis Art Museum William Glackens October 11, 2014–January 4, 2015 >Silenus February 22, 2015–May 17, 2015 July 20, 2014–October 12, 2014 Circulated to: Fotomuseum Hans Weiditz, II Circulated to: The Metropolitan Circulated to: The Barnes Foundation Winterthur >The Man of Sorrows Standing Museum of Art November 8, 2014–February 2, 2015 March 6, 2015–May 17, 2015 >Christ on the Mount of Olives June 22, 2015–September 20, 2015 William Glackens Circulated to: Instituto de Cultura, Giovanni Maria Pomedelli George Caleb Bingham >Family Group* Fundación MAPFRE >Charles V, 1500–1558, King of Spain >Mississippi Boatman North Carolina June 2, 2015–August 23, 2015 1516–1556, Holy Roman Emperor 1519 >The Jolly Flatboatmen Raleigh, North Carolina Museum of Art Paul Strand [obverse] George Catlin Small Treasures: Rembrandt, >Farmer, Connecticut Hans Schwarz >A Cheyenne Warrior Resting His Horse* Vermeer, Hals, and Their >Truckman’s House, New York >Kunz von der Rosen, died 1519, >The Cheyenne Brothers Starting on Contemporaries >Lathe, Akeley Camera Shop, New York Confidential Counselor of Maximilian Their Fall Hunt* October 12, 2014–January 4, 2015 I of Austria Tennessee >The Cheyenne Brothers Returning Circulated to: Birmingham Museum >Conrad Peutinger, 1465–1547, Memphis, The Dixon Gallery and from Their Fall Hunt* of Art Humanist and Antiquarian Gardens >Four Kiowa Indians* February 1, 2015–April 26, 2015 Christoph Weiditz the Elder Connecting the World: The Panama >Sham Fight of the Camanchees* Johannes Vermeer >Francisco de los Cobos, c. 1475/1480– Canal at 100 >Camanchee Horsemanship* >Girl with the Red Hat 1547, Privy Counselor and Chancellor, July 27, 2014–October 5, 2014 >Encampment of Pawnee Indians Adriaen Brouwer Art Patron [obverse] Circulated to: Mint Museum at Sunset* >Youth Making a Face Matthes Gebel Uptown >Mandan War Chief with His Gillis van Tilborgh the Younger >Charles V, 1500–1558, King of Spain October 25, 2014–February 1, 2015 Favorite Wife* >Self-Portrait in the Studio 1516–1556, Holy Roman Emperor 1519 Julian Alden Weir >Catlin Feasted by the Mandan Chief* Judith Leyster [obverse] >U.S. Thread Company Mills, >Nine Ojibbeway Indians in London* >Young Boy in Profile >Raymund Fugger, 1489–1535, Scholar Willimantic, Connecticut >Buffalo Chase—Bulls Protecting the and Patron of the Arts [obverse] Ohio Nashville, Frist Center for the Visual Arts Calves* Joachim Deschler Canton, Canton Museum of Art Sanctity Pictured: The Art of the >Catlin and Two Companions >Hieronymus Paumgartner, 1498–1565 Intent to Deceive: Fakes and Dominican and Franciscan Orders in Shooting Buffalo* Patrician of Nuremberg [obverse] Forgeries in the Art World Renaissance Italy >The Scalper Scalped—Pawnees and Valentin Maler August 28, 2014–October 26, 2014 October 31, 2014–January 25, 2015 Cheyennes* >Jakob Fugger, 1459–1525, Banker Circulated to: Oklahoma City Agnolo degli Erri >American Pasturage—Prairies of and Financier Museum of Art >A Dominican Preaching the Platte* Friedrich Hagenauer February 12, 2015–May 10, 2015 Style of Niccolò Fiorentino >Caddoe Indians Gathering Wild >Conrad Peutinger, 1465–1547, >Girolamo Savonarola, 1452–1498, Strawberries* Humanist and Antiquarian Dominican Preacher [obverse] National Gallery of Art 77

>Expedition Encamped on a Texas Berthe Morisot Collection Conversations: The Office of Senate Leadership, United Prairie. April 1686* >The Artist’s Sister at a Window Chrysler and the National Gallery States Capitol >Buffalo Lancing in the Snow Camille Pissarro June 30, 2015–October 18, 2015 Franklin C. Courter Drifts—Sioux* >Orchard in Bloom, Louveciennes >Lincoln and His Son, Tad** Houston, The Museum of Fine Arts, >The Fence* >Baby (Cradle) Office of Vice President Houston Georges Seurat Arshile Gorky of the United States Monet and the Seine: Impressions >Study for “La Grande Jatte” >The Artist and His Mother Dietz Edzard of a River >Seascape (Gravelines) >One Year the Milkweed >Flowers in a Vase October 26, 2014–February 1, 2015 >Organization >Three Flowers in a Vase Claude Monet >Boulevard Héloïse, Argenteuil André Derain >Ships Riding on the Seine at Rouen >Meadow EXTENDED LOANS FROM >Marie Harriman >The Bridge at Argenteuil Henri de Toulouse-Lautrec THE NGA COLLECTION Karl Knaths >Carmen Gaudin San Antonio, McNay Art Museum >Marble Mantel Edouard Vuillard All works part of the National Intimate Impressionism from the Mark Rothko >Child Wearing a Red Scarf Lending Service unless indicated by ** National Gallery of Art >Untitled (two women at the window) >The Conversation FRANCE September 1, 2014–January 4, 2015 American 19th Century >Woman in Black Paris, Musée du Louvre Circulated to: Mitsubishi Ichigokan >The Start of the Hunt >Two Women Drinking Coffee Severo da Ravenna Museum >The End of the Hunt >The Yellow Curtain >The Christ Child** February 7, 2015–May 24, 2015 John Wesley Jarvis >The Artist’s Paint Box and Moss Roses Circulated to: Seattle Art Museum IRELAND >Commodore John Rodgers >Vase of Flowers on a Mantelpiece September 20, 2015–January 10, 2016 Dublin, United States Embassy John Vanderlyn >Landscape of the Ile-de-France Jean-Baptiste-Camille Corot Residence >John Sudam >Self-Portrait, Aged 21 >The Artist’s Studio Gilbert Stuart American 18th Century Paul Cézanne Edgar Degas >Counsellor John Dunn >Attack on Bunker’s Hill, with the >The Battle of Love* >The Races ITALY Burning of Charles Town >Still Life with Milk Jug and Fruit* >Dancers Backstage Florence, Casa Buonarroti A. Hashagen >Three Pears >Horses in a Meadow after >Ship “Arkansas” Leaving Havana Vincent van Gogh >Self-Portrait with White Collar >Damned Soul** John Neagle >Flower Beds in Holland Edouard Manet >Colonel Augustus James Pleasonton Paul Gauguin UNITED KINGDOM–ENGLAND >At the Races Residence of the Vice President of the >Self-Portrait Dedicated to Carrière London, United States Embassy >Oysters United States Alfred Sisley Residence >A King Charles Spaniel John Singer Sargent >Flood at Port-Marly Sir William Beechey >Tama, the Japanese Dog >Mary Crowninshield Endicott Antoine Vollon >Lieutenant-General Sir Thomas Picton >George Moore in the Artist’s Garden Chamberlain (Mrs. Joseph >Mound of Butter Francis Cotes Jean-Louis Forain Chamberlain) Henri Fantin-Latour >Mrs. Thomas Horne >Behind the Scenes* Auguste Renoir >Three Peaches on a Plate Thomas Gainsborough Auguste Renoir >Child with Blond Hair >Self-Portrait >William Yelverton Davenport >Head of a Young Girl >Child with Brown Hair >Still Life with Grapes and a Carnation London, Wallace Collection >Woman with a Cat John Ferneley Odilon Redon Sir Thomas Lawrence >The Mussel Harvest >Heaton Park Races >Breton Village >Francis Charles Seymour-Conway, >Madame Henriot Style of Benjamin Marshall >Village by the Sea in Brittany 3rd Marquess of Hertford >Madame Monet and Her Son >Race Horse and Trainer Johan Barthold Jongkind >Picking Flowers UNITED STATES Walt Kuhn >The Towpath >Young Woman Braiding Her Hair Alabama >Zinnias Virginia >Peaches on a Plate Birmingham, Birmingham Museum Lydia Field Emmet >Claude Monet Norfolk, Chrysler Museum of Art of Art >Olivia Collection Conversations: The Anders Zorn Pierre Bonnard The White House Chrysler and the National Gallery >Hugo Reisinger >Two Dogs in a Deserted Street American 19th Century October 14, 2014–January 11, 2015 >The Cab Horse California >Chief Jumper of the Seminoles Pablo Picasso >The Green Table Oakland, Oakland Museum Winslow Homer >Nude Woman >Table Set in a Garden Mark Rothko >Sunset >Harlequin Musician >Bouquet of Flowers* >Untitled George Catlin >Stairs in the Artist’s Garden* Juan Gris District of Columbia >A Crow Chief at His Toilette >The Artist’s Studio >Fantômas The Library of Congress >Cheyenne Village >Red Plums Georges Braque Carl Milles >A Small Cheyenne Village >Paris, Rue de Parme on Bastille Day >Harbor >Head of Orpheus >Pawnee Indians Approaching Buffalo Eugène Boudin Collection Conversations: The >Game of the Arrow—Mandan National Museum of American History >Beach at Trouville Chrysler and the National Gallery >A Foot War Party in Council— Charles Peale Polk >Women on the Beach at Berck February 25, 2015–June 21, 2015 Mandan >General Washington at Princeton >Yacht Basin at Trouville-Deauville Henri Matisse >An Ojibbeway Village of Skin Tents >Festival in the Harbor of Honfleur >Still Life National Portrait Gallery >Ball-Play Dance—Choctaw >Coast of Brittany >Still Life with Pineapple* Irving R. Wiles >Buffalo Chase >Beach Scene at Trouville >Beasts of the Sea >Miss Julia Marlowe >Buffalo Chase, with Accidents >Washerwoman near Trouville >Pianist and Checker Players U.S. Commission of Fine Arts >Catlin and Indian Attacking Buffalo >Concert at the Casino of Deauville >Still Life with Sleeping Woman Alice Neel >K’nisteneux Indians Attacking Two Claude Monet >Woman Seated in an Armchair >William Walton Grizzly Bears >Argenteuil >Open Window, Collioure >Grassy Bluffs, Upper Missouri >Camanchees Lancing a Buffalo Bull 78 Exhibitions and Loans

>Mired Buffalo and Wolves Office of Management and Budget, Pennsylvania LIBRARY LOANS >Grizzly Bears Attacking Buffalo The White House Doylestown, James A. Michener Raoul Dufy Mark Rothko Art Museum UNITED STATES >The Basin at Deauville** >Untitled Edward Hicks Florida Leon Polk Smith >Untitled >The Landing of Columbus Palm Beach, Flagler Museum >Stretch of Black III >Contemplation Joseph Goodhue Chandler Bouguereau’s Fancies: Allegorical Edward Corbett >The Source >Girl with Kitten and Mythological Works by the >Washington, D.C. November 1963 III >Untitled (four figures in a plaza) Virginia French Master Jasper Johns Attorney General of the United States Fairfax, George Mason University January 12, 2015–March 30, 2015 >Numerals, 0 through 9** Follower of Claude Lorrain Lila Pell Katzen >Catalogue illustré des oeuvres de W. Sam Francis >Harbor at Sunset >Antecedent Bouguereau (Paris, 1885) >White Line** Edward Savage Alfredo Halegua Maryland Mark Rothko >George Washington >America >The Party Easton, Art Academy Museum French 19th Century Charlottesville, The Fralin Museum >No. 17 [or] No. 15 From Rubens to the Grand Tour >Race Course at Longchamps of Art, University of Virginia Richard Diebenkorn April 25, 2015–July 5, 2015 Supreme Court of the United States Jean Arp >Berkeley No. 52** Giacomo Barri >Oriforme** Hans Hofmann Chief Justice John Roberts >Painters voyage of Italy (London, 1679) >Staccato in Blue** Gilbert Stuart Hubert Goltzius Ed Ruscha >George Washington TEMPORARY LOANS TO >Icones imperatorum Romanorum >I Think I’ll...** George Cuitt the Younger MUSEUM COLLECTIONS (Antwerp, 1645) >Easby Abbey, near Richmond Charles Patin Robert Mangold *Works in National Lending Service >Thesaurus numismatum e musaeo >1/2 W Series (Medium Scale)** Justice Ginsburg NETHERLANDS Caroli Patini (Amsterdam, 1672) >1/2 V Series (Medium Scale)** Mark Rothko >Pompa introitvs homoi (Antwerp, 1642) >1/2 X Series (Medium Scale)** >Untitled Amsterdam, Rijksmuseum John Smith Ad Reinhardt >The Omen January 8, 2015–September 27, 2015 >Untitled (Yellow and White)** Ercole de’ Roberti >Select views in Italy (London, 1792–1796) Justice Kennedy >Untitled (Red and Gray)** >Giovanni II Bentivoglio Berthe Morisot Susan Rothenberg >Ginevra Bentivoglio >Girl in a Boat with Geese >Butterfly** French 17th Century UNITED STATES Louise Nevelson >Flowers in a Classical Vase California >Model for “Sky Covenant”** Pasadena, Giorgio Morandi Justice O’Connor December 5, 2014–March 2, 2015 >Still Life** George Catlin Edouard Manet >Still Life** >Buffalo Chase, Sioux Indians, >The Railway Pat Steir Upper Missouri >After Winslow Homer I** >After the Buffalo Chase—Sioux Connecticut >Waterfall with Rose Petals** >A Crow Village and the Salmon Hartford, Wadsworth Atheneum Alice Neel River Mountains Museum of Art >Loneliness** >Two Blackfoot Warriors and a September 15, 2015–January 15, 2016 Woman Titian Secretary of Education >An Apachee Village >Ranuccio Farnese Mark Rothko >Rural Scene Justice Stevens District of Columbia >Untitled Studio of Franz Xaver Winterhalter Washington, The Corcoran Gallery of Art >The Pugilist >Queen Victoria March 20, 2014–January 20, 2015 >Woman Reading C. Gregory Stapko after Sol LeWitt >Untitled (still life with vase and >A View of Salisbury Cathedral** >Wall Drawing #65 / Lines not short, two statues) Alphonse Legros not straight, crossing and touching, Thomas Chambers >Hampstead Heath drawn at random using four colors, >Bay of New York, Sunset George Catlin uniformly dispersed with maximum >Scene from the Lower Mississippi density, covering the entire surface of Secretary of Energy Maurice Utrillo the wall. John Woodhouse Audubon >Street at Corté, Corsica >Black-Footed Ferret Washington, The Phillips Collection American 19th Century Leonid September 1, 2014–May 4, 2015 >Portland Harbor, Maine >Faraduro, Portugal Georgia O’Keeffe George Catlin Justice Sotomayor >Jack-in-the-Pulpit No. IV >Distinguished Crow Indians Mark Rothko >Jack-in-the-Pulpit No. VI >Two Unidentified North American >Street Scene July 2, 2015–December 31, 2015 Indians >Untitled (subway) Henri Matisse Francis A. Beckett >Untitled >Open Window, Collioure >Blacksmith Shop >Untitled (woman in subway)** New York J. W. Bradshaw Maryland New York, The Metropolitan Museum >Plains Indian Solomons, Annmarie Garden of Art after William John Wilgus Sculpture Park & Arts Center February 28, 2008–December 31, 2016 >Ichabod Crane and the Headless James Rosati Francesco di Giorgio Martini Horseman >Untitled** >God the Father Surrounded by Secretary of Health and Human Services George Rickey Angels and Cherubim French 19th Century >Cluster of Four Cubes** Giorgio Vasari >Woman and Two Children in a Field >Saint Mark National Gallery of Art 79

PUBLICATIONS AND MEDIA

During the fiscal year the Gallery focus, the use of social media is > Piero di Cosimo: The Poetry of CENTER FOR ADVANCED produced nine book-length centered around helping online Painting in Renaissance Florence STUDY IN THE VISUAL ARTS publications and had a dozen major audiences gain a better understanding Washington Book Publishers 2015 (CASVA) PUBLICATIONS books, print and digital, in progress of the works of art in the Gallery’s Book Design and Effectiveness Award for publication in 2016. In addition to > Modernism and Landscape collection as well as connecting labels and wall texts for all fiscal-year Architecture, 1890–1940 enthusiasts more deeply with the Film Awards exhibitions, the publishing office educational mission of the institution. Studies in the History of Art, > Drawing in Silver and Gold edited several major online features During the course of the year, the Volume 78 New Visions Gallery, Marshfield, and oversaw the editing and design division has seen a surge in followers Edited by Therese O’Malley and Wisconsin, selected for screening in or production of more than 200 to the Gallery’s Twitter feed (63 Joachim Bolschke-Bulmahn conjunction with the exhibition education projects and more than percent increase) and fans of its (336 pages, 248 illustrations) Metalpoint: Don LaViere Turner, 900 pieces of Gallery ephemera, Facebook page (83 percent increase). Distributed by Yale University Press September 7–October 30, 2015 ranging from press releases and The Gallery has also attracted more > Center 35 invitations to recurring Gallery than 45,000 followers to its Instagram > El Greco: An Artist’s Odyssey Annual report, print and web versions publications such as its Bulletin and account (initiated in June 2014). In the 49th Annual U.S. International Film its award-winning film calendar. past year, the Gallery has generated & Video Festival: Certificate for EXHIBITION BROCHURES almost 67 million impressions on Creative Excellence in the category social media, and its posts have of Documentary Programs (Arts); EXHIBITION CATALOGS > Degas’s Little Dancer written by sparked more than 1.5 million 36th Annual Telly Competition: Alison Luchs with Margaret Doyle > Piero di Cosimo: The Poetry of interactions (which includes actions Bronze Award in the category of and produced by the department of Painting in Renaissance Florence such as comments, likes, shares, and Cultural Programs; 7th Annual exhibition programs and the Gretchen Hirschauer, Dennis retweets). The year also saw almost 6 SENE Film, Music and Arts Festival: publishing office Geronimus, et al. million visits to www.nga.gov and the Official selection (248 pages, 190 illustrations, > Pleasure and Piety: The Art of Joachim launch of the responsive website, > Diaghilev and The Ballets Russes hardcover and softcover) Published Wtewael written by Margaret Doyle allowing www.nga.gov to adapt to all 49th Annual U.S. International Film in association with Lund Humphries and produced by the department of screen sizes, no matter what device & Video Festival: Gold Camera in exhibition programs and the > Pleasure and Piety: The Art of it’s being displayed on, from desktop the category of Documentary publishing office Joachim Wtewael to tablet to smartphone. Since the Programs (Arts), Best of Festival James Clifton, Liesbeth M. Helmus, > Gustave Caillebotte: The Painter’s Eye launch the Gallery has had more than Nominee; 33rd International Arthur K. Wheelock Jr., et al. written by Lynn Kellmanson 1 million users engage with its website Festival of Films on Art (FIFA), (236 pages, 175 illustrations, Matheny and produced by the via mobile devices—a 33 percent Montreal: Selection for 2015 showcase hardcover and softcover) Published department of exhibition programs increase from last year. in association with Princeton and the publishing office STAFF PUBLICATIONS Exhibition Features University Press > From the Library: Florentine > Lora V. Angelova, Barbara H. Berrie, > The Memory of Time: Contemporary Publishing in the Renaissance written > Piero di Cosimo: The Poetry of Kristen de Ghetaldi, Amber Kerr, Photographs at the National Gallery by Yuri Long and produced by the Painting in Renaissance Florence and Richard G. Weiss, “Partially of Art publishing office > Peter Paul Rubens: The Three Hydrolyzed Poly (Vinyl Acetate)- Sarah Greenough, Andrea Nelson, et al. > In the Library: The Robert L. Feller Magi Reunited Borax-Based Gel-like Materials for (162 pages, 130 illustrations, and Ruth M. Johnston Feller Collection > The Memory of Time: Contemporary Conservation of Art: Characterization hardcover only) Published in written by Yuri Long and produced Photographs at the National Gallery and Applications,” Studies in association with Thames & Hudson by the publishing office of Art, Acquired with the Alfred H. Conservation 60, no. 4 (2015): 227–244. > Drawing in Silver and Gold: Leonardo > In the Library: Setting the Scene with Moses and Fern M. Schad Fund > Lora V. Angelova, Michal Leskes, to Jasper Johns Theater Architecture and Set Design > In Light of the Past: Twenty-Five Years Barbara H. Berrie, and Richard G. Stacey Sell, Hugo Chapman, et al. written by Yuri Long and produced of Photography at the National Weiss, “Selective Formation of (328 pages, 212 illustrations, by the publishing office Gallery of Art Organo, Organo-aqueous, and hardcover only) Published in > From the Library: Photobooks after Hydro Gel-like Materials from association with Princeton > Gustave Caillebotte: The Painter’s Eye Frank written by Yuri Long and Partially Hydrolysed Poly (vinyl University Press > Pleasure and Piety: The Art of Joachim produced by the publishing office acetate)s Based on Different Boron- > Gustave Caillebotte: The Painter’s Eye Wtewael (1566–1638) containing Crosslinkers,” Soft Matter Mary Morton, George T. M. > Vermeer’s “Woman in Blue Reading 11 (2015): 5060–5066. Shackelford, et al. EXHIBITION FILMS a Letter” from the Rijksmuseum > Daphne Barbour and Lisha Deming (284 pages, 177 illustrations, > El Greco: An Artist’s Odyssey Glinsman, “Rodin’s Bronze hardcover and softcover) Published Narrated by Adrien Brody AWARDS Sculpture: Capturing His Vision, in association with the University of Produced by Carroll Moore Perpetuating His Legacy,” in Chicago Press Print, Design Awards Directed by David Hammer Metamorphoses in Rodin’s Studio, ed. (30 minutes, color, captioned) > Dutch Paintings of the Seventeenth Nathalie Bondil and Sophie Biass- BOOKS RELATED TO THE Century (digital version) > Drawing in Silver and Gold: Leonardo Fabiani (Montreal, 2015), 174–185. PERMANENT COLLECTION George Wittenborn Memorial Book to Jasper Johns > Barbara H. Berrie, “Unusual Award (ARLIS); Association of Narrated by Kimberly Schenck Pigments Found in a Painting by > Facture: Conservation, Science, Art American University Presses Book, and Stacey Sell Giotto (1266–1337) Reveal Diversity of History Volume 2: Art in Context Jacket, and Journal Show Edited by Daphne Barbour and E. Produced and directed by Materials Used by Medieval Artists,” > Degas/Cassatt Melanie Gifford Carroll Moore Microscopy and Microanalysis 20, no. Finalist, Alfred H. Barr Jr. award for (184 pages, 147 illustrations, Edited by David Hammer S3 (2014): 2014–2015. best exhibition catalog of 2014 softcover only) Distributed by (10 minutes, color, captioned) > Mattia Biffis, “Prima di Salviati. Yale University Press > Andrew Wyeth: Looking Out, Looking In L’altare dei Frari, i procuratori di American Alliance of Museums 2015 > The Altering Eye: Photographs from DIGITAL OUTREACH San Marco e un documento per Publications Design Competition the National Gallery of Art Two years ago, the education division Marco Basaiti,” Venezia Cinquecento Honorable Mention; Washington Sarah Greenough et al. took up the responsibility of 45 (2013): 41–56. Book Publishers 2015 Book Design (380 pages, 326 illustrations) managing the Gallery’s social media and Effectiveness Award Published in association with accounts, including Facebook and Thames & Hudson Twitter. With a new educational 80 Publications and Media

>—, review of David Rijser’s >—, review of The Springtime of the > Peter M. Lukehart, “The Practice Moving Sculpture in Early Modern Raphael’s Poetics. Art and Poetry in Renaissance: Sculpture and the Arts in and Pedagogy of Drawing in the Italy, ed. Kelley Helmstutler Di Dio High Renaissance Rome, CAA Florence 1400–60, ed. Marc Bormand Accademia di San Luca,” in Lernt (Burlington, Vermont, and Farnham, Reviews, www.caareviews.org/ and Beatrice Paolozzi Strozzi, The Zeichnen! Teckniken zwischen Kunst Surrey, England, 2015), 25–46. reviews/1956. Sculpture Journal 23 (2014): 406–407. und Wissenschaft, ed. Maria > Luc Tuymans and Lynne Cooke, “A >—, “Pasqualino Veneto,” >—, “Camillo Mariani and the Heilmann, Nino Nanibashvili, Ulrich Curatorial Contract,” in Luc Dizionario Biografico degli Italiani 81 Nobility of Stucco,” in Making and Pfisterer, and Tobias Teutenberg Tuymans: Intolerance, ed. Lynne (Rome, 2015), 582–84. Moving Sculpture in Early Modern (Passau, 2015), 45–57. Cooke and Tommy Simoens (Qatar >—, “Pennacchi, Pier Maria,” Italy, ed. Kelley Helmstutler Di Dio > Constance McCabe, “Noble Metals Museums, Doha, 2015), 24–39. Dizionario Biografico degli Italiani 82 (Burlington, Vermont, and Farnham, for the Early Modern Era: Platinum, > Ivo van der Graaff, “The Recovered (Rome, 2015), 221–23. Surrey, England, 2015), 137–166. Silver-Platinum, and Palladium Tympanum of Cubiculum 11 at Villa > Molly Donovan, “Mondrian Dreams” Prints,” in Object:Photo. Modern A (‘of Poppaea’) at Oplontis (Torre > Michelle Bird, “The Conflux of Photographs: The Thomas Walther Eternities: Historical Discourse in in What Are We Before We Are Annunziata, Italy): A New Document Naturalized? Portraiture, Citizenship, Collection 1909–1949, ed. Mitra for the Study of City Walls,” in Antike the Work of Kadir Lopez,” Art Nexus Abbaspour, Lee Ann Daffner, and 94 (September–November 2014): and Abstraction (Washington, 2015). Malerei zwischen Lokalzeit und Maria Morris Hambourg (Museum of Zeitstil. Akten des XI. Internationalen 58–63. > Jean-Philippe Echard, Mathieu Modern Art, New York, 2014), 312–320. Thoury, Barbara Berrie, Tatiana Kolloquiums der AIPMA 13–17 > Jonathan Bober, entries on drawings > Kathryn M. Morales and Barbara H. September 2010 in Ephesos, ed. by Tanzio da Varallo and Carlo Severin-Fabiani, Alessandra Vichi, Marie Didier, Matthieu Réfrégiers, Berrie, “A Note on Characterization Norbert Zimmermann (Vienna, Donelli in L’Oeil et la Passion 2: of the Cochineal Dyestuff on Wool 2015), 559–64. Dessins baroques italiens dans les and Loïc Bertrand, “Synchrotron DUV Luminescence Micro-Imaging Using Microspectrophotometry,” > Pamela Vandiver, Weidong Li, collections privées français, ed. e-PreservationScience 12 (2015): 8–14. Catherine Mobeig Goguel et al. to Identify and Map Historical Christopher A. Maines, and Philippe (Musée des Beaux-Arts, Rennes, 2015). Organic Coatings on Wood,” Analyst > Rebecca Ploeger, E. René de la Rie, Sciau, Materials Issues in Art and (2015), http://pubs.rsc.org/en/ Christopher W. McGlinchey, Michael X, vol. 1656 (Materials > Annalisa Colombo, Francesca Content/ArticleLanding/2015/AN/ R. Palmer, Christopher A. Maines, Research Society, Boston, 2014), Gherardi, Sara Goidanich, John K. C5AN00483G#!divAbstract. and Oscar Chiantore, “The Long- http://journals.cambridge.org/ Delaney, E. René De la Rie, Maria > Jennifer Henel, “Dutch Paintings of Term Stability of a Popular Heat-Seal action/layAbstract?fromPage​ Chiara Ubaldi, Lucia Toniolo, and Adhesive for the Conservation of =online&aid=​9331909&fileId=​ Roberto Simonutti, “Highly the Seventeenth Century: The National Gallery of Art’s First Online Painted Cultural Objects,” Polymer S1946427414008227. Transparent Poly (2-ethyl-2- Degradation and Stability 107 (2014): Scholarly Catalogue,” in Technology > Elizabeth Walmsley, “Come oxazoline)-TiO2 Nanocomposite 307–313. Coatings for the Conservation of and Digital Initiatives: Innovative dipingeva Piero. Nota sulla tecnica Matte Painted Artworks,” RSC Approaches for Museums, ed. Juliee > Jacqueline Protka, review of pittorica [On Piero’s painting Advances 5 (2015): 84879. Decker (Lanham, 2015). Mapping the Republic of Letters, technique]” in Piero di Cosimo, 1462– > Yuriko Jackall, John K. Delaney, and Choice: Current Reviews for Academic 1522. Pittore fiorentino “eccentrico” fra > Damon M. Conover, John K. Libraries 52, no. 10 ( June 2015). Delaney, and Murray H. Loew, Michael Swicklik, “‘Portrait of a Rinascimento e Maniera, ed. Elena “Automatic Registration and Woman with a Book’: A Newly >—, review of World Digital Capretti, Serena Padovani, Daniela Mosaicking of Technical Images of Discovered Fantasy Figure by Library, ARLIS/NA Multimedia and Parenti, and Anna Forlani Tempesti Old Master Paintings,” Applied Fragonard at the National Gallery of Technology Reviews April 2015, (Galleria degli Uffizi, Florence, 2015), Physics A 119, no. 4 (2015): 1567–1575. Art, Washington,” The Burlington https://www.arlisna.org/ 184–197. Magazine CLVII, no. 1345 (April publications/multimedia-technology- > Benjamin Zweig, “Forgotten > Lynne Cooke, “Interview with Diana 2015): 248–254. reviews/580-world-digital-library. Thater,” in Diana Thater: The Genealogies: Brief Reflections on the >—, catalog entry in Guillaume > Andrew Robison, La Poesia della Sympathetic Imagination, ed. Lynne History of Digital Art History,” Faroult, ed. Fragonard Amoureux Luce: Disegni Veneziani dalla National Cooke and Lisa Gabrielle Mark, with International Journal of Digital Art (Musée du Luxembourg, Paris, 2015– Gallery of art di Washington/The Christine Kim (Los Angeles County History 1, no. 1 (2015): 37–49. Museum of Art, Los Angeles, 2015), 2016), 252–253. Poetry of Light: Venetian Drawings >—, review of Åsa Ringbom’s The 18–27. > Alexandra Libby, “The Solomonic from the National Gallery of Art, Voice of the Åland Churches: New Ambitions of Isabel Clara Eugenia in Washington (Venice, 2014). > Harry Cooper, “De Kooning,” in Light on , Architecture Black Mountain College (Institute of Rubens’s The Triumph of the > Wendy Sepponen, review of Kelley and History, The Medieval Review, Contemporary Art, Boston, 2015). Eucharist Tapestry Series,” JHNA 7:2 Helmstutler Di Dio and Rosario (Summer 2015). Coppel’s Sculpture Collections in December 2014, http://scholarworks. >—, “Stamos,” in Black Mountain iu.edu/journals/index.php/tmr/ >—, review The Triumph of the Early Modern Spain, Journal of the College (Institute of Contemporary History of Collections 27, no. 2 ( July article/view/18754/24867. Art, Boston, 2015). Eucharist, Tapestries Designed by Rubens, by Charles Scribner III, 2015): 282–83. > Benjamin Zweig, Paul B. Jaskot, >—, “Ellsworth Kelly: Apples and Historians of Netherlandish Art > Anne Simmons, review of MASS Anne Kelly Knowles, Andrew Oranges,” in Eli Broad Collection Review of Books, October 2015, MoCA Museum of Contemporary Art, Wasserman, and Stephen (The Broad, Los Angeles, 2015). http://www.hnanews.org/hna/ Choice: Current Reviews for Academic Whiteman, “A Research-Based > John K. Delaney, “Application of bookreview/current/vl_scribner- Libraries 53, no. 2 (October 2015). Model for Digital Mapping and Art Visible and Infrared Imaging eucharist0915.html. >—, review of Architecture: the History: Notes from the Field,” Spectroscopy to the Study of > Alison Luchs, “The Press of Change Whole Story, ed. Denna Jones, Artl@s Bulletin 4, no. 1 (2005): Article 5. Paintings,” Microscopy and in Downtown Washington: The Choice: Current Reviews for Academic Microanalysis 20, no. S3 (2014): Bulletin Building, 1928–2014,” Libraries 52, no. 7 (March 2015). 1998–1999. Washington History 26, no. 2 (Fall >—, review of Bathroom by Barbara > C. D. Dickerson, “Bernini, Canada, 2014): 44–53. Penner, Choice: Current Reviews for and Light,” in Illuminations: Italian >—, “The Sculptor’s Lady: A French Academic Libraries 52, no. 3 Baroque Masterworks in Canadian Eighteenth-Century Response to (November 2014). Collections, ed. Benedict Leca (Art Bernini’s Costanza?,” in The Eternal > Shelley Sturman, Katherine May, Gallery of Hamilton, Ontario, 2015, Baroque: Studies in Honour of 56–65. and Alison Luchs, “The Budapest Jennifer Montagu, ed. Carolyn H. Horse: Beyond the Leonardo da Miner (Milan, 2015), 445–452. Vinci Question,” in Making and National Gallery of Art 81

STAFF LIST

Staff as of September 30, 2015 Staff Assistant Deputy Chief Development PRESS AND PUBLIC AMERICAN AND BRITISH Nicholas Velez Officer INFORMATION PAINTINGS Kay Casstevens Chief Press and Public Curator and Head of DESIGN AND OFFICE OF THE Senior Development Officer Information Officer Department INSTALLATION DIRECTOR for Major Gifts Deborah Ziska Nancy K. Anderson Senior Curator and Chief of Cathryn Dickert Scoville Deputy Press and Public Associate Curators Design Director Senior Development Officer Information Officer Charles Brock Mark Leithauser Earl A. Powell III for Major Gifts and Anabeth Guthrie Sarah Cash Deputy Chief and Head of Foundation Giving Publicist Curatorial Assistant Chief of Staff & Executive Exhibition Production Patricia A. Donovan Sarah Holley Zoë Samels Assistant Gordon Anson Senior Development Officer Angela M. LoRé Web Designer/Systems Andrew W. Mellon Office Manager for Annual Giving Developer Postdoctoral Curatorial Staff Assistants Carol Koelemay Hilary Freestone Dwayne Franklin Fellow Elizabeth Dent Architects/Designers Senior Development Officer John A. Tyson Celina B. Emery Publicist, Calendar/ Jamé Anderson Giselle Larroque Obermeier Newsletter Managing Editor Volunteer Chief Internal Auditor Donna Kirk Development Associate for and Financial Manager Ellen Layman Christie Johnson Design Assistant Reports and Record Laurie Tylec Internal Auditor Andrea D’Amato Integrity FRENCH PAINTINGS Executive Assistant to the Steve Elsberg Rachel Greiner Design Coordinator Chief of Press and Public Curator and Head of Deborah Clark-Kirkpatrick Development Associate for Information Department SPECIAL PROJECTS Annual Giving Domini LeNoir Mary Morton Production Coordinators Congressional Liaison McGowin Ey Linda Daniel Culturex Fellow Associate Curator Officer and Director of Elizabeth Parr Development Associate Moisés García Rubio Kimberly A. Jones Special Projects Nathan Peek Sarah Kaplan Delia Gerace Scott Intern Assistant Curator Andrew Watt Development Associate for Cristina Rago Yuriko Jackall Special Projects Associate Production Assistant Major Gifts Sarah Bohannan Curatorial Assistant Brian Sentman Kate Conrad SPECIAL EVENTS Michelle Bird Special Projects Assistant Photographer Development Associate for Chief of Protocol and John W. Hobson Rob Shelley Stewardship and Special Events ITALIAN AND SPANISH Communications Carol W. Kelley PAINTINGS EXHIBITIONS Head of Graphics Kamal Zargar Barbara Keyes Executive Assistant Curator and Head of Chief of Exhibitions Development Assistant for Annie Gray Miller Department D. Dodge Thompson Graphic Design/Silkscreen Annual Giving David Alan Brown Production Senior Event Planner Exhibition Officers Deborah Berg Lisa Farrell Maria E. A. Tousimis Associate Curator Jennifer F. Cipriano Glenn Perry Development Assistant for Gretchen Hirschauer Naomi R. Remes Event Planner Jeffrey Wilson Operations Ann. B. Robertson Melissa Goodman Curatorial Assistant Stefan Wood Wayne Henson David Essex Office Manager/Assistant to Budget Specialist Head of Exhibits Shop Development Assistant for the Chief of Exhibitions Resa Erickson Volunteer Randy Payne Major Gifts Wendy Battaglino Susannah Rutherglen Sarah Hyde Event Planning Specialist Exhibits Shop Specialists Assistants for Exhibition Malcolm Dilley Lester Dumont MODERN ART Administration CORPORATE RELATIONS George Grello Invitations and Protocol Meredith Kablick Curator and Head of George McDonald Deputy Corporate Benjamin Masri-Cohen Allison Keilman Department Robert Motley Relations Officer Chelsea Souza Olivia Wood Harry Cooper Cristina Del Sesto Head of Lighting Shop Associate Curators Exhibition Programs Robert Johnson Senior Officer for Molly Donovan Corporate Relations OFFICE OF THE Head of Department Lighting Shop Specialists James Meyer Jeanette C. Beers DEPUTY DIRECTOR/ Susan MacMillan Arensberg Juan Garedo CHIEF CURATOR Consulting Curator Charles Sthreshley Special Assistant to the Chief Deputy Head of Department Sarah Newman Development and Corporate and Associate Curator Head of Paint Shop Deputy Director and Relations Officer Research Associate Lynn Matheny Dennis Bult Chief Curator Stephanie Ross Franklin Kelly Jennifer Roberts Associate Curator Painters/Finishers Corporate Relations Curatorial Assistants Margaret Doyle Wilber Bonilla Administrator for Policy Assistant Kerry Rose Derrick Duarte and Programs Audiovisual Production Carson Anne Shelton Elizabeth Driscoll Pochter Paige Rozanski Specialist DEVELOPMENT Head of Global Initiatives Carroll Moore Administrative Assistants NORTHERN BAROQUE Ellen Bryant Chief Development and Nancy Moncure Deiss PAINTINGS Assistant Producers Corporate Relations Officer Global Initiatives Assistant Kerry Rose Wallin David Hammer Curator and Head of Christine Myers Emi Kitawaki Elizabeth Laitman Hughes Department Arthur K. Wheelock Jr. 82 Staff List

Assistant Curator Associate Curator Collections Information Education Publications and Senior Educator and Alexandra Libby Stacey Sell Systems Assistant Resources Manager of Family and Teen Elizabeth Concha Programs Curatorial Associate Assistant Curator Department Head Nathalie Ryan Jennifer Henel Amy Johnston Registrar for Loans Sarah Durkee Judith Cline Coordinator of Teen Exhibitions Research Senior Publications Manager Modern Prints and Programs Assistant Assistant Registrar for Loans Donna Mann Drawings Sarah Kra Henriette Rahusen Shannon Schuler Writer and Interpretive Curator and Head of Museum Educator, Family Senior Loan Officer Projects Manager NORTHERN RENAISSANCE Department and Teen Programs Lisa MacDougall Jennifer Riddell PAINTINGS Judith Brodie Gwendolyn Fernandez Associate Registrar for Associate Projects Manager Curator and Head of Associate Curators Education Assistant, Family Exhibitions Melanie Spears Harper Department Carlotta Owens and Teen Programs Melissa Stegeman John Oliver Hand Charles Ritchie Head, Education Resources Dena Rapoport Associate Registrar for Leo J. Kasun Curatorial Assistant Senior Lecturer and PHOTOGRAPHS Collections Mary Lee Corlett Manager, Resources Manager of Gallery Talks Lehua Fisher Senior Curator and Head Operations, and Affiliate and Lectures Curatorial Consultant of Department Assistant Registrar Loan Coordinator Eric Denker Lauren Schell Dickens Sarah Greenough Holly Garner Frances Duhart Senior Lecturers Associate Curators SCULPTURE AND Registration Assistant Diane Arkin School, Family, and Adult Andrea Nelson DECORATIVE ARTS Carol Nesemann David Gariff Programs: Gallery and Diane Waggoner Curator and Head of Art Services Manager Studio Learning Adult Programs Tour Consulting Curator Department Daniel Shay Scheduler Department Head Philip Brookman C. D. Dickerson C. Arlette Raspberry Senior Art Services Heidi Hinish Curator of Early European Specialists Manager, Adult Program Senior Educator and Associate Sculpture and Deputy Head James Clark Docents and Art Information Manager of Teacher Andrea Hackman of Department Joan Ganzevoort Dianne Stephens Programs Alison Luchs Andrew Krieger Curatorial Research Julie A. Springer Supervisor, Art Information Daniel Randall Associate Associate Curator Volunteer Operations David Smith Museum Educator, Leslie Ureña Eleonora Luciano Marta Horgan William Whitaker Teacher Programs Graduate Intern Curatorial Assistant Justina Yee Administrator, Docent and Art Services Specialists Anna Wieck Emily Pegues Volunteer Programs Francis Adams Senior Educator and Katherine Gottschalk Curatorial Assistant Joseph F. McCrindle Carson Murdach Manager of High School Maryanna Ramirez Foundation Graduate Michael Russell Programs Digital Outreach Curatorial Fellow Lewis Schlitt Elisa Patterson PRINTS AND DRAWINGS Wendy Sepponen Chief of Digital Outreach Art Services Technician Education Assistant, High John Gordy Andrew W. Mellon Senior Volunteer Joseph Hoffman School Programs Curator of Prints and Debra Pincus Marjorie Johnson Digital Outreach Producer Drawings EDUCATION Guillermo Saénz Museum Educator, School Andrew Robison SPECIAL PROJECTS IN Division Head Tour and Docent Programs Front-End Web Developer MODERN ART Office Manager Lynn Pearson Russell Deirdre Palmer Carolyn Campbell Susanne L. Cook Senior Curator Administrator Senior Educator and Digital Outreach Coordinator Lynne Cooke Curatorial Assistant Kim Hodges Manager of School Tour and Dacia Massengill Mollie Berger Curatorial Assistant Docent Programs Manager of Accessible Meryn Chimes Elizabeth Diament FILM PROGRAMS Programs Old Master Prints Lorena Baines Senior Educator and Department Head and Film CURATORIAL RECORDS Curator and Head of Manager, Art Around the Curator AND FILES Manager of Planning and Department Corner Margaret Parsons Evaluation Jonathan Bober Head of Department Sara Lesk Paula Lynn Film Programmer Nancy H. Yeide Associate Curator Museum Educator and Joanna Raczynska Gregory Jecmen Associate Academic Programs Coordinator of Professional Anne L. Halpern Development, Art Around PUBLISHING OFFICE Assistant Curator Department Head the Corner Ginger Hammer Faya Causey Editor in Chief REGISTRATION AND LOANS Julie Carmean Judy Metro Andrew W. Mellon Administrator Chief Registrar Museum Educator, Postdoctoral Curatorial Ali Peil Deputy Publisher and Michelle Fondas Art Around the Corner Fellow Production Manager Program Administrator for Meghan Lally Jamie Gabbarelli Registrar for Exhibitions Chris Vogel Internships and Fellowships Theresa Beall Education Assistant, Mattie M. Schloetzer Design Manager Old Master Drawings Art Around the Corner Collections Information Wendy Schleicher Program Assistant for Emily Mendonca Curator and Head of Systems Coordinator Lectures Department Susan Finkel School Tour Scheduler Sarah Battle Margaret Morgan Grasselli Jennifer Cross National Gallery of Art 83

Senior Editor for Photographic Services Interlibrary Loan Volunteer CONSERVATION Senior Conservators Permanent Collections Lura Young Daphne Barbour Department Head Chief of Conservation Sally Bourrie Judy L. Ozone Lorene Emerson Rare Book Librarian Mervin Richard Managing Editor of CASVA Yuri Long Conservator Color Scientist Conservation Administrator Publications Katherine May Ken Fleisher Rare Book Volunteers Michael Skalka Cynthia Ware Douglas Graebner Research Conservator, Photographers Conservation Program Senior Editors Katrina Lukes Robert H. Smith Bronze Ric Blanc Assistants Tam Curry Bryfogle Study Project Lee Ewing Circulation Assistants Emma Kirks Julie Warnement Dylan Smith Greg Williams Charlotte Donvito Michelle LeBleu Senior Associate Editor Tricia Zigmund Rodrick McElveen Nicola Wood Andrew W. Mellon John Strand Ian Roberts Advanced Training Fellow Visual Information Painting Conservation James Gleason Editor Specialists Vertical Files Librarian Caroline Weaver Debbie Adenan Anne Simmons Head of Department and Graduate Intern Christina Moore Senior Conservator Kathryn Brugioni Assistant Editor Vertical Files Volunteer John Schwartz Jay Krueger Lisa Shea Judith Bernanke Senior Conservators Mira Patel Senior Book Designer LIBRARY Serials Assistants Ann Hoenigswald Bradley Ireland Tammy Hamilton Executive Librarian Michael Swicklik Textile Conservation Bruce B. Hebblethwaite Graphic Designer Neal T. Turtell Elizabeth Walmsley Head of Department and Rio DeNaro Administrative Librarian/ Department of Image Associate Conservators Senior Conservator Image Coordinator Head of Technical Services Collections Dina Anchin Julia Burke Sara Sanders-Buell Roger C. Lawson Joanna Dunn Chief, Library Image Preventive Conservation Budget Coordinator Library Systems Manager Collections Conservation Technician Jaime Lowe Karen P. Cassedy Gregory P. J. Most Douglas Lachance Head of Department and Senior Conservator Assistant Production Library Systems Specialist Deputy Chief and Image Graduate Intern Bethann Heinbaugh Manager John Shinn Specialist for Architecture Shan Kuang John Long Andrea R. Gibbs Senior Conservators of Staff Assistant Paper Conservation Frames Production Assistant Jennifer Smith Image Specialist for Richard Ford Mariah Shay Modern Art Head of Department and Stephan Wilcox Program Assistant Technical Services Meg Melvin Senior Conservator Kimberly Schenck Katharine Adkins Acquisitions Assistants Image Specialist for Scientific Research David Diaz American and British Art Senior Conservator Department Mark Rothko Catalogue Amanda Kim Andrew L. Thomas Marian Dirda Head of Department and Raisonné for Works on Mary Lazarenko Image Specialist for Italian Conservator Senior Conservation Paper Jeffrey Leone Art Michelle Facini Scientist Associate Curator Acquisitions Student Melissa Beck Lemke Matting and Framing Barbara H. Berrie Adam Greenhalgh Assistant Image Specialist for Special Specialists Senior Imaging Scientist Emily Clough Project Coordinator Projects Caroline Danforth John K. Delaney Laili Nasr Catalogers Lisa M. Coldiron Shan Linde Research Conservator for John P. Heins Jenny Ritchie Image Specialist for French Paintings Technology DIVISION OF IMAGING AND Bary Johnson Art Conservation Technician E. Melanie Gifford VISUAL SERVICES J. Bryan Lane Nicholas A. Martin Michelle Stein Chief, Division of Imaging Cathy F. Quinn Senior Conservation Image Specialist for Spanish Andrew W. Mellon and Visual Services Paula L. Zech Scientists Art Advanced Training Fellow Suzanne Quillen Lomax Alan Newman Cataloging Assistants Thomas A. O’Callaghan Jr. Josefine Werthmann Christopher Maines Gretchen Berkman Digital Imaging Services Vada Komistra Image Specialist for Conservation Scientists Photograph Conservation Northern European Art Lisha Deming Glinsman Department Head Bindery Assistant Molli E. Kuenstner Head of Department and Kathryn Morales Peter Dueker Jane E. Higgins Senior Conservator Circulation Desk Technician Michael R. Palmer Coordinator of Visual Constance McCabe Carrie A. Scharf Services Reader Services Photographic Materials Senior Conservator Scientist Barbara Bernard Head of Reader Services Student Assistant Sarah S. Wagner Melinda Allen Matthew Clarke Permissions Coordinator Lamia Doumato Conservator Charles E. Culpeper Barbara Goldstein Wood Reference Librarian Volunteers Alisha Chipman Kari Allegretto Advanced Training Fellow Image Permissions, John Hagood Sheldon Grossman Robyn Hodgkins NGA Collections Reference Librarian for Object Conservation Myra Moffett Samuel H. Kress Imaging Peter Huestis Interlibrary Loan Head of Department and Fellow Jacqueline L. Protka Digital Imaging Cataloger Senior Conservator Giorgio Trumpy Kate Mayo Interlibrary Loan Assistants Shelley Sturman Graduate Intern Faye Karas Sara Bellei Thomas F. J. McGill Jr. 84 Staff List

Paul Mellon Visiting Senior Ailsa Mellon Bruce Support Services Specialists Architects/Project Managers CENTER FOR Fellow/Millon Architectural Predoctoral Fellowships for Lori Allen Bruce D. Condit ADVANCED STUDY IN History Guest Scholar Travel Abroad for Historians Adria Evans-Davis Christopher Ruffing THE VISUAL ARTS Ginette Vagenheim of American Art Anthony Mearite Construction Project Alisa Alexander Anthony Proctor Dean Ailsa Mellon Bruce Visiting Manager Jenevieve De Los Santos Anthony Thomas Elizabeth Cropper Senior Fellows Juan Radulovic Mary Thomas Lynn Catterson Printing Services Specialist Associate Deans Construction Field Suzanne Hudson Michael Austin Peter M. Lukehart Representatives Caroline Jordan Therese O’Malley Printing Services Clerk Stephen M. Brown Yuka Kadoi OFFICE OF THE Anushirvan Aazami Abby Frankson Center Administrator Vladimir Kulić ADMINISTRATOR Helen Tangires Xin Wu Supply Technician Interior Designer Administrator Ulrick Vilmenay Irwin Gueco Assistant Administrator for A. W. Mellon Darrell R. Willson Budget and Accounting Postdoctoral Fellows Mail Clerk Program Analyst Bryant L. Johnson Caroline O. Fowler Deputy Administrator Frances Moffatt Lauren Huh John Robbins Program Staff Lihong Liu Program Specialist Property, Logistics, and Elizabeth Kielpinski Deputy Administrator for Hillary Lord Transportation Catherine Southwick PREDOCTORAL FELLOWS Capital Projects and Chief Courtney Tompkins IN RESIDENCE Architect Supervisor EQUAL EMPLOYMENT Susan Wertheim Robert Bevard OPPORTUNITY Research Staff David E. Finley Fellow Robyn Asleson David Pullins Executive Assistant Lead Support Services Equal Employment Mattia Biffis Paul Mellon Fellow Erin Fisher Specialist Opportunity Officer Lorenzo Pericolo Hannah J. Friedman Financial Analyst Mark Greene Kelly Goode Silvia Tita Samuel H. Kress Fellow Melanie Smith Support Services Specialists Ivo van der Graaff FACILITIES MANAGEMENT Adam Jasienski Mohamed Gasmi Benjamin Zweig Assistant to the Kevin Grays Chief Wyeth Fellow Administrator for Budget Anthony Sean Hilliard David Samec Members, Center for Miri Kim Analysis Advanced Study in the Jill Dunham Materials Handlers Office Manager Ittleson Fellow Visual Arts, Academic Year Lemuel Jamison Hilary Evans Rachel Saunders Systems Manager Kenneth McFarland 2014–2015 G. Lee Cathey Staff Assistant Andrew W. Mellon Fellow Samuel H. Kress Professor Supply Technician Qula Wilder Kate Cowcher CAD Team Nathan Howell Robert S. Nelson Martin Livezey Senior Mechanical/Physical Twenty-Four-Month Andrew W. Mellon Professor Timothy Spencer Motor Vehicle Operator Plant Engineer Chester Dale Fellow Paul B. Jaskot Frank Armstrong Ngoc (Ted) Huynh Nikolas Drosos Staff Assistant (CASVA Edmond J. Safra Visiting housing) Facilities Scientist Telecommunications Professor PREDOCTORAL FELLOWS Gwendolyn Murphy Cecily Grzywacz Kathleen A. Foster NOT IN RESIDENCE Supervisor ADMINISTRATIVE Arlington Walker Engineering Paul Mellon Senior Fellow David E. Finley Fellows SERVICES Susan L. Siegfried Robert Fucci Lead Telecommunications Deputy Chief Phil Taylor Chief Specialist William Burns William C. Seitz Senior Cathy Yates Daniel Ryntz Fellow Paul Mellon Fellows Engineer Mary Roberts Esther Chadwick Deputy Chief Telecommunications James Cromwell Seth Estrin Will Young Specialists Samuel H. Kress Senior Engineering Technicians Elijahwon Brunson Fellows Samuel H. Kress Fellow Administrative Officer Bryan Allen Haywood Turnipseed Robert Bork Kelli Wood Scott Stephens Michael Ottmers Christopher P. Heuer Fernando Restrepo Wyeth Fellow Program Specialist ARCHITECTURE AND Ailsa Mellon Bruce Senior Monica Bravo Tyrese Davis ENGINEERING Building Automation Fellows System Manager Ittleson Fellow Senior Engineer/Senior Stephen Houston Program Specialist (Travel Brian McGivney Eiren L. Shea Program Manager Sarah Blake McHam Coordinator) Alison Hunt Assistant Building Andrew W. Mellon Fellow Marie Joy Borja Ailsa Mellon Bruce National Automation System Manager Brendan C. McMahon Senior Architect/Senior Gallery of Art Sabbatical Program Assistant Michael Smith Program Manager Curatorial Fellow Twenty-Four-Month Christy Williams Carl M. Campioli Harry Cooper Chester Dale Fellow Facilities Services John R. Blakinger Printing, Mailroom, Fire Protection Engineer/ Paul Mellon Visiting Senior Deputy Chief Records, and Supply Program Manager Fellows Twelve-Month Dan Hamm Robert Wilson Chester Dale Fellow Supervisor Stefan Krause Facilities Management Nicole Paxton Sullo Dionne Page Architects/Program Stephanie Leone Processes Specialist–IT Managers Leo G. Mazow Robert H. and Clarice Smith Lead Support Services Vasily Lazarenko William H. Cross Jr. Alexa Kristen Fellow Specialist Michael Gavula Special Projects Coordinator Oscar E. Vázquez Zachary Stewart Bryan Durham Matthias Weniger William Cabeza National Gallery of Art 85

Special Projects Workers Carpenter Shop Timothy Dawson Shaun Kelsey Todd Wheeler Paul Cotton Jerry Dicks Devin Sampson Mendi Cogle Wingfield Supervisor Anthony Givens Roger Dunning Christian Sherlock Allan Scheufele Human Resources Assistant Joseph Green Willie Townes Annette Brown Work Control Center Wood Crafter Leader Mark Teed Volunteers Carl Sturm Sahlu Teklesadik Training Officer Facilities Services Manager Beth Beers Wilbert Thompson Judith Frank John Haughey Wood Crafters Martha Davidson Jeremy Wojciechowski Lynn C. Edwards Robin Gordon Training Specialist Work Control Coordinators Jose Guerra Insulators Randy Harris Nikkia Anderson John Platt Bert Parks James Deal Yvon Jensen John Todd Staff Assistant Howard Thompson Dewayne Queen Hannah Mazer Jaki Johnson Lourine Musto Building Services Pipefitters Paint Shop Scarlett Presley Gabriel Adebayo PROCUREMENT General Foreman Supervisor Leif Bair AND CONTRACTS Charles Boone Paul Zappulla MEDIA PRODUCTION Maintenance Worker Chief Supervisors Chief Paint Leader Jerry Dobbs Rodney C. Cartwright Anthony Dickey Frank Conto Victoria Toye Sylvia Dorsey Deputy Chief Controls Shop Audiovisual Production Deborah Hamilton Painters Michael Benavides Specialists Angela Lee Victor Bercian Supervisor John Conway Contracting Officers Dennis Garner Anthony Brooks Leaders Denise Gilson Miguel Jimenez Brian Dooda Calvin Anderson Technicians Dean Koepp James Miller Adam Enatsky Gerald Carthorne Nicholas Carter Ethan S. Premysler Troy Patterson Jarrod Thompson Devigar Dozier Eugene Givens Frank Tutko David Reindl Sheldon Malloy John Stisted Geoffrey Spotts Mason Shop Adam Williams Darlene Middleton Janet Wu Information Technology Supervisor Electric Shop Custodians and Laborers Financial Management Gino Ricci Manager Robert Baker Supervisor Suzanne Sarraf Analyst Kenneth Betts Mason Leaders Chris Fioravanti Kenneth Baksys Administrative Assistant Quinzella Chambers Tony Lowe Electricians Geneva Rosenboro Purchasing Agents Wendy Contreras Patrick Verdin Troy Cahill Gregory Champlin Rosario Cordero Masons Curtis Headlee MUSIC James Wortham Erek Cowins Robert Brinkley Timothy Maxwell Warren Crumity Music Program Specialist Dennis Colella Richard Thomson PROTECTION SERVICES Jerry Dobbs Daniel DePaz Danielle DeSwert Hahn Oliver Fowler Electrical Worker Chief Mauricio Diaz Concert Aides Andre Gordon Earl Ashford James J. Lucey Leonard Pagliaro Vrejoohie Armenian O’linda Harris Conrad Solomon Mary Carter Investigations Carolyn Harvey Continuous Conditioning Charles Sydnor Cathy Kazmierczak Brock Hawkins Shop Investigator Alice Holloman Building Operations Engineering Technician PERSONNEL Enis Pinar Craig Jenkins John Yasem Deputy Chief Sharon Jenkins Chief Administration and Visitor Rodney Stringer Mechanical Engineering Michon Jenkins-Savoy Douglas Goodell Services Technician Teresa Lee Assistant Operations Deputy Personnel Officer Seong-Mo An Deputy Chief Paul Marshall Manager–Mechanical Luis Baquedano Elizabeth Thomas Gail Maxfield Noel Ashton HORTICULTURAL Gwendolyn Nathan Supervisory Human Program Analyst Energy Manager and SERVICES Darryel Parker Resources Specialist Cheryl Miller Assistant Operations Terri Sosa-Gayles Tony Reese Chief Manager–Electrical Program Specialist Leora Richardson Cynthia Kaufmann Personnel Systems David Matthews Andrea Bajrami Cassandra Smith Specialists Deputy Chief Angeline Sutton Supervisory Engineering Michele Caputo Office Assistant Julianna Goodman Dawn Thompson Technician Darryl Cherry Jesus Jimenez Antonio Williamson Larry Smith Horticulturists Personnel Management Program Assistant Tasha Wilson Solomon Foster Supervisors Specialist Dina Mukhutdinova Ronald Winston David Gentilcore David Gali Terrence Snyder Kimberley Mead Supply Technician James Hamilton Michelle Cameron Building Maintenance Chris Myers Staffing Specialists Leaders Jeff Nagle Jamaal Carrington Supply Clerk Production Center Foreman Wayne Atchison Kathy Sutton Davis Paul Gresham Charlie DiPasquale Gardener Leader Artemas Edwards Laura Donahue Anthony Ferrell Exhibition Aides Engineering Technician James Gant Gallery Representative Courtney Blanchard Daniel Warrenfeltz Henry Manville Gardeners Sarah Montgomery Charles Bauduy Michelle Bond A/C Equipment Mechanics Wayne Buckner Human Resources Specialists Deanna Boyd Wade Brightwell Brian Johnson Miriam Berman Gregory Curry 86 Staff List

Kristen Braun Eugenio Velazquez Edward Foster David Bradley Sr. Ronald Piekarski Sarah Buchanan Laverne Whitted William Gill Jacqueline Brown Pamela Pitts Linda Byron Ryan Goolsby Joshua Brown Carey Porter Jr. Command Center Nicole Caldwell Kaisha Harper Kelly Brown Willie Pugh Apprentice Operator Kami Farrie Peter Henderson Jr. Richard Byrd Michael Robinson Chester Hall Jr. Emily Francisco Jimmie Hines Jacqueline Cameron Keith Roseburough Jennifer Fujii Commanders Donna Hinton Lee Carter Monica Simpson Angela Gerstein Timothy Fortt Mildred Holeman Paul Cawley Willie Sims Stephen Hanson Quellan Josey David Jackson David Clark Wayne Small Kristyn Hodges Quinyardo McClain Eugene Johnson Ivy Cooper Alexander Stephens Tera Jones Jeroboam Powell Ottis Johnson Jr. (Union Larry Dailey Charles Sweat Angela King Lieutenants Representative) Randolph Davis Joseph Sydnor Elizabeth Moore Alphonso Brown III Demetrius Jones Stephen Dobbs Damien Toler Nora O’Reilly Thomas Gorman Eliot Jones Antonio Dorsey Thomas Tyson Brittany Strupp Patricia Hassell Felisha Jones Alexander Duboise Jr. Reginald Wells Jr. Tammy Tran Dennis Hill Aaron Kinchen Patrick Dumsch Verda Whitlow Amy West Joseph Hudson Jr. Albert Lawrence Bryant Ferguson III Agnes Whittle David Lee Clifton Leach Ryder Finlayson Barry Williams Technical Services Lawrence Marshall Franklin Lewis Raynard Forte II Stephen Williams David Logan David Fortunoff Vincent Williams Deputy Chief Vernon Morton Richard Lydick Baron Foxworth Phillip Williamson William Cato Jr. Dexter Moten James Murphy Rodney Madison Frazier Timothy Willingham Supervisor Keith Thalhamer Augustine Maldonado Tameka Gaines Andre Wilson William Shaw Marlene Tucker Maurice Massey II Sherice Garedo Chantay Wilson Senior Electronics Gerald Walker Rodney Mathew Russell Gaskins Jr. Anthony Wright Technician Sheila Wright Isaac Mathis III Lita Goings Patricia Wright Louis Wagner Jr. Oumar Mbodj Debra Graham Denise Young Sergeants William McLaughlin Richard Green Electronics Technicians Jeffrey Blaher Wayne Morris Jr. Dennis Hairston RETAIL OPERATIONS Ty Cullins Wesley Branon Darrin Moyer Dorothy Harper Chief Christian Havecker Jerry Doss Sr. Jacob Neal Burley Harris David A. Krol Bradley Hnatt Alonzo Fountain Beverly North Jamal Hassan Glenn Hnatt Carolyn Groce Jerry Reaves Office Manager Harry Groce IT Specialist Marcus Reeves Lemuel Hillian Laura A. Fitzgerald James Hairston Patrick Parrett Lonnie Robertson Fred Holmes Jr. Staff Assistants John Eric Jackson Linda Roché Priscilla Hopkins Identification Miriam Dameron Franklin Jess Loretta Roy Robert Hyer Reppard Powers III Therese Stripling John Rogers Michael Simpson Darrel Jackson Brannock Reilly Raymond Tyndle John Smith David Jakes Service Contracts Manager Vladimir Solomykov Gregory Tyson Timothy Smith Victor Jamison Anne Valentine Andre Vaughn Michael Strong Solomon Jennings IV General Merchandise Risk Management Willie Wright Altina Sumter David Johnson Manager Deputy Chief Security Driver Kevin Taylor Nathnial Kefale Sr. Christine DerDerian Philip Goldsmith Carlos Dubose Bawasim Tchalim Gabriel Kelley Product Development Edward Thomas Kevin King Sr. Safety and Occupational Special Police Officers Manager Joselito Tungcod Health Specialist Wayne Alexander Noriko Bell Larry Turner Tameka Kyles Robert Casper Calvin Allen Marian Vaughn William LaMaupin Book Buyers Roger Allen Fire Protection Specialist Gregory Watson Michael Lewis Dennis E. Callaghan Irene Anderson-Thomas Nathaniel Stroman Ricardo Watson Robert Lewis Donald L. Henderson Leonard Bashful Raymond White Tyrone Lewis Wiziri Belcher Buyers Operations James Wilcher Anthony Little Charles Berkley Jr. Nancy A. Sanders John Wilcher Lionel Livingston Deputy Chief Vander Blount Rachael Valentino Edward Williams Jr. Joseph Loy Mark Wallace Brian Bowman Harold Williams Cory Lydick Control/Reorder Major Neil Braithwaite Lee Williams Ramesh Malhotra Buyer Larry Kaylor Roy Brown Jr. Lynn Williams Floyd Mallett IV Lisa P. Perkovich Vincent Brown Captain Montre Winbish Charles Manuel III George Burgess Systems Analyst/ Karen Perry Mitchell Wright Jr. Joseph McClain Christopher Burke Programmer Toi-Lynn McKenzie Command Center Lead Slats Carter Gallery Protection Officers Alexander Bloshteyn Henry McKinnon Jr. Operators Edward Chapman Anani Abalo Retail Systems Assistant Lawrence Meyers Philip Arnett Darnell Cooper Rukan Ahmed Long Nguyen Jonathan Morrow Johanna Speight Venus Cristwell Aaron Alexander Margaret Nelson Visual Presentation Manager David Weston Jr. Dominic Dangerfield Roan Bascoe Willie Norman S. Kendall Bradford Edwin Diamola Jr. Brian Bates Command Center Operators Roy Ottley Larita Dodson Jules Bell Visual Presentation Barbara Height Joyce Palmer James Doye J. D. Blue Technician Denise Milburn Theodore Panglao Robert Edwards Kathryn Boyd Melissa Cherry James Townsend Marian Parker National Gallery of Art 87

Store Manager Staff Assistant Information Systems Legal, Administrative and Joan Gottfried Nancy G. Vibert Brittany Bordeaux Security Officer Governance Specialist Gail Gregory Nabil Ghadiali Joanna Gatta Laura Hagood Assistant Store Managers Chief of Investments and Alyson Hardy Frenzetta Coward Cash Management IT Security Analyst Staff Assistants Mary Harms Kelly Song Guziewski George-Ann Tobin Togai Andrews Carol Christ Jan Haugen Coy K. Mayle Jr. Alexandra Liopiros Manager of Fine Arts Risk IT Planning & Budget Anne Haynes Naomi Morgulis and Special Projects Analyst Museum Arts and Shannon Hobbs Category Specialists Nancy Hoffmann Susan Farr Information Administrator Patty Hohwiesner Mary Heiss Catalina Villamizar Chief Planning and Adriana Hopper Mary Powell User Services Budget Officer Marta Madrid Horgan Christopher Siron GALLERY ARCHIVES James Gaglione Manager Marilyn Horwood Lead Cashiers Chris Usher Chief Merry Hunt Senior Budget Analysts Charlene Conlon Maygene Daniels Michaela Johnson Vicki Zobisch Cundiff Technical Lead Linda Peterson Evelyn Katz Frank McCarthy Kristhian Senzano Deputy Chief and Nancy Keefe Cashiers Senior Budget Analysts Instructional Technologist Carolyn Kelloff Maria Aragon Michele Willens Richard Eckert Christina Waldron Marney Kennedy Laura Brown Eileen Ng Archivist Carol King Pamela Coleman New Initiatives Andria Leo Ilze King Senior Manager Financial Tania Cooks Ann Klein Systems and Reporting IT Program Manager Volunteers Eric Davis Michelle Koerner Kelly Liller Laszlo Zeke Laura Pavona Marni Dropkin Audrey Kramer Sarah Rouse Mary Eaglin Senior Financial Systems Architect, Lead Applications Andrea Kraus Nanci Fox-Miller Manager Developer Bonhee Ku Lara Ghelerter Leslie Braxton David Beaudet Naomi Kulakow Jennifer Harvey VOLUNTEERS Olga Kushnir Financial Systems Principal Developer Marnier Manley Julien LeBourgeios Administrator Cindy Peng Docents Bonnie McBride Rosalie Lesser Lynn Li Ann Allen Thomas Mertens Senior Applications Susan Lewis Lee Allen Kim Peacock Financial Reporting Manager Developer Paula Litvak Joan Barkin Tam-Chinh Pham Julianne Ehrman Svetlana Reznikov-Velkovsky Dianne Maffia Mildred Shivers Sue Beddow IT Project Managers Barbra Mann Monique Turner GENERAL ACCOUNTING Carol Bellonby Katherine Blackwell Anne Marie Marenburg Timothy Turner Valerie Bernat Comptroller Shivansh Goel Patricia Martin Melissa Winter Susan Bollendorf David J. Rada Luba Marx Marlene Bolze Merchandise Stock Clerks Operations Marylin Mathis Deputy Comptroller Irene Bortolussi Tonia Dawes-Minnis Patricia Mattimore Myles Burgess Manager Marina Bradfield Terry Gibson Ursula McKinney Alex Wu Jill Brett Aaron Seaboch Accounts Payable/Retail Patricia McMurray Maureen Fallon Bridgeland Accounting Manager Infrastructure Manager Amy Meadows Web Store Manager Gail Briggs Michael Chapman Katherine Green Linda Meer Ryan Sloneker Florence Brodkey Sandra Mitchell Accounts Receivable Network Engineers Ana Maria Brown Product Photographer/Web Margaret Morrison Manager Orlando Lewis Donita Buffalo Assistant Joan Morton Steve Arisumi Nobel Philip Richard Burke Kaitlin Jencso Joan Mulcahy Karen Campbell Accountant Applications Administrators Laurie Nakamoto Warehouse Manager Valerie Carleton William French Wenling Bao Akemi Nishida Kenny Sykes Leonard Coburn Getachew Michael Olga Nosova Accounting Technicians Carol Cochran Lead Materials Handler Nur Nossuli Nicole Glaude Theresa Daly Marvin M. Walton Yasuko Okuno Kevin C. Oberman Gerard de la Cruz Materials Handlers OFFICE OF THE Mary O’Neill Brenda M. Stevenson Bela Demeter Mioril Andoque Patty Owens Stephanie L. Thorpe SECRETARY AND Anna Dixon James B. Everett Hedwig Pasolini Valerie M. Wright GENERAL COUNSEL Cynthia Dormont Deborah Pietras Fulfillment Clerks Sandra Dugoff Payroll Secretary and General Karen Piper Bridgit Day Alice Ellington Counsel Nancy Porter Zachariah McGant Marilyn Farrington Payroll Personnel Specialist Elizabeth A. Croog Ludmila Pruner Sharon Feldman Emma G. Moses Maria Amelia Ramaciotti Deputy Secretary and Victoria Feldman Payroll Technician Patricia Ramirez-Gomez Deputy General Counsel Paula Ferdinand OFFICE OF THE Margaret Myers Pickett Randolph Nancy Robinson Breuer Brooke Fink TREASURER Lucia Jean Reynolds Harriet Finkelstein TECHNOLOGY SOLUTIONS Senior Associate General Cynthea Riesenberg Virginia Flavin Treasurer Counsel Janet Roberson Chief Information Officer Howard Fogt William W. McClure Julian F. Saenz Eileen Romano Linda K. Stone Stephenie Frasher Executive Assistant Susan Rudy Associate General Counsels Barbara Freeman Judy Shindel Sheila Ruffine Carolyn G. McKee Maureen Gevlin Cathy Ryan Isabelle Raval Thomas Gilday 88 Staff List

Lois Sacks Michael Crowley Ilse Lewy Ann Snuggs Joyce Schwartz Deborah Davenport Feifei Li Carol Snyder Steven Selden Elaine Dawes Heather Li Molly Snyder Katy Senkus Susan Dawson Marlane Liddell Claire Southerlin Ruth Sickel Sue Degnan Susan Lightsey Kathrine Starbird-Tierney Trudi Small Joanne DeSiato Shania Lin Mary K. Stoufer Marie-France Smith Clare Donelan Karen Livornese Sheridan Strickland Celia Steingold William Eddy Mary Ann Lucey Linda Sundberg Christine Stinson Shirley Edelman Pat Lynagh Bonita Sutler Elizabeth Sullivan Sibyl Nye Erdman Marion Macdonald Michele Sutton Traer Sunley Rose Evans Theresa Maciejewski James (McKim) Symington Jr. Laura Symcak Elizabeth Fagan Cynthia (Cindy) Major Ann Szabo Diedre Tillery Susana (Susi) Fainbraun- Iris Mann Barbara Szoradi Paula Tosini Shapiro Rikki Marshall June Tancredi Shu Chen Tsai Omid Fattahi LeeAnn Matthews Ragan Tate Diane Tucker Judith Feldman Roy Matthews Judith Terry Susan Van Nice Ileana Fernandez Marshall McBeth James ( Jim) Thurston Joy Vige Barbara Fisher Chuck McCorkle Marylee Tinsley Eleanor Wang Marjorie Fisher Joan McCormick Alicia Tisnado Josephine Wang Marcy Ford Carolyn McDevitt Anna Tucker Maria Elena Weissman Alan Friedman Margaret McDonald Barbara Twigg Margaret Wesbecher Lisa Fullerton Irma Jean (I. J.) McNelia Kathy Udell Sue Wickwire James Furnish Susan Mekkawi Jeanette Van Wormer Brooke Wilding Betty Sue (Suzi) Gallagher John-Paul Menez Ward Van Wormer Midge Williams Chhanda Ganguly Barbara Meyers Suzanne Vaughn Michael Winer Agnes Gavin Alejandro Milberg Gene Venzke Maria Wood Joyce Gentile Elaine Miller Ellen Villa Constance Wynn Bowen Gerry Amelia Montjoy Shawn Vreeland Joan Zeizel Martin Gerstell Carolyn Morse Harry Walsh Kathryn Zoeller Marcia Gibson Flavia Thomsen Mostazo Moon-Shia Wang Gianna Zucchi Bernard (Benny) Glenn Elizabeth (Betty) Mullen Diane Wapner Joan Goldwasser Diane Munro Michael Weaver ART INFORMATION Gretchen Goodrich Luzie Nahr Virginia Weschler VOLUNTEERS Barbara Goodwin Rebecca Neumann Joan Wessel Lucille (Lucy) Gordon Sherry Nevins Elizabeth (Penny) White Liane Atlas Kimberly Gray Mary Niebuhr Diane Wood Rosalie Baker Edward Greenberg Joan Novell Maria Ilona Wood Jay Ball Judith Hadley Patricia Orr Adam Yosef Sonali Ballal Mary Kay Happe Carol O’Shaughnessy Vinnie Zagurski Valerie Ballard Tawney Harding Arnold Palley Anika Belinfanti Jean Hay Athena Papamichael Catherine (Kittie) Beyer Jo Ann Hearld Susan (Suzi) Pease Margaret Ann Booth Maria Higgins Camille Pellegrino Denise Boxberger Nancy Hirshbein Stephen Pelszynski Ann Breiter Barbara Hodges Karin Regan Greta Brown Celia Hoke Mary L. Regan Elizabeth Buchanek Mariana de Barros van Gail Ridgway Arthur Bugler Jr. Hombeeck Arlene Ring Eva Burns Gail Huh Dorothy Robinson Diane Cabe Carol Huls Martha Rogers Josephine ( Jody) Cabezas Kathleen Jackson Wynefred Rogerson Dianne Callan Irene Jacoby John Thomas Rooney Elizabeth (Beth) Callsen Joan Janshego Gabrielle Rooz Nancy Cammack Carolyn Johnson Emily Roper Ann Carroll Paula Kahn Eugene (Gene) Rosenfeld Colleen Casey Herb Kaplan Shirley Rosenfeld Joan Chapin Melissa Kass Carol Russell Zie Wei (Susan) Chen Henrietta (Henri) Keller Kalina Schneider Evelyn Childs Hyeran (Alissa) Kim Susan (Sue) Schneider Rhonda Chocha Stephen Klatsky Roberta Schneidman Vivian Chu Bonnie Kleinhans Sonja Schulken Aimee Cipicchio Christie Kramer Suzanne Scott Lynn Cleary Ruth Kurzbauer Nancy Searles Angela Clexton Eileen LaFleur Arlene Selber Pat Clopper Stephen Lake Anastasia Sheveleva Evelyn Coburn Rosary Lalik Kathleen Shuman Carolyn Codamo Marion H. Lebanik Chaya Siegelbaum Dina Cotlier Allen M. Lewin James Silverwood Meghan E. Courtney Guenter Lewy Esther Slaff National Gallery of Art 89

GIFTS/DONORS

The support of the federal Family of Col. Edward Lolo Sarnoff †, in memory of her Gregory P. J. Most government and private Buchanan Cassatt parents, Mr. and Mrs. Robert and Thomas O’Callaghan enables the Gallery to fulfill its Martha von Hirsch Faya Causey, in memory of Anne Markham Schulz mission to collect, exhibit, interpret, Philip Conisbee Lolo Sarnoff †, in memory of her Shirley Glubek Tamarin and preserve works of art at the Chuck Close grandfather, Louis Koch highest possible standard. While the Joseph M. Cohen Family Collection Mary and Dan Solomon federal government provides an Mariana Cook Peter Soriano, in honor of José CORPORATE GIFTS annual appropriation for the Gallery’s Maria Soriano operation and maintenance, works Brian and Paula Ballo Dailey The Gallery is grateful to the Two Palms, NY following national and of art in the collection, the two Roy † and Cecily Langdale Davis Nancy Voorhees international corporations and buildings, and the sculpture garden Eric Denker, in memory of foundations for their generous are made possible through private Juergen Schulz Dennis A. Waters gifts, as are numerous educational support in fiscal year 2015: Anne and Joel Ehrenkranz The Honorable John C. Whitehead † and scholarly programs. The Gallery The Epstein Family Collection Auldlyn Higgins Williams and E. T. Altria Group extends its gratitude to both the Williams Jr., in honor of Dr. Kline federal government and the many Francine Farr, in honor of Samella Armond Price Jr. and Hugh Bernard Bank of America generous donors listed here who Lewis, with gratitude to Scripps Price and in memory of their Bank of America Foundation College parents, Charlotte Schuster Price made gifts during fiscal year 2015. Covana Contents These private contributions have Mimi and Sanford Feld and Dr. Kline Armond Price Sr. EduChosun allowed the Gallery to enhance its Aaron I. Fleischman Auldlyn Higgins Williams and E. T. Williams Jr., in honor of Kathryn C. Faber-Castell USA art collections, build its library Jeffrey Fraenkel and Alan Mark holdings, present special exhibitions, Chenault and Norma C. Barfield and Mitsubishi Estate Co., LTD Kate Ganz in memory of their parents, Elaine undertake conservation and Gemini G.E.L. Bridgette Hancock and Dr. Victor L. research, offer comprehensive Hancock BENEFACTORS educational initiatives, and pursue William H. and Abigail Gerdts Auldlyn Higgins Williams and E. T. scholarly endeavors. Thanks to the Howard Greenberg Gallery, NY Benefactors are those who have Williams Jr., in memory of Robert ongoing commitment of its made cumulative gifts of art and/or Wanda Malone Harrison and Paul Grayson McGuire III and his parents, funds at the level of $5,000,000 or supporters and the federal Carter Harrison Collection Elinor Hackett McGuire and Robert government, the Gallery continues more. The following names were Harry W. Havemeyer, in memory of Grayson McGuire Jr. to serve the American people. added to this distinguished list his father, Horace Havemeyer Mathew D. Wolf during fiscal year 2015: Mr. and Mrs. Earl Hyde Jr. GIFTS TO THE NATIONAL Woodner Collection, Gift of Dian Woodner GALLERY OF ART Charles Isaacs and Carol Nigro HRH Foundation Barbara Zucker (October 1, 2014–September 30, 2015) Oliver Jackson, in honor of his Ruth and Jacob Kainen parents, Oliver and Mae Nell Jackson Kimberly and John F. Zwetchkenbaum David M. Rubenstein GIFTS OF ART Oliver Jackson, in honor of Alletrice L. Wells, Mary Nell Parks, and Daryl The Gallery’s collection is the result Jackson INDIVIDUAL AND of private generosity. Unlike other LIBRARY GIFTS Joseph S. Jenckes V FOUNDATION GIFTS national museums throughout the The following individuals and Betsy Karel world, the Gallery receives no institutions made significant gifts to Gifts of $1,000 or more for art Dr. J. Patrick and Patricia A. Kennedy government funds for the acquisition the Library and its Image Collections acquisition, special exhibitions, of art. Works of art were added to David Knaus Department in fiscal year 2015: education, outreach, conservation, the Gallery’s collection in fiscal year Mr. and Mrs. Gerald D. Kohs research initiatives, and unrestricted 2015 through the generosity of the support were received from the Barry Kornbluh Library friends listed here. following generous donors during Liane Atlas Hans P. Kraus Jr., New York fiscal year 2015: Anonymous Frank Lobdell Trust Cathy Burt Pam Adler Susan and Peter MacGill Timothy and Suzanne Hyde $1,000,000 or more Hildegard Bachert, in memory McNeil Americana Collection David H. McDonnell The Lee and Juliet Folger Fund of Otto Kallir Collection of Mr. and Mrs. Paul Estate of Mr. and Mrs. Paul Mellon Emily and Mitchell Rales Melvin Bedrick Mellon † Tony Podesta David M. Rubenstein James A. Bergquist, in honor of Cesare † and Karin Morini Victoria and Roger Sant Andrew Cliffe Robison Jutta Mosse Image Collections Sandra and David Berler Manuel Neri Trust Robert W. Berger $500,000–$999,999 Azita Bina and Elmar W. Seibel, in Julia J. Norrell Peter Bowron Anonymous memory of Thomas Klarner Alexander Novak and Family William Craft Brumfield E. Rhodes and Leona B. Carpenter James and Elise Blair The Irving Penn Foundation Lynn Catterson Foundation Andrée and Jonathan Bober Estate of Bernard Perlin Elizabeth Cropper C. G. Boerner $250,000–$499,999 The Heather and Tony Podesta Lucy Darden Carolyn Schwenker Brody Collection David Finn Buffy and William † Cafritz Kathan Brown Helen Porter and James T. Dyke Hannah Friedman Robert and Mercedes Eichholz Cynthia Carlson Foundation Jeanne and Richard S. Press James Goode Norman S. and Carolyn K. Carr Bernard and Sarah Gewirz Andrew Robison Institute of Fine Arts, New York HRH Foundation Mark Ruwedel University Samuel H. Kress Foundation Nicholas A. Martin 90 Gifts/Donors

Helen Porter and James T. Dyke Billy Rose Foundation Estate of Paul Mellon Mr. and Mrs. Frederic C. Hamilton Leonard and Elaine Silverstein Estate of Arnold Saltzman Museum of Mathematics Mr. and Mrs. Richard C. Hedreen Family Foundation Diana Walker National Hellenic Society Wilhelmina Holladay Estate of John C. Whitehead Julia M. Wilkinson Ms. Margaret B. Parsons Robert and Arlene Kogod Dewayne and Faith Perry Jill Howell Kramer $100,000–$249,999 $10,000–$24,999 William A. Prezant Kyle J. and Sharon Krause Howard and Roberta Ahmanson Estate of Eleanor H. de Chadenèdes Katherine Quinn Lorie Peters Lauthier Louisa C. Duemling and the Estate The Max and Victoria Dreyfus The Lois Roth Endowment Mary Looker of Robert W. Duemling Foundation, Inc. Joshua Slocum Chris and Lois Madison The Charles Engelhard Foundation The Gottesman Fund, in memory Richard and Judith Smooke Joan and David Maxwell Robert Menschel and the Vital of Milton M. Gottesman Mr. Stephen G. Stein The Honorable Bonnie Projects Fund Henry † and Alice H. Greenwald Mr. and Mrs. Roger D. Stone McElveen-Hunter The Honorable Alfred H. Moses Estate of Horace Havemeyer III and Ms. Fern M. Schad Evan Thalenberg Mr. and Mrs. Edwin Van R. Milbury Alexander M. and Judith W. Laughlin John and Mary Pappajohn Dr. Shailendra S. Vaidya Mary V. Mochary Edward Lenkin and Roselin H. Tony & Marti Oppenheimer and Estate of Lila Q. Perkins Atzwanger The J. and H. Weldon Foundation The H. Tony and Marti Oppenheimer Robert H. Smith Family Foundation Matthew and Ann Nimetz Foundation Estate of Barbara R. Sobernheim Diane A. Nixon COLLECTORS COMMITTEE John and Mary Pappajohn Terra Foundation for American Art Quadrangle Development OF THE NATIONAL GALLERY Catherine C. Partridge Trellis Fund Corporation OF ART Sally Engelhard Pingree Mrs. Robert M. Weidenhammer Matthew A. & Susan B. Weatherbie The Collectors Committee serves a Tony Podesta Charitable Foundation vital role in broadening the scope of Cynthia Hazen Polsky and The Tulgey Wood Foundation $50,000–$99,999 the Gallery’s modern collection. Leon Polsky Dian Woodner Committee members provide The Ahmanson Foundation Prince Charitable Trusts invaluable support with their annual Adrienne Arsht Jimmy and Jessica Younger gifts of $20,000, $40,000, and more Mr. and Mrs. Mitchell P. Rales Louise and John Bryson for the acquisition of modern art. Burton Reiner $1,000–$9,999 Vincent and Linda Buonanno Sharon and John D. Rockefeller IV Anonymous (2) Co-chairs The Ryna and Melvin Cohen Family Michele Rollins and Monique Rollins Foundation and Marcella and Neil Mr. Andrew Athy Jr. Kyle J. Krause Don and Mary Beth Roth Cohen Bank of America Foundation Denise Saul Pamela K. Royall and William A. The Gladys Krieble Delmas Carnegie Institution for Science Royall Jr. Foundation Members Dolly L. Chapin Mr. and Mrs. C. Arthur Rutter III The Leonard and Evelyn Lauder Anonymous Charina Endowment Fund Foundation Howard and Roberta Ahmanson Vicki and Roger Sant Faye F. Cohen W. Bruce and Delaney H. Lundberg Ann and Steven Ames Louisa Stude Sarofim Combined Federal Campaign Virginia Cretella Mars Mr. and Mrs. E. William Aylward Mr. and Mrs. Andrew Saul Brian D. Dailey Park Foundation Mary-Randolph Ballinger Jon Shirley Hester Diamond Edmond J. Safra Philanthropic Anne T. and Robert M. Bass Michelle Smith Foundation Stephen F. Dull Eli and Edythe Broad Roselyne Chroman Swig Denise and Andrew Saul George W. Elliott Calvin and Jane L. Cafritz Leopoldo Villareal Mr. and Mrs. Albert H. Small Denise Gwyn Ferguson Constance R. Caplan William and Sarah Walton Andrea Woodner Randi and Bob Fisher Joseph M. Cohen Mr. and Mrs. Stanford S. Warshawsky Wyeth Foundation for American Art Virginia Fulton Gregory M. Connors Gamblin Artists Colors Co. Mike and Julie Connors THE EXHIBITION CIRCLE OF $25,000–$49,999 Professor Joseph L. Gastwirth Edwin L. Cox THE NATIONAL GALLERY Anonymous (2) Ann and Gordon Getty Foundation Davis/Dauray Family Fund OF ART Nelson Blitz Jr. and Catherine Mrs. Martha Gil-Montero and Barney A. Ebsworth The Gallery wishes to thank the Woodard Mr. Joseph A. Page members of the Exhibition Circle Constance R. Caplan Mrs. Donald G. Fisher Michael A. Glass for their generous support at the Aaron Fleischman and Lin Lougheed Joseph M. Cohen John L. Goodman level of $20,000 or more, which Norma Lee and Morton Funger, Grega and Leo A. Daly III Fund H. O. Peet Foundation provides funding for special The Funger Foundation for Architectural Books exhibitions each year. Harman Cain Family Foundation Lenore S. and Bernard A. Mr. and Mrs. Carl S. Gewirz Italian Cultural Institute Greenberg Fund The Goergen Foundation Anonymous Lawrence Lawver Mrs. George M. Kaufman Lenore S. and Bernard A. Mr. and Mrs. Michael Arpey Robert B. Loper Kyle J. and Sharon Krause Greenberg Adrienne Arsht Edward E. MacCrone R. K. Mellon Family Foundation Peggy and Richard Greenfield Mr. and Mrs. Frederick W. Beinecke Charitable Trust Marlene Nathan Meyerson Agnes Gund Ronald M. Bradley Foundation The Robert Mapplethorpe Family Foundation Mr. and Mrs. Andrew S. Gundlach Foundation, Inc. Ruth H. Buchanan Wes and Kate Mitchell Mimi and Peter Haas Fund Bruce McKittrick and Wendy Wilson The Clark Charitable Foundation and A. James & Alice B. Clark National Gallery of Art 91

Bonnie and Louis Cohen/Rubenstein Patron Members Ellen and Gerry Sigal Keith Forman and Mary Morton Charitable Foundation ($10,000 and above) Clarice Smith SaraJane Foster Mike and Julie Connors Terri and Thomas Barry Robert and Judith Snyder, Andrew David and Jackie Fowler Ron and Barbara Cordover Mr. and Mrs. Lawrence N. Brandt and Molly Snyder, Robert and Gerry and Lynne Gabrys, Guest Jill Granader Lavinia M. Currier Marc H. and Vivian S. Brodsky Services, Inc. Mr. and Mrs. Bennett Coyne Ms. Laura DeBonis and Mr. and Mrs. Carter Cafritz Professor Joseph L. Gastwirth Mr. Scott Nathan Stichman Giuseppe and Mercedes Cecchi Honorable Joseph and Alma Louisa C. Duemling Dick and Jane Stoker Gildenhorn Marshall B. Coyne Foundation, Inc. Irwin and Ginny Edlavitch Dr. and Mrs. Barry S. Strauch Andrew and Eleanor Glass Mrs. Richard England Dr. Mark Epstein and Amoretta Dr. Charlotte K. Telford and Mr. Dr. Cheryl Gorelick The Roger S. Firestone Foundation Kevin F. Telford Hoeber Graham Holdings Company Nancy M. Folger and Sidney L. Ms. Denise Gwyn Ferguson Mr. and Mrs. Eugene V. Thaw Werkman Lenore S. and Bernard A. The Lee and Juliet Folger Fund Adele M. Thomas Charitable Greenberg Fund Betsy and Pete Forster Foundation, Inc. Monica Lind Greenberg Mr. John D. Greenwald † Marina Kellen French Anne and Peter Thomas Sylvia Greenberg Mrs. Sherrill M. Houghton Dale and Suzi Gallagher Mallory and Diana Walker Mrs. Amos B. Hostetter Jr. The Fannie and Stephen Kahn Mr. and Mrs. Gordon P. Getty William and Sarah Walton Gail and Benjamin Jacobs Charitable Foundation Dr. Margaret A. Goodman Marvin F. Weissberg Mr. and Mrs. Reuben Jeffery III Kfoury Family Fund Mrs. Barbara K. Gordon Frederica Wheeler and Robert and Arlene Kogod Mr. and Mrs. Peter B. Kovler Mr. and Mrs. Temple Grassi Charles E. Johnson Jo Carole and Ronald S. Lauder LaSalle D. Leffall III Patrick W. and Sheila Proby Gross Ken and Dorothy Woodcock Dr. and Mrs. LaSalle D. Leffall Jr. Jack and Betty Lou Ludwick Mr. Newman T. Halvorson Jr. Judy and Leo Zickler Thelma and Melvin Lenkin John and Mary Lee Malcolm Mr. and Mrs. Frederic C. Hamilton Donald and Barbara Zucker Jacqueline B. Mars Family Foundation Mr. Forrest E. Mars Jr. The Heinz Family Philanthropies Virginia Cretella Mars Tom and Charlene Marsh Mr. and Mrs. Joseph W. Henderson III Family Foundation Edward and Dale Mathias Sustaining Members Lynne and Joe Horning ($5,000–$9,999) The Honorable John J. Medveckis James R. and Suzanne S. Mellor Mr. Clark F. Hoyt and Ms. Anonymous (2) Mr. Robert B. Menschel James H. and Zoe Moshovitis Linda Kauss Ms. Debbie K. Alex and Mr. David Robert E. Meyerhoff and Rheda Mrs. Pat Munroe Ms. Maxine Isaacs Harris Becker The George L. Ohrstrom Jr. J. W. Kaempfer Carolyn Small Alper Frederick W. and Linda K. Moncrief Foundation Linda H. Kaufman Andrew Athy Jr. Joan and Dan Mulcahy Alan and Marsha Paller Ann and Mark Kington Jamie Baldinger Mr. and Mrs. Gerald Petitt Wes and Jackie Peebles Lee G. Kirstein Gay and Tony Barclay Mrs. Katherine Engelhard Pingree Irene Pollin Betsy Scott Kleeblatt and Mr. Andrew Dick Patricia Bauman and Prince John Prince Charitable Trusts Mr. and Mrs. John E. Klein Landrum Bryant The Honorable Stephen W. Porter Sharon and John D. Rockefeller IV and Mrs. Susan Porter Michael R. Klein and Joan I. Fabry Miriam and Eliezer Benbassat Mr. and Mrs. Robert M. Rosenthal Jacqueline Rizik Chill and Barbara Langhorne Grace and Morton Bender Victoria and Roger Sant Mr. David Rockefeller The Leonard and Evelyn Lauder Mr. and Mrs. Douglas J. Besharov Leonard and Elaine Silverstein Foundation Tod and Kate Sedgwick Mr. and Mrs. Robert O. Blake Family Foundation Judith and Alexander Laughlin Mr. and Mrs. Charles C. Shelleman Jr. Marshall and Anne Brachman Robert H. Smith Family Foundation James H. Lemon Jr. Mr. and Mrs. Anthony F. Shelley Andrew Brown Mr. Benjamin F. Stapleton III Edward Lenkin and Roselin Dr. Richard A. Simms Elizabeth C. Burke The Community Foundation for Atzwanger Mr. and Mrs. Robert Bland Smith Northern Virginia—Alan M. and Mr. and Mrs. Richard I. Burnham Larry and Dee Levinson Mr. and Mrs. William C. Sonneborn Nathalie P. Voorhees Fund Russell and Anne Byers Marlene A. Malek Elizabeth M. Strafford Diane B. Wilsey Ellen MacNeille Charles Mr. and Mrs. Richard E. Marriott Jay and Toshiko Tompkins Thomas and Robin Clarke The Honorable and Mrs. Thomas F. JM Zell Partners, LTD. THE CIRCLE OF THE McLarty III Judy and Richard Cohen NATIONAL GALLERY OF ART Andrea B. Currier Mrs. G. William Miller Supporting Members The Gallery extends thanks to the The Honorable and Mrs. Mr. and Mrs. Gary Davis ($2,500–$4,999) members of the Circle for their William A. Nitze Lisa and Porter Dawson Anonymous (8) generous annual gifts of $1,000, Diane A. Nixon Dr. Joseph P. DiGangi $2,500, $5,000, or $10,000 or more, Lisa Adams and Jim Rowe John and Mary Pappajohn Anne and Gus Edwards which provide unrestricted funding Susan L. and Richard D. for a range of activities throughout Dr. James D. Parker Lionel C. Epstein and Elizabeth P. Budson the Gallery. Jania and Phil Peter Streicher James A. and Lynn A. Alexander Dr. and Mrs. Jerold Principato Shannon Fairbanks William B. Alsup III and Sunny Chair Grace Ritzenberg Elinor K. Farquhar Jung Alsup Gail L. Jacobs Toni A. Ritzenberg Mr. and Mrs. Alan H. Fleischmann Ruth and Sam Alward Mr. and Mrs. Thomas D. Rutherfoord Jr. Elizabeth E. Fontaine Mrs. Leslie S. Ariail 92 Gifts/Donors

Mr. Joseph Asin and Ms. Beryl Mrs. Martha Gil-Montero and James K. and Jane S. Mitchell Alan F. Wohlstetter Gilmore Mr. Joseph A. Page Catherine Murray Lenore G. Zinn Miss Gillian Attfield Nancy Glassman Michael and Sharon Nemeroff Agatha and Laurence Aurbach Kay G. Glenday Nespola Charitable Foundation Tower Project Members Captain and Mrs. Sverre Bach Susan Sachs Goldman Melanie and Larry Nussdorf ($2,500 and above) Mr. and Mrs. Robert S. Bennett Richard and Mary L. Gray Stanley and JoAnn Pearlman Rory and John Ackerly Elizabeth R. Benson Harry Grubert Mr. and Mrs. John Ely Pflieger Jamie Baldinger Marguerite H. Benson Ms. Nicole Alfandre Halbreiner The Honorable Trevor Potter and Dr. Susan Bennett Roberta Matthews Bernstein Leda McIntyre Hall Mr. Dana Scott Westring Martha Blalock and Christine L. Miss Elizabeth S. Bizic Helen Lee Henderson Mr. Richard J. Price and Mr. Delucchi Mr. and Mrs. James I. Black III Patti and Mitchell D. Herman Trent C. Tucker † Christopher R. Boutlier and James S. Meyer Susan Bloom Mr. and Mrs. Robert N. Herman Whayne and Ursula Quin Faya Causey Barbara Boggs Maria C. Higgins Drs. Earl and Carol Ravenal Leigh Conner and Jamie Smith Mr. and Mrs. Stephen A. Bou Louise Hilsen and Donald Foley Ms. Cary Ridder and Mr. David Alberswerth Brian and Paula Ballo Dailey Joan and Jack Bray Richard and Pamela Hinds Douglas and Katherine Rigler Joan Danziger Fleur S. Bresler Dr. and Mrs. John W. Holaday Mrs. Mary W. Roddy Dr. Joseph P. DiGangi Anna Brooke John K. Hoskinson and Bruce and Shelley Ross-Larson Neil and Izette Folger Ira Don Brown Ana I. Fábregas Roberta O. Roumel Ms. Janice Kim and Mr. Anthony Otten Mr. and Mrs. Wiley T. Buchanan III Mr. and Mrs. Richard Miller Huber Jr. Ms. Amy Sabrin and Mr. Evans Witt Mr. and Mrs. Christopher Landau Frances Ann Bufalo Robert and Elizabeth Huffman James J. Sandman and Elizabeth D. James A. and Marsha Perry Mateyka Frances and Leonard † Burka John Peters Irelan Mullin Cheryl G. Numark Mrs. Mary C. Burrus Lorna Jaffe Richard and Ellen Sandor Ramon Osuna Conrad and Ludmila Cafritz Dr. Dirk C. and Lois U. Jecklin Mrs. Frances Way Schafer Lorie Peters Lauthier Mrs. Aldus H. Chapin Anne Hale Johnson Mr. Christopher M. Schroeder and Mr. Robert C. Rea The Honorable John E. Chapoton Mr. James A. Johnson Jr. and Mr. Ms. Alexandra H. Coburn Frank L. Spencer Hilary Richardson and Mrs. Chapoton Stephen M. and Louise Schwebel Mrs. Ford A. Kalil Judith Seligson and Allan Greenberg Mrs. Robert H. Charles Judith and Jerry Shulman David and Justine Kenney Jack Shainman Annetta J. Coffelt Sylvia and David Silver Mr. and Mrs. David T. Kenney Paul So Robert M. Coffelt Jr. Barbara Spangenberg Robin and Carol King Kathryn and Robert Stewart Mark Colley and Deborah Harsch Dr. Abigail Spangler Michael Kolakowski Henry L. Thaggert III T. A. Cox Peter and Jennie Stathis David A. Krol Joan Danziger Christine J. Steiner Contributing Members The Charles Delmar Foundation Mr. and Mrs. Michael Landow Mr. and Mrs. Guy T. Steuart III ($1,000–$2,499) Ginger H. and H. Richard Dietrich III Stephen and Maria Lans Robert Stockho and Dr. Veronika Anonymous (4) Dean and Margarita Dilley Mrs. Anthony A. Lapham Jenke Iris Aberbach The William H. Donner Foundation Arthur Lazarus Jr. Michele and Glenn Sutton Mr. and Mrs. Dana T. Ackerly II Douglas and Elaine Drysdale Virginia Lee Mary H. D. Swift Mr. and Mrs. Thomas Adams Virginia Dwan Leon Fund of The Community Mr. and Mrs. Edward Symes III Foundation Serving Richmond and Mr. and Mrs. Timothy D. Adams Mr. and Mrs. Merritt P. Dyke Mr. Akio Tagawa and Ms. Yui Suzuki Central Virginia Theo Adamstein Mr. and Mrs. LeRoy Eakin III Paul and Chandler Tagliabue Willee and H. Finlay Lewis Mr. and Mrs. Mario A. Aguilar Elizabeth W. Edgeworth Eileen and Michael Tanner Rob Liberatore Ross and Judy Ain Mr. and Mrs. Edward L. Emes Jr. Mr. † and Mrs. A. Alfred Taubman Jerome and June Libin Drs. Katherine Alley and Richard Anne L. Emmet Dr. and Mrs. Keith M. Lindgren Drs. Lillian and Leonard Taylor Flax Sarah C. Epstein and Joseph P. Carol and Eugene Ludwig Mrs. Waverly Taylor Dr. and Mrs. † Clement C. Alpert Junkin Dr. and Mrs. Michael Maccoby Mr. and Mrs. George Valanos Mr. Brent Andersen Mr. and Mrs. James W. Evans Dr. and Mrs. Bruce K. MacLaury Victoria and Michael Vergason Judy Areen and Richard Cooper Mrs. John Dwight Evans Jr. Mr. and Mrs. Worth D. MacMurray Mr. and Mrs. G. Duane Vieth Alexandra Armstrong and Jerry J. Mr. and Mrs. Thomas M. Evans Jr. Wendy W. Makins Emily and Frank Vogl McCoy Tony and Kathryn Everett Paul Malamud Emily and Stephen Ward Linda Arret Frank and Mary Fahrenkopf Anne and John Marion Peggy and Ted Weidlein Allie and Ellen Ash Mr. and Mrs. Thomas A. Fink Tim and Jane Matz Dennis and Bridgette Weitzel Lila Oliver Asher Barbara G. Fleischman Susan McCabe Judge Thomas B. Wells and Mrs. Ann M. Askew Peter A. and Barbara W. Freeman Mary Jo Wells Dennis K. McClellan and Steven E. Mrs. Martin Atlas Mr. and Mrs. David Morgan Frost Deggendorf The Honorable E. Allan Wendt and Anne-Lise Auclair-Jones and Hal Jones Que D. Nguyen Anne and Paul Gambal Irma Jean and John F. McNelia Mrs. Hannah L. Aurbach Mr. and Mrs. Charles C. Wilkes Steven B. and Katrina H. Gewirz Laurel and Robert Mendelsohn, M.D. Ms. Merribel S. Ayres Professor John Wilmerding Thomas R. Gibian and Fenner Milton Thayer and Kevin Baine Christina G. Grady Vickie and Ken Wilson National Gallery of Art 93

Mr. and Mrs. Geoffrey B. Baker Collette Brown Bruce The Honorable and Mrs. Marcia Feinstein D. James Baker and Emily Lind Baker Joseph M. Bryan Jr. Walter L. Cutler Deborah B. and Gerald B. File Marion Scattergood Ballard Mr. and Mrs. John G. Buchanan III Mrs. Stuart C. Davidson Leslie and Tony Fitch Mr. and Mrs. Michael Baly III Mr. and Mrs. John L. Buchanan Philip and Sara Davis Ms. Gail S. Fleder Mary and Ed Bartlett Deborah and Jeremiah Buckley The Honorable and Mrs. Whitney John and Eleanor Forrer Debevoise Dr. and Mrs. Maxwell Barus Sam † and Susan Buffone Mr. and Mrs. P. W. Foster Jr. Frauke de Looper John and Priscilla Becker Janet C. Bullinger Florence Bryan Fowlkes Cristina Del Sesto William and Virginia Becker Ms. Betty Bullock and Mr. John Silton Ann Franke and Dan Alpert Joy Alexandra de Ménil and Laird Mr. and Mrs. James R. Beers David Bushnell and Ellen Bloom Scott Townsend Reed Mr. Mark Frantz and Ms. Megan McNelia Frantz Donna and Burkey Belser Mr. and Mrs. James Butler Mr. Bela J. Demeter and Ms. Richard Ben-Veniste and Donna Mr. L. Headley Butler and Ms. Noa Gwen E. Stewart Frank and Judy Franz Marie Grell Gimelli Mr. Bosworth Dewey and Ms. Liz Mr. and Mrs. N. Rickard Frisbie Mrs. Rosanah Bennett and Mr. Mr. and Mrs. C. Michael Buxton Barratt-Brown Cynthia Fry Jackson Bennett William E. Cain and Barbara Harman Julia Diaz-Asper James T. Fuller III and Catherine T. Suzanne Bennison and Lars Peterson The Honorable John Thiers Calkins Mr. and Mrs. James F. Dicke II Porter Anne S. Bent Nora L. Cameron John and Anne Dickerson Bob and Megan Gabriel Kathleen Bergen and Alexander Bastos Mr. and Mrs. Thomas C. Canfield Carole Dickert-Scherr and Mr. David Gallalee Jacob Scherr Ms. Dava Berkman Dorothy and Jerry Canter Martin Gammon and Amy Maniatis Robert and Allison Cryor DiNardo Philip D. Berlin and Olivia Adler Vince Careatti Mr. and Mrs. David H. Gardner Michael and Betsy Dingman Mrs. Ellen R. Berlow Ms. Courtney Carlson and Mr. David Dr. David L. Gardner and Richard D. Bernstein Yarkin Mr. and Mrs. Joseph Dorn Mr. Pete Williams Elizabeth G. Berry Mr. and Mrs. Keith Armistead Carr Mr. and Mrs. Paul C. Dougherty Ms. Mary Cox Garner Robert Hunt Berry Ms. Connie Carter Kitty and Robert Dove Epstein Becker & Green/The Honorable Stuart M. Gerson Mr. and Mrs. Michael R. Beschloss Mr. and Mrs. Henry C. Cashen II Dr. Danille Drake and Dr. Arthur St. Andre Mr. Martin H. Gerstell Judah Best and Emily Sopensky Faya Causey Mr. and Mrs. Ryan Drant Mr. and Mrs. Thomas Gerth Mark and Shelley Betts Caroll J. Cavanagh Joanna and John Driggs Mr. and Mrs. Michael K. Gewirz Mr. and Mrs. Albert J. Beveridge III Mr. and Mrs. J. Patrick Cave Mr. and Mrs. Larry D. Droppa Mr. and Mrs. Lawrence B. Gibbs Gene Bialek and Arlene Brown Carmen and Tony Caver Helen and Ray DuBois Mrs. Barbara J. Gibby Mr. and Mrs. Mark Bierbower Mr. Steve Champlin and Ms. Sandra Dugoff and Richard Geltman Carol and Ken Gideon Lili and Jon Billings Mary Beth Cahill Jennifer Duncan and Richard Bach Nathalie Gilfoyle Mrs. Alison B. Birney Ken and Cynthia Chase Mr. and Mrs. John F. Duncan Gardner and Stevie Gillespie Richard and Suzanne Bissell The Rhoda and David Chase Family Foundation Dr. John Dunford and Ms. Erica David and Lorna Gladstone Dr. and Mrs. V. John Blazina Helen and Craig Chason Spencer Foundation Dr. Helen E. Blumen and Mr. and Mrs. H. Stewart Dunn Jr. Denise and Peter Glassman Mr. Jan P. Acton Dr. and Mrs. Alexander C. Chester Mrs. Diana B. Dunnan Pat Garcia Golding and Ken Golding Mr. and Mrs. William C. Boicourt Mrs. Pierre Paul Childs Al and Claire Dwoskin Ms. Barbara J. Goldsmith Countess Peder C. Bonde Ms. Tracy Church and Mr. Dominic Mancini Alan and Becky Dye Mary Anne Goley Miss Sophia Louise Bonde Drs. Thomas and Judith Chused E & B Family Trust Mrs. Gretchen Goodrich Ms. Kathy Borrus Kate Clark and Miles Carlisle Mr. and Mrs. Daniel Edwards Barbara Gordon and Stephen Mr. and Mrs. Lawrence K. Bou Cannon Mr. Harris † Daniel and Marina Ein Blair and Josh Bourne Elizabeth Marsteller Gordon Barbara Clemens Estelle S. Eisendrath Dr. Rosemary T. Bowes Lucile M. and Jack B. Gordon Lindsay Kudner Coates Julian and Elizabeth Eisenstein Susan Boyd J. Gottfried Eli and Virginia Grace Cohen Marjorie and Anthony Elson Mr. and Mrs. William B. Boyd Mary and Kingdon Gould Suzanne F. Cohen Ms. Catherine B. Elwell Nomita von Barby Brady Kathleen Graff Colb Family Mr. and Mrs. Mark T. Emery Charles and Maureen Brain Drs. David S. Granite and Mary Mr. and Mrs. Jonathan E. Colby Patricia England and Lenore Mr. and Mrs. Robert S. Brandt Lou Oster-Granite Beth and Terry Collins England Mr. and Mrs. Raymond E. Brann Jr. Alexandra and John Graubert Ambassador Frances D. Cook Jacqueline and Christian P. Erdman Edith H. Brewster Virginia L. Gray Jay and Margaret Costan Richard and Sibyl Erdman Mr. and Mrs. John DeQ. Briggs Tom and Pam Green Mr. and Mrs. Brian Coulter Mrs. John G. Esswein Suzanne S. Brock Henry Greenewalt Mrs. Patrisha Davis Coupe John and Elizabeth Ey Robert D. Broeksmit and Nelse L. Greenway Mr. and Mrs. John Courtright Tere and Doug Ey Susan G. Bollendorf Dee Ann Gretz Deborah Cowan Mr. † and Mrs. Rod Eyster Jere and Bonnie Broh-Kahn Mr. and Mrs. Carter Griffin Ms. Karen Fawcett and Dr. Peter F. Bross and Dr. Lisa Rarick Mr. and Mrs. Robert H. Craft Jr. Mr. Pedro Ortiz George and Christina Griffin Mr. and Mrs. Andrew J. L. Brown John T. Craig and Joy A. Thornton Mr. and Mrs. Reed Fawell IV Elisabeth Griffith Elizabeth and Ben Brown Teresa Yancey Crane Jean Taylor Federico Mr. Vincent J. Griski and Mr. and Mrs. Vincent Browning Mr. Cameron W. Knight Mr. and Mrs. Edward A. Crawford Betsy and Robert Feinberg 94 Gifts/Donors

Nina B. Griswold Ms. P. Ann Kaupp Bill and Elizabeth Livingston Edward and Noël Miller Anjali and Arun Gupta Joëlle M. Kayden David Lloyd, Realtor Karl and Elaine Miller Corbin and Pamela Gwaltney Mr. and Mrs. Robert Taylor Scott Janet and Wingate Lloyd Myra and Toby Moffett May Yoneyama Gwinn Keith Jr. Mandy Locke and David Kiernan Allen and Myra Mondzac Jill and Ridgway Hall Ms. Kitty Kelley Michelle Dandrea Lowell Marilyn B. and John H. Montgomery Brook Halvorson Anne and David Kendall Tamera Luzzatto and David Leiter Mr. and Mrs. Robert L. Moore Jr. Linnea Hamer and Darren Lisse J. Keith Kennedy William and Barbara Lynch Mr. Tom Moore and Ms. Betsy Williams James and Kristina Hamilton Mrs. Roger G. Kennedy Jed and Blythe Lyons Mr. and Mrs. F. Joseph Moravec Joseph Handwerger Ms. Catherine P. Kerkam The Honorable John D. Macomber Mr. and Mrs. David B. Morgan Ms. Tamzin T. Harding and Edward and Arleen H. Kessler John and Susan Magill Dr. and Mrs. David A. Morowitz Mr. Michael H. Weaver Andrea and Jim Kiernan Mr. and Mrs. Peter L. Malkin Ann and Geoff Morrell John and Gail Harmon Paul Killian and Carole Goodson Dave and Cyndy Manke Mrs. Morris-Eck and Andrea Hatfield and Buck O’Leary William and Ilze King Barbra and Phillip Mann Mr. C. Franklin Eck Jr. Larry Hawk Lila W. Kirkland Mr. and Mrs. Jan W. Mares Teresa and Grant Morris Mrs. Florence F. Hawkins Michael and Evelyn Kitay Mr. and Mrs. John F. Mars Pearl and Seymour Moskowitz Mr. and Mrs. John T. Hazel Jr. Mr. and Mrs. Lyle Kleinhans Frank Marshall and Florence Auld James J. and Susan D. Murphy Lisa and Phil Herget Mr. and Mrs. James L. Koltes Lydia and Michael Marshall Mr. and Mrs. Donald B. Myer Sally M. and Stephen A. Herman Mr. and Mrs. Daniel Korengold Mr. and Mrs. I. Guyman Martin III Mr. and Mrs. Bechara Nammour Anita G. Herrick Matt Korn and Cindy Miller Mr. and Mrs. James B. Martin Jane and Marc Nathanson Christy and Fred Hertz Patricia and John Koskinen Judith and Harry Martin Mr. and Mrs. Edgar Nehme Mr. and Mrs. Frank J. Hevrdejs Stephen P. Koster, Esq. Mr. C. Raymond Marvin Mr. and Mrs. Robert A. Nelson Joe Higdon and Ellen Sudow Fund Mary Lynn and Nick Kotz Charles T. Matheson Louis and Sherry Nevins Janine M. Higgins Audrey and Kenneth Kramer The Pierre and Tana Matisse Mr. and Mrs. James M. New Mr. and Mrs. Peter High Mr. and Mrs. M. Kipp Kranbuhl Foundation Mr. and Mrs. Robert B. Newlin J. Catherine Hirsch Mel and Andrea Kraus Roy and LeeAnn Matthews Mr. and Mrs. Robert C. Nicholas III Mrs. Frank W. Hoch Carl Kravitz and Elizabeth Werner Eileen C. Mayer Dane A. Nichols Ingola and John Hodges The Honorable Philip Lader and Jacquelyn G. Mayfield and Akemi Nishida and S. Paul Selavko Christian and Nora Hohenlohe Mrs. Lader Joseph B. Patuleia Paul and Jane Nitze Wilhelmina Holladay David A. Lamdin Michael and Hannah Mazer Floyd L. Norton and Kathleen F. Leigh and Patrick Holley Mr. and Mrs. François M. J. Lampietti Edward and Tessa McBride Patterson Mr. and Mrs. James K. Holman Ms. Barbara Lanahan and Patricia M. McCarrick Jeffrey Nuechterlein Mr. James G. Mauro Amanda and Carter Hood April McClain-Delaney and John Charles and JoAnn Nulsen Lonie and Rich Landfield Delaney Mr. and Mrs. Stephen A. Hopkins Mr. and Mrs. Hubert K. O’Bannon Barbara S. Landow Mark McConnell and Leslie Delagran William L. Hopkins Leslie and John Oberdorfer Bruce and Leslie Lane Cathy and Scot McCulloch The Horchow Family Giselle Larroque Obermeier and Jean and John Lange Ms. Margaret McDonald and Mr. Stephen J. Obermeier Charles Horn and Jane Luxton Mr. and Mrs. Mark P. Lay William Gruen Deedy Ogden Mr. and Mrs. Outerbridge Horsey Barbara and Robin Lee Mr. and Mrs. Michael McGarry Roger H. Ogden Rosemarie Russi Howe Hillary and Wayne Lee Tracy and Gregory McGillivary Mr. and Mrs. Christopher Ohrstrom Philip and Fiona Huber Lewis and Pat Leibowitz John and Martha McGrane Sydney J. Olson Major General and Mrs. Ira A. Mr. and Mrs. Robert McGrath Hunt Jr. Jacqueline and Marc Leland Nancy Bradford Ordway Foundation Mr. and Mrs. John A. McGraw Jr. Margaret S. Hunter Mr. and Mrs. John Osborne Emily Lenzner and Peter Cherukuri Ms. Cynthia Adler Mckee Mr. and Mrs. William K. Ince Mr. and Mrs. David Osnos Jonathan Lenzner and Matea Gold Ms. Katlin E. McKelvie and Dr. Melda Isaac Patty and Carroll Owens Mr. and Mrs. Terry Lenzner Mr. Sam Backfield Joan and Garry Jewett John and Katharine Pan Ms. Marie Lerch and Mr. Jeff Kolb Roderick McKelvie and Carolyn M. Johnson Claire McCarthy Mr. and Mrs. Nicholas C. Pappas Herb and Dianne Lerner Barbara J. Jones Paige P. McKenzie Professor and Mrs. Robert E. Park Jennifer L. Levin Boisfeuillet and Barbara Jones Caroline and Hollis McLoughlin Mr. and Mrs. Tony Parker Leon Levy Foundation Mr. and Mrs. Peter H. Jost Amy and Marc Meadows Gail Kern Paster Mr. and Mrs. Michael M. Levy Peter J. Kadzik and Amy Weiss Ilia Menocal Alma and John Paty Richard H. Levy and Lorraine Gallard S. Kann Sons Co. Foundation David and Anne Menotti Judge and Mrs. Michael T. Paul Mrs. Seena S. Levy Ann and Julius Kaplan Ms. Sabina Menschel and Mr. Mr. and Mrs. Malcolm E. Peabody Allen Lewin Edward Priestap Mr. and Mrs. Peter E. Kaplan Jr. Jonathan and Jill Pearlman Mrs. Carolyn G. Lewis Mrs. James G. Mersereau Sally B. Kaplan Jean Perin Clayton and Susan Lewis Dr. and Mrs. Christopher Meyer Mr. and Mrs. Steven Kaplan Mr. and Mrs. Bruce Coleman Perkins Mr. and Mrs. John Van Dusen Lewis Dr. Salma G. Mikhail Mr. and Mrs. Russell Katz Mr. James Cowan Peva Mr. and Mrs. Daryl A. Libow Maxine Whalen Millar Mr. and Mrs. Kenneth Kaufman Kenneth J. Pfaehler Donald V. Lincoln LTC Dennis and Judge Malcolm and Margaret Pfunder Christine Miller National Gallery of Art 95

Mr. and Mrs. Devereaux Phelps Susan Schaffer and Michael Rogan Mr. Douglas Struck Ms. Dorothy B. Wexler Franklin C. Phifer Mr. and Mrs. Peter C. Schaumber Mr. and Mrs. Peter A. Sturtevant Jr. Katharine Weymouth Ms. Robin Phillips Bob and Patricia Schieffer Jeanne Sullivan Elizabeth A. White Pinnacle West Capital Corporation Reverend Gail Nicholas Schneider Steven M. Sumberg Mrs. Natalie Wilensky and Mr. Mr. and Mrs. Alan Platt Mr. and Mrs. Samuel A. Schreiber Ms. Margery Anne Swanson and Robert B. Bellinger Liz and Greg Platts Jill A. Schuker Mr. Charles G. Brown Mr. and Mrs. John Wilkinson Mr. and Mrs. R. Alan Plishker Mr. and Mrs. Guillermo M. Schultz Mr. and Mrs. Trevor W. Swett III Linda and Stephen Willard Dr. and Mrs. Alan Pocinki Alan E. and Marianne Schwartz Ann and Bob Szabo Suzanne and Richard Willett Sydney M. Polakoff and Carolyn Dr. and Mrs. Andrew Schwartz Ms. Barbara H. Szoradi Williams Family Foundation of Georgia, Inc. Goldman Rhea Schwartz and Paul Martin Jake and Carrington Tarr Helen Porter and James T. Dyke Wolff Ragan S. Tate Ms. Elsa Williams JoAnne Powell Mr. and Mrs. Ryan Schwarz Topsy Taylor Edwin and Kathe Williamson Alexandra Preston Fred Scott and Karen Turner Dr. Stanley Tempchin Ms. Margot Dinneen Wilson Judy Lynn Prince Cathryn Dickert Scoville and Mr. and Mrs. Harry Teter Jr. Ambassador and Mrs. Curtin Winsor Jr. Dr. and Mrs. Charles E. Rackley Thomas Scoville Mr. and Mrs. Robert H. Thompson David and Page Winstead Mr. and Mrs. Paul Raffensperger Prof. R. Mark Scowcroft William R. and Norma K. Tiefel Elizabeth Kramer Wrege Mary Tinsley Raul and Alan Raul Joan Searby Margaret L. Tomlinson Mr. and Mrs. James Wright Mr. and Mrs. John Daniel Reaves Mr. and Mrs. Stephen R. Senkus Lalie and Michael Tongour Mr. Steven J. Wunder and Mr. Rod Hastie Cynthia T. Redick and Robert Brent Mr. and Mrs. Peter Sharp Jessica and Henry Townsend Robert and Linda Yahn Patricia Reilly Linda and Stanley Sher Mr. and Mrs. Andrew J. Travers Dr. and Mrs. Bing Yao Dr. † and Mrs. F. Turner Reuter Mrs. Stephen F. Sherwin Ms. Laura Travis-DePrest and Mr. Penny and David Yao Mr. and Mrs. R. Roland Reynolds Mary Shockey Geert DePrest Mrs. Herrick J. Young Mrs. Lynn Rhomberg Joan Shorey William E. Trueheart and Carol A. Word Lois and Ira Young Ron Richard and Dale Stafford Dr. Irwin Shuman and Mrs. Elaine Feidelman Dr. Anna Tucker and Judge John Mr. and Mrs. Anthony Zelano John and Nina Richardson Dr. and Mrs. Hugh V. Sickel Rooney Margot and Paul Zimmerman Carlyn Ring Nancy and Simon Sidamon-Eristoff Beth and Sanford Ungar Dario and Gió Zucchi Mr. and Mrs. David B. Ritchey Barry and Beth Simon Jennifer C. Urquhart and Michael W. Madeleine and Robert Rix Edwards Madlen and Marc Simon THE LEGACY CIRCLE Mr. and Mrs. Michael Robbins Jane Stuart Vander Poel and Edoardo J. L. H. Simonds Lenzetti Cara W. Robertson Legacy Circle members are those Charles J. Simpson Jr. and Pamela The Honorable Margaret and Robert who have decided to include the Dr. William W. Robertson Jr. and Raymont-Simpson Vanderhye Gallery in their estate plans through Karel Dierks Robertson Hayes and Jill Smith Mr. and Mrs. George D. Vassiliou various means. Mr. and Mrs. Robert W. Robinson Hedrick Smith and Susan Zox Mr. and Mrs. Michael E. Vaughn George A. Roche Anonymous (41) Mr. and Mrs. Matthew C. Smith Melanne and Philip Verveer Mr. and Mrs. Richard Roeckelein The Adels Family Mr. and Mrs. T. Eugene Smith Mary Jo Veverka Wynefred W. Rogerson Seena and Joseph Aisner, M.D. Mr. and Mrs. Richard W. Snowdon III Jenonne Walker Mr. and Mrs. Greg Rohan Carolyn Small Alper Mr. and Mrs. John W. Snyder Professor John S. Walker and Mrs. Mr. and Mrs. Frederick S. Rolandi Dennis Alter Dr. Sarah B. Snyder and Mary B. Walker Anne and John Rollins Lynn K. Altman Family Trust Mr. Daniel M. Fine Dr. and Mrs. Ken Walker Eileen Dugan Romano Mrs. Martin Atlas Devereux and James Socas Irene and Bill Wallert Shirley and Bill Rooker Merribel S. Ayres David G. Speck and Marcia Harold G. and Barbara B. Walsh Mr. and Mrs. James S. Rosebush Neuhaus Speck Ann M. and Thomas W. Barwick Mr. John W. Warner IV Christy Halvorson Ross and Mr. W. Cannon Spotswood and Mr. and Mrs. Frederick W. Beinecke Mr. and Mrs. William E. Warren Garth Ross Mr. William Allen Mr. L. Graeme Bell III Jane Washburn Robinson Helen G. Ross Jim Stanford and Gigi Bradford Professor John Andrew Bernstein Anne Webb Ms. Nancy L. Ross The Honorable Cliff and Joan The Honorable Max N. Berry and Moore Stearns Virginia A. Weil Ms. Marcia Rounsaville Mrs. Berry † S. S. Steiner, Inc. Amy Weinberg and Norbert David and Carolyn Ruben Robert Hunt Berry, in memory of Ms. Joanne M. Sten Hornstein Dr. and Mrs. J. R. Rudzki R. K. Mellon, Ormond E. Hunt, and Mr. and Mrs. Edward R. Stettinius Mrs. Eric W. Weinmann Paul Mellon Hattie Ruttenberg and Jonathan Molot Mr. and Mrs. Guy Steuart Angela Caveness Weisskopf Thomas T. Bishop and Clifford L. Mr. and Mrs. Michael Sabel Gregory Elizabeth and George Stevens Jr. Georgia E. Welles Louise and Arnold Sagalyn The Honorable † and Mrs. William Mr. and Mrs. Terence P. Stewart Susanne and W. Harrison Wellford Betty H. Sams McCormick Blair Jr. Whitney Stewart Kathy and Bob Wenger Susan Small Savitsky and Ambassador and Mrs. Donald Eileen Shields West Gerald Savitsky Mr. and Mrs. Richard P. Stifel Jr. Blinken, in memory of Maurice H. Mr. and Mrs. Thomas B. West Savitt Family Fund of Tides Linda Klieger Stillman Blinken Foundation Mr. and Mrs. Robert D. Stillman Ms. Leslie B. Westreich Jay Bowyer and Christopher Greer Alison and Edith Schafer Mr. and Mrs. Donald A. Stoufer Kathryn Brooke 96 Gifts/Donors

Andrew Brown Suzi Gallagher Simon and Bonnie Levin Iris Silverman Ruth H. Buchanan Jo Ann and Julian Ganz, Jr. Donald V. Lincoln Albert and Shirley Small Frances Ann Bufalo William H. Gerdts and Abigail Booth Robert † and Mary Looker Robert H. † and Clarice Smith Vincent J. Buonanno Gerdts Angela M. LoRé in memory of her Mary and Dan Solomon Gilbert Butler Mr. and Mrs. Carl S. Gewirz parents, Charles and Alice LoRé James D. and Kathryn K. Steele Mr. and Mrs. W. Russell G. Byers Jr. Milly and Arne Glimcher Jack and Betty Lou Ludwick Stephen G. Stein Buffy and William † Cafritz Mary Anne Goley Susan and Peter MacGill Mrs. Walter J. Stoessel Jr. Norman and Carolyn K. Carr Dr. Margaret A. Goodman Joan and David Maxwell Donald D. Stone Faya Causey Cheryl O. Gorelick Ellen McPeake Robert T. and Bonnie Sweet Dr. Gerald Cerny Joyce Z. Greenberg in memory of her Marlene Nathan Meyerson Stanley and Barbara † Tempchin husband, Jacob Greenberg Chuck L. Chandler Mr. Harvey Shipley Miller and Eugene V. Thaw Lenore and Bernard Greenberg Mr. J. Randall Plummer Bruce and Sharyn Charnas Ann Van Devanter Townsend and Sarah Greenough Kent and Marcia Minichiello A. James Clark † and Alice B. Clark Lewis Raynham Townsend † The Grinstein Family Lucy G. Moorhead Thomas and Robin Clarke Jack and Margrit Vanderryn Harry Grubert Diane L. Morris Ted Cooper † André-François H. Villeneuve Agnes Gund Ann Mosca T. A. Cox Dorothy and Herbert † Vogel Helena Gunnarsson The Honorable Alfred H. Moses Ian and Annette Cumming Bettye S. Walker The Stephen Hahn Family Collection and Fern M. Schad Ted Dalziel Ambassador Jenonne Walker Denise Hale Robert B. and Tanni D. Newlin Joan Danziger Mrs. Patricia A. Walters John C. Harbert, M.D. Jeffrey Hugh Newman Muriel G. Davidson David Warnock and Deidre Bosley Harry W. Havemeyer Diane A. Nixon Roy † and Cecily Langdale Davis Jane P. Watkins Richard C. and Elizabeth A. Hedreen Stephen and Claudine Ostrow Shirley Ross Davis Michael H. Weaver Helen Lee Henderson Mary and John Pappajohn Virginia L. Dean Mrs. Robert M. Weidenhammer Dennis E. Henley and Nora L. Shea Mr. and Mrs. J. B. Riggs Parker Alexandra D. de Borchgrave Angela Caveness Weisskopf Judith F. Hernstadt Elisa M. Patterson Cristina Del Sesto The Honorable Allan Wendt and Maria C. Higgins Dewayne and Faith Perry Que D. Nguyen Dr. Lois de Ménil and Dr. Georges Ivan E. and Winifred Phillips de Ménil William L. Hopkins and Richard B. Elizabeth A. White Anderson † Judith D. Pomeranz Mr. Harry DeMott and Dr. John C. Whitehead † Samantha Aldred Jeffrey E. Horvitz Helen Porter and James T. Dyke Malcolm Wiener Marion F. Deshmukh Timothy and Suzanne Hyde Richard and Jeanne Press Professor John Wilmerding Mr. and Mrs. James F. Dicke II Arthur C. G. Hyland Judy Lynn Prince Christopher and Beverly With in Dr. J. Robert DiFulgo Earle Hyman in memory of Rolf Sirnes Francis H. Rasmus Memory of Karl and Gerda With Dr. Joseph P. DiGangi Mr. James A. Johnson Jr. Carol Bird Ravenal, Ph.D. Andrea Woodner Patricia A. Donovan Robert Alan Johnson Mary L. Regan David F. Wright in memory of my good friend, John Taylor Arms IV Robert W. † and Louisa C. Duemling Paul M. Kanev Anita † and Burton Reiner Judy and Leo Zickler Virginia Dwan Betsy Karel Mr. † and Mrs. George W. Riesz Charles S. and Elynne B. Zucker Merritt P. Dyke Kasper The Rizik Family Mr. Barney A. Ebsworth Jak Katalan Susan Roberts † Deceased Joan M. Eckert Gift of Kaufman Americana Mary and David † Robinson Foundation in honor of George M. † Andrew Robison Jean Efron and Linda H. Kaufman Every effort has been made to create David Rockefeller a complete and accurate list of Mr. and Mrs. Gerry Elliott Richard and Elaine Kaufman contributors. Due to limited space, Virginia F. Harrison Elliott † and Judith Keenan George W. Elliott Diane Rosacker gifts under $1,000 are not listed. Ellsworth Kelly Mr. A. Thompson Ellwanger III † and Trina and Lee G. Rubenstein Gifts to the Gallery may be made in Mr. Gregory E. Mescha † Thomas and Kathleen Koepsell Gwendolyn Russell the form of cash, securities, or real Ms. Jane Engle Robert and Arlene Kogod The Honorable Arnold A. † and Joan and personal property, and may be Michael W. Kolakowski The Epstein Family Collection Saltzman directed toward specific programs or Dr. K. Bolling Farmer Alice S. and William K. Konze Mrs. Stanley J. Sarnoff † be designated as unrestricted. Some Lee and Ann Fensterstock Christie Kramer and Charles Kirby Douglas Schaller donors make outright gifts, while others elect to make deferred gifts to Aaron I. Fleischman Julie LaFave Jean Schepers in memory of W. help provide for the future. All gifts Peter T. Foley Evelyn † and Leonard Lauder Robertson Schepers and E. Beeson and bequests are deductible, within Jo Carole and Ronald S. Lauder Bruce Schepers Michael C. Forman and Jennifer S. Rice the limits prescribed by law, for Deanna J. Schupbach, Ph.D. Douglas and Pamela Fowler Alexander M. and Judith W. Laughlin applicable federal tax purposes. For David P. Schuyler Barbara W. Freeman Arthur Lazarus Jr. further information, please call the Charles and Helen Schwab development office at (202) 842-6372. Howard and Shirlee Friedenberg Virginia Lee in Memory of Dr. and Mrs. Chai-Chang Choi Joyce Pomeroy Schwartz Maryann and Alvin † Friedman The Honorable and Mrs. Marc E. Deborah and Edward Shein David Morgan Frost Leland Ruth and Hugh Sickel Morton and Norma Lee Funger Lynne R. Levin Gerald and Ellen Sigal Copyright ©2016 Board of Trustees, National Gallery of Art, Washington. All rights reserved.

Produced by the National Gallery of Art, Washington www.nga.gov

ISBN 978–0–89468–406–7

Photograph of the Chief Justice of the United States: Steve Petteway, Collection of the Supreme Court of the United States

Photographs by Rob Shelley: front cover, inside front cover, back cover, pages 2–3, 4–5, 6–7, 8–9, 20–21, 22, 24, 25, 26, 27, 28, 29, 30, 31, 37, 38, 40–41, 42, 45, 46 (bottom), 48–49

Photograph of installation view "Roni Horn aka Roni Horn," Collection Lambert, Avignon, France, 2009 by Stefan Altenburger Photography Zürich: Page 14

Photographs by Ed Berger: pages 32–33, 34, 36

Reflectance imaging spectroscopy map by John Delaney and Kate Dooley: page 44

Photograph by Taylor Heasley: page 46 (top)

Photograph by Mira Patel: page 47

Works of art in the collection of the National Gallery of Art have been photographed by the division of imaging and visual services.

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