The Ukrainian Weekly 2000, No.25
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Rachmaninoff Symphony No
RACHMANINOFF SYMPHONY NO. 3 10 SONGS (ARR. JUROWSKI) VLADIMIR JUROWSKI conductor VSEVOLOD GRIVNOV tenor LONDON PHILHARMONIC ORCHESTRA SERGE RACHMANINOFF SYMPHONY NO. 3 Sir Henry Wood, writing in his autobiography My Life and conductor. If the public in Russia, Europe and America of Music (1938), predicted that Rachmaninoff’s Third recognised his gifts in all three branches of the profession, Symphony would ‘prove as popular as Tchaikovsky’s Fifth’. he himself always regarded himself as a composer first If that has never really been the case, Wood’s further and foremost. If he also happened to be one of the finest assessment of the score does ring true: pianists the world has ever known, that was, to a certain extent, a bonus. In 1917, however, there came a seismic ‘The work impresses me as being of the true Russian change in his life. With the onset and aftermath of the Romantic school. One cannot get away from the October Revolution, Rachmaninoff and his family felt beauty and melodic line of the themes and their logical compelled to emigrate. ‘Everything around me makes it development. As did Tchaikovsky, Rachmaninoff uses the impossible for me to work’, he wrote to his cousin and fellow instruments of the orchestra to their fullest effect. Those pianist Alexander Ziloti, ‘and I am frightened of becoming lovely little phrases for solo violin, echoed on the four solo completely apathetic. Everybody around me advises me to woodwind instruments, have leave Russia for a while. But where to, and how? And is it a magical effect in the slow movement. -
Pavel Lisitsian Discography by Richard Kummins
Pavel Lisitsian Discography By Richard Kummins e-mail: [email protected] Rev - 17 June 2014 Composer Selection Other artists Date Lang Record # The capital city of the country (Stolitsa Agababov rodin) 1956 Rus 78 USSR 41366 (1956) LP Melodiya 14305/6 (1964) LP Melodiya M10 45467/8 (1984) CD Russian Disc 15022 (1994) MP3 RMG 1637 (2005 - Song Listen, maybe, Op 49 #2 (Paslushai, byt Anthology Vol 1) Arensky mozhet) Andrei Mitnik, piano 1951 Rus MP3 RMG 1766 (2006) 78 USSR 14626 (1947) LP Vocal Record Collector's Armenian (trad) Armenian girls (Hayotz akhchikner) Matvei Sakharov, piano 1947 Arm Society 1992 Armenian girls (Hayotz akhchikner) LP Melodiya 45465/6 (1984) Armenian (trad) (arranged by Aleksandr Dolukhanian) Matvei Sakharov, piano 1948 Arm MP3 RMG 1766 (2006) Armenian girls (Hayotz akhchikner) 1960 (San LP New York Records PL 101 Armenian (trad) (arranged by Aleksandr Dolukhanian) Maro Ajemian, piano Francisco) Arm (1960) Crane (Groong) 1960 (San LP New York Records PL 101 Armenian (trad) (arranged by Aleksandr Dolukhanian) Maro Ajemian, piano Francisco) Arm (1960) Russian Folk Instrument Orchestra - Crane (Groong) Central TV and All-Union Radio LP Melodiya 45465/6 (1984) Armenian (trad) (arranged by Aleksandr Dolukhanian) - Vladimir Fedoseyev 1968 Arm MP3 RMG 1766 (2006) LP DKS 6228 (1955) Armenian (trad) Dogwood forest (Lyut kizil usta tvoi) Matvei Sakharov, piano 1955 Arm MP3 RMG 1766 (2006) Dream (Yeraz) (arranged by Aleksandr LP Melodiya 45465/6 (1984) Armenian (trad) Dolukhanian) Matvei Sakharov, piano 1948 Arm MP3 RMG -
Culture and Customs of Ukraine Ukraine
Culture and Customs of Ukraine Ukraine. Courtesy of Bookcomp, Inc. Culture and Customs of Ukraine ADRIANA HELBIG, OKSANA BURANBAEVA, AND VANJA MLADINEO Culture and Customs of Europe GREENWOOD PRESS Westport, Connecticut • London Library of Congress Cataloging-in-Publication Data Helbig, Adriana. Culture and customs of Ukraine / Adriana Helbig, Oksana Buranbaeva and Vanja Mladineo. p. cm. — (Culture and customs of Europe) Includes bibliographical references and index. ISBN 978–0–313–34363–6 (alk. paper) 1. Ukraine—Civilization. 2. Ukraine—Social life and customs. I. Buranbaeva, Oksana. II. Mladineo, Vanja. III. Title. IV. Series. DK508.4.H45 2009 947.7—dc22 2008027463 British Library Cataloguing in Publication Data is available. Copyright © 2009 by Adriana Helbig, Oksana Buranbaeva, and Vanja Mladineo All rights reserved. No portion of this book may be reproduced, by any process or technique, without the express written consent of the publisher. Library of Congress Catalog Card Number: 2008027463 ISBN: 978–0–313–34363–6 First published in 2009 Greenwood Press, 88 Post Road West, Westport, CT 06881 An imprint of Greenwood Publishing Group, Inc. www.greenwood.com Printed in the United States of America The paper used in this book complies with the Permanent Paper Standard issued by the National Information Standards Organization (Z39.48–1984). 10 9 8 7 6 5 4 3 2 1 The authors dedicate this book to Marijka Stadnycka Helbig and to the memory of Omelan Helbig; to Rimma Buranbaeva, Christoph Merdes, and Ural Buranbaev; to Marko Pećarević. This page intentionally left blank Contents Series Foreword ix Preface xi Acknowledgments xiii Chronology xv 1 Context 1 2 Religion 30 3 Language 48 4 Gender 59 5 Education 71 6 Customs, Holidays, and Cuisine 90 7 Media 114 8 Literature 127 viii CONTENTS 9 Music 147 10 Theater and Cinema in the Twentieth Century 162 Glossary 173 Selected Bibliography 177 Index 187 Series Foreword The old world and the New World have maintained a fluid exchange of people, ideas, innovations, and styles. -
4932 Appendices Only for Online.Indd
APPENDIX I MUSIC AWARDS IN COMPOSITION Key to award cycles: 1941 for works from 1934–40 1942 for works from 1941 1943 for works from 1942 1946a for works from 1943–44 1946b for works from 1945 1947 for works from 1946 1948 for works from 1947 1949 for works from 1948 1950 for works from 1949 1951 for works from 1950 1952 for works from 1951 Not included here: 1953 for works from 1952, no awards made 1954 for works from 1952–53, no awards made (see Appendix IV) Table 1. Awards in Composition by Genre Unusually high numbers are in boldface ’41 ’42 ’43 ’46a ’46b ’47 ’48 ’49 ’50 ’51 ’52 Opera2121117 2 Cantata 1 2 1 2 1 5 32 Symphony 2 1 1 4 1122 Symphonic poem 1 1 3 2 3 Suite 111216 3 Concerto 1 3 1 1 3 4 3 Ballet 1 1 21321 Chamber music 1 1 3 4 11131 Piano pieces 1 1 Film scores 21 2111 1 4 APPENDIX I MUSIC AWARDS IN COMPOSITION Songs 2121121 6 3 Art songs 1 2 Marches 1 Incidental music 1 Folk instruments 111 Table 2. Composers in Alphabetical Order Surnames are given in the most common transliteration (e.g. as in Wikipedia); first names are mostly given in the familiar anglicized form. Name Alternative Spellings/ Dates Class and Year Notes Transliterations of Awards 1. Afanasyev, Leonid 1921–1995 III, 1952 2. Aleksandrov, 1883–1946 I, 1942 see performers list Alexander for a further award (Appendix II) 3. Aleksandrov, 1888–1982 II, 1951 Anatoly 4. -
C K’NAY C (To Her) C (Poem by A
K ney C k’NAY C (To Her) C (poem by A. Belïy [(A.) BAY-lee] set to music by Sergei Rachmaninoff [sehr-GAYEE rahk-MAH-nyih-nuff]) Kaan C JindÍich z Albestç Kàan C YINND-rshihk z’AHL-bess-too KAHAHN C (known also as Heinrich Kàan-Albest [H¦N-rihh KAHAHN-AHL-besst]) Kabaivanska C Raina Kabaivanska C rah-EE-nah kah-bahih-WAHN-skuh C (known also as Raina Yakimova [yah-KEE-muh-vuh] Kabaivanska) Kabalevsky C Dmitri Kabalevsky C d’MEE-tree kah-bah-LYEFF-skee C (known also as Dmitri Borisovich Kabalevsky [d’MEE-tree bah-REE-suh-vihch kah-bah-LYEFF-skee]) C (the first name is also transliterated as Dmitry) Kabasta C Oswald Kabasta C AWSS-vahlt kah-BAHSS-tah Kabelac C Miloslav Kabelá C MIH-law-slahf KAH-beh-lahahsh Kabos C Ilona Kabós C IH-law-nuh KAH-bohohsh Kacinskas C Jerome Ka inskas C juh-ROHM kah-CHINN-skuss C (known also as Jeronimas Ka inskas [yeh-raw-NEE-mahss kah-CHEEN-skahss]) Kaddish for terezin C Kaddish for Terezin C kahd-DIHSH (for) TEH-reh-zinn C (a Holocaust Requiem [{REH-kôôee-umm} REH-kôôih-emm] by Ronald Senator [RAH-nulld SEH-nuh-tur]) C (Kaddish is a Jewish mourner’s prayer, and Terezin is a Czechoslovakian town converted to a concentration camp by the Nazis during World War II, where more than 15,000 Jewish children perished) Kade C Otto Kade C AWT-toh KAH-duh Kadesh urchatz C Kadesh Ur'chatz C kah-DEHSH o-HAHTSS C (Bless and Wash — a prayer song) Kadosa C Pál Kadosa C PAHAHL KAH-daw-shah Kadosh sanctus C Kadosh, Sanctus C kah-DAWSH, SAHNGK-tawss C (section of the Holocaust Reqiem — Kaddish for Terezin [kahd-DIHSH (for) TEH-reh-zinn] -
PRINTED MATERIAL DISCOGRAPHICAL & REFERENCE BOOKS, PAMPHLETS, BIOGRAPHIES; PROGRAMS Books Are All in Good, Used Condition (No Damage Unless Described)
PRINTED MATERIAL DISCOGRAPHICAL & REFERENCE BOOKS, PAMPHLETS, BIOGRAPHIES; PROGRAMS Books are all in good, used condition (no damage unless described). “As new” should be just that. “Excellent” would be similar to 2, light dust jacket or cover marks but no problems. “Good” would be similar to 3 (use wear). Any damage or marking is mentioned. DJ = includes Paper Dust Jacket “THE RECORD COLLECTOR” MAGAZINE Given below is the featured artist(s) of each issue (D=discography, B-biographical sketch). All copies are in fine condition (with the possibility of an index mark or possible check marks, occasional underlinings, but no physical damage such as tears, loose seams, etc., unless otherwise indicated. MINIMUM BID $5.00 PER MAGAZINE 8002. II/1-6. (Jan.-June, 1947). Re-issue of first half of Volume II, originally in mimeographed format. 8006. III/3. Götterdämmerung on Records; The Victor News Letter; American Record Notes, etc. 8007. III/4. Rethberg Discography; more Götterdämmerung; Cloe Elmo; Russian Operatic Discs, etc. 8010. III/7. Dating Victor Records; A Brief Glance Back; More “Historical Record” Amendments, etc. 8011. III/8. Iris addenda; Russian Operatic Records; More on Affre; The Aldeburgh Festival, etc. 8012. III/9. Edison Disc Records; Celebrities at Birmingham; Puccini Operas; More on Götterdämmerung, etc. 8013. III/10. A Santley Curiosity; Matrix & Serial Numbers; My Most Inartistic Recording; etc. 8015. III/12. Bauer Amendments; Italian Vocal Issues Jan.-Aug. 1948; Philadelphia Record Society, etc. 8017. IV/2. Giovanni Zenatello (D); “Otello” discography, etc. 8018. IV/3. Medea Mei-Figner (D); Another Curiosity; Italian Vocal Issues, etc. 8019. IV/4 The DeReszke Mystery; Eugenia Mantelli (D and commentary), To Help the Junior Collector, etc. -
Eugene Onegin” by P
ATINER CONFERENCE PRESENTATION SERIES No: HUM2020-0184 ATINER’s Conference Paper Proceedings Series HUM2020-0184 Athens, 29 June 2020 Opera “Eugene Onegin” by P. Tchaikovsky: The Historical Context and the Stage Dramaturgy of the Main Character Yawei Liu Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10683 Athens, Greece ATINER‟s conference paper proceedings series are circulated to promote dialogue among academic scholars. All papers of this series have been blind reviewed and accepted for presentation at one of ATINER‟s annual conferences according to its acceptance policies (http://www.atiner.gr/acceptance). © All rights reserved by authors. 1 ATINER CONFERENCE PRESENTATION SERIES No: HUM2020-0184 ATINER’s Conference Paper Proceedings Series HUM2020-0184 Athens, 29 June 2020 ISSN: 2529-167X Yawei Liu, Postgraduate Student, Herzen State Pedagogical University of Russia, Russia Opera “Eugene Onegin” by P. Tchaikovsky: The Historical Context and the Stage Dramaturgy of the Main Character ABSTRACT The article considers the historical context and the dramaturgy of the character of Onegin in Tchaikovsky‟s opera with the same title, and the change of his image during the opera performance. The article defines the meaning of terms “context” and “text”. The opera libretto composed by K. Shilovsky and P. Tchaikovsky, is compared with Pushkin‟s novel “Eugene Onegin”. Understanding of the problems inherent in the opera can guide the singer to more accurate implementation of the performing tasks. They include fluent knowledge of the musical text of P.I. Tchaikovsky‟s opera clavier, penetration into the figurative structure of this character, modelling the psychological nature of the role pattern, knowing of the historical and cultural context of the opera work as a whole. -
CORRESPONDENCE Freedom for Nations ! Freedom for Individuals!
GW ISSN 001— 0545 Y 23008 F SPRING/SUMMER 1996 NO. 1-2 ; VOL. XLVII CORRESPONDENCE Freedom for Nations ! Freedom for Individuals! IN THIS ISSUE: « issssKS: Volodymyr Masur Yaroslav Stetsko, Prominent Statesman of the 20th Century Ihor Dlaboha Chornobyl 1986-1996 Roman Laba How Yeltsin's Exploitation of Ethnic Nationalism Brought Down an Empire DOCUMENTS AND 8 m International Colloquium: "The EU on the Eve of the 21st Century" The Chornobyl Nuclear Catastrophe and the High-Risk Potential for Mental Retardation CONTENTS Volodymyr MASUR, Yaroslav Stetsko, Prominent Statesman of the 20th Century. 2 Ihor DLABOHA, Chomobyl 1986-1996 ..............................................................................9 Ivan Z. HOLOWINSKY, The Chomobyl Nuclear Catastrophe and the High-Risk Potential for Mental R e ta rd a tio n ................................................................................... 20 Tunne KELAM, International Colloquium 'The EU on the Eve of the 21st Century" . 27 Roman LABA, How Yeltsin's Exploitation of Ethnic Nationalism brought down the Empire 34 ABN CORRESPONDENCE Publisher and Owner (Verleger und Inhaber): Articles signed with name or pseudonym do not American Friends of the Anti-Bolshevik Bloc necessarily reflect the Editor's opinion, but that of Nations (AF ABN), 136 Second Avenue, of the author. Manuscripts sent in unrequested New York, N.Y. 10003, U.S.A. cannot be returned in case of non-publication unless postage is enclosed. Zweigstelle Deutschland: A. Dankiw, Zeppelinstr. 67, 8000 München 80. It is not our practice to pay for contributed materials. Reproduction permitted only with Editorial Staff: Board of Editors indication of source (ABN Corr.). Editor-in-Chief: Mrs Slava Stetsko, M.A. Zeppelinstr. 67 Annual subscription: 27 US dollars, and the 8000 München 80, Germany equivalent in all other countries. -
The Ukrainian Weekly 1998, No.15
www.ukrweekly.com INSIDE:• Congressional hearings focus on foreign aid – page3. • Investigators examine alleged election fraud – page 8. • Report to determine fate of U.S. aid to Ukraine – page 9. Published by the Ukrainian National Association Inc., a fraternal non-profit association Vol. LXVI HE No.KRAINIAN 15 THE UKRAINIAN WEEKLY SUNDAY, APRIL 12, 1998 EEKLY$1.25/$2 in Ukraine 63 miners killed T U Election authoritiesW announce in gas explosion official results of party list voting by Roman Woronowycz by Roman Woronowycz the Verkhovna Rada’s 450 seats, would be Kyiv Press Bureau Kyiv Press Bureau announced concurrently . Both parties and individuals who took part KYIV – While Ukraine observed an official KYIV – Ukraine’s Central Election in the March 29 elections have alleged wide- two-day mourning period on April 6-7, friends Commission on April 7 announced the official spread fraud, although most international and and relatives began burying some of the 63 results of the party list voting to the Verkhovna domestic observer organizations said election coal miners who perished in an explosion in Rada, but has put off publishing official results the Donetsk region of eastern Ukraine. violations were minor and did not affect the in the vote for single-mandate representatives. outcomes of the races. On April 4 during a 10 a.m. shift change at Central Election Commission Chairman the Skachinsky coal mine, located in the city of The official results did not change from the Mykhailo Riabets said at a press conference preliminary results announced last week. The Donetsk, a lethal build-up of methane gas that the commission had received so many caused an explosion that buried at least a hun- Communist Party will get 84 seats, the Rukh complaints of election law violations and fraud Party will receive 32, the Socialist/Agrarian dred workers. -
Bibliography of Materials Available from the Russian
REPORT RESUMES ED 011 751 FL 000 383 BIBLIOGRAPHY OF MATERIALS AVAILABLE FROM THERUSSIAN STUDIES CENTER FOR SECONDARY SCHOOLS. SUPPLEMENT, FEBRUARY1967. CHOATE SCHOOL, WALLINGFORD, CONN. PUB DATE FEB 67 EDRS PRICEMFS0.09 HC -$1.44 36P. DESCRIPTORS - *BIBLIOGRAPHIES, *INSTRUCTIONALMATERIALS, *RESOURCE MATERIALS, *RUSSIAN, *SECONDARY SCHOOLS,AREA STUDIES, AUDIOVISUAL AIDS, LITERATURE, FOREIGN CULTURE, HISTORY, THE CHOATE SCHOOL, THE RUSSIAN STUDIES CENTERFOR SECONDARY SCHOOLS, WALLINGFORD BACKGROUND AND INSTRUCTIONAL MATERIALS PUBLISHED BETWEEN 1947 AND 1966 ARE LISTED IN THIS SUPPLEMENTTO THE "BIBLIOGRAPHY OF MATERIALS" ISSUED BY THE RUSSIAN CENTERFOR SECONDARY SCHOOLS. THE MAJORITY OF THE ITEMS ARE IN ENGLISH, AND ALL ARE AVAILABLE FROM THE CENTER ON A 3WEEKLOAN TO SECONDARY SCHOOL TEACHERS OF RUSSIAN. TEE SIX MAJOR SECTIONS LIST BOOKS ON - -I1) HISTORY, (2) COMMUNISM, MARXISM, AND SOCIALISM, (3) ECONOMY AND LAW, (4) FOREIGN RELATIONS, (5) LANGUAGE, AND (6) LITERATURE. THERE ARE BRIEF SECTIONSON CIVILIZATION, FOLKLORE, GEOGRAPHY, GOVERNMENT AND POLITICS, MUSIC AND ART, FHILOGOPY AND RELIGION, AND EDUCATION. BIBLIOGRAPHIES, JOURNALS AND PERIODICALS, AND AUDIOVISUAL AIDS ALSO ARE LISTED. (AM) 1 BIBLIOGRAPHY OF MATERIALS r. AVAILABLE FROM THE RUSSIANSTUDIES CENTER FOR SECONDARYSCHOOLS SU PLEMENT FEBRUARY, 1 9 6 7 THE RUSSIAN STUDIES CENTERFOR SECONDARY SCHOOLS (4) The Andrew Mellon Library The ChoatesSchool Wallingford, Connecticut 06492 NOTICE ALL MATERIAIS ARE AVAITABIEFOR A THREE-WEEK LOAN -FROM DATE OF RECEIPTTO RETURN MAILING DATE. BORRIVERS' PAY ONLY THECOST OF THE RETURN POSTAGE. Ip. S it U.S. DEPARTMENT OF HEALTH, EDUCATION& WELFARE OFFICE OF EDUCATION THIS DOCUMENT HAS BEEN REPRODUCEDEXACTLY AS RECEIVED FROM THE PERSON OR ORGANIZATION ORIGINATINGIT.POINTS OF VIEW OR OPINIONS STATED DO NOT NECESSARILY REPRESENTOFFICIAL OFFICE OF EDUCATION POSITION ORPOLICY. -
Untitled Spreadsheet
Priority sector for Name of the project in Summary of the project in English, including goal and results (up Full name of the applicant Total project budget Requested amount ID Competition program LOT Type of project culture and arts English to 100 words) organization in English (in UAH) from UCF (in UAH) The aim of our project is organization of the international theatre festival “Golden lion 2020 on the street”. This implies the invitation of professional street theatre companies from Poland, France, Gemany, Belarus, Ukraine, Italy. The Festival will be held on October 2-6, 2020 and will include spectators from Ukraine and abroad. Besides the presentation of theatre performances, various workshops will take place (interactive art-object “Woman. History. Modernity”), which give the opportunity to from new tendencies and trends in culture sphere. The festival aims to familiarize the Ukrainian viewer with the new International Theatre trends of street theatre in Europe and to promote the Lot 1 Prominent Events Festival “Golden Lion development of street art in Ukraine, which Ukraine does Lviv Academic Spiritual 3EVE11-0037 Prominent Events in Ukraine Individual Visual arts on the street-2020” not have at the moment. Theatre “Voskresinnia” 5588200 4438200 “Next Sound 2020” project is the merging of a notable festival of modern art and electronic music with grassroots cultural initiatives of Eastern Ukraine. In this project, a significant cultural event for Ukraine will combine with regional initiatives on the purpose of widening geography -
Mussorgsky's Boris Godunov
Mussorgsky’s Boris Godunov - A survey of the discography There are around ninety recordings of Boris Godunov, of which I consider twenty-four here below. It is possibly the most performed Russian opera and certainly the most recorded; I have departed from my usual practice of including only complete recordings, first, because deciding what “complete” means can be problematic, and secondly because there are several recordings of extended excerpts of exceptional quality and interest to the collector. There are several live recordings which look tempting but I have not reviewed as I cannot listen to everything and have therefore mostly confined myself to studio versions. All sixteen studio recordings are reviewed below bar one; I have been unable to hear one from 1973 conducted by Naidenov, in which Bulgarian bass Nicolai Ghiuselev sings two of the principal bass roles. The remaining eight recordings are either excerpts or live in vintage or inadequate sound, and thus can only be supplementary to a main studio recommendation. There are two major areas of contention: which version and which orchestration to choose? – and obviously those two factors overlap and can work in combination. Essentially, there are two versions, the so-called “initial” of 1869 and the “definitive” of 1872 - and here I am lifting without apology from Wikipedia, as it summarises neatly: “the Original Version of 1869…was rejected for production by the Imperial Theatres, and the Revised Version of 1872…received its first performance in 1874 in Saint Petersburg. Boris Godunov has seldom been performed in either of the two forms left by the composer, frequently being subjected to cuts, recomposition, re-orchestration, transposition of scenes, or conflation of the original and revised versions.